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youarejesting · 4 years

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BTS365 Prompts.Week 23

[Full Masterlist] [Prompt Masterlist]

Beta: @lunarlxve

Please tag me in your work if you use my prompts. I want to see your work. Ever your Jester.

Tell me your birthday and I will tag you on your special day!

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June 4th - 10th

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Kim Seokjin - hug

Kim Seokjin had never been hugged. He didn’t know what it felt like, but it always looked nice in movies and dramas. Why has he never been hugged? Well, he was an only child, and his parents went on a lot of overseas work trips. The nanny was an older woman and very stern. He wondered why she was a nanny when she hated children. She hated when they were too loud, hated when they got grubby or ran around, and hated when they talked or asked questions.

Soon he was a teen, a handsome one but home schooled. Seokjin’s Tutor was an older man who only knew how to read a textbook and scold him. He never got hurt to warrant a hug, was never praised with a hug. Until he bumped into you. No literally bumped into you. The two of you toppled over, chest to chest. The warmth and physical connection sent a spark down his spine. He felt for the first time that he wasn’t alone. Even if it was a mistake that you fell against him.

Min Yoongi - cat

“Hey, Lil meow meow,” You grinned stepping into the studio. You were rival producers, and it amused you how easily you could get under his skin. You really meant no harm by it, and you hoped it came across that way. Sometimes he would do the same to you by making fun of the bags under your eyes or something as trivial. It had gotten simultaneously worse and better due to renovations, you were sharing a studio. Both agreeing to leave each other’s music and equipment alone.

“So how long did it take for your date to run away this time?” He sighed, taking the coffee from your hand, freeing it so you could count his change and place the small pile of coins onto his desk.

“He said his boss called him thirty seconds into the movie. The opening credits hadn’t even finished Min” You hissed sipping your coffee “I was so excited to see the movie.”

“What a prick, did he really?” Yoongi hissed, turning in his seat, pulling his headphones down so they would hang around his neck.

“Yes, he really did” you turned to face your computer, turning it on and setting everything up. “I don’t understand Min. Am I really that bad?”

“No you're not, as much as we joke you are cute” He grinned turning your seat around, so you were left with no choice but to look at him “Sometimes you act like a big cat all feisty and claws and teeth, but you forget you are actually a cute little kitten.”

Jung Hoseok - doughnut

“Welcome to the Doughnut Drive- thru. How may I help you?” You asked, trying to sound cheerful after a long shift.

“Hey, can I get twelve assorted iced doughnuts with sprinkles?” The voice was muffled through the drive-thru, but you knew exactly who it was.

You tapped the button on the sales machine. Waiting for his car to arrive. It was a red 1973 Mercedes 450SL. A beautiful piece of machinery. He smiled up at you and handed you the money as he did every time, brushing his fingers against your palm, making you feel warm in your pretty pastel blue uniform dress and apron.

In the middle of the Money was a piece of paper that said ‘Hoseok xxxx-xxx-xxx call me.’ This wasn’t the first time he had handed you a note with his number. You felt your face flush, wondering if you looked like a tomato at this point.

“Here is your change sir, I will just get them now” You walked off and grabbed the assorted donuts and handed them over. Watching his car drive off.

It was when you heard his voice again through your headset from the drive-thru speaker that you grew confused. Have you made a mistake? “Miss y/n, I come around every Friday after work, hoping I might get the chance to talk to you. I have given you my number almost thirty times now, and you never text, never call. Just let me know before I die of a heart attack or diabetes from eating 12 donuts a week. Would you be interested in going on a date with me?”

Kim Namjoon - drive-in

Namjoon had asked you out a few days ago after school, he seemed confident and kind of cocky in front of his friends. You almost thought it was a joke; that is until he arrived at your house, his usually disheveled hair combed down. He was no longer in his leather jacket but a nice button up. He shook hands with your father, talking to him with a smile while you went to fetch your purse.

“Sir, I have plans to watch a movie with your daughter and then to eat at the diner. I thought I should let you know in case you wish to know her whereabouts.” Namjoon said, trying to be courteous to your parents. “The movie finishes at eight, and we should finish dinner by nine, so we shouldn’t be out too late.”

“You aren’t planning to do anything at the drive-in, are you?” Your father said sternly, “I know where you live mister Kim.”

“No, sir, we aren’t going to do anything except watch a movie,” Namjoon said, rubbing his palms on his trousers looking towards the stairs hoping you were ready to leave. “And perhaps I could hold her hand.”

“Alright, Mum, Dad, don’t scare the poor boy” You sighed, gesturing Namjoon over; he got up grateful that you had saved him from your father's intense stare.

“I will wait up,” Your father said, walking you both to the door catching Namjoon’s arm. “You may hold her hand, and I will allow one kiss goodnight if she wishes, but otherwise, keep your hands to yourself, buddy.”

“Yes, Sir. I will have her home by nine.”

Park Jimin - VCR

“Hey Jimin, did you record the show last night? I was so busy with my Aunty’s 45th birthday that I was unable to watch it” You grabbed your friend's arm in the school hall. “Please, PLEASE tell me you recorded it.”

“Yeah I got it recorded, you can come over later and watch it with me after dance practice” He smiled giving you a perfect spin. “You will watch me, right?”

“Of course, Chim.” You stopped at your adjacent lockers, taking out your books, remembering the math pop quiz. It was going to be a long day.

You weren’t wrong, the day was slow and tedious. Your only saving grace was when you hopped into Jimin’s bright yellow buggy and took off to his dance class. You sat in the corner watching him dance. He was one of two boys who danced in his age group. The girls moved so delicately, their bodies were as light as air. It made you self conscious even Jimin in his sweats and singlet was more agile and graceful then you could ever dream of being.

He drove you both home, asking if he did well and telling you how he thinks he is ready for the upcoming performance. The Park family home was a single story. Jimin called it small and old, but you thought it was homely and cozy. The two of you sat in his room; you snuggled into his blankets while putting the old tape in the VCR machine. It was nice being with your best friend, but you wanted to be something more for some reason.

You just wish you had the courage to tell him.

Kim Taehyung - BFF

It was a Friday night; you were in the basement lying on your stomach on the plush rug; your legs swinging back and forth as you slowly threaded beads onto a clear fishing line. Threading Taehyung’s favorite color beads in a simple, alternate pattern. You were able to fasten the bracelet when the door to the basement swung open.

“You got it, Mrs. L/N, I will let her know for you” Taehyung’s voice called up to your mother as he hopped down the stairs enthusiastically. “Sup?”

“Just chilling Tae” The evidence of your craft pushed under the couch.

“I just wanted to let you know, your mum says I can stay for dinner, if you want me to that is?”

“No duh, Tae, you’re my BFF.”

Taehyung laughed sitting on the two-seater sofa, his long legs hanging over the side. “We should do something fun” You hummed the BFF bracelet in your pocket felt heavy.

“Like what?” Taehyung asks, earning a shrug from you. He ponders for a moment before continuing, “We could play truth or dare.”

“Will it work with just the two of us?”

“Sure, let me go first,” he smiled, sitting up and crossing his legs on the couch, patting the second cushion, and you sat across from him. “Truth or dare?”

“Truth”

“Do you have anyone you like?” He peeked at you from under his shaggy bangs, and you felt your cheeks grow pink.

“Yes,” your giggle was nervous, and you tried to quickly move on, “truth or dare?”

“Truth?” He smiled, moving the hair out of his eyes with his fingers.

“Do you have anyone you like?” He nodded, his face turned away, and your mother took this moment to bring you a plate of orange soda and biscuits.

The two of you chorused your thanks, and when the door was shut, you were left alone once more. One more round and Tae asked if you had ever kissed anyone, and you dared him to dunk his biscuit in his soda before eating it.

“Truth or dare?” He asked, seemingly determined to get you back for the horrific snack you had created. And you thought it only fair that he had the chance.

“Dare,” you smiled, downing your soda so he couldn’t ruin it for you.

“I dare you to kiss me,” you sprayed him completely, choking on the carbonated beverage.

Jeon Jungkook - Iced tea

Jungkook was contracted to paint the outside of your family home. You were back home from University and house sitting for your parents while they were on a cruise. Laying out on a sun chair in your bikini, trying to enjoy the warmth of the sun, you started to get thirsty. Walking inside to your parent’s indoor bar, you began preparing some ice tea. It was when you saw him on a ladder painting above the window all shirtless and sweaty, that you decided to prepare a second beverage.

You turned to the mirror fixing your hair, applying a tinted lip gloss, and readjusting your bikini top to accentuate your cleavage. You carried both drinks out and smiled, “Jungkook, was it? Would you like some ice tea, you look a bit thirsty.”

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cannotgiveafuck · 5 years

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Shazam Week Prompt 1

Its Shazam Week and my muses need the boost, so have some daily dabbles (while I get thru BBTWLB)!

Prompt 1: Seasons

----

The seasons were changing.

Chilly winds were coming back to life. Leaves were falling from their trees. Decorations were leaving summer behind. Autumn was upon them. Truths were finally harvested.

Change was happening. It was always inevitable, but Billy had hoped he could stave it off a little longer, that he could keep everything under wraps and under control until he was ready, until it was the right time.

Change doesn't ask for permission, though…

And apparently, neither did infamous thieves.

"This isn't what I had in mind when you kidnapped me off the street, you know," Billy said, exasperated and amused all at once.

"And what did you have in mind, hmm? Bank robbery? Heists? Being held hostage?" The woman asked, her hand casually stayed upon his shoulder, but Billy knew she needn't use force to get him to stay. He wasn't going anywhere else any time soon.

"I mean…" Billy glanced around, eyeing the other mall shoppers as they passed by. "I wasn't expecting this, to be honest."

There was a child running towards a toy store, their exhausted parent dragging behind them. A couple was heatedly discussing something over at the kitchen store. Some pretty teenage girls giggled where they sat at a bench, coffee cups in one hand and shopping bags in the other.

It all seemed very… strangely normal to Billy. Another world he had only really gleaned in passing, somewhere he only stepped into while he was Captain Marvel and meeting civilians. He wasn't supposed to be here as Billy.

He wasn't supposed to have a normal day when everything had been uprooted.

And he definitely wasn't supposed to be here with the Snart siblings.

[[MORE]]

"Well, sorry to disappoint, little scarlet," reappearing from the depths of the sweater section of the clothing store they were currently in, Leonard Snart stopped before them. "We can include you on our next job."

"Please don't."

"Aww, don't be like that," Lisa ruffled his hair and grabbed onto the sweaters draped over Len's arm. She inspected them with a critical eye, though Billy couldn't tell what exactly she was deciding. "You'd make a cute lil distraction."

Billy rolled his eyes. The last thing he needed was to be dragged into a Rogues crime spree. He was already in hot water with the League right now and-

No. Not thinking about that.

"Lenny, these are all dark," Lisa said as she tossed the sweaters back to her brother.

"Yes, they are," he replied in the same monotone way of his, but Billy could hear the snark in it. Especially as he carefully folded the sweaters back into neatness.

"They're boring," she folded her arms across her chest in a huff.

"You mean they're not gold."

Lisa glared at him. "He needs color in his life. Gold included."

That was not true at all. "I don't really need any-"

"You're getting these."

"Yes, you do!"

Well, okay then.

Billy sighed in resignation. He had already tried getting out of this situation before they even entered the building. He explained to them that no, he did not need new clothes, and that yes, he was aware that his current red hoodie had a hole in it, but it was still good and he still had a backup hoodie for when this one fell apart.

It wasn't even that cold yet! He was fine, thanks for asking!

But when did adults ever listen to children? When did Billy ever get a say?

When the Snart siblings spotted him sweeping leaves off the sidewalk for the local stores, his hoodie having an obvious hole on the side - a snag he got when he squeezed through a chain link fence to get away from some ruffians - they would not take no for an answer. In fact, they picked him up and set him on Len's motorcycle and the next thing Billy knew, he was being dragged into the mall.

He had been a bit preoccupied at the time. A lot was on his mind, lately.

"Here, try these on," Len lead Billy toward the fitting rooms. "If you want to pick out a horrendous sweater, that's on you, Lise."

Lisa flipped her curls over her shoulder, throwing the last words in as well, "I have better taste than you, anyway."

Billy could hear the long suffering huff from the man. But he could tell there was no actual heat behind it. It was that sibling banter type of exchange. Something Billy recognized because of the silly arguments he's had with Freddy, almost always about superheroes or where to get the best hotdogs.

"Try these on," Len said as he handed the sweaters to Billy and closed the fitting room door.

