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#the time for silence is over
madamemiz · 7 months
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sad: falling out of a hyperfixation
tragic: watching your beloved friends and mutuals fall out of the hyperfixation while you're still in it
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hailsatanacab · 6 months
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A Persuasive Argument - dpxdc
"Great!" Danny says, clapping his hands together to get everyone's attention. The dinner table falls silent as everyone looks towards him. It's a full house today and, honestly, Danny's a little nervous. "I'm sure you're all wondering why I gathered you here today."
"It's dinnertime. In our house." Duke mutters, while doing a very bad job of concealing his yawn. He holds his fork poised over the braised beef, but, just like everyone else, still looks towards Danny before tucking in. It's intriguing enough to wait.
"Yeah, no one misses Alfie's dinner." Dick says, with a brilliant smile that Danny can't help but return.
"Precisely! What better time to talk to you all than when you're all actually here!"
"Wait, I thought you came round to work on our English essays?" Tim asks, blinking owlishly.
"I'm afraid I've lured you here under false pretences, Tim."
"This is where I live."
"I would still really appreciate help on that essay though, I mean, what the hell is Hamlet even about? I just don't get that old time-y language, like 'Hark! A ghost hath killed me!' - absolute rubbish, what does that even mean?"
"The ghost never kills anyone in Hamlet, he's there to tell Hamlet that he was murdered. Have you actually read it?"
"No, but it sounds like you have. Tim, I want this guy to help me with my essay instead. I know for a fact that you haven't read Hamlet, either."
"So? We don't need Jason, I've read the Sparknotes."
"Hi Jason, I'm Danny, pleasure to meet you, summarise Hamlet in three sentences or less."
"Am I auditioning to help you write your essays? I can't believe you’ve gone through your whole school life without reading it, it’s good!"
"Hamlet, along with a number of other classics, was banned in our house because it portrayed ghosts as intelligent and sympathetic beings rather than evil, animalistic beasts. I didn’t even get to see The Muppet's Christmas Carol until last year with Tim! It was surprisingly good, and I hate Christmas because everyone always argued and it sucked. But we're getting off topic. I—"
"No, no, please go back to that, because what the fu—"
"Boys, please." Bruce interrupts, looking to the world as if he wants to hang his head in his hands. "Danny, you were about to say something?"
"Oh, yeah, Mr. Wayne! Thanks!"
"Please, call me Bruce."
"Well, that very succinctly brings me to my point, because I'd actually really like to call you dad."
Nobody says a word. Nobody even blinks, all as shocked as the other, watching open-mouthed as Danny pulls his laptop out from beside his chair. Bruce can definitely feel a headache coming on.
"Before you say anything, I've prepared a 69 slide PowerPoint presentation on why you, Bruce Wayne, should adopt me, Danny Last-Name-Pending. Please save your questions, comments, and verdict until the end, thank you."
#dpxdc#batpham#i forget - can we tag the parent fandoms? w/e#immediately alfred's like: while i do appreciate your initiative may i suggest it wait until after dinner?#and danny - who has barely eaten proper homecooked food ever - takes one bite and then absolutely wolfs down the whole lot#after he's finished he's like 'bear with - I've got to add that to the 'Reasons I Would Like to Live Here' section'#danny's powerpoint has tailored sections for each batfam member with lists of reasons why they'd get along#my au thoughts on this is that the fentons disowned danny when he told them he was phantom#and that this is after the ultimate enemy - wherein which he allied himself with the JL to fight against dan#(which didnt really work at all - BUT he knows some of their identities now INCLUDING batman's)#so one of the main reasons why he'd be a great fit is that he knows their vigilante status anyway so they don’t need to worry about secrets#dick just turns to tim like 'he’s your friend. he learnt this from you.'#tim: 'i didn't tell him our identities!! i would never!!'#dick: 'no i know that. it's the stalker tendancies. it's baby tim all over again'#tim: scandalised gasp#they all eat dinner in silence just super subdued and in shock and sending glances to bruce and danny#duke like: 'so i know I'm the last one in the family but like... this isn't how it normally happens right? did any of you make powerpoints?#tim gets all shifty because he absolutely did make a powerpoint he just never actually showed it to anyone#everyone stares at tim because they all know. it was in one of bab's blackmail files she has on him#damian's slide has danny offering to throw down at any time. 'tim says you like to prove yourself with your skills?#how about a real challenge? if i beat you then you have to vote yes to adopting me!'#damian is in two minds about accepting because... 1) look at him damian could take danny in his sleep! but#2) on the off chance that he does win... damian does not want any more brothers#(he takes the bet and its a suprisingly fun fight - and while he'll never say this... he would vote yes even without the wager)#on one of danny's slides there's a picture of ellie: you'll also get my clone sister! two children for the price of one!!#uhhh.... thats it now - I've been having fun with this haha#spent all day with the 'ive lured you here under false pretences' 'danny i live here' line in my head haha#anyway enjoy!!!!!! this was fun#i wanna make these slides so bad
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lobster-lover · 1 year
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one with simon in it.. as a treat.. 
