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#the official vids are blocked in my country too so :
yuqyxom · 3 years
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no one loves got7 like got7 loves got7
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piracytheorist · 2 years
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The first notation says "ここからぼろ泣きします" (~aprox "here is when I really started crying") and the other > "she was crying again and I'm pretty sure she also said "I love you" - or tried to; Rose said "愛してるよ""
yeah she said "うちも愛してるよ" ("I love you too") but it got a bit understandably messy by the crying (me too Harumaki-san, me too ;_;)
"yt ALMOST got me, as the video was age restricted... but thanks to some vpn loopholes, I found a way to watch it!"
Age restriction? but you're 27? youtube wut. Is it bc of laws in Greece or something? I know there are vids that get country blocked.
About the languages, I can't remember what it said in Spanish at that point but I very much remember the Heisenberg naming his siblings "la zorra chupasangre, la muñeca psicópata y el p*to besugo" (the bloodsucking bitch, the psychopath doll, and the f*cking fish/idiot (it's a common fish, but it's also an insult like dumb/dimwit/idiot - lmao it gets across the 'moronic freak' 'Moreau-nic freak' thing ig)
-laa
the way I never got that "Moreau-nic freak" pun in the first place
WHY DOES IT HIT ME SO MUCH, TO REALIZE SHE DID SAY "I LOVE YOU TOO" AS A RESPONSE TO ROSE'S I LOVE YOU?? I had suspected it was that, and I was like YES WE LOVE ETHAN WINTERS 😭😭😭
Like legit one of the reasons I'd love to play as Rose in a future RE game is because we know she loves Ethan so much 🥺 and only because she knows what he did for her (like ik I talk a lot about the first time I watched that cutscene and how I wasn't that invested in Ethan then, but EVEN THEN I was touched by how she told him she loves him. My heart!). I feel like I'll immediately connect with her through that 😭
/
Yeah, there's this stupid thing I get into some videos where yt asks me to verify my age. Because I do happen to be 27, but yt wants proof. In what form, you ask? By asking me to show them a photo of my ID card or give them my credit card info. I have no single clue where that came from and why it exists. It's legit, it's not a scam, it's gοοgle itself asking me for that info. And I know there are multiple people who haven't done any of those yet they can still watch age-restricted videos. It's stupid and super annoying. Why does gοοgle want such private information just so I can watch gameplays of a horror game? Certain ones, specifically, because most are not age restricted! I don't know what they're smoking in gοοgle, but it's crap.
I tried using a vpn to pass through it, but I was still blocked out, so I'm pretty sure it's not because of the laws here (though I have found videos that are blocked in my country, specifically, the videos with the soundtrack from Outlander are blocked here for some stupid reason, and I can watch them with a vpn enabled). The vpn I have has an autopilot mode, which I guess makes me appear... nowhere, I guess. Like, normally, without the vpn on, my yt logo looks like this:
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And if I put it on some of the few places it offers for free, I get the respective logo change:
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But if I put it on autopilot...
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I belong nowhere. yt doesn't know what to do with me, and it allows me to watch age restricted videos. Perhaps it thinks I'm on a Space Station and so I'm a legal adult so I am allowed to watch what I want. Idk. Really fucked up that they ask me ID or credit card info to allow me to watch "adult stuff", if you ask me, but that's how capitalism and megacorporations work.
//
And back to RE stuff, I don't know how "canon" the dubs are considered (I mean, the ones the game itself offers are official, but still), but I like looking around for any differences even in like, small things. Like in the Four Lords scene, when Ethan looks at his restrained hands and says "Don't I get a say in this?", in Italian, Spanish and I think Portuguese, he says "Isn't my opinion important?" and I may not be an official translator myself, but I do kinda wanna make unofficial Greek subs for the game (if I ever figure out how to change the game files), and in Greek I would translate that into (almost literal, because our way of putting accent on the "me" would be to kind of repeat the word at the beginning of the sentence) "Aren't you gonna ask me?" because that's how I feel someone would say that in Greek, like, a literal translation of "Don't I get a say in this" could work but it would sound a bit archaic and even too formal for the situation. In any case, with the dubs and what little I understand from them, it feels like I'm watching the same thing but from another perspective. I wish I could understand the Japanese version, I feel like it's probably the closest to what the writers intended.
