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#the sister dynamic between them is truly very iconic and accurate
alwaysfine · 6 years
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𝐈𝐓’𝐒 𝐎𝐅𝐅𝐈𝐂𝐈𝐀𝐋𝐋𝐘 𝐁𝐄𝐄𝐍 𝐎𝐍𝐄 𝐘𝐄𝐀𝐑 𝐒𝐈𝐍𝐂𝐄 𝐈 𝐒𝐓𝐀𝐑𝐓𝐄𝐃 𝐖𝐑𝐈𝐓𝐈𝐍𝐆 𝐌𝐘 𝐁𝐄𝐀𝐔𝐓𝐈𝐅𝐔𝐋 𝐀𝐍𝐆𝐄𝐋 𝐁𝐀𝐁𝐈𝐄𝐒 𝐀𝐊𝐀 𝐓𝐇𝐄 𝐑𝐎𝐋𝐋𝐈𝐍𝐒 𝐆𝐈𝐑𝐋𝐒 !
i honestly can’t believe it’s been a year already. it has actually flown by. originally on my multi muse, moving amanda and jesse to their own blogs was the best decision and i’ve been so thankful i did ever since. if i’m being honest, the only reason why i made jesse a sideblog at all was because i was so in love with the url ( badbagelll ) that i couldn’t not. but it turned out better than i could’ve ever anticipated. i’m so grateful for all the wonderful writing partners i’ve been blessed to not only write with, but get to know out of character. all of you are such kind, strong, inspiring, and golden hearted human beings with such creative minds and exceptional talent. i often ask myself what on earth i did, and how i got so lucky to meet you all.
 i am so incredibly honored to have the opportunity to bring the independent, strong, unfairly gorgeous, quick witted, badass, and beautifully flawed amanda rollins to life. and not only do i get the pleasure of writing amanda, but our precious bad bagel, jesse. 
all in all, amanda @ sonny in that gif is me @ every single person who i write with, who has ever messaged me ooc, and anyone who simply follows this blog. i can honestly say that writing these two characters has been the highlight of my writing journey. i adore each and every one of you, and i look forward to another year. xoxo.
******* under the cut i’m going to be gushing over those of you who still have your blogs and have truly helped to make this past year 𝚎𝚡𝚌𝚎𝚙𝚝𝚒𝚘𝚗𝚊𝚕 !
THE ELITE SQUAD.
@amaroed​ / dany ! writing nick and amanda with you has brought so much absolute joy into my life??? i’ve loved every single one of our threads and memes from them switching the sugar to salt at the precinct kitchenette to amanda becoming nick for halloween to nick trying to keep amanda awake after she caught a bullet to the side.  you capture nick so well, and your love for him and danny himself exudes every time you write him. it’s honestly so beautiful to see. after writing with you, i can honestly say that my love for nick amaro increased even more. you are such a talented writer, and i’m forever honored to write with you!
@battleincarnate / maddie ! maddie maddie maddie, my iconic, legendary cher stan.  i actually adore you so much i can’t even fully explain. from the first time i talked to you ooc, you just exuded genuine kindness, and were so chill and easy to talk to. i feel like that’s unfortunately super rare, so i just wanna thank you for that??? you’re such a rad friend, and i’m so lucky to have you!! ok as for muses go, i don’t even know where to start?? firstly, your writing is gorgeous and your ability to switch between muses like elliot stabler and ali dilaurentis is remarkable. secondly, what we’ve developed between elliot and amanda is truly one of my favorite relationships i’ve had the pleasure of establishing on this blog, even though we’ve never even gotten to see them together onscreen. i have loved every single thread we’ve ever done.  from the first thread we did where they first meet and they literally want to kill each other, to them arguing over who gets to drive on their first day as partners, to all the million and ten things we’ve discussed on discord like their hardcore car karaoke parties and the fact that amanda will ask elliot to walk her down the isle in any verse where she’s married. amanda may be one of the biggest pains in his ass, and elliot may be one of the biggest pains in hers, but they love each other sm it’s so precious. amanda is also so much like elliot it kills me, and the dynamic we’ve created is literal gold. the phrase like father, like daughter has never applied more. he’s the king and she’s the lionheart without a doubt!