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barghest-land · 5 months
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таится чудо в любом пустяке я раньше не видел такого тумана здесь даже деревья растут как-то странно и птицы поют на чужом языке
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smash-chu · 3 months
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Luna got herself a new dress, ain't it pretty? ✨🌙
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carlyraejepsans · 4 months
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Out of curiosity what instantly ruins a soriel fic for you? I promise this isn't for my own fic 😁
Sans remembering resets. Not even a Soriel specific thing, I catch one whiff of it in any UT fic and it immediately kills any interest I might have had in it. Same with Sans being suicidal (he is not. lmfao)
But let's see, Soriel specific... hm. It's hard to explain what it is that they do wrong specifically. But there's a brand of h/c fics with sans being the comforted where you can tell the author has not taken into account everything that is also wrong with Toriel. She's just there to offer comfort, which I'd argue is something Sans would do more often with how evasive and private he is about his own issues (and how we have literal in canon examples of him comforting her instead, even before they officially met each other)
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idk-bruh-20 · 1 year
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Tony, the futurist
Buckle in folks, I've had some thoughts and I'm about to make it ✨everyone's✨ problem.
Been thinking about Tony Stark, the futurist who saw the end of the world.
Tony, who in IM1 escapes kidnapping and torture and says, "I shouldn't be alive. Unless if was for a reason."
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who, in The Avengers, has this exchange with Bruce Banner:
Tony: You know, I've got a cluster of shrapnel, trying every second to crawl its way into my heart. This stops it. This little circle of light. It's part of me now, not just armor. It's a… terrible privilege. Bruce: But you can control it. Tony: Because I learned how. Bruce: It's different. Tony: Hey, I've read all about your accident. That much gamma exposure should've killed you. Bruce: So you're saying that the Hulk… the other guy… saved my life? That's nice. It's a nice sentiment. Saved it for what? Tony: I guess we'll find out. Bruce: You might not like that. Tony: You just might.
Right after this, Cap tells Tony, "You're not the guy to make the sacrifice play, to lay down on a wire and let the other guy crawl over you."
And then Tony flies a nuke into a wormhole, tries to call his girlfriend because he thinks these are his last moments, did not go in there expecting to survive.
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Although he survives, he witnesses an alien army so terrifying, so unbeatable, it gives him crippling PTSD nightmares and panic attacks, knowing they are not prepared to defend the earth.
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I'm thinking about Tony who, in AOU, gets manipulated by Wanda into witnessing his worst nightmare.
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Which, by the way, involves losing all of his newfound friends.
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Later, he has this exchange with Nick Fury:
Tony: And I'm the man who killed the Avengers. I saw it. I didn't tell the team, how could I? I saw them all dead, Nick. I felt it. The whole world, too. It's because of me. I wasn't ready. I didn't do all I could. Fury: The Maximoff girl, she's working you, Stark. Playing on your fear. Tony: I wasn't tricked, I was shown. It wasn't a nightmare, it was my legacy. The end of the path I started us on. Fury: You've come up with some pretty impressive inventions, Tony. War isn't one of them. Tony: I watched my friends die. You'd think that'd be as bad as it gets, right? Nope. Wasn't the worst part. Fury: The worst part is that you didn't.
Tony's worst fear is to survive in a world he's failed to save. He has to "do all [he] could" or else the future he's terrified of will happen and it will be his fault.
(Not to put too fine a point on it, but there's a reason why Tony and Peter are so compatible as mentor and mentee.)
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Tony's seen what's coming, and he's willing to do whatever it takes.
Here's the thing, though:
Tony doesn't actually want to die.
In AOU, when they're arguing about why he created Ultron, Tony says this to Cap:
"Isn't that the mission? Isn't that the 'why we fight'? So we get to go home?"
