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#the mitchells
jettpack · 2 years
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I did the Exterior design for the Dinostop set in the Mitchells vs the Machines. It was a challenging assignment as the set had already gone through multiple artists before it landed on my desk. My Final version is influenced heavily by an earlier version done by my boss, Production Designer (and genius) Lindsey Olivares, as well as by the hilarious story boards from Head of Story Guillermo Martinez. The Director, Mike Rianda  as constantly pushing me to exaggerate the Dino designs to make sure they retained the comedic impact of the Boards. Its amazing how much back and forth there was to make sure this set was stupid as fuck. Had a blast doing this full painting as well as all of the bits and pieces. 
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jackbatchelor3 · 9 months
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Ballum-related spoilers from Digital Spy
👬🏳️‍🌈
TW: Bulimia and rape
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The Mitchells', Fucking Each Other Over Since 1990.
Seriously it never fails to amuse me how they will stab each other in the back while bleeting on about faaamily and loyalty. 🤣
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arkanetrouville · 1 year
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Eric and Deborahbot 5000 are the two best characters from the movie, and I've never been more grateful that they existed. These two are precious beyond my mind's capacity to explain, and I yearn for the day they get their own spotlight. I fell in love with them the first time they got introduced, and all I've been trying to do as the story progressed is search for them, like, wait, where are they now? Oh look, they're fighting in the background! Oh, they're trying to escape. Aww, look, they're pointing at things. And when the end of the movie came, I just kept waiting for their faces to enter the scene. I was worried that they were going to be abandoned or that they would be thrown away. Thank goodness they stayed with the family. But I want more than that.
I want to see them cook and bake with Linda, take photographs with Aaron, fish and take a hike with Rick, get their own rooms in the Mitchell house, visit Katie in college, and probably help her with her movies. I want to see them grow, explore, and discover themselves and life!
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nevalizona · 11 months
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Okay so I have come to learn that I think family dramas may be one of my favorite genres. Family dynamics always make my brain buzz. So upon realizing this, it also came to my attention that I do not have a "normal" family set of ocs. I have a cartel, which is run by a family, and I have a rich family (okay, the cartel is also rich, but they are not similar, ya know?). I would love to have a "regular" family to develop. No big crime, no lavish lifestyles, something closer to the life I actually live (but different obviously). Anyways- much to think about!
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You know a characther is fucked up and traumatized when they are wearing one of these
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filmreveries · 4 months
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Saltburn (2023) dir. Emerald Fennell
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gingernutsenthusiast · 4 months
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right person, wrong time (variations on heartbreak)
@leemartenspoetry on tumblr
vita sackville-west & fegan’s 1924 café in dublin
everything everywhere all at once (2022)
@heavensghost on tumblr
i had to get out by indigo de souza
‘calling a wolf a wolf' by kaveh akbar
river by joni mitchell
‘english song’ in a little larger than the entire universe: selected poems by fernando pessoa
slumber by ron hicks
fish in exile by vi khi nao
penitent magdalene by antonio ciseri
@ojibwa on tumblr
this is what the drugs are for by gracie abrams & the awakening by angelo morbelli
as good as it gets by fizz
lonely this christmas by mud & picture of the christmas tree at trinity college dublin, taken by me in december of 2022
this is what the drugs are for by gracie abrams & picture by andrew collins via globalnews.ca
@inanotherunivrs on tumblr & a polaroid of me taken by my ex-boyfriend
‘in a dream you saw a way to survive’ by clementine von radics & a picture of my ex-boyfriend's window, taken by me
bluets by maggie nelson & the poolbeg generating station, dublin
‘unrequited’ by sasha m george & inheritance by matthew w. cornell
[unknown]
@ faraway on instagram & lavender sprigs farm cut by linda jacobus
the museum of heartbreak by meg leder
[unknown]
‘seaside improvisation’ by richard siken
@ dracarysgang on twitter
@-love-letters-i-never-sent
@fromdarzaitoleeza on tumblr
explosions by ellie goulding
‘i had a dream about you’ by richard siken
the beatrice letters by lemony snicket
la la land (2016)
‘catalog of unabashed gratitude’ by ross gay
@stuckinapril on tumblr
@deathlywounded on tumblr
some are always hungry by jihyun yun
‘speaking practice’ by franny choi
 a self-portrait in letters by anna sexton & a picture of my ex-boyfriend in a lake in Orfű, Hungary
@sunsbleeding on tumblr
‘there is no absolution for the fallen, only the dying’ by p.d
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mysharona1987 · 1 year
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What a nice lady.
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tannnnblogs · 1 month
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Part 1 | Part 2 | Part 3 | Part 4
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finalatomicbuster · 28 days
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Bruno and Rod Mitchell in In and Out (1979) Photography by Target Studios
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jettpack · 2 years
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Another batch of props from The Mitchells Vs The Machines , these are random bits and pieces from everywhere in the movie. Some stuff that was cut. Slide 6 has props by tiffany lam that I did alternate packaging/joke names for.
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jackbatchelor3 · 4 months
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Just the one Ballum-related Christmas Day spoiler.
👬🏳️‍🌈🎄🗓️
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nevalizona · 1 year
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Joanna and Skunk cannot be left alone in a room together. They will argue. At least normally Joanna is never without Wesley, so he can step in before their argument escalates too much.
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aquitainequeen · 3 months
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If Hadestown has a moral, she says, then it’s “you have to try, you have to have hope, not because success is a given – it’s not. Orpheus fails. We heroicise” – here she breaks off to apologise that jet lag has led to her making up words – “we heroicise Orpheus not because he succeeds but because he tries, and that endeavour alone is worthwhile. How to live, and not merely survive, is to believe things could change.”
Anaïs Mitchell on her musical Hadestown: 'I worked on it so long I was afraid I'd never make another record'
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