@cabotiisms​ / claire ! like i told you over discord, your portrayal of alex made me love her even more which, i didn’t even think was possible. your grasp on alex’s character, her motives, the way her mind works, is so on point. your love and passion for doing right by alex is so obvious when you write her. now, the big and little sister dynamic we’ve created for alex and amanda makes me smile so much i can’t even explain. i live for alex trying to get amanda out of the messes she gets herself into aka saving her little sister from being ripped to shreds by mom, and in general just being the sister she deserves. the threads we have going right now are quite literally perfect, and i adore them.  and out of character? i love yelling at you about how dirty the svu writers did alex, and how dirty they’re currently doing amanda by bringing in cardio douche. but even more importantly, you are one of the most genuinely sweet people i’ve ever met. i adore you, and am so thankful we’re friends!
@drftwood / catie ! i don’t even know where to start. ok firstly, your ability to bring to life so many beautiful oc’s and occasional canon characters absolutely astounds me. you are so creative, all the ideas you come up with are so intriguing, and you have the ability to turn one small detail into an entire beautiful character so effortlessly. it’s so incredible. and this creativity so obviously carries into your writing. your writing is so fucking gorgeous i can’t even believe. every single character that we’ve ever written together has turned into such a beautiful relationship for amanda. chris, alex, and now jr? i mean, jr is such an important person in amanda’s canon now, and i can’t imagine altering her canon storyline in any other way, nor can i imagine anyone else taking on his role except for you. next, i can’t end this without saying how much i love talking to you ooc. like, from the minute we started talking when we started plotting amanda and alex, i knew we were gonna be friends. AND I WAS SO RIGHT. you have such a kind soul and such a big heart, you deserve all the happiness in the world. i am so lucky and proud to be able to call you a friend and ily!! 
@etlegis / shep ! ok we literally started talking like 24 hours ago but i already adore you and your peter stone. it’s so obvious that you have his character down in your writing. it’s like i read your starter, and it felt like i was in an episode of svu. not only is your characterization of stone on point, but you are the GREATEST ooc. it was so easy to start talking to you, instafriends some may call it, and we just fell down a rollins/stone hole and i’m not even mad about it. you are such a gem in this community already and i’m so glad you’re here!!
@hellhaths / lara !  lara, i fucking adore you. like for real. i could tell from the second we started talking ooc that we were going to be friends. and i’m proud to say i was very right. you are such an exceptional writer, i can’t properly explain. you put so much into every character you write, and it truly amazes me. now, i think we both know i have to talk about your olivia ‘ squad mom ’ benson because …. wow. from the first introduction to your writing, the first thought i had was ‘ she’s literally olivia benson.’ and that first thread we did with amanda asking olivia about elliot while she was trying to figure out the situation with nick, and not only did it wreck my heart, but it was the beginning of the most legendary olivia / amanda dynamic i could’ve ever asked for. SHE’S LITERALLY HER MOTHER. liv arguing with amanda to stop playing angry birds because it kills her phone battery, confining amanda to desk duty when she does something dumb, taking away amanda’s keys …. the list is literally endless. despite how bratty liv’s dorter gets, we all know she still loves her.  listen, you understand the complexities of liv so well, it absolutely astounds me. with twenty seasons of evolution to work with, you incorporate all of it so beautifully. you have her voice and mannerisms down to a tee, and i am so honored to write with you and call you a friend. i’m sending you all the love and light in the world right now, and just know i’m here for you always.
@moontide​ / angie ! girl, your amanda is so important to my jesse idk if i can even properly put it into words. when i first started writing jesse, i had no idea what type of interactions i would get. truthfully, i thought nobody would show any interest whatsoever and she would just be another blog that faded away. WHAT I NEVER IMAGINED IS WHAT I’VE WRITTEN WITH YOU. the amanda/jesse dynamic we’ve created is so complex and beautiful, and i love it so much. every single heart breaking thread and verse we’ve started or discussed, i love. jesse is so her mama’s daughter, and being able to have those interactions means so much to me, i just have to say thank you. and your amanda? so fantastic. i absolutely love the life you bring to her, and i’m so so so honored to write with you. and remember, even when she’s being a brat, jesse loves her mama more than anything.