Carefully placing the very nice clothing on the cushioned seat in the corner, Billy was momentarily distracted by the mirror that took up two walls of the small room. Blaring lights lined the full length mirror, ensuring nothing would be hidden when someone gazed upon their own reflection.

And nothing was missed.

Shedding his hoodie and shirt, Billy traced the path of his lightning scar that travelled across him. The ugly knotted tissue was centered above his chest, right by his heart. Its branches reached across his chest and arched over his shoulder, and as he turned around he saw them peak to his back. The tissue didn't hurt him. It didn't have much feeling at all, except for when the chilly weather dropped, then it only ached a little bit. But he knew he wouldn't be able to wear certain clothes, as this past summer had been tricky.

Maybe having some extra sweaters would be a good thing.

But he could get a bulk of them from the second hand store. He didn't need fancy new ones personally picked out from Captain Cold.

"C'mon, scarlett," Len called out, like Billy could possibly find a way to sneak around him.

No longer able to hide, Billy stepped out. "No offense, but I feel like this… is a bit much." The sweater was a dark blue turtleneck that fit perfectly, which nearly surprised Billy since he's sure he never told Len what size clothing he wore.

"Nonsense!" Lisa exclaimed as she strode in, arms full of golds, yellows, and black. "We're not even getting started. Also that makes you look like some snobby rich brat. I hate it."

"He looks dignified," Len countered, eyeing her bundle of clothes with suspicion.

"He looks like a wayward Wayne child. Here, try these!" She shooed Billy back inside, pushing the new articles of clothes with him.

At the click of the door shutting, Billy heard the sniping banter start up again. It was comforting, in a way. To hear them casually talk around him without censoring themselves, to feel their hands ruffle his hair like he wasn't made of glass, like he wasn't a burden, like they cared about him.

Was this what having an aunt and uncle was like?

(He missed the League, he missed Arrow and Canary's back and forth, he missed Diana's quiet room, he missed Hal and Flash's laughter, he missed-)

Billy blinked and was surprised at the moisture in his eyes. He took a deep breath and listened a moment longer to them talk before trying one of the ridiculously oversized sweaters Lisa chose for him.

The neck was too large, sliding off his shoulders so that he had to strategically keep it covering his scarred up left side. It wasn't exactly his color, nor something he ever planned on wearing, but he could at least humor her.

"Adorable. Fashionable."

"Impractical."

"Hush, Lenny."

"Try the button cardigan. The wool is thicker and it has inside pockets."

"No, no! The leather jacket one! The fabric on the inside is soft."

"Leather jackets aren't warm."

"This one is!"

"He has a jacket already-"

"And? He needs something besides a parka, Len!"

"Stop!" A swell of emotions rose in Billy's chest. This was all too much. "I really appreciate the effort, I do. But I don't… But my hoodies fit fine. My clothes are fine. I don't need new things! I don't want new things! I just…"

I want everything to stop.

I want everything to go back.

I don't want change.

"These are ugly, anyway," Lisa said in the face of heavy silence. "C'mon, we'll get some food." She grabbed at the pile of clothes and strode away.

In her absence, the dawning realization of what he had done started to crush Billy under its weight.

Why did he always mess things up?

Why did he always say the wrong things?

Captain Marvel was always good at words, at explaining things, at saying what he meant.

But not Billy. He never finds the right things to say, can never tell others what he's feeling, can never be wise and smart and charming.

No wonder the League didn't want him.

He ruined everything.

"You don't always get what you want, scarlet," Len said. He cool eyes never left Billy's face, so he turned away in shame because he knows that! He knows he never gets what he wants. "But new clothes aren't the problem here."

No, they weren't. Leonard Snart had always been a clever and sharp man, and Billy was getting sick and tired of feeling like just a child. Like he had no control over his life.

"Everything's changing. It's going too fast and I can't stop it and I just… I want… I don't wanna be lost," Billy said to the floor.

"Then pick a sweater," Len said.

That made no sense. This had nothing to do with sweaters!

Billy blinked up, baffled. "Wha?"

"You can't stop things from happening, you just admitted that," he shrugged as he gently nudged Billy back into the fitting room. "Don't beat yourself up over circumstances you can't change. It'll get you nowhere. Always be aware of what you can control, and always be aware that even those variables can shift. That's a part of life, kid. But that doesn't mean you can't enjoy the finer things in life."

Billy stood in the dressing room, and stared at his old, worn hoodie.

What was finer than being a part of the Justice League?

"That's terrible advice," he couldn't help but say.

"Then do something else."

His eyes moved toward the lone sweater hanging - dark red and soft, pockets on the inside.

Billy opened the door and felt himself smile because he didn't know what else to do with his face. His old hoodie was back on, but he clung onto the new sweater. "What does that even mean?"

Len smirked. "It means you chose a terrible color, but at least you picked something." His hand was firm on Billy's shoulder, warm and guiding. "Which is better than Lisa's choice, but I'm sure she's already stolen the leather jacket for you."

Billy laughed.

The seasons were changing.

And he was changing, too.

#shazamweek2019 #billy batson #leonard snart #fanfic writing #captain marvel #shazam #listen all i want is for billy to form a family from rogues and antiheroes #is that too much to ask?#there is no lesson here except Len is bad at advice towards kids and Billy needs to stop worrying #also he needs to just accept gifts.#someone plz help this boy

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justforbooks · 5 years

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youtube

"Led Zeppelin The Forum June 3, 1973

This is based on the fantastic AUD recording, expertly transferred from the JEMS Master - DAT (16/32) source. This is a wonderful audience source, documenting an incredible show.

Some feel this is Led Zeppelin's best performance of the 1973 North American tour.

Hey guys, if you're interested in imagining what it was like to be at this show, I highly encourage you to check out this post by Strider on the Led Zeppelin forum. It is easily the best account of a Zeppelin show I have ever read.

Let's get on the time machine...

Sunday June 3, 1973

I'm flying home from San Francisco to Orange County...a little wobbly after my Kezar Stadium trip, but feeling better the more fluids I drink and the closer I realize I am getting to the appointed hour of my third Led Zeppelin concert in four days.

This Led Zeppelin concert is a little different, however. Not only is this the last show of the first leg of the 1973 US tour, but the last LA show...and who knew when the next tour would be, so this would have to get me through whatever dry spell awaited. Most important of all...I was taking my girlfriend to the show; not only her first Led Zeppelin concert, but her first concert period. That I wanted her to enjoy it was an understatement.

My girlfriend's name was Trudy. She was slightly older than me...11 going on 12...while I wouldn't turn 11 until the next month in July. We met when we were on the same community rec swim team the summer of 72. She also liked baseball and played on the girl's softball team until it became too painful for her(this was before the days of high-tech sports bras). A tomboy, she was like Tatum O'Neal with boobs. Our first date was to an Angel game to see Nolan Ryan pitch.

*Quick digression: baseball games make wonderful first dates. It's not as crowded or noisy as football, basketball, hockey or auto races. And the leisurely pace allows for plenty of conversation time to get to know each other. And if you're lucky to get picked for the "Kiss-Cam", that gives you an excuse for a quick kiss.

Back to Trudy...she was great, except when I met her, her musical tastes ran to America, Bread and Seals & Crofts...the hardest band she liked was Three Dog Night. So it was a long process to get her to like Led Zeppelin, David Bowie, the Stones, Alice Cooper and my other faves. Some she never took to(Frank Zappa, Velvet Underground), but after a few months she finally got hooked into Zeppelin. Of course, it was mainly the softer stuff she liked...Stairway to Heaven, What Is and What Could Never Be, That's the Way. Thank You was her favourite LZ song. And when Houses of the Holy came out, she immediately fell in love with Rain Song. But little by little she came to appreciate the hard rocking songs as well.

All this was on my mind as I rested on the plane-ride home. You see, before I saw Led Zeppelin for the first time in 1972, I had NO IDEA what to expect from a Led Zeppelin concert. I had all four studio albums released at that time, but had yet to acquire any bootlegs. So yes, the effect was fairly shattering when finally seeing my first Zeppelin concert, June 25, 1972. By the time of the 1973 shows though, I had bought two Led Zeppelin bootleg double-albums: Live on Blueberry Hill, the September 4, 1970 Forum show; and Going to California, the Sept. 14 1971 Berkeley show, mislabeled as being at the Forum.

Those two boots, plus the memories of the 1972 shows, instilled in me the idea that the acoustic set was a regular part of a Led Zeppelin concert, and I raved to Trudy about the acoustic set...how they did Going to California and That's the Way, two of her faves. But now I had seen 2 of the 73 concerts, and neither one featured an acoustic set, not even one acoustic song...there didn't appear to be an acoustic guitar in the building. They had played Rain Song, so I knew Trudy would love that, but after building it up in her head, I was worried she would be disappointed if she didn't get an acoustic set. Perhaps, they were saving it for this last concert of the first leg...a special treat for LA. That was one fortunate outcome of Jimmy Page's finger injury: not only was Trudy now able to see the concert, but by moving the concert to June 3, my last Zeppelin memory of 1973 would be crystal clear, unlike the hazy one I had of the Kezar Stadium debauchery.

Shortly after 5pm, the plane descended into Orange County airspace, glistening swimming pools dotting the landscape, the brown smog bank of the Inland Empire off in the distance. There they were, my BB and Trudy, my sun-dappled girl, waiting for me as arranged. To save time, I gave him Trudy's address so he could pick her up before meeting me at the airport. Then we could just drive straight up the 405 to the LA Forum. So, after a brief wait for my luggage, there the three of us were in my BB's blue 1969 Chevy Malibu, him driving, and Trudy and I in the backseat. Making the long slog north on the 405, joining thousands of others making the drive from San Diego back to Los Angeles, I filled Trudy and the BB in on my San Francisco trip, not exactly revealing EVERYTHING. Trudy wasn't a party-stoner girl, and I didn't want her to get the wrong idea about me. The BB and I answered questions she had about the concert; she was excited when I told her that it was pretty certain that they would play Rain Song. But I also said that they hadn't played Thank You, and she looked bummed about that...but hey, I said, you never know what they'll play for sure. Maybe tonight they'll play it.

A quick pit stop for gas and a bite to eat at Tijuana Taco(don't ask...just slightly better than Taco Bell...they shut down later in the 70's when employees were caught selling drugs thru the drive-thru window), and we were back on the 405, past the Westminster Mall, past Seal Beach then Long Beach, until nearing LAX airport, and the giant Randy's Donut Donut marking the Manchester Blvd. exit. It must have been around 7pm, as we drove east on Manchester, past La Brea and Market, past the A-Frame International House of Pancakes on the left at Hillcrest, past the usual shady characters holding up "Need tickets" signs. This time we turned right on Prairie, then left into the Forum parking lot, the Forum Club awning up ahead. It was still plenty light outside, a pleasant June evening, and as usual for a rock concert, the parking lot was a bazaar of the bizarre. A panoply of colourful types everywhere you looked.

Thanks to my uncle's wife washing my clothes while sleeping off my trip in San Francisco, I was wearing my burgundy velvet hip-hugger bell-bottoms and yellow 1973 Zeppelin tour shirt. But I saw a bootleg parking lot shirt I liked and bought one for me and Trudy...total cost $4.

There was a long line to get in the Forum, so we headed to one of the special entrances for people with floor seats. Yeah, I had almost forgotten...after 4 previous Led Zeppelin concerts spent in loge or bleacher seating, I was finally going to be near the stage, 13 rows from the front, on the floor, looking at the stage head on. No side or obstructed views this time. I was already stoked...this sudden realization of where we would be sitting further stoked my fire. So eager with anticipation we fairly glided through the narrow tunnel into the Forum floor, past the massive soundboard/mixing desk towards the rear and past the rear sections of the floor, approaching the stage closer and closer until we came to our destination: Section B, Row 13. It did feel weird looking at our tickets and seeing the date May 30. The time once again said 8:00 pm...but we told Trudy that was more a "suggested" time than a firm commitment.

That allowed for plenty of time for concert prep...last-minute bathroom visits, stock up on snacks and coke and back to our seats with plenty of time to watch the roadies fine-tune the stage as the Doobie Brothers and Yes played over the sound system. Although the music wasn't nearly as loud as the concert would be, I gave Trudy the earplugs the BB had brought for her, as we didn't want her first concert to be too painful...I mean, Led Zeppelin were LOUD...VERY LOUD!

Being so close to the stage, you notice details you can't see from far away...the details of the amp setups...Jimmy's simple effects setup...Jones' keyboards and the white mellotron...Bonzo's orange Ludwig vistalites. In fact, I noticed that if you took away the gong and tympani, his drum kit was actually quite small compared to the gargantuan kits of Carl Palmer, Keith Moon and Ginger Baker. Just a bass drum, snare, one rack tom and two floor toms, that's it. Yet, in Bonham's talented hands, that kit sounded more MASSIVE than Carl, Keith and Ginger's kits combined.

