#the show has a lot of unnecessary talking but i like it i've watched a few episodes

[janesgms]

Plutonian Women

(and unraveling their destiny)

This post can be quite messy because I only wanted to share my thoughts on this topic. Do not take all of this as my absolute truth because these are things that I've thought for quite a while seeing it in my life and personally too.

Something I've realized lately is that Plutonian Women go through unique situations that set them apart from other people. And in this case, I'm refering to women only and not men because this is based on my experience, and you all know that energies manifest differently according to the gender so I'm not gonna afirm this also apply to men when I haven't seen it in my world, also, as we are tired of seeing, women are treated differently from men in our society so we cope with things differently.

Firstly, I wanted to talk about placements that make a woman Plutonian in my opinion (when I say "Plutonian", I mean someone who is heavily affected by Pluto in their natal chart), but you can relate to this post whether you have some of these aspects or not, so share your experiences with me, I'd love to know!

🔮 1H/5H/8H/10H Pluto.

🔮 0° Pluto.

🔮 Pluto in water degrees (bonus points if there are aspected placements who are also in water degrees).

🔮 Pluto aspecting big 6 (specially harsh aspects: conjunction, opposition, square, contra-parallel / also specially the luminaries - sun, moon - and mars).

🔮 Pluto in the same personal planets/asc.

🔮 Pluto aspects to outer planets in case it's also aspecting big 6.

🔮 I think Pluto aspect BM Lilith/Chiron can also play a part in this.

🔮 Scorpio Pluto if it's conjuncting or heavily aspecting other placements.

What distincts a Plutonian Woman from the rest is their gravitational energy that pulls you in like a black hole, and as intensely as one. Their eyes hold a shadow of their past traumas and occasions but with a touch of mystery that makes you wonder what they went through in their lives. Their stare is heavy and filled with emotions (let's not forget Pluto still rules a water sign).

I don't like to condemn people for their placements, but I think Plutonian Women came to this life to suffer a lot before gaining what they want and deserve, and this seemingly infinite cycle of pain will only end when they learn how to cope healthily with things of life. One of the reasons why they go through so much is their way of seeing and feeling. Plutonian Women feel things in almost a transcendental way, they feel intensely and with this, they can put themselves through "unnecessary" situations when not careful. They're also prone to self destructive behavior, their heart usually puts a dark veil in their thoughts when their emotions come crashing in like a hurricane. Their pain is the embodiment of "female rage", when they cry hard, it's a mix of anger, sadness, sorrow and everything that they were holding back from a while - because they do hold emotions - but they can't run away from their deepest parts, and one day everything overflows and they can finally reborn from that suffering; the music "Pretty When You Cry" describes them perfectly, because they're indeed pretty when they cry and crying frees them in a way, and a lot of people actually like to seem them suffer? Plutonian Women attract questionable men or women (romantically), because they're almost like a beautiful show to watch, and these men/women like them best when they're falling apart, but manipulation can arise and fool them (they should be careful with 12H synastry specifically, the apparently good ones can actually be the wolf in sheep's clothes).

But back to the way Plutonian Women perceive the world, they are actually fragile at heart, but they try to hide it at all costs, they have a pure heart who could be derranged due to childhood/romantic/any other issues but who has no bad intentions most of the times. I think of them as victims of situations they have no control of since young.

However, to be more positive, I'd like to say that this is not a death sentence at all. Indeed, death is the right word to describe Plutonian Women because they die all the time (figuratively speaking, but literal death can be very present in their life too) and they are reborn as better people. Unfortunately, justice or karma is not much on their side because the world can be a place very unfair most of the times, but I think this is due the fact that they souldn't focus on revenge or negative thoughts, even though they can do it a lot as a way of thinking as a "justice". But the message they should learn is that they should focus on getting better, prettier, wiser, smarter instead of losing energy thinking on lower vibrational people.

The truth is that Plutonian Women are the defintion of a a Phoenix, if you do them wrong, you can be sure that they will gain their dignity back and get back stronger than ever, even with a "fragile" heart as I said, they have a malicious mind that protects this side of them; and also, once they apparently heal their deepest and oldest wounds, it gets harder and harder to break their shell, but if you were capable of doing so, just know that you opened all of them and made the Plutonian suffer all again and go to hell and back.

Overall, the word that describes them best is "raw" because this is what they truly are (in the best way possible lol). Due to this, they can attract a lot of hate - similar to lilith women and specially if they are also lilith "dominant" - from people who don't understand their beauty or actions, because their beauty is truly sharp, hypnotizing, dark and undescribable, furthermore, their actions are particularly unique and most of the times hide their intentions, they never do something significant without thinking first. They ultimstely search for what's beyond the surface, when in love, they wanna know your soul and more, they despise flings, they wanna get to know the depths of their s/o's being, they love hard but also get heartbroken hard when it happens. Academically, they like to be strategic and hardworking when they see it's worth the work, they can be perfectionist because they're hard on themselves most of the times. So, afterall, what's their destiny? Their destiny is to feel accepted and comfortable in their own skin, to get over their traumas and allowing themselves to be better, to let go of toxic people and surroundings, to not engage in toxic relationships anymore, to free themselves from karmic debts and to be finally happy.

Plutonian Women probably feel a deep connection with spirituality, astrology, pstchology, crying, darkness, mystery, the unknown, black/red/purple/dark blue, sad and profound songs, the night, dark places in general, mourning, wakes, death celebrations, soul level bonds and conversations.

Plutonian Women are masterpieces who deserve more from the world and people, they've gone through a lot and they should be 100% respected, sending a lot of love to all of you ❤️‍🔥

Hey guyssss, I missed posting actual posts here but I wasn't feeling inspired lately. But I'm back!!! I hope you guys understand my point of view and I typed this with all my heart because I was based on my personal experiences and people around me's experiences. I was thinking in also making a post about Lilith Women since I also have a lot to say about that either ! Thanks for the support and see you later or sooner 💋 Also in case you noticed I didn't focused in scorpio placements here because I think they work differently (I just don't know how to explain this difference tbh, so I focused on actual Pluto)

#astrology #astro observations #astro notes #astro community #pluto #plutonian #pluto placements

[the-kr8tor]

Hii this is my first ask, and I was wondering if I could get a hobie x gn!reader who's kind of like pearl from steven Universe? Like something going on with her, but she doesn’t open up because she doesn't have a good handle on emotions of other people, nor of her own? Idk the idea just came to me 😭. Anyways I love all your works and you are such a talented writer. Have a good day/night/afternoon, and remember to rest, eat food, and drink water 🌟

Thank you for requesting, lovely! I'm not quite familiar with pearl's character (I only know her from the few episodes I've watched) so I hope I wrote this okay 💛 😘

Pairing: Hobie Brown x fem! Reader/ Spider-Punk x fem! Reader

Tags: use of Y/N sparsely, no specific physical description of the reader, cw panic attack, cw drinking, FLUFF

ʕ⁠·⁠ᴥ⁠·⁠ʔ

The leather seats squeak under you, Hobie's arm slung over your shoulders, a cold pint in your hand. The condensation drips on your pants uncomfortably, the loud chatter of the pub makes you grit your teeth. Stuck on the inside of the booth, you stare blankly at a random nail poking out of the table. Your fists tighten around the glass of your abandoned drink.

The walls feel like they're closing in on you.

“Oi,” you feel your chest tighten, the air hot against your cheeks. “Love?” there's fingers rubbing softly on your wrist. “Y/N” you blink back to the present.

The entire table has their eyes on you. You clench your jaw together.

“Yeah? Sorry, I guess I'm more tired than I thought.” You chuckle humorlessly. “What were you saying, Hobie?”

Hobie's eyes are soft on you, “I was tellin’ them about that weird lookin’ dog we saw yesterday.” he bracelets his fingers around your wrist. “‘m gonna go out for a smoke, come with me?”

For a second you thought he's addressing someone else, but he only looks at you with a faint smile on his lips. It's enough to make you say yes.

“Okay” you slide out of the booth, blood rushing back to your legs.

Hobie cups your hand unabashedly, his friends hoot and holler. He flips them off without letting you go.

“Where are you lot goin’? Bathroom's that way!” One of his mates comments.

Hobie whispers in your ear, doing his best not to shout despite the roaring laughter behind you and the karaoke echoing throughout the old pub. “Don't mind them, yeah?”

You could only nod, the sweaty bodies you're weaving around makes you hold on to him tighter.

Exhaling, you finally feel like you can breathe again. Unclenching your fist, stretching your fingers, you find the crescent shapes on your palms. Large hands slide to your palm, wrapping your entire hand in both of his hands. He rubs at the skin gently, calloused fingers careful against the angry marks.

Hobie doesn't talk, you watch his face illuminated by the single street light. His brows are furrowed, lips tightly closed.

“You're angry” you break the silence.

“What?” He blinks in surprise, hands paused on your palm.

“I'm sorry, I wasn't listening”

He'd think you were joking if not for the serious look on your face. “Not angry, love. Don't” Hobie surrenders your hand back to you, opting to hold your face in his hands. You let him, leaning on his touch. “Don't apologize. Were you uncomfortable inside?”

“I’m—” he encourages you to continue with his thumb massaging your cheek, his rings are cold against your searing skin, a nice reprieve from the warmth. “Yes, I was. I should've said something, sorry–”

Hobie cuts your unnecessary apology off with a soft kiss on your forehead. Shutting you up completely, skin warm once again but for a different, better reason.

“Works like a charm” he chuckles at your flustered face.

