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#the part that i hate the most about myself
tightjeansjavi · 2 days
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Fandom Hug ♡
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Happy Monday! I woke up this morning thinking to myself about how this past week (more like month) has not been a great time for most of us! Between writers being plagiarized, bullying, anonymous hate and so on, I decided we all need to give eachother a hug!
💓 anyone can participate in the fandom hug!
💓 express your favorite parts of being in the PPCU fandom (you can comment, make your own post, or send something to me in my inbox and I will post it! Anons are welcome)
💓 send someone a hug in their inbox or messages!
💓 send someone a nice message!
💓 boost your favorite writers/artists/etc!
💓 do all of the above!
Most importantly, remember that there are real people with real feelings and lives behind the screen 🫂
Sending everyone a hug who needs it today 💞
-Gi
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pixiecaps · 1 day
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i have the strongest love hate relationship with the qsmp elections because all it became in the end was probably the longest waste of time ive ever experienced. literally the arc in an anime you tell people to skip. the epitome of absolutely nothing of value or substance. even then while the actual parts youd expect to be great were lacking there were good moments like elq being planned to die by everyone and elq demanding a list of the people who orchestrated and knew about the explosion from maxo and in a display of utmost loyalty and love for his friends maxo wrote only his name. if that isnt cinema i dont quite know what is. bagheras constant fight to not conform to the rules set before them and her acts of anarchy to resist a single figure of governing power to control and dictate the lives of the islanders until her final breath. but all that sadly doesnt exempt it from being so poorly executed and so frustrating and so agonizing to sit through. everything that came from it was great but the actual process itself with the debates that were debatably meant to be the most entertaining part were horrible. i wont even get started on the actual community because dear god if that wasn’t the biggest foreshadowing of what purgatory would bring. truly the only way i can reason to myself to sit through watching the elections again is because i’d be a disservice to the efforts the creators made despite how taxing it was for them not to
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dulcelem · 20 hours
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An analysis of Ivan's life
Part 1
I've thought about doing this since I finished alnst. Reasons? I wanted to try to better understand what was going on in this man's head trying to base myself solely on official things. Also, this is all written under the assumption that events are shown to us chronologically, even tho I know that may not be correct. I'm just trying to see a different point of view. Without much ado:
From the beginning, when Ivan is adopted by an alien, he is taken to places without a collar, offering his absolute submission (because of his apparent apathy towards the situation) in exchange for not being abused. Compared to Till's life, his life was monotonous and not very eventful—after all, how could there be turmoil if the aliens seemed to adore him?
Truly like a tamed pet, he followed his owner wherever the latter wanted. Not only that, but he has a certain kind of affinity with the alien that Mizi and Till previously encountered. In short, even before performing on stage, Ivan already had everything he needed to be one of the most loved by the public, not to mention that his owner was a businessman, as Ivan himself admits in the interview.
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However, Ivan was an unexpressive child who did not know how to show emotions, or, perhaps, because he lived in a world so different from how it should be, few things impressed him to the point of showing reactions. A tamed, loved dog that didn't cause any problems: perfect.
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Despite the fact that Mizi, Sua and Till were his only colleagues, in the interview he states that he had many "friends", that is, people also liked him. However, the feeling didn't seem to be exactly reciprocal: they all seemed trivial to Ivan. Unlike them, these three friends he had, each one meant a different thing.
Starting with Sua, it has already been made clear to us that he identified with her to the point of thinking that they were the same. There could be several reasons for this, the same background, similar stories, but I will highlight what I think is most likely: apathy. Ivan comments on Sua's eyes as she looks at Mizi with such resentment that I can't help but think that's one of the biggest similarities between them. Dead, empty and hopeless eyes. That world is all they know, all they will ever know. Her succinct, reserved, and quiet personality reminded him of his own. That is, until he sees the way her eyes light up when she sees her goddess, her universe — her clematis. Suddenly, he once again became the only different child in that place and, as if that wasn't enough, Sua's goddess returned all that sparkle in her eyes in a way that the person he chose never did, would never do. Anger, frustration, confusion—envy. Something bitter, ugly and painful.
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As for Sua's beloved, Ivan doesn't seem to have bad strong feelings for Mizi. No jealousy, no hate. All we see between them are friendly and kind interactions (in particular, Ivan reminds me of an older brother when it comes to MiziSua). Nothing as expected. He likely understands that it's not her fault that Till doesn't love him back. A curious fact in their relationship is that Mizi's blinding light doesn't seem to affect Ivan. While others cling to her like a beacon amid the darkness and water in the desert, Ivan is not affected.
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jgracie · 4 hours
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HEY BLONDIE — LEO + DAUGHTER OF POSEIDON
masterlist | rules
♡ dedicated to covey @hopelesslyromanticshark the blueprint for the poseidon girlie x leo trope 😇 lovey > caleo 4eva (even the ship name is cuter!)
❝ daughter of poseidon x leo valdez!!!!! ❞ — anon
in which leo dates a daughter of poseidon
pairing leo valdez x poseidon!reader
warnings percys a bit of an ass in this lowk sorry guys (he didn't mean it i promise!!!), they have tech, andddd i lowk hate this but i haven’t posted in three days so 🙁 maybe i’ll rewrite it someday!!
