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#the one mcu ship I really liked
technicalthinker · 5 months
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I feel like debating who Loki was talking to when he said "For You" in the last episode, is missing the point of the scene. And people referring to it as "cowardly" and a "no-homo" moment is just?? Baffling to me tbh because like;
First of all, it is obviously intended to be to both of them? If they only wanted to make it about Sylvie, Mobius wouldn't be there. If they only wanted to make it about Mobius, Sylvie wouldn't be there. If they wanted to make it about everyone they would've just framed it more equally, he does do it for all his friends ("for all of us"), but they have that scene to highlight these two specific relationships. The framing is quite clear, they have him take a last look at all of his friends before going down the stairs, but Mobius and Sylvie runs after him to have a final significant moment.
Which absolutely makes sense and is consistent with the show we have seen so far, s1 and s2 combined, which is what I love about it. And it was to be honest a surprise! Going into this season, I had little hope for Loki/Mobius interactions, just didn't want to expect too much since S1 had a lot of their connection, but that could've been it. I was shocked when s2ep1 was full to the brim with Loki and Mobius scenes? And then they kept reinforcing every week that they care about each other, is a funny duo to watch, and are important to one another.
And despite this, I expected the rug to at some point be pulled, especially compared to Loki's relationship to Sylvie. No matter people's personal viewing on the show, she is still cited as a love interest by showrunners and is just portrayed as that by the narrative a lot of the time. Sidelining that, even in s2 when the romantic hints are more vague, she's still a very important person in Loki's life. She played a central part of the plot and Loki's own character development of understanding himself.
So to me, I was surprised seeing Mobius and Sylvie side by side in the end. Both being framed as The important people in Loki's life. Then, however you wanna see in what ways they are important is up to you, but they are the people he keeps coming back to for advice and self-reflection. You can frame it as "oh it should've been only been Mobius and they added Sylvie to downplay it", which, I just disagree with (If they wanted to go for explicitly canon Lokius they needed to set that up even more earlier in the season but that's a post for another day). Sylvie is still like, a constant in the narrative and driving force of s1, even if s2 changes things around a bit, and imo it would be inconsistent if she just vanished here. I guess I am used to media that downplays a meaningful dynamic between two dudes in more aggressive ways, which they absolutely could've done, and would've taken me out of the story to be honest... but they didn't, Mobius and Sylvie got to be side by side in the end and that imo validated the Loki/Mobius dynamic way more than downplays it.
TLDR; The "For you" was for both Mobius and Sylvie because why would you frame it that way otherwise, and having them side by side like that validates Lokius way more than downplays it in a "no-homo" way considering the full context of the show.
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greenapplebling · 1 year
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So I recently realized my favorite kind of ships is where they're so close to the point where they're each other's "one & only", but then something happens and character A has to be sacrificed for everyone else's sake and character B is the only one who can kill them, A is willing/not opposed to it but B is very tempted to betray everyone to save A
And it hurts sm. Why do I do this to myself
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thetimelordbatgirl · 9 months
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As someone who quit the MCU but still checks in from to time…wow! Who would have ever thought it would get worse than Phase 4, but Secret Invasion is just…wow. Everett Ross has been a skrull the whole time? Rhodey has been a skrull since Civil War? It’s been difficult enough to rewatch the early MCU knowing it’s going to have a dissatisfying “conclusion” with Endgame, but what’s the point in rewatching the MCU at all if it’s likely just going to get retconned into not being all that it seems anyway?
There is no point to the MCU at this point, really. It started off with setting up storylines that then all concluded in Endgame (well, not all, but honestly, the ones not concluded at this point would have been better off staying not concluded), and now its just...basically Disney/MCU throwing random crap at the wall and hoping something sticks. And so far, nothing really has.
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bugborgs · 10 months
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How does it feel to be the supreme Bugborg blog on this planet?
oh it has undoubtedly done horrible things to me my ego is through the roof. every time someone reblogs my art and tags it with some variation of "i didn't know this was a ship but i like it now" i get 10+ to my ego converting people to this ship is SO fun
but for realsies the best part is seeing how many people come out of the woodwork to reblog bugborg content which is SO fun. i'm glad there's been a resurgence of bugborg love lately <3
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linuxbian · 11 months
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Funniest thing about the mcu/comics divide is how you can basically immediately tell which side of the fandom someone is in based on their favorite ships.
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nostalgia-tblr · 1 year
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not to say the antis were right that selfcest leads inevitably to incest, but is the reading sylki to reading thorki pipeline just me or..??
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messagesfromthefrog · 2 years
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I think that America Chavez and Gwen Poole is a very underrated ship.
Both are runaways in the multiverse who lost their families. But one never grew up, and the other was forced to grow up far too soon.