You hold his hands that's still glued to your face, not to take it off, no, but to show your own affection, knowing you won't be able to say a single word after what he did. You'll surely mess it up or get tongue tied.

Hobie beams at you, moving your face gently to the side to pepper your temple with not one or two but seven kisses. Each longer than the last until you laugh quietly in the dingy alleyway.

“There,” he huffs like he's out of breath. “I wasn't letting you go without hearing that laugh of yours.” You tilt your head to face him better. “What do you say we go home?”

“What about your friends?”

You keep finding yourself laughing more around him. “Okay, let's go home”

“They're your friends too.” You smile softly at his words. “Fuck ‘em, they didn't even laugh at the funny lookin' dog I showed ‘em.”

#request done #hobie brown x reader #spider punk x reader #the kr8tor's creations #hobie brown #x reader #atsv fanfiction #spider punk #spider man across the spider verse #fluffy fridays #atsv x reader #atsv fanfic #atsv hobie #hobie brown x fem!reader #hobie brown x you #spider punk x you #spider punk x fem!reader #cw drinking #cw panic attack #hobie fluff #hobie x reader #fluff #fanfic

[weirdly-specific-but-ok]

star wars but I've never watched it

I'm flirting with death (the star wars fandom) and it's about to succumb. I mean, be seduced. I promise when I flirt the intended result is not succumbing (usually). Here, have this, I know you maggots have missed my summaries they're so comprehensive and well-researched. Two cups of black coffee down. LET'S GO, MAGGOTS.

It is not Star Trek, and if I mix them up, both fandoms will tear me limb from limb, but mainly Star Trek because they're less popular?

No, that was not intended to be inflammatory, it's just what I was warned when I first got kidnapped. Don't blame the student, blame the system.

LUKE, I AM YOUR FATHER.

Except that's actually a misquote, it's No, I am your father. Mad trivia game. Huge star wars fan, me (why do I sound like Crowley).

It's set in outer space.

Are daleks stormtroopers?

Yoda pulls sentences in half like Crowley pulls Aziraphale's legs apart while they're not talking, and then tries interesting positions.

Leia has space-buns and makes out with Luke.

Luke is Leia's brother.

Anakin, whom I thought was some sexy babygirl side character, is apparently Darth Vader.

I am certain some people still find him a sexy babygirl. I just hope if he has a sister, she doesn't.

Is incest hereditary? Besides the obvious, I mean.

Small and green, Yoda is.

Daleks or not, there are storm-troopers, and they wear white plastic but not in a kinky way. Mostly. I remember one video a maggot showed me of a dustbin and--anyway.

They have bad aim.

There is a Death Star, and there is also a Death Star in Star Trek, but this is the more obvious one.

It has machinery specially engineered so if you shoot at that one place, the entire spaceship explodes or shuts down, which is a convenient feature.

A baby Yoda, they made. To make merchandise in time, Disney failed. Money, they lost.

There's something called the Force which everyone irl uses to try and get their remote to fly to them while sitting on the couch watching TV. They squint and reach out their hand while doing this. It rarely works.

There are a lot of unnecessary sequels and prequels. People are not happy.

A lot of Star Wars has inspiration drawn from ancient Indian philosophy and Hindu mythology. Just fun trivia, since I'm such a huge Star Wars fan.

Chewbacca?

R2D2? Robot go beep beep.

Han Solo and Leia get together.

Who is Han Solo? The guy who witnessed Leia making out with her brother. Whatever gets you off, king.

Dead, Yoda might be. Not sure, I am.

Rogue 1?

Return of the... Empire? No, wait, Jedi.

Empire Strikes Back!

Jedi exist. Because uh, it was in the title. They'd better exist.

Luke's daddy cuts off his hand. Not in a sexual way. But you never know with this family.

End (Not. Disney is going to milk this cash cow till they run out of ideas because of underpaid writers, and then they'll do a remake, probably).

Welcome, you are. Comprehensive, all-inclusive, this summary is.

#good omens mascot #asmi #star wars #good omens #<- got to love the brainrot #it even sneaks into my other fandom posts #maggots #empire strikes back #han solo #luke skywalker #yoda #weirdly specific but ok #rogue one #star wars summary #return of the jedi #sw fandom #star wars fandom

[ot3]

it's interesting to watch you watch one piece bc its just reminding me that I also had all these issues with it when I first read it but I've been surrounded by one piece fans for so long that they've convinced me that there are no problems...i feel like I had all my essays peer reviewed and everyone said it was great and now my teacher is reading it and pointing out all the things that I was worried about that they all assured me weren't something to worry about.

I think I'm too invested in this.

thats the nasty trick of fan spaces. everyone focuses on the good parts understandably because unless you're a lifestyle hater who gets joy out of complaining, there's no real incentive to talk about the parts of a thing you don't like. at least not in fan contexts. like as much as i don't think anyone should be ignoring or excusing the parts of a piece of media that are bigoted, i don't think that means you need to bring them up any time you're just doing low stakes fan stuff. and things that Suck and are Stupid but aren't necessarily bigoted in any way such as 'guy who spends a bunch of his screen time shitting' are really just not worth mentioning at all. so with something as massive as one piece i understand why it'd be really easy to edit a lot of that stuff out of your (the general you in this case not You Specifically) memory due to only being repeatedly exposed to the parts that are good.

and i think the fact that you CAN edit that much of it out in your brain just shows how really unnecessary a lot of this shit is. one piece is really bogged down in stuff that just isnt interesting or funny. oda is great at coming up with enjoyable characters, good at making use of his large ensemble cast and making his world feel interconnected, and bad at almost literally everything else. it's a damn shame.

sorry to have to burst your bubble by reminding you about things that happen in one piece xx i went into this show knowing almost nothing besides People Really Like One Piece and so i'm basically missing the process that has to happen for the good parts to really shine. one piece fans are out here eating an omelette but i'm out here choking down raw eggs.

#oplb

[twig-tea]

Love Senior: Final Thoughts

I've been putting off making a post about this because I don't like trashing things that are small efforts and especially not GL because we don't get enough of it to begin with. But I was enjoying Love Senior through episode 7. The leads were lovely, they had chemistry, their characters were both interesting, and one of them had casual sex with someone else before they got together and it was fine! They even talked about it! And they were thirsty! I love it when women get to have sexual desire in shows.

After episodes 8-9, the narrative took a serious turn and I broke and wrote a content warning post because of how gross the turn in the plot was. With one episode left, I watched to see whether it would undo any of the damage it had done, but instead it doubled down on awfulness.

The last episode is truly a smorgasbord of some of my least favourite tropes all rolled up into one miserable finale, and makes the show truly unwatchable even though it delivers a "happy ending". It didn't make sense, it wasn't good characterization, it served nothing but unnecessary angst, and it meant we didn't even get satisfying reconciliation or dealing with the issues laid out in 8-9. After this ending, I was extremely unconvinced these two would last, or that they should.

I know this isn't the worst there is in the world of QL. I've watched a lot of stuff. I used to just stay quiet if I didn't like something, but honestly, I want folks looking for info about this show to know what to expect, and I also want folks creating content to know that audiences expect better these days. I don't want people to think GL flops because nobody wants to watch it. We're so desperate for good, or even half-decent content (the viewing numbers for GAP should have made that obvious)! But things need to hold together at least somewhat, and this very much did not.

Most of the cast in this show is in a girl group together, so you can support them, continue past the cut if you want details on what makes this finale suck (I've kept it vague but obviously there will be spoilers), and I hope this is taken as it's intended--to help inform the watching decisions of us who love GL and want more of it, and to give information to those making it.

[I'm just going to note also that this show was by StarHunter Entertainment which is not known for its queer rep or good treatment of its people, so I don't feel like I owe this production company any loyalty].

Details about the last episode under the cut.

In episode 10, the following happens:

we get told the SA that I warned about in my 8-9 post was just staged for the purposes of blackmail/breaking up the leads

[the show doesn't acknowledge that the characters were still left in a position that they could have still been sexually assaulted, and that they were put in that position by someone they trusted]

Someone gets hit by a car

One of the leads falls into a coma, and on waking, gets amnesia

Her friends and family conspire to lie to her, not just erasing her girlfriend from their picture of her life, but saying that one of her other friends who has a crush on her is her boyfriend. They all go along with this lie for months

On finding out that her girlfriend had been told that she's actually dating some other guy, her girlfriend decides to noble idiocy and disappear from her life

More time passes, and they see one another at the amnesia girl's graduation, and hug for a happy ending.

THE END.

No conversation. No reconciliation beyond acknowledgment that they still have feelings. No mention of their breakup before the coma. Nothing that convinces me this couple will actually last at all, or reason (in the form of character growth, or narrative purpose) for why they've gone through this. Nothing about the main character being lied to by all of her friends and family for months. This ending says 'everything is fine as long as the two people you want to be in a relationship are in a relationship at the end of the story', and that doesn't fly with me.

#love senior #love senior the series #thai gl #sapphic media #typed so that i can stop thinking it

[trillscienceofficer]

I've been crediting the way Chakotay dismisses B'Elanna's vision in “Barge of the Dead” mostly to the events of “The Fight” and how Chakotay was (understandably) afraid of the barrage of images from the depths of his mind, and how this fed into the fears he has about his grandfather's condition and his own predisposition to it. As a result, he is more diffident about helping other people assigning meaning to their visions, not trusting himself as he used to any longer. After rewatching “Mortal Coil” though I think Chakotay is, also understandably, very wary of validating anyone's mystical experiences (or lack thereof) surrounding death, because one such experience very nearly brought Neelix to suicide and Chakotay almost didn't realize it in time. The way B'Elanna's talks about her own vision can't not recall what Neelix went through, in Chakotay's mind; B'Elanna almost died, and now she feels like she needs to die again. Add to this the history B'Elanna has with self-harm and unnecessary risk-taking behavior from “Extreme Risk”, a history that Chakotay knows all too well, and his mind is made up. He cannot allow this to happen on his watch, especially not to B'Elanna, so he dismisses her recollection of the vision, he downplays it even if it comes across as him not accepting B'Elanna's culturally-informed perspective on her own experiences. In short, I think a mix of fear and guilt is what makes Chakotay unable to appreciate the difference between Neelix' nihilism and his loss of purpose and B'Elanna's longing for meaning and closure through ritual.