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He tells Bruce that the reason they should create Ultron is to have "peace in our time."
He tells Pepper that his constant tinkering, his inability to ever, ever rest is because he needs to keep her safe from the oncoming threat.
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Tony has a life he wants to protect, people he wants to keep safe. And, unlike the other Avengers, he knows exactly how impossible this will be to achieve.
Tony is the only Avenger who understands how severely outmatched they are. Maybe Thor understands the threat, but he has no ability to imagine losing.
Tony tries to get them to understand:
Tony: Recall that? A hostile alien army came charging through a hole in space. We're standing three hundred feet below it. We're the Avengers. We can bust arms dealers all the live long day, but, that up there? That's… that's the end game. How were you guys planning on beating that? Steve: Together. Tony: We'll lose. Steve: Then we'll do that together, too.
Well, they do lose. And they don't do it together.
And it turns out Tony was right about everything.
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He was right that he would survive to face his world that he'd failed to save.
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He was right that the Avengers would not be enough.
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He was right that Bruce's powers would be worthwhile someday.
And, apparently,
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some people think he was right that he was only alive for this reason.
Because, obviously, the only "reason" for someone like Tony Stark to be alive is to eventually sacrifice himself, right?
A character so traumatized can only find peace in death.
Right?
No.
Stop that.
Tony Stark may have been willing to risk his life for his family, but that doesn't mean he wanted that to be his end.
Remember when this happened?
Bruce: Saved it for what? Tony: I guess we'll find out. Bruce: You might not like that. Tony: You just might.
Bruce gets to live long enough to like his ending.
Remember when this happened?
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All Tony ever wanted to do was make the world a better place.
And, what about this?
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You're telling me that Yinsen didn't value family above all else?
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That he thought Tony should die and leave them behind?
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No.
Tony Stark is a futurist.
He is the Cassandra of the MCU. He warns the others constantly of the oncoming threat that only he, apparently, can see. (Even Thanos calls him "cursed with knowledge.")
No one believes him. Alone, he tries to prepare for the threat that he has witnessed. He sits with his nightmares and tries to find a way around them, constantly.
He builds a life worth living, finds people worth protecting, just like Yinsen told him to.
To protect the future, he does all he possibly can.
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Tony deserved to be part of the future too.
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cynomain69 · 1 year
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✨Can I Offer You An Akademiya Romance In These Trying Times✨
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mashmouths · 2 months
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post limit was created to silence women
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draculaforce · 9 days
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You should leave your most rewatched movie(s) in the tags as well~
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In case it hasn't been made clear, Behind The Codes is not a horror series. Despite having some disturbing themes, it doesn't focus on them the same way FNAF games did.
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xenocorner · 2 months
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Art Resources 01 [Facial anatomy]
Hi! First post of the Art Resources thing I mentioned a while back :) Figured I'd start with something people generally want to know more about- or something people think they already know about but could still used some lesser known tips!
Resources, break downs and tips under the Keep Reading thing :]
1. The Basics
There are thousands of methods to constructing the face. The most popular one is the little circle with the cross in the middle, and sometimes a few more lines for the jaw. While that can be a useful guideline, if you're just starting to learn the ropes it might be better to use a method that has more structure decomposition and land marks to help guide you. Here I'll leave two methods of deconstructing the face that I believe are the most useful to draw faces in different angles and perspectives as well as identify where exactly should each element be placed.
REMEMBER: All of these methods are just guidelines. In order to get different facial features, you can adjust proportions for each of these and play around with sizes.
1.1 The Loomis Method
A structural approach to drawing the head, based on first: simplifying general forms and second: identifying landmarks for the face elements. Pretty good for beginners, helps you understand the head from a more tridimensional stand point to be able to draw it from different angles.
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1.2 The Reilly Method
Also a structural approach, but this one is based on understanding the rhythms of the face (proportions, harmonies, and even some general muscular anatomy). It can be a bit harder to understand and use as a building block for beginner artists, but it can serve as a way to check your proportions after an initial sketch.
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Here are other two methods, a bit less known, but that go a bit more in depth about the head. If you're a beginner, I'd recommend watching the Loomis method first before diving into these other two methods. Note: these are playlists covering each method, and the videos are longer, but worthwhile.
1.3 The Michael Hampton Method
1.4 The Steve Huston Method
And here's a hybrid of a visual and structural approach too if you're interested! (Again, this one is recommended mostly if you already have a good grasp of the general structure)
Having trouble finding that reference of the head from that specific angle? Here's a 3D model that can be used as reference from any angle. Bonus: It has a built in light feature that allows you to understand which planes of the face the light would hit!