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lilatreus · 2 years
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What do you think about the loki fandom?
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ARE U GOING TO SEND A BOMB TO MY HOUSE?
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musical-chick-13 · 2 years
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IS NO ONE GONNA TALK ABOUT HOW JANE FUCKING DIED
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regicidal-optimism · 1 month
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You've been reblogging more stuff about female characters getting ignored by fandoms recently and I would be really curious to hear your full views on the topic.
The thing is that... look. I get it. Many fandoms do not have very many women in their canon, many of those women are treated pretty poorly by the canon or aren't given as much depth as their male peers, and if you're at all picky the pickings are kind of slim (I would love to be a fan of c!Niki, if I were able to watch six-hour vods, which I am not). It is not wrong that most works with large fandoms are really, really sexist, and the problem is not just in the fanbase!
But come the fuck on. It is not an accident that the DSMP and the MCU and BNHA, all of which are vast-majority male and the female characters are treated terribly, are megafandoms, and Revolutionary Girl Utena is eligible for yuletide. It is not wrong that if you want to see more female-character-focused fanwork you should go to Sailor Moon and not The Untamed, but it is also kind of missing the point to say that and not look at the difference in size between those fandoms. People can say "it's because the male characters are so often more interesting and have more meaningful interactions," and like, sometimes that's even true, I will be the first to tell you that quackbur has more to it than tinarose, but please compare the Clint/Coulson tag to the Utena/Anthy tag and look me in the eye and tell me that's the only thing driving the trend. With a straight face.
And even more there's a thing where— so, I was a mod in the @ao3topshipsbracket bracket. And femslash ships, once they were in the bracket, did really well. Like, absurdly well, like 80% of the f/f ships entered got to the top 16, and the last one was against blackbonnet which was never gonna lose in round 1. You might notice something about that number, though, which is that there were only five of them entered total, because people love to vote for femslash but they absolutely will not write it. And they won't say anything about it either! I was watching the activity feed the entire tournament, and I can tell you, for all of the "let's go lesbians" that populated our notes, nobody would say anything that was actually about the specific characters who made up their ship. I learned a lot about Naruto fandom, modding that bracket; I still know nothing about CW Supergirl, because the only thing anyone would say about it is "it has women in it". Because women are interchangeable. Because women are avatars of Being A Good Feminist. Because clicking a button is easy, and actually thinking about any specific woman and her traits and her internality is hard.
The thing is that guilt over misogyny does not actually fix misogyny. It gets you a lot of people who vote for women in polls, and who say "he's like a woman to me" about their male faves but notably don't have any canonically female characters they talk about, and who say that the only thing they care about in a fic is if it has women in it but will not ever actually say anything about any specific woman, and who never shut up about yuri but apparently yuri is everything and anything except women who have feelings about one another.
I'm tired! I'm very tired. I want people to actually give a shit about specific women and their specific traits, which do not begin and end with "woman". And, also, to stop treating women exclusively as the wingmen, advice-givers, mom figures, and accessories of men.
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portraitofadyke · 4 months
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I think Our Flag Means Death is a very unique show in a way that they don't care to cater to mainstream media. And yes, by mainstream media I mean the general straight people.
I think it's very important that we have feel-good shows like Heartstopper. A few years back, a tv show about two queer boys in high school would be unthinkable. But its plot generally revolves around explaining queerness. Sure, it's nice. It's definitely the show I would watch with my family if I were a teenager and wanted to come out again (I had to watch glee with my mom to do that. not optimal). It's the show where teenagers find love and themselves, but sexuality is constantly discussed, explained, sanitized. It's the show straight people will watch. And that's good. We do need shows like that.
But Our Flag Means Death doesn't even bother trying. It's a show about mostly middle aged people, most of them not white, most of them queer in one way or the other. It's really a game of spot the hetero, like someone said. And the characters are not sublte about it. They have sex for fun, something most characters don't have in tv shows, definitely not queer characters. They make dick jokes. They are not all conventionally attractive and they know it, and the writing doesn't care. They are all people before they are queer representation.
Stede's storyline in s1 is in a part about discovering himself and his sexuality, but it's not obnoxiously repeated. Instead, it's played in a natural way. Stede's storyline is ALL about finding himself, yet it's not just about that. Just like Ed's storyline, it's about toxic masculinity and allowing himself to have fine things and self-hatred and finding his place in a world, something most of us can relate to. Hell, none of us were even sure the main characters were going to kiss and end up together, we were all so sure it's a queerbait. But this show doesn't bait its audience. It's not afraid of weirdness. It embraces it instead. There is a nonbinary character. No, they are not a mermaid. Call them jim. That's it. Yes, Lucius and Pete got engaged. Everyone there knows what mateolage is, congrats. Olu and Jim never break up and then Archie shows up, then Zheng, and we all know. We all know.