on the radio . . . hey blondie (dominic fike)
an i’ve been DYING for someone to request this combo i love it sm …. also OGs remember when my bio was hey blondie 🫡 reader isn’t blonde dw (i’m not even blonde myself) !! also reader is a year younger than percy (making her the same age as leo)
Leo didn’t know Percy had a sister. Maybe he was living under a rock (he was - Leo spent the majority of his days at Bunker 9), but he just hadn’t considered the possibility of it, with Percy being a child of the big three and all
If Leo had known of your existence sooner, he would’ve burnt down Bunker 9 himself and spent the rest of his days glued to your side. He had met many people, but none as perfect and charming as you
You see, the boy was simply going to pass by Cabin 3 to show Percy this new gadget he’d made for him and see if he wanted to hang out sometime, since Leo hadn’t seen Percy in a while, when he met you - Y/N, Percy’s younger half-sister
“Hello, may I help you?” You asked, opening the front door of your cabin and being met with a boy with curly brown hair and big brown eyes. Immediately, you felt the heat radiating off of him increase and all of a sudden his brown curls were on fire
As a child of Poseidon, naturally, you’ve never been fond of fire, so this freaked you out. Knowing the water fountain was right behind you, you controlled the water with your hands and shot it at Leo, putting out the fire and drenching him in the process
Leo didn’t care, though. You could drown him for Hephaestus’ sake and he’d still come crawling back - okay, maybe that was a little much. He took in your worried expression and a wave of guilt washed over him as he realised how afraid you were
“I’m sorry, I have a hard time controlling my fire powers sometimes… Where’s Percy?” He asked, not even bothering to question your Godly heritage. You were very clearly a daughter of Poseidon
After that, things calmed down between you two. You let him in and although you were wary of Leo (and sat as far away from him as possible without being labelled as rude), patiently listened as he explained why he was looking for your brother
He then showed you the gadget he made and when Leo saw the way your eyes lit up at its mechanisms, he knew his life would no longer be complete if you weren’t in it
You gushed over the thing, pressing the buttons over and over again (which Leo didn’t have the heart to tell you would wear them down) and showering him in compliments - something that has never happened to Leo before
A grin made its way onto his lips. Sure, people have praised his creations before, but none of them did it the way you did, nearly bursting with excitement as you tried to handle it with utmost care
Part of Leo wished Percy would never come back to cabin 3 ever again, but speak (in this case, think) of the devil and he shall appear. That was his unfortunate cue to leave
He quickly showed Percy how to handle the device and was about to leave when you stopped him. Leo almost couldn’t believe his ears and almost leaped for joy when he heard you ask if you could pass by his cabin sometime, since you really wanted to see more of his stuff
That was the beginning of the most iconic friendship in Camp Half-Blood history
You quickly discovered you had a lot in common and so, you became attached at the hip. It was so bad that whenever someone was asked where one of you were, they’d give the location of the other since they knew there was an incredibly high possibility of you being together
Leo taught you how to use a screwdriver and weld and I can’t think of a third thing people who make machines do but you get the gist! And in return, you taught him how to swim
His ability to swim (or lack thereof) was something which was brought up your very first time hanging out together at bunker nine. After many attempts, you finally successfully hammered a nail into a piece of metal (fyi I’m a daughter of Demeter I know absolutely nothing about this subject) and in your enthusiastic state insisted you go to the beach together
At your suggestion, Leo got awfully quiet and began shyly playing with a stray piece of metal. Your eyebrows furrowed, confused for a second about the shift in his behaviour, when it finally clicked
“Oh my Gods, Leo, do you not know how to swim?” You asked, hesitant - you didn’t want to embarrass the poor guy. He looked up at you and nodded, pouting at the way your lips wobbled as you tried not to giggle. You weren’t laughing at him, of course, you just thought it was really cute
Grabbing him by the arm, you began to drag him to your cabin and said, “c’mon, I’ll teach you! It’ll be like me repaying you for teaching me how to do all the fancy things you do with metal!”
You guys started going to the beach more often after that. At first, you were just teaching Leo how to be in a body of water and not drown, but once he got the hang of it you started having swimming competitions and introducing him to all your fish friends!
They’re always telling you to hurry up and confess because it's so obvious that you like Leo and you keeping it to yourself isn’t doing you any favours but you can’t. Why? Because you don’t think Leo likes you back
Meanwhile Leo’s sitting on the sand next to you admiring the way you seem to gain life by being near a body of water, having to push his fire powers down whenever you’d pull him closer to you, the only thing filling the space between you being the water of the ocean
You are quite literally Mr and Mrs Oblivious. Everyone can tell you like each other but yourselves
It’s actually really funny because you run in the same circles so you tend to complain to the same people about how the other can’t tell you like them and they’re just sitting there trying SO hard not to facepalm
Most of the time you two go to Annabeth, simply because she’s the only one you believe can keep a secret as big as your crushes. Unfortunately for you she and Percy come as a packaged duo, which means Percy’s aware
She didn’t mean to tell him but one time after a heated discussion with you where you analysed Leo’s every move it was still fresh on her mind and she let it slip
Ever since then, Percy’s been eyeing Leo, who’s definitely noticed the behaviour switch. It’s not like Percy had anything against you dating - you were only a year younger than him, after all, and you never tried to stop him and Annabeth from dating - but he couldn’t help but feel a little protective
An extra year of life still made you his baby sister! He’d insist to Annabeth that it doesn’t bother him and Leo is a good guy and his friend so he’s happy that the two of you reciprocate each other’s feelings then turn and give the poor boy a glare so terrifying it’d make a hellhound cower in fear
While all of this is happening, Leo’s freaking out. He’s absolutely losing his mind because all of a sudden Percy no longer likes him which means he’s probably noticed he likes you and disapproves of your potential relationship
All these thoughts cause him to spiral and eventually distance himself from you. It was just occasionally rejecting plans but then it turned into him somehow always being busy, and it broke your heart
Percy, being the kind and loving brother he is, asked you what was wrong on one of those days and you had to fight the urge to burst into tears as you told him about how you thought you did something to hurt Leo
You see, Leo was your first real friend at camp. Sure, you had other friends, but they were all just casual acquaintances you’d talk to whenever you happened to see them. Leo was your first best friend, which meant a lot
In that moment, Percy knew what he had to do
“Hey, why’re you avoiding Y/N?” Percy asked, barging into bunker nine, his arms crossed as he stared down Leo, who was busy making something (as usual)
Leo, who hadn’t been fully listening, looked up to find none other than Percy Jackson standing in front of him, “what?” He asked, his eyes widening
“I said, why are you avoiding my sister?” He repeated, the scowl on his face deepening. Percy was usually a pretty nice guy, but that could change really quickly if anyone ever even thinks of hurting his loved ones (loyalty is his fatal flaw after all)
Putting his tools down, Leo stood up, suddenly defensive. Why was Percy putting the blame on him? He was the reason Leo decided to talk to you less in the first place. Doing that to you really hurt Leo, but he wasn’t going to let himself get close to you just to end up heartbroken and without two friends in the end
“Do you hate her all of a sudden, is that it? Because if that’s the case, you should at least be kind enough to voice those thoughts so she can find new friends–”
“Dude, I love Y/N. Who put that in your head?” Leo interrupted, “I’m avoiding Y/N because I’ve seen the way you look at me, Percy. I get it, you’re not happy that I like her, and I don’t want to bother you or put a strain in your relationship, so I’ve distanced myself.”
He couldn’t believe what he was hearing. He avoided you because he loved you, because he didn’t want there to be any trouble between you and your brother because of him, and yet somehow here he was being accused of hating you?
You’re the first person Leo truly felt love for ever since his own mother. How could he hate you
“Tell her,” Percy said. He felt immensely guilty as the realisation that he was the reason why you’d almost lost your crush and best friend hit him. He never meant for it to go this far, and honestly, the glances weren’t even purposeful - he just couldn’t help it
“She likes you too, literally everyone at camp knows it, you’ll be fine. And Leo, I’m really sorry I made you feel that way. I didn’t mean to, honestly, I just really care about Y/N and don’t want her to get hurt. But I know you won’t hurt her, so… I approve.”
