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#the time paradox
evilkitten3 · 2 years
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ah yes, artemis fowl books
the little shit bastard boy
the daddy issues incident
the your actions have consequences code
the remember this bitch deception
the some guy named piss colony
the little shit bastard boy two electric boogaloo paradox
the little shit bastard boy's dissociative complex
the little shit bastard boy's future existential crisis
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checkoutmybookshelf · 7 months
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Past Artemis and Present Artemis Are Not Allowed in the Same Room
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If Number 1 kind of nudged the door open to time travel and wibbly wobbly timey wimey shenanagins in Lost Colony, then Artemis full-on kicked it down and yeeted a grenade through it in this book. Let's talk Artemis Fowl: The Time Paradox.
As per usual, SPOILERS ABOUND below the break.
There are a ton of things about this book that are amazing and in order to stay at least a little organized, we're gonna use HEADINGS this time around! That's not to say the headings are in any particular order, but life has been lifeing and I need a little help making sure I gush about everything I want to here. Because while Eoin Colfer introduced time travel in the last book, this one is a whole TIME PARADOX PLOT!
Opal Koboi, Empress of our Hearts
So, there are places for nuanced, complex, morally gray villains who have carefully throught-through ethoses and who are compelling because of their tragedy. Those kinds of villains are great.
Opal Koboi is not that kind of villain.
Opal Koboi is a villain in the classic Disney sense. She is absolutely unhinged, wants nothing more than to be Empress of the Goddamn World, and absolutely revels in setting things on fire just to watch them burn. She is rock-solid on her own worth, she is terrifyingly intelligent, and she is equally fun when she is strutting around in her own success as when she is pitching a dramatical cats tantrum because somebody said "ethics" in her presence. Our girl is sheer fun from start to finish, and honestly I love how consistent she is.
In this book, we see Opal before the events of The Arctic Incident, and it's great to know that she has ALWAYS been unhinged and glorious. If anything, this book shows us that the plan to use the B'wa Kell to take over Haven was weirdly vanilla for Opal. Sucking the bodily fluids out of endangered animals to basically Captain America super serum herself is...way more on brand.
The bit where she is too narcissistic and paranoid to stay in character as Angeline Fowl for more than like 60 seconds once Jay Jay is in the room is also AMAZING. Talk about getting in your own way...
Artemis vs. Artemis
So sometimes as a series gets increasingly lengthy, it's good to remind readers and character how much your protagonists have grown. Eoin Colfer decided that time travel was a great way to take advantage of this, and reveled in it by giving readers 10-year-old Artemis's opinion of 18-year-old Artemis and vice versa for the entire book, and it is SO FUN. They both hate each other, and understandably so. They both also have qualities that the other begrudgingly respects, and ultimately they need BOTH Artemises to resolve the plot.
We also get some really lovely instances of Artemis outsmarting and bamboozling himself. This conceit had every chance of coming off as cringe as hell, but Colfer handed it with enough humor and humanity to make it feel real rather than like a whole book devoted to a vanity plot centered on Artemis thinking he's the best thig since sliced bread.
Artemis...That was WILDLY Uncool to do to Holly
Ok, so Artemis has grown a lot over the course of five books. He's matured. He's learned how to be a reluctant antihero. He and Holly are legit friends. Which somehow manages to make it EVEN WORSE when Artemis full-on knowingly tricks Holly into thinking that she not only gave his mother a fatal illness but also started a plague that at one point killed 20% of the fairy population in three years. There's honestly no coming back from that kind of breach of trust.
And no, giving Holly a chance to say goodbye to Commander Root does NOT make Holly and Artemis square. It nicely ties up a loose emotional thread, but it does NOT square the emotional devastation of infecting a friend's mother and starting the plague 2.0. That is possibly the least believable relationship dynamic in a book where Artemis and Holly KISS (no, we're not gonna talk about it, they were both under the influence of the time stream and it doesn't count).
The truly wild thing about this is that Artemis before the fairies was a cold-hearted little bastard capable of incredible cruelty, but once Artemis understands feelings and emotional relationships, he's suddenly capable of hurting people WAY MORE than he could when he was a tiny robotic human. And of course the person he takes aim at is HOLLY SHORT. Like, FFS, Artemis. You did less damage when you had the emotional intelligence of a gold ingot...
