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yumeka-sxf · 8 months

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An analysis on Anya (an Anya-lysis!)

As promised in my Twiyor season 1 wrap up post, it's time for me to give Anya time in the analysis spotlight – an "Anya-lysis" if you will! (yes, I've been waiting to make that pun!)

*I apologize in advance for the length of this post. I felt that splitting it into two would have hindered the flow of the analysis, so I kept it as one long post. But I promise it's not as long as it seems...the high number of images make it seem longer!*

Before I get into my analysis, I wanted to preface this post with a fantastic quote from @incomingalbatross, who perfectly describes the unique role Anya has in the series.

"Realizing that Spy X Family really is The Anya Show to me, and not just because "oh look, cute baby child" but because Anya is the center of the story. She has so many secrets resting on those tiny shoulders. She is juggling so many agendas. She's the one who knows everything and her choices drive the plot—she chose Twilight, she chose Yor, she chose Bond—and even when you look at the other characters and their relationships she IS the star they orbit around! Twilight and Yor's relationship is built on their shared care for Anya! And more than that, at the core of it all, Anya's goals are the ones we're invested in.

The center of this story isn't the superspy trying to do his job, or the assassin trying to do hers. It's the little girl who said "FAMILY" and pulled the building-blocks of one close around her with all her tiny strength, and everyone else in this story keeps being moved and changed and redirected by the force of Anya's attachments to her family.

And at the same time she is SO SMALL"

While Twilight may be the protagonist, and Yor the deuteragonist, Anya is definitely the main character in Spy x Family. Not only would there be no "family" without her bringing Twilight and Yor together, but her status as the main character is quite unique among shonen series, or even media in general.

Typically in stories where a little kid (like, below the age of 10) is the main character, either the majority of other major characters are also little kids, or the kid's main purpose is to be a cute comic-relief foil for the adults. But while there are kids Anya's age in SxF, the other important characters in the plot, namely Twilight and Yor, are not. So rather than the typical scenario of the main kid character constantly being surrounded by and working off their fellow kid characters, Anya is more often interacting with her adult parents. And it's not just for cutesy moments and comic relief – the true heart of SxF is about a fake family that could any minute be destroyed, with only little Anya being aware of this grim reality and doing everything she can to keep things together...all without the ability to be truthful with anyone, not with the adults or her fellow kids. While her parents are each secretly fighting for their own vision of world peace, Anya is too…the "world peace" of the family she doesn't want to lose. It really is a one-of-a-kind scenario for a little kid character.

But having such a special main character role doesn't necessitate a well-written character. But in Anya's case, she definitely is. In fact, I think she's the most well-written little kid character I've ever seen.

Too often in media little kids are portrayed as being overly cutesy, overly bratty/whiny, and/or act much older than they should. A key factor in making a little kid character believable is that you can't just make them cute and/or emotionally immature...they have to also be weird. Anyone who's spent time with little kids knows all the weird stuff they say and do because of their less restricted child brains and ignorance about the world. A good example of this is Lilo from Lilo and Stitch (another well-portrayed kid character). The movie does a good job showing all the weird habits Lilo has, like the bizarre origins of her favorite doll, the freaky voodoo stuff she does to the local bullies, and how she totally buys the fact that Stitch is a dog. Likewise, Anya has tons of little endearing weirdnesses, starting with her wanting a spy dad and assassin mom simply because she thinks it's "cool," to the funny lingo she develops like "ooting" (odekeke) and "ohayou-masu" ("happy morning," a.k.a, an adorably incorrect way of saying "good morning"), to thinking it's acceptable to give George a leaf as a parting gift (then wanting it back later), to her comical remarks whenever she thinks Loid and Yor are being "flirty."

Another realistic aspect of Anya's character is the fact that she's not super-smiley and overly cheerful/bubbly like many other main character kids. Not that she doesn't smile and can't be cheerful, but her default expression is a look of uncertainty or wide-eyed cluelessness, which makes sense considering her upbringing (I'm talking about her default expression in canon, not in merch or other marketing as characters tend to always smile in these even if that's not their usual expression – just look at Yuri's merch!) Most of the time when other characters are talking, she looks perplexed, like she isn't sure what's going on but she's really trying to learn/understand.

These expressions make more sense to me than a child who smiles all the time, because she's at an age where she still doesn't understand the right emotions to feel at the right time. A fantastic example of this is when she punches Damian – her face is totally blank! No anger, no fear, no embarrassment...because she still hasn't learned the proper emotions to feel in a situation like this.

All she knew was what Yor told her and that she was bothered by Damian's attitude. In fact, the iconic smug smile that she shows in that scene is the result of her not knowing how to properly react when faced with bullying (cry, get angry, etc).

Similarly, she has a very bored expression when all the kids are upset about George's plight, as if she doesn't really get what all the to-do is about. This also creates good contrast to how the other Eden kids from their rich families were probably forced to grow up fast, and thus act more like 8-10-year olds than the 6-year olds they're supposed to be. Meanwhile Anya, who's supposedly younger than them, stands out with her more childlike mannerisms.

This all makes sense not just because she's still a little kid, but because her view of emotions has been skewed by the fact that she can read people's minds. So she has to not only learn the socially proper way to react to people's actions and words, but also when she should, or should not, react to what's on their mind. I believe this is why she has such a wide variety of expressions compared to the other characters – her mind reading has forced her to experience way more emotions at such an impressionable age, though not always with enough context and guidance to identify when they're socially acceptable to express.

There are way too many examples of Anya's incredible range of expressions, so I'll just have to pick a few!

Put all this together – her childlike reactions to situations, but with a twist because she can read minds, plus her endless array of comical faces, and you have one of the funniest characters I've ever seen.

Because Anya has such a wide variety of expressions, and her default expression is that of uncertainty, there's a lot more meaning when she does smile. The shining smile she has when Loid praises her for getting a stella, when she plays with Bond for the first time, and when she meets up with Becky after their shopping trip, have a lot more significance because that's not an emotion she expresses all the time. Since happy/cheerful isn't her default mood, the emotional impact of scenes where she does smile is all the more stronger.

Likewise, considering her age, Anya isn't much of a crier either. Having a kid character burst into tears and throw temper tantrums is common, but the amount of notable times Anya has exhibited this behavior is relatively few. She did have a tantrum early on when Loid stopped her from going into his room and when she demanded that Bond be her dog…but those are the only notable cases in my opinion. She has shed tears here and there, but again, not a significant number of times. Similar to the scenes where she smiles, when she does cry (in a non-comical way), like when she's reminded about her mother at the Eden interview or when she's finally reunited with Yor after the bus hijacking, it has a lot more meaning.

Another common trait for little kid characters is that they're usually a representation of total purity and innocence. While Anya doesn't have the same dark ulterior motives and immoral occupations that the adults have, she's not shown to be a complete angel either. Even though good intentions are what drive her, she can be a manipulator, mischievous, and even cocky at times, like when she insists on being called' "Starlight Anya" after getting her first stella, when she was being overly competitive with Damian after the bus hijacking, when she was joking around on the bus after finding out the bombs were fake, and when she almost attacked Bond after he chewed up Penguinman. But all of these examples only serve to make her a more fleshed out character as opposed to just being the cutesy, happy series mascot all time.

Obviously because of her mind reading powers, she manipulates the adults around her all the time, but again, there's never any malice involved…it's clearly the result of a little kid doing everything in her power to keep the happy family she's created. And due to her mind reading ability, she's learned to be much more proactive than reactive – she knows what people are going to do before they do it, and what their intentions are without them saying it. This has allowed her to become resourceful way beyond her years, which has led to her saving the lives of both Twilight and Yor on more than one occasion.

One emotion Anya does have an abundance of is empathy. Typically children don't start to develop empathy – the ability to understand and relate to the intentions and feelings of others – until a bit past Anya's age. But because of Anya's ability to read minds, it makes sense that this part of her development would take priority over something like proper speech and school smarts. Her empathy extends to all the adults around her, her fellow kids, and even animals. While a lot of her empathetic actions stem from her need to help keep Twilight's and Yor's identities secret and thus maintain the peace of the Forger family, there are many examples where this isn't the case and she's simply acting out of nothing but concern for others: comforting the Eden cow because she understood it was scared, worrying about the well being of the Project Apple dogs, leaping into action when she heard someone drowning, and comforting Damian when she knew he was scared during the bus hijacking.

Even when identity reveals aren't at stake, she still comforts Twilight and Yor when they need it, like when she thought Twilight had a nightmare after his backstory reveal, and when she knew Yor was concerned about Loid's relationship with Fiona.

The bus hijacking was a prime example of Anya being empathetic, but not to an unrealistic degree. She empathized with Billy enough to diffuse the situation, but not on a deeper level because, again, she's a little kid. She understood he was upset, but she didn't have outpouring sympathy or deep, introspective thoughts about his situation – that's something an adult would do, not a little kid who's still learning what emotions to feel at what times. What she eventually does is something that makes perfect sense both for her personality and age. With some great resourcefulness on her part, she was able to figure out what she had to say to manipulate Billy the right way, but at the same time she was playing it by ear and basically clueless as to the depth of the matter, yet mustered up all the courage she could…typical Anya.

There are a lot more examples like this of Anya's sense of empathy, too many to list. But the bottom line is, although Anya does use her powers to manipulate people to benefit her own situation and those she cares about (who can blame her?) it's clear that even at such a young age, she's a genuinely good girl who wants to help others and do good in the world, even if she's too young to realize it yet. Not unlike her parents, really. I think we'll be searching a long time before we find another 1st-grade aged character as awesome as Anya.

#spy x family #spy family #sxf #spyxfamily #anya forger #sxf analysis #sxf spoilers #sxf manga spoilers

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happy74827 · 4 months

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hey are requests open…. If so can I have Dom Matthew Patel x Sub female reader (lime)

Study Buddy

[Matthew Patel x Female!Reader]

Synopsis: Things get a little heated after Matthew admits his feelings to you.

WC: 1831

Category: Spice/Lime, Fluff

Matthew as a Dom? Lmfao that’s a new one (personally he gives me total Sub vibes 🤷‍♀️), but a request is a request. Hopefully I wrote it to where you like it :)

『••✎••』

Matthew Patel. A nerd with an affinity for magic. The kind of guy you would see at your local comic book store or performing “One Day More” from Les Mis in an empty movie theatre.

He was also your best friend's ex-boyfriend. He was also currently on top of you.

The two of you were in your dorm room, and you had been studying. It was exam week at college, and you were cramming for your finals when you heard the familiar sound of someone opening your door. You were on the ground, papers, and books splayed out around you. Matthew stood, hands in his pockets.

His mouth hung open slightly as he took a deep breath.

"You're so..." He paused. "I mean, you look so..." He trailed off. You cocked an eyebrow.

"Matty… are you musical theatre-ing me right now? Because if so, I really need to study-"

"No! No, just listen." He said, sitting next to you. You could tell he was nervous, fiddling with his sleeves. "You're beautiful, you're smart, and you're my friend.”

“Uh… huh? Thanks, I guess, but where are you going with this exactly-?" You asked, trying to return to your work. He cut you off, standing.

"Ramona and I never worked out, and that's because she didn't like me. I get it, but you... You actually care about me and... and... I really… I like you a lot and... And... Can you not do that?!"

You stopped writing, looking up at him. You were surprised to see his face was red and that he was sweating slightly.

"Can I not what?"

"You're doing it! The thing! With your eyebrows! It's distracting me!"

"Matthew, calm down." You said, setting down your pencil and standing up. He was about parallel with you, height-wise. Not bad, considering he was a year older.

"No! This is a big deal! This is serious! I want... I want to ask you something."

You looked him in the eyes, confused.

"What is it, Matty?" You asked, placing a hand on his shoulder. He looked away.

"Will you... Go out with me?"

There was a long pause as you processed what had just happened.

"Matthew..." You said, and he visibly cringed.

"I knew it; I knew I was being too forward. I just-"

You cut him off with a hug, burying your face in his chest.