When I say Leo ran so fast to your cabin that he left a whole trail of fire behind him, I’m not exaggerating. He passed by Flowers and Vines (Demeter + Dionysus kid flower shop/fruits market iykyk) and set their crops on fire, quickly making himself their mortal enemy
He couldn’t care less though. You liked him back! In a few moments, he’d confess and you’d agree to date him and you’d finally be his
And confess he did <3 you were a little mad at Percy at first for unintentionally separating the two of you but after three days’ worth of grovelling you were fine
You couldn’t be too mad, after all, since you now had your fireboy
(The crowd cheers!!!! After 5 pages of backstory you get actual dating hcs)
Okay so I just want to start by saying that Leo is literally like a raven or a cat or whatever animal it is. He’s constantly finding the randomest trinkets and just giving them you for no reason
He goes to the beach a lot on his own whenever he misses you because the salty air smells just like the crook of your neck and often comes back with a bunch of seashells, randomly shaped rocks and one time an actually alive sand dollar
You spent so long teaching him how to spot one that’s alive and one that’s dead so when he saw a sand dollar he got really excited at the idea of you being proud of him remembering the difference that he’d forgotten it
His favourite things are the seashells though. Why? Well, because he can turn them into cute jewellery for you, duh!
It started off as a silly little idea. He found a cute seashell and thought ‘what if I strung a piece of thread through this and made it a necklace for my beautiful hot gorgeous pretty siren mermaid cutie pie Y/N?’
He ended up doing it and you loved it so much he decided he’d make you a whole collection of seashell jewellery
The second time around, he made an actual chain for the necklace because you’re deserving of more than some lousy thread!!!
Then he began making bracelets and rings and earrings and all sorts of other things for you. Somehow, despite making so many of them, Leo managed to make them all unique in their own way. Your favourite, however, was the seashell locket he made you for one of your anniversaries
Inside of the locket is a picture you took together on the beach. It was from back when you were just friends, but you looked so gorgeous in it Leo couldn’t help but choose it for the necklace
Also, you guys are LITERALLY fireboy and watergirl
You’d had an epiphany one day whilst lying your head on his chest and the gasp you let out had Leo worried you were dying for a second
When you told him this, Leo was confused. Being in the foster care system at a young age then sent to wilderness school then doing demigod things left very little room for him to discover modern things other people his age liked
You immediately took him to the little computer you shared with Percy and opened up fireboy and watergirl (the OG game of course, not one of the newer editions) and taught him how to play
Honestly, Leo’s really bad at it. Like at first you thought he just needed to get the hang of it but then you reached the one year anniversary of when you first showed him FB & WG and he was STILL awful at it (also yes you know what day that is. You and Leo have anniversaries for everything)
“Leo!” You exclaimed, unable to watch as the try again prompt popped up on the screen. After about 50 times doing this level (which you had completed on your own before just fine), you’d finally gotten to the last hurdle when, of course, fireboy had to fall into the green slime
Leo pouted, once again prepared to fight his case, “Fireboy’s an idiot! It’s not my fault you get to control the smarter one out of the two!”
“Nuh, uh! Fireboy’s so much easier to control! He has the arrows, watergirl has WASD, which is way harder!”
“Fine, you control him, since he’s so easy to use!”
“But I’m Watergirl! I can’t have you killing me too!”
You’d have this conversation almost every single time you played the game. It got so bad one time Percy had to block the fireboy and watergirl website from the computer
Which was stupid because Leo’s literally a son of Hephaestus so all he had to do was touch the computer and it quickly became unbanned!
Also I think all children of Poseidon have an obscene amount of fish/sea animal merch. Specifically plushies
Leo stayed the night at your cabin once thinking ‘oh my Gods I’m gonna be sleeping with Y/N for the first time WTF WTF WTF!!!’ only to end up sleeping with Chelsea the starfish instead
He teased you a little at first but you’d refused to talk to him after that so he accepted them into the L/N-Valdez family (despite them hogging the bed 😒)
Now, he also defends the plushies like his life depends on it. If someone even DARES to utter a word against Haley the seahorse its ON SIGHT fr
He also keeps a mental note of all the names of your plushies to see if he can figure out a theme with the kinds of names you like for when you name your future baby but that’s a story for another day!
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(CW: Romance)
So I thought I was aro (and ace but we're focusing on the aro bit since aro and ace aren't the same and this is an aro-spec blog), but I developed a crush and am currently in a romantic relationship with someone which leads me to believe I'm greyromantic because I don't think this will ever happen again.
But now that I feel even this small ounce of romantic attraction, now I feel bad for calling myself part of the aro-spec community, even though it's a spectrum that I know for sure I am on. Like, everything is about romance repulsion (which is so valid tbh, I feel like that most of the time anyway) and I'm here calling myself aro while I have a romantic bf and I'm sitting and holding his hand and kissing him and all that.
Idk where I was going with this, ig I just wanted to feel validated or something because I know that I'm aro-spec for sure, but I just feel like no other orientations on the aro-spec other than 100% aromanticism are talked about here (again, totally valid, not hating on my aro sibs).
Sorry abt all that, have a good day/night.
you are still a one hundred percent valid aro person, even if you have a romantic partner :)
also if anyone sees some awesome arospec posts (anywhere on the spectrum, for sure) please tag me!!! I’d love to make this a more inclusive space!!
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lesjasmine · 7 hours
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I stand with all lesbians. That includes white lesbians. Why am I making this statement? I'm honestly too lazy to specify the details that inspired me to write this post but I can share a couple reasons why. First, I noticed any interactions I have with people who dislike the term "gold star lesbian," try and detract from the conversation by treating me like I'm a white person that comes from privilege. This has manifested itself by comments including "gold star lesbians are like the KKK/nazis/aryan." Most of these extremist comments come from TRAs and troons. However, there have been problematic comments from radfems toward myself and other woc gsl. These comments include "gsl promote violence," "gsl are racist," or the famous one "gsl are misogynistic." In the case of radfems they say this expecting that they're talking to a white lesbian. I know that's the case because I've had a radfem cry about racism and when I set them straight that the person they're talking to is not white and indeed a woc, they denied denied denied. Screenshots of this incident are somewhere in my blog. This is one case I shared but I've also witnessed something similar elsewhere. Maybe this is going to be controversial but I stand by ALL actual lesbians. I'd never discredit the homophobia and misogyny they deal with just because they're white and supposedly more 'privileged.' I don't necessarily agree with that last part either. Most lesbians I've talked to come from poor to low-middle class families. Irregardless of race, many have been targets for bullies and hate because they're homosexual. Being a lesbian can be a very isolating experience and hard on our mental health. This is even harder because people love to encroach on the boundaries of actual lesbians. My point is white lesbians have a lot to lose by speaking up for actual lesbians. Don't stop because other lesbians will be here to defend you. Ofc do the same for black, asian, hispanic, etc lesbians <3
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licorice-lips · 22 hours
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Okay, so I was thinking about Snape and although I'm avoiding like hell speaking online about Harry Potter, I think it needs to be said because it falls onto the rest of fantastical literature as well, especially those stories that have parallels to fascism/nazism/colonialism in their magical world.
I'd like to start by saying I don't like Snape for a variety of reasons, some of them because of Rowling, others because of the character himself, and others because of his fans, but today I'd like to talk about how Snape's Redemption Arc actually sucks and why, and also about how we're treating redemption arcs as a whole.