I don't think the Voyager writers thought this through as much as I am here, mind you. They likely just had Chakotay play the 'voice of reason' because they couldn't have Janeway doing it, or the parallelism between B'Elanna finding peace with (the memory of) her mother and B'Elanna's acceptance of Janeway's trust would have collapsed, making the episode less incisive. (We can also talk about how yet again the show paints Janeway as a mother figure, in my opinion the lowest-hanging fruit possible, but I digress.) That it sort of contradicts Chakotay's pre-established characterization and background was likely not a big consideration, which is unfortunate. However if we don't take the 'reset button' for granted, this behavior from Chakotay can be taken a sign of the way he changed throughout the show, even it's sort of negative character development. He's more afraid, and more rigid in his understanding of others than at the beginning of the journey, especially when it comes to B'Elanna. The years of survival on Voyager have taken a toll on him. I obviously still think he was wrong to dismiss B'Elanna and that the show needed to handle that conversation between them with a lot more care for both characters, but keeping “Mortal Coil” and “Extreme Risk” in mind definitely helps with lessening the sting of a scene that otherwise seems to come out of nowhere.

#ep: barge of the dead #chakotay #b'elanna torres #neelix #voy #suicide mention #self-harm mention #<- normal show that makes me write these tags in multiple posts #get closer i promise i'll be having just a regular amount of thoughts about this episode :)

[dorkynerd23]

The Nuzi Hate Is Ridiculous And Just Saddening/Defending Nuzi.

Alright, so...let me just start off saying that this'll be the last time I'm going to discuss anything drama related, especially what goes on in the Murder Drones Community. Honestly, at least over here on Tumblr, the fandom isn't that bad and awful and is not that much of a trainwreck as it is over on the toxic bird site, but this is something that just NEEDS to be discussed in general. This situation and just the insane amount of drama and fighting that's been happening with the MD fandom lately has honestly been tiring and has taken a toll on me. it honestly has, if I'm gonna be honest, it's been draining and I just don't wanna talk and deal with this anymore. I just wanna move on from this situation and continue obsessing over and watching my favorite robot show and not deal with any of this unnecessary and childish drama anymore!

Anyways, for those who don't know, there's been a lot of arguing and fighting in the Murder Drones fandom as of lately, at least on over on Twitter, but it's been happening over on things like Tik Tok, even YouTube and it isn't uncommon exactly, but it is something that's gotten worse in as the show continues to grow in popularity. The main discussion and arguments when it comes to shipping in the Murder Drones fandom are between Envy (N X V) and Nuzi (N X Uzi) there's other ships in the fandom people like, but Envy and Nuzi are two of the most popular ones and the ones who are often the topics when it comes to shipping wars. I've already discussed and talked about the craziness and drama that's been happening with the fandom with some fans harassing and going after the VA's, people getting on them for their opinions, trying to switch things around to fulfill their egos, ect. But, the main thing I'm going to be talking about with today's topic is Nuzi and the amount of unnecessary hate it's gotten and how I think it's unfair, because it's seriously gotten worse and worse. And if you don't know what the ship Nuzi is and aren't very familiar with the ship or MD itself as a whole, basically, Nuzi is the pairing between Serial Designation N and Uzi Doorman from Murder Drones, who are two of our main characters in the show. Now, people have been shipping these two since the pilot and have enjoyed their interactions and at first in the beginning of the show it seems the show was hinting at the two being just good friends but as time went on, the show started to develop and explore the two and things started to change and the show has started hinting at both N and Uzi starting an eventual romance down the line and hinting at some romantic tension going between them. Now with Uzi, it seems she's definitely starting to fall in love with N and gaining feelings for him, but she seems to downside her crush on him and it's pretty one-sided since meanwhile with N and his side of things, he seems clueless and isn't aware of Uzi's feelings and it seems that he only sees Uzi as a friend and nothing more beyond that and the show hasn't hinted on how N feels about Uzi right now..of course, it's too early to tell for where the relationship between these two will go and it's too early to have N and Uzi fall in love and start an relationship but there is potential and room for them to start a relationship eventually, there's room to dive more into their dynamic and relationship and potential to have a good romance between the two.

Now, as I've stated..Nuzi has gotten an extreme amount of hate lately, some misinformation and rumors have been spread around in the fandom to the point it's caused people to start attacking others who are fans/love the ship and started going after and harassing fans who make fanart of the two, anits and especially diehard shippers of both Envy and Thuzi, (but it's mostly Envy shippers) keep on throwing around and saying the excuses on how Nuzi is a "P*oship" and how N is an adult and Uzi is a minor and how they're siblings, or say how, "Uzi has a crush on Thad!" "N has a crush on V and even admitted it!!" And they'll just use EVERY excuse in the book..they'll turn shit around and do whatever they can to make people feel bad and shitty for simply even adoring and liking Nuzi and finding it cute, hell it's even gotten to the point where some fans started going after others for liking other ships in the fandom like Vizzy/Pink Lemonade, and just any ships involving WD X DD. I'm not kidding, I've seen fans and others argue that Nuzi wouldn't work out because both N and Uzi are different robot species and how on N has killed and slaughtered Uzi's people. Apparently because both N and Uzi can't make a good pairing because they're apparently, "boring and uninteresting" and one is a WD and the other is a DD, but because both V and N are DD's and because they knew each other in the past that automatically means something..? Seriously?? I'm not joking when I say some of these fans are downright ridiculous and childish, they'll do whatever they can to stop people from liking ships like Nuzi and shame people for even enjoying it and make childish hate posts on said ship constantly, and it's overall just so hurtful and ridiculous, Dude. And it's people like them that make this fandom look awful and downright toxic, it's people like them that make others think that everyone in the fandom is like this when that's far from the truth!

I'm honestly really sick and tired of how this fandom mistreats and bullies other people just for simply liking different ships, people have stated that they feel hurt and feel like they can't like certain ships without them being attacked and shitted on, they feel like they can't like something they enjoy without others dragging them down and being hated on. It's ridiculous how some of these fans see Nuzi as the most awful and horrendous ever made and it needs to be forgotten forever. It's ridiculous and laughable how some of these people point out and rant on how much they hate Nuzi, only to make it the only thing they talk about and mention 24/7, some of these people literally just whine and complain about how they're not a fan of said ship. I mean, it's totally fine and okay to not like certain ships and you don't have to love and enjoy the same things as others do, but you don't need to make hate posts all the time and bash others for finding comfort and liking the ship they like, you don't need to make rants 24/7 on how you despite said ship..it just makes you look so damn childish and just unbearable, like okay..you're not a fan of certain ships, okay? JUST MOVE ON!! WE GET IT, just stop harassing and making us feel like shit and horrible people, stop making us feel terrible for loving Nuzi, just move on and just don't interact with us if it bothers some of you so damn much. I mean, it's gotten so bad that some have left the MD fandom because of the toxicity and childish behavior from some of these fans. Just please stop and be nice to one another, it's not right how some of you will harass and do whatever you can to make people feel shitty for enjoying what they love and trying to paint them out as these awful individuals. Like seriously, I just cannot stand shipping wars and I really despise them, shipping wars are such a waste of time and are just an excuse to harass and cause unnecessary drama and it just results with people getting hurt. And I've said this many times before and I'm gonna say it again, shipping shouldn't be the ONLY thing to focus on when watching and getting into any piece of media. There's much more to love and look forward to, there's more to appreciate and shows have more to offer than just ships, SHIPPING AIN'T EVERYTHING.

One more thing I'm gonna add and talk about before we finish up is that..I don't even understand and get the hate Nuzi has received, I mean I'm fine and totally alright with people seeing them as friends and respect their opinions. But, what's with some of these people just disliking and harassing people for seeing the two more than just friends and wanting them to be something more? I've seen people argue and say that it's either too cliche and just call both Uzi and N, Starco 2.0. And it's just ridiculous how some of these fans and antis act whenever there's moments with Uzi and N together or when the show is hinting at a possibility of the two being an item someday. Is this seriously how these toxic fans are gonna act whenever Nuzi have any moments together?? Whether it's romantic or not? It just seems the idea of Uzi and N being something more just burns these fans up inside and just frustrates them to the core. Nuzi ISN'T what you guys think it is and it's more than that, nothing is being rushed and forced and nothing is being written poorly between them either, and they AREN'T another Starco. Also, Nuzi isn't just here for fanservice, these moments we've gotten with Uzi and N were already planned out and worked on, MD has been in the works and in production since about 2020, wayyy before the show even came out and before the fandom was even a thing. Uzi and N were already planned and hinted at being something more and having something special between them, they were always meant to have something deeper and important and the show seems to be going the route in wanting to develop further into Uzi and N's dynamic and their relationship as a whole. The scenes we've gotten for Uzi and N have always been planned out and if Nuzi happens and becomes a thing in the series, it's because Liam wants it to be and planned it that way, NOT BECAUSE OF FANSERVICE!! It's fine if you're not a fan of the pairing and just don't find any interest in it, you can love and like what you want. But please stop acting like it's a big deal and something to get angry about, because it's not..it's not worth it. It's not worth throwing tantrums and acting over the top about, just move on and ignore.