There's also a version with more feminine features.
Here's a website that lets you pick a head angle and then searches for reference images with that angle too. Allows you to pick age, gender, and other features like glasses, facial hair, etc.
2. Understanding What's Below
When drawing the head and face, what most people think of is what we see everyday: the skin. However, there's more to the head and face than just that: there's a whole structure laying underneath that builds up everything on top. Understanding that structure can lead to better execution of skin level facial anatomy.
And what's that structure? Well, bones of course. And muscles. Even if (most of the time) we don't draw them, knowing they exist and how they are placed on top of each other can help with building what we do draw. Understanding the building blocks of the face will make it easier to avoid, say, making one eye bigger than the other. Or a forehead that's too small. Or ears that are too high. Or side profiles that cut off the brain.
Something I recommend for this is making study sheets of the bone structure, muscular structure, and skin structure. For this it's important to name the main bones and muscle groups. Not because you need to commit them to memory, but because if you name them on your practice sheet, it's easier to remember later on that they EXIST (even if you don't remember the name).
Here's a 3D model of the skull
Useful guide for the names of the bones of the skull
Here's a 3D model of the face muscles with names
3. Elements of a Whole
So we now understand the general structure of a face and some useful guidelines to build it. Good! But now, a face has a bunch of individual elements with their own individual structure and stuff to look out for. Those are, of course:
Eyes
Noses
Lips
Ears
3.1 Eyes
It's important to note that the eye has a volume of its own- it's not just a sticker laying on top of the face. It can be helpful to think of the eyeball inside the eye socket when drawing it (taking into account the bone structure we learned before). When understanding the eyeball as a sphere, it becomes easier to place the skin above: the eyelids. This can help with drawing the eye from any angle.
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This can also help when drawing the dreaded Other EyeTM, specially if you are still a beginner artist. If you start by constructing the eyes with spheres and approach it from the perspective of "placing" the skin above that sphere, it's easier to get sizes and proportions right.
3.2 Noses
Again, spheres can be your friend.
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3.3 Lips
Spheres part 3
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A funny thing with lips that often gets over looked when one is just learning the ropes of anatomy is that it also wraps around the volume of the face. Just like the eyes aren't stickers laying on top, the lips aren't either. It's important to take the curvature of the face when placing the lips from different angles and expressions. For example, when we thing of a smile, its usually this idea that comes to mind:
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Which yeah, that's fine! ...As long as your subject is facing straight to the camera.
But when we have even a bit of perspective, the way the mouth looks changes, and we often don't think of that and just draw what we think the mouth looks like... which can lead to odd looking mouths, like they're pasted on. So, it's important to keep in mind the volume of the face:
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This is true for all features of the face: keeping in mind the volume. But, it can be more noticeable on the mouth.
3.4 Ears
Spheres part- no.
Even if the ear is one of the "flatter" parts of the head, it doesn't mean they don't have volume. Depending on the angle of the face, it'll change how much of the ear is shown- or which parts.
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All ears are different and have their quirks, but they all can be divided in three major segments, colour coded in the image. If you deconstruct the ear in these three major parts, keeping in mind they have their own volume, it should be easier to figure out which of those parts will be seen depending on the angle of your face.
4. Expressions!
Now that we understand the elements and construction blocks of the face (bones and muscles), we can play around with them a bit more. So, time to make expressions!
When playing with how the skin moves, it's fundamental to understand the muscle groups of the face and how they move, relax and tense depending on the expression. Knowing that these muscles exist and how they interact with the skin above will help you know where the eyebrow should furrow, where wrinkles would form.
A BOOK I widely recommend is Anatomy of Facial Expression, which you can find here for purchase
Or here as a PDF
This book also covers skull anatomy, so it's a useful tool to study the structure talked about in 02.
There's also an ArtStation account that uploads a bunch of useful 3D model resources for anatomy (facial or otherwise).
Scott McCloud's book, Making Comics, has a section dedicated to facial expressions too (great book in general, not only if you're interested in comics!). You can find it in PAGE 80 (or 88 in the document).
Another thing that can be helpful is studying from life! You can do that by making different expressions in front of a mirror and pay close attention to which muscle groups tense and relax, where wrinkles appear, how your skin moves. Or, if you're like me and hate staring at your face, you can also study from video references.