Okay, so let's begin by making a sort of timeline on Snape's life: he grew up in an abusive household, suffered bullying by the Marauders through school years, bullied other students as well, called his best friend a slur, "apologized", joined a fascist hate group that actively persecuted and hurt people for things they had no control of, acted on behalf of this group for years, turned against the hate group not out of morals but because their actions began to threaten the people he cared about (like they always said they would, how shocking), bullied his teenage students as a grown adult, acted as a spy against the hate group when it came back, died.
Right, so before I dive into all those things, what we also have to add is that Art isn't made in a vacuum. Just like science can never be done by a completely neutral party, our productions of art are completely based off of our views, especially when we're talking about writing. As a writer myself, I can see exactly how my experiences as a person in the context I was born and grew up in affect my writing and my production of art.
For example, it's very common that I find enemies calling themselves by their last names in American/European fiction but in Brasil, we don't normally call people by their last names unless it's very unique and as a nickname. So when I write enemies, they always call each other by their first names, simply because it doesn't feel right to me any other way. On a more serious example, most of the countries in my fantasy books have some history of colonization or dictatorship because it's a part of my history and I feel it's impacts to this day, so it's something that reflects my own thoughts and ideas in politics.
So when we talk about Snape as a character, we cannot escape the fact that Rowling created him. And as a European author, it's more than clear —and that's especially obvious to people who suffer under colonization to this day— that Rowling has a deeply ingrained colonizer mentality. The goblins in Gringots are a clear and problematic representation of Jewish people, the domestic elves LIKING being enslaved and not changing the status quo by the end of the books, and even Hermione being ridiculed for her militancy on it — these are all representative of how Rowling views the world.
Although there's more, all of those examples make it clear that, when she looks at fascist ideology as a whole, Rowling doesn't think the ideology itself is the problem: the ending is the depiction of them getting rid of the "bad apples" instead of making the "roots of the tree" healthy again is parallel to blaming bad individuals for a system that is corrupted and therefore corrupts. So basically, what the Harry Potter books tell us by the end is that it's okay for you to perpetuate a racist system, just don't do it so openly. The problem for her is not the system, but these people she considers "bad apples" which is basically right-wing ideology.
And my problem with Snape starts here: because Rowling sees purist views as an acceptable way of thinking as long as you don't kill people because of it (because for some reason that's a step too far — but when the system oppresses, beat down, and hates on marginalized people, that's okay) — in her mind and in her writing, Snape's ideological affiliation earlier on in his life is not that big of a problem, especially when he "changes sides".
Snape's active participation in a hate group is dangerously and irresponsibly downplayed both by Rowling and by Snape's apologists and fans when this is, in reality, one of the two greatest offenses his character has to compensate for in his "Redemption Arc". So when he hesitates at nine yo to say to Lily that being a Muggleborn doesn't make a difference (even when he knows it does in a practical sense of what's happening in the Wizarding World), when he despises Petuney for being a Muggle, when he says to Lily that what he, Mulciber and their "death eaters" friends did to Mary McDonald was "just a laugh (btw, I'm sure the Marauders also think what they did was "just a laugh" as well), all of this is not only extremely reprehensible, it's the kind of thing that makes a fascist, a fascist.
And it's not that I don't believe teenagers cannot change their minds and grow with more ease than adults, it's just that this alone would've been enough grounds to understand why Snape's redemption arc sucks. His beliefs from early on, even before he goes to Hogwarts, are extremely problematic and hateful, and they uphold the very corrupted system that is perpetuated against Muggle-borns in the Wizarding World.
Then we reach the point I wanted to make: it's very clear throughout the books that child and teenager Snape struggles with feelings of deep hatred against his parents (especially his father, who's a Muggle), inadequacy in social life even among his peers (wizards and witches) and isolation, all of which make a person undeniably vulnerable to extremist ideology.
And here's my first issue with Snape and his Redemption Arc: his trauma and feelings should not be an excuse for his bad choices and yet, they are used exactly as such. Yes, Snape was an impressionable teenager and yes, he was influenced by an ideology in his desperation to fit in and find solace in a community, but that doesn't matter.
None of it matters because, at the end of the day, his actions for this ideology are just as harmful, just as awful, just as cruel, as the actions of someone who joined the Death Eaters for thoroughly believing Muggleborns were scum. He harmed people just as much as Yaxley, Mulciber, or any other Death Eater who joined Voldemort for their hatred just for his support alone.
And more than that, even if Snape was in a vulnerable state and impressionable, he was still receiving other kinds of influences, influences that were contrary to the bigotry and cruelty of Voldemort — and he still chose to ignore those influences. There was still a level of choice to what he became as a young adult.
But even if there wasn't, Snape is —or at least he should be— responsible for his own choices regardless of influence. As they say in the Kingdom of Heaven film, when you're before God and he asks you why you did something, you won't be able to say that others told you to do so or that it wasn't convenient to do the right thing — it'll not be enough. And it's not enough because your actions matter more than your intentions. Your actions will be the thing that will determine what happens next, not your intentions. It'll be actions that will shape your path and influence or directly impact the path of others around you, not your intentions.
The older I get, the more I understand the power of action and how it says more than any intention or feeling ever will. At the end of it, Snape's actions are what matters, not his feelings or intentions. But as humans, we're so prone to empathize with others that we actually believe that, because someone feels guilty or regrets the things they did, that's enough to forgive them.
We forget that it's not.
Earning forgiveness must come with 5 major steps —
Accountability — do they acknowledge the way their actions hurt us? Do they acknowledge the way they hurt us? Do they acknowledge their role in our pain?
Apologies — do they apologize? Is their apology sincere? Do they hold themselves accountable in their apologies?
Acceptance — do they feel entitled to forgiveness? Do they accept the consequences of their actions? Do they accept the boundaries you impose on the path to forgiveness?
Amends — Did they take steps to mend what's broken? Do they make choices to prevent them from doing this again? Do they try to help without crossing your boundaries?
Alteration — Did they change the behavior that hurt you? Did they take steps to improve themselves?
Those steps are fundamental in a Redemption Arc because it'll exemplify to the (young) readers what is forgivable and how forgiveness is earned, not deserved. That's what grits me the most about Snape's "Redemption Arc":
There is no accountability, at least not for joining and upholding a hate group, and we kinda get accountability for what he did in his friendship with Lily, but in a fucked up way, let's see:
It was nighttime. Lily, who was wearing a dressing gown, stood with her arms folded in front of the portrait of the Fat Lady, at the entrance to Gryffindor Tower. “I only came out because Mary told me you were threatening to sleep here.” “I was. I would have done. I never meant to call you Mudblood, it just – ” “Slipped out?” There was no pity in Lily’s voice. “It’s too late. I’ve made excuses for you for years. None of my friends can understand why I even talk to you. You and your precious little Death Eater friends – you see, you don’t even deny it! You don’t even deny that’s what you’re all aiming to be! You can’t wait to join You-Know-Who, can you?” He opened his mouth, but closed it without speaking. “I can’t pretend anymore. You’ve chosen your way, I’ve chosen mine.” “No – listen, I didn’t mean – ” “ – to call me Mudblood? But you call everyone of my birth Mudblood, Severus. Why should I be any different?”