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borisbubbles · 4 years
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17. CZECH REPUBLIC
Benny Christo - “Kemama”
youtube
So first off, thank you for the nice commens. 😇The past few months haven’t been the happiest time for me, so thank you for your patience as I scraped my bearings together for another post! 😁
So I will now extend that same sympathy to Benny Christo, whom I think I damn fucking underrated. Let’s jump in~
ENTRY ANALYSIS
As one may expect i INSTANTLY liked “Kemama” because you know, it’s a fun, laid-back, tropical afro-breeze, completely different from anything else we would see in NFs and the year. EXACTLY the type of song I was hoping the Czech NF would deliver (and deliver they did, see NF Corner). This level of mild like swung into strong unironic like upon realizing that the title is a contraction of “Okay Mother” 😍 and the song deals with the subject of overcoming racially-tinged discrimination and rising above the hate. That just feels very poetic and apt? “Kemama” felt like the entry that had to overcome the highest odds in order to earn the respect it so fully deserves, and still hasn’t fully reached it.
.In our Western European bubble, comprised mostly of gays and left-liberal straights, we have a very grateful and universal acceptance of many different kinds of [lizard] people that make up Eurovision casts. Yet with “Kemama” we may have reached  an unusually grimy undercurrent of coded racism. 
Of course nothing I read was outrageously rancid, than Cod for that. The worst statement I read was a double-whammy of “EWW THIS ISN’T CARIBBEANVISION” and “WHY WOULD SOMEONE FROM *KENYA* WANT TO REP CZECHIA IN EUROVISION?”, and yes they first got the continent wrong and then *also* got the country wrong in the follow-up post and then they were torn limb from limb by a pack of aformentioned left-liberals. I’m sorry but i can’t not have any other response than laughter in the face of yet another fucking MORON faceplanting themselves with words like a... racist JK Rowling if you will?
Still, while I never read something outright vile about Benny doesn’t mean I found his deniers really annoying and they were! Think “Ew Solovey is ‘Too Aggressive’ it will NEVER DO WELL IN ESC”, a statement that isn’t coded nor racist (and yet extremely false and misguided), functioned as a similar idea by the same minds. A statement borne from the same breed of narrow-minded stubbornness which has caused elitist morons to be all “there is **SOMETHING** about “Kemama” i do *NOT* like and I cannot lay my finger on it... but I **DO NOT** like it at ALL. It won’t ever qualify because everyone will think the same way I do” -- Eurovision snobs, tiptoeing around racial coda in January 2020.
 They would also insist that Benny was “arrogant” because he was seemingly impervious to their (de)constructive criticism. Like, if you were a biracial butterfly living in a slavic country who had to deal with statements such as the above on a regular basis, you WOULD block out the noise. And if you heard them often enough you will start to block them out pre-emptively. DO YOU NOT KNOW HOW COPING MECHANISMS WORK?? (oh wait you’re white-privileged. Nevermind 🙄)
 So naturally, when Benny decided that he would revamp “Okay Mother” by adding in MORE African elements it only made me love him even more lol. 😍 Was it a bull-headed, contrarian and possibly really stupid decision? Yes, yes and absolutely yes. Was it worth it? Well he managed to incite even more meltdowns in a group of people I feel nothing but contempt for, so hell yeah? Eurovision was cancelled anyway so who cares how much ‘worse’ “Kemama” actually got. 
Okay, so we’ve arrived at the revamp.
Granted, it wasn’t the best ‘vamp, I’d be a fool to deny it. The new elements threw a wrench in the melodic balance of the song. Out went tropical laid-back fun, IN went that fucking guitar oh my god this is some Hotel FM piano levels of overbearing I swear. (nb: this still didn’t stop me from ironically stanning Hotel FM’s lame asses anyway 😍). However, it made the personal backstory that I loved and savoured take a backseat to the now inferior composition. 😭
Regardless, New Kemama was fundamentally the same song, and I fundamentally liked Old Kemama, so whatevs, it made no different to me. In the eyes of many Eurovision diehards we were experiencing WORST PRESHOW SEASON EVER (after three songs... lol) and nothing clinches this brainworm more than a revamp announcement. “OH MY GOD HE WILL RUIN IT! I CAN GUARANTEE YOU I *WON’T* LIKE IT”. Self-fulfilling prophecies, ya know? It certainly didn’t help when the official channel accidentally uploaded a vid with broken soundmixing (‘OMG HORRIBLE LAST IN THE SEMI!!!!’ calm the ever-loving HELL down) and took another FULL WEEK to upload the correct vid. The damage had already been done. Typing "SEE I TOLD YOU THE REVAMP WOULD BE SHITE HA HA HA” in the Kemama comment box really just is the ESC equivalent of reponding with “Actually, *all* lives matter :smug:” to a BLM support pamphlet, isn’t it?