"You're really sweaty; did you know that?" You mumbled, and you felt him laugh. He returned your hug, pulling you in. “And to be honest, you do actually look like a major pirate in this lighting."

"Uh,” His face fell. "Thanks?"

"But, I happen to have a type, you see. Sweaty pirates with magic powers who quote musicals. And I'm pretty sure that describes you perfectly." You said, smiling as you felt his heartbeat pick up. He let out a soft sigh, resting his chin on the top of your head.

"That's... That's a relief."

The two of you stayed there for a moment before he cleared his throat and gently placed a hand on your cheek, making you look at him.

"So, uh, I haven’t done this in a while.”

“You mean since that week in seventh grade with Ramona?” You asked.

His face turned red. “Ramona told you that?! Oh man, did she tell you about Pilgrim, too, or... Okay, we don’t have to talk about this; let's just..."

He leaned down, and you felt his lips press against yours. It was gentle and sweet, and he pulled away, leaving you wanting more.

"You're such a dork, Matty."

"… A good dork, right?"

"Yeah, a good dork." You smiled, kissing his nose. He chuckled, leaning down to kiss you again. For not having kissed someone in a long time, he was pretty good.

His hands slid down to rest on your hips, and your arms draped over his shoulders. Your hands tangled in his hair as his tongue gently pressed against your bottom lip, requesting entry.

You opened your mouth, letting him deepen the kiss. You felt your body being pressed against the wall behind you, and you let out a soft gasp. He took this opportunity to slip his tongue into your mouth, gently rubbing it against yours.

The kiss was messy, tongues and teeth clashing. It wasn’t the most elegant, but it was passionate and full of emotion.

He pulled away, looking down at you. His lips were red and swollen, his hair was messed up, and his face was flushed. You assumed you looked similar.

"… uhm, I think I accidentally set your textbook on fire."

You looked over to where you had been sitting and saw a large pile of ashes where your textbook had been.

"Aw, shit! Matthew, how am I supposed to take finals now?"

"Uhh... I’ll buy you another one. I'm sorry."

You gave him a look, and he looked down in shame. He looked like a sad puppy, and you sighed.

"Don't worry about it. I can just use my computer. And... Well, I wouldn't mind some help studying."

His eyes lit up, and he grinned, leaning in and pressing a kiss to your lips.

"Yeah, I can help. Anything for you, babe."

"Okay, ew, don't call me babe."

"Right, sorry. Honey, Sweetie, Darling, Cutie-"

"Matthew."

"Right. Sorry. Anyway, what was it that you were studying for again?"

You laughed, and the two of you got to work, studying and laughing together. Except, you didn’t study because you were too busy making out. But, that was probably the best studying of all.

The floor became your bed, and it was covered in papers. But you didn’t mind. Because the boy who had previously been known as a nerd with mystic abilities and questionable taste in music was now on top of you, kissing your neck and whispering sweet nothings in your ear.

Matthew didn’t strike you as the type of guy to take charge. In fact, you would have been surprised if he wasn't a virgin. But as he whispered to you, his hands running along your sides, his lips pressing against yours, his body pressed against yours... You could tell he wanted this just as much as you did.

It didn’t take long before you matched his energy, becoming a sweaty, blushing, panting mess. Your hands were under his shirt, running along his torso. His skin was hot, and you were sure your hands were sweaty. But he didn’t seem to mind.

In fact, he seemed to enjoy it if the groan that came from his mouth when your hand brushed across a particularly sensitive area was anything to go by.

Your name rolled off his tongue, and your heart raced as he whispered into your ear again.

"Do that again, please..."

And who were you to refuse such a polite request?

You sat up, and he adjusted his position so that he was kneeling between your legs, your arms around his neck, and your forehead pressed against his.

His coat was discarded, and the two of you were a blushing mess. His breathing was heavy, and so was yours. Your clothes had become disheveled, and your hair was messy.

But that didn’t matter because the way he was looking at you made you feel more beautiful than you ever had before.

"Y-you're amazing." He muttered, his hand on your hip. "I've liked you for so long. And now, we're here. I never thought I would be this close to you, ever. You're amazing."

You blushed, looking down.

"Matthew, you're embarrassing me."

"Sorry, I just... I need to say it: you're... you're so gorgeous."

You blushed harder, burying your face in his neck and taking a deep breath. He smelled like pine and smoke, and his hair tickled your face.

You felt him chuckle, a deep rumble in his chest. His fingers gently stroked your sides, and he pressed a kiss to the top of your head. He then moved his head so his lips were against your ear.

"You wanna hear a secret?"

"Yes, please."

"My favorite musical is The Hunchback of Notre Dame. Not the Disney movie, but the actual play."

You burst out laughing, looking up at him. He smiled, looking proud of himself.

"Oh, god, Matthew, why?"

"What? I like the songs! I sang it back in high school. Granted, I sang it behind the curtains because I was only picked for the ensemble, but I still like it!"

You couldn’t stop the laughter coming from your mouth, and he began to laugh as well. His laugh was more of confusion than anything else, but it was adorable nonetheless.

"God, you're such a nerd."

"Oh, like you aren't a nerd as well! What was it that you were listening to on your laptop the other day? 'Hamilton' or something?"

"Okay, first of all, Hamilton is amazing, and I will not let anyone, not even you, say otherwise."

"Fair enough. But, can we continue now?"

"I mean, you could just sing a song from the Hunchback of Notre Dame for me."

He laughed, leaning in and pressing a gentle kiss to your lips.

"Maybe later." He said, and his lips were back on yours, his tongue slipping into your mouth. His hands found their way under your shirt, gently running along your sides. He was gentle and sweet and very eager. His touches were light and loving, and it didn't take long for him to become more confident.

Soon, the kisses became rougher and sloppier, his touches more firm. His hips bucked into yours, and you groaned, breaking the kiss. He grinned, doing it again. You let out a shaky breath, gripping his hair.

"Matty..."

"Yeah?"

"Those demon… girls? , the uh... the ones that follow you around. Can they see us? I really don't want them watching."

His head perks up, watching you.

"Uh, not if I don't want them to. They usually stay in my shadow so they can't see. Besides, I've told them that I'm done with the whole vengeance thing. They're chill."

"Oh, okay.”

He kissed your cheek, and his lips were back on yours in a second, kissing you hungrily. His hands roamed your body, and your hands tangled in his hair, pulling slightly.

Yeah, you didn’t study that night. The excitement was too much. Instead, the two of you stayed in each other’s arms for hours, the smell of burning paper surrounding the room.

Excluding the fact that Matthew had burned your textbook and possibly owed you an entire binder full of notes, you had no complaints.

Matthew Patel might be a nerd, a loser, and a total weirdo to some. But to you, he was the sweetest, most loving, and the most wholesome person you had ever met.

And, as he pressed a kiss to your temple and muttered an "I love you," you couldn't help but smile and think that maybe, just maybe, there was some truth to the "nerds can get chicks" stereotype.

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ninetailedfoxmanchi · 1 year

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What is Simon 'Ghost' Riley actually like in a relationship (according to me)

A/N: I know this isn't anything like the things I usually write fics about but if I don't get this out of my system, I will spontaneously combust into flames from thought overload. There is a lot of great fics about him out there, 100%, but there is a steamy pile of garbage as well which makes Simon "an abusive asshole" to quote a TikTok I recently saw - and I couldn't agree more. So, here is my soft take on this tough guy and I hope you can enjoy reading this despite it being pretty far away from everything else on this blog.

Warnings: mentions of torture, violence, weapons, PTSD, profanity, explicit sexual themes but also so much fluff and softness

A/N pt. 2: I base this on Ghost's backstory according to the comic books as well as the video games but this is just my take so if you imagined him differently, that is totally valid!

* * *

Firstly and most importantly, Simon is a very different in his private life compared to his work; meaning he is good at separating the violent side of his work life from the life he has with you.

He must be the softest, the most gentle person there is when he is with you. I think he is very shy in the beginning as well as in early relationship given how his father treated him growing up. It is not that Simon wouldn't trust you, it's more that he would not trust himself. After all, after the Manuel Roba operation, he was tortured for months and came out with severe anger issues.

However, he was able to resolve this when he re-joined the military and engaged therapy but the scars remained: both mental as well as physical.

The reason why Ghost never takes off his mask is because of the scars Vernon and the lot left on his face (and the rest of his body). They are healed now but whenever he sees them in the mirror, he is reminded of everything he has been through, especially the loss of his family.

After Simon had told you why he keeps his mask on even in private life, at least the bottom part, you would not mind it as much but you would also reassure him that the way you feel about him could never be changed by some scars.

Needless to say, Simon would be very, very protective of you. He has lost everyone he has ever loved and cared about and he would never allow the same happen with you. It must be said though that Simon is not possessive. He above all knows the importance of freedom, especially when it comes to making choices about yourself and your comfort.

Still, Simon would face some control issues when you'd go out on your own. At work, he is used to being in charge of everybody, making sure everyone is safe and manning their positions. But with you, he needs to remind himself you are not going to war but just out with your friends, out grocery shopping, out to the library or somewhere. The thought of losing you drives him insane. He could never forgive himself if it happened when he could be by your side instead.

It goes without saying though that Simon prefers the comfort of his home to just about any other place. Clubs give him anxiety and the loud music triggers his PTSD, bars and restaurants are okay here and there but there is no place like home.

He does enjoy hiking and walking with you though.

Simon is romantic by heart so picnics in the nature would be his go-to dates. A bottle of wine, cheese and olives, a blanket in a spot with a view... You'd trace his features gently with the tip of your finger; the curve of his nose, his lips where he'd take your hand in his and kissed it softly as you would lay together in a secluded spot somewhere.

Bonus: when you decide to go home, Simon would never let you help carry any of the things he'd brought. Maybe the blanket but everything else, he'd pile up in his massive arms and carry them all the way home while barely seeing over the heap.

When it comes to sex, Simon would be just as reserved as with taking off his mask in the beginning. He would need much assurance from you that you really wanted to be with him intimately before trying anything.

Contrary to popular belief, Simon would never do anything that could even remotely hurt you when you had sex (or otherwise). On the one hand, he is well aware of his size and strength, and on the other, it is his childhood trauma that keeps him from trying anything that could potentially hurt you (even choking, spanking, etc. is not something he is comfortable with) even if you'd ask him to experiment.

Simon has seen, felt and inflicted too much violence in his life to have it included in his love life as well. All he wants to do is make you feel safe and loved especially when you have sex because this is one of the ways he expresses his love to you.

His sex drive is not that high but when you do have sex, he likes to make it special and intimate. Simon is very serious about it and wants you to enjoy yourself more than anything. To be honest, just seeing you climax causes him do the same.

He enjoys going down on your very much; the intimacy, the softness of your moans, his arms locked around your thighs when his fingers are not intertwined with yours.

Simon's favourite part though is the aftercare. He loves cuddling with you. Physical touch is yet another of his love languages although he was very reserved in the beginning of the relationship.

He is the big spoon the majority of time but sometimes (his favourite) Simon lays his head on your chest, wraps his arms around your waist and lets you play with his hair. He can fall asleep almost instantly.

It cannot be stressed enough that Simon never ever EVER raises his voice at you. Even when you are having an argument (which is not often), he never yells much less gets violent in any way.

He is a great listener and despite not saying much a lot of the time, Simon communicates well although he struggles very much to word his feelings.

After an argument or just for no particular occasion at all, Simon gets you flowers (a lot) - and different kinds every time. Another way for Simon to apologize is to cook for you. He is not very good at it but it is the effort that counts.

When he is away on a mission, Simon calls you a lot just to hear your voice, especially when he is too stressed to fall asleep. Your voice calms him down and help him get some rest but also reassures him you are alright whilst he is not there to keep you safe.

Simon likes to listen about your day, your feelings and your ideas. It keeps his mind far away from dark places. But every now and again, he would trust you with a fragment of his memories when his thoughts are just too loud. You know how precious and how rare it is that Simon opens up to you.

