#the passion narrative

[comradekatara]

one thing i really love about korra is that her go to everyday outfit is sweatpants and a tank top, and then her go to sleeping outfit is….. a different pair of sweatpants and a different tank top. she’s so fucking real for that

#korra #also how i would dress if i was the avatar and everyone had to listen to me #and also. if. you know. i looked like THAT #thinking abt lok is weird bc i vehemently hate many of aspects of this show with a passion #and yet love the protagonist who is the central figure of the entire narrative so dearly #how can the titular character be so perfect and yet the narrative be so flawed #okay. whatever. we’re not doing that rn

[pokimoko]

haunting the narrative -> haunted by the narrative -> haunting the narrative -> haunted by

#adventure time #fionna and cake #simon petrikov #betty grof #petrigrof #fan art #fanart #art #digital art #my art #just a lil something something i did for fun #adventure time has always been the show that makes me want to draw (i have SO many AT drawings from 2015 it's ridiculous) #but now I'm coming back to that ye olde passion with new digital art skills and many more evil tragic thoughts (thank you fionna and cake🙏) #i couldn't get the thought about them haunting and be haunted by the narrative out of my head so I had to make some art for it #the caption for this was almost: so who wears the haunted by the narrative in the relationship? #they take turns of course because damn these guys really do be having that tragic romance huh. hot potato cursed existence #never quite on the same wavelength. always out of reach. their love the very thing that dooms them to be apart. a love defined by absences #like two ships in the night passing each other by. except they keep trying to seek the other out. and so end up going in circles #the tragic dance of madness and sadness. lead on and i shall follow. ....so anyway...these two amiright? #/might/ have to write something at some point...maybe... #because like... ghosts are my thing. and these two...well. even when they aren't haunting the narrative they are still ghosts #never let themselves live in the present and okay I'm going to stop now. enjoy the art byeeeee #...AND they'll never be at peace because they'll always be reaching for a version of each other that no longer exists and— #(i am dragged kicking and screaming from the room before i can devolve into a full blown meta)

[gothicwill]

My one qualm with this show will forever be that they didn’t use this as the post credit scene. It would’ve elevated the already perfect ending.

Will and Hannibal mirroring each other in everything down to the way they’re sitting, their facades finally stripped away. The way it cuts to Hannibal breaking the symmetry to stare contentedly at Will. Will, blanketed by sunlight, eyes closed, with a look of complete tranquility on his face, at peace with himself at last. They are finally one. The viewer doesn’t know if they’re in Hannibal’s mind palace or the actual chapel. It’s perfection.

#I’m so passionate about this scene sorry #I personally think it does more for the narrative than bedelia that’s just me tho #hannibal #nbc hannibal #will graham #hannigram #hannibal lecter #nbc hannigram #hugh dancy #mads mikkelsen

[djarin]

one of the main reasons i love ofmd is the unapologetic queer joy they show us. there's not a single moment where the drama revolves around a character's "coming out" moment. there's no need to accept or reject anyone for what they identify as. like, for fuck's sake, there have been so many moments in the show where they explicitly tell us, "hey, this is us, take it or leave it." no explanations, no justifications—just pure, unfiltered representation. it truly drives in the point that at the end of the day, queer people are also just simply people.

as much as i appreciate the abundance of queer representation we're getting now, i cannot emphasize how much a show like ofmd means to me. i am begging more companies to do what ofmd is doing and just show queer people living as boring old fucking people instead of as victims. take us beyond existing as an educational tool or a plot device. show queer people being people, and we'll stop being victims.

"kill me. kill us all. our spirit will last throughout your entire fսckin' empire because... we're good." you know what this show teaches us? that queer people are resilient as fuck, and that whatever we may have been told, shown, and made to believe about our queerness is wrong. we're good. we continue to be good despite the hardships we face. despite all the shit our elders and trailblazers have gone through from the beginning. despite the political landscapes of today that continue to try to strip us of our dignity and rights. we still exist and we will continue to exist—as people first, and victims last.

