Conan the Barbarian and how it correlates to Mike's inner struggles
I know the topic of Mike's bedroom has been talked to death, whether it's the one-way sign or the buff dragon with nipples poster. However, rarely do I ever see talks on the Conan the Barbarian poster or even on the film itself, which is properly due to the film being somewhat notorious for its terrible treatment of women.
Whenever I do see it, people usually stick it up to being a part of his gay sexual awaking, which was sprinkled throughout his introduction in this season. And while I agree that's a part of it, I believe that they choose this film specifically rather than its sequel (which was only two years old in 86') for its depictions of minorities and masculinity to perfectly sum up his struggles with not only conformity but also toxic masculinity of the 1980s.
A HEADS-UP WITH TALKS OF SEXISM, RAPE, HOMOPHOBIA PLUS BREIF NUDITY.
Let's start with how it portrays sensitivity among men. Right off the bat, we see the film favours traditional masculine values with a conversation between Conan and his father shortly before the massacre of his tribe by the doom cult, with him telling Conan not to trust anyone and allow himself to be vulnerable, only trusting the steel of his sword which, in the film's own words, was founded by men.
Rather than this being a critique on how men are often been forced out of emotional availability by generations before them, it's taken as words of wisdom that Conan takes to heart as we see him from a scrawny kid that lost everything to a muscular killing machine, stripped from sensitivity and is seen by other characters as the prime specimen of man.
Male sensitivity is often depicted as a weakness and is unsurprisingly lumped with homosexuality as something to be ridiculed. We see this as Conan tries to sneak into the temple of the cult by pretending to be a shy and nervous bystander while wearing flowers (to which he says "for a girl" when being asked the purpose of them the scene prior), this attracts the attention of a priest who makes suggestive comments about his body all while caressing his chest. He asks to continue their discussion in private, an obvious implication of a hookup, and ends up getting killed by Conan.
Not only it's presented as something antagonistic with the act of desiring another man seen as something perverse, but also, the implications of GNC men shouldn't be taken seriously and only seen as a target for sexual assault.
Traditional masculinity carries into how women are represented. With it not only their screen time is few and far between but also only serve as sexual reward to male characters or to show off their power, women who don't fall into this category are usually ridiculed by our main protagonist, often being called sluts or hoes. They are disregarded shortly after their introduction by being killed and/or raped (including a woman being raped by Conan during his montage to power).
The only recurring female character is Valeria (we only find that's her name in the film's credits, so take that what you will) who gives the illusion of a strong character with being able to fight aside the male characters and her snarky attribute during her introduction, but ultimately ends up being a tool for Conan by falling into the wife role with her never being able to have true goals of her own. She disappears from narrative, only to show up towards the end for a tiny bit to meet her demise.
The poster reflects her role in the narrative with its composition, with her kneeling down so the viewers' eyes lead up to the main piece Conan, just an add-on to show his power.
Now that's not to say it doesn't cater to female viewers (and unknowingly to queer men) by taking full advantage of the female gaze with multiple lingering close-up shots of Conan, some framed in suggestive angles and even scenes only exiting just to show off Arnold Schwarzenegger's muscular frame (take the random sex scene with the witch for example). And while there is female nudity, like women in this film, it's treated with a lot less care with being in wide shots and going just as quickly as it appears.
Which finally brings us to this film's queer coding. It's common for macho action films to fall into homoerotic undertones due to their misogynistic tendencies, this film being no different with it being parodied in other media, even during its initial release, particularly in underground comics.
An example I like to bring up is Conan's "first time" in a fight. He's confused and nervous as he's thrust into battle bare apart from a loin cloth and is attacked by his opponent, but as the fight progresses, he gets more confident and begins to relish in it.
Overall, the film does serve escapism for it's male audience with its power fantasy elements, but rather of it being done through our main protagonist, it's done through the world where the narrative inhabits with it taking pride that worth is achieved through physical strength, wealth and sexual conquest. And while the narrative is the classic trope of the underdog going against a figure of high power, even they can't help finding his lifestyle appealing.
Now....
What does this tell us about Mike?
Well, we know that his family often emotionally neglect him and encourage him to give up vulnerability (i.e., making him give up his childhood toys that have emotional value and viewing his outbursts as just "delinquent behaviour").
His poor treatment towards El starting when they are together at the start of season 3. Starting off somewhat small with implicitly being disinterested in her when they are actually alone, take their conversation during his bike ride to the mall during his introduction or him jumping on the first chance he got on reducing their time together when Hopper stepped in (despite going against his wishes when it came to looking for Will in season 1).
However, when she starts to gain some independence through Max and stops being "his pet", rather than admit his mistakes and apologise like how Lucas does with Max or how he does to Will shortly after upsetting him, he starts using sexist language and starts to get controlling when said independence is applied to her use of powers.
His implicit homophobia during his projection, when Will (Who is canonically considered GNC during this time) implies his changed in behaviour as something negative.
And this might be a stretch, but maybe him tying his self-worth to whether or not he is able to provide and protect is also due to the societal pressures of gender roles and him feeling inferior to El could possibly be a hint of jealousy due to her being able to fulfil said roles despite her gender.
And we all know he has a certain type when it comes to men.
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