Two men nearing fifty have a deep, romantic moment where one of them appears as a mermaid, and it's treated as the profound scene it is without ridiculing it. This would never fly in a 'mainstream' media. It would have to be downplayed. Here, it saves Ed's life.
The show tells you racists suck, but it doesn't tell you in a condescending, finger-waving way catered to the white people. Instead, it sets your ship aflame and burns you alive, runs a knife through your hand, puts poison in your drink and kills you.
This is a show for adults, for queer people of all kinds, and it does not give a fuck if anyone else gets it. It's so rare to find a tv show that caters to us, yet alone a tv show that's genuinely good and caring and so well loved.
This is a show that basically straightbaited its audience in the first season, that's how much they don't care.
Idk, I just feel that it will take ages for another show like OFMD to exist in a world full of MCU and media that tries so hard to be liked by everyone it loses its personality and charm. Rant over
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have-some-pudding · 6 months
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You know what I think is really going to hurt next week.
I know that 99.9% Lokius will not be canon. It is Disney +, it is the MCU, Loki has too many fans they won't let him be in a relationship with a man.
I have been through this many times before, Merthur, Destiel etc.
But the difference is: this feels real. This feels like it is not queerbaiting. This feels like their love for each other is profound, unconditional. For both of them their 1st priority is each other. The many touches, body language, heart to hearts, Loki fixing himself up before he goes to talk to Mobius. The "it's about what I wanted"..."Mobius should have a choice". The pure adoration they have for each other. Them saving each other without a second thought. There is absolutely nothing toxic in their relationship and it feels real. For the first time ever this feels like the writers are not playing with us.
Do I want this to happen?
Do I want my favourite chatacter since I am 15 to be loved as he has never been loved before, to be cherished, to be accepted just as he is, to be chosen without hesitation?
Of course i do.
Will this happen? No. It will not. Either he will suddenly end up with Sylvie, proving that he is not worthy of anybodies love only his own, or he will stay alone.
They could have given us a normal friendship between him and Mobius. Would people still ship them? Of course, that is what shipping is about. But they have given us the most dangerous thing, the very thing that could end up hurting us more than anything: hope.
Becouse I know deep in my head it won't happen, but they made it so real I cannot help but to hope that maybe this time they won't hurt us, maybe this time for the first time we can be happy for our favourite characters, just maybe this one time all of us queer people can feel like we have won.
Loki was right: hope is hard.
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bitchyycapricorn · 1 year
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Sticky
MCU!Peter Parker x Reader
Masterlist
Wordcount: 2.4K
Synopsis: Peter Parker loves to play with fun gadgets he finds around the Stark tower. Especially when it comes from an alien space ship. Which is exactly how you end up completely pressed to the ceiling of Peters room without knowing when you’ll come down.
Warnings: Smut!! Oral (f receiving), P in V, language, probably disappointing Mr. Stark
AN: lightly edited
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Peter bursts through his bedroom door at the speed of light. “Y/N! Y/N!” Peter shouts, his eyes scanning his room for any signs of life. You peak your head out from under the covers, a small smile forming on your tired face.
“Hey Peter,” you mumble sleepily, snuggling your head into Peter’s pillow. “You’re home from Stark Towers already?” You hum groggily.
Peter shuffles over to his bed, plopping down next to your curled-up figure. “Mr. Stark helped me design new web shooters and-and I wanted to show you them,” Peter beams. A soft smile spreads across your face as you watch Peter shuffle around inside the black bag he brought home.
“Ah, damnit.” Peter mumbles pulling out some sort of gun filled with lava pink liquid. “I brought home the wrong bag. This is the anti gravity stick gun.” Peter frowns.
Your eyes shoot open wide, the aspect of an anti gravity sticky gun intriguing you. “Did you say anti gravity? Your smile widens as you sit up fully to take a look at the gun in Peter’s hand.
“Yeah, but we can’t you know…use it.” Peter laughs as he goes to put the gun back in the bag. Your hand is quick to stop his, wrestling the gun out of his grip. “Y/N/N, no, we can’t,” Peter pleas with you. “If Mr. Stark find out he’ll have my suit!” His words mean nothing to you in this moment, you’re too busy examining the cool piece of alien tech that Peter “accidentally” brought home.
“There’s no way you ‘accidentally’ brought this home, you were totally messing around with Tony’s gadgets again weren’t you!” A smirk tugs at your lips as you continue to examine the bright pink liquid.