#elio talks #ofmd #our flag means death #ofmd s2 #ofmd season 2 #lgbt #queer #izzy hands #gentlebeard #blackbonnet #ofmd meta #like.... guys i just cant stop thinking about this. sob #that quote has literally been burnt into my mind the moment i heard it #like. they really did that to us. FOR us #looked us straight in the eye and said 'you're good you know. don't believe the shit you've heard.' #'your queerness does not defile you.' #anyway. feeling v passionate about this #prob bc im also doing extensive research about queer and trans youth in the 'at-risk' narrative w my prof sdjgjsgs

[time-is-restored]

do you guys every think abt death vs immortality as a thoroughline in like. literally all of the mechs albums.

old king cole is explicitly warped by immortality (never to forgive he would eternal live, his hands dyed red by gore - can be read a few ways depending on where u place the emphasis, but at the very least communicates that his wrath is facilitated By his immortality), and the olympians commit attrocities in order to hold onto their wealth and the immortality that it grants them (murdering arachne, yanking heracles' chain the second he tries to go freelance, having a monopoly on the acheron etc). the value they put on immortality and living forever, and the fear they have of ever possibly losing it, has completely warped their morals and priorities.

and while it comes up less in tbi, there's still significant emphasis placed on how odin has been in power for a century (both thor + the narrator bring it up, and there's also an emphasis on how long ago the bifrost project was started, and how 'no one left living' can explain its science). her villain monologue in rangarok iv places the extinction of asgard as an honour - a ruin that no one can possibly rebuild from is called 'apotheosis'. and as she says at the end, the idea that no one can possibly outlive her is a key draw for odin. asgard dies with her.

in hnoc, the only really immortal character is brian (and we only really know that bc of knowledge we get from outside the album), but the axis of life and death as a privilege vs a curse is still very present. 'mordred's gift to Arthur could be love in his own eyes / fating him alone to keep the life to which he clings', not only posits that the gift of survival isn't inherently good + kind (which the audience would immediately recognise as love, not possibly love), but places emphasis on the fact that arthur is now utterly alone. the station's death at the hands of mordred is hardly a happy one ('Its people damned, doomed by a man who's lost all his regrets'), but arthur's fate is arguably worse. severed from the finality and closure of death, what does he become? [insert that one cool theory abt hnoc arthur becoming old king cole here]

it's like. on a meta level, the reason we as fans don't put much emphasis on the depravity + cruelty of the mechs is bc the people portraying the mechs are all charismatic + skilled performers. in live gigs they're all portraying the fun side of their characters - roasting each other, bantering with the audience, making fun of the characters they're singing about, referencing off-screen violence - bc if they portrayed their lore too literally they'd be comitting felonies LMAOOO

but narratively, its like. literally every album is a meditation on the ways that the glorification of immortality can ruin civilisations - can ruin galaxies. whether its rooted in the fear of you specifically dying, or of being outlived, or overpowered or forgotten, or if its done for the sake of someone else's survival... it's all corrosive. if u refuse to accept the indisputable impermanence of life, you lose the ability to value it, and u numb urself to the reality of just how fucked up it is to cut another person's life short for any reason.

like. i do think some of the mechs started as good people, and some of them even might still have ethical standards, but i REALLY cannot stop thinking about how fucking. fascinating it is that this group of immortals who are KNOWN for basically considering nothing but how fun and/or violent any given activity will be, have basically filled their entire discography with songs about how their continued existence is corrosive and brings tragedy + ruin wherever they go.

so how self-aware are they? do you think those old morals + ethics still linger in their mind, when they're writing down these tragedies? they willingly self identify as liars + thieves + bastards, etc etc, and they seem to have no trouble identifying the 'bad guys' in the various albums (ie: humanising snow + cinders + rose, but not king cole), but do those concepts actually mean anything emotionally, or even theoretically, for them all beyond their dramatic potential? do they remember their lives before they were mechanised as it actually happened, or do they remember it as lyrics to a song? is it possible to be entirely self aware abt ur own capacity for violence (as jonny in paticular claims to be), if you no longer relate to violence as anything other than a narrative device - a means to an end, whether comedic or dramatic?