Here's a link to a PLAYLIST containing various videos of people making different expressions.
The previous playlist contains real people, thus, REALISTIC ANATOMY. It's important to note that even if your drawing style is heavily stylised (like anime, cartoon, etc), it's still fundamental that you understand real world rules so you later know how to bend and break them properly to implement those to your own style.
However, that doesn't mean you can't study STYLISED EXPRESSIONS too! It's actually a great idea to see how other people exaggerate certain anatomical aspects to their own work so you can also understand how to do it in yours. Here's a list with various videos of EXPRESSIONS IN MOTION for animation tests. Study them the same as the previous ones: paying close attention to how the face and muscles MOVE.
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Pause the videos you study as needed! While all of this might seem more useful for animation, it's also incredibly useful in illustration, and studying things in movement can help with understanding them better, thus putting them to paper (or tablet) becomes easier.
Finally, here's some videos in a sort of CLASS FORMAT that can help with walking you through drawing expressions more effectively than a text post could lol
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blinkpen · 6 months
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the first hypothetical gag my mind conjured in response to @gooseworx revealing Peeled Jax
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corrodedcoughin · 1 year
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Thinking about steddie future where they're both just average guys. No rockstars, no basketball players just two Normal men living a normal life because honestly? they deserve it. They deserve soft domesticity and happiness.
They both have jobs they like but don't love and they're happy with that. Eddie maybe becomes an electrician, working for someone else's company. His coworkers are chill, he gets to get out and work with his hands and that's more than he could have asked for. Steve is a physical therapist, or a manager in some business. He likes his team and the steady hours. He's not working for his dad which is a plus.
They buy a house together, that's not a mansion but it's not a trailer either. Steve does a lot of the dishes because Eddie hates it, hates the feeling of old food on the plates and cutlery. So Eddie will kiss Steve on the cheek and does the laundry because Steve fucking hates laundry. And sitting on the floor watching TV while he folds clothes is honestly sort of relaxing?? Love is doing the chores your partner hates.
Steve and Robin go out for brunch at least once a month, where they catch up and gossip for hours and hours and Steve comes home lighter with updates on Robin and Vickie. Eddie will have nightly phone calls with Wayne, where they talk and laugh and Eddie will eventually hand the phone over to Steve so he and Wayne can talk sports together. When he's in town Dustin will come over and stay in their spare room and they laugh and joke so much it's just like old times. They go over to Jeff's house for dinner on a semi regular basis, and it's nice having normal friends.
They adopt a very annoying cat who will climb all over them in bed and meow in their faces when they don't wake up to feed it breakfast in time. Steve will go for jogs on a Saturday morning, coming home to Eddie reading in bed. Some old western book Wayne recommended to him. There's a steaming cup of coffee waiting on their bedside tables that Eddie's prepared.
They take time off of work and go on a week long vacation because they can do that now. They do dorky touristy things and Eddie buys a mug to send to Wayne. Steve takes a lot of dorky photos of the two of them.
Idk they deserve to be normal and alive and happy with no upside down anymore <3
Oh I love this! I had actually been thinking about tradesman Eddie for a little bit I am so, so glad you’ve come up with this!
I can so completely see him learning a trade and just getting employed and put through his time by a small local employer! He has to go through his exams and that part of it worries him when he first gets the job but his team end up being really supportive and Steve stays up late with him, practicing circuits and wiring and quizzing him on currents and volts. Eddie returning the favour, letting Steve mark up his muscles and be a living anatomy dummy. Sure it gets a little sexy from time to time but more often than not it’s just them testing each other as Steve identifies bones and Eddie talks about parallel circuits.
The monthly brunches mentally and physically revive Steve after working extended hours with patients that he really does want the best for but a jobs a job and it can get pretty tiring. They joke that they rebalance each others chakras but they really do feel realigned after their meet ups. Eddie can see it to, sometimes he’ll come pick them up when it’s been a boozy brunch and delights in seeing them happy and light, clambering over each other to tell Eddie something about one of the waiters or an especially good dish they ordered. When he drops Robin home Steve sits in the front and looks at peace and Eddie feels the same way.
Their weekends are for them, sometimes that means staying home and cleaning the whole place between ordering food in and sometimes that means going on a day trip and taking Wayne around all the antique spots around the county and seeing what horrors they can uncover. Top spot currently sits with Wayne’s find of a doll whose limbs had been replaced with horse legs and had the head of a fish. Of course they bought it.