Ooooh, there was the big mirror ball high above Bonzo's kit...I pointed it out to Trudy. She also noticed with some trepidation and awe the huge PA speaker stacks...courtesy of Showco. As roadies climbed roped rigging ladders to fix the various spotlights and whatnot, I sensed a different vibe in the Forum tonight from the Bonzo Birthday Party show. Yes, the audience for that show was excited...it was the first night and it was Bonzo's birthday, so we were hyped. But as shouts of "Led Zeppelin!" and "Rock and Roll!" and "Whole Lotta Love!" echoed around the arena, as frisbees and beach balls whizzed and bounced around, the anticipation and buzz of the audience seemed torqued to a higher degree. With the benefit of hindsight, I think I know why. First, the June 3 show was originally supposed to be the first show...and anyone who has been to multinight stands knows that the first night crowd often has the hard core fans. We were the "real" first night crowd, not the May 31 crowd. Second, that May 31 show was so amazing that obviously word-of-mouth spread. Folks heard how awesome the May 31 concert was, so everyone was at fever pitch for tonight's gig...both the people who were there May 31 and were expecting more of the same, and those who just heard about it and couldn't wait to experience it themselves. If you've ever been to a concert by your favourite band, you know the feelings you go through right before the band comes on: the butterflies in your stomach, the calculations in your mind at what the first song will be and what the setlist will entail. How you literally cannot breathe from excitement.

Well, take all that and multiply by 10 and you'll get an idea how feverish the crowd was for this Led

Zeppelin concert was...if someone had thrown raw meat into the crowd, it would have been devoured. Hell, I feared if one of the roadies had fallen into the crowd, he'd be torn limb from limb. The beast was getting hungry...we wanted Zeppelin. At any bit of lull from the sound system, any break from the music, a great hue and cry went up from the throng in anticipation of the band coming on stage. At long last however, after several false moments, sometime around 9ish, the Forum went dark as the house lights went down.

CUE PANDEMONIUM!!! I am serious. Sure, every Zeppelin concert I attended the crowd would greet the band loudly, as loud as any concerts I have seen. But the concert of June 3, 1973 was something else entirely...it was like RAPTURE! People stomping their feet, ecstatically screaming, firecrackers exploding...the only other time I experienced this frenzied a response was the June 21, 1977 show.

In the dark, periodically illuminated by flashes and lit lighters, we could make out the shapes of the band members making their way on stage. As the stomping and hollering from the crowd continued, Bonham gave a quick test of the drums and soon after, the Little Richard-tribute drum intro to Rock and Roll commenced the beginning of the show as the stage exploded to brightness as the stage lights came on the same time as the band kicked into the main riff of Rock and Roll.

Oh shit Dorothy, we're not in Kansas anymore. Being on the floor is a completely different deal. The loudness is even more LOUD...IN YOUR FACE...AND IN YOUR GUT!!! Especially Bonzo's kick drum and Jonesey's bass. I looked over at Trudy and thanked my lucky stars we had thought of bringing earplugs for Trudy...she had been gripping my hand since the Forum lights went down, but as I looked at her she smiled and signaled she was okay. Her eyes widened as she took in the scene in front of us, and I returned my gaze to the stage. From behind the kit, Bonzo looked like he was wearing the same pastel tanktop, or wifebeater, as before. John Paul Jones was wearing some multicoloured button-down shiny shirt with these fantastic flash silver bell bottoms. Simply extraordinary...he should've worn them for the MSG shows! Unfortunately, being close to the stage allowed me to see Jones' mustache more clearly...he just didn't look right with that mustache. Jimmy Page was wearing the same natty white double-breasted suit as he did at Kezar. With the black and white shoes. His hair looked healthy and fluffy, the coloured lights giving it different hued highlights throughout the night.

Then, there was Robert Plant. Golden God. Golden, flaxen hair flowing down past his shoulders, the lights amplifying the golden hue of his curly locks. Long, lean and tanned body encased in skintight flared blue jeans and a pinkish-red shirt, more masculine than his usual 1973 blousey-type tops, but with just enough femininity to give Plant that otherworldly, ethereal sexual charisma he, and only he among the 70's frontmen, had. No, not even David Bowie or Freddie Mercury had it...David was too drugged out and sickly thin and Freddie too campy with his "Al Pacino in Cruising" look. To top it off, Robert had a red flower(a rose?) stuffed down his pants, so that the flower was just over his belt buckle.

And because we were now looking straight ahead and up at the stage, and not down from afar as before at other shows, the band, particularly Jimmy and Robert since they were closest to the front, appeared 10 feet tall. Like they truly were gods descended from Mount Olympus to bestow upon us mere mortals their immortal musical alchemy. As Rock and Roll progressed, with Jimmy doing his signature Rock and Roll stagger step, Trudy and I were hopping up and down on our seats, standing on our seats the only way we could see over the grownups in front of us. After the guitar solo, when Jimmy did his little leap, Trudy and I jumped as well, as various girls around us squealed. That's another thing I noticed being down front...lots of teenage flesh in hotpants and platforms. But let's get back to the music...

Rock and Roll was at it's end, Bonham flailing away like Animal of the Muppets during the final drum flurry, which leads to the rousing fanfare into Jimmy's solo intro to Celebration Day, notes flashing fast and furious from his vintage Les Paul. THIS was one of the moments I was already anticipating, for the previous 2 Zeppelin concerts had proven how great, and underrated, a song Celebration Day was in concert.

Tonight was no different...as Jimmy's opening guitar shot rapid fire notes, and Robert intones the opening lines, the song builds to that slight hesitation as Robert sings "and she wonders pretty soon everybody's gonna KNOWWWW" and then Bonzo, Jones and Jimmy SLAM into the song in total force, and the impact is UN-FUCKING-REAL!!!

Try to picture this in your mind...Bonzo and Jones are laying down this MASSIVE volcanically-erupting groove, Jonesy's bass inhabiting your bones, while Bonzo's drums wallop your guts, all the while he's staring intently at Jimmy, his mouth popping open from time to time like he's chewing gum and his head jerking with each accent of the beat. Meanwhile, Jimmy is slinking around the stage, guitar slung low, while carving out that ridiculously sexy funky Celebration Day riff. It's not that there's anything wrong with Rock and Roll, although even then it sounded slower in concert than on record, with Robert's vocals not as manic as the studio version, but Celebration Day, for me, is when the enormity of the concert hit me. The song seemed faster and more high energy than Rock and Roll.

And it was somewhere during Celebration Day that I lost it. How can I explain it to you? There isn't a bootleg in the world that can replicate the sound, the experience. Jimmy's guitar is sounding like 100 chainsaws carving that riff into your head...the bass and drums are exploding into your spine causing you to spontaneously jerk and dance about. The overwhelming loudness of the sound envelops you, harmonic overtones, that no bootleg can pick up, merging to create new tones and notes, raising the hair on your arms and sending tingles up and down your spine. On top of the the force of the groove and the sound, is the visual impact of Robert and Jimmy swaggering, thrusting, dancing across the stage...their movements somtimes in tandem, sometimes on their own, yet still strangely in sympatico with each other; the yin and yang. As Robert's voice, by now warmed up from the rough Rock and Roll opening, wails over the musical onslaught, and Jimmy's guitar cuts like a knife sharper than Bryan Adams will ever know, Jimmy struts to the front of the stage and I half expect him to just keep walking off the stage into the air above us. That is when I just erupt in tears of joy. I couldn't help it...I'm with my girlfriend and the band is sounding so good and they are fucking rocking the stage like they OWN IT! None of this tentative squirreling about like some bands. And Celebration Day is KICKING SO MUCH ASS! I tell you, I was in a state of happiness, of TOTAL BLISS, that the waterworks just flowed and flowed. I hugged Trudy and gave my BB a high-five as CD came to an end much too soon...they could have kept that groove going for another 10 minutes as far as I was concerned. And they should have made Celebration Day a permanent part of the setlist from 1971 on, I'm my opinion.

No time for dillydallying, Jimmy immediately slides into the Bring It On Home riff after CD...and Robert promises all the ladies in the house he's going to make them sweat and groove, as the band lurches into the serpentine riff of Black Dog, the third all-out hard rocker in a row to open the show. I always preferred the Bring It On Home riff as an opener to Black Dog to the Out on the Tiles riff, and here's why. With the Bring it riff, the segue to Black Dog seemed smoother. Also, I didn't particularly want to hear the actual song Bring It On Home, by then having grown bored with the early blues covers like Bring It and You Shook Me, so I liked when they shifted into Black Dog. But Out on the Tiles is one of my favourite songs, especially after hearing it on the Live on Blueberry Hill bootleg. So everytime they would play that opening riff to Out on the Tiles, I would get excited they were going to play the whole song. So I actually would feel a twinge of disappointment when they would go into Black Dog instead. C'mon guys, just ONCE gimme Out on the Tiles!

Black Dog swaggers to a close, Jimmy bringing the song to an end with a blazing run, and just like that, the opening three song assault is over, and us fans have a chance to cheer and welcome the band back to LA, as Robert says good evening and goes into one of his plantations, none of which I recall. It's funny, but even more so than in the stands, people down front yell all sorts of stuff at the band, thinking they're so close the band will hear them and respond. Greetings, requests...some musical, some sexual...non sequiters, all manner of nonsense is shouted at the band as a whole and at individual members; Jimmy and Robert topping the list, natch.

Another thing you notice up front is all the stuff that gets thrown on stage that the roadies periodically have to clear off. Joints, wadded balls of paper(notes, I presume), cards, flowers, candy, popcorn, items of clothing(some intimate)...it's quite a sight and probably quite a haul by the end of the night. Fortunately, Trudy refrained from throwing any clothing.

Jimmy took this time to remove his jacket, revealing an orange-red striped button-down shirt with black cuffs that I don't think I've seen him wear before...or since. In fact, both Jimmy and Robert are wearing shirts that I've hardly seen pop up in photographs other than in photos of tonight's gig.

With jacket removed, and Robert's introduction over, the folky beginning of Over the Hills and Far Away begins, as Jimmy's sweet cherry red Les Paul tone lulls you into a state of mellowness, as Robert sings to his lady...then WHAM! The volume increases ten-fold, and again, one of those ingenious simple-sounding yet complex riffs grabs hold of you, while Bonzo lays down a beat that at first seems at odds with the riff, but gradually reveals itself to be a marvel of deep-in-the-pocket groove. In fact, OTHAFA is one of those songs that was fun to watch the band play in concert. Jimmy hunched over, jerking his body to the riff, while Bonzo and Jones watched each other, working over the changes as Jimmy solo'd stratospherically over the top. Robert by now would throw in his Acapulco Gold aside to knowing looks and laughs among the stoners in the audience.

After the song drew to its languorous close, Jimmy bathed in deep blue light, I checked with Trudy to make sure she was okay...that it wasn't too loud or if she needed to rest. Before the concert, we said that we would stay to the end, but if she needed to go to the rest room, I would escort her, and if she got tired, she could sit and if possible, nap in her seat. So far, she was A-OK, thumbs-up, all systems go! Which was fine by me, as we were coming to another highlight of the show for me: the Misty Mountain Hop/Since I've Been Loving You tandem, signaled by Jones removing his bass and walking over to our left and sitting down at his keyboards, face-forward to the crowd, while Jimmy switched from the red Les Paul w/ black pickups to his customary Les Paul Sunburst.

Hippie funk-groove, followed by the sweeping, cinematic English blues drama of SIBLY. As the band charged into Misty Mountain Hop, the vibe of the show kept elevating...so many people dancing and smiling and having a goodtime. Apparently enpugh people in the crowd had experienced getting hassled by the cops over rolling papers to the point that the entire Forum wanted to escape to the Misty Mountains. Once again, the sound is massive, as Jimmy Page's guitar is in your face. Robert is doing all his hippie dances and wiggles across the stage while Jones' funky Fender Rhodes gives the song its colour. But it is Bonham who really drives the song, his every beat of the drum a mighty wallop, with the most awesome snare sound I've yet to hear...crisp, deep and resonant. Fill after fill with perfect timing electrifies the song until the final riff explodes, as Jimmy hits a switch and the guitar increases 10-fold in intensity and Bonzo does what seems like one continuous, roiling fill until the band reaches the point where it suddenly STOPS!