It's very important to me that we dissect this piece of dialog because it shows a lot about Snape and how every time he's tried to apologize, there's no accountability.
He didn't say he's sorry he said that slur (to LILY and only Lily, might I add, when at all would've been ideal but I'll have some leniency because of the situation) — he's said he's sorry, but not for what he has done, just for Lily. He didn't take responsibility for his words as he should — he says it 'slipped out' or that 'he didn't mean, again just to LIly.
He accepted no boundaries Lily tried to impose — sleeping outside Gryffindor? Really?
Most importantly of all, he took absolutely ZERO steps to alter his behavior so that he could never harm someone again like he harmed Lily. And that's very important, I cannot begin to explain how: when we regret doing something, the most fundamental step to take in change.
Change is fundamental to forgiveness but it shouldn't be conditioned by it. If we regret doing something harmful, the first thing to do is to change our behavior. Instead, Snape not only doesn't change his problematic behavior, he doubles down on it, joining the hate group Lily pointed out as one of the main problems in why their relationship couldn't continue, acting in the name of said group for years and only backing down on it when Lily is threatened.
And that reveals something about Snape's worldview: for him, since that day he called Lily a slur, the problem wasn't that he was a bigoted piece of shit (like Lily said it was), the problem, in his head, was that he hurt Lily. And that's not true. The problem is, one hundred percent, his bigoted behavior, and Lily says as much, more than one time. He just does not listen to it. He doesn't listen to her.
More than that, though, you can try to point out that he redeems himself by acting against Voldemort but I'm sorry: what Snape did is not enough. He was part — and believed in — a hate group, it's not enough that he changes sides not because of values, but because one person who is being threatened is dear to him (which was the whole prerogative anyway so I failed to see how he's even surprised by this). You can say that this is good or honorable or "love" but it's not cute to base your entire life around one person.
It's not honorable to prioritize one person over a whole world he was threatening before and not caring at all about them. Disregarding other human beings in favor of one is not as pretty as people think it is and Snape represents this very well: it makes you bitter, it makes you become abusive, cruel, a bully to everyone else. It's not pretty, it's not understandable. Be a fucking decent human being, it's actually not that hard.
But I digress again: my point is, that just because Snape regrets the things he has done for Voldemort (not even out of morals, which drives me mad) it doesn't mean he deserves forgiveness. He doesn't and he hasn't earned it, he didn't even try. Actually, he's so stuck in his regret, he's harmful because of it: guilt is a trap, babes. It sucks you in if you let it and makes you miserable as well as anyone around you. You'll be so remorseful and yet you'll hurt people because of it.
And it's the same thing I've been saying since the beginning: we need to stop associating feelings with deserving forgiveness because you don't deserve forgiveness, you earn it. Either you earn it from someone else, from yourself, or from both, but either way, it's earned, not deserved. If I were to excuse my harmful behavior every time just because I regretted doing something instead of earning their forgiveness by taking steps to apologize to the people I've hurt, I would be compared to my father all the time. And THAT would've been an insult.
Anyway, let's just stop feeling sorry for characters, especially fascists, just because they regret something. Please, let us hold our characters accountable for the shit they've done adequately and make our writers actually put in the work to make them earn the forgiveness they crave instead of just wallowing in their own misery, stuck forever in a vortex of hurting and being hurt that sucks people in. It's not a good example for us readers, it's not a good example of behavior, it's not what a good person who did shitty things should strive to be and we shouldn't think it is.
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juneviews · 1 day
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gmmtv 2024 part 2 trailers first impression & ranking :)
from most excited for to least excited:
us: I SCREAMED!!! of course gl ranks number one, let's bffr, but legit this looks so indie & good I love it! sing is gonna be so good at being the abandoned lover hahaha, and the girls have so much chemistry & are so cute!!! I ship it already <3
breakup service: I did NOT expect to get an off as MAIN in a straight romcom again after 4 fucking years, I'm beyond elated!!! the fact that he's paired with a very popular singer also makes me happy! the plot looks really fun & reminds me of catch me baby and midnight motel so I'm all in!!! my man deserves this sm <3
hide & sis: gawin in a role like this??? ATE DOWN!!! but honestly the whole cast is perfect, I can't believe we're gonna get pepper & lookjun playing an on-screen couple! I hope this one is more like ps: I hate you & nothing like the jungle but I'm super excited I love everyone here :)
the ex morning: bruh if you'd have told a kristsingto show would be 4th on this list I would've laughed in your face but... tell me why this plot seems so fucking cute?? I feel like we haven't gotten this type of second chance bl before, and idk if it's nostalgia or what but I'm actually really into it lol
thame po: yooooo this morning I could not picture estwilliam together, but actually I like them a lot already! as a lykn fan I'm happy to see them in a series, and the plot is quite original which is becoming more & more rare so I'm excited!
sweet tooth, good dentist: I still don't know how to fully feel about mark & ohm t, I feel like they look way too similar, but oh well. this looks very sweet (like its title) & y'all know I love dumb romcoms like these so I'll be watching!
leap day: this looks insane & the cast feels random af but it seems interesting! I hope it doesn't end up being one of those shows who thought throwing gun & his insane talent in a show would be enough to cover its bad writing *cough* home school *cough* midnight museum *cough* excited to see pond in an interesting role for once though lmao
the dark dice: this looks like the thai high school squid game to me, it seems interesting & I love that aungpao is in here, but I'll have to see how I feel once the show starts airing to see if I'll watch it or not.
scarlet heart thailand: this teaser told me nothing so I googled the original, ngl it's a slay for tu she looks so pretty, and I do love historical shows so I'll probably be watching! also very happy to see tay, force & phuwin here :)
friendshit forever: I legit thought I was gonna get a mookpat gl bruh lmaoooooo, but nope instead I get girls fighting over a dude ;_; like I get it new is hot af but bruh in 2024 we still have girls having cat fights... I'm good :/ the title is hilarious though :')
ossan's love thailand: this trailer actually made me happy bc contrarily to my initial thought I think earth is ADORABLE as haruta! and the actor they chose to play the ossan??? DAMNNN DADDY 😏 probably still won't be watching since I hate remakes but this looks better than I anticipated!
the heart killers: call me a hater but I did not feel this at all, I feel like it's a more boring mix of not me, only friends & midnight motel and I don't particularly care for either ships so I will not be watching... I'm sure this show will be fine without me though lol
perfect 10 liners: we are but even more boring, they even pulled up aouboom & marcpoon LMAOOO. again all love but I don't care for this at all, it's so basic I can't do this to myself anymore, I'm sorry it's called self-care at this point :')
revamp the undead story: again I don't care for bounprem & THE gmmtv vampire show is my golden blood for me babe, like sorry but jossgawin forever 🫶 (more seriously this doesn't look bad but I simply do not give any fuck to watch this show)
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rachelillustrates · 3 days
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My top 7 Faerie stories/worlds atm 🦋
**Note, I am super dupes aware that I haven't read/watched everything, so please feel free to reblog/comment with recommendations!**
Faerie is the pulse of my heart, and my mind/spirit/etc. spends a LOT of time thinking about it, SO here's the most resonant of depictions of the realm/faeries themselves in my current opinion (and why).