You don't say anything when he talks about his memories and his family but you always hold his hand, brushing your thumb across his calloused knuckles or drawing gentle shapes against his broad back.

You pepper his skin with soft kisses when his voice quietens and lead his head to rest against your chest as you pet his hair.

He likes to listen to you sing too, even if your voice is not the greatest. Even just humming a random melody and feeling your chest vibrate softly beneath his cheek will ease his heart.

Random bonus: Simon drinks English breakfast, no cream and one cube of sugar and has an occasional cigarette with it (Marlboro).

#simon ghost riley #simon riley x reader #call of duty #cod #cod mw2 #cod mw2 fanfic #ghost x reader #simon riley #simon ghost riley imagine #simon riley imagine #modern warefare 2 x reader #modern warfare 2

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candy8448 · 9 months

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Random details i noticed while rereading random bits of LU:

1. When going into a new world and asked if anyone recognises this place, Wild pulls out his slate (probably to check if his map is working) to see if they are in his hyrule. Ive seen this a lot in fics before but i never noticed that the idea may hhave come from the comic itself

2. When Wild feeds Epona, it has the same sparkle effect as in BotW!

3. "Its a secret to everyone" hehe

Wild also said it in that one extra where they discuss who knows about Twilight's wolf form

Intresting how its been used both times to do with dark world forms

4. Twilight looks like a werewolf, almost definetly probably intentional

5. When Legend reverts back to hylian form and is holding the master sword the tempered sword is also very obviously glowing, just thought it was intresting

6. "Nice hair" XD

Quote from Skyward Sword, Link says it to Groose at the begining when Groose hides Link's loftwing as one of his dialogue options

7. The first reactions we see to Wolfie being hit are the four people who know that Wolfie is Twilight

8. At this point, Warriors knows about Wolfie being Twilight, and probably knows that Wild is very close to him, so he lets Wild run off ahead, understanding that he probably needs to make sure Twilight is okay as soon as possible

9. "What a terrible fate" 0.0

10. This is probably going a little deep into analysis here, but when Wild starts talking here the pannel has him silhouetted against the background, as if he is laying his feelings plain and bare

11. We see the Link from 100 years ago here as a ghost with the champions, in his soldier armour, Wild probably sees him as a different person

12. I may be missunderstanding something here, but does Time not know that twilight is his descendant? Because in the Malon comics he does know, but the extra comics always did feel really seperate from the rest of the main story

13. Also! Malink baby!!!!!!!!

14. Also (ran outta space for photos) Hyrule's healing powers look similar to Mipha's healing powers

#linked universe #linkeduniverse #lu chain #lu legend #lu wild #lu sky #lu wind #lu time #lu malon #lu malink #lu warriors #lu twilight #lu hyrule #lu four #bunny legend #mipha #lu #i do a little ramble

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silverwhittlingknife · 11 months

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Dick Grayson & Tim Drake: Reading Guide

Once upon a time, two kids met at a circus... and the rest is history.

table of contents:

who are these losers?

what's fun about them?

why a reading guide?

how does the reading guide work? (tl;dr: there are quick recs, a selected chronological list, and a complete chronological list)

where is the spreadsheet? (x)

who are they?

Dick Grayson and Tim Drake: the first Robin and the third Robin.

Also known as the circus boy and the earnest computer geek, the hotshot and the pretender, the slighted prince and the new apprentice, the acolyte and the hanger-on, Nightwing and Robin, Batman and Robin, Batman and Red Robin, and Marcia and Cindy (BftC 3, N 110 & 119, B 617, DC 677, Detention Comics 1, R 168, RR 14).

Or as Jason calls them, "You idiots" (TT 47).

More seriously, Dick Grayson is one of the most enduring comic characters ever - he's been around since Detective Comics 38 in 1940! He's Batman's first ward, first partner, and eldest son. When Dick's parents are murdered, Bruce identifies with him, comforts him, and takes him into his home, where Dick ultimately volunteers to join his crimefighting mission. By candlelight, the Dynamic Duo swear an oath: That we two will fight together against crime and corruption and never swerve from the path of righteousness!

Tim Drake was created in Batman 436 and formally introduced in Lonely Place of Dying. He's a lonely kid who imprints on Dick when they meet as children, and Dick hugs him and promises to do a quadruple somersault for him; he's horrified and worried about Dick in the aftermath of the Graysons' murder, which he witnesses. He watches Batman comfort Dick, deduces Robin's secret identity, and becomes a secret devotee of the Dynamic Duo. Though he admires them both, it's ultimately Dick who he idolizes and tries to emulate when Bruce is spiraling: Batman needs a Robin. No matter what he thinks he wants.

Their slow-burn strangers-to-friends-to-brothers-to-antagonists-to-brothers-again arc develops from 1989 to 2011, and it's one of the standout examples of the DC Post-Crisis era's commitment to gradual character development and careful continuity.

what's fun about them?

SO MUCH!!! But one of my favorite things is their friendship has RANGE!! They go from sweet kids to tense strangers to loyal friends to brothers over the course of real-life years and tons of comics. They fight, they tease each other, they get protective, they worry, they chase each other down, they walk away... there's just so much story here.

They meet at the circus as children, when both their parents are still alive. They meet again, years later, when Bruce is reeling from Jason's death and they team up to stop him from hurting anyone. In the early days, they're brothers-in-arms and never quite family - instead, Dick is Bruce's loyal-but-estranged eldest son, and Tim is Bruce's new loyal-but-wary apprentice, with his own family and his own semi-estranged dad. The slow process of evolving toward found-family is a delight to watch.

They work together as Nightwing and Robin over four years of in-universe time and for over twenty years of real-time, gradually forging a fierce bond of friendship and, ultimately, brotherhood.

Then Bruce dies, and they have some huge fights.

But even when they're estranged, even when they're not speaking... they never stop loving and trying to protect each other. No matter what.

why a reading guide?

Quotes from New Titans 60 and Batman 441 (1989), Nightwing 25 (1998), Nightwing 69 (2002), Red Robin 1 (2009), Red Robin 12 (2010), Gates of Gotham 3 and Detective Comics 874 (2011)

I think reading guides are cool!! And somebody asked me about one!

More generally, I think reading guides are always helpful, but especially with Dick & Tim... you know, when I first started out trying to read their comics, I got kinda overwhelmed. Because on the one hand there's SO MUCH CONTENT - they're one of the classic enduring friendships in all of post-Crisis! their relationship is a HUGE BIG DEAL! they're constantly calling each other and hanging out and supporting each other and arguing!

But at the same time, all of that content is scattered across lots of different books, in Robin and Nightwing and Detective Comics and Batman and New Titans and Titans and Young Justice and Teen Titans and Shadow of the Bat and Gotham Knights and Birds of Prey and Showcase and DC Holiday Specials and so on and so forth. There's not One Definitive Place where you can read The Dick-and-Tim Story.

So: a reading guide!

how does the reading guide work?

Dick and Tim are in over 400 comics together and over 800 comics each separately. That's a whole lot of comics! So I've made a spreadsheet with three different reading guides, depending on how interested you are in these two:

1-5 Quick Recs: If you just want to check out a couple comics, check out these quick recs for "if you like fluff," "if you like angst," etc.

200 Starter Comics: If you want to do a comprehensive, chronological Dick-and-Tim read without committing to all the comics, this list has some of their major team-ups plus some solo comics so you know what the heck is going on. Most of them have a "sneak peek" you can use to decide if you want to read it.

Big List: A complete list of all the comics Dick and Tim are in, in chronological order, with links to dc.fandom and to DC Universe Infinite. It has filter views.

This spreadsheet was a labor of love, obsession, and SO MUCH PROCRASTINATING doing other things. I update it sometimes.

where is the spreadsheet?

it's here. have fun <3

#anyway sibling asked what i was working on a while back and i said that i was looking up regex formulas #so that i could create hyperlinks for a massive spreadsheet organizing a list of twenty-year-old batman comics #and sibling said ''uh. oh. okay'' and i said 'WOULD YOU LIKE TO SEE IT :D' and sibling declined dsfdsfdsfds #genius is never understood in its own time #i really do not know how to tag this so that i'll remember what i tagged it. guide? list? COMIC guide? comic reading order?#comic reading guide #comic recs #i guess. i got nothing #dick & tim #dick grayson #tim drake

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imperiuswrecked · 7 months

Text

But the hour is getting late. My son. My heir. My legacy. Let us go then, you and I. And I will show you how to save the world.

King Victor Von Doom & Prince Kristoff of Latveria

Thank you to the wonderful @ecairnsart for my Von Doom Royal Family Portrait! I'm once again in awe of your beautiful talent and art. ID and more below the cut~

[ID: Victor Von Doom sits front and center on an elaborately carved wood throne as the King of Latveria, the back of the throne shows a letter D engraving, and there is a detailed open mouthed lion’s head carved into the visible arm, the other side is covered by Doom’s cape which is draped over it. Doom wears a furred cape fastened by detailed decorative clasps, and a fine sash crosses his tunic. The medals on his chest represent his heritage, one is a symbol of the Roma flag, one is a letter W to represent his mother’s symbol, one is a pentagram to represent magic. Doom’s eyes are locked on the viewer from behind his mask. One arm rests on his knee while his other hand holds a unsheathed medieval inspired longsword by the hilt with its sharp end resting on the ground.

Two black dogs sit at Victor’s feet, while his son, Kristoff, stands to his right and just behind his throne. Kristoff also wears sashes and medals on his suit that represent his heritage and place as Prince of Latveria. He wears a fine cape with the symbol of Doom visible to the viewer. Unlike Victor who is completely armored and wears a hooded tunic and cape, Kristoff’s hood is drawn down, while his face and hair are visible, he wears gloves rather than metal gauntlets. Kristoff’s armor is minimal and the only visible parts cover his neck, jaw, and the lower part of his head. Kristoff’s eyes are also on the viewer while he stands proudly beside his father. His left hand rests on the pommel of a sheathed renaissance era sword.

The unmasked version shows Victor’s face, the right side of his face shows a jagged scar that runs from under his eye, down his cheek. /END ID]

Artist Notes:

Doom of course is seated front and center, with the dogs at his side and Kristoff at his right hand. The throne is elaborately carved wood and kept relatively dark so that it doesn't draw the eye away from the main figures of the painting.

The portrait composition is inspired by 18th/19th century aristocratic/royal portraits.

Doom’s sword, inspired by Maleev’s various paintings of Doom featuring a sword, is a medieval inspired longsword. In contrast Kristoff’s sword is a renaissance era inspired weapon, reflecting Victor as the medieval king and Kristoff as his younger heir.

Victor’s sword and position upon his throne works well as a kind of powerful element, like most royal portraits, it is intended to project a particular image of Latveria's rulers - specifically one of strength, in a bit of contrast to the early portrait representing Doom as a paternal figure and friend to the children of Latveria as represented by a young Kristoff.

You asked me to use some symbolism relevant to their backgrounds for the medals and such: I used a W - like shape from his mother’s chest of magical items in one of Victor’s medals and also on the top of his throne. A wheel-like design (as on the Roma flag) on a medal to represent his heritage, this design is also present in the medallions and on the chest/shoulders holding Kristoff’s cloak. A pentagram symbol on another medal and on the hilt of Victor’s sword to represent his use of magic.

Both of them are wearing somewhat "fancier" versions of typical outfits that we've seen them in from the comics - I've pulled various elements in, (the sashes and medals from Doom's wedding issue) and from Kristoff's appearance in New Avengers.

Victor’s scar is designed after Jack Kirby’s unmasked Doom drawing.

Quote Source: Marvel Voices Infinity Comic (2022) #10

This art commission is a companion follow up to a previous Von Doom family portrait art that Ecairnsart created for me, in the older piece Victor and Kristoff have a more whimsical vibe, with Victor reading a book of children’s tales to a young Kristoff while their pet tiger lounges by them.

