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#the sacrifice
warframestuff · 1 day
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"You have relived this moment countless times. But our minds are linked now. We'll face this together." "Ballas did this, not you."
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mike-mills · 8 months
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It seems to make me return to the place, poignantly dear to my heart, where my grandfather's house used to be in which I was born 40 years ago right on the dinner table. Each time I try to enter it, something prevents me from doing that. I see this dream again and again. And when I see those walls made of logs and the dark entrance, even in my dream I become aware that I'm only dreaming it. And the overwhelming joy is clouded by anticipation of awakening. At times something happens and I stop dreaming of the house and the pine trees of my childhood around it. Then I get depressed. And I can't wait to see this dream in which I'l be a child again and feel happy again because everything will still be ahead, everything will be possible…
Solaris (1972) / Mirror (1975) / Nostalgia (1983) / The Sacrifice (1986) dir. Andrei Tarkovsky
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dailyworldcinema · 1 year
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The Sacrifice (1986) dir. Andrei Tarkovsky
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weirdlookindog · 4 months
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Félicien Rops - Les Sataniques: Le Sacrifice (The Sacrifice), c. 1882.
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poesie-abstraite · 22 days
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The Sacrifice 1986
Andrei Tarkovsky
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metaphore-s · 9 months
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Le Sacrifice 1986
Andrei Tarkovsky
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katharinehepburngf · 9 months
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Japanese poster designs for films: THE SACRIFICE (1986, dir. Andrei Tarkovsky), WORLD ON A WIRE (1973, dir. Rainer Werner Fassbinder), NAKED LUNCH (1991, dir. David Cronenberg), LAST YEAR AT MARIENBAD (1961, dir. Alain Resnais), HIROSHIMA MON AMOUR (1959, dir, Alain Resnais), FACES PLACES (2017, dir. Agnès Varda, JR), FANTASTIC PLANET (1971, dir. René Laloux) and LOST LOVERS (1971, dir. Sôichirô Tahara, Kunio Shimizu).
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chaosroid · 9 months
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Warframe really said 'let a piece of someone become a part of you so that it may free you from your self-inflicted prison of trauma' and that's something that is so intimate actually
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andalitean · 1 year
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Normal book series for normal children
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lgbtqreads · 8 months
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Fave Five: Horror with Trans and/or Nonbinary MCs
The Honeys by Ryan La Sala (Genderfluid, YA) The Sacrifice by Rin Chupeco (YA) Hell Followed With Us and The Spirit Bares its Teeth by Andrew Joseph White (YA) Manhunt by Gretchen Felker-Martin  Tell Me I’m Worthless and Brainwyrms by Alison Rumfitt, by Alison Rumfitt Bonus; Coming in 2024: Cuckoo by Gretchen Felker-Martin and The Woods All Black by Lee Mandelo Double Bonus: These are all…
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cosmonautroger · 8 months
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The Sacrifice, Andrei Tarkovsky, 1986
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warframestuff · 2 days
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"Howl all you want, it won't bring him back." "Lua brings you strength, Umbra--" "--But you cannot defy your creator."  "Even I make mistakes. Like you."
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aroaessidhe · 8 months
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2023 reads // twitter thread
The Sacrifice
YA horror
set on an island in the Philippines, with legends of a dreamer god who requires sacrifices, and a history of deaths and disappearances
a local teen who’s one of the only people willing to go near agrees to be the guide for a hollywood crew determined to film their ghosthunting show there - and won’t leave even when bodies start showing up
nonbinary MC, creepy plants and caves
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weirdlookindog · 1 year
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Félicien Rops - The Sacrifice, from "Les Sataniques", c. 1882.
(Source)
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theultimatepumpkinpie · 3 months
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Nothing is funnier to me than the idea of Ballas selling the tenno out (and by extension, the orokin and humanity) to the sentients just because he was getting pissy about how the orokin treated him. Which I guess really does explain his "speeches" during the new war. Man has the moral fiber of waterlogged cardboard
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I disagree with your take that Rachel is out of character in the last few books. I think her experiences in 48 show her just how much the team needs her to be that girl, and so as things get more serious she starts leaning into that more and more so they can ALL do what they need to do.
And yes, she really needed one more book
So, my frustration is with how Rachel's written in #52, and how she's not written in #49, #50, and #51.
Rachel can be violent, and even brutal. She often refuses to stop when Jake calls a retreat, which in #41 and #7 puts the whole team in danger. HOWEVER. She stops fighting as soon as she's neutralized her enemies in #17 and #24. She cares a lot about protecting the helpless — Melissa, Tobias, random hosts in #17, the kid in the crocodile pit — to the point where she looks for a way not to hurt unhosted yeerks in #6 and MM3. Taylor is a foil for Rachel because Taylor only hurts those who are weaker than her and runs from a fair fight; Rachel only hurts those who are stronger than her and doesn't back down when outnumbered. Rachel's devastated to have even an indirect role in a civilian death in #37: that guy couldn't have hurt her.
But in #52, Rachel tries to kill a group of civilians because they're in her way. And she only stops because "an order from Jake" is the thing that controls her. She kills a controller who had already surrendered. Ax describes her as "a monster." This could all be a bad day or her not coping with the loss of her dad, but #49 and #50 and #51 all feature mini-teams she's not on, so it's impossible to say. One book later, when she's expressing sympathy for Tom even as she's threatening to "crack open his skull" to get to her real enemy (#53) — that feels more like the Rachel we know.
Throw in Tobias's weird apathy toward Rachel (seriously, he barely mentions her #49 - #53) and Rachel's weird apathy toward Jake hurting Cassie, and she feels forgotten except as an object lesson. I think even #52 could work if we got a book from Rachel's POV that explains her going off the rails the way #53 does for Jake, but that's not what we have.
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