NF CORNER
While not my favourite NF of the bunch, I found the Czech NF to be lowkey epic. Not epic enough to remember its name but regardless Czechvision or whatever marked the end of an era because it was also the last selection spearheaded by Jan Bors :o
I think I’ve made it clear enough in the past that I’m somewhat mixed on Bors Era Czechia - Lake Malawi were a toetapping good, Ickolas was a pockmarked, skin-crawling evil and the other three inhibit a purgatory somewhere between “moderately nice” and “moderate timewaste.”
Still, I have great respect for the man who orchestrated Czech’s comeback after scoring NINE POINTS TOTAL across three years with the mindset of “So what? Why says we can’t win?” so ofc I was all into the idea of the “EIGHT INDIE ANGELS, HAND-PICKED BY BORS HIMSELF” NF that would serve as his swan song.
Naturally things went down the drain the second Bors left, with one of the eight peacing and his successor cancelling the live broadcast (does anyone remember what exactly happened? I vaguely recall one was the cause of the other but lol it’s July can’t be bothered to factscheck (Factsczeck?) anymore, bitches.
Anyway, ON TO THE GOOD STUFF, and yes, there was plenty.
We All Poop - “ All the Blood (Positive Song Actually)”
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Yes, as you can imagine I ofc IMMEDIATELY fell into like when I saw that chyron and invisioned the inevitability of the Czech Rep’s Rep immediately alienating every parent just based on their name alone <3 😍 w/e WAP quickly became that “Good but not great” song you find in every NF that everyone gushes over because it’s the whitest option available. Like, yes, “All the blood” is good, but musically it’s identical to Green Day and Twenty-One Pilots and god name ANY 90s-early00′s American Punk Rock band. For me the enjoyment came from the fact that WAP were openly crazy vegan fundamentalists and the VC clip actively condemns the use ANY animal protein by replacing the cattle and game with LITERAL HUMAN BEINGS. 😍 :fusedmarcintensifies: :kasiamosage:
Pam Rabbit - “Get up”
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Ohhhh YES a glorious experimental Synth-Trap song only I could love and ofc I did. God what is there even to say; the provocative darkness of the verses combined with the swirling amorphousness of the chorus gives me LIFE. LUFF THIS SHIT <3333 Ftr, this was also the fave of Slovene Juror duo / synth angels / Boris faves ZALAGASPER, further proving their pathetic naysayers that they own all things music and the haters can suck a series of-
Barbora Mochowa - “White and Black Holes“
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Lol, yes even with a “Get up” existing, there was a song I liked even more. Barbora proved a very competent Lana del Gay last year, but I was a YUGE fan of this year’s... Kate Bush-Björk blend of ethereal awesome. It is so soothingly beautiful and the rare example of a song that I find completely free of flaws. Were the competition not such a hard place, I’d be pissed she didnt win (at least she won the jury vote MASSIVE KUDOS to every alum on that) but w/e this selection had opions and I’m rather robbed of a “Kemama” than I am of a BRILLIANT IRREPLICABLE AETHERBALLAD. ~Danse balance sûr les white and black holes~
Elis Mraz & Cis T - “Wanna be like”
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I *VERY* strongly felt that if the Czech Republic wanted to win ESC, they should have picked Elis and even now I STILL believe she could have won. That isn’t to say I gushed over “Wanna be like” because I find it kind of annoying lol. Yes, I LOVE an annoying female voice (:Tones&Icackle:) but Elis’s reaches a Camilla Cabello sort of place for me (good lord get Senorita OFF the fucking radio) and the Scat + White Guy Rapping middle-eight. 😬. However, the second I opened up the video clip for this paragraph and was immediately BLASTED by Elis murdering a ukelele and wearing a  “schoolgirl” outfit straight from a Japanese tentacle porn movie and OH MY GOD THE AGGRESSIVE TWERKING made me reconsider that hey, this min-sized Meghan Traynor actually kinda highkey owns, yo!  Yet, I’m not at all bothered we lost her in the Czech NF because we got UNO DOS QUATRO CINCO SEIS :fatmansplit: fill up the megameme slot instead, so...
Eurovision 2020 vs Eurovision 2021
BENNY RUINED HIS SONG AND NEVER WOULD HAVE QUALIFIED. jk I’m not a moron. Sure, “Kemama” wasn’t an easy sell because you know AFROBEAT in a contest where half of the people watching are fash (ie: all of Eastern Europe, who watch out of ~Nationalistic Sentiment~ 😬), but there are Kemama live renditions out there and he owns them SO hard lol. A few soundmixing issues really would not have stopped Benny from qualifying in that RIDICULOUSLY WEAKSAUCE SEMIFINAL are you fucking kidding me. He probably would’ve bombed in the Grand Final, but I mean it’s Czech and it’s not Ickolas so ofc it would have.