After Ev presented this piece I knew that I needed an art that showed them in later years, that it needed to be something more somber and austere than the fanciful family portrait of Kristoff’s youth. I wanted to show that years have passed, how the hardships and their personal choices have created a sort of invisible gulf between them but they have a deep bond as adopted family that they can’t ever fully sever. Both are dressed in their best clothing and armor, their portrait shows the image they’ve created for themselves, this is how they present themselves to the world. In contrast to the older portrait there are no colors nor fantastical tiger, instead there are two dogs that give off an almost cerberus vibe, guard dogs instead of a powerful but tamed tiger. Kristoff is waiting just outside of the shadows as Victor’s heir to take his place on the throne of Latveria while Victor sits at the ready to swing his sword in defense of his beloved country and people.

The call back to Victor being the “Lion of Latveria” is in the engraved lion’s head which I thought was another brilliant idea from Ecairnsart. I love how much thought they put into every detail of their work, and how they brought in Victor and Kristoff’s Romani heritage. Ecairnsart also created an unmasked Doom version which I absolutely love as much as the masked version. I love how Victor’s unscarred side is the one he presents to the viewer while the scarred side is hidden a bit more, how he might be uncomfortable being seen unmasked and that perhaps this version of the portrait is one he keeps only in family living spaces in the castle while the other masked version is prominently displayed in the public spaces of the castle. I’ve been a big fan of Ecairnsart’s work for years now and every new piece they create only reminds me how wonderfully talented and dedicated they are to their craft.

I love Victor & Kristoff very much and I’m overjoyed to have another family art of them to cherish.

#victor von doom #doctor doom #kristoff vernard #art #fantastic four #marvel comics #fanart #ecairnsart #ev art #imp comms a thing #*loud sobbing and wailing noises as I cry over these precious characters who have stolen my heart and my sanity*#I love this so much!!!!#its beautiful and perfect!!!

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inthedayswhenlandswerefew · 9 months

Text

Comet Donati [Chapter 7: Heart Attack]

A/N: Hello all! Only 3 chapters left!!! 🥰 Thank you so much for loving this fic and giving all my eccentric AU ideas a chance. I’m currently in Washington DC visiting one of my best friends, so if I’m a little bit tardy replying to your comments/messages then that’s why. Don’t fear!! I will check in as soon as I can, and I am still amazed by and will forever cherish your support. 💜

Series Summary: Sex, drugs, boy bands. You are a kinda-therapist recruited (via nepotism) to help Comet Donati through a recent crisis. Things are casual with Aegon, very not-casual with Aemond. Loosely inspired by One Direction.

Chapter Warnings: Language, references to sexual content (+18), drugs, alcohol, smoking, Shelby being a bigger plague than the locusts of Egypt, mental health struggles, references to violence and abuse, New Jersey, pregnancy, mini golf, lots of content for the Cregan girlies.

Selected Chapter Quote: “We’re meant to be together. We have so much history.”

Word count: 6.2k.

Link to chapter list (and all my writing): HERE.

Taglist: @doingfondue @catalina-howard @randomdragonfires @myspotofcraziness @arcielee @fan-goddess @talesofoldandnew @marvelescvpe @tinykryptonitewerewolf @mariahossain @chainsawsangel @darkenchantress @not-a-glad-gladiator @gemini-mama @trifoliumviridi @herfantasyworldd @babyblue711 @namelesslosers @thelittleswanao3 @daenysx @moonlightfoxx @libroparaiso @burningcoffeetimetravel-fics @mizfortuna @florent1s @heimtathurs @bhanclegane @poohxlove @narwhal-swimmingintheocean @heavenly1927 @mariahossain @echos-muses @padfooteyes @minttea07 @queenofshinigamis @juliavilu1 @amiraisgoingthruit @lauraneedstochill @wintrr13 @r0segard3n @seabasscevans @tsujifreya

Let me know if you’d like to be added to the taglist! 💜

You type into Google as you hide in the public bathroom stall, pink tile walls and mint green porcelain, very 1950s, phantom drips of water and humming florescent lights: Can Plan B make your period late?

You scroll through the results, clutching your iPhone with both hands. Faintly, you can hear the rest of the band outside, chattering, laughing, slurping on Slush Puppies, smacking trees and rocks with their golf clubs. Yes, the consensus seems to be; Plan B can delay your period. Incidentally, so can pregnancy.

“Fuck,” you whimper. You peer down at your panties, as if you can force bloodstains to appear: sparce rosy threads of warning, dark red splotches like rust, you aren’t particular. You’ll take anything. “Fuck,” you say again, defeated. You get dressed, wash your hands, and head back out into the cloudless afternoon sunshine.

“Stargirl, it’s your turn!” Aegon shouts as you trot over to them: tenth hole, shaped like an L, featuring an intimidating loop de loop. The course is dinosaur themed; Rhaena picked it. Aegon points to Jace. “This deformed bastard wanted to skip you.”

“I told you,” Jace moans. His speech is garbled and lisping, his face comically swollen, bruised yellow-emerald-indigo and drooling blood, stitches above his left eyebrow. He just had his dental implants placed yesterday; the four teeth that he lost at Club Camelot could not be readily located for reattachment. “I can’t keep track of who’s next. I’m on like four different opiates.”

Baela frets over him. “Shh, shh, baby. Try not to talk.” There’s something about watching someone get almost-murdered that makes you want to forgive them, you suppose.

You grab your club and golf ball, dark blue, from where you left them by a tree. Rhaena gives you a covert little thumbs up and raised eyebrows. Everything good? You smile—too widely, insincere, a liar—and nod. Technically, you have yet to obtain concrete evidence to the contrary.

You take your turn, somewhat awkwardly due to the splint that still encumbers your dominant hand. You are thinking about anything but mini golf. Your ball goes halfway through the loop de loop and then comes rolling back. How many strokes? Four, five, you lose count, it doesn’t matter. Aegon is snickering, though not in a mean way, never in a mean way. Aemond is watching you. He does this constantly; you can feel his eyes—river water, otherworldly atmosphere—on you all the time, you can see him on the periphery of your vision. But when you glance at Aemond, he looks away. You’re wearing flip flops, a black NSYNC t-shirt, and bright pink shorts that Baela insists are of the very short variety. Aemond is staring a little extra hard today. Shelby alternates between glaring at him and at you.

Jace putts next. He misses the ball twice. On the third try, he hits it into a nearby pond. Golden koi fish scatter beneath the rippling sheen of the water.

“Loser,” Aegon declares mildly. “Criston, why the fuck are we in New Jersey?”

“Because you’re playing three shows at the MetLife Stadium in East Rutherford,” Criston says as he putts; his green golf ball sails through the loop de loop, bounces off a wall, and then rolls straight into the cup, a hole in one. “One Direction did it, Taylor Swift did it, and now you’re going to do it too. And if you don’t make it too unbearable for me, I’ll even take you to the beach while we’re here. Okay?”

“Okay,” Aegon agrees. He slurps on his Slush Puppie. “Oh, Aemond, I need the Netflix password.”

“You forgot it again?!” Daeron says. Jace, groaning softly, lies down on the ground in a patch of shade. Baela gets a bottle of Orajel rinse out of her purse and starts pouring it into his mouth.

“Get your own account,” Aemond snaps at Aegon. “I think you can afford it.”

“Bruh, that’s not the point! I don’t know where I left off in Grey’s Anatomy!”

They keep bickering. You stop listening. You can only hear the sounds of rustling leaves, squawking seagulls, the whistling of the warm August wind. You can only feel the weight of Aemond’s half-fascinated, half-resentful gaze on you. He wouldn’t believe me, you think. If I really am pregnant, he would never believe that it was an accident. He would never believe that I was that guilelessly, unambitiously stupid. Hell, I did it and I barely believe it.

You steal a glimpse of Aemond—black shirt and black sunglasses, white shorts, Adidas sneakers—and he turns away, pretending to pick dirt off his golf ball. Interestingly, he will talk to you about things not related to that night in Tokyo; perhaps it would be too suspicious not to, a neon sign for the rest of the band to read. But he never allows himself to be alone with you. And he never touches you, not even a grazing of hands or an absentminded bump as he passes you in aisles or hallways.

Bump, you think miserably. An inauspicious choice of words.

“We should watch Se7en,” Aegon is saying now. “Comet fam movie night.”

You mutter: “We’re not watching Se7en.”

“What’s Se7en about?” Rhaena asks.

“You wouldn’t like it.”

“What’s in the box?!” Aegon shouts dramatically—quoting the beautiful yet doomed David Mills, a name he once borrowed to schedule a Zoom meeting with you—and then cackles. It’s his turn. He clobbers his golf ball and sends it flying through the loop de loop; it pops over the barrier and disappears into a bush. Startled squirrels dart out of the leaves.

“Loser!” Jace slurs as he lies sprawled across the ground, vindicated.

“Stop spitting blood everywhere,” Aemond says. He putts next, and badly: poor depth perception. “You’re getting it on my sneakers.”

“Watch it, cyclops.” Jace points to his own stitches, bruises, surgically replaced teeth. “I let you have this one. Now we’re even. But next time I won’t be so charitable.”

“You’re not even,” Aegon tells Jace, abruptly severe. He whips off his aviator sunglasses, crouches over Jace, glaring and thunderous like a storm. Baela observes this warily. “Not even close.”

Jace is intrigued. “No?”

“No. Your face will heal.” Then Aegon pokes him in the jaw and Jace screams, tears slithering down his puffy, mottled cheeks. Cregan yanks Aegon away before Baela can scratch his eyes out. Criston repossesses Aegon’s blue raspberry Slush Puppie as punishment. Luke wins the game, five under par.

Comet’s first shows in the United States this tour start just like the last few in Asia: Jace is iced, painted with concealer, thoroughly medicated, numbed into semi-consciousness. He does lines of coke in the bathroom under Cregan’s supervision. He can’t perform without it. Criston tried to negotiate a month off for Jace, but the label’s message was clear: get him on stage, we don’t care how you do it, we don’t want to know about it, here’s a blank check, figure it out or we’ll find another manager who can. Now Criston watches Jace with his arms crossed over his chest, his dark eyes wounded and anxious, his shoulders slumped beneath the weight of what he believes is failure.

The story released to the press is that Jace fell down a flight of stairs but is recovering smoothly. He can barely sing; his mic is turned up, and during Jace’s verses Cregan or Luke layer their voice with his. He wobbles and flubs his way through Night 1 in East Rutherford. You spend the show staring up at the stage without seeing it. Baela and Rhaena are with you, but you aren’t really with them; you feel like if they reached out to touch you, their hands would find only translucent emptiness like a mirage. Shelby is flocked by fellow influencers that she’s invited in from New York City. Aemond is somewhere, somewhere: lurking in shadows, brooding, avoiding, musing, suffering, jotting down starlight-colored judgments in his black-paged notebook.

Per tradition, the band and their entourage coalesce in Jace’s suite after the show. Jace himself, the gracious host, promptly collapses on a couch and lies there senseless as the party spins around him like the planets of a solar system. Baela is perched dutifully beside him, holding ice packs to his jaw, wiping away drool the color of one of Aemond’s Brambles. A tattoo artist is inking a goldfinch, New Jersey’s state bird, to the top of Jace’s right foot. Criston is across the room and speaking—rather tensely, it seems—with cigar-smoking label executives. Shelby is snapping photos with her friends; they take turns posing each other out on the balcony, adjusting elbows and wrists and knees, swiping away stray flecks of mascara, rearranging hair, recommending plastic surgeons. Aegon is typing WhatsApp messages—mostly emojis, from what you can see—to Miley Cyrus. At Luke’s prompting, Aemond begins sharing his comments to the presently sentient members of Comet. He puffs on one of his Benson & Hedges cigarettes as he reads aloud. He kindly skips over any criticisms of Jace’s performance.