Leaving Jimmy to bend and sway as his fingers traverse the neck of his guitar, notes flying left and right until he slows into those familar notes that shift the band into Since I've Been Loving You. As the crowd howls in delight, especially the blues fans and guitar players amongst us, many of the crowd also begins to sit down, and Trudy is one of them, so I sit down with her. We still have some of our coke left and as we quench our thirst, I ask how she is liking the show so far. "Too much...it's far out", she replies. I put my arm around her as we settle in our chairs and watch the drama unfolding on stage. SIBLY is one of those moments where Jimmy trancends mere musicianship. He's not merely playing guitar, but making the guitar speak, as if the guitar itself had a soul. Or put another way, it's as if Jimmy and his Les Paul were fused into one, as if the guitar was just another extension of his body.

One thing I noticed with Jimmy Page, especially during SIBLY, is that he adjusted his tone and volume knobs on his guitar more than anybody I'd ever seen. Some guitarists I saw wouldn't touch their knobs once during an entire concert. Whereas Jimmy was constantly fiddling with the knobs, fipping the toggle switch...anything to create the variety of tones and sounds that emanated from his guitar. Considering the simplicity of his effects(compare his stage setup in 1973 to today's array of stompboxes taped down in front of every guitarists stage monitor), it's amazing the wide variety of sounds he got out of his guitar.

Again, just to listen is not enough, nor are pictures sufficient to suggest the total charasmatic effect that Jimmy playing the guitar on stage renders on you. And I fear my words fail to accurately portray the devastating impact of Pagey with a guitar. It goes beyond the way Jimmy moves and dances on stage, which is already beyond compare. Not Keith Richards, not Chuck Berry, not Richie Blackmore, not Mick Ralphs. Certainly not Clapton or Iommi, both of whom stand still as statues, making a guitar grimace once in a while. Pete Townshend is the only contemporary who comes close, and his vibe is more "athletic" with his jumps and windmills. Jimmy's vibe is more sinuous and sexy. His ability to dance and swagger and weave across the stage, while his slender frame is weighed down by some of the heaviest guitars in the business, the solid-body Les Paul and the Gibson doubleneck, is incredible enough. The fact that he often skitters across on one foot is miraculous and warrants comparison to James Brown. You think I'm kidding? Well, I'm not...if only someone would have filmed Jimmy at a 1973 concert, just focusing on his feet, you would be talking about his footwork with awe. To see it up close was breathtaking. But what truly made Jimmy a guitar god and sexually charasmatic to everyone in the arena no matter their sex or sexual orientation was the way he danced with his guitar while his feet were dancing upon the stage. Start with the fact that nobody wore his guitar slung as low as Jimmy. NOBODY. Most guitarists had their guitars strapped pretty high, which is the best position for clean, fast playing: Steve Howe, Richie Blackmore, Frank Zappa, the Grateful Dead guys...all guys who strapped it high. Keith Richards and Pete Townshend had theirs a little lower than that, but still nowhere near as low as Jimmy. And I'm sure Jimmy sacrificed some speed and accuracy having his guitar so low...that can't have been good for his wrist and shoulder. But I'll be damned if in 1973 I could tell for he sure sounded fast and accurate enough to me. And that was while he was doing electric gyrations across the stage. When he deigned to stand still like during Rain Song, he sounded as clean as his studio performances. But Jimmy wasn't built to stand still...he used his body to transmit to the audience every electric charge he was feeling through the music. Every whiplash chord, every sinewy solo, transmuted his body. At any given moment, he would swing his guitar away from his body, or hold it aloft with his right arm extended upwards to form a "V". He would be hunched over dramatically studiously focused on the fretboard, or gracefully arched back, back nearly parallel to the ground, while pulling of a solo. Or there were those tender moments, often during SIBLY, when he would pull the guitar up gently in a nearly vertical position, as if he were cradling a baby or a woman, and coax the most beautiful tones out of his instrument. It was a pas de deux between man and guitar and it was mesmerizing, both aurally and visually, beyond compare.

It was Godhead...sheer and utter GODHEAD! But while I was transfixed by the moans and groans emitting from Jimmy's guitar, my girlfriend Trudy was enraptured by something equally as powerful and potent: Robert Plant. Six feet of tanned, blond, British sex-on-two-legs. For while Page's guitar was emoting its way through SIBLY, so was Plant doing his moaning and groaning, while doing his mic stand parry-and-thrusting...sometimes hanging on and gripping the mic so tightly, you thought he would crush it. As Plant and Page engaged in their signature banter, with each seeking to echo and underscore what the other was doing, until both vocal and guitar lines were intertwined, the slow-burn drama of the song began to build towards that crucial hypnotic part right after the guitar solo. When I turned to look at Trudy, she had a look on her face that suggested she was transfixed. Not exactly a 1000 yard stare, she was keenly focused on Mr. Plant, a broad smile creasing her face until later in the song, she was just frozen in open-mouth wonderment. You know that scene in The Song Remains the Same movie, where that beautiful hooded girl breaks into a smile during SIBLY, overcome by the power of the song? That's what it was like watching Trudy during SIBLY. I can't say if it was the best SIBLY I ever saw...I tend to be partial to the SIBLY's where JPJ uses the Hammond B3 organ. But it was plenty emotional and definitely up there with the best.

Now came the Houses of the Holy trilogy of mood: the gloomy winter of No Quarter; summery surge of The Song Remains the Same; and pastoral spring of the Rain Song.

As Jones remained at the keyboards, the fog rolled in off the stage as Jones sounded the opening notes. It was incredible from this vantage point. It seemed at times as if the whole band would be swallowed up by the bank of fog, the stage lights giving it a haunting glow. I don't see how Jimmy could find his wahwah pedal in all that smoke. Speaking of Jimmy, this is one of those songs from Houses of the Holy that, while sounding perfectly okay on record, took on an extra depth, energy and power in concert. Jimmy's riff especially gained depth in concert. On the record, it's suitably fuzzy and kind of jazzy...but it lacks heft. The riff sounds thi and barely there. But not in concert. Once Jimmy stomps on his Crybaby, the riff CRUSHES your skull and you find yourself alone in the snowy, wintery night, chased by the dogs of doom. The sound of the song is MASSIVE...yet you look on stage, and there's ONLY THREE GUYS making this simultaneously huge, yet subtle and colourfully varied sound. No backing tapes or backup musicians a la the Who or Queen. No other 4-piece (which basically was a trio instrumentally, with a vocalist), could equal Zeppelin's sound in 1973. Black Sabbath? HA! Nice try, but ultimately a one-trick pony, and not helped at all by a shoddy muddy sound system.

To watch Led Zeppelin in concert was to be reminded once again of the mathematical trueism: the sum is greater than the parts. While each member of Led Zeppelin was spectacularly proficient on his individual instrument, it was the spontaneous combustion when they got together, the sum total of their talents, the off-the-charts group chemistry they had that made Led Zeppelin special.

Let's face it...Led Zeppelin was playing the same notes, the same blues scales as many other bands. But their talent and sheer force of personality made it appear to the audience that we were hearing these sounds for the first time. They sounded fresh and new the way Zeppelin played them, while Grand Funk, Deep Purple, Uriah Heap, and Sabbath sounded old and stodgy after awhile.

It was during No Quarter, as the lights turned blue and the band worked into the jam groove, that you noticed another singular element about Led Zeppelin...it wasn't so much notes they played, but colours and emotion. Bands like Emerson Lake and Palmer and Deep Purple would show off their instrumental chops and I wouldn't feel anything other than an overwhelming urge to chop off Keith Emerson's hands or knock Richie Blackmore's scowl off his face. With Zeppelin, their jams created a mood, an emotion tied to the song and to some distant yearning in the listener. Time stopped and you felt transported.

Jimmy remembered the second part of the solo, unlike San Francisco, and it was during the latter part of the song that we got the first taste of Jimmy's Theremin, accenting the howls of the dogs of doom. Followed by Jimmy going crazy on the wahwah. As was usual by now on the 73 tour, the song engendered a standing ovation. Trudy and I, along with most of the crowd, had spent SIBLY and No Quarter sitting down, but now were on our feet roaring. And as Jonesy took his bows, and moved to put his Fender bass back on, and Jimmy strapped on his iconic Gibson EDS-1275 12- and 6-string double-neck guitar...red body with black pickguard, thank you very much...I knew we wouldn't be sitting down soon. For by now I knew it was too early for Stairway to Heaven. Besides, with Jones on bass, that meant it was time for the rush of sound that was The Song Remains the Same.

Robert was doing an introduction to the song, and I believe he mentioned Rolling Stone magazine sarcastically...which I think he also did at Kezar. It seems Rolling Stone compared Led Zeppelin unfavourably to Slade, which when you think about it sounds ludicrous. But then, that's where Rolling Stone's head was at at the time. I mean, Slade had some moments but to put them in the same league as Zeppelin was laughable.

So, 1-2-3-4-GO! And The Song Remains the Same blasts us in the face, Bonzo's galloping beats and JPJ's rubberband-man bouncing bass lines underpinning the chiming bells of Jimmy's 12-string guitar. It's such a warm, beautiful sound...those ringing, chiming bells; what a TONE!

Then again, there's the magical, indescribable sight of skinny Jimmy, huge doubleneck strapped to his thin frame, weaving and bobbing around the stage, somehow managing to avoid crashing into the drums or decapitating Plant with his guitar. The song is so joyous to hear and see performed, that I'm almost moved to tears of joy again. Trudy and I are boogieing on our seats, as is my BB. The smells of cannabis and hash are in the air, but whether it's because I've built up a resistance or what, I don't really feel affected by it. The groove of the song is IMMENSE and INFECTIOUS! And the camaraderie among the band is evident, with Robert, Jimmy, John and Bonzo exchanging winks and smiles like they were the coolest boy's club in the world. Watching them, I want in...I want to play guitar like Jimmy Page and start a band. That becomes fixed in my brain as the state of supreme happiness.

When Robert sings "California sunlight", I cannot help but beam with state pride...California's mentioned in a Led Zeppelin song! I also notice something else...I prefer Robert's vocals on this song in concert than the helium vocals on the record. The Song Remains the Same is hurtling along, pell-mell, taking the crowd along in its frenzy. Shit is flying through the air and we're all just along for the ride. The song at once sounds tight and together and about to come apart at the seams. It's like Bonzo said "alright, everybody go on the count of 3, and meet you at the finish!"

The song comes to its end so quickly that you barely get your breath back before the sweet, lilting sound of Jimmy on the 6-string rings in the opening of Rain Song, as the bright lights dim to blue. FYI, Jimmy looks gorgeously spectral in this light. Now, I knew Rain Song followed TSRTS, but Trudy didn't, so as I knew she liked the song, I couldn't wait to see her reaction when the song began. She gave my hand an extra tight squeeze, and as everybody was sitting down again, as I sat down she sat on my lap and gave me a hug and whispered "thank you" in my ear. Again, Robert's vocals were perfect...so tender and filled with sincere emotion. I know some people think he lost it after 1972, but on some songs he sang better than ever. Immigrant Song might have been beyond his reach at this point, but he nailed all the Houses of the Holy songs.

As Jimmy and Jones, who now was seated at his white Mellotron facing right towards Jimmy and Bonzo, began the langorous instrumental interlude after Robert's opening verses, Trudy turned to me and kissed me deeply...and we kept kissing...and kissing all the way through til when the song gets to the rocking middle part. Everybody who has been to a concert with their significant other has had a moment like that. It's a memory emblazoned on my brain and one I will never forget. Whenever I hear Rain Song, I think back to that kiss.

As Jimmy delicately finger picks the closing arpeggios, and Plant brings the song to a rousing finish with a final wail, we are on our feet again giving the band another well-deserved standing ovation. People, mostly the girls, are shouting endearments to the band, as piercing whistles echo through the arena and bics flicker and glow in the darkness. Jimmy takes a bow and nods to the audience before handing his doubleneck to Raymond, his Scottish guitar roadie. As Robert also acknowledges the crowd, and the multifaceted Jones once again switches instruments, Jimmy rolls up his right sleeve. For now it's time to really get to work.

As Jimmy straps on his trusty Les Paul, Robert gives an introduction about an oldie...then only a single spotlight on Jones as the doomladened notes of his bass sound the beginning of "Dazed and Confused", in 1973 still one of the most anticipated songs of the night. A whoosh of expectation rushes through the crowd, as Jimmy sounds the first opening squeal of his guitar, heralded by a flash of smoke and fire and deep dark red lights. As Jimmy manipulates the sound of his guitar via his wahwah and and bending the strings behind the tuning peg, the mood turns positively evil. Is this the SAME BAND that just moments ago had transported us to a serene English meadow?