And Czech renewed him for 2021 regardless of the sceptics, woohoo! I think part of it was due the Czech not wanting to re-organize an ENTIRE NF from scratch without Jan Bors, but probably also because Benny owns live when he isn’t engaged in psychological trench warfare with actual human detritus <3 and also because the Czech fucking CARE about their artists and don’t drop them like a sack of rotten potatoes wtfshitprus.
Can’t wait for the moment when he qualifies and Efendi does not, etc, etc. 
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FREAKY! FRIDAY! FACTOR!
I’d say that the core around which the Ben Drama spun was pretty standard fare: niche fave beats out the concensus fave, meltdowns ensue, people convince themselves it was the WRONG decision because it wasn the result they wanted, try to disown the song and make a fool of themselves because the song slaps, sorry. Even the revamp drama felt more of less generic for me, because yawn fantards melting down over a revamp of a song they don’t even like what else is new.  
However, what I do take away that the revamp was ENTIRELY Benny’s idea which he told no one about (cue to JAN BORS having a social media meltdown like he’s Caesar at the Ides of March 💔) added MORE afrobeat just to troll his haters even more <3  God, I’d say it was bad from a musical perspective but this level of in-your-face defiance is fucking iconic and hilarious, sorry. This entire this year is so batshit bonkers that the concept of a someone potentially shooting themselves in the foot and “torpedo’ing” their qualification chances  (not rly, he would’ve Q’d anyway lol) JUST to take the moral high ground in a racially coded argument only HE took seriously may not even be the craziest concept in the year! (lol it definitely isn’t. Look at the pics I haven’t greyed out yet)
This and more yield Benny some well-earned Senheads! Yay!! 
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Score: 3 Senhits out of 5.
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yujachachacha · 7 years
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Just read your post about Rikyako... my heart hurts hearing about all the past struggles of the love live seiyuu :( do you have any sources for them though?
Ah, whoops…I’m in this little bubble of seiyuu fans, so I tend to forget that not everyone knows these things.
Well, at the very least I thought the thing about Kussun working at a maid café would be well-known. It’s even on her Love Live! Wikia page - she was a part-timer at the Akihabara cafe “Cafe la vie en rose” prior to her debut as Nozomi.
The stuff about Pile is also kinda general knowledge…? At least, I always assumed that was part of the reason why so many people liked her (the giving-up-music thing basically made her a real life Maki). Her past debuts show up on her English Wikipedia page. Pile even wrote a secret message to Maki in her song “P.S. Arigatou” by bolding certain characters in the lyric booklet to spell out: “Maki-chan, I'm finally able to say it... Thank you for everything up until now. I was able to make it this far because you were here. Please gently watch over me. P.S. I truly thank you.”
As for King’s single, you can find it here, along with previews for the tracks! There’s also the video promo for it on the official Victor Entertainment YouTube channel, which you can see here (Note: the video’s blocked in the US - and possibly a few other countries - so you might need a VPN to watch the vid). The mini-album is called “Bonjou Cinderella no Shiruke no Aru Onegai”, and was released in 2012.
Other stories about the seiyuu working in part-time jobs and such are mainly from their past blog entries and social media posts (e.g. Twitter, Instagram, Facebook), or conversations from interviews and radio programs…which I’m kinda too lazy to look up at the moment. Sorry, it’s just kind of a lot to sift through to find the exact source. _(:3 」∠)_
Observations about the seiyuu not finding any work or not having major successes in general are pretty much drawn from the fact that when the cast was announced, everyone went, “Who?”
For example, in the case of µ’s, about half of them were well-known in the seiyuu world: Mimorin, Soramaru, Ucchi, and Jolno. Even for the recent PDP seiyuu announcement, some seiyuu fans recognized a couple of the girls at the TGS event. In the case of Aqours, while some of them did have previous experience, LLS was pretty much the major breakout role for everyone in terms of voice acting. As a seiyuu fan myself, the only person I recognized on sight when the cast was announced was Anchan - but that was due to her role as Ino in the Naruto stage play, rather than seiyuu work.
Basically, you can go to their Wiki pages or agency profiles and figure out kind of work they did in the past. If you hang around message boards around the ‘net and go through the backlog of their blogs and stuff, you can find some interesting stories as well. For example, back in 2015 Shukashuu and Rikyako were pretty active about answering fan questions on Twitter. That’s actually how people learned about Rikyako living in LA. When a fan asked what country she liked, Rikyako chose America for the memories she made there and explained how she used to live in LA.
tl;dr: A lot of the information out there is “common knowledge” by now, but if you look hard enough, you can definitely find a source. For the most part, info is available on Wikipedia, agency profiles, and past social media posts.
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