You can’t stand hearing Aemond’s voice; not because there’s anything wrong with it, but because there isn’t, because you can’t stop remembering what he said to you in that florescent-white bathroom at Club Camelot in Tokyo, because he uses his words on so many people who aren’t you, because sooner or later your time with Comet will be over and you’ll only ever hear him again through Spotify songs and YouTube clips from before the accident, because he will one day be a ghost who haunts you, rattling doorknobs and chilling pockets of air but never speaking. You escape to ask the bartender: “Can I get a Coke?”

“A rum and Coke?”

“No.”

“Like…white powder coke?”

“No, a Coca-Cola. With nothing else in it.”

“Okay, whatever,” the bartender says, perplexed. He fills a glass with ice and dark liquid that pops and fizzes with carbonation, then slides it across the counter to you. You meander out into the hallway where you can be alone, where you don’t have to pretend to be okay.

The carpet is gold but frayed, the walls adorned with faux marble columns and scuffs from recklessly handled suitcases. Even the hotels are worse in New Jersey. You sip your soda—nonalcoholic, huh? you think, then push it aside—and roam past suite doors and vending machines until you reach the cove of elevators. There’s a full-length mirror hanging on the wall there, gilded, gaudy. You frown at yourself, a reflection that suddenly looks a bit like a stranger. You’re wearing a short seafoam green dress, gold earrings and sandals, and an eerily vacuous expression. You turn and move your hair aside so you can peer over your shoulder at what’s been indelibly penned there since Rome: the tiny comet, the lyrics that encircle it.

I wanted to remember this band forever. To remember Aemond. You can feel your stomach drop as it grows heavy with dread. The pulsing music from Jace’s suite has followed you down the hall, Sugar by Robin Schulz and Francesco Yates. I think I might just have more than a tattoo to remember him by after all.

One of the elevators dings and opens. A man lumbers out, towering, broad, monstrous. You gape up at him: brown threadbare coat, heavy boots, unruly dark beard, grey eyes like a bleak winter sky. There is a miasma that colors the air around him with smoke and alcohol, sweat and earth.

“Hello there,” he says, politely enough. His voice is such a baritone rumble that it’s difficult to understand. He has a British accent, but not like Aegon’s, not like Aemond’s. He reminds you of someone you can’t quite place. “I’m looking for a certain young gentleman. I’m hoping you can point me in his direction.”

“Sure,” you reply, trying to disguise your shock so you don’t offend him. He could be someone important. He could be an eccentric producer or a consultant. Or a drug dealer. “Who…uh��who was it you were hoping to speak with…?”

He smiles: sharp canine teeth yellowed by nicotine, glinting eyes like silver coins. “Cregan Stark.”

“Okay,” you stammer. Drug dealer?? “Okay, okay, I’ll…uh…I’ll go get him.”

You hurry down the hall and into Jace’s crowded, smokey suite, clinking glasses and flirtatious titters in dim lighting like late twilight. You return your empty drink to the bartender, then tap Cregan on the shoulder and inform him that someone out in the hallway is asking for him. He doesn’t seem surprised to hear this. Drug dealer, you think confidently. Cregan gulps his vodka shot and follows you out of the suite. He steps through the doorway. He turns towards the stranger. And then he stops dead. His eyes go wide. The blood drains from his face. And Cregan—immovable, inscrutable, unflappable Cregan—shrinks until he is a child again.

Immediately, you know you’ve made a mistake. You reach for him. “Cregan, wait—”

“My son,” the monstrous man sighs. And of course now you’ve realized exactly who the mirrorlike grey of his eyes reminded you of. “My son.”

You can’t stop him. How could you stop him? Faster than you can think, he has crossed the space between you and entombed Cregan in a stifling embrace. Cregan stands paralyzed, his eyes shifting, searching for escape. Tentatively, appeasingly, his hands slowly rise to hug the man in return.

“Criston?!” you shout. But within the suite, he cannot hear you over the music and the berating of smoke-veiled, bejeweled label executives.

“Did you forget about me, huh?” the man asks Cregan gruffly. And as he steps back he grips one of Cregan’s shoulders: not like Criston would, not like a father, like a vice, like a bear trap. He shakes Cregan once, not too hard. “You can fly your private jet all over the world but you can’t call your own father back? Huh? Huh?!” He shakes Cregan again, harder.

“Criston!” you scream. “Security! Somebody!”

Nobody can hear me. Nobody is coming.

You sprint into Jace’s suite, seize Criston by one hand, drag him out into the hall. On the blurry periphery of your vision, you can see Aemond getting up off the couch to follow you. The second he spots the monstrous man, Criston is roaring. “No no no, get away from him!” He pushes between Cregan and the giant, terrifying, wrathful. The man dwarfs him. Criston doesn’t seem to know it. “You can’t be here. We’ve been over this, you’re not allowed to be here—”

The man tries to reach around him to clutch at Cregan’s shirt. Aemond pulls you away from the scuffle. Criston hits the man in the solar plexus; he is momentarily stunned, wheezing. By the time he straightens up, Criston—louder than you, bellowing and fierce—has summoned security. They are swarming the man and escorting him back down the hallway towards the elevators. Aemond goes to Cregan. Criston looks at you. You’re quivering, penitent.

“I had no idea…he asked for Cregan…I would never have…I thought maybe he was a friend of the band…”

“He’s on our no fly list,” Criston says. His voice is tired yet patient. “But you wouldn’t know that.”

You try to apologize to Cregan, but he isn’t listening to you. He’s listening to Aemond. Aemond is speaking to him, low and calm, too quietly for you to hear. “I’m okay,” Cregan says unsteadily. “I’m fine.”

“It’s alright if you’re not,” Aemond tells him.

And you know that right now you are unnecessary, intrusive. Criston goes downstairs to figure out how Comet’s security guards in the lobby didn’t catch this and—presumably—to ensure that the invader is properly dealt with. Aemond slings an arm across Cregan’s shoulders and leads him back to the party where he is cared for, welcome, valued, safe. You hide in your own suite and try not to think about the dates on the calendar—missing blood, summer days ticking down towards zero—as you steep in a hot bath and attempt to scrub everything you’ve done wrong, today, yesterday, ever, off your skin. Then you change into an oversized Backstreet Boys t-shirt and your favorite Cookie Monster pajama pants.

You try to sleep but of course you can’t, surrounded by a silence that only gets louder. When you hear the swipe of a keycard and the creaking of your door, you don’t know who to expect: Cregan, Criston, Rhaena, Luke, Baela, Jace, Daeron, Shelby, Aemond, ghosts. The clopping of his Crocs gives him away, neon pink to match his tank top. “I’m really not in the mood for anything resembling sex.”

Aegon replies as he kicks off his Crocs: “Did I ask, succubus?” He crawls into the bed, throws an arm casually across your waist, rests his head on your belly as your fingers thread through his chaotic blond hair, fond and tender. He burrows into you, into your softness and your warmth and your truth and your mysteries. Sometimes you feel like you’ll give until he falls into you like a trapdoor, the bones of his hands tangling around your spine, his blood vessels spilling into all of your rage-scarlet cavities, hollows of the flesh, hollows of the soul. “You’re sad.”

You stare up at the ceiling. “I have a lot on my mind.”

“Yeah, but I don’t know what. That’s the strange thing. Usually I can tell.”

“You’ve been gone.”

He looks up at you, confused. “I’ve been right here.”

“You know what I meant.”