Okay, I have to confess I didn't like the way Robert sang Dazed and Confused in 1973...and 75 as well. Too much unnecessary squealing and changing the lyrics. Saying "I wanna make love to you little girl 25...25...25" over and over was annoying. It's a hoary blues cliche. Wished he would've stayed with the original "will your tongue wag so much when I send you the bill".

But the opening verses pass quickly enough, and 1973 is the last year where Jimmy really hits the vibrato during the chorus riff. Now it's on through the new segment developed for 1973, the fast solo and riffing bit leading into the "San Francisco" segment. I looked over at Trudy and she was still hanging in there. The band was cooking until suddenly it stopped and Jimmy shifted gears and began picking out the most beautifully melancholy melody I've ever heard. The genius of this band to just nonchalantly spring into a riff that other bands would kill for. As we all know by now, that riff was later used as part of "Achilles Last Stand", which I suppose is one reason why Dazed was dropped after 1975...although the band could've just dropped the "San Francisco/Woodstock" segment.

But as much as I love "Achilles", I feel that riff was most effective in the live Dazed and Confused's. It

felt more naked and vulnerable...more haunting. As Jimmy played the riff, and Jones and Bonzo figured out when to come in with the beat, Robert sang the lyrics to "San Francisco", the Scott McKenzie song I barely remembered from Monterey Pop. Then as Jimmy leaned on his wahwah and played that phasing sawing riff, Robert added his spectral moans courtesy of his echoplex.

Before you knew it, Jimmy was headed towards his wall of amps, and the moment everybody was looking forward to was at hand...Jimmy had the cello bow in his hand.

At first, as Jimmy applied the heavily rosined bow strings to his guitar, Jones and Bonzo gave light accompaniment, but soon they stopped as the stage darkened with the lights only on Jimmy. Now the bow segment began in earnest, as the most unearthly, loud, resonating howl emerged from the depths of hell. Then, as he began the part where he slaps, or whips the bow against the pickups, and pointing the bow in the direction the sound was reflecting, people began to lose their minds. The lights flashed and changed colour with every slap of the bow...blue, red, yellow, green, orange...as Jimmy pointed left, right, front, back with his bow, bow strings shredding, directing the sound around the arena. Then, the coup des grâce..the lights begin flashing rapidfire as shapes flicker in the background as Jimmy whips his guitar mercilessly, bow strings breaking and flailing everywhere, people in the front row trying to grasp the falling strands. It is one of the most indelible concert moments I've ever seen and heard. By this time Jimmy seemed 10-feet tall, and held complete command of all of us. But he was just beginning.

As he began bowing a spooky, scary-movie motif, I looked at Trudy and saw that she was sitting down, holding her hands over her ears, even with her earplugs already in...this was too much for her to take at her first concert. But like a trouper, she endured it with no complaint, unlike some other girls I took to concerts. One thing people often forget about the bow segment, is that it wasn't just about Jimmy. Depending on how inspired he felt, Robert would also contribute to the sound-orgy by adding his echoplexed melismic moans and howls to Jimmy's bow screeches. With the lightshow getting weirder and weirder, with trippy shapes and shadows projected onto Jimmy Page, the mood of the whole piece attained a level of evil dread that Black Sabbath could only dream of reaching. Every time I saw Black Sabbath, I could never take their attempts to be dark and evil seriously...mainly because Ozzy was such a ridiculous frontman. He was like a hyperactive frog.

As the bow segment reached it's climax, and Jimmy unleashed the hounds of hell, the sound began to drive you mad...you can't imagine how loud and shrill it was. Nor the white noise harmonic overtones that added to the texture of the sound. By now, Jimmy was frantically rubbing his fingers up and down the strings from the neck of his guitar to the pickups, while sawing his bow, with barely any strings left. With his hand rubbing more violently, I feared he was going to slice his hand on the strings. Bonzo joined in the final unholy climax of noise, and as Jimmy threw the bow away, the band got ready to gallop into the marathon jam, with Bonzo, Jones, and Jimmy hitting a few preparatory power chords before launching into the first fast guitar solo section familiar from the album version. From here the song becomes KINETIC personified. Behind the drums, Bonzo is hammering away at a racehorse pace, head snapping at the beat, each strike of the kick drum knocking you for a loop. Meanwhile, Jones is rolling through that endlessly looping bassline at inhuman speed, using just his fingers...NO PICK! Then there's Jimmy, strafing the audience with blitzkrieg runs up and down the neck of his guitar...how his guitar is still in tune after the violent lovemaking he gave it during the bow segment is beyond me. And don't forget Robert...he's not taking a break during this jam, either. Whether engaging in call-and-responses with Jimmy, or boogieing along to the music, Robert was a lion on the prowl.

As the band worked through the different changes, Jimmy, Bonham and Jones watching and listening to each other for the various cues, the incredible stamina of the band hit me with the force of a Bonham beat. Here we were, nearing the 90 minute mark, and while most bands would just be wrapping up their shows by now, Led Zeppelin were just getting started, savagely attacking their instruments with godlike intensity. The Rolling Stones would already be in their limos heading out of the Forum parking lot.

But Led Zeppelin asked no quarter...and they gave no quarter. When you entered a Led Zeppelin concert, you were entering a test of extreme stamina and emotions. Led Zeppelin was body music to the extreme, but it was also music for the head and psyche. After a Zeppelin concert, not only would your body feel pummeled, but your psyche, emotions and senses felt like they'd been put through the wringer. It was total immersion.

The boys were winging their way through the various twists and turns of the Dazed and Confused jam, Jimmy and Bonzo taking delight in prodding each other. My girlfriend had decided to take it all in sitting down...the storm of sound that is Dazed and Confused was a bit much for her. Baby steps I thought to myself...everything in good time. By now, sweat was flying off Jimmy's hair everytime he whipped around. I wouldn't be surprised if the people in the front row got sprinkled with a bit of holy sweat. As Jimmy navigated the twists and turns and dips and dives of the jam, he pulled out all the stops. Electro-stagger steps...laybacks...whirls and twirls...chicken dances. He was everything you want a guitar-hero to be...and his boundless energy was stunning to behold.

1973 was the last year I truly enjoyed Dazed and Confused from start to finish. In 1975, while I liked parts of Dazed, I found the energy of the piece as a whole, flagged at times...sometimes even coming to a complete halt. In 1973, the energy was NON-STOP! Like I said, it was a ocean of sound, a storm of sensory overload battering the senses. A complete contrast, say, to the jam in No Quarter. No Quarter was more a study in the use of space in a jam, Jonesey's piano, Jimmy's guitar, and Bonham's drums working off each other's tangents. Dazed and Confused was more about exploring every riff's possibility for themes and variations. That's why there's enough good riffs in Dazed and Confused to create 6 or 7 new songs.

Then, as if that wasn't enough, as the band comes to the end of the song, where any normal band would hurry to the finish, Led Zeppelin find one last spark of inspiration and take the audience on one last stratospheric jam...Bonzo and Jones engaging in a funky, bouncy round-and-round groove, while Jimmy goes in wahwah hyperspace. Just when you think the song couldn't last any longer, you're engrossed and groovin' to this spacey jam and you think to yourself that you wouldn't mind the jam going on for a while. Several minutes later, Bonzo's flying fists of fury are flailing around his kit at supersonic speed, and 30-some-odd minutes later, Dazed and Confused comes to an end. The band and audience both seem half- euphoric and half-exhausted. Jimmy smilingly accepts the hosannas of the rabid crowd. Again, the intensity and vibe of the crowd tonight seems 10 times the previous shows, which in turn seems to be inspiring the band to greater heights.

More Plantations follow, as Jimmy once again straps on the Gibson doubleneck, and Jones sits again at the Mellotron. I can't remember exactly when during the concert Plant made these remarks, but I know he mentioned Jimmy's hand injury and how he had been soaking it in a bucket of ice-cold water ever since the injury. He also said something to the effect of "you shouldn't be here tonight and we should be in England", in reference to the May 30 show being rescheduled for June 3.

Robert Plant's relaxed remarks and calm control of the stage revealed another reason why Plant was such a singular presence in the 70's. Apart from his sexual charisma and primal rock voice, it was refreshing to have a frontman from England that you could understand when he talked between songs. I couldn't understand half of what Mick Jagger or Ozzy Osbourne were talking about when they bantered between songs. Of course, it didn't help that they were yelling half the time. Which brings me to another plus about Plant...he wasn't a hype-meister who condescended to the crowd. Robert could talk and joke with the crowd with a quiet confidence, a relaxed nature that made a show feel intimate even though there were 18,000 other people in the room. And if he wanted quiet, he wasn't afraid to issue a curt "shut up a tic" to the crowd. Most frontmen so want to be liked that they're afraid of saying anything that would piss off the audience. But the quality I most admired in Robert was his refusal to be a hype-meister and phony. Mick Jagger and Ozzy Osbourne being two examples of the above. Mick and Ozzy found it necessary to constantly harangue the audience to make some noise and go crazy, always yelling, Yelling, YELLING at the audience. It's like they didn't trust the music to excite us, they had to whip us up in a frenzy like they were working a circus sideshow. It became annoying after a while. Sorry Mick and Ozzy, I don't always have to be jumping up and down and waving my hands in the air to have a good time. Sometimes I just want to be still and concentrate on the music. They are like the precursors to today's rap hype-men. Robert trusted Led Zeppelin's music to do the talking. He didn't need to scream the cliché "Are you ready to rock, Cleveland?" or the equally hoary "make some noise!"

Plus, the guy was gorgeous with the most amazing head of hair in rock history. I put it to you that no other rock frontman could have worn those flowery, feminine blouses that Plant wore, and still retain the masculine sexuality that Plant did. And Plant was sly enough, and confident enough in his masculinity, to allow the feminine, androgynous side to shine through, too. He was a sexual beacon for all.

But he wasn't the only one...and that is yet another reason Led Zeppelin had such a devastating impact on people, not just musically but sexually as well. For in addition to the blond Viking god, Robert, you had the yin to his yang, the dark, mysterious, ethereal Jimmy Page.

The next song showed this duality off to terrific effect. As Jimmy played one of the most instantly recognizable song intros ever, his guitar was momentarily drowned out by the huge roar of the crowd. Almost a year and a half since LZ IV's release and Stairway to Heaven had assumed anthem status. The blue lights sparkled off Jimmy's doubleneck, and reflected off the sweat on his face and in his hair. As Robert sang the opening lines, another roar erupted from the crowd, before everyone sat down to take in the song. This is where the band showed their understanding of pacing, as they knew after the half-hour of Dazed and Confused, the crowd would need a respite to regroup before building the audience's excitement back up again to carry over into Moby Dick. Stairway to Heaven was the perfect song choice.

Meanwhile Trudy had recovered from the Dazed and Confused onslaught, and liking Stairway to Heaven, her attention perked up...especially the way Robert Plant was glowing before her. Let me explain. While the majority of the stage was bathed in a cool blue light, golden spotlights shone on Robert from behind. So while his chest glistened with sweat in the mystic blue light, the spotlight behind him gave his hair a giant golden halo effect. I looked over at Trudy and once again, she had THAT LOOK. She had been zapped by the Golden God. And the effect was heightened by the fact that Robert stood mostly still while singing the first few verses of Stairway, so that when Robert looked our way, Trudy could imagine he was singing straight to her. Coupled with Jimmy standing to the side, blue light casting an ethereal shimmer on him, both Robert and Jimmy appeared to be a couple of Sylvan Sylphs, visiting our world to spread a little musical majick.

Bonzo soon added a little earthy reality as he came in with the beat, his snare sounding resoundingly through the Forum. Then, as the stage lights brightened to a white heat, it was time for Jimmy's fanfare, his doubleneck held aloft, vertically upright, fretboards parallel to his body. Then, THE SOLO! By now, it was de rigueur that every Stairway solo was different, which in my opinion, was a lot of pressure for Jimmy to put on himself. I mean, think of the strain and stress of having to come up with a different solo every night. But as I mentioned before, they asked no quarter, they gave no quarter. By the solo, most of us had risen to our feet again, and watched with elation as Jimmy tangoed with his doubleneck one last time for the night, wringing every last bit of emotion from the neck of his guitar. Come the final hard rocking part, and I think Plant stunned a few of us with the intensity of his attack on the final lyrics...he was holding nothing back. This was a band that still played Stairway to Heaven like they MEANT it. Needless to say, Plant's gentle reading of the final line triggered a massive wave of love as lighters were lit and more flowers thrown on stage and waves and waves of cheers descended upon the band as the lights hitting the mirror ball high above the arena threw 1000's of fractured shards of light spinning around the darkened Forum. Another memorable moment.