#the mechanisms #mechanisms #mechs #its not even that i have a specific passion for super grimdark mechs characterisation #just from a thematic perspective it is SO interesting to have these characters #narrating tragedies who themselves dance in and out of narrative conventions + signifiers of good + evil #and also like. literally transform themSELVES into narratives via backstory fiction + songs #its all so like. was there ever a truth here? if its all been forgotten + replaced with stories? can any of them care about good and evil #anymore on a level beyond how it will make an audience react? #idk. i care them #mine #my writing

[anxiouspotatorants]

Actually you know what I need to rant about this: while literati is technically a good girl x bad boy dynamic it is written so incredibly well and avoids so many pitfalls and stereotypes that it makes a good girl x bad boy hater like myself (I’m only half joking — I don’t think any trope is inherently good or bad but I tend to dislike most pairings with this dynamic) fall head over heels for their story and relationship.

So much of what makes the two of them work is the contrast between how others perceive them and how they truly are. Don't get me wrong, there are plenty of people who understand who Rory is as a person (Lorelai, Lane, Paris, Richard and Emily to a certain degree for starters), but she's constantly met with the expectation that she just does good and is supposed to make everyone proud 24/7. Stars Hollow as a group especially are big on this, as seen f. ex. through how Taylor takes Rory's one comment about an inappropriate DVD and twists the whole thing into a censorship crusade and makes Rory its poster-child even though she wants nothing to do with it and tells him so repeatedly. But instead of hearing Rory disagree with him (like he would Lorelai and Luke) he assumes that she actually agrees with him - and why shouldn't she when she's the perfect sunshine paragon of good who would never disagree with her elders? Also her grandparents treat her as incredibly fragile and childlike, like she must be too innocent to ever do anything wrong and so whenever she does something it has to be somebody else's fault (usually Lorelai, but occasionally Jess or whoever else was present). Time and time again Rory is treated like something innocent and naive and weak — but not by Jess. He sees her as a person.

And it obviously goes the other way too. Jess is treated like shit by pretty much everyone else. Either people hate him unprovoked or very much provoked (he did do a lot of pranks in his first few weeks and while I'm a Dean-hater I'm not blind to how much Jess picked fights with him), or they’ve simply given up on him. He tells Rory himself that every authority figure he had back in New York gave up on him too, from teachers to principals to his very own mother. But Rory doesn’t treat him like a lost cause, she treats him like the smart, brilliant and asshole-ish teen that he is. By having faith in him she also often holds him more accountable than others. Where f. ex. Lorelai or the other adults just roll their eyes, Rory physically drags Jess into doing his shifts at the diner. While others write him off, Rory chews Jess’ ear out for not helping Luke more and for willfully making enemies out of the Stars Hollow adults.

They don't put each other on pedestals or below each other. Jess doesn’t try to make a sinner out of Rory and she doesn’t try to make a saint out of him. There’s genuine respect between them. They expect each other to have integrity and treat others with kindness and honesty, and the rest is good old chemistry and common interests.

I particularly love how in so many of their scenes (especially pre-relationship) when they spend time alone they just get to be these goofy nerdy kids. They argue about controversial authors and dig through records shops and eat hot dogs and make fun of each other and try to make each other laugh. It’s not just sexual chemistry as it too often is in a dynamic like this (and often uncomfortably sexual when writing teenagers - looking at you Gossip Girl), and not just well written intellectual chemistry — they have platonic chemistry too. A hell of a lot of it actually.

While I don’t think ASP wrote them through a purely deconstructionist lens on the good girl x bad boy dynamic (if she did plan on writing the dynamic at all), there is something to be said about how where many around them treat them like stereotypes they treat each other like people. To so many people, Rory is a perfect small town princess, a little miss sunshine with booksmarts for days but too delicate and sweet for anything with grit and weight. To a lot of the same people and many more Jess is a pathetic brutish and maniacal lost cause, hell personified in a chainsmoking leather-wearing teenager. But to each other they are actual human beings. Kind and mean and flirtatious and scared and reckless and smart. Rory really thinks that with the right motivation and mindset Jess can be the kind who does (and at the end wrote) incredible things. Jess really believes that with a little more practice and support to step out of her comfort zone she can be the amazing journalist she wishes to be.