(And not in any particular order:)
Elfhame, @hollyblack 's "Folk of the Air" series and all related books
Arda, Tolkien's "Lord of the Rings" and all related adaptations
"Suitor Armor" by @thepurpah
Studio Ghibli's take on spirits in Japanese folklore
Brian and Wendy Froud's take on Faerie
"Fraggle Rock"
"Tock the Gnome," by myself!
Thoughts:
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(Art by Rovina Cai, from "How the King of Elfhame Learned to Hate Stories")
I feel very much that Holly Black gets the lushness and richness of Faerie, plus the trickery of it, and that level of dangerous beauty - what attracts humanity to it, etc. How everything is in extremes, too, but also how parts of it echo the human experience - both in terms of courts, but also in terms of the heart, and the emotional impact of intense circumstances and intense feelings.
I am, admittedly, not all caught up yet since I haven't read her earlier works, but of course I recommend starting with "The Cruel Prince" and reading forward from there (the more recent "Stolen Heir Duology" having an extra special place in my esteem)!
(Also special shoutout to the fact that there are Nisse - Gnomes! - in the recent books, AND that her take on Redcaps is absolutely Orcish 💚)
(Also also, cw: Changelings. They can be a triggering/upsetting subject, considering how our concept of them as humans seems to have come about. She does make pretty heavy use of them, but not in the ways that one might expect, and always from a very emotionally-centered space - not a humans-abusing-potential-fae space.)
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So, Tolkien - yes, I am including the world of his works in this because even though he considered them religious and specifically-denominational, he took SO MUCH inspiration from folklore and faerie tales (do not even get me started on what got edited out of "The Silmarillion" istg) that Arda is not wholly Christian, from my Faerie-worshiping queer-ass faerie perspective thankyouverymuch. Not to mention what is being done in fandom with the faerie-races, especially the Dwarves and the Hobbits, AND what recent adaptations are opening up with the Orcs!! Obviously, his take on Faerie is a much more literally-grounded reality - they exist in the Earth-based world (as if Faerie has bled into what we expect Earth to be), they have magic (at least the Elves and Dwarves do) but it's both somehow super ethereal and super physical at once. And divinely connected, since the biggest magic in Middle-earth (or any part of Arda) comes from the lesser Gods - the Valar, and the Maiar who serve under them as well as from Big Sky Daddy Eru, but we're not talking about him right now. So that, to me, really speaks to the spiritual nature of Faerie too - which is always always always personally interesting to me, and Jrrt's take on the fae was absolutely foundational in my budding concept of them, before I even really thought about who they are in a conscious way.
I don't know where to recommend starting, since I got into the world through the Jackson films, first, and I wouldn't change my experience for anything because it's given me SO much. But in fandom, shoutout to the works of @conkers-thecosy (read her fics here!) as well as "A Long List of Happy Endings" by vicious_summer and "The Mushroom Mine" series by @chrononautintraining for Dwarf Stuff - and "Splint" by HelenaMarkos for Orc Stuff. Plus, as much as I know it's divisive, "Lord of the Rings: The Rings of Power" is - again - doing wonders about the Orcs AND doing very well by the Dwarves too, in my opinion, showing them as a fully realized and thriving people (though Dwarf women should still have beards, Amazon!! And there seems to be some confusion around how the name of Durin functions...)!! Available to stream on Prime, here.
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"Suitor Armor" takes place in a world that appears very similar to medieval Earth, and as such the worldbuilding itself doesn't feel very specifically Faerie - yet. However, with the main character having significant ties to the fae, and with the story still having space to explore their culture once the tale takes the characters there, I have faith that we are gonna see more of this take on Faerie specifically soon. In the meantime, what we have seen so far - how faerie magic works, how they relate to each other, etc. - rings true for me, and is lovely to behold, especially in the face of the tragedy around their circumstances in the Big Plot.
Free to read here (and coming to bookshelves in 2025!!).
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As for Studio Ghibli - Miyazaki's take on the spirits of Japanese folklore - which are absolutely Faerie - was SO formative for me growing up. I don't have anything else to say about that except that he's right!!
I recommend "Princess Mononoke," "Spirited Away" and "My Neighbor Totoro," particularly. All available to stream on Max right now (but buying physical media is better, and they're very likely available to rent other places, too).
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Brian and Wendy Froud's work has, of course, also been absolutely formative for me - especially when I started getting into Faerie properly. Their work doesn't require much commentary either - they're just correct 💗 Nothing I've experienced has ever contradicted what I've read in their books, and I feel like their work really, really gets the energy of the fae and the liminality of their existence. And that there is kindness, and light, as well as danger.
I recommend "Trolls" and "Faeries' Tales," to start with, and of course the quintessential "Faeries" by Brian Froud and Alan Lee, which started it all.
(Also, considering what's below, special honorary shoutout to their work on "The Dark Crystal." Definite overlap there and absolutely counts.)
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Obviously there's some crossover with The Muppets here, considering they come from the same studio, BUT if we're looking at just "Fraggle Rock" on its own - absolutely. Though a very different take than those mentioned above, if you're looking for the whimsy and delight at the heart of the fae, the Fraggles have it.
Both the original series and the reboot are currently available to stream on AppleTV.
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Okay, and my own! What I'm doing with the world of "Tock the Gnome" is a little bit different - again, we're looking at a realm that isn't free from some of the physical bounds we find on Earth - but in its vast history there is Faerie at its purest, and the characters are on a Big Quest that will be instrumental in restoring the realm to what one would expect of Faerieland (all wrapped up in a body-positive, sapphic-presenting queer romance, btw). My focus is on Gnomes and Orcs, in particular, since the fact that they're also fae is a big part of my message. Recognizing that, as well as recognizing the importance of connectedness between people and the balance of that and personal sovereignty, and how damage to those things might impact the whole of a magical realm.
All pages available to read for free here, across several platforms (with print issues available here).
🦋💗🦋👏👏
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inkskinned · 7 months
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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.
three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.
two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.
their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.
one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.
i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.
i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.
and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?
you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.
a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.
someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.
#writeblr#warm up#this is longer than i wanted i really considered removing that part about myself and what i went thru#but i think it really fucking bothers me that EVERY time i talk about being an artist#ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work#part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just#like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r#ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week#this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism#imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY#''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''
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soracities · 15 days
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if we should protect children because they are vunerable, this means you would protect cruel children who bullies people who different than them then. the children who responsible to trauma for someone else's entire years
You're assuming that "protecting" children is the same as absolving them of responsibility and that's not what I said. All children are vulnerable, because all children are children; they don't come out of the womb with a perfectly working moral compass anymore than they come out of it waiting to hurt people--they're vulnerable because their understanding of the world is entirely at the mercy of what we, as adults, consistently tell them and show them. Children behaving cruelly aren't exempt from that--they learn that cruelty from somewhere, or someone. Your job, as the adult, is to make sure they understand that it's unacceptable so it will not happen again--but your job is also to ask why someone that young is behaving this way to begin with, so you can ensure they become better.