Aegon doesn’t argue with you, doesn’t try to defend himself, doesn’t make promises both of you know he could never keep. He only lays his head down on your belly again and pulls himself closer to you, closer, closer, melting into your melancholy, dissolving into dreams.

~~~~~~~~~~

“I was eleven when he broke my arm. Thirteen when he cracked my skull for the first time. Then I got big enough to hurt him back.” Cregan looks out over the waves: blue currents, white froth, sunbeams like glinting blades. As Criston promised, Comet is spending an afternoon in Seaside Heights. You and Cregan are sitting on the sand together twenty yards from the others. “I grew up in a two-bedroom cabin with no electricity or running water. We had a metal wash tub outside, ate deer and squirrels and rabbits, never had clothes that fit, never saw a doctor except when what was wrong might kill us. We had a woodstove and chopped down trees to burn in the winter. I had eight siblings, six of whom are still alive. Barnett overdosed. Courtland drove his friend’s Nissan into a brick wall. I’m not sure it was accidental.”

Your words are soft like a whisper, like gentle hands. “Cregan, I’m so sorry.”

“It’s not…” His voice breaks. He stops for a while, composes himself, begins again. “It’s not something I talk about. Not because I’m trying to forget it. I can’t forget it, I’ll never be able to, I understand that, believe me. There’s just nothing to be gained from talking about it. I never feel better afterwards. I always feel worse.”

“You don’t have to tell me anything you don’t want to.”

“I know that. Don’t you think I know that?”

You wait, watching him. There’s something he needs to say. Down the beach a ways, Baela is doing yoga, her bare feet sure and agile in shifting sand. Rhaena, Luke, and Aemond are flying kites in the breeze: black dragons, green dragons. Shelby is, predictably, filming them from where she stands on Aemond’s good side. Aegon and Daeron are swimming so far out that you’re beginning to worry about sharks. Criston is parked under an umbrella with an unconscious Jace, reading Memoirs Of A Geisha and eating a sandwich full of something called pork roll.

“After Comet happened, I got all of them out,” Cregan continues. “My mum, my siblings. Good houses in safe neighborhoods. Security in case Dad makes an appearance. He does, every once in a while. He’s locked up, he’s free, he’s locked up again. He has nothing else to do but haunt us. I’ve been waiting for him to die since I was old enough to understand what a graveyard is.” Cregan looks at you. “Does that make me a bad person?”

“No,” you answer immediately.

“The thing is…” He holds out one large hand, palm down, like he’s resting it on a table. Then he shakes it. “Nothing ever feels stable. Nothing ever feels safe. No matter how much money I see stack up in accounts, I lie awake at night wondering what I’ll do if it disappears. So many people rely on me. I can’t stop worrying I’ll end up back in that cabin somehow. I can still hear drops of rainwater seeping in through the gaps in the roof. I can still smell burning wood.”

“The fact that you feel this way, given your history, is completely logical…even if the fear itself is not. Does that make sense?”

“Yeah,” Cregan says. “Yeah, I think so.”

“Do you think it would help if we sat down and looked at the numbers and did some math? Because I suspect that even with a hundred dependents, you’d easily be able to float them for the rest of your lifetime just using the money you already have. And there will be royalties from Comet’s songs forever. Maybe if we can show you exactly how improbable your worst case scenario is, that fear will begin to fade a bit. Not go away, not completely, maybe not ever…but I think you’ll be able to quiet it down.”

“I’ll give it a try. If you recommend it.” Cregan lights a cigarette and takes a drag. Criston glances over and then pretends he didn’t notice. “I have a daughter,” Cregan says; and you can’t stop the shock from hitting your face like a fist. He smiles faintly, wistfully. “I know. I’ve worked very hard to make sure she is kept away from…” He gestures broadly. “All of this.” Fame. Debauchery. Tabloids. Reddit threads. “I was way too young. And her mother and I…we were never really together. It was contentious for a while, but we’ve sorted through things. I support them financially, obviously. And when I’m not on tour or in the studio, I disappear up to Lancaster for a few weeks at a time and no one is the wiser.”

You study him as wind tears in off the Atlantic Ocean, as seagulls swoop and screech overhead. “I’m sure she’ll appreciate how you’ve protected her once she can understand.”

“I don’t know how to be a father. Not a good one. But I try. I don’t just show up for movie nights and birthdays. I take her shopping for school supplies. I put her back to bed when she has nightmares. I take her to the dentist, to the park, to the library. She really likes pigs, so I adopted a few from a farm animal rescue and we learned how to raise them together.”

“You caring about being a good parent puts you ahead of a lot of people already,” you say. “Nobody in Comet knows?”

“Just Aemond. Once, years ago, her mother needed something and I was out of the country. I had to let somebody in on the secret, somebody I could trust. I chose Aemond. I chose right.” Now Cregan is amused. “He’s the one who suggested the pigs.”

“Of course he did,” you say; and you can’t help but smile. “How old is she?”

“Six and a half. Do you want to see a picture her?”

“Absolutely. If it’s alright with you.”

Cregan pulls his iPhone from his pocket, swipes around for a while, and then turns the screen so you can see. She looks like him, a lot like him, but with round cheeks and long dark lashes. And Cregan is beaming as he says: “Her name is Iris.”

“So you didn’t have to do the Maury paternity test thing.”

He laughs, shaking his head. “No. I knew from the second I saw her she was mine.”

“She’s lucky to have you.”

Cregan shrugs, pensive, evasive. “I don’t know about that.”

“I do.” And he believes that you mean it; you can see it on his face. Aemond is watching you and Cregan, you notice now. He glances over, pretends he didn’t, glances again. You gesture to the crashing waves and say to Cregan: “If Aegon gets attacked by a shark, will you jump in and punch it or something please?”

Cregan chuckles. “Yeah. That’s my main job here, I think. Stopping people from dying.” And then, seriously: “Thank you.”

“Don’t thank me. I haven’t done anything that warrants it.”

“No. Really.” Cregan reaches out, takes your uninjured hand, squeezes it briefly before releasing you. “Thank you, Stargirl.” Then he stands and walks to the water’s edge, letting the surf rush up over his ankles, for just a moment feeling nothing on his shoulders but the sunlight.

Aemond gives Shelby his kite and, as she glares bitterly, makes his way over to you. He takes off his sunglasses so he can see you better and hooks them on the waistband of his swim trunks: black, of course, his usual color. You’re actually wearing black today too, a flowing coverup over a pink swimsuit. You feel very much like hiding. When Aemond speaks, there is perhaps a hint of envy, green like leaves of poison, gleaming like snakeskin. “What were you and Cregan talking about?”

“Fatherhood.” And then you realize how it might sound.

There is a split second where Aemond looks startled; then he remembers Iris. “Right. Not so easy for people like us to navigate.”

People like us. Celebrities, boy band members, haunted men. You scramble for a nonchalant way to feel out the subject with him. “How does Louis Tomlinson handle it?”

“He’s a saint,” Aemond says. And you think: Patron saint of baby daddies? “Freddie was very, very unplanned. The mother was a nobody, a rebound. And a lot of people assumed she did it on purpose to try to keep Louis. Or to get eighteen years of a luxury lifestyle out of him. Or to just get fame in general. Personally, I believe it was all of the above.”

“Right,” you say, sweating heavily beneath your coverup.

“But none of that is the kid’s fault, and Louis is a good enough guy to realize it. So he plays nice with Freddie’s mother and they don’t go to war through tabloids anymore.”

“So, uh…” How can I put this? “You’re good with kids too. Cregan told me you had the pig idea.”

And the look that crosses Aemond’s face, the look: caustic, incredulous, night-dark, self-loathing. “Are you insane? Have you met me? I terrify kids. And I should, but not just because of the eye and the scar. What the hell do I know about being a decent father? What do I know about being a decent anything? I’d have no idea where to start. I’d fuck it up even if I tried desperately not to. I’d end up with kids like Aegon: addicts who hate themselves, people who are irrevocably lost.”

You say meekly: “I think Criston is something like a father to you. He could be a role model.”

“I’m not half as good a man as Criston is.”

Change the topic, change the topic, before Aemond gets suspicious. And there’s something else you’ve been meaning to ask him. “Aemond…after you almost murdered Jace…when we didn’t know if or how he was going to be able to perform until he healed…did anyone ask you to come back to Comet and fill in for him?”

“No,” Aemond says. And he’s thunderstruck by the thought, appalled, petrified.

“You don’t think that it might have been a good idea? That it might make sense?”

“No,” he says again instantly.

“But…in Tokyo…when Daeron made that speech at the last show…I think the crowd’s reaction was pretty powerful, don’t you? People still care about you. They love and respect you. And I think…maybe…it might help you with what you’ve experienced. To get back on stage—even just one last time—and prove to yourself that you still have what it takes. To know that if you do leave Comet, it’s your choice, not anyone else’s.”

“They love who I was,” Aemond says. “Not who I am now. And that’s easy to do. They don’t have to look at me.”

“Goddammit, there’s nothing wrong with how you look, Aemond!” you burst out. “You look fantastic. I never get tired of looking at you. I want to look at you all the fucking time. I’d hang life-sized portraits of you on every wall in my apartment in Kansas City. That’s how much I enjoy looking at you.”

He thinks you’re joking, he thinks you’re trying to make him feel better. You can’t stop him from thinking these things. And yet still, as he turns away, he is smiling: just a whisper of a curl at the corner of his lips, secretive, fragile.

As Comet is leaving the beach, you stop at a souvenir shop on the boardwalk to buy your keepsake for this tour destination. You settle on a pink frisbee that has I love the Jersey Shore! embossed on it in large, abrasive letters. You think your parents’ Australian cattle dogs will enjoy fetching it when you get home. Home feels so much closer—both literally and figuratively—than it did just a few weeks ago.

Criston is browsing through the t-shirts. “Hey, what size is your mom, Aegon? Medium?”

“How the hell would I know? Probably.” He holds up a pair of red, white, and blue bikini bottoms that say Firecracker across the ass. “You think my dad would mind if you sent her these?”

Criston is blushing. “Aegon, stop.”

“You could get her a bikini top too. Oh look, that one over there is red, it matches. And it says MILF across the tits. So that’s pertinent.”

“Stop!” Criston cries, distressed, and flees the store.

Halfway through the hour-long drive back to the hotel, Aegon insists that Criston stop the Escalades so he can get a hoagie from a Wawa. Aegon has never had a hoagie before. He says he cannot truly experience America without one.

At the ordering counter, Jace—slightly less bruised and swollen today, and thus in better spirits—taunts Aegon: “Are you sure you need all that bread? You’re going to be wearing a muumuu on stage by the time we get to the Midwest.”

“You know, just because you said that, now I’m going to get two hoagies…”

On the television mounted inside the Wawa, CNN is reporting on a group of tornadoes that just struck Wichita. And it occurs to you that tornadoes don’t have trajectories to calculate like hurricanes or airplanes or comets; they are climatological sharks. They strike quickly, indiscriminately, and then they’re gone again. They aren’t named. They aren’t enshrined. They don’t even have a belly to cut open and retrieve pieces of your loved ones from. If they take someone, they’re just gone.

While the rest of the band is in line to order their food, and Aemond is scrutinizing the dried fruit and nuts selection, you sneak through the other aisles.

It’s time. I have to find out eventually. I have to know.

You pluck a pregnancy test—cute, pink, nausea-inducing—off a rack, purchase it with truly impressive speed at the checkout counter, and race to the bathroom. It’s surprisingly difficult to piss on a tiny stick of doom, especially when your primary hand is in a splint and only partially useable. Eventually, you manage. You put the cap back on the pregnancy test, set it on top of the toilet paper dispenser, and stare at the metal door of the stall. The Wawa speakers are playing The Fray’s Over My Head.

It won’t be positive. It can’t be positive.

You think of pregnancy test commercials you’ve seen: happy couples rejoicing, happy single women getting negatives. How are you supposed to react to bad news? Nobody ever tells you. Do you scream, sob, beg for forgiveness, schedule an appointment at Planned Parenthood? Do you kick the bathroom stall door down in mindless feminine fury? Do you throw yourself off a balcony?

There’s no way it will be positive. It was one time. Just one goddamn time.

And who knows if that will ever happen again with Aemond. This does not improve your mood.

You pick up the pregnancy test. It is unequivocally positive.

You shove it into the small rectangular trashcan for pads and tampons, things you won’t be needing in the immediate future. You get dressed, leave the stall, go to the sink and wash your hands. Then you grip the cool, slick, white porcelain and gaze at yourself in the mirror under nowhere-to-hide florescent lights. What do you feel? Everything, nothing, things you can’t name yet. You’re a raw nerve, you’re completely numb.

The bathroom door swings open. Shelby enters. She squares up with great purpose. Your eyes roll to her, slowly, with no tolerance left, not a drop of it. “Stay away from Aemond,” she demands.

“Make me.”

She is in disbelief. “I’m sorry, what?”

You turn all the way towards her. “Fucking make me, Shelby.”

“I knew you wanted him,” she says, she seethes. “I saw you in those paparazzi photos from Reykjavik and I knew you were already twisting your claws into him.”

You hold up your hands to show her; your thoughts are fuzzy, dazed, without inhibition. “I have no claws whatsoever. If I did, you’d know about it. Believe me. You’d be able to look down and watch your heart beating through the gashes.”

“You don’t belong here. Some Midwestern farm girl running around in flip flops and Cookie Monster pajama pants? You’re trash. You’re a user. You’re a nobody. And if you’re trying to steal a taken man, then you’re a whore too.”

“I’ve been called worse things by better people.”

“I can make them hate you,” Shelby says indignantly. “Comet. The world.”

“Good luck with that, Malibu Barbie. Nobody even knows I exist.”

“Stay away from Aemond,” she says again, trembling with her futile bleach-blond rage. “We’re meant to be together. We have so much history.”

“And yet no future.” You smile sweetly, breeze past her, step on one of her perfectly pedicured feet with a thoroughly unpretentious flip flop. By the time you return to them, the band is almost ready to leave Wawa.

You’re not hungry, but Aegon coaxes you into taking a few bites from his hoagie. You’re not able to focus on what people are saying, but you hear Aemond mention that he wishes Comet had time to visit a planetarium in some nearby town called Toms River. You think about what it would be like to lie side by side with him under the stars, under the sky where comets appear again after vanishing for centuries. You wonder if there’s anyplace where you and Aemond could ever be truthful with each other.