Anyways, this is all I've wanted to talk about when it comes to this Nuzi hate and the drama that surrounds the ship when it comes to the fandom, I've just wanted to give my thoughts. Also, everyone in the Murder Drones Community, just PLEASE be nice and kind to one another and respect each other's opinions. ♥️ You guys are better than this and getting into arguments and shipping wars aren't worth it and are just plain silly, doing any of this just results in people being hurt and affected, getting into shipping wars aren't worth it and they're are better things to do. Please, be nice to each other and if you aren't a fan of certain ships in the show then that's fine and alright. Just move on and scroll away and respect other's feelings and opinions, you don't have to like a ship that's popular or what many seem to like! Just don't be a dick and treat others like crap and make hate posts just because you're not a fan of said ship, just please move on and keep moving forward! Plain and simple, just ignore and move on with your day, mistreating and hurting others just isn't worth it.

#murder drones #liam vickers animation #glitch productions #small psa #important #vent post sorta..? #shipping wars suck #shipping wars rant #murder drones shipping stuff

[moldybonessmell]

The Umbrella Academy season 3 review post

I finally finished season 3 of tua even tho I've watched first two seasons first day they came out and oh boy do I have things to talk about-

To begin with, the things I like about new season:

- The way we finally dug into Allison's trauma and how she starts going psychotic is actually a good plot line especially the accent on how she just like any other Umbrella Academy people indulges in self-distructive behavior, she's really just like them

- Diego getting a kid as someone with the biggest daddy issues out there is a realistic plotline because having a kid (even if Stanley's not actually his) heals him in this regard tho he and Lila would get a kid anyway eventually but they really should've been more sad about Stanley thanosing out of the existence you know

- Five being the founder of The Temps Commission makes so much sense as he's the one with the power to travel time of course he's more powerful than it seemed

- Good music scenes. Music is what season 1 was incredible for and what I love about the show. In season 2 there weren't many scenes that caught my attention but in s3 it's definetely better. We got Klaus's death montage with "Crystallised" by The xx and celebration scene with "Another one bites the dust" by Queen + Luther on moon and "Friday I'm in Love" by The Cure these were really nice.

- The Oblivion Hotel is such a cool location and concept (a place for everyone) I like the change of place of action a lot, but the way it's a portal is kinda overused imo

- Lila and Five are still the best characters and carried the season

- Fei is such a cool chara with a distict character design (which most of Sparrow Academy lack tbh)

Now things I don't like:

- Ben being just a placeholder character is such a bummer because instead of getting angst and drama we got a mostly one-dimentional anti-hero who has a completely different personality from Ben. We got a tiny bit of his character when he admitted he just wants to be involved with everyone but it's really minimal.

I can't believe Klaus says "He's an asshole and he's dead to me" like WHAT DO YOU MEAN fuck no Klaus would not say that shit and he would not just give up on him. Yeah Luther says stuff like "I'm glad to see you even if you're different" or whatever but it's Klaus who've spent the most time with Ben.

The way literally any other actor could have played Sparrow Ben and nothing would change is lame af I hope in next season we will see more changes

- Same goes to my dear Grace who's just a placeholder for black hole worshipper like what do you mean we just got one phrase from Diego and that's it??? This whole bit with fake god and stuff really threw me off it didn't go anywhere

- The Sparrow Academy being one-dimentional characters in general like I get producers probably didn't have enough episodes to actually develop characters but holy shit are they boring.

Even if you want to make them just antagonists we had such cool villains in two previous seasons they were original and interesting (aka The powerless podcast-fan male manipulator Peabody and The Cunty Handler)

Also the way the fisrt Sparrows who died were the most annoying and cliche assholes makes them just filler charas

- How show tried to make us feel compassion to Reginald Hargreeves holy shit do I hate this guy- After Klaus realised his father was basically killing him over and over in his childhood instead of Klaus getting mad or upset and having a breakdown we got nothing.

He even came back to new timeline Reginald who's "nicer" for this asshole just to hurt him AGAIN

- Klaus mostly being a comic relief in this season is so fucked I love this character and in previous seasons we had a great look at his life and experiences but now he's just kinda there being high and that's it

"mm I guess he died a few times it's probably enough" - plot writers

no character development whatsoever is just upsetting.

And the amount of unnecessary traumatising aka Reginald training him was really not it, even if it's supposed to be a joke.

- Reginald being a two-faced ass like holy shit is this terrifying. Pogo was the one who gave Sparrows pills and now Klaus helped him to stop taking them and this asshole is taking advantage of naive and vulnerable Klaus.

It is in fact a good plot twist but bro I really did prefer Reginald being a cartoonish villian instead of actual pure evil like how does he have shitty motivation but still does just so much shit.

- The Umbrella Academy family having no improvement in their relationship. They still don't care Klaus relapsed, they still don't care about Viktor. All they care about is their own misery which is really in character but with three seasons out of the way and only one more left I would expect at least something you know.

- Viktor is still left out. Like bro the only compassion he had is only when he transitioned but this is it?? Bro's still waiting till someone comes and cares about him but not only this doesn't happen, he even gets rediculed by Sparrow Ben for that and called emo are you actually kidding me what's with all the hurt with no comfort???

It feels a lot like when you're mentally ill and your family kinda "walks on eggshells" to not trigger you but it's in quotes because they don't actually care. They act nice just because they think you're psycho and you would make less problems if they pretend. And this is very sad, Viktor is such a tragic character.

Okay that's it for now. If you have any thoughts please share in comments!

#the umbrella academy #tua #tua s3 #tua s3 spoilers #klaus hargreeves #ben hargreeves #allison hargreeves #diego hargreeves #lila pitts #the sparrow academy #viktor hargreeves #reginald hargreeves

[chirpsythismorning]

Lets talk about Appendix #7

I won't be the first (nor the last) to admit that I’ve only ever paid super close attention to the Russia scenes during my major s4 rewatches (like 4x total). Those just don’t tend to be the scenes I rewatch looking for Easter eggs as regularly as I do with others. Though, I can say confidently now that this will not be the case anymore.

As I’ve said recently, the scenes that come off as unnecessary filler, are likely the ones hiding something deeper underneath the surface. Otherwise, why put any time into scenes that have no importance, beyond just to fill the running time? Especially in s4 when the episodes were really long and they could have easily cut out scenes if they weren't that important to the overall plot.

The reason they do this is because they can rest comfortably knowing that a vast majority of the audience will overlook these scenes, even call them pointless and boring (and they can laugh knowing they couldn't be more wrong). A vast majority of fans felt that way about the Russia plot, but even the Cali plot had a decent amount of viewers saying they were worthless all season with no importance to the overall story. And we all know that wasn’t actually the case. And so why would that be any different for the Russia plot?

And this scene right here, which I completely forgot existed (so pardon me if someone has talked about this before, because I've never seen any discourse on it), I only just remembered existed because of the Piggyback script dropping for the Emmy's.

I just want to preface that I'm being so so serious right now when I say this scene is very incriminating for Mike. Even down to the way it ends. It’s bad.

And by bad I mean holy shit they are sick for potentially hiding the truth in plain sight.

For context, in this scene, Yuri represents Mike & let’s say Dmitri represents the skeptical majority, who have been confused by Mike’s behavior for the last two seasons.

A lot to unpack here.

But first I want to give a disclaimer that Yuri is not literally Mike, nor are ALL of Yuri’s scenes meant to be about Mike.

It just so happens that Mike has a unique trend of his POV being missing from the overarching narrative. And how they play with that sometimes, is by strategically displaying his POV through other characters.

You might think I'm crazy, but this has happened quite a bit. The most well recognized example of this would be with Hopper at the end of s3 with the letter.

A less well known example would be with Argyle in s4. Again not all the time, but there are a couple specific moments that come to mind, where it feels like they are hinting at Mike’s inner feelings, by having Argyle display things Mike cannot express to the audience yet.

I always thought it was weird they decided to put Mike and Argyle in almost identical hats in the airport scene. Though, it makes a lot more sense when you see Argyle call him a shitty knock off, only to watch the whole group walking through the airport, with Mike to the left of El and Argyle to the left of Will.

Mike may be standing beside El with them looking like a happy couple, but he’s actually distracted and hyperfocused on Will. And so how they reference that, is by placing Argyle standing close beside Will, sort of mirroring the blocking of Mike and El. In Argyle’s case, he is not putting on a fake smile, instead he looks almost emotionless about what's unfolding. The blocking there definitely feels intentional, as it could be the writers way of showing us where Mike's head is truly at, aka focused on Will.

The other major example I can think of (there's not too many from what I've seen, but these two definitely stand out) is at the end of s4 when the boys arrive at Nina to rescue El. We've talked about how the explosion behind Mike as he was looking between El and Will, is representative of the extreme mix of emotions he is feeling at that moment. But no one has ever talked about Argyle's reaction in that scene. Knowing what the explosion represents, I think we should consider what Argyle’s reaction to the explosion itself might represent as well.

First, Argyle interferes with the Milkvan reunion, standing in the frame behind Mike, with his hands on his head looking at the fire blazing with stress.

But it gets even more dramatic than that, when El and Will are hugging, that's when Argyle really starts freaking out, OH SHIT AW SHIT, pacing back and forth.