They don’t have this stupid «we’re so bad for each other but we can’t stay away» thing that too many trope users rely on and don’t even justify in the plot. Everyone else might think they’re not fit for each other, but they knew they were each other’s person from the very first day.

#where a lot of good girl x bad boy dynamics are about opposites attracting #what draws Rory and Jess towards each other is how much they resonate with each other #the books the weight of expectations and assumptions the passion for more in life #they don't look at each other and see a sexy alien world they look at each other and see themselves #me rant because me unnecessarily passionate about this #again I don't inherently hate the good girl x bad boy dynamic #there's just so many examples of doing it badly out there #like I don't even need the dynamic to be morally good I just need it to be justified in the narrative #and to not just rely on the same old “it's so bad but it feels so good” and relying on stereotypes over actual character writing #Rory and Jess is one of the ways this dynamic is actually done right and it's because ASP doesn't dumb them down #or take the dynamic for granted just because it's popular and bound to have an audience #literati #gilmore girls #rory gilmore #jess mariano #rory x jess #gilmore girls meta #my meta #also extra because I can't contain myself

[n4rval]

hi I just wanted to say your tags on the gaster poll posts are so correct yessss (always enjoy your takes just in general). thank you for being one of the seemingly very few people out there who also believes there's no way the timeline works for gaster and alphys to have been colleagues. however, him haunting her benevolently is something I'm 1000% here for <3 (also I hope your finals went well and you get to have a nice relaxing break!)

HII HELLO HI im glad you like them!!! knowing you read these motivates me to keep being Absolutely Very Normal About Him on the internet

personally it's less of a believing thing and more of a come on it's written right there thing, but since we're here.

behold! dingus timeline. (and the hottest of takes with freshly baked personal headcanons otherwise what am i doing)

Not a skeleton?

Isn't 201X too early?

Indeed, not a skeleton, but rather, some guy. Something about how monster's bodies are manifestations of their SOUL, and him oddly resembling a strange looking man does well to represent his insatiable curiosity and love for creating. (things humans are known for in a better light)

On the other hand, you will be pleased with how fascinated he is by "FLESHLINGS AND THEIR CALCIUM DEPOSITS".

And then they fucking died.

201X is the year the first human fell into the underground, and shortly after, the royal family has moved to New Home. This means some decent exploration of the cavern has already been made. Scientists could very well already have been working on optimizing life underground, with special attention to the large and ever growing new capital.

My idea? As this idiot has been aiding exploration with his antics, Gerson was the one to appoint him to Asgore. Something about his talent with turning garbage into non-garbage. With a little patience and getting familiar with his odd manerisms, it was not too long until he got to be the prince's weird godfather.

Cracking already?

And everyone was devastated, mainly the close family. Not only that, but amidst your mourning, the one couple responsible for your unrealistically high standards for romance just divorced. Is love even real anymore. You eat ants with your cereal and your work consists mainly of convenience improvements and absolutely nothing groundbreaking. What's the point of breaking that pesky barrier again? Child murder? Come on.

That's the Wingdings PATIENCE and BRAVERY encountered in their adventure. Dear god, you're lame. Aren't you some kind of genius? Get yourself together! And together he got his self, now, he has children to look after. Surely there must be some other way. He must stop coming up with new flavours for chips and find some other way.

... Dear god, the King is going to kill them.

BONES and DT

Listen. He's old. You got your wrinkles, he's got his cracking. What? You meant to point out some major event of injury must have been responsible for his current state of deformity? Well, he's old AND heartbroken. That's a direct blow to the SOUL, okay.

Jokes aside (kind of), doing any lasting damage to a monster is quite difficult given their magic forms can easily be healed through, well, magic. They can, however, eventually "fall" (wink wink) and dust away with age - which cannot, however, be fixed with magic.

With a little determination however ...

Something about the anomaly.

He found it, the other way. It was the bones all along, the so needed sustainance for channelling such a high concentration of that power. Well, not necessarily, but a boney structure will endure much more and last much longer than a meaty one. Also, it looks so cool.

You know this guy, he gets first dibs on any and all dubious substances that might or might not deal the last hit to the nail on his coffin dust urn(?). And when it all works out (dubious), he might as well play a little. What kind of things can he make? With the material properties of these calcified remains infused with his own magic, animated with determination.