Every time they go on a holiday they make sure to send postcards to everyone, including themselves, seeing if they’ll get home before the postcard does. Steve keeps them in a photo album, each with a Polaroid of them next to it. Sometimes taken by a stranger, sometimes just a close up of their faces squashed together. It’s Eddie’s favourite thing to go through on their anniversary, or any day really, just loves being reminded that this is the life they get to have.
It’s mundane, dare say even normal, but they love it. Steve comes home every night, happy to put his scrubs in the washing machine next to Eddie’s uniform, happy to be where he feels loved.
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idleorbitals · 6 months
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this scene?? the way ray moves from scared and angry and guarded to resigned to hearbroken to shattered and furious and hysterical; the way you can see every time his anger comes up how much hurt is behind it...the way khaotung played this!! the way you can tell that even though ray knows rationally what happened with sand and his dad he still hasn't fully accepted it until he realizes sand's not going to deny it
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I'm far from the first to say this but I really think very few actors could manage to make ray as sympathetic a character as khaotung has. and it's because you can see how fragile and pathetic and hopeful ray is under all that lashing out. he's been crushed so many times and he expects it entirely; he expects that everyone around him including he himself will keep letting him down and hurting him, and there's still some part of him that's surprised every time the hammer lands. and he hates that about himself, and he has no good coping mechanisms for this entire paradigm. and khaotung is doing all this characterization like. almost entirely via minute facial acting choices.
I was honestly so relieved when I realized this scene was coming this ep because it meant no more anticipating it; because it has been so patently obvious that it was going to be heartbreaking to watch ray hurl horrible things at a crushed sand who has done nothing but try to be good to him. and don't get me wrong! it was!!
but like so many of their scenes it had that perfectly twisted fate feeling to it. the narrative and the production manage to validate both ray and sand's perspectives here, to victimize and villainize them each in turn. of course ray feels heartbroken and betrayed by what's happened; his trust is so shaky and so broken here. of course sand doesn't deserve what ray is saying and doing to him, even if he had a part in breaking that trust. of course they must see their way through to letting themselves believe the other cares for them the way we know they both do
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a moment of praise for first who also absolutely killed this scene, especially in managing to make sand's quiet devastation match the magnetism of ray's volatility, and the release of tension after ray left and he slid down the lockers feel inevitable and brutal and so real
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fucking nailed it all round. what an episode
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strangersatellites · 11 months
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pride, envy, wrath, gluttony, greed, lust, ao3
Seven Deadly Sins Series (NSFW 18+)
sloth (noun) - a state of mind that is apathetic, lazy or sluggish. It is the act of knowing the right thing to do and failing to do it.
tiny cw for somnophilia. this is an established relationship with off-screen kink negotiation. but if somno isn't your thing, I'll see you at the next installment.
Eddie wakes up to his boy curled over his chest and sound asleep.
He’s got one of Eddie’s hoodies on with the hood pulled up over his messy, messy hair and his pretty, pretty lips rest open and inviting where his breathing is soft against Eddie’s collarbones. 
He could kiss him awake. He really could.
But he goes to stretch his sleep-stiff muscles and is wide awake in an instant. Reminded by a soft whimper and furrowed eyebrows that he fell asleep with his fingers tucked inside his boy’s body, soft and wet and warm. Still sticky and swollen with Eddie’s spend from the night before.
So sure he could kiss him awake.
But he could also let him sleep.
It’s still early. Eddie can tell by the way the room is lit that deep morning-blue just before the sun. They don’t have to work today, either one, so they have plenty of time to rest.
He should let him sleep.
One thing to know about Steve Harrington is that he sleeps like a rock. Eddie thinks he could genuinely sleep through anything.
So he’s not particularly gentle when he shifts his weight off of himself and gets him on his stomach.
He swings a leg up over Steve’s and settles between his legs. Spares himself a minute to just look at him.
Top half covered and cozy in Eddie’s clothes. Black Sabbath tour dates stretched across his strong shoulders and down his back. Thick muscles of his thighs leading up to cute, bouncy cheeks. Eddie’s favorite freckle stained bright red by a welt the shape of his hand. 
He has to breathe so he doesn’t pass out. There’s something about Steve when he’s like this. When he’s leftover messy and sleep-warm and naked except for something of Eddie’s. Something that makes Eddie feel like he could black out if he thinks about it for too long. 