By doing stuff like this, they can hide hidden meanings. It also just makes it a whole lot easier to come up with ideas for scenes. Because when they have a big component that is underneath the surface, they can build anything around that, as opposed to coming up with a bunch of ideas fresh on the spot, without any reason for it.

Which is why, tbh whenever I hear someone say it's not that deep, when referring to basic filming techniques of playing with POV, I'm just sitting there thinking, do these people not know how much easier it is for artists, when it is that deep? It’s sooo much easier (and gratifying).

But back to this scene with Yuri and Dmitri.

Yuri seems to be doing a lot also while doing very little reminds me a lot of Mike's method of boyfriendism at the start of 4x02. He brings El flowers, he's got a whole inspired Cali fit, he's feening happiness the whole time, holding her hand and skating together. He's basically giving off this vibe that he's going above and beyond, when really, we know that despite all those little things, he's not doing the one thing El wants him to do, which is to say I love you.

This scene in the piggyback script initially stood out to me because of the word stalling. And this is because whenever I talk about Mike’s behavior in s3, but especially in s4, with him repeatedly putting off saying I love you to El numerous timed, I often use the word stalling to describe it.

In his letters, he avoids it. In the flowers, he avoids it on the note. When she confronts him during their fight, he deflects, and makes a point to struggle using the word care instead. Even when she's literally crying he still can't muster it. When she's getting taken by the cops, he still doesn't think to say it, even now when things are so bad and it might have given her at least some comfort. When they're separated Mike, gets reassurance from Will that he can just say it to her when they reunite, though Mike doesn't look too excited about saying it. Then not even a day later (during the Letter to Willy scene), Mike tells Will he didn't know what to say to El, even though we all know it only would have only required those 3 famous words... And then him and El are reuniting and he still doesn't say it. And then they're in surfer boy and they get interrupted, but tbh the lead up to it felt super disingenuous anyways, with him looking like he was about to say something out of obligation and not because he wanted to say it. And then the literal moment that she is choking, he stalls, until Will encourages him, and then even still then, they make a point to put dramatic beat right before, and only THEN is that when Mike finally says it.! (And all of that isn’t even including the stalling he does in s3).

Basically, Mike is the king of stalling, but especially in s4 and the Piggyback specifically, bc stalling is what has led to this grand moment of Mike quite literally having no option to stall anymore.

And so stalling being used in this conversation with Yuri and Dmitri instantly peaked my interest. I barely remembered the scene from the show and yet the instant I did, I just knew what was about to go down was something related to Mike, that we wouldn't otherwise get insight on bc we don't have his POV right now.

In contrast to the episode, the script has Yuri admitting to stalling. He doesn't seem to have remorse about it at first, he actually seems kind of like he's willing to admit it because it's the truth. Then we get a Ronald Reagan mention from Yuri, followed by him spitting with disgust, which was not included in the final cut... still sort of an off moment, considering the very few Reagan mentions we've gotten in the series, it's been through the presidential campaign sign in front of the Wheeler's house in s2 most.

But now, this is where it starts to get a little scary in terms of what Mike could be thinking. I don't know how I feel about it because it's a scary concept.

You saw it with your own eyes. You know it to be true. And yet you continue to play tricks.

This could mean one of two things, or maybe even a mix of both...

It could mean that Mike knows El doesn't need him despite her begging for him to say the words I love you (he saw it with his own eyes?), but he isn't willing to accept it. He knows his feelings deep down will never change (he doesn’t love El), making his and El's separation inevitable (also reminds me of the suicide mission comment from Yuri...). He is fixated on this idea of her needing him and if not, losing her all together, instead of what El was actually upset about, which was not being loved.

Or it could (also) mean Mike understood Will in the van. He saw it with his own eyes aka the painting, he knew it was apparently for a girl Will liked, but it ended up actually being for him. And he seemed very happy about this as a revelation, up until Will mentioned it was actually from El. Not only that, but what followed was Will monologuing about feelings that matched closer to what Mike and Will had went through over the past year, not him and El. And so Mike realizes in this moment that Will does return his feelings for him, but he isn't willing to confront it aka he chooses to play tricks instead. He saw Will crying, yet he didn't confront it nor comfort him, and I think it’s at the very least bc Will crying that hard would have definitely caused Mike to start crying himself.

I also want to add that I think supports this sort of unraveling of Mike having different assumptions about the painting at different times. Because it appears in the hospital scene with Max, based on the blocking of Will, Mike, and El according to the painting on the wall in the background, that before this moment, he may very well have assumed the painting was from Will. But upon finding out El saving Max was a miracle, the painting shifts and is suddenly behind El.

I think that’s the main issue with deciding definitely one way or another how Mike interprets what’s going down. Because arguably, his feelings about the situation could actually be evolving based on the events around him unfolding.

Now let’s move on to the Peanut Butter Smuggler line. They use this to sort of make a reference to a past version of Yuri who was revered, and irrefutably considered a hero by many’ aka the mainstream ‘I miss s1-2 Mike Wheeler’ core.

And last but definitely, almost certainly not least, they show us Yuri reaching in his coat's inner chest pocket, to pull out the reason for the issue that was causing the stalling…

And that in the context of lettergate and even pocketgate, is pretty insane.

I also noticed a lot of scenes end with 'as...' in the scripts, as it's sort of their way to emulate the smooth transitions between scenes in words. While the scene directly after this is of Max and Lucas, the scene directly after that is Mike and El in Surfer Boy, right before they eat the pineapple pizza.

'Uncertain as...' Uncertain as who?!?!?! Max uncertain about the plan she herself insisted they do? Perhaps. Or what about Mike who is very much uncertain in all of his stalling glory, not even two scenes later, after they literally just acknowledged Yuri's stalling…

A lot of the pieces are there for this to play out, so I don't really think it's a reach anymore when you really start to add it all up.

Letter to Willy is a major proof that this is important. Although Mike ‘We’ve had it this whole time’ Wheeler was referring to a pen in that moment, the pen also came from secret hero agent man’s pocket, with the number (answer) being hidden inside, and with Mike’s shirt being off in that scene, though still in the frame in the right corner.

And then there’s the whole transition from Mike in Hawkins to the mailmain in Lenora in 4x01, DONT you worry Mrs Byers, it’s coming!!

If you want to know what I think personally. I don't know....

I do feel like what would make it super easy for everyone to figure out what's going on with Mike, is for us to finally read a letter from him, and with it ending with love Mike... Like it would just be that easy. Literally all of the contents could even be written off as a friend missing his friend platonically and really struggling bc he can't reach him, with him opening up about things that we already suspected, but that he hasn't said out loud. And then by simply ending it with love Mike, the case would be closed.

It would also perhaps explain Mike's inablity to write love to El in their letters. You’d think there had to have been something that made him overthink not doing that in the first place? And arguably, him having done it for Will when he tried to write a letter(s) to him, only to end it with love, followed by panicking and making the choice to never write Will a letter and instead focus on sending them to El (bc she’s his gf) it sort of starts to add up.

I also think I have a theory for when this letter will come into play in s5.

In the flashback of Suzie getting her computer taken by her dad, the last shot is of her night stand, which has a letter from Dustin, with a watch laying on top of it, also accompanied by an alarm clock that reads 5:02… I think it’s possible we could get lettergate being addressed as early as the second episode of s5. And with all the time/clock imagery surrounding it, there’s a good chance the cliffhanger of that episode could send us straight to the time jump…

Just a theory for now based on a lot of piling evidence. But it’s all very incriminating for Mike…

#byler #stranger things #mike wheeler #stranger things theory #lettergate #pocketgate #byler theory

[laylajeffany]

Not an ask, but, I'm currently about 2/3 of the way through Chaos for the Fly, and it is truly one of the greatest things I've ever read. It has made me laugh, cry, and every emotion in between. I have spent the whole time learning alongside Wednesday to love and care for myself. You've expressed out loud feelings of my autism and anxiety that I never could before, I've never read panic attacks more accurately written, and simultaneously you've taught me how to begin coping with them. The way you so vividly separate the voices of different characters, the way you describe every emotion so perfectly that leaves me feeling like I'm right there in the moment. The depth that you add to all the canon characters without taking away from their original personalities, the way all of your OC's fit so perfectly into the story, every single one of them mattering, not a single line, character or scene is unnecessary. I long for family like Josie and Emi, but in a way, just reading about them makes me feel they're talking to and teaching ME. Somehow on top of all that you wrote one of the most beautiful and realistic slow burn romances, It never feels rushed, no intimate touch or comment feels out of place, and yet you're constantly hoping for more. Then, once they are finally together they continue to have a beautiful and ever evolving dynamic, which is where a lot of other authors fall short in my eyes. The way you show Wednesday's comfort level with every character not just Enid, combines with her autism and uniquely affects each individual dynamic shows such and intimate level of understanding, it's so incredibly impressive. I think you may have ruined season 2 for me when it does eventually come out, simply because even with Jenna Ortega as a producer, it could never be as good as what you've written. and so I thank you. Thank you for writing this beautiful, spiritual, mental, and emotional journey. I hope for nothing more than that you keep continuing this story beyond chaos for the fly because I don't think I'll ever be ready for your writing to be over.

Thank you so much for this!! Slow-burn on a realistic timeline, organic character development and a meaningful portrayal of emotional struggle in a hyper-fantastic setting are my passion. I’m glad it’s resonated with you! Writing OCs is always a gamble but people really seemed to resonate Josie and Emiliana for certain (as well as others but I hear about them the most). I’ve ruined S2 for myself, truthfully and if Gwendoline Christie really isn’t in it, I’m not sure if T. Martel and I will even be watching lmfao. (This entire fic started in a parking lot at the mall when she was lamenting about needing Larissa Weems to live and I mumbled, “I guess I could write something.” HAHAHAHAHAHA.)