Now it was time for Bonham's showcase, Moby Dick, and it is a sign of the times that people still cheered a drum solo back then. But Trudy needed a pit stop, and as I had already seen 2 Moby Dick's this tour already(although I only remembered the Forum one), I didn't mind escorting her to the women's restroom and getting her a coke. Apparently we weren't the only ones making a pit stop at that time...as the line for the restrooms and snacks were huge. Judging by the length of the women's line, women have less of a tolerance for drum solos than men. The BB joined us, and while

waiting for Trudy to emerge from the bathroom,

we compared tonight's show so far with Bonzo's

Birthday show the previous Thursday while we hit

the men's room. I thought it was going even better

than Thursday's concert. He wasn't sure. We both

agreed the crowd seemed even more geeked up

than Thursday...more geeked up than any concert

crowd we had seen. FINALLY Trudy emerged from her restroom hell, and we headed to the snack bar line, where BB was already waiting for us, having gone ahead while I waited for Trudy. After nearly 20 minutes or so, we had drained our bladders and gotten some more coke to fill them up again. We were ready for the final stretch of the show..

As we made our way back to our seats, we saw the last bit of Moby Dick, as Robert shouted "John Bonham! John Henry Bonham! 25 years old" while Bonham stood up and tipped his hand to the crowd. Of course, Bonham's drum solo was so loud, that even though we were in line outside, we could still HEAR Bonzo even if we couldn't SEE him.

Meanwhile, there had been a few sartorial changes while Bonzo was making like Animal from the Muppets. Somehow, the red flowers in Plant's pants now were attached to Bonham's drumkit, and Plant had planted new flowers in his crotch. And Jimmy had ditched his sweaty orange-red shirt in exchange for a black zippered windbreaker jacket, with the zipper undone nearly all the way.

Bonham went into the 1973-style intro for Heartbreaker, and as Jimmy's wondrous 1973 tone carved its way like a scythe across the Forum as those buzz-saw riffs strutted like a tiger in heat, the band's intent became clear. It now became clear why the band dumped the acoustic set for the 1973 US tour.

As the 1973 US tour would be their longest and largest yet...more cities, more dates, larger venues...the band probably realized that they would attract a lot of casual and first-time fans on this tour. With the increased focus on Public Relations, there would also be increased media scrutiny. It seems, if you look at the setlist, and the way certain songs were linked together, that the band wanted to streamline their set for maximum impact. No more long gaps tuning up, or setting up acoustic guitars and stools. They kept the marathons the hard core fans loved (Dazed and Confused and Moby Dick), while adding enough of the eclectic and soft material to make up for the loss of the acoustic set(Rain Song, No Quarter, OTHAFA). And look at all the linkages, which cut way down on song intro time, not to mention equipment changes:

1. Rock and Roll>Celebration Day>Black Dog

2. Misty Mountain Hop>Since I've Been Loving You

3. The Song Remains the Same>Rain Song

4. Heartbreaker>Whole Lotta Love

Another consideration that may have led to the dropping of the acoustic set, is the reality that the ability of mics to pick up acoustic guitars in an arena setting with high quality was hit-and-miss in the early 70's. The band might have said let's wait until microphone technology improves before dealing with the hassles of miking acoustic guitars in a humid basketball arena. Just a hunch.

Whatever the reason, the 1973 setlist was a model of pacing and variety delivered for maximum impact.

Right off the bat, three quick all-out hard rockers: R & R, Celebration Day, and Black Dog.

Then, two more rockers that are slightly more eclectic: OTHAFA and Misty Mtn Hop.

Then a long stretch of new songs and old showcasing a variety of moods and tempos and solo showcases: SIBLY, No Quarter, TSRTS, Rain Song, D & C, Stairway, and Moby Dick.

Finally, the ramp back up to high energy rockers to send the crowd out on a high: Heartbreaker, WLL, The Ocean, Communication Breakdown.

Back to Heartbreaker...Bonzo is a friggen' marvel in this song; more than 2 hours of playing and right after completing a huge drum solo that would have exhausted most men, and John Henry is STILL delivering crisp fill after fill and hitting the beat hard. Jimmy is moving and grooving as only he can, and as he tempts and teases us during the wicked guitar solo, leaning out over the lip of the stage as he bends the strings behind the nut, it's hard to believe that he just recently injured his hand. You'd never know it the way Jimmy is blazing on guitar tonight. After I saw the Bonzo Birthday Party concert, I made a mental comparison between that show and the 1972 shows, and for the most part I felt the songs played in 73 were just as good, if not better than the same songs played in 72. The two major exceptions were Heartbreaker and Whole Lotta Love. I thought both those songs were played better in 72 than 73. And while tonight's Heartbreaker was better than May 31, I still didn't like the way it cut off the end to go into Whole

Lotta Love.

Whole Lotta Love started more smoothly than on May 31, more crisp and immediately in the groove. Watching Jimmy take a turn at the backing vocals was always a treat. But the real treat lay ahead during the Theremin segment. 1973 is when the

Theremin segment came into its own. They ditched

the bongo and organ underpinnings from the

past, and finally got down and funky, with Bonham and Jones laying down a mean groove, while Page and Plant did battle with each other. Most of the time they would lead into the Theremin segment with a bit of The Crunge or some James Brown groove. But tonight they dove right into the Theremin segment, with Jones and Bonzo establishing the beat, as Plant asked where that confounding bridge was..."Has anybody seen the bridge?" But the main event occured when Jimmy cranked up his Theremin and Gizmotron, which I think were run through his Orange Amps. In one corner you had Plant at the left, his echoplexed orgasmic moans and cries of love whirling around the Forum as he pirouetted around the mic stand. Then in the right corner stood Jimmy, the Grand Wizard of Sound, directing with his elaborate hand movements bolts of whooshing and whirring sound to do battle with Plants orgiastic wails. It was like a Battle Royale...and once again, another indelible concert memory was imprinted on my psyche. There Jimmy was, hands arcing this way and that as he slid and stalked across the stage, his arms and hands directing the eerie electronic sounds this way and that. Truly remarkable...what a showman Jimmy is.

This theremin duel seemed to last a little longer than most...as if they were having one last bit of fun before the tour break. The crazy sounds were whirling around your head, buzzing your brain while Bonzo and Jones were making everybody get their groove on. After about 5 minutes of delirium, Jimmy cranked his guitar up again and launched into the famous WLL solo. One more verse and chorus and Plant unleashed one of his epic "Wanna whole lotta LOOOOOOOOOVE!"

Now the other night, they only did Boogie Mama, which kind of disappointed me, being used to the 25-minute Whole Lotta Loves with the wacky medleys. So right away I was stoked, as when Plant would normally begin his "Last night" spiel, he instead said "I'm going down", and the band followed suit, Jimmy nailing that staccato riff. YES! This what I wanted...something different and spontaneous. I was holding Trudy's hand and we were swinging our arms back and forth. A couple more verses and a guitar solo, then the band is crunching out the I'm A Man riff, then it's The Hunter...awesome, as this is one of my favourite parts of How Many More Times! Finally the band lets Robert tell us about his mama and his papa, too. This boy's reached the age of 24 and he wants to BOO-BOO-BOO-BOO-BOO-BOO-BOOGIE! When Jimmy starts that Boogie Mama riff, the anticipation and excitement builds until the whole band joins in and the Forum explodes with joy, as the infectious tune has the crowd happy and boogieing. Robert is shaking it one time for Elvis...well, actually he's shaking it a helluva lot more times than once. While Robert is shaking his bum, Jimmy is reeling off solo after solo, as once again the band's energy and stamina is a marvel. Just like that Robert intones "Woman...woman...woman", and we're back to finish Whole Lotta Love. "Waaaaayyyy down insiiiiide..." As Robert heads to the finale, I make sure Trudy can see as I don't want her to miss this...we have our arms around each other. The band hits those two power chords as Plant gathers himself for that epic "LOOOOOOOOOOOOOOOOOOOOVE!"

Bonham starts his rat-a-tat fill as the lights briefly flash and dim until right at the moment Jimmy comes in with the WLL riff and BLAM BLAM BLAM! Three fireballs explode behind the stage, the heat of the fire warming our faces! Trudy freaks out at the explosions...she wasn't expecting THAT, hahaha. Oh, but there's more pyro to come...as Jimmy plays the wahwah variation of the riff, Bonzo's gong is prepared with the lighter fluid soaked wraps. All hell breaks loose then as Jones and Jimmy are slashing away at their instruments, Plant is howling above the din, and Bonzo bashes away at his Gong of Fire, flames surrounding Bonham as the whole thing becomes a sight-and-sound bonanza, crescendoing deliriously to the finish. The crowd is a sea of madness...we've been whipped into a frenzy and the band hasn't even left the stage before cries of "MORE!" ring out. Now some bands will only wait 30 seconds to a minute before coming back out for the encore. Led Zeppelin is different, natch. They make sure the audience is serious about wanting an encore, making us clap and scream and stomp deliriously for almost 5 minutes before the band makes it's way on stage. There's been more stuff thrown on stage in the interim.

Now, one way the 1973 Oceans were better than the 1972s, was that in 73 you got the Bonham spoken-word intro, which was always a treat. Bonham also sang harmony with Plant on the la la la part. The Ocean is a song for the fans, and the fans eat it up. It's snappy riff and monster beat lends itself to a happy vibe. It's a giant party in the Forum as people are clapping and dancing up a storm! Trudy and I have got our second wind and are dancing as energetically as we were earlier in the night, 2 and a half hours ago. Now, having had the Houses of the Holy album for 2 months, I had already memorized most of the lyrics, so I knew The Ocean by heart. On the May 31 show, I thought perhaps Plant switched lyrics during The Ocean, but I wasn't sure. So tonight as the band played The Ocean, I silently sang along and sure enough, Robert switched the 2nd and 3rd verses! Of course, I was later to discover he had a habit of transposing lyrics to other songs: Kashmir, TSRTS, No Quarter, Sick Again, Trampled Underfoot. The Ocean is such a killer song, though, I didn't really care about Robert's lyrical switch. Once again, as I watched Jimmy uncork another one of his rubberband-leg dances and the obvious relish with which the band was playing the tune, I think this is such a perfect encore song...one for the fans. In hindsight, I wish they hadn't dropped it from the set so quick...it would have made a better encore song in 1975 than Black Dog. Same in 77.

The Ocean is so infectious and sweeps you up into

its party wake so easily that it's over much too

quickly. And just like that the band is off again,

while this crowd is not going to settle for one

encore. I'm still kind of hoping, since this is the last night of the leg, that we'll get a blow-out of the likes of the June 25, 1972 show, with multiple

encores. But as the setlist was exactly the same on

May 31 and June 2, and so far tonight as well, I

wasn't getting my hopes up.

A few more minutes of hooting and hollering and back come the guys for a second encore. I listened to my "Three Days After" bootleg so many times in the 70's and 80's, that I can still recall exactly what Robert said before the starting the song: "This is something we don't seem to have trouble with...". And Jimmy warms up the Les Paul, then rockets into Communication Breakdown, an early precursor to speed metal, and already faster and heavier than Black Sabbath's Paranoid. The song unleashes a flurry of headbanging in the Forum, your humble narrator included. Until after the solo, when the band switches gears effortlessly from metal to funk, as the band extrapolates on the O'Jays "It's Your Thing" groove, with Jimmy weaving an incredible snake-like riff in and around the beat. What a conjurer of riffs...what a snakecharmer Jimmy is!

The band quickly ramps back to finish Communication Breakdown after the funky interlude. And afterwards, I'm expecting the band to take their bows again and say their goodbyes and disappear off stage. But WAIT! They're making no move to leave the stage...are we, the final night's audience, who have already proven to be one of the loudest and intense, going to get a special treat? YOU BETCHA! I have to bite my lip to contain my excitement as Jonesy sits behind his Hammond B3 organ. Robert then says, "We'd like to say something else." Jones then starts playing his organ solo, and I am so beside myself, I'm practically levitating. For while she knew Rain Song would be played, as I told her, I also said they had not played Thank You. But knowing that Jones organ solo lead into Thank You, I began to get goose bumps from excitement. Since Trudy didn't know this, I decided not to tell her so it would be a surprise. As Jones executed a sweet gospel-inflected solo, leading to the final fade into silence, as Jimmy prepared to enter, I was literally bursting. Then came those delicate opening chords to Thank You, before Jones and Bonzo entered and Jimmy cranked the volume on his guitar and the riff exploded as a cheer went up. I looked at Trudy and she looked so happy and so awestruck at the same time...we immediately began to kiss, standing on our seats in the middle of the crowd with the song enveloping us. Now, if you've heard the Three Days After boot, you know that after the initial cheer when Thank You begins, 30 seconds later an even larger cheer occurs. Something obviously happened. But what? That is what people have been asking me for years...and I tell 'em, I don't have a clue. For while that was going on, Trudy and I had locked lips and were holding our bodies tight against each other as we let the warm sound of the song cocoon us. So I don't know what caused that sudden crowd eruption...maybe a stage diver? Someone threw a giant joint on stage? A streaker? Maybe Silver Rider climbed up on stage and gave Jimmy a kiss?