He indulges himself and gives the handprint on his ass a tight squeeze and light smack just to watch it shake. Feels his eyes roll back in response.
Grabbing at the inside of one of Steve's thighs, he hitches it up until he’s stretched out and exposed. Sees him shove his arms up under the pillow and settle once more.
It's the sight of his boy’s hole, still red and puffy and open, that finally has Eddie spitting into his own hand and shoving into his boxers.
One hand on his dick, and the other pulling Steve open, he fails to stifle a groan that rattles through his chest. Knows he could come just from this view alone. Knows he has.
But he forces himself to slow down, at least long enough to watch the way he spits down over Steve’s hole and watch the way it slips inside. To hear a quiet hitch of breath and do it once more.
Just as he feels himself getting closer and closer to release, he tugs himself out of his underwear and shifts up on his knees until he can press the head against Steve’s entrance. Pushes down slow and strong until it pops inside. A shiver runs down his spine at the feeling and this time Steve’s hips shift and Eddie freezes.
He freezes and he hears soft whines and whimpers but Steve’s face is still slack and he settles eventually.
Luckily for him, Steve almost waking up does the opposite of deter his impending orgasm. 
His next breath in is stuttered as he falls over the edge. Fills his boy up and leaves him messy.
He flops back into his spot and drags Steve back up over his chest. Wraps him up tight in his arms and dips two fingers back up inside him. Keeps him sticky and filled, just the way he likes.
He drops a kiss to his hood covered head and falls back asleep, soft and sated.
*****
The second time Eddie wakes up it's to the strong muscles of Steve’s naked back as he works himself back down on his dick. 
He drops his head back down with a hissed out “Fuck, baby,” as his hands reach up to grab at his hips.
Steve turns his head to look back at him and fuck what he said earlier. This might make him black out.
“Morning, babe,” he purrs with a slow grind to his hips that sends Eddie reeling.
He barely suppresses a shocked laugh. “Good motherfucking morning to me!”
Steve does laugh. Eddie can feel it. Can feel the vibrations roll through his body and thinks this is the closest he’s ever getting to heaven.
He works up a rhythm, slow and deep. Lazy in the still early morning. 
There’s a pout in his voice when he whines “Can’t believe you didn’t fuck me.”
Eddie tightens his hands and hopes he leaves bruises. Loves hearing his boy bitchy and pouting.
“Wanted to wake up on your cock, Eds,” and now he’s just being dramatic to rile him up.
At that Eddie shoves him down with everything he’s got. Holds him still when he tries to squirm away. Tries to steady his own breathing and not to lose control when he feels him clench tight at the full feeling. Knows he feels it deepest this way.
Pastes on a saccharine smile when he speaks. “‘M sorry sweetheart. Still filled you up though, hm? You feel it?” He asks with a slow grind upward. Feels more than he hears Steve’s breath get punched out of him.
Hears him giggle, soft and sweet. He clenches tight again and this time Eddie winces. “Sorry babe. Yeah, feel it. Feels so wet. So big. So good.”
His movements are still slow like syrup when Eddie lets him up. He’s got his hands braced on Eddie’s thighs and he can feel where he traces the ink of his tattoo with a soft touch and hums under his breath. 
Slides his own hands up the expanse of his back and marvels at the way the muscles shift under his skin. 
He loses himself in the feeling and before he’s really ready to let it go Steve’s whispering “So close, Eds. Make me come.”
And that’s all he really needs and he’s shoving his hips up, up, up in time with Steve’s soft cries. Feels him go tight and rigid and shake apart.
Soothes his hands up and down his sides with a quiet litany of “That’s it baby. Let go for me. I’ve got you.”
Rocks into him once, twice, three more times before he’s spilling into him again and dragging him back and down to wrap him up in his arms once more. Steve fights and squirms until he’s facing him.
Eddie peppers his pretty, red, tear streaked face with kisses and bumps their noses together.
“You wanna shower baby?”
Steve scrunches his nose up and Eddie’s heart might as well not even be in his chest anymore with the way Steve has it in the palm of his hand. 
“No,” he breathes into the quiet between them. His hand tracing shapes across Eddie’s face.
“Wanna sleep. ‘M sleepy.” He nuzzles himself up under Eddie’s chin and breathes him in deep.
And maybe Eddie should exercise some control here and make him shower. He has come inside him a total of three times now and he still wants to sleep. But cleaning up can wait.
He likes him messy anyway.
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