Some new, powerful magic tricks?

A new kind of monster, maybe?

DARK, DARKER, YET DARKER.

There is a lot of interesting things one can do with isolated DT, aside from making bones rattle with life - for example, peeking onto the complex layers and ramifications of what composes reality. This is when the already kooky scientist grows a little mad; manic, if you will. This is the Wingdings sans was familiar with.

Time travel this, resets that, blah blah blah alpha timeline, the anomaly, the angel, the anomaly again, all things that only make sense to him and his illegible mess on the black board. The lack of detail is killing him, he needs to know what it is - what it does, why it does, how it does. Not to stop it, no, there is no stopping it.

Rather, an overwhelming need to understand it.

He falls somewhere in recent history, details of it left ambiguous. The shattering, combined with the amount of DT running in his magical... mathematical physiology, rendered all of his self but an espectator of his reality; confined to the code and unable to do anything but watch, powerless before the nature of his very being, like a corrupted program.

It is all rather frustrating, besides the burden that is coming to terms with simply not existing anymore, watching was pretty much all this research was and now ever will be. That is, until something interacts with him. It is different from the tragic prince, whom no matter how much DT he's accumulated, he is just as confined to this world's rules as other elements. Not this one, not the force from beyond. Not "YOU".

He makes it a mission to reach out, despite the limits of the code, to give away bits and pieces of him and see if you bite. But not too much, he's seen how you tend to exhaust a world for knowledge, something he can oddly sympathize with. I mean, what will you do once you find everything? One cannot fully know a person.

Maybe in another world, prophetized by a cute, little white dog. A much better world for everyone, without so much as war or disease, his greatest creation yet. And he could invite you to it, to experience bewilderment, to be reminded of wonder. If it could even help you, wherever you are, to deem your own world worth of partaking ... then the experiment was a success.

#artwork #inbox #freakbullet #gaster #wd gaster #undertale #deltarune #character design is my passion #not so much graphic design i suck at this #WIPES SWEAT #happy new year!! i've been writing this since christmas!!!!! #sorry if you have to squint at my handwriting its a big canvas #just zoom in #also sorry if my writing lacks extensive details if you were looking for any #im one for visual narrative #so i tried my best to convey everything in the simplest structure i could #and cut short a lot of specifics that are not relevant for a timeline dissection #things like complex feelings and worldbuilding related shenanigans #i will definitely cover these in the future perhaps in the form of comics #this just isnt the place #this is all you need to get a grasp on the character :pray: #there is a lot of proportion inconsistencies on post tragedy old man dont point them out #its just that i've redrawn him like thrice and i was like. you know what? it doesnt have to be perfect #he'll make a cameo when i post fallen humans art

[theyaremycrocsyoudonut]

The scene in 3x11 right before Mickey gets married is just so *unintelligible screams*, *muffled sounds of violence*, *nails scratching a chalkboard*, *war sirens* you know what I mean?

Let me elaborate. Ian comes practically BEGGING him not to get married to Svetlana. He didn't give him an ultimatum as he does later on, he just begged him. And Mickey didn't want to get married to Svetlana, it was the last fucking thing he wanted to do. But, had he ran away, or refused to marry her, or came out, or something, Terry would right out try to murder him and we know this for a FACT. So Mickey did the only thing he could. He couldn't not marry Svetlana, he couldn't come out to his dad, he couldn't outright admit his feelings (because acknowledging them even to himself would cause him an INCREDIBLE amount of pain), he couldn't do jackshit. Except of what he did. He kissed Ian, like it was their last kiss, which, had they not found Ian after he ran away, would actually be their last kiss. He looked at Ian's lips and it was as if they magnetized each other. Physical love was all he could give.