@o188 / sunny ! holy shit!!! ok so, i need to start by telling you how big of a part you played in me giving amanda her own blog in the first place. when i found your blog and read your writing, i was, for the lack of a better word, s h o o k. to this day, i am still astounded anytime i read one of your replies, because when you write sonny, you become sonny carisi. from writing his dialogue, to his mannerisms, it’s perfection. and you yourself as a human being???? you’re actually golden and ily. you welcomed me into this community with so much warmth and love and i can never thank you enough!! ok, so now for muses. let me just start with the jesse/sonny dynamic. WHAT DID I DO TO DESERVE SOMETHING SO PURE???? sonny carisi is the Best Dad, and jesse loves him endlessly, ok? alright, now for sonny and amanda.  listen, i can’t even accurately explain how much my amanda loves your sonny. she would quite literally try and catch a falling star for him if he asked. writing amanda so open and trusting whenever she’s with him is so freakin’ beautiful, okay?? i’ve adored every single thread and meme we’ve ever started with them, from amanda telling him she’s pregnant with g, to the morning after, to post book of esther. their dynamic is so freakin’ important and what we’ve created with them is truly one of my favorite relationships i’ve ever written. oh, and writing them as parents of their precious baby girls?? quite literally makes my heart grow ten sizes. they are so soft, so beautiful, and i am both honored and grateful to have the opportunity to write that with you!!
@painbled / peaches ! cracks knuckles alright here goes!! HI I FREAKING LOVE YOU. you are one of the most genuine human beings i’ve met on here, and i am forever grateful that i chose to write topanga way back when. there was a chunk of time where we fell out of contact, but the second we started talking again, it was like NO TIME AT ALL HAD PASSED. that’s a true testament to our friendship, and i’m forever grateful for that! then, you went and decided to write noah porter benson aka amanda’s lil baby that’s not actually her baby, but she loves him like he is. she would throw down so hard for him, i’m forever emotional about it. the thread we have where liv’s in the hospital has me wrecked, but i also love it because there are so many mama!amanda vibes aimed at noah happening that it makes my heart warmer than the sun. then there’s jess and noah, and good freakin’ lord. THEY’RE SO CUTE I CAN BARELY STAND IT. they are freakin’ in love with each other and icb they’re gonna get married and have a family and liv and amanda are gonna be grandparents to the same kids. listen, both me, amanda, and jesse’s lives wouldn’t be the same without you and your muses in them. you are such a talented writer, and i will forever tell you that whenever you need reminding. thunder, lightning. peaches and honey always!!
@southbronxabogado / adrien ! wow wow wow wow wow. first of all, you are actually rafael barba. i’m convinced. every single thread is so accurate and it brings me so much joy to watch you bring him to life and give him the treatment he deserves. now, the relationship we’ve developed between amanda and rafael is truly one of my favorites. i went from oh yeah they’d be cute, to holy fucking shit they’re perfect in 0.000001 seconds after we first started plotting them. the dynamic they have is so genuine, and the way he treats her just makes my heart so happy. i’ve adored every thread we’ve ever started, from amanda thinking she freakin’ broke the toaster to the throwback thread of him taking her to that fancy benefit. now last but definitely not least, can i just say how wonderful you are ooc? like, i know i can jump into your im’s and start screaming at you enthusiastically in all caps about our idiots without worry. plotting and writing with you has been such a pleasure, and i absolutely adore you. truly. i can’t wait for all the million other things i’m sure we’ll do.
@thingsmissed / jennifer ! ok, so i haven’t really gotten much of a chance to write amanda or jesse with any of your muses, but i absolutely love having you on my dash and talking to you ooc! you put so much effort into all your muses, and it’s absolutely inspiring. you are without a doubt one of the sweetest people with one of the most genuinely kind, caring, and giving hearts that i’ve had the pleasure of meeting on here. you are always so much fun to talk to ooc, and i can always feel your kindness exuding through the screen. you are a very talented writer and i hope you never doubt that!!
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dykefilmthoughts · 4 years
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Say Anything... (1989) (with partial spoilers)
This was my first time watching this film all the way through. I had seen the first half about 5 or 6 years ago, so it was basically like I was watching the whole thing for the first time. I'm a fan of stupid, cheesy '80's movies (specifically John Hughes movies), so I had relatively high expectations.