At night you can’t sleep. There is no shortage of reasons why. You wander from your bed to the gold-carpet hallway to the vending machines, where you stare brainlessly at the options. Am I supposed to not be drinking caffein? Did I get any Vitamin D today? How much sugar is too much? You buy a bottle of apple juice—surely a safe bet—and head back to your suite.

As you walk by Aemond and Shelby’s door, your steps slow. Some nights you can hear them in there arguing: Shelby reiterating all the reasons why they’re perfect for each other, clearly a rebuttal to an accusation you weren’t privy to. Some nights you hear muffled casual conversation or episodes of Cosmos. Some nights you hear nothing at all. Some nights your imagination colors in the gaps before you can stop it: his hands on her, his mouth on her, things you know you have no right to dread and yet you do. But tonight, Shelby is momentarily removed from the scene. You can hear the distant pattering of the shower, and then Aemond alone in the living room gathering up plates and glasses. He’s singing something very quietly, so quietly it takes you a while to recognize it. It’s not even a Comet Donati song. It’s Through The Dark.

You sit down in the empty hallway, your back to his door. And you lean your head against it as you listen to Aemond singing softly to himself, doubt sinking into you the same way that trapped blood fills a bruise: Maybe it wasn’t as good for him as it was for me. Maybe he doesn’t talk to me because he doesn’t want to. Maybe I don’t belong here anymore. Maybe I’ve invented a history that we don’t really share. Maybe he didn’t mean it when he said he loves me.

“What am I going to do?” you whisper, scalding tears brimming in your eyes, shivering hands settling on your belly. In a few months, you’ll be showing. “What the hell am I going to do?”

#aemond one eye #aemond targaryen #aemond x you #aemond targaryen x reader #aemond x y/n #aemond x reader #Aegon Targaryen #aegon targaryen ii #Aegon II Targaryen #Aegon Targaryen II x reader #aegon ii #aegon targaryen x reader #aegon x reader #Aegon x you #aegon x y/n

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scintillyyy · 20 days

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okay. so the thing with fridging--the thing with fridging! is that i feel like it's become shorthand for any woman's death or perhaps any character's death that was used to further another character's story and that's. a bit off what the *idea* was when gail simone first made her her women in refrigerators website/list. which, is still available and free to peruse at your own leisure here.

so when gail simone created the women in refrigerators website/idea, it was not actually meant to condemn any of the deaths or disabilities or awful things that had *happened* to those women. it's purpose, first and foremost, was a question:

(from the front page of gail simone's website, linked above)

i'll put the rest under a cut for length

all women in refrigerators was, at its heart, was gail noticing that female characters she loved often met rather awful ends at a rather high frequency. & the point of women in refrigerators was not that these awful things shouldn't have happened to these characters, even gail was aware that it a medium like comic book people were going to have terrible things happen to them for the drama of the story, see:

--it was a question on whether 1) other people thoght she was looking too much into it & seeing something that wasn't there (she originally posted the list on a comic book sites and the response she got was, i guess rather...vitriolic at the very idea she would raise questions about whether women were treated worse than in comic books) and 2) whether other people agreed there was even a problem to begin with. it was a conversation, not a shaming, not a callout. gail's letter she sent to the creators are there. their responses discussing the issue & whether they thought there was one was all there! women in refrigerators was not meant to be condemning of those stories that had a women die for the sake of a man, it was a basic starting question much like a bechdel test is just a basic starting question--not meant to be some gotcha, just the starting point of a much greater conversation.

and not every creator agreed with her premise! there were absolutely arguments about how bad things also happen to male characters. characters like jason todd and uncle ben *in particular* were used to defend the fact that women in refrigerators wasn't some big conspiracy against women in comics, that the bad things that happened to them were just conceits of the genre. others agreed with gail that there was a problem there (ie/women tended to be more affected by these things than me) that they should probably try to do better about in the future. other creators agreed, but then went to go on to justify why their female character in particular needed to go in the fridge. mark millar, who would later go on to write kick-ass said, and i quote: "granted, the female stuff has more of a sexual violence theme and this is something people should probably watch out for, but rape is a rare thing in comics and is seldom done in an exploitative way." ron marz himself responds to alex's death!

because fridging isn't about one death. it's about a trend of awful things happening to women, often far more awful and gratuitous than happens to men, at a far more frequent rate. but fridging also doesn't mean that every individual death or disability is a problem or than individual deaths and disability shouldn't happen. the problem is the sum of the parts, not that this one character was used one time specifically to give pain to another character.

which is why the fridging conversation generally doesn't and can't cover a lot of protagonist male characters--because of the ways their deaths are usually handled with grace, autonomy, guarantee of long term grieving, and a dignity that women characters aren't afforded. it's why, though, you can use the fridging problem as a baseline model for how characters of color and infants often are treated in comparison & why those of far more apt comparisons--because they're often used in similar, concerningly frequent ways to affect protagonist characters with no consideration to the thought there may be a larger problem at hand there. (consider war games: an event designed specifically to cut down what was considered excessive bloat of the batfamily designed to kill off steph & gavin king. why, when the decision to kill them off was made was steph even given consideration of a heroic swan song arc where she was given the reward of robin as a consolation prize for her upcoming death & an entire heroic redemption arc from making a mistake -> fighting to rectify that mistake and learning the true meaning of her heroism while gavin king is not given any consideration in his own death--he was a pawn in a plan he was unaware of, there only to get his throat slit & his identity used for evil)

#anyways actually reading the women in refrigerators site should be a prelude #to talking about fridging i feel

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writing-for-marvel · 8 months

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Quarantine

[He’s Hazardous To My Health Series]

Paramedic!Bucky Barnes x Resident!Fem!Reader

< < PART 7 | Series Masterlist

Summary: When you get sick at work, Bucky ensures you’re well taken care of.

Warnings: strictly 18+ due to the AU, reader gets sick at work and collapses, Bucky being worried and an absolute sweetheart while taking care of her

Word count: 1.3k (I know this is just a short one but my plan for the next part is quite long)

A/N: so I’ve been sick in bed all this week with covid and the only thing I’ve wanted is Bucky taking care of me. Banners by @vase-of-lilies

Main Masterlist | Ask me anything! | Taglist | Library

Bucky takes the stairs two at a time.

He’s treated many patients in the field who have tripped on steps doing exactly what he is right now, but he doesn’t care.

All he cares about is getting to you.

Bursting out of the stairwell at level two, Bucky searches for the room Wanda quoted to him over the phone. He’s never been to this area of the hospital before, all the corridors and nurses stations look the same, but as soon as he spots her characteristic red hair, he feels respite from the anxious constriction in his chest.

Wanda thanks him for coming so quickly, as if the news that you were ill, collapsed during a shift and now in a hospital bed of your own didn’t send him into a panic and have him rushing here like his life depended on it, before guiding him to where you are.

The room is dark, curtains pulled all the way over the spacious windows, and serenely quiet other than the whizzing mechanical sound coming from the infusion pump connected to the IV inserted in your arm.

You groan when you recognise that it’s Wanda and Bucky who have entered the room.

“Wan, you didn’t have to call him.” Bucky can immediately tell, just by the sound of your unusually hoarse voice, that you’re clearly not well.

“He’s your emergency contact and you are in no state to work nor drive yourself home, so yes, I did have to call him.” Wanda proclaims in a stern, slightly exasperated tone which indicates to Bucky she likely had this same conversation with you multiple times before he arrived.

“Bucky, I’m okay, you don’t have to be here.” You try convincing him, though you’re not very compelling when your sentence ends with a hearty coughing fit.

“If you were fine you wouldn’t be lying in a hospital bed coughing up your lungs.” Bucky comments as he makes his way over to beside your bed. You look completely fatigued, struggling to even keep your eyes open.

Bucky’s never seen you look weak before, and the clench of his heart at the sight strongly suggests he doesn’t like it one bit.

“I just need a little rest and some IV fluids, then I’ll be fine to go back to work.” Your words almost sound comical with how raspy and fragile your voice is, but Bucky knows your insistence is a testament to your dedication to your job. “There’s really no reason to be worried.”

“I’m always worried about you.” Bucky mentions in a low tone, for your ears only, before placing a gentle kiss to your burning hot forehead. He takes your hand, your skin clammy against his. “Baby you can’t treat patients when you’re like this, you’re at risk of infecting them. Let me take you home.”

You concede as you lift yourself onto your forearms, sitting up in the bed, not without a dry cough being forced from your lungs by the effort. Bucky winces in response to the gravelly sound and the pain twisting in your face.

He wishes he could take it all away. All your suffering, all the sickness. On the job, Bucky is always able to provide assistance - relief from pain, to reduce bleeding, to ease anxiety. But for the one person in this world he cares about the most, he’s subjected to watching her suffer.

“Could you help please?” Holding out your hand where the catheter for your IV is inserted, you look up at him with helpless, wide eyes which makes Bucky smile and his heart flutter in his chest. It’s always nice to be needed.

Sanitising his hands and pulling on latex gloves, he places a sweet kiss to your knuckles before working to remove the IV, aware of your gaze on his every move.

“There you go darling, all done.” Bucky declares with a kiss to your nose, keeping pressure on your hand with his thumb to stop any bleeding before being able to tape a cotton round to it. “Ready to go home?”

“With you, always.”

Bucky protectively keeps his arm around you the entire way down to the staff parking until buckling you in the passenger seat of your own car, cautious knowing you had a moment of lightheadedness earlier today.

You rest your head against the side window, arms curled around yourself as Bucky begins the short drive to your place, turning the heating up to ensure you don’t get cold now that you are out from under the blankets Wanda had acquired for you.

“So… you made me your emergency contact.” Bucky broaches, having previously been unaware of this fact. He contemplated the reason Wanda called him today is because she knows the two of you are in a relationship, but warmth blooms in his chest at the notion you have officially designated him as the person you want to be contacted in a crisis.

“I changed it about a week ago. It was my mom, but she lives out of state… and I thought you’d probably want to know if something terrible happens to me.” It is probably such a minor thing in a normal relationship, just something which sits unutilised in an employee file, but to Bucky, who works in a profession where emergency contacts are critically important, it feels like an honour bestowed upon him to be appointed as yours. “Is that okay?”

“More than okay, darling.” Bucky smiles as the hand he is not using on the steering wheel comes to rest on your thigh, squeezing gently. “If anything happens to you, I wanna be the first to know, good and bad.”

With a snuffle of your nose and the best smile you can muster given your current energy levels, you interlace your hand with his and say “you’re always the first person I want to tell every piece of good news to, Bucky.”

When you arrive home, the first thing Bucky does is lead you straight to bed and tuck you in with two different blankets and the stuffie he won you during your date to the local carnival which visited town last week.

He gathers all the supplies you’ll need for the rest of the afternoon - cold and flu tablets, a water bottle, tissues and throat lozenges, making sure they’re all within reach of your place in bed. Bucky gently washes your feverishly warm face with a cool, damp face cloth, and insists you take a drink of water to prevent from becoming dehydrated.

Then, when you start to say goodbye, for whatever reason thinking Bucky is going to leave you here to be sick on your own, he pulls his Henley off, and climbs into bed behind you.

“No, Bucky…” You whine, feebly attempting to push him away from lying beside you in bed, which is a new and strange experience for Bucky.

“I think the fever has made you delirious, darling.” Bucky chuckles, taking your hand against his bare chest and covering it with his own as he snuggles even closer next to you.

“You’re gonna get sick too if you stay.” Bucky kisses your chapped lips, to prove that he’s not afraid of being with you whilst you're unwell.

“Baby, I had my tongue down your throat last night. If you’re already sick, I’m bound to get sick too.” Even if he weren’t already fated to contract the same illness as you, he’d take that risk just to fall asleep beside you.

You provide no more protest, surrendering to Bucky’s warm embrace and quickly falling into a deep, recuperative sleep. Bucky watches as your chest rises and falls, treasuring every moment he gets to spend by the side of the woman he loves, even if you are slightly sweaty and phlegmy.

When you both wake the following morning, still tangled in each other, you have matching runny noses, sore throats and dry coughs. The following week is destined to be spent curled up in bed together and taking care of one another. At least you don’t have to suffer alone.

Part nine coming soon

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gffa · 7 months