The good news is that I’m still playing around in this universe, I’m almost 50k into chapter one of the sequel and I think that it might actually end up being longer than I anticipated originally (just like the other fic I’m working on goddamn it I did try to make new year’s resolutions about this but it seems like I’m breaking them). I don’t think anyone is going to be mad about it! 

Thanks for reading and for letting me know how it’s impacted you! Happy to have helped in some small way. 

#layla answers fic questions #chaos for the fly

[ananke-xiii]

My ranking of SPN seasons (based only on their PLOT) pt. 1

Okay so I've finally watched all 15 seasons of Supernatural and, I must say, what a journey!

The show has releaved itself to be a pleasant surprise, I've learned a lot thanks to it. I must confess that I had strong prejudices against it and had been avoiding it all these years because I thought it was... well, tbh not worthy.

Of course, since now I am here writing about it, it's useless to say that I was wrong. It's not the perfect show, sometimes it's not even a good show, but for sure it's an enjoyable, interesting and exciting show.

The following ranking is based solely on the plot (and subplot) of each seasons and my personal opinion about it.

15. Season 14: Frankly, I don't know what to say about this season, LOL. There is no real plot. We are led to believe that the story will revolve around Dean being possessed by Michael, okay. Basically Michael!Dean from the AU goes to Earth 1 to create an army of monsters (?) but then says bye bye to Dean and leaves (??), but oh wait, no, he re-possesses him (???), and then the army disappears (???) and then he gets trapped in Dean's mind and then he posseses Rowena (???????????). In the mean time, Jack is sick, dies, gets rescued by Castiel who makes a crazy deal with The Empty, then kinda goes crazy and starts killing angels (?????) and then gets killed by God. He also accidentally kills Mary Winchester (???????) in the process. I dont' get it, okay? Maybe it's just me! At any rate, we discover that Michael can possess whoever he wants since he easily changes his vessel without consent multiple times. This fact alone contradicts the whole of season 5 (Dean is the chosen one, the one and only Michael's vessel, hello writers?). Finally, the whole Nick/Lucifer thing. I get it, Mark Pellegrino was GREAT as Lucifer, I loved him, I wanted to see more of him. But his subplot was nonsense and meh. So, yes, the plot was bad. Reeeeeal bad.

14. Season 15: One of the the fun things about Supernatural is, for me, the fact that it doesn't take itself too seriously. Throughout the whole series we have continuous meta incursions and I find that extremely interesting. However, I think that with the final season they went too far. The plot (kiling the manipulative and frankly insufferable God) is stimulating enough until the episode named "The Trap". After that, I felt like the writers didn't know how to fill the remaining episodes until the end and just wasted half of the show on basically nothing really noteworthy. Also, one could totally see that the main worry was not the plot but trying to tie all loose ends off. It was unsuccessful. I would have preferred a well-executed plot rather than a plot that aimed at"filling in" all the gaps of a 15-year-old TV show (read: it's almost impossible, also unnecessary). The final episode was just bad, like really really bad. The plot was resolved by episode 19, so the last episode really felt like something made to end the show forever, kill everyone off and never talk about them anymore. It didn't make any sense at all.

13. Season 7: I didn't hate season 7 per se, but the plot was not great. Like season 15, the season starts off strong with the main event but then it drags itself out until the end. There's no meat in between. The gist is to kill the Leviathans, the subplot is Sam's confronting Lucifer's mental abuse. The most interesting stuff (aka the introduction of the Word of God) happens around the last 3 episodes. This is one of those seasons that are needed to "connect" different points in the myth-arc, however it was not done brilliantly. I felt like Bobby's death was not necessary to the events, it was poorly done for emotional sake. The"Dick jokes" are funny at first, then they are tiresome. After a while I couldn't take the characters seriously, it was all one big dick joke after another, please stop. At the end, we find out that the whole subplot was utterly useless: Castiel shifts the Sam's mental problem from Sam's mind to his, goes crazy in exchange, ultimately to be cured once he's in Purgatory. I'm sorry, what? Also: the Leviathans (the close-to unkillable monsters the heroes have been fighting for the whole series) become just "regular monsters" and that's it. I'm sorry, WHAT?!

12. Season 3: This season contains arguably some of the best episodes of the whole show. The 2007-2008 Writers Guild of America Strike affected the way the plot was planned (I presume) but I think it was for good. As a result, the plot is clean, simple, easy: the heroes need to rescue Deam from the demonic deal he has made. I like when there's a sort of "deadline" in the plot, it keeps things interesing for me. That's it, that's the plot. There's no subplot either. So why this low in the ranking? WELL. The first half of the show made me very uncomfortable. The jokes sounded very, very problematic and I had a very hard time finishing the episodes. Now I know this has nothing to do with the plot, but hey. It made me feel uneasy and the ranking is mine so ranking n. 12 it is!

11. Season 6: I appreciated the writers' attempt with this season. Basically, both the plot and the two main subplots make zero to no sense until the end, when we discover "the truth". As a matter of fact, until episode 19 we don't really understand what's going on. The plot seems to be the hunting of the Alphas and, eventually, of the Mother of them all: Eve. One subplot seems to be a civil war in Heaven, although we are only told about it and never see anything. The other subplots is Sam being soulless + the fact that now he's been hunting with his resurrected grandfather who, in turn, was resurrected by Crowley and now works under him (LOL). For the plot and the first subplot to make sense the missing link is this: Castiel and Crowley have been pulling the strings all along without the heroes' knowing. For the subplot... well, for the subplot (Sam being soulless), too LOL. Cas and Crowley are having an "affair of sorts" and plan to open the door to Purgatory to take souls from there and use them as... energy? Yeaaah. I liked the "whoaa I didn't see it coming" factor. HOWEVER, for it to REALLY make sense one needs to acknowledge Cas and Crowley relationship. Like, seriously, the reason why everything starts to go wrong (and interesting) is because Dean feels "betrayed" by Cas. Which makes zero sense. But I digress. What I want to say is that the turning point of the plot is understated unless you get the "romantic" implications. It's left to the audience to get it but, honestly, I didn't get it at first so I didn't get why the characters were so angry at Cas and why Cas didn't tell Dean about his affair with Crowley. Then when you get it, you get it but anyway the plot is not the best the show has to offer.

#supernatural meta #supernatural #spn #spn meta #spn analysis #dean winchester #destiel #crowley #drowley #bobby singer #sam winchester #castiel #spnfandom #spn season 14 #spn season 6 #spn seaon 7 #spn season 15 #spn season 3

[chainofclovers]

A fandom thing that brings me great discomfort is the assumption that "all" queer fans are naturally going to flock around a single ship, and if you don't see it happening you're definitely straight and possibly homophobic. Those are some wild things to assume!

(I'll note a bit of added context here: I don't participate in Twitter fandom, so Discord and Tumblr are my main exposures to character and ship discourse, and AO3 and Livejournal and fansites are the current and past places I've consumed fic. When I'm into a show, I tend to read widely in the main tags even if I usually gravitate towards one or more favorite ships.)

In my current fandom, my inclinations are mostly centered around a m/f ship as well as multi-shipping a variety of monogamous and poly ships (many/most of which are queer). This is a bit of a departure from most of my previous fandom experiences, which have been centered around very subtextual f/f ships in fandom spaces where the fic-writing and discourse is nearly entirely centered around femslash. My corner of this current fandom includes tons of queer fans (of which I am one), as well as plenty of fans who don't identify as queer. In all the fandom spaces I'm in and in all the pairings (and gen fic) I enjoy from this show, there tends to be a lot of nuanced exploration of gender and sexuality, including explorations of queerness, including within transformative works about that popular m/f ship.

Over the last few weeks, I've watched the ship wars in my fandom, which used to be largely focused around that m/f ship I happen to love, kinda shift into what I think is a bit of an emerging-from-within defensive campaign for a popular m/m ship.

(Some more context: I have zero interest in engaging in ship wars. I believe all ships with adult characters are valid ships. I am invested in what will happen in the canon of this show, but "endgame" has never been the driver for my participation in any fandom, and I'd be shocked if I don't continue to create transformative works about my favorite ships for months and years to come regardless of what happens with the show. I personally don't adore the popular m/m ship, although I definitely see the chemistry and for most of the time this show has existed, I've appreciated the enthusiasm for the characters and the ship even if it's not my cup of tea. I enjoy both characters and their canonical relationship, and completely understand why the romantic ship is very popular.)

I find it genuinely kind of funny and amusing that for ship war participants fighting for basically any ship within this fandom, the arguments they experience from antis are incredibly similar--for character x and character y to get together, or for character x and character z to get together, it would be cliche, it would be tired, it would be unnecessary, we already have plenty of rep like that, or there's no way these characters could make sense as rep like that, there's nothing in the text that supports this ship, etc.

What feels newer is this insinuation that to opt out of shipping a particular thing means you are unable to see it. If you just don't prefer it or don't predict that it will happen in canon, that must mean that you believe the people who do see it happening are delusional, and therefore you are the enemy.

And attendant with that viewpoint is this idea that there are only two options in media: "the" queer ship will go canon, or the entire show is a big queerbaity setup. Does queerbaiting exist? Yes! Is it happening right now? No! Queerbaiting is, essentially, a broken promise from creator to fan.

The reason all this bums me out try as I might to ignore it and continue having a grand time is multifold: it's a gender thing and a rarepair thing and a thing about ship-as-campaign that saps the fun and joy out of (sub)text and text and the beautiful mystery of watching a story unfold faster than anything.