All I know is that once again, I was in a state of absolute bliss, such extreme happiness, that I thoought I was having an out of body experience. Here I was, 11 years old, with a sweet girlfriend, whose tongue was doing loop-de-loos in my mouth...AND I already had 5 LED ZEPPELIN concerts under my belt. I knew that no matter what darkness the future held for me, the memory of this night would sustain me through any tough times.

And it did...and still does to this day.

Frankly, Thank You was a blur that night...was it as good as 72 or earlier versions? I don't know. It sounded pretty good to Trudy and me that night! All I know is that we got to hear one of the last Thank Yous ever...definitely the LAST THANK YOU IN L.A.!

Again, Thank You seemed such a perfect encore song, you wonder why it wasn't played as an encore all the time. Thank You over, we held out hope for another encore, so after the band bowed and said good night and goodbye, we stuck around just in case. But really, how could the band top that...Thank You was the perfect song to go out on.

We waited for the house lights to come up, so we weren't stumbling in the dark. Now it's one thing to leave the Forum from the stands, whereby you exit through the concourse and soon you're outside in the fresh air. But on the floor, once the lights come up, you're hit in the face with the craziness...all around you on the floor are hats, glasses, various shoes, ticket stubs, t-shirts left behind, a tambourine, trash of all shapes and sizes, spilled coke and beer. The detritus left behind at a concert is truly staggering. As we left our seats and headed for the tunnel that led out to the parking lot, I noticed a group of fans lingering at the front of the stage talking to the security guys...perhaps trying to talk their way backstage. Today, people try to get the roadies to hand them a setlist or a stray drumstick, but Zeppelin never used printed setlists.

Walking through the spilled drinks on the floor was one thing, but when we hit the tunnel...PEEUW! As loud shouts of "ZEPPELIN!" and "Fuck Yeah!" and "ROCK AND ROLL!" and "WOO HOO!" sounded through the corridor, the overwhelming stench of stale beer and sweat hit us in the narrow tunnel. What a blessed relief to finally make it outside in the crisp June night air.

After orienting ourselves, we found BB's Chevy Malibu, and joined the line of cars exiting the parking lot. Sure, it's a bit of a wait...but totally worth it. I feel sorry for those that left early to beat the traffic and missed Thank You.

Trudy and I are still in a state of bliss...we fairly floated out of the Forum. In my excited state and the glow of L-O-V-E suffusing me, I declare that that was the best concert I've ever seen. Trudy is too overwhelmed by it all to say much. The BB decides to treat us to a post-show nosh, and we hit the classic A-Frame IHOP down the street from the Forum on Manchester. While Trudy and I peruse the menu, BB makes a call to Trudy's mom to let her know the situation...we're having a post-show meal and then we'll head home. Trudy and I decide to share an order of strawberry pancakes with whip cream. And hot chocolate. They taste pretty good...but then, pretty much all food tastes good after midnight when you've been at a concert all night. Trudy can't wait to tell her friends and sister about the concert...she's finally in a state where she can talk about the show. She thought it was wild and made me promise to take her to see Zeppelin again the next time they played LA. She didn't care for Dazed and Confused though...that was too much for her. She said she literally got scared during the bow segment...it was hurting her ears and freaked her out. The BB said he thought the show was better than May 31, but that the 72 Forum was best overall...he missed the acoustic set.

Our hunger sated, we headed home, south on the 405, Trudy asleep with her head on my lap, as BB drove. I ruminated over all my favourite bands and concerts I had seen...the Stones, Dylan, Beatles, Pink Floyd, Marvin Gaye, David Bowie, Jethro Tull, Black Sabbath, Deep Purple, Yes, ELP, Elvis Presley, Roberta Flack, Joni Mitchell. It was now 1973...ten years from when the Beatles burst on the scene. A full decade. And in 1973, Led Zeppelin seemed to be the supreme summation of all the influences that came before that led to the developing of hard rock and also represent the possibilities for hard rock to transcend its influences and barriers. No other band did what they did...with the variety and power that they did it with. Not that other bands weren't good...the Stones, Floyd, Yes, Jethro Tull...all had something to recommend them. But when I measured them against Led Zeppelin, they all came up short...and I'm not just referring to the length of their concerts.

Seeing Led Zeppelin confirmed to me that while my eclectic taste would allow me to listen to and love a wide range of bands...even bands with no guitars and drum machines...it would always be hard rock, or at least Zeppelin-style hard rock that would be my primary taste. And it would be the electric guitar that represented the sound of rock and roll. And Jimmy Page was THE MAN in 1973, when it came to the electric guitar.

1973 was the year Led Zeppelin ascended Mount Olympus. Houses of the Holy returned them to #1 on the Billboard chart. Their 1973 European and US tours were mega-successful. They broke the Beatles long-standing attendance record and caused hysteria with nearly every concert. Word-of-mouth spread like wildfire. They could even afford to hire their own plane...the Starship. If in 1971, Stairway to Heaven made them superstars, by the end of the 73 tour Led Zeppelin had gone from superstars to rock gods.

In a rare case of the reality not only matching, but exceeding the marketing hype, Led Zeppelin in concert delivered the goods, and then some.

Led Zeppelin: The effect truly was SHATTERING.

Postscript...one of the after-effects of the concert was that Trudy became obsessed with Robert Plant...and with long, blond hair. I didn't have blond hair. Shortly after my birthday, she left me for some surfer with blond locks.

She came back to me two weeks later because he was a lousy kisser.

Daily inspiration. Discover more photos at http://justforbooks.tumblr.com

#JUST FOR BOOKS

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thevixenfanfiction · 6 years

Text

Chapter Thirteen

I’m getting closer to part two...and the part where I run out of chapters because I’m a lazy writer. And a shoutout to @court-0f-dreamers for reading my hideous unfinished chapter before it was ready to be seen!! LOL Slinking in a hole, friend....

Prologue Chapter One Chapter Two Chapter Three Chapter Four Chapter Five Chapter Six Chapter Seven Chapter Eight Chapter Nine Chapter Ten Chapter Eleven Chapter Twelve

Summary: This story follows the path of someone who turns pity into malice and revenge into a lifestyle. Someone who doesn’t believe in love’s power and strays from what little good she has in her heart. Myriad is a fae with the rare ability to leech magic from other face, leaving them husks of their former selves. Myriad worked for and was Amarantha’s secret pet, spy and lover. After the Queen’s death, Myriad leaves to live in solace. On her journey, she’s captured by Hybern and set with a task to complete. Penetrate the workings of the Nightcourt and report to the King. During this time she falls in with the Inner Circle by a chance meeting with a male from her past. She must then gain their trust, in turn, discovering things about herself in the process, fighting the unbreakable command the King of Hybern gave her. (This follows the ending of A Court of Thorns and Roses thru to the end of the series. Slow burn Azriel/Myriad) (Roughly inspired by Disney’s Maleficent.)

For a moment I thought I was dead.

Then came the cold.

Every inch of my body was so cold. I was shaking with it.

That was when I realized I wasn’t dead. After all, was death really that cold? I would have rather taken death then to stand another minute of the burning cold.

I woke up. I was covered in blankets and beside one of the largest fires I had ever seen in a fireplace. Every nerve in my body burned with cold as another warm blanket was placed over me, adding to the heat that just wasn’t able to seep into my bones.

“Good, you’re awake. Stupid girl.”

I groaned in reply.

A face came into view and I recognized Madja, the healer who had saved my life before.

“What possessed you to jump after Azriel? You could have both been killed. In fact, you almost were if Cassian hadn’t gotten to you in time. Stupid girl.”

“Cassian...how?”

I tried to sit up but Madja shoved my back down by my shoulder. I let her.

“Azriel sent him a message, which he got, barely in time to pull you from the water. You both were half drowned and frozen.”

“Azriel,” I asked. “Is Azriel alright? He was stabbed. He’s alright isn’t he?” Madja’s face softened and she reached out to push my curls from my face and feel my forehead.

“Whatever you did for him saved him. Those witch spells you wrote over him almost repelled my magic,” she said lowly. “But you kept him alive.” “I hadn’t meant to.” Madja nodded and smiled kindly. “I know. He’s alive, and dont worry he has suffered much worse in the past, believe me, child.”

I closed my eyes and pulled the blankets under my chin. At least Azriel was alright. I touched the bond, nestled in my chest, and it felt quiet. Not as if Azriel wasn’t there, but rather that he was safe and wasn’t in any pain.

Madja brushed my hair back again and I heard her sigh.

“Go back to sleep, Rhysand will want to talk to you when you’re rested,” she said gently. I snorted in answer. “Who’s idea was that? Yours?” Majda tucked my blankets up and stood. “Yes. Now go to sleep.”

*** *** ***

I woke to the distinct feeling that I was being watched.

My blankets fell off me as I sat up and looked around. The only sound I heard was the soft crackle as the fire died in the fireplace and the creaks and groans of Madja’s house.

I saw nothing and I smelled nothing, but the sense of being watched was still there.

“Who’s there? Rhysand?” I pushed my blankets off and stood, turning around fully.

I started when Rhysand materialized from the shadows and stepped forward.

“The sleeping beauty wakes at last. Three days is a little dramatic for an ice bath,” Rhys said as he lazily waved his hand and the fire came back to life.

“Get comfortable. I want to chat.”

The highlord’s voice boded no argument so I sat down on the couch and watched as the Rhysand took a seat closest to the fire in a plush armchair.

“What do you want to talk about so badly that you have to wake me in the middle of the night?”

Rhysand settled his chin on two fingers and watched me, his violet eyes holding mine for what seemed like ages.

“You’re a more accomplished witch than you let on,” he said quietly. “Azriel told me everything. About Asta and about what happened in the Winter court. Don’t worry, I’m not angry with him for taking you. I am curious however. You have an aunt, who has been living under Kallias’s nose for Cauldron knows how long and we’ve only just found out. This could be trouble.”

“Already is,” I replied. I pulled my knees up under my chin and watched Rhysand. He had stopped looking at me and he seemed enraptured by the fire. The yellow light made his whole face gleam wickedly, reminding me of the monster I had come to know Under the Mountain.

“If you’re thinking she might side with Hybern,” I said, quietly. “I don’t think she will. She didn't...I think she has only her own interests in mind. Taking a side with Hybern, or anyone, isn’t on her agenda.” Rhysand looked back at me and this time I met his stare, once again wondering if he was looking through my head.

He was silent for a long while and I almost thought our conversation was over when the Highlord spoke again.

“Amren tells me you have been to the Human Queens’ court.”

I nodded, warily. This was the second time the human Queens were brought up.

“Yes. Why?” Rhysand ran a hand through his dark hair and sat back in his chair. His face looked lined, like he had a weight on his body that he’d been holding up for long time.

“I need your help. You know what we retrieved from the Summer Court,” he asked. I nodded and Rhysand continued. “The Queens have the other half of the Book of Breathings, as part of the peace treaty between our people. We need to get that other half and in order to do that, we need to gain their trust.” I snorted and raised my eyebrows.

“Kind of hard to do when our entire race enslaved the humans hundreds of years ago. That, and you’re the Highlord of the Court of Nightmares, which makes you nearly impossible to trust.”

Rhysand’s lips turned up in one of his smirks.

“I know. That’s why I’m going to show them Velaris.”

I sat up straight and stared at Rhysand, thinking he had to have gone mad.

“What?!”

“You heard me,” Rhysand replied, crossing his leg over his knee. I let my feet slip off the couch and I stood up.

“Have you gone mad, Rhysand?! You have no idea who they could sell Velaris out to! They are selfish, greedy humans. You are better off just killing them outright and stealing this book.” Rhysand nodded and waved a hand lazily.

“Cassian already brought that up. It would take too much time; time we don’t have,” he said quietly. “Besides, electing a better monarch in such a short amount of time is nearly impossible.” I narrowed my eyes and began to pace. “You don’t have to set up the damn humans’ kingdom for them. Let them figure it out. They are not our problem. We’d all be better off with those vipers dead anyway.” “Feyre doesn’t think so. If you remember, Myriad,” Rhysand drawled. “She was once human. Her sisters are human. The destruction of the human realm is not what she wants, nor what I want either. It’s not beneficial to our cause.”