#shameless #gallavich #mickey milkovich #ian gallagher #for me that whole season 3 thing was their saddest ark by far #cause they were doomed by the fucking narrative on this one #i hate them with a burning passion #(i wish I could erase my memory to fall in love with them all over again)

[thormanick]

Me, going about my day: i really like alhaitham and kaveh and whatever is happening between them. precious boys need to keep them safe

Evil Thoughs tm popping up in my head once in a while: canonically, Kaveh wants to be remembered. Alhaitham is a Scribe, which implies that he's keeping records. Alhaitham is closest to Kaveh and knows him really well. Alhaitham will be the best at remembering Kaveh. Therefore it might be a possibility that Alhaitham will outlive Kaveh, and by much-

Me, suddenly distressed: shut up shut up shut up-

#ah yes don't you love it when your thoughts go and do. that #anyways wishing nothing but the best to the boys may their respective reruns happen soon #genshin impact #genshin impact thoughts #genshin impact headcanons #genshin impact kaveh #genshin impact alhaitham #haikaveh #kavetham #alhaitham x kaveh #afinna explores teyvat #this was actually partially inspired by the idea that Vision holders give something up in order to receive a Vision #and if the Vision encompasses the most sincere wishes of the weilder #what will happen when the weilder achieves these dreams while still being alive #in my hc achieving the passion that Vision symbolizes like. annihilates you from existence on a certain level or smth idk #on this point. in-game we've seen people gain visions. get their visions taken away. and die while having a vision (kazuha's friend). #i wonder what will happen to a person when they achieve the goal that allowed them to get their vision in the first place #i think that would be interesting #also idk sometimes i look at kaveh and go 'ah yes you have the narrative potential of dying at some point of the story and I. Am. Worried.'

[mikoran]

stranger things is a very “show, not tell” type show. were never told explicitly that max is suicidal, or that billy was being racist to lucas, or that nancys problems at work were because she was a woman (although they got veryyyy close). were shown these things and pick up on them instead of the show telling us whats going on

this is especially true with relationships. lumax, jopper, and jancy all never say they love each other, but if you ask anyone out there if lucas loves max, then theyll tell you of course he does, how could he not? everyone can just see how much they care for each other, we dont need them to say it

so why is it that with mileven, they have to have mike have this grand declaration of love to eleven for both her and the audience to believe he loves her? why is it that the only ones who need the verbal confirmation is them, when every other couple follows the “show, not tell” format? why is it that the only other couple that follows the verbal confirmation issue is stancy, who didnt end up together?

this whole “show, not tell” thing almost reminds me of something, what was it… something about not saying it, but not having to?

#byler #anti mileven #mileven thats not very endgame behavior of you #i love the show not tell stuff the theme is so prevalent and i live for it #i also have a passion for regurgitating the same arguments that have been brought up a million times over if you havent noticed #love that for me #yknow one day im gonna make a full five page document for myself as reference of the purely narrative evidence for byler #if i added symbolism and subtext itd have another 20 at least

[welcometogrouchland]

one thing i find interesting about Dana’s words about Caleb and Evelyn from the livestream is how she seems to center events from Evelyn’s perspective (she refers specifically to the "Evelyn and Flapjack" lore when the question prompting the discussion also named Caleb, tho I don't think that's like. A calculated decision, it might just reflect who she views as the most significant characters in the grand scheme of things)

it’s about what Evelyn was doing in gravesfield, why Evelyn liked caleb, how she first presented herself to him. it’s about her family that he married into, the Clawthorne family, blood members like Eda, chosen/adopted members, like King and honorary members, like Luz. That’s who the story really centers around, so it makes sense that when approaching this nugget of lore, they'd tackle it from Evelyn's POV.

But i just find it interesting bc it’s so unlike 90% of the fan content centered around that era. Like most of the things ppl make related to Evelyn and the Wittebros is usually set from one of the brothers perspectives (with a couple of exceptions! @/moonmeg’s comics and @/litfeathers various drabbles and dubs all have a good balance of Evelyn and caleb/philip perspective!). Obviously this is mostly bc we got the Wittebros lore first (all the way back in yesterday's lie) and because we know (marginally) more about them, people have been playing around with them for longer and with more material.

But I'm honestly really interested in Dana's version of the story! Especially considering it seems like Evelyn had much more agency in the story than we give her credit for. She's the one who went to gravesfield, reached out to Caleb, presumably taking either the romantic or platonic initiative and thus setting things in motion. Why? we don't know! Dana says Caleb seemed more reasonable than the rest of the population in gravesfield, that they bonded over flapjack like dog owners over pets, which is all very interesting when we know he was a witch hunter, implies a lot of interesting things about why he was doing that career and what his status in the town social climate might've been like, but that's where fan interpretation comes into play, so I digress.