Peter groans, throwing himself back on the bed. “Okay! So I got sticky fingers and was messing with some of Mr. Stark’s stuff. But I really did accidentally bring it home! I had two identical bags, one with the anti-gravity gun and the other with my webshooter upgrades. Bruce just walked into the lab and I got scared and threw the gun back into the bag and without thinking took off with the wrong bag…” Peter babbles.
“Wicked,” you grin, pointing the gun at Peter. “So if I shoot you with this…”
“No no, I shot a flowerpot to the ceiling and it was still stuck up there when I left, I was playing with the gun for over an hour.” He replies sternly.
You let out a small laugh “Oh, so I’m definitely sticking your sticky ass to the ceiling.” You’re still pointing the gun at Peter when he goes to take it back from you. As you wrestle for the gun, a beam of light shoots out of it and the next thing you know you’re on Peter’s ceiling.
“Y/N!” Peter squeaks. Your whole body is pressed up into the ceiling, limbs completely frozen. Arms and legs both slightly spread out. “Um, shit what do we do?” Peter looks at the gun again as if there will be directions written on the outside explaining how to reverse the effects.
“I feel like I’m not even allowed to be mad,’ You let out a laugh, looking down at a panicking Peter. “This is actually really cool, I feel so firm.”
“Y/N, this is not the time to be messing around, we need to get you down.” Peter’s face is pale and sweaty as he examines your body being pressed against his ceiling by some weird alien magic. His eyes wander from how silly your hair looks fluffing out, down to how nice your figure looks, completely trapped and unable to move. Peter tries pushing the thought away, hating his sudden urge to crawl up on the ceiling with you and experience what its like to make you scream while you’re stuck. That’s when it hits him, “I’m coming up with you, I’ll see if I can pry you off the ceiling okay?”
You scrunch your face up at his words, not liking that he’s making you come down already. “Come on Peter, this is so cool. See if you can move my limbs into different positions first.” Peter disappears from your view for a moment before he’s hovering… below you?
“Why do you insist on making things difficult by messing around?”
“Because.” You state simply. Peter rolls his eyes, gently tugging at your arm. Your arm easily swings forward before quickly being pulled back to the ceiling. “Whoa, do that again it felt weird. I feel like my whole body is ten times more sensitive right now.”
Peter pulls your arm again, it comes forward before reattaching to the ceiling, his mind racing from your words. He can’t help but wonder if your whole body is more sensitive. “We need to get you down now.” He urges, knowing that if you’re up here any longer he won’t be able to help himself. It was always a fantasy of his to fuck you on the ceiling, or high up on a wall. He just never trusted himself enough to go through with it. But now that you were already up here, he couldn’t help but feel the urge to start fucking you senseless.
“Peter, earth to Peter Parker,” you coo, trying to get your boyfriends attention.
Peter blinks, refocusing his gaze onto yours, “sorry, sorry I was just thinking.” His face flushes red as he begins to crawl down to your legs.
“You couldn’t have been normal and gone around my body? You had to crawl over me didn’t you?” You ask, watching has Peter’s body hovers over yours on his way down to try and unstick your feet permanently. “Your dick is in my face, and it’s hard.” You mumble, a blush spreading across your face now.
“S-shit sorry!” Peter tries to move out of your face by backing up, only to find he’s made it worse by dropping his hips too low and smacking you in the face with his boner.
Your body begins to shake with laughter, “Ow, I just got a face full of sweatpants dick.”
Peter freezes, hoping down from the ceiling completely. “I don’t think I’m getting you down.” He admits, his face was a brighter red than before as he looks up at you.
You let out a small hum, looking down at your embarrassed boyfriend. “Well, you got any ideas how we can pass the time?”
“I won’t admit anything.” Peter replies, quickly adverting his gaze.
“That made absolutely no sense dork, do you have any ideas or not?”
“None that I’m willing to admit.” He continues to avoid your gaze, focusing only on the closet door.
“You should come up here and fuck me then,” you tease, eyeing his still obvious boner.
Peter’s face goes pale, looking up at you again. “Does the gun give you the ability to read minds too?”
A laugh erupts from your chest a you goto shake your head ‘no,’ only to realize you can’t. “No Peter, I can’t read minds but I can read the message your massive boner sent me while it was in my face.”
“That’s not funny, you scared me. I thought you could tell what I was thinking and that you’d start yelling at me for thinking about how good your boobs look in such a dire situation.” Peter pauses, realizing he just admitted exactly what he didn’t want you to know. “Never mind, don’t listen to me ever again.”
“You think my boobs look good?” You beam.
“Stop.” Peter warns, feeling his blush return.