It was directed by Cameron Crowe, and Say Anything... was actually his first movie he directed. After this directorial debut, he made other highly praised films such as Almost Famous and Jerry Maguire. He also wrote Fast Times at Ridgemont High in 1982. This track record of his also added to my expectations for Say Anything...
This movie wastes no time in setting up the plot. In the first minute and a half, we are introduced to all of the main characters, we are told that it is their high school graduation, and that Lloyd is chasing a girl from a different social realm, a girl who is out of his league. Everything is seemingly served to the audience on a silver platter.
The juxtaposition between Lloyd and his love interest Diane is also immediately shown, as it cuts between their separate car rides to graduation. Lloyd drives a beat up car and plays his music loudly, while Diane is driven by her father in a more expensive car, as she rehearses her graduating speech.
The two's character traits are also exhibited evidently. Lloyd is displayed as ambitious, respectable, and charming, but has no true direction in or plans for life. Diane is shown as a determined, sought-after, hard-working girl who knows what she wants.
Diane’s speech directly touches upon a relatable fear: her speech ends with her saying, “I have all of the hope and all of the ambition in the world, but when I think about the future, the truth is, I am really scared.” Though the directness of stating a theme of the movie could be seen as uncreative, I think, in this instance, it is done so in a way that is meaningful. The forwardness of stating this theme of a fear of uncertainty makes it more accessible and digestible for the audience; it makes it easier for the audience to immediately connect with this character.
The disparities and similarities between Lloyd and Diane’s home-lives are also displayed in a very straightforward manner. Lloyd lives with his older sister, a single mother, while Diane lives with her single father. This introduces a very interesting theme of class differentiations and creates an intriguing dynamic between the two characters.
Lloyd takes Diane to a graduation party, where she is obviously out of place. This scene reminds me of Pretty in Pink, how Blane takes an overdressed Andie to a party full of Blane’s rich friends who bully her. However, in this Say Anything… scene, the wealthy and overdressed Diane is taken to a party of Lloyd’s welcoming friends who are much edgier than her. Something to keep in mind: Say Anything… came out in 1989 and Pretty in Pink came out in 1986.
During this party scene, another relatable theme is introduced: making life-altering decisions when you don’t truly know what you want out of life. Lloyd just straight up states this theme when a school counselor casually shows up to this very illegal party. The counselor’s presence isn’t explained at all, which is pretty irksome.
Spoiler alert!: Diane breaks up with Lloyd before she leaves to go to college in London. I do give this film credit for accurately showing break ups, especially ones that are due to college choices.
The humor in this movie isn’t very subtle, like many other things in Say Anything... For instance, after Diane breaks up with Lloyd, he is recording himself speaking, for some reason. (Side note: why he is doing this isn’t really explained. He’s recording himself on a walkman, presumably to send to a friend, instead of calling her. It is a thin veil for a way to narrate Lloyd’s thoughts, and is a lazy tactic of storytelling, in my opinion. Maybe recording yourself and sending it to a friend instead of calling them was a thing in the ’80’s, something I just don’t get.) Lloyd is driving around and speaking into a cassette recorder. He says, “I’ve wiped [Diane] from my mind. I don’t remember the time and place when I knew her.” He then immediately proceeds to describe how she relates to every place he drives by; he essentially goes on a tour of their relationship around town. This is obvious irony; this is an example of the unsubtly of the humor in this film. Much like everything else in this film, it is thrown in your face, with arguably little substance behind it.
The most interesting and unique part of this film is the subplot between Diane and her father. Her father is accused of stealing money from his business, and Diane finds out he is guilty after defending and trusting him. This subplot adds a unique layer to the entire film that I appreciate.
You can’t talk about Say Anything… without talking about the boombox scene. Unfortunately, it’s fairly underwhelming given the fact that it is such a famous scene. Lloyd is outside Diane’s window, in an iconic stance, holding up a boombox. Diane simply lies in bed, and the scene is about 60-80 seconds long. The idea of playing a song outside your ex’s window to win her back is innovative and charming; I can understand and appreciate the reasoning behind this scene’s cultural significance.
Despite the cliches and cheesiness in this movie, I think it displays high school relationships among differing social groups fairly accurately. It is a film that is easy to digest and understand; it was seemingly made to be that way.  Honestly, Say Anything... is really good if you don't think about it very much.
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