"Protecting" kids is not ignoring when they hurt or torment others, it's not refusing to teach them consequences or right from wrong, it's not "zero tolerance" policies in schools that treat a child being bullied and the child bullying them as equal instigators, and it's certainly not protecting them from recognizing, and atoning for, the pain they have caused someone else. You don't have to make peace with the now-adults who hurt you when you both were kids, but you cannot let the horrors of your own childhood impact how you treat or respond to the children living theirs around you right now, either.
You don't protect kids so they can get a free pass for bullying or tormenting another child. You protect them because kids are impulsive, emotionally reactive, and profoundly social (which means deeply impressionable) human beings who are still learning & processing insane amounts of information every day about what it means to be alive, to be alive as yourself, to be alive as yourself with other people. Protecting them is realising that you can't isolate the responsibility of a 10 year old from the bigger responsibility of the literal grown adults around them, adults who are in charge of teaching them about the world and how to behave in it. Whether you have children of your own in the future or not is completely irrelevant to this; we all become those adults eventually--no matter what happened to us as kids.
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j-ellyfish · 2 months
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People who engage in the Hetalia fandom while openly disliking the source material and even Himaruya himself sound kinda like hypocrites to me. Everyone's entitled to their own opinion, but please stay away from me, this kind of mindset truly annoys me and makes me uncomfortable. Am I gatekeeping? No, not really, I just believe that being a fan of something should mean, you know, being a fan and liking the source material at the very least. It should be like, the lowest the bar can get. Below that, there's not being a fan.
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watermelinoe · 2 months
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rape is just a thing that may happen during war. we're not saying it didn't happen. it may have occurred. rape is not uncommon in war. it's not a weapon of war, there's no proof it's a pattern of violence against women, it's just something that happens for some reason.
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skrunksthatwunk · 3 months
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you go to a lesbian blog and find it says women only!! no men allowed!!! and go oh! excuse me, um, what about other lesbians? plenty of lesbians are genderqueer... and they go well, okay, go fuck yourself tim chop off your sweaty dick and stop calling yourself a lesbian. you do not have a dick, actually. you think about that fact often, even though it does you no good. you do not tell this person that.
you go to another lesbian blog and it says women only and you try again, and this time they change it to wlw + nblw only (non-men who love non-men :D). and you'll say hey i appreciate that but gender's not really that cut and dry for a lot of people. someone could be both a man and nonbinary, for instance. i just worry that you're looking at nonbinary as a generic third gender, or an extension of womanhood. i mean yeah you include nblw in your tags but all your posts are about pussy-havers exclusively. what's with that? and they say go fuck yourself you pervy man pretending to be a lesbian. you tried to sneak in but i won't let you.
so you go to a lesbian blog with a dozen or so posts about queer people needing to be more weird about it and you sigh in relief. but you still see the men dni. that's odd. hoping for the best, you say hey! i know you mean well but please maybe don't put men dni at the end of the lovely posts on your lesbian blog bc some lesbians are men. and they'll be like ok!! well you're allowed ;) and you say no that's not. no. some men are lesbians not just me. you think about your own dicklessness and wonder if that's why you were given entry. and you add that even if male lesbians are allowed, there's no indication of that. how would anyone know without asking? and they're like ohh gotcha gotcha well men dni + this is for sapphics only!! and you'll be like ok well that treats the concepts of men and sapphics as mutually exclusive identities and i just told you that's not true and you agreed with me so.. i don't think that solves our problem. and they're like. ok. fine. men dni but genderfluid and multigender people are allowed! and you're like no see that's. that's still the same thing.. you're saying the same thing just with different words. if you don't want men to interact but you're fine with multigender/genderfluid/etc ppl interacting then you either don't see them as Real Men (because they don't reach a standard of Full Manhood) or Complete Men (because they're only Part-Time Men), both of which suggest that they are, in some way, not men or less-than men, which is invalidating and defeats the point of the exception in the first place (accommodation) OR that you don't really mean the dni which is confusing and inconsistent and makes guydykes feel weird and uncomfortable and excluded from the lesbian space you're trying to cultivate. and they're like um. ok. so. cishet men dni? and you're like well i think that makes more sense, but what if someone identifies as both a cishet man and a sapphic? again, if we're trying to accommodate the genderfucky populace then that has to be a possibility that is considered. and they say god you people are never happy. what do you want me to do? what am i supposed to say to keep the right men out? and you pause. you empathize with the need for a space free from dudes trying to fuck you straight and feminine. dudes who watch lesbian porn and joke about what they'd do if they were allowed into girls locker rooms. who look at you like a piece of meat, and like someone who looks at women like pieces of meat in the same way he does. you get it. you know. you want a space where you can be sapphic, too. that's why you came to these blogs in the first place. you brace yourself and you say well i don't know that there are "right men" to keep out. i don't know that there's any single label that would accomplish whatever it is you're trying to accomplish. you could go for "sapphics only" or "queers only" and i think that might be the closest thing to what you want, but it's never going to be perfect. creating any exclusive space is going to shut out people you didn't account for, and the broader the label, the more people will be shut out that you didn't want to shut out. and what about people who don't know if they're allowed? what of questioning transbians, where are they supposed to go? and, frankly, i think i might rather my dykey posts get read and appreciated by a gay guy who sees me as a man than a woman who only sees me as a sacred womb, pure from male perversions or violence or whatever. i think community might just be more complex than a dni can handle. and they look at you and say i don't want to not have a dni. i think you're too permissive. you can't just "what about" or microlabel your way into everything. go fuck yourself, i bet you're not even a lesbian anyway. go find a real problem to get mad about.
you go to a lesbian blog. you ignore the men dni because you know you probably don't even count to them. or maybe you do count and, out of respect for your manhood, they'd shun you accordingly. you try to feel okay about that. you scroll past dozens of posts about mediocre men and gagging at straight friends' boyfriends and how gross and undeserving men are of the beautiful women they couple up with and how all women should be gay so they can get treated right and and and and and. you finally find a post about curling into someone you love and feeling at peace and try to lose yourself in it. you know that feeling is what unites you, what makes you belong. you try to focus on it. you think about carding your hands through a butch's hair or lacing fingers with a femme and feeling warm and loved and more yourself than you ever have before. like this is who you're meant to be. you read about lesboys and butch boytoys and genderfucky dykes and big hairy deep-voiced wonderful women (like you want to be someday, like you wish you could make yourself) and you try to ignore the men dni underneath each and every post. and you daydream about meeting someone kind and earnest at a lesbian bar even though you don't think any such bars exist within three states of you and you can't drink and don't want to drink because you need to be in control of yourself at all times so you don't fuck up like you're always about to and here in the nonexistent lesbian bar you feel wanted and safe and in good company. you picture your ideal, happiest self. it is a mistake. ideal-you has a goatee. not the mascara one you smear on and call drag even though you know it's not drag, not really, the beard you call drag because you think everyone would look at you sadly if you told them it was just to pretend you had something out of your reach. a beard that's soft and that you grew and that cannot be smudged away if you get too comfortable with it. the dream shatters. your people pull away from you, their scoffs mixing with the mind-numbing gay girl bedroom pop you learned to settle for just to have something that almost resembled you, they all pull away and turn their backs and do not look at you. you're too close to being a man now, even though you're the same amount of man as before. and they know you're not supposed to interact with men, not as you would with dykes, at least. and it sours. it's all your imagination, all in your head, but it sours.