I turned around and looked Rhysand in the eyes.

“Then let me steal it. I’ve been there before,” I said. “I can find it.”

Rhysand raised his eyebrows and looked at me differently now. He still wore his infernal smirk, but his eyes seemed to be reading me in a way he’d never looked at me before.

“Why don’t you want me to show Velaris to the Queens?” he asked. His voice was barely above a whisper.

I pressed my lips together and fell silent. It was only after a few minutes of silence that I gathered my thoughts to speak the truth.

“Because Velaris...Velaris is good. It’s the only place on this damned earth that Hybern and Amarantha couldn’t touch. The people here are good, genuinely good. They don’t need to be dragged into this so some self righteous humans can be satisfied that you’re not the monsters you claim to be.”

My voice got thick and I swallowed a few times past the knot in my throat.

“Let the world keep seeing you as Amarantha’s whore. If that is what the price is to keep these people, your city safe, then you bloody well should do it. This place is their home.”

I thought of little Theo and Claudius with their music shop. I thought of the Rainbow, full of laughter, color, life and art. These people didn't need the war that Rhysand said was coming. Maybe it was selfish, but Velaris didn't need to be stained. Not by the likes of Hybern or the Human Queens.

“Velaris is home to so many good people,” I finally whispered. “My home.”

I heard Rhysand get up and he leaned against the fireplace.

“Because it’s what you would do?”

I looked up at Rhysand and scowled, drawing my eyebrows together.

“That’s exactly what I would do,” I replied coldly. “Because when you show an ounce of compassion, you show weakness. All those you love are hurt because you care about them. And maybe that makes me the greater monster, but I’d rather die a thousand deaths, or serve a thousand times for a thousand Amaranthas than have those I love hurt. Either that, or you don’t love at all.”

Rhysand watched me with his old eyes, his mouth no longer smirking. If I didn't know better, I would have thought I’d seen pity.

“And who are you protecting behind your mask?”

“That’s none of your business.”

Rhysand shifted and he stuck his hands in his pockets.

“I have a few good guesses, but I’ll save them for later.”

He sighed and rolled his well muscled shoulders, looking me over from head to toe.

“We leave for the Court of Nightmares to get the Veritas from Keir, Mor’s father.”

I rolled my eyes and rested my elbow on the mantle.

“I know who Keir is,” I snorted. Rhysand gave me a smooth smile.

“Good. Then I want you to come with us, you can go with Azriel to find the Veritas. Azriel tells me you have some witch tricks up your sleeves. Use them, you’ll need them.”

“And why should I go with you?” Rhysand simply shrugged.

“Because if you can pass this little test, than I will let you go to the human realm and see if you can find the Book.”

I tilted my head to the side and frowned.

“But you said--”

“I know. Let’s just say I always have a backup plan and you happen to be my backup plan.”

I knew why Rhysand had said the things he said. I fell victim to his manipulation again. Only this time, he knew why I’d go to find the book. I cursed myself for being so open.

“Fine. I’ll go,” I spat. “But don’t think for one second that it’s because of you and your damn war.”

Rhysand gave me a feline smile and he pointed to the couch where a folded pile of Illyrian fighting leathers laid. Next to it, was a bandolier of throwing knives and two good sized fighting knives.

“Compliments of Azriel,” Rhysand said innocently. “How he even knew your size is a marvel to me.”

“Fuck off.”

Rhysand’s laugh rang in my now red ears and I turned where he couldn’t see me. Still though, the thought of Azriel finding me the leathers made me uneasy. I hoped after what happened in the Winter court, he’d have gone back to pining after Mor and leave me alone.

“We leave tomorrow. You’ll fly in with Cassian and Az.”

Rhysand gave me one more look over before he mockingly nodded his head to me.

“See you there.”

Tagging: @court-0f-dreamers @eternally-reading @mikaylamee

#acotar #acowar #acomaf #sarah j maas #fanfiction

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"Ainsworth Iowa Cheap car insurance quotes zip 52201

Ainsworth Iowa Cheap car insurance quotes zip 52201

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https://www.linkedin.com/pulse/economy-auto-insurance-online-quotes-terry-matthews/"

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cebeavers · 20 years

Text

Family Kingdom 2004

September 20, 2004

It had gotten dark, which was great cause I haven’t ridden Swamp Fox in almost 10 years, and can’t remember the last nite time rides I had. This was going to be fun. A Chance Slingshot, a Log Flume that looked like fun, a Coaster, and another Sally Dark ride, this one interactive? Heck yeah! For those of you unfamiliar with the Family Kingdom, or for those that haven’t been there in a long long time, let me give you a bit of history. What was once known as both the Grand Strand amusement park as well as the Swamp Fox Pavilion has undergone a lot of changes over the years. I don’t even remember the park before it re-opened after Hurricane Hugo, but Hugo did major damage to the Swamp Fox in 1989, and the coaster was rebuilt.

This is a classic John Allen Figure 8 seaside coaster with 2 PTC trains, though one must be hidden for the off-season, as it wasn’t in the station. Even though they have 2 trains, the park only ever runs one. I can still remember my first ride on Swamp Fox. It is a really great wooden coaster. The park has been opened consistently since the early 90s, and has added and switched out some of the other rides. It has mostly all fair rides, as well as Sally’s first interactive Dark Ride, a nice carousel, and a decent selection of flats. The park used to sit beside what was once known as “The Fun Spot Fun Park”, a very carnie feeling go-cart park that had a couple kiddy flats and a Ferris wheel, but Family Kingdom bought them out and expanded across the little river. This is now mostly the kids section, with the Chance Slingshot, Pistolero (the Sally Dark Ride), Go-Carts, and the Log Flume. It looks like a smaller Six Flags, to an extent as it is all on what was once a parking lot…Okay, maybe it has no resemblance what so ever to a Six Flags.

So I walked in the parks parking lot entrance and bought my POP, and headed straight to Swamp Fox. If you’ve never been on this coaster, it has the oddest station. I guess they never get really long lines, as there isn’t anywhere for a long line to go. It has a load and unload station, and on this nite, only had one operator running the ride, weird! As I was getting in line for the back, there were to 20something girls getting off of the ride and telling me that the back was “Just Brutal! The front is nothing compared to the back”. I smiled and said I knew, and then boarded the ride.

Swamp Fox-Mmmmm…Buzz Bars! I pulled the seat belt as far as I could, and off we were. There is a large turn around to the lift, which has a wonderful light package, IMHO. The lift is short, and the view is sweet, esp. with the ocean air blowing towards you. Then you turn around to head for the first drop. I had thoughts of HC5 from the day before as I was flung over the hill in the back seat. The only spot of roughness, and it isn’t bad at all, is at the bottom of the first drop. I wish there was more air over the second hill, but it doesn’t detract from the ride one bit. After that, though, its crazy! I was out of my seat on every hill. And I don’t mean an inch, but literally standing up. I was so glad that I had that seat belt to hold me in; otherwise I wouldn’t have had the chance to write this trip report. I felt ejected on every hill afterwards. The turnaround was quick, and the small bunnies after it kicked my butt even more. This is still my favorite wooden coaster!

After that insane ride, I decided it was time to test the other side of the park, as I’ve ridden everything on the Swamp Fox side that I wanted, and didn’t feel up to a lot of flats tonight. So I crossed a bridge and headed straight to Pistolero. At first I didn’t think it was open, but there were 2 ride ops on the platform. This used to be an old Mexican restaurant, and was Sally’s first Shoot’em up dark ride. I was the only person riding. My only complaint was that only 1 of the guns work if there is only one person riding. I like to play Jon Woo style, but I didn’t get to on this one.

Pistolero Roundup-Fun little ride. I don’t remember what my score was, and there were a few spots where something jumped out and scared me, but this is typical Sally goodness. I would and should have ridden more, I don’t know why I didn’t, but the one trip was rather fun. Every park should have one of these. The scenes were nicely done, but the last room with the “explosion” could have had more to it. All in all, though, a great ride!

So that was fun, what to do next? Why there is the newest thrill ride in the park the Sling Shot Drop Zone, a Chance slingshot. It looked intimidating, and no one was riding, but there were ride ops standing on the platform, so I went to get on.

The name was kinda corny, but the ride was pretty sweet. I hadn’t seen it run all nite, so I asked the ride op if it shot up or was just a drop tower, and he told me both. He was pretty friendly, and I got to face the park as I was going up…alone. I’ve never ridden a tower alone before. I’m still very afraid of drop towers. I don’t mind the shooting up at all. I loved Power Tower at Cedar Point for this. The ride is only 110’ (and I figure that also means the platform it sits on), so I knew it wouldn’t be like any thing I’ve ever done before, tower wise.

Sling Shot Drop Zone-First you rise up about 6 feet, and then the car lowers a bit. The tower looks very S&S-esq, with a smaller next-get Intamin-esq car. The tower had a great lighting package, and was painted yellow and red. After lowering a bit and the ride op going thru his whole spiel, I was launched. The ride was rather weak compared to most other launched rides I’ve been on, but I didn’t mind that one bit. The shot up was a lot of fun. Still, you don’t shoot to the very top of the tower. Going to the top of a drop tower is the part I hate most because I have time to think about dropping. But once I got to the top, it wasn’t long before I fell. This was odd, as you fall until about 6 feet from the bottom. On most other drop rides, you break way before that. Still, the breaking wasn’t at all hard, and the ride was rather smooth, and very quiet. It was even more quite with me riding, as I didn’t make a sound the entire way up or down.

Okay, so that was fun, what’s next? How bout my long awaited trip on the Log Flume. I remember them building this ride, but I’ve never ridden till now. Again, no one was riding, as the park was nearly empty.

Log Flume-Another great ride by myself! This is one of the choppier log flumes I’ve ridden. It’s a concrete course, and as I left the station towards the first hill, I knew I was going to get wet. I went up the first smaller hill with anticipation. I knew there was a bunny hill at the bottom, a first for me on a flume. The first drop on the flume goes under ground level a bit where there is no water, and then hops up into a small pool. Splash! I was soaked. Good stuff!

Then, it was more choppy water heading to the big hill. The flume is situated in between the Go-carts to give both some cool interaction. Again, down the big hill and Splash! I’m wetter. The drops on both hills on Family Kingdom’s Flume seemed much steeper than Pavilions. I like both, as both have their up sides, and no down sides to speak of. So I was wet, now what should I do? Of course, walk around, and then head to Swamp Fox. This time I would get my front seat ride.

Have I said how much I love this coaster? One train wait for the front of another almost empty train, but something weird happened. Because someone couldn’t figure their seatbelt out, the train ended up being almost full. Sweet! Okay, turn to lift, up the lift. Wonderful lighting package, and there she blows! I had tears streaming from the wind in my face, and I loved every second! Though not nearly as forceful in the front, you get a different ride. This is how wood was meant to be ridden! Thru the course and onto the skid breaks into the unload station. I want more! I then got another ride, this time from the middle. There was a small delay again, but that is par for the course if you only have one ride op working. Still, she was doing her very best, and dispatching, loading, and unloading a dual station coaster by herself.

The middle provides different air, as well as different points of air than the front and back. I so can’t wait to live close to this monster and be able to ride when I want during the season. If you haven’t ridden yet, you don’t know. Another great ride in the middle. Okay, so I had my ride from everywhere on the coaster. I probably could have picked a seat and marathoned, but didn’t. I did, however, head over to the drop tower for another go.

Can I have this in my back yard along with my mice? This time I was on the back facing towards Ocean Blvd. and the Ocean with 2 young Russian Chicks. There were also 3 people around front. The shot up again wasn’t forceful, but good enough for me. This time, it didn’t seem to take as long to fall back down, but that could have been due to the fact that I could tell we were still moving till we got to the top as I had visuals to pinpoint my location. Another great drop, and I could marathon this as well. Next time, baby, next time!  So my nite was almost over. I could have stayed till close, but I was tired. Plus I was still in the mood for dessert, and all this amusement park food was working on me. What to do? Why, take another back seat spin on Swamp Fox, and then head to that Dunkin Donuts I saw behind the park last nite that was closed.

The back is the best. Again, I was out of my seat most of the time. I really like this coaster, and it will go down as one of my all time favorites. I will spend time marathoning this thing next trip. I can only imagine what the thing runs like mid-summer, running all day with greased track that is heated from running all day. I will be back sooner for some more of this coaster. Never waiting that long again!

#Family Kingdom #Myrtle Beach #South Carolina #2004

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