(also, this is a tangent but I'm a big fan of Dana implying that Evelyn took initiative? We only have huntlow to go off of but generally speaking the show likes to subvert overdone or overly stereotypical m/f romance tropes- while not being too pointed about it and still leaving room for nuance and characterization- and I like the idea that if they had the chance, they would've done that w/ Caleb and Evelyn, with her being the passionate Romeo and him being the more longing, pining-maiden type in the relationship hehehe)

Point to all this being, I think it's very funny how we all got wrapped up in the mystique and intrigue of (Belos' biased, carefully crafted and incomplete) narrative of ~the tragedy of the brothers Wittebane~ bc he was our main source that we failed to consider that Evelyn, who fits the character archetype TOH likes to use as a focal/viewpoint character much more cleanly that either Wittebane (what with being a young woman, a 'weirdo' estranged from her home, a Clawthorne, etc), might've actually been the perspective we should've been looking at things from. Dana's based for this actually

#ramblings of a lunatic #the owl house #toh #toh meta #evelyn clawthorne #caleb wittebane #ehh i won't tag Philip cause he's barely mentioned here #anyway. Evelyn ''arbitor of the shows narrative via her insatiable passion for birds and quirked up white boys'' Clawthorne supremacy

[egophiliac]

whose mom in TWST has a bite force? the tweels?

Sebek is the one who brags about his mom's cool teeth! that's from his first birthday card, where he spends twenty minutes going on about "my mom is the COOLEST, she's super good at magic, the only thing that matches the force of her personality is the force of her BITE! bite force is the signature power of our faerie clan, you see. anyway she's amazing, a constant source of inspiration to me, and--"

"okay, cool, what about your dad?"

"..."

"tell me about your dad, Sebek."

"...he's a dentist..."

the twins have their own birthday card moment though where they're like, "oh yeah, our parents are the heads of the Eldritch Deepsea Mafia" before immediately changing the subject to Floyd's shoes, and as far as I know this never comes up or is mentioned anywhere ever again.

#twisted wonderland #i'm never going to be over sebek's parents #crocodile lady gets the best tooth cleaning of her life and falls madly in love with a nerdy human dentist #everything about it is so good #i forgot sebek literally describes her as PASSIONATELY COURTING his dad #mrs zigvolt you've never even shown up and you're my favorite character #anyway the best lore always seems to be hidden in the birthday cards #i bring it up every time but trey casually admitting that he used to eat flowers off the side of the road as a kid is still incredible #more narratives should have characters just drop the wildest most insane bits of trivia about themselves and then never mention it again

[lunar-years]

"I've noticed that sometimes having a tough dad is exactly what drives some fellas to become great at what they do. You know I hear Bono's father was a real piece of work but then again, so was Joshua Tree, so you know 🤷‍♂️" Ted literally should have been banned from ever speaking on Jamie's father again after this one because what a wild thing to say to someone you witnessed being physically and verbally abused by their father ?? 'sorry your dad sucks but maybe you'll be a great player because you were abused <3' UM? Not to mention Jamie JUST told you that actually, his "tough dad" became such a problem that it drove him to do anything to get himself away from the situation including abandoning the thing he's "great at" and thereby tanking his mental health like????

#i know ted is like. trying. but damn. #i just don't like this narrative that jamie is great as a pushback against his father (they pushed it in mom city too. and NO) #jamie had that passion ambition and drive long before his dad even came into the picture #Also for how upset ted was when jamie was sent back to city. he sure is oddly hesitant to take him back? #like even if jamie didn't already think it was ted who sent him back he certainly would after that convo. #and he wasn't even sent away because of burned bridges!!! he was making progress before he was sent away!!!!! ahhhhhhhh. #i scream into the void #tw abuse #ted lasso #jamie tartt #ted lasso rewatch