The gender thing: the show I'm talking about has a character who identifies herself as bisexual in the first season. Do I want more about that story? Do I think that story could and should take up more space? Yes! But is it there? Absolutely. And it's been disheartening to see people either ignore her completely or chalk this part of the story up to "lame jokes" as if humor and flirtation are less-than or inauthentic ways to engage with one's sexuality. It's disheartening to hear people talk about how they hope this show will have its first queer representation when there's been a queer woman on the show the whole time.

The rarepair thing: fic writers, presumably of every orientation under the sun, have been creating very queer fic about a multitude of characters on this show (including, notably, characters who are women) this whole time. There are queer pairings with twenty or fifteen or even three, two, or one stories in their tag. And it feels like lately all these pockets of fandom, regardless of what we've been writing, are getting lumped into this generic "straight" soup of people who lack the vision for the thing that's now "the" thing. But the things that made me want to write queer fic (and, yes, m/f fic) about all these characters, including one of the characters who is part of the popular m/m fic, are things I picked up in the source material, too.

The ship-as-campaign thing: it's exhausting. And it takes something that's pretty inherently queer--the communal act of engaging with a text and transforming it in a million beautiful (or depraved, or silly, or gross, or genre-defying) ways--and splinters it into factions. And assumes stupidity (or outright bigotry) on the part of those who don't see it the exact same way you do. Of course there's bigotry in this fandom, and among casual viewers. It's shit. So why invent more of it that isn't there when we could all focus on eradicating what is there? I don't think there's anything wrong with hoping fervently that you get to see the love story you want to see play out onscreen. That's absolutely how I feel. It's the way this stuff gets treated like a political platform that needs to do numbers to win...that's what bothers me, regardless of which ship it's about.

This has gone on way too long and I very easily might end up regretting making this post, which is very obviously about the thing it is about. If you reblog it, do NOT use it to campaign for any ships or belittle anyone for enjoying the ships they enjoy. PLEASE. Every single one of the ships is great and interesting and worthy of being explored by fandom, and you're selling fandom and community and queer culture short if you assume all the queers have to go in one room and all the straights have to go in another. We can be excited about the things we're excited about without making those hurtful assumptions and making ourselves miserable over a thing that is actually extremely cool.

#queer things #fandom things #hot dork club #personal #(but you can reblog as long as you don't use it for the purpose of ship wars or campaigns!) #and what the heck i guess i'll tag it with the show? #i don't wanna start anything but genuinely express something that i find hurtful and interesting at the same time! #ted lasso

[chososhairbuns]

(tw for r*cism, p*dophilia, tr*nsphobia, and SA)

truly i am not saying this simply for the sake of being mean or a snob but i wish mp100 fans would think more about the type of people they choose to make popular in our community. as a fic reader and writer i've seen all kinds of shit that people come up with and i'm not picky with what i enjoy but you know what i find to be completely baffling? the fact that only a handful of people seem to be willing to be critical of an author who (and i'm not putting this under a read more because you guys need to see how fucking long this is and let it sink in):

wrote touichirou to be even worse than he already is in canon. we're talking about being pro-eugenics, being racist towards serizawa (who is portrayed as blasian), and condoning child impregnation (don't even try to come at me with the whole "well duh he's the villain so what's the problem?!" because let me ask you: why would any of the above be necessary to show that touichirou is a villain? all of this is ultimately unimportant to the fic in question as a whole and imo they're not handled with the necessary care that should entail. something being dark and gritty =/= being better; i thought we've evolved past this mindset). excuse me for disregarding mp100's themes of "it's never too late to change" for a second here, but shit like this makes it extra difficult to buy into his character development post-wd arc. most recently, the author has revealed herself to hc him as having had a white south african mother from whom he learned "his kind of eugenics mindset. outright headcanoning a character to be racist huh? white.

is racist towards serizawa in general actually. the narration is constantly making weird comments about his hair before he starts working at s&s. you see people like REIGEN saying he looks sloppy, and it's never called out.

wrote a graphic sequence where reigen gives birth in a taxi while ritsu watches and helps deliver it. again, it's a completely unnecessary scene and adds nothing to the overall narrative, and it can be very uncomfortable for those faint of heart. also theres a gratuitous r/trei joke thrown in there for good measure.

has very questionable trans rep, according to the trans people i've spoken to. serizawa is implied to have a trans fetish, shimazaki is portrayed as a trans woman chaser (you know for the funnies), and allusions to reigen's transness are mostly through explicit imagery.

is really weird about the kids????? shou is characterized as someone who's constantly making dirty and frankly unsettling comments towards others even when he isn't being aged up, even though that's not a trait he has in canon. he and the others are constantly dancing right up to this really uncomfortable line that stops just short of full-blown gross shit.

WROTE A FIC WHERE REIGEN ASSAULTS SERIZAWA. do you hear me? she wrote a fucking fic where serizawa wakes up to reigen trying to get it on with him. that is assault. this author will tell you that it isn't assault because they're in an established relationship but listen to me: That. Is. Assault.

doesn't tag any of the shit i just mentioned! she doesn't alert her audience to any of these things before she draws in her audience because she's more worried about "spoilers" than actually protecting people. one time someone asked her to tag the fic i mentioned in the bullet point directly above as SA due to being triggered but she refused because they were the only person to have a problem with it (allegedly), and also because they were "rude." wtf. basic fucking decency shouldn't hinge on how polite or rude someone is being, but she has such a huge victim complex despite being 39 years old and too old for this shit that she doesn't even realize it.

again i am not trying to put myself on a soapbox and say that i'm inherently better than anyone but i really am so disappointed in you people. for the most part i find that this fandom is a lot more well put together than a lot of those hellholes out there (save for the standard fuckery that all fandoms are guilty of obviously) but seeing talented artists that i otherwise respect and have nothing against choose to put this person on a pedestal and by extension enable this sort of thing to continue is so disheartening. i'm not trying to attack anyone or accuse them of consciously condoning this content, but please think for a bit before you uncritically recommend it to others just because it has your favorite ship in it or because you enjoy darker and more mature themes.

#mob psycho 100 #mp100 #if the author sees this and gets offended: look. if you put something on the internet then it is not exempt from criticism. #as a rsd bitch i get feeling the need to blindly defend myself from people whom i feel are 'attacking' me #but that doesn't mean you should dodge all criticism play the victim and trick your friends into thinking you're being treated unfairly. #and if you decide to react to this the way you tend to whenever something like this pops up you'll just be proving my point.

[gollumsmygel]

I just finished all available episodes of ATLA on Netflix and I am upset that I have missed out on quite a lot since the episodes are incomplete for some reason. Missed the whole fight in Ba Sing Se, the legendary Toph metal bending scene, some Zuko stuff... the last season isn't even complete so I had to stop prematurely.

Anyway I find the characters, especially Zuko, so freaking hilarious.

So I first started watching the show back when I was a kid and I used to remember Zuko as a very serious character. I mean, he was out there to capture the avatar and restore his honor right? So serious stuff if you ask me. Anyway I started watching the show and I find him hilarious. Even the way the producers did him is hilarious. Like that one time he dodged Sokka's boomerang only to be hit on the back of his head. I do very much like how they captured angsty teenager on Zuko tho. I however feel very bad for Mai for having to deal with him because /sheesh/ couldn't be me. He was so confused and nothing made him happy. He's talking so sincerely to Iroh and when his uncle didn't response, he explodes haha.

Aang also. So much like a kid. A silly little boy blended with some monk wisdom here and there. With my adultish brain I sort of understand why he was so afraid of facing Ozai. Why the responsibility was so heavy on him. So I guess it's such a great detail since I never seem to see it on animes I've watched (dont come for me I said animes I've watched and I haven't watched okay pls thanks)

Also so cute how he mixed up Katara and "Katara" from the theater play. Also ugh their kissing scene episode was missing so I didn't get to watch it. Missed the whole invasion plan, in fact.

Now Toph, I've always loved Toph. Since I wad a kid. There's just something about a seemingly vulnerable, tiny little girl becoming the first person to bend metal. She's so cool, her humor is great 10/10 top tier. My ATLA experience wouldn't be the same without her. Also love how she has the cleanest bending form. No unnecessary movements at all.

Katara, also hilarious. I love how she has this charm that attracts all these guys but she's also easily swayed by them for some reason. Like with Jet and Zuko? You know she had a thing for them both. She trusts them then get bitten in the ass for it. And then yeah Aang who ended up being her endgame.

Sokka also has some charms but not as much as Katara ig? Anyway water tribe people are canon attractive people. What I love about Sokka is he really redeemed himself. Handling their schedule and reading maps? Very crucial for avatar and world-saving stuff.

#rant #avatar the last airbender #atla #aang #zuko #katara #sokka #toph

[transmascutena]

Never got around telling you that I watched the transfeminism in utena essay and loved it!

Today I finally rewatched Adolescence and loved it as well, I think it's one of my favorite movies, it's visually stunning and so amazingly haunting/hypnotizing, felt like I was in a trance while watching it.