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There's an interesting quote from an interview with Tini Howard (one of the two architects of this storyline) that just collided in my head with everything I've been trying to articulate about the bigger arc of this storyline: “It's not really an event about whether or not [Bruce and Selina] can get together. Once you agree that you like someone, you get down to ideology. You can't just love someone because they're beautiful and they stun you. What if you're different people? What if you believe different things? [In] comics, it is like [they] kiss, and they're together.” Howard also emphasized the importance of agreeing to disagree when it comes to interacting with loved ones, both romantic and platonic. “As someone that's been married to my best friend for 15 years, that's not the truth. A big part of being with someone you love is learning to disagree. When you're a superhero and a powerful stakeholder in Gotham, those personal things can have major effects on the world around you.” But what's interesting is that I think it applies to his kids just as much as it does to Selina, because I think this storyline's heart is all about Bruce Wayne's mental state. That's the framework, that's the beginning, and I'm assuming it's going to be the end, too. The story has been set up very clearly about how he's been running through too hard a gauntlet with no rest in between for too long, the opening pages of this event make a very heavy point about how Bruce is already running thin, the establishing storylines before this are ones like Failsafe, Red Mask, Insomnia, etc. I would even argue (and have) that there's a lot of connections going on with other storylines that were about Bruce's relationships with his family that are informing this one--like, the breakup between Bruce and Selina is right there when Selina says, well, if Gotham being saved is all that stands between us, now it's peaceful, let's head to the church then, in pointing out that Bruce doesn't want Gotham saved as much as he needs to be the one saving it. There's so much deeply personal stuff Bruce has been facing and he's always struggled with caring about others and letting them in, not just afraid that he'll lose them again, but that he'll be hurt by them again, that he'll fight with them again. And it's not that he's never clashed with viewpoints, like he and Dick alone have gotten into a whole bunch of knock-down-drag-out fights about how they clash with each other.

But I keep coming back to Bruce's mental state and the ultimate purpose of this storyline, because it's not really about Selina's plan at all, it's always been about Bruce's mind and mental health falling apart in a deeply horrific way and how even his loved ones are being stripped away from him, because he cannot compromise. That one of the core problems with Bruce as a person is that I'm not sure he really learned how to get along with someone that he fundamentally disagrees with--because, when he lost his parents at such a young age, there wasn't time to see them as people he could disagree with, they're forever idealized in his head. With Alfred, they had disagreements, but fundamentally, Alfred saw how much Bruce needed this and Alfred was so often water bending around Bruce's immoveable rock. Dick was one of the biggest challenges, because they did have fundamental disagreements that led to massive fights. Jason and Tim and Damian all have their disagreements with him as well. Which is why I think Jason plays the role in this that he does--why Bruce is suddenly bringing up Jason's murders again, because it's the narrative bringing up that Bruce has been struggling to reconcile fundamentally disagreeing with someone on such an important thing, a core thing about himself, and when this much stress is piled onto him, he breaks and does something truly terrible.

It's why Selina had to be the one to come up with this plan (no matter how silly it might seem, no matter how much it's not really that much sillier than costumed vigilantes fighting crime as a reasonable solution to how to help society), because Bruce doesn't really know how to disagree with her on this fundamental a level and still have a relationship with her. It's why Dick has to be the one that fights him as one of the most central pieces of the story that really makes shit hit the fan, because Bruce has come to depend on Dick (as an adult) to be the one to save him, to pull him back from the darkness, and when it's Dick that "betrays" him, it's a foundational block being taken away from Bruce's stability. It's why Tim and Damian occupy the roles they do in the story, that they both desperately want to help Bruce, but don't know how when Bruce won't let them, that while this story is central to Bruce as a character, these characters also need to struggle with disagreeing with someone and still interact with them--and how to deal with a Bruce who struggles with that.

Watching Bruce struggle with Zur-En-Arrh taking over his mind, watching him struggle with defining himself through his war on crime because it feels like the only thing holding him together, watching him struggle with how much he loves and wants these people, but it's running right up against the thing that's holding him together--it's pretty painful because most of the time, even when he disagrees with someone, he can look the other way (after some asshole behavior) or someone will pull him out of the dark, but here everything just piled up in a major freight train of about seven different things colliding at once and Bruce just does not have enough experience in dealing with disagreeing with people and just learning to live around those disagreements, to be able to handle it when his mind is fracturing and the "pure Batman" part of him is all that's holding him together.

#lumi.txt #dc #batfam #bruce wayne #selina kyle #gotham war #batman 2016 #long post

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carnivalcarriondiscarded · 1 month

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ON THE TOPIC OF BARNABY. as well as his relationship with Wally.

So. To kick this off - Riv (@funonion) and I were Speculating, and they introduced me to the johari window:

They put Barnaby in the “facade” section, and I entirely agree. To quote them;

“So he’s Wally’s guide, right? He’s the “knowledgeable” one of the two and is always the one teaching him new things. And you know, it’s one thing if you’re just teaching him how to laugh or how to tell a joke. But.

Clown has given us two doors. One says that Barnaby understands Wally in a way the rest of the neighborhood doesn’t, and is willing to do his dirty work so to speak. The other says that their friendship was not a natural occurring thing and had to be enforced repeatedly within the show. HOW THAT’S BEING ENFORCED IS ANOTHER THING ENTIRELY but it is worth it to note.

What is Barnaby willing to keep? What is he willing to bury for his little buddy? I can’t say anything definitively yet, but the fact that I even have to ask is telling. The class clown archetype is usually used as a way to cover up for something else a character might be experiencing”

And my response, (I won’t directly quote because I have little things in the phrasing & elaboration to add / tweak );

Barnaby being a Comic Relief Character immediately raised so many alarms in my head. I love comic relief characters. They’re always so fucked up in one way or another, and Barnaby is almost certainly SO inauthentic. He’s wearing a comedy mask just as opaque as Wally’s own mask. In everything we’ve seen about him so far he’s either Teaching Wally, wisecracking/joking, or… pretty much nothing else. We got that moment of concern in audio 14-14, but that doesn’t reveal anything beyond genuine care for Wally.

Comedic characters have the best disguises. Their poker faces & ability to deflect is always top tier [and practiced], and just look at comedy-focused actors and entertainers - so many of them have severe issues, either with their mental health or life. From what i’ve observed both in that aspect & with fictional characters, they play it off & work hard to entertain/deflect [one in the same] right up until the end. Sometimes it’s a coping mechanism. Usually it’s both. If they laugh loud enough and make people think they’re lighthearted fools w/ nothing underneath, no one will look any deeper and thus they’re “safe”.

& I’m a little suspicious that Barnaby’s red/orange/yellow spots aren’t naturally those colors. While yes, he could be (in-universe) designed that way to echo Ms. Beagle, there’s a strong possibility that that’s not it. What if he paints them to feel a connection to her, or it’s a physical manifestation of Barnaby covering up his insecurities/issues - what if it’s part of him striving to convince the world that he is what he paints himself as.

The laidback funnyguy with a loving mom and not a problem in the world.

And I mean, Barnaby claims to be a natural blue and I believe him! But the other colors? I’m doubtful

(I was going to include the Cast As Lil Kids Designs in this since Barnaby has all blue spots, but given how early in 2021 it was posted and how there seem to be little discrepancies from the ~official~ designs, I don’t want to provide it as evidence.)

& on the topic of Wally and Barnaby’s relationship being both real and not - disclaimer, this conversation happened before my Updated Thoughts On Them post, so there may be some minor rephrasing here from what I originally said - I’m sure that the relationship started out as inauthentic. Wally was assigned Barnaby as a best friend and technically vice versa, but I don’t doubt for a second that it became real to some extent. Clown wouldn’t treat their relationship outside of “canon” WH stuff the way that he does if they weren’t actually friends. They’ve said that Wally & Barnaby would be friends in every universe (which melts my heart <3 platonic soulmates my beloved <3), so then I have to agree with Riv. what WILL Barnaby do for Wally? I touched on this in the Milk Theory, but especially if Barnaby prides himself on “knowing Wally better than anything else”, what would Barn do to preserve that?

This relates to another conversation we had - Barnaby possibly having abandonment issues. It’s such a choice to have him of all characters be explicitly stated as an orphan. That and while every other Neighbor with a mentioned family have a somewhat large one (Howdy and his gajillion relatives, Julie and her three siblings, Poppy and her crowded tree [note: Eddie has a mentioned mother, but that info is tenuous and who knows if there are other Dears]), Barnaby has also explicitly stated that Ms. Beagle is his only family. That’s it. And farm life can’t be a sociable way to grow up, not with all the chores he must have had and how rural he might have grown up. Barnaby jokes that Home is the “Big Apple”, which could just be a joke - but jokes often come from a place of truth, and Home might be the most populated area Barnaby has lived in. Who’s to say!

Either way, Barnaby was orphaned one way or another, and I don’t doubt that it weighs on him. Especially if his birth parents really did abandon him. That added to a possible life of loneliness… I wonder if he’s latched onto Wally emotionally, which would hit all the painful places if it turns out that my “Barnaby is more attached to Wally than Wally is to Barnaby” theory has merit. Abandonment issues could also strongly back the apparent walls he’s plastered over with circus tent fabric

Back to Barnaby & Wally: the fact that, at present, Barnaby and Wally seem to have the best disguises / strongest masks. That. looking at 14-14, i suspect that Barnaby is excellent at keeping his up, but as soon as Wally’s mask cracks, so does Barnaby’s.

And then there’s the side of their dynamic that we could look at - it seems to be a very multifaceted relationship. The way that Barnaby genuinely cares yet in the 00 Halloween audio Wally was left off to the side and Barnaby was just “checking on him” while socializing (then again, this could be part of Barnaby understanding Wally & respecting his space / Wally wanting a break from that socialization). Barnaby is patient with Wally and yet he seems to sometimes treat Wally as his sidekick / let him fade into the background and yet Barnaby kept checking in on Wally during the 14 bug audios (this last one I could tie into the abandonment issues theory).

Then there’s how Barnaby calls Wally kid & can tend to treat him like one despite both of them being in the same age group. The way that all of this could, in a way, relate to the infantilization of autistic people (no matter how well-meaning or unintentional) & internalized ableism.

Note: Riv pointed out that Barnaby does seem to be doing the best with what he has, and that this can connect to the Johari Window’s blind spot / unknown.

I do agree with this wholeheartedly! And I have to mention that - and making a Very educated guess here - the interactions we’ve seen take place in the very late 60s / very early 70s, so Barnaby’s behavior towards Wally is actually pretty fucking stellar given the time period. We can’t expect him to be perfect or do everything / say everything right. That would be boring I think! And one thing I deeply appreciate about the Neighbors & their dynamics is that they feel like real layered people, not cardboard cutouts being perfect caricatures of what people are “supposed” to be like.

Riv also presented this:

We likely are going to reach a point where Wally asks Barnaby something that he can’t / doesn’t want to / won’t answer. And like.. Ok. This is a slight tangent but I swear it’s related! When I first discovered WH and learned the Wally basics, I wondered two things.

Are we going to watch Wally “discover” new emotions? Because he certainly has them. Clown has said that Wally only ever feels happy, and a lot of people took that to mean that Wally can’t feel anything else. I don’t think we should take that answer at face value, because. I mean. Look at the project & creator we’re talking about. Layers, guys. Indirect direct answers. I think that Clown meant that Wally only ever feels happy in the Neighborhood because he has no reason to feel any negative emotion. Everything is as it should be. Until it isn’t - and I think that’s where he’s going to have to struggle with new emotions as he encounters them through new situations/events unfolding as the “story” starts to deteriorate. We’ve actually seen this a little bit - in Wally’s record audios (i believe the chronological second to last?), the way he says “Let Me In” so insistently. That’s definitely not a positive emotion being expressed.

How will the topic of death be handled - because it will be handled, it’s stated in the project warnings. I was wondering this even before I read the list, because I was presented with a blank slate puppet character and so went “oh fuck, this dude doesn’t know about death, does he?” Obviously I wanted to know how that would go. I want to know how it Will go!

How would Barnaby explain emotions that Wally doesn’t know how to convey? How would Barnaby explain death in a way that Wally would understand - given that Barnaby (& all the Neighbors sans Wally) knows what death is - and would Barnaby be willing to explain such a thing? I have a feeling we may find out.

And in a way, I suspect that if none of them know, Wally will find out himself and have to process it without help. But then again, how can something die if it was never really alive in the first place? Unless the death warning relates to human characters… I’m currently assuming it relates to both humans and puppets.

In conclusion: Barnaby has a carefully fabricated facade, he's doing the best with what he has but it likely won't be enough, and uh. shits fucked!

#AGH I HOPE IM PUTTING THESE POSTS TOGETHER CORRECTLY.#I HAVE TWO DAYS TO WRITE AND POST THEM ALL #but anyway another thing i was wondering in relation to barnaby & wally having an imbalanced relationship was #the possibility of:#howdy < barnaby < wally < home #as in the <[x] character is more important to the [y]< character than [y] is to [x]#because howdy does seem to like barnaby a whole hell of a lot but we don't know if barnaby feels so strongly back #idk. i feel like i might be seeing a little domino line being set up here. and im Nervous <3 #what happens if the first domino falls? who will it be? how hard will it fall.#who's to say if that has any merit i just wanted to mention it! its intriguing to me #(& to be clear since im aware of my laughingstock rep - im not talkin about shippy dominoes)#(i take off the shipping goggles for analysis. howdy can fully cherish barn as a Friend while still being [y]<)#homebogging #welcome home speculation #wh speculation #i feel like i have more in my brain but. im dealing with minor flu symptoms and im exhausted <3 #today was a Lot <3 #so i'll queue this for around 10 & hopefully I'll be awake & with the next post written for you guys!

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