“Oh my god Parker, just get up here and fuck me.” You groan. Peter hesitates for a moment before giving you a small nod and jumping up onto the ceiling. He starts at your legs, repositioning them so your feet are pressing against the ceiling while your knees are bent. Once he’s got you properly repositioned, you feel him crawling between your legs. “Peter…what are you doing?” You can feel his hands grabbing onto your pajama shorts.
“Fucking you, like you asked so kindly.” A smirk settles on Peters face as he rips your pajama shorts down the middle seam, watching as they fall off your body and to the ground.
“Peter!” You cry, looking down at your now torn shorts.
“Well I had to get them off you!” Peter defends, slowly ripping your underwear off you as well. You let out a gasp as the cool air hits your heat, feeling your whole body flush under Peters warm touch, “Tank-top is next.” He smirks, tearing open the fabric to reveal your bare chest. The cold air washes over your, making you shiver as much as the magic would let you. Peter grabs your wrists, guiding your arms so they’re pinned above your head. “Is this what you want pretty girl?” He hums against your neck. His lips slowly leaving a trail of kisses down your body.
You let out a sharp moan “Y-yes,” his lips causing you to completely forget about your torn cloths on the ground. He continues to kiss down your neck until he reaches your tits. His right hand gently creasing the swell of your breast making you let out another moan. Leaning down, Peter brought your hard nipple into his mouth. Another moan escapes your lips as you fight to press your chest into Peters face, but with no success. You’re completely stuck, unable to move. Peter smirks against your boob at the attempt, continuing to swirl his tongue around your extremely sensitive nipple. “Fuck Peter,” you groan, wanting more than anything to run your fingers through his soft brown curls. Peter switches over to your other tit, giving the other nipple some attention as well.
The room fills with your soft moans as Peter kisses his way down your body and to your hot cunt. He pulls away for a moment, pressing a soft kiss to your inner thigh before dragging his bottom lip down your thigh and back to your aching cunt. His head dips between your legs as you feel his tongue slowly slipping between your folds. The tip of his tongue makes contact with your clit, gently swirling around the sensitive bundle of nerves causing you to let out a throaty moan. Peter’s arms slide around your thighs, pulling your body closer ever so slightly as he continues to eat you out. His face buried in your soft cunt, lick and sucking on your swollen clit.
A knot begins to form in your stomach within a few seconds and your realize just how sensitive your body really feels. The feeling of Peters mouth pleasuring you makes your body a shaking mess against the ceiling. Your limbs feel like they’re on fire as pleasure courses through your whole body. Pressing your head against the ceiling as hard as you could, you feel your orgasm wash over you. A sharp cry escapes your lips, your whole body convulsing from your release.
Peter slowly comes up from your cunt, a smile plastered on his face. “I see someone enjoyed that a little too much.” He teases, placing a soft kiss to your lips. You let out a small groan in response, your whole body still pulsating. You keep your eyes on Peter as he begins to strip from his sweatpants and white T-shirt. His abs flexing as he miraculously manages to strip while still on the ceiling.
“Look at my sticky boy,” you giggle as you admire the way the light makes his abs appear to glow.
Peter grins, crawling over, well under, your body and positioning his hips between your thighs. “I’m about to make you real sticky.” You raise your eyebrow at his comment, noticing the cheeky grin on his face. “You ready?” He asks, his hand slipping between your bodies to position himself.
“Mhm,” you hum, feeling Peter slides into you slowly. The sensation of Peter thrusting up into you is completely foreign and completely surreal. Your body bounces ever so slightly up against the ceiling and you feel as though you could fall at any moment.
Yet, your body stays put, allowing for Peter’s hips to snap up into yours. His thrusts are sloppy and deep, feeling out your new position. A sigh escapes your lips as Peter leans up to kiss along your neck.
“How does this feel baby?” He whispers softly in your ear.
A shiver runs down your spine, all of your muscles contracting at the hot breath on your ear and neck. “It feels so good Peter,” you moan softly, desperately wishing you could wrap your arms around his neck. Peter gives you a warm smile, kissing your cheek as his pace speeds up. His thrusts becoming more even and deep, fucking you straight up and into the cold ceiling.
“Wanna see a trick?”
“Trick?” You laugh, watching as Peter detaches his hands from the ceiling, leaving him on just his knees. He looks up at you with a smirk, gripping onto your thighs as he continues to fuck you at an inhuman speed. His nails digging into your soft skin as he hangs upside down thrusting into you.
You close your eyes, letting out a string of moans, loving the way he feels deep inside of you. “Fuck Peter, I’m close again.” You felt like you were on fire, your whole body overly sensitive to Peter’s touch and rough thrusts.
“Do it then” Peter grunts, his cock sliding in and out of you even harder. You push your head up into the ceiling, mouth falling open as another wave of intense pleasure hits you, throwing you completely over the edge. A scream escapes your lips followed by Peters name as you come down from your high.