(and oh my god Anthy is my favorite character in anime of all time, I adore that she gets so much more dialogue and screen time in this, specially towards the end. Hearing her say the "Give me the power to revolutionize the world!" line made me tear up)

Just wondering your thoughts on it, or your favorite thing about it (?) Idk! If you have any rant about aou I'd love to read it

sure, i'll rant a bit about aou! this is mostly just my thoughts on various parts i like and dislike, not really any analysis.

i have mixed feelings on adolescence that change every time i watch it but mostly they're positive. i think my favorite thing about it is anthy. i love that we get to see her be more free and more forward. i love that it's her narrative, that we get to see what her and ohtori are like without akio (though still haunted by him.) i love the reading of the movie as a sequel, in that the show is about anthy escaping her abuse, while the movie is about the lingering trauma from it. i love the "we were together in killing the prince" line from utena at the end. i love that they're both free and together now. i also love the visuals of it, of course, it's a gorgeous movie. and i appreciate that we get to see utena and anthy in a much more explicitly romantic relationship, even though i do prefer the subtlety of the show by a lot. all their scenes together are very good, but i especially like the bedroom scene, the dance scene, and the drawing scene (i want to write some proper analysis of them sometime). i love the layers of metaphor and symbolism in every part of the movie, and that it feels even more abstract than the show. i love the car scene, it's silly and it's symbolic and it's emotionally impactful <3

on the other hand i think pretty much every part of the movie that isn't about anthy and utena is .. not very good in comparison (to the parts that are about them, and to the show.) which makes sense when you read the movie as anthy's narrative. of course she's not really focused on any of the other characters. saionji especially lacks literally all of his depth, which i think is just funny when thinking about it through that interpretation. uh, i hate the nanami cow scene which i've talked about before. i think it's unnecessary and uncomfortable and purposeless. i do however like that she doesn't appear in ohtori, because of the implication that she escaped. i appreciate touga's backstory reveal, though i don't really care for his role in the movie very much. it's never felt all that coherent to me, though i do understand what it's saying about the themes of the prince being dead. shiori has a weird antagonistic role that i don't know how to feel about. she's lacking a lot of her depth too, and i'm not sure i fully understand her motivations. or maybe i do and they're just not that interesting to me. hmm what else . akio is a far less interesting character than in the show also, but i think it works. he's not very intimidating, incredibly pathetic even, because anthy has already left/has already made the choice to leave him. also i like that he kills himself :)

i don't want to directly compare it to the show when talking about what i like about it, because obviously i like the show more. but i don't think the movie is trying to like.. compete with the show in terms of which you like better. because it isn't just a retelling of the same story. if it was, a 39 episode long tv series would always beat it in how developed its characters and themes are. which is why i think the movie works much much better when read as either a literal sequel to the show or as a continuation of its themes. it doesn't stand very well on its own in my opinion, aside from how pretty it is.

#adolescence of utena #asks #m

[bleachbleachbleach]

Maybe you've answered this before, but which of the bleach movies are you favorites? Do you like them in general? I feel like I've watched the DDR 100 times, but the movies aren't really talked about much in general it seems....

Neither of us really think about them as discrete "movies"—we take them more as a collection of elements, many of which we find very appealing. I think we’ve rewatched them almost annually since 2020, but I’m not sure either of us could actually explain to you what happens in them. We’re too distracted by the dazzling glamor of the Elements.

I will say, like you, Diamond Dust Rebellion holds a special place in my heart! It was the only one that premiered during my first stint with Bleach, and I definitely have vague but fond memories of watching a raw copy on an 11" iBook that I assume was approximately 120p.

Here are my personal favorite Elements from all the Bleach movies—some of which are scenes, some of which are character moments, and some of which are honestly… the laundry lint equivalent of "things that were part of this movie" that I still really love because, as this post will immediately make clear, I have serious Blorbo Disease.

MOVIE 1: Memories of Nobody

1. Commuting: Honestly obsessed with the fact that Hitsugaya and Matsumoto spend so much of this movie commuting. They just keep… going back and forth between dimensions? AND FOR WHY. Peak Gotei efficiency!

2. Bridge Whimsy: The scene where everyone jumps off the bridge into the water and are super duper extra about it. @dont-look-up has a great gifset of Renji and Rukia trying out for the Soul Society Diving Team. 

Hitsugaya and Matsumoto are also great in this scene. They’re both crouched in the same nook of bridge for some reason? And when Matsumoto encroaches on Hitsugaya’s space he wordlessly moves her arm out of the way and it’s so casual and non-eventful. Love that for them but also love that for the animation, because it’s an "unnecessary" non-eventful movement that got to be drawn and animated. You can’t have unscripted movement in this medium—it adds nothing and everything! Unfortunately, searching "bridge" on B3 didn’t turn that gifset up, so it wont’ be includd in this post.

3. Blobby Hisagi: Speaking of animation, Hisagi basically only appears in this movie as a blobby smudge of color in the background. My co-blogger put together a comprehensive account of every time Hisagi shows up in this  movie, and it is a post I love dearly.

* Honorable mention to the kidou cannon, which comes up a lot in conversation, considering how little reason there is to do so. But THE KIDOUUUUU CANNONNNNN

MOVIE 2: DiamondDust Rebellion

1. LAWSON TRUCK!!!!

There’s a transition scene where a Lawson truck randomly drives by and I am OBSESSED with it. I mean, I love Lawson, which is a Japanese convenience store chain. But most of the stores/brands in Bleach are either generic or made up, as is true of many anime. Yet there’s a real, honest to god Lawson Truck in this movie. It makes me wonder if there was some kind of Lawson promo that went with DDR’s release. Anyway, I see you, Lawson Truck. I love you.

2. Hitsugaya's Bow: After finding himself in Ichigo’s bed after passing out in the forest outside Karakura (and, one assumes, bleeding all over his sheets), Hitsugaya leaves without a word in the dead of night. But he still takes the time to bow at the Kurosaki house, as thanks for its hospitality. I love this quiet, quotidian gesture in the midst of a whole lot that is neither quiet nor quotidian. 

3. DETECTIVE BYAKUYA. BYAKUYA, ON THE CASE. This is best explained by my earlier post about this.

It’s best dramatized by the second music video I’ve ever made in my life, a tribute to Detective Byakuya and Law and Order: Soul Society.

We have a whole tag for Detective Byakuya (and more posts to yet to be written!):

4. Hisagi/Kira vs. Hitsugaya is one of my favorite short fights (maybe one of my favorite fights, period??) in Bleach. Hisagi gets to be incredibly cool and use a bunch of kidou and backflip onto a torii gate. Hisagi and Kira are then immediately annihilated by Hyourimaru’s shikai once Hitsugaya decides he doesn’t have enough HP left to deal with this shit, but Hisagi and Kira were very cool up until that point!

I’m certain Hitsugaya is capable of annihilating Hisagi and Kira whenever he wants, but I do want to note that it wasn’t exactly a fair fight. Hisagi and Kira didn’t want to hurt him, particularly since he was already heavily injured. Hitsugaya, uh, did not have similar qualms.

5. ZABIMARU EXPREEEEEEEEEEEESS

Soul Society’s most exclusive, breathtaking way to travel. (cue Jrock cover of Disney Aladdin’s "A Whole New World")

MOVIE 3: Fade to Black

1. Byakuya Discovers Doors: One day I’m gonna get it in gear and make a gifset for this, because this scene is the BEST THING THAT’S EVER HAPPENED TO ME IN MY LIFE. There’s a full sequence of Byakuya combing through the Kuchiki Estate and opening every single door. Just walking around. Opening all the doors. In the dead of night.

And OKAY, the context for this is that he’s in Detective Byakuya mode; he can sense that something is amiss but isn’t able to discern what—he’s searching for anything that will help the missing pieces fall into place. (The missing piece is Rukia’s entire existence.) But it’s not like he tells any of his retainers this so for all they know he’s just going around opening all the doors in the dead of night, and they have to quietly follow behind him and close them all, murmuring, "ah yes, our Lord Byakuya, always working. Very thorough examination of doors and hinges tonight." I love him.

2. Hitsugaya is 11th Division's Foster Captain: Hitsugaya is working with Ikkaku and Yumichika in this movie for some reason—like, goes out to Inuzuri with them, even as he’s left Matsumoto behind to do work with their actual division. This is important to me only because it’s not the only time he’s been the 11th’s foster captain?? I’m not even talking about the Advance Team arc, which is something else entirely. In the Bount arc, when Zaraki is similarly indisposed/unreachable, Hitsugaya also ends up in charge of the 11th. Like, who decides this???

Anyway thank you, whatever bureaucratic processes makes this happen over and over again; I appreciate you. I’m sure Hitsugaya Suffers every time. (But he also probably prefers this over any other option, because the second option is probably just "idk 11th go freeball it do whatever you want!!". Also, Hitsugaya is always volunteering for this stuff.)

MOVIE 4: Hellverse

Okay, we just saw this movie (well, we just saw all of them, but this one was last!), but I’m not remembering a lot of it right now because it’s low on Blorbo Disease triggers. I do very much enjoy the Six Hearts gang running around in Squarespace (Hell)!! But this post is very long, so I’ll just say:

1. Byakuya Projecting by offering his fairly lengthy opinions about Ichigo and Yuzu, considering he’s known of Yuzu’s existence for about 2 seconds and she has been bereft a soul and comatose the entire time. 

2. Why is Hitsugaya even here, edition 90009: I love the fact that Hitsugaya is part of this Hell Portal team at all. Byakuya and Ukitake make some sense, in that Rukia and Renji are the Gotei officers most involved with this. But why is Hitsugaya there lol. I like to think that he thought it would be a good opportunity to learn about portals, and considers this professional development.

#If there'sone thing I can say about this post #it certainly offers a vivid picture of what it's like to be me lol. #really just a portal into the brain #'my favorite part was the part where hitsugaya was in it in spite of or perhaps because it makes no sense for him to be involved' <- me #bleach movies #bleach anime #hitsugaya toushirou #kuchiki byakuya #hisagi shuuhei #lawson truck #asks #no brain just bleach