you sigh. you think about how small you are. how short, how narrow, how feeble. how your voice pitches up when you talk to strangers because it's easier to speak quietly when it carries more, and because you're nervous. because it's a chore to talk, like everything is. you think about testosterone. you think about how your family would look at you, the questions they would ask, your answers they would only pretend to accept. the uncomfortable glances and whispered questions they'd try to hide from you. you think about how small you are, and how small you will always be. how you don't know of a way to fix it, but even if there was one, no one would want you anymore. you'd be the only one thinking it made you a cooler dyke. you think about how you don't even want a T-voice all the time, how you'll never be able to switch it at will, because you don't know how and can't bring yourself to figure it out. you think about how your throat closes around every hint of your own attraction. how wanting is perverse, how wanting is invasive, how wanting is embarrassing and too vulnerable so it must stay anonymous, as an online witness, and how you can barely manage to form or maintain friendships because your brain makes you pull away, always spinning out and struggling to recover from the simplest of interactions. how they'll all leave you and you won't chase after them at all and how that will hurt them. how stuck you get. how it looks like nothing's holding you back, how that frustrates everyone who thought you were going to be more than you were. the people you love who understand except when it comes to being ghosted, being shut out. how you don't want to hurt them. how you can't tell them that because you're stuck. how you turn to stone when touched, how you never reach out, how you lose your speech and can't look at people, how your autism is fun and sexy until it becomes real and you never see them anymore, how much you longed for someone who knew everything without you having to explain, and who loved you anyway. how unreasonable you know that is to expect of anyone. you think about that not-even-real lesbian bar. you think about how you still can't drive. how you can't leave your home on your own, without dragging somebody into helping you. how you can't leave your body. how you can't leave your manhood behind.
you think about finding another lesbian blog and ignoring everything. about skimming it for the parts you can juice some meaning from. the parts men ignore and don't understand, and how typical of you it is to do so. or the parts where you're not welcome and you should accept that, because it's for lesbians only. how you are a lesbian anyway. how you're meant to choose lesbian or man, how each is a betrayal of some kind to yourself or your people, your family, your lovely strangers, your rare friendly acquaintances. about the parts that tell you you're not wanted, that you're ugly and lazy and gross and insert yourself everywhere without even asking. about the parts that tell you you are hated, and how lesbians are above it all by rejecting men. how lesbians are each blessed miracles. about the parts that say you should be ashamed of being whatever twisted confused freak you are, of everything, of looking and wanting or not looking or not wanting, of picking and choosing instead of taking it all in with a smile. after all, shouldn't you take it? or is your ego too fragile, as men's so often are? aren't you tired? good. we're not here for your consumption. and we sure as hell don't want your company or "community" or whatever. didn't you read the sign? no boys allowed. and if you want to come in you have to make up your mind. as if you haven't told them the only answer you have. you're both. you're both.
you know you broke the rule by interacting.
but it gets lonely sometimes. you wonder if they know.
#before i maybe get yelled at:#1) no i do not think ppl are evil for having men dnis no i do not think these are all equal transgressions even#though there is an overlap that should be examined that i think is based in a degree of lesbian separatism + exclusionism#2) yes there are lesbian blogs and people that are cool about genderfucky people. i'm not talking about them#3) this is a stylized vent post about trying to find lesbian content on tumblr that isn't like this. all these dnis/rules are ones i have#encountered. no i do not literally tell these people to change their dnis to suit me. the conversations are symbolic and ideological in#nature. if i find a blog with men dni i generally go somewhere else. it's about emotions. it's about my feelings on that it's not literally#about dming someone demanding they change things. it's not about demanding that You change things or else you're a bad person.#4) it is about the conflicts and hypocrisy and inconsistency of strict and exclusive sexuality labels persisting in gender-diverse spaces#and how it affects me as a lesbian who is a man who is a woman who is fucking whatever else. and yes it is about transphobia too.#5) it's about how lesbians feel the need to exclude men and how i think efforts to do so fail and hurt ppl and are often misguided#tht i think also comes up in like. bi lesbian/mspec lesbian/gaybian discourse. i'm not any of those myself but it seems like there's overla#6) if this post seems whiny and sad and insecure that's because it probably is. i have a right to be all of those things.#7) no i do not think all lesbians are man-hating assholes. i am a lesbian. i love lesbians. i love dykes and most of them are fantastic ppl#i just think the general bullshit of the world leads to this defensive thing that ends up hurting others in our community y'know?#8) i get that my perspective/experience is a bit unusual and many lovely ppl haven't considered it. that's part of why i'm sharing this#nyarla dni#<- sorry man it's too vulnerable. gonna keep this one to the internet-only folks
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evansbby · 4 months
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stardust-vi · 2 days
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Dumb ramble but I hate that you can't critique The Thing you love within a fandom space without some dude breathing down your neck like "Well actually that means you hate The Author and The Thing! And what about all the times The Author did this Good Thing? Checkmate, liberal." as if you can't be critical of something because you love it and want it to be better.
#just. i'm in a rush rn so i'm probably not articulating myself well and i could go more in-depth with my thoughts#at the risk of someone spinning my words into “cringe blue hair pronoun wants to cancel araki!” which... will happen inevitably#even though i don't know how many times i can repeat “i do not hate araki#this is specifcally about jjba btw because like.#look i love it and araki has done some good things (or at least had good intentions in most cases)#but i'm so over the fact he constantly has to reach for some form of traumatizing women in his writing#and I already hear “well it shows they're a villain!”#but does he HAVE to use assault? why does he have to use that instead of demonstrating their villainy in other ways#that don't need to use it as a crutch#i'm not even saying you can't ever write about assault#that's not my argument either.#I'm not even accusing him of being a bad writer or person but just. Can we please retire the overusage of assault for shock value?#i obviously don't hate people who enjoy the series regardless#i'd be a massive fucking hypocrite#i mean i've literally been in this damn fandom for 6 years and just now decided to post my art.#but i'm tired of any time someone brings up legit criticisms of the misogyny in his writing#it's met with “but araki did this-” like it changes anything.#i'm glad he did somewhat improve writing women over time compared to the earlier parts#that said. that doesn't cancel out the blunders he did make or will make in the future#even if he has good intent.#or really any criticism of the writing being hit with “but its not supposed to make sense#anyways rant over. probably going to delete later bc im tired.#tw assault#assault tw
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