Peter lets out a deep moan, throwing his body back up so his hands were once again sticking to the wall. You could feel his cock twitching inside of you, thrusting deeper and deeper before pulling out quickly. Hot spurts of cum shooting out and falling back down onto Peter’s stomach and chest.
“Fucking gravity,” Peter groans.
You burst out laughing at Peter’s scrunched up face. “I told you that you were my sticky boy.” You tease. Peter grumbles something under his breath and you let out another laugh.
Your eyes widen only seconds later when you notice you suddenly feel heavier than normal. Your body detaches from the ceiling sending both you and Peter tumbling down onto his bed. “Great now I’m sticky too,” you groan.
Peter smirks, “Told you I’d get you sticky.”
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TAGLIST
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gffa · 4 months
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Over the last week, I decided to go ahead with bookmarking all the fics I've recommended over the years on AO3 since I abide by tumblr poll results always (and man pour one out for all the fic that never made it to AO3 or has since been deleted, sooooo many gems lost to time!) and it was a bit more than the ~3,000 I was expecting:
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Hopefully, this will be easier than browsing the hundreds of recs posts I've made, since you can filter for any of the author's tags now! These are mostly focused on Star Wars and DC fandom, but I did my time in the anime mines and occasional tours through some TV fandoms or movies. You can dig into everything unfiltered and start your own filtering, or the bigger fandoms you'll find:
MAJOR FANDOMS: Each of these should have 100+ at minimum and, in the case of Star Wars, literally almost half of them are in that fandom. Look, Star Wars fandom might be a trash fire in a lot of ways, but it is ON FIRE with some good fic. (Older bookmarks not guaranteed to match my current sentiments, especially re: the Jedi, but they did catch my fancy at that point in time!)
STAR WARS: - All Star Wars -OR- All Star Wars minus the Obi-Wan/Anakin ship - OR- Nothing BUT Obi-Wan/Anakin
BATMAN/DC: - DC can sometimes be tricky, but you can do a Batman* search and get most of them (though, sometimes Nightwing* or Young Justice* or Superman* will catch some of the others). Honestly, though, you might want to just do a search for what character or dynamic you like and have fun from there, because otherwise you're getting a face full of my Dick Grayson Is The Center Of The Universe And I'm Making That Everyone Else's Problem agenda. ;)
MARVEL/MCU: - Marvel* will probably get most of the various properties, though you may want to filter for Defenders* or Guardians of the Galaxy* if you're interested -OR- Marvel* without the Thor/Loki - These focus a lot on the Thor* fandom if you want to witness the results of like 8 years of constant voracious reading in that fandom (Minus the ship), because, seriously, I read a LOT of Odinson family fic. - Bonus, just do a search for Maximoff* to find some really good X-Men: First Class-verse because, listen, I have been ALL ABOUT the Maximoff twins since long before the movies or MCU brought them over and I will DIE ON THE HILL of "Marvel, make Magneto their bio-dad again or I'm never reading another comic of yours ever".
TOLKIEN/LORD OF THE RINGS/SILMARILLION/HOBBIT: - Tolkien* -OR- Hobbit* -OR- Lord of the Rings* searches will turn up most of my Elf-hunting, I primarily focus on the Sindar Elves, but look I can't resist my problematic Feanorian faves or that I will die on the hill that Fingolfin is the best ever. (You have NO IDEA how sad I am that so much fic on Stories of Arda or FFNET is not easily bookmarked on AO3, sob. I externally bookmarked a few of the bigger ones, but sooo many shorter faves are missing from my recs tag.)
CLAMP: - X/Tokyo Babylon legitimately bums me out because it's not a huge fandom and yet so much of what was written was pre-AO3 and lost when CLAMPesque went down or was never brought over from Livejournal, yet this fandom (well, the Seishirou/Subaru pairing) still burns brightly in my heart.
MINOR FANDOMS: Ones that probably only have under 100 bookmarks (often around the 20-30 bookmarks range), but will at least give you a place to start! ANIME/MANGA: Bleach | Cardcaptor Sakura | Dragonball | Finder no Hyouteki/Viewfinder | Katekyou Hitman Reborn! | Kuroko no Basuke | One Piece | Sailor Moon | Madoka Magica | Naruto | Princess Tutu | Trigun | Weiss Kreuz | Yuri!!! on Ice
BOOKS: Chrestomanci | Omniscient Reader's Viewpoint
DRAMAS: Nirvana in Fire | The Untamed -OR- Modao Zu Shi
TV SHOWS/MOVIES: Community | Game of Thrones -OR- ASOIAF | Good Omens | Hannibal | Highlander | The Old Guard | Our Flag Means Death | Stranger Things
VIDEO GAMES: Dragon Age: Inquisition | Final Fantasy 8 | Genshin Impact | Okami
BANDS: Arashi
All right, whew, that was actually a fun project, despite how much work it was to hunt down a lot of older faves to see if they were on AO3, hopefully you'll find this useful!