[eosofspades]

okay i meant to make this post forever ago but my personal opinion on why so many people were so dissatisfied with lightfalll (disclaimer: i am not one of these people, i love lightfall SO much), is that lightfall was kind of subjected to a really aggressive marketing campaign.

like, stick with me here, i feel like almost all the lightfall release content (the trailers especially) were so focused on battling the witness, how this battle has been centuries in the making and this is the Second Collapse Finally Finding Us, only for there to be,,, no real resolution. the end was left on such a severe cliffhanger, but not only that, there was NO battle with the witness. the witness didn't even seem to be having a hard time at all with what we WERE throwing at it.

and for narrative reasons *i* am obsessed with this ending; in terms of storytelling i adore practically every creative decision that was made in lightfall, but i think the reason that so many people were so upset about it is because lightfall had such intense marketing and was rooted in the implication that this was the End of Days, only for us to get almost no closure, and instead so many more questions.

(there's also something to be said, i think, about the fact that the people who ARE most upset about this are like, the youtube gamer dudebros who's content is very very often rooted in the aggressive, violence-and-warfare, pvp-centric, no-interest-in-lore approach to destiny, and that the people i've seen primarily ENJOYING the narrative decisions (or at least being understanding about it) are the artists and writers and loremasters of the fandom, but i'm not quite sure,,, how to expand on that point.)

#like. something something yt dudebros who are like 'uhhh destiny is about violence and war and the lore is only for people who suck at pvp #and destiny is a shitty evil game i hate it sooooo much hashtag 26871435 hours recorded gameplay' asshats #being the ones complaining MOST about the narrative in. a narrative driven game. and refusing to engage with ANY lore in a LORE HEAVY GAME #vs. the community on here thats full of artists and writers and people who actually like to analyze the story and characters #and engage with the lore and have any emotional attachment at all to the characters and world and themes #being the ones who are like. appreciative of the narrative decisions made and looking forward to where the story will take us and #looking at the game with LOVE instead of hatred and malice #and even if you didn't like lightfall!!! people in the latter category are still the people who i keep seeing be like #'yeah even if i didn't personally like it i can understand the significance of this narrative decision.' #'i acknowledge that bungie put so much time and effort and passion into making this even if it wasnt satisfying to me personally.' #'i have the critical thinking skills to understand that bungie is not a sentient malicious entity trying to ruin my life; me; specifically' #like. do you get what im saying. gamer dudebros who think the world revolves around them vs the fandom members who actually understand art #bc. thats what destiny is. its art. the whole thing is a massive art project made by a group of people that are very passionate about it. #do you hear what im saying at ALL its like two separate fandoms for the same piece of media the difference is so stark #mine #destiny 2 #lightfall #destiny 2 lightfall #eos destiny essays

[wordsinhaled]

kind of don’t want to put this in the tag but also. kind of wanna say acespec folks can kiss! and even experience attraction! and still be on the ace spectrum ✌🏻

#sorry but the fact that crowley kissed him full of all the passion in the universe doesn’t in any way take away their capacity to be aspec #aces who aren’t sex repulsed exist #aces who enjoy physicality exist #this angel and demon can fuck nasty and still be ace #and like. idk. i’m just seeing this weird dichotomy where like if they’re still ace they have to be entirely sexless and that’s just. like #not true to life? #and on top of all that. maybe i’m just a weird flavor of ace but i’m at this point in life where. what physicality MEANS is most important #the spectrum of experience is broad and varied #no two people wear the same identity the same way #because. they can be as ace as you want. i repeat they can be as ace as you want #let’s not erase aceness from the narrative just because they both desperately wanted to kiss each other is all i’m saying #they can be gray-a all day

[drawfee-quot3s]

move over jacob drawfee lemon, here comes jacob drawfee leomon

- karina

#um if anyone finds the jacob leomon fic where they travel together platonically until the tension boils over uhh hit me up link that thing #the fic where jacob calms down leomon but leomon brings out the beast in him and also where weregarurumon catches feelings for jacob #just passionate ab jacobs need to fit his digimon into a narrative #and gallantmon is tracking them #digimon #karina farek #karina drawfee #drawfee #drawfee quotes #drawfee extra #drawfee stream #drawfee does digimon smash or pass