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physalian · 1 month
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Writing Tone #2: Avoiding Manufactured Sincerity
There’s a scene in season 5 of My Hero Academia where two beloved teachers have been brought to some high security prison to interrogate a captured villain that turns out to be a brainwashed childhood friend of theirs. The scene is really dramatic, these two teachers are screaming at this guy, heartbroken, and when I saw the episode (shortly before quitting the entire show mid-episode over how bored I was) I was not at all as outraged and horrified as they were.
It was so tonally jarring, and so unfounded within the plot, that it was almost uncomfortable to watch. The villain they’re interrogating isn’t unfamiliar, but the plot-twist-surprise childhood friend is a stranger no one but these two care about.
I didn’t care, couldn’t empathize with why they were upset, knew nothing about their relationship with the guy beyond the ham-handed flashbacks given right that moment. I wasn’t prepared to mourn the loss of this random character, wasn’t primed ahead of time with the idea that this was a possibility to dread the scene before it happened. I was just waiting for it to be over and when it finally was, the impact it had on me was a resounding: Well that was weird. Now back to the plot.
Unfounded sincerity is the uncomfortably ugly step-sibling of plots that are starved of sincerity—look at most of Phase 4, but really, starting with Thor: Ragnarok in the MCU. Many Marvel properties are afraid to embrace the emotional moments and resort to bad jokes to laugh at themselves before the audience can laugh at them. Because how dare a late-stage superhero story about mythical gods be at all sincere in its relationships, its quiet moments, its tragedies. Nope, time for jokes.
Unfounded sincerity is when a story goes far harder with the drama, the love-declarations, the angst, the humor, where it’s trying really hard to convince the audience to care and it just isn’t working.
This happens when arguments start out of nowhere, as well, when characters explode at each other in a heated screaming match that hasn’t been left to fester for nearly long enough, undercooked and hard to swallow.
This happens when characters fall suddenly, madly in love with each other with zero dubious intervention to explain away the sudden passion.
It happens particularly when characters care a whole heck of a lot about someone the audience doesn’t, at the expense of characters the audience is invested in.
It happens when characters have emotional breakdowns and start crying over what ends up reading like spilled milk. When stoic and strong characters break over something they normally would never, for ~drama~.
This is usually both a tone and pacing issue, and a serious case of telling. The author hasn’t done any of the work ramping up a situation or relationship for proper delivery of these emotionally charged moments that are written like critical character beats we’re supposed to care deeply about.
So how does this happen?
1. The author *really* wants this scene, but writes it too early into the story
Unless there’s foul play involved, or this is a romantic comedy that isn’t supposed to be a realistic and healthy depiction of how romance works, characters suddenly declaring love for each other at the cost of their own well-being, their own character arc and journey, and their other motivations can be very frustrating to read.
But the author wants to get to the Good Stuff, so they coast on the “male + female leads = relationship” expectation without writing the why (and so ensures the rise of so many gay ships in the process). Or the male + male leads” or what have you.
2. The author cannot fluidly change tone and characters explode, instead of simmer
An argument that comes out of nowhere can really take your audience out of a scene. Your characters suddenly look ridiculous and your audience can’t follow what’s going on or why they’re so upset. This is different than a character exploding seemingly out of nowhere, but who we know has been building resentment for dozens of pages and loses it over something otherwise inconsequential.
These scenes are painfully, obviously there for manufactured drama and don’t feel natural. These characters don’t feel like people, but playthings, action figures manipulated by the hands of the author.
3. The characters involved are underdeveloped
As in the My Hero scene mentioned above, of the three characters in the scene, the “friend” we’re supposed to care about is a non-entity. The two teachers could have lost their minds over this guy’s sudden death, or the reveal that he turned traitor, or that he murdered younglings and puppies and kittens, to the same emotional impact, because we don’t care about this guy (or, I don’t, at least. I didn’t, and shouldn’t have to read the manga).
You can of course have characters who grieve non-entities, like the fridged wife trope. The difference is the audience knows we’re not supposed to know or care about that lady and the character she never was. This happens pre-plot, not mid-season 5. The frigid wife is the catalyst for the character we then come to know, not a character whose death radically changes our heroes from the people we’ve already established.
4. The tonal jump is just too extreme from the established rules of the story
Abrupt changes in tone can be very tricky to pull off, and almost always fail when it surrounds an abrupt shift in character dynamics (as opposed to something more plot-related). As in, your lighthearted comedy suddenly stops the plot so two characters can scream at each other, when this level of emotional charge hasn’t been established as a possibility.
Or the aforementioned emotional breakdown that just leaves audiences uncomfortable like the awkward friend trying to soothe a weeping companion.
Unfortunately, the fixes to these situations are either delete that entire scene, or go back and do a lot of rewriting so there’s enough build-up to justify its existence. Go back and write in that simmering resentment, all the little frustrations, a pre-existing tension within the relationship that is always primed to snap.
Absence makes the heart grow fonder and there’s a reason the “slowburn” is so popular. Setting out from the beginning to write a fast-paced, passionate romance tells your readers to expect exaggerated displays of emotion.
My favorite musical is Moulin Rouge. This movie is insane. Everyone is hyperbolically emotional and nothing is half-assed. The dances, the belting singing, the costumes, set-design, editing, the declarations of love– they’re all dialed up to 11. So characters screaming their love or rage from the rooftops is a *lot* but you’re prepared for it from the opening scene, knowing exactly what kind of movie this is.
Even if you don’t start your story with the level of drama it will eventually reach, there should still be some sort of progression when it comes to character drama.
Last Airbender didn’t open episode 2 with the emotional intensity of Zuko and Azula’s last Agni Kai… but it did show you that this isn’t just a lighthearted comedy in episode 3, with the reveal of Gyatso’s body and Aang’s violently emotional reaction.
Speaking of episode 3, they didn’t throw in Gyatso out of nowhere. We know from the show so far that a) Aang is the last of his kind, and b) he doesn’t know this. Everything leading up to this reveal is lighthearted, sure, but with that undercurrent of dread, waiting for Aang to see for himself, waiting for that other shoe to drop.
So some things to keep in mind are:
Prime the audience with dropping that first shoe, make them aware of the building tension (romantic, aggressive, grief, or otherwise), even if not all the characters are aware.
Build that tension. If your characters will eventually explode, let them be mildly irritated first, then annoyed, then frustrated, then angry, then raging until they can’t contain it anymore.
Make sure every party involved in this dramatic moment is someone the audience actually cares about, not just someone they’re told to care about.
TL;DR: Don’t pull the trigger prematurely. It’s most obvious with suddenly passionate arguments, characters flinging insults and hurts the audience isn’t prepared for and doesn’t know about, in effort to move the plot along before it’s fully cooked.
So unless there’s some drugs or fairy magic involved, or one of these characters has a gun to their head forcing them to do this right now, people don’t just explode in a rage without some buildup first. People can explode in a rage over a seemingly inconsequential and unrelated thing, but they’re likely already upset and this one little thing is the final straw. Audiences love the anticipation of what that final straw will be, and whether the explosive drama is rage or romance, “slowburn” is immensely popular for a reason.
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btc-official · 6 months
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mutual 1: (that one mediocre twitter screenshot youve already seen five times today. you know the one)
mutual 2: yeah i microwaved your boyfriend sorry put him in there for a minute thirty mhm yep hes all crispy now sorry
mutual 3: if you dont want to fuck a fat hairy old man do you even really have the spark of consciousness
mutual 4: heyyy queen❤️ credit card tonight? credit card please? credit card information tonight bestie?
mutual 5: slenderman if he was WIZARD CORE be like find my mages
mutual 6: no guys. hear me out. mcu spiderman is actually a really interesting character because (6000 word dashboard nuke)
mutual 7: ok i’m not answering anything else from “Racist Anon” i try to engage with people in good faith but it’s been really bad for my mental health
mutual 8: wish a hot tgirl would cut me open and replace all my organs with old vhs player parts but in like a sexual way
mutual 9: at this point i forget she/her shadow the hedgehog isnt canon sometimes
mutual 10: who up wungling they hog
mutual 11: who up wungling they hog
mutual 12: THIRTY FIVE DEGREES SIX MINUTES SEVEN SECONDS NORTH. ONE HUNDRED AND SEVEN DEGREES EIGHT MINUTES AND FOURTEEN SECONDS WEST. DECEMBER SIXTEENTH. YOU WILL KNOW WHAT TO DO
mutual 13: who up wungling they hog
mutual 14: i wish someone would wungle my hog… (uncensored selfie)
mutual 15: if you dont ship the rugrats you’re against free speech (i don’t remember why i followed this guy)
mutual 16: (twenty minute heritage blog rp thread)
mutual 17: unfollow if you watch the simpsons that shit is racist as hell
mutual 18: does anyone else think (mutual 17) is guilt tripping people
mutual 19: (reblog of my own zero effort post that i regret making) dave woukd say this
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