Butler
Domovoi Butler is too good for this world and we do not deserve him. Artemis sure as hell does not deserve him, past OR present. Past Butler full on calls 10-year-old Artemis out on the act that he is *checks notes* handing over the last of a species to a group of fanatics to be horribly murdered in a kangaroo court, fully sells a sentient elf to those same fanatics, does not emotionally let Artemis off the hook when he is experiencing guilt and shame over being an accessory to murder and extinction, and TURNS THE PLANE AROUND to go save Holly and 18-year-old Artemis from the extinctionists. And thats just past Butler.
Present Butler is such a goddamn badass that he resists a juiced-up Opal Koboi's mesmer so hard that he gives himself a heart attack. Not even Opal Koboi can pull a 180 on Butler's moral compass, and even when he can't fully fight her off, he can resist in little ways, like sticking breathing tubes in barrels. Someone let this man retire happily, he has MORE THAN earned it at this point.
Baby's First Ecocritical Text
Environmentalism and ecocriticism have been very present as secondary themes in the Artemis Fowl series from the very first book, but this is, I believe, the first book where this theme gets really explicit and has real, concrete plot consequences and implications. The "hunting animals to extinction is bad for [list of reasons]" isn't the deepest or most nuanced version of the argument, but it doesn't have to be. The audience for these books are middle graders and YA readers. They get a concrete introduction to ecocriticism and some very comprehensible examples of the consequences of extinction and pollution, and that's going to be enough for more of them than you'd think to keep thinking and reading about the issue.
I highlight this because so few middle grade and YA books do ecocriticism at all, let alone this clearly and concisely. I suspect we will see more of this as climate change keep wreaking absolute havoc on quite literally everything, but these books did it before it was cool, and I really appreciate that about them.
Overall, this book is not my favorite of the series. Time travel can be a hard sell, even if you weave the complexities of time travel around a relatively simple fetch quest. As per usual though, the character work is never not entertaining, and I do enjoy rereading this one periodically.
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shortace · 1 year
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You know what I love about The Time Paradox? You spend half the book thinking that you know who the villain is, and then bam, 'This is not how she said it would go,' and suddenly you see it all in a different light.
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anna-undaunted · 22 days
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“In another time” Holly said, and kissed him on the cheek.
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beautifulenemychild · 10 months
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I’m rereading Artemis Fowl and I just got to the middle/end of time paradox and my heart is kinda breaking? Like, Holly and Artemis were so close. And then arty had to go and fuck it up by lying to her and making her feel so guilty. I didn’t even want them to be a couple just that level of closeness that they had, it was so, idk, harmonious? I’m currently very heartbroken for them and idk why haha. The kicker was Holly being sure that ‘the most she and Artemis could ever have now was what they’d always had- grudging respect’ fuck arty. Why did you have to do that? You idiot, you could have HAD A REAL, CLOSE, BEST FRIEND. ANOTHER PIECE OF YOU, FOWL. Idk idk, it’s just they were even brought closer by all of the time stream stuff and sharing a consciousness pool.
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troubled-bog-witch · 1 year
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№1 is so op at least in the lost colony Colfer nerfed him by making him, like, 10 years old with no idea what's going on and the self preservation skills of a jelly donut. After that he was just like "for kicks I'm gonna solve the 2 biggest problems from the first book, which coincidentally are the 2 biggest nuisances to all fae everywhere. The ritual is redundant and the law about human dwellings is overturned forever. Thank you thank you I'm here all week. Anyone need any time travel? Bless." Why do the last 3 books exist can't their warlock just Fix The Thing
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lisa-l0vely · 2 years
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I DID NOT JUST HEAR NATHANIEL PARKER SAY THE PHRASE "BURLY POPEYE ARMS" I REFUSE TO BELIEVE IT.
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cringefail-clown · 2 months
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i think dirk would give up on his evil masterplan like one week into the journey if those three ganged up on him. hed turn the ship back in tears and, once returned, begged dave on his knees to never make him sit in a room alone with those fuckers. thats the seer power for you
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welcometogrouchland · 3 months
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I've been binging Batman Beyond recently (Terry ily so much) and thought about how- bc of the JLU twist which I think isn't even canon to the comics BB verse but shhh bare with me- he'd technically be Damian's half brother??? Which is just so ridiculously soap opera to me. I need them to interact in a silly time travel adventure so bad you don't even understand (ID in alt)
#dc comics#damian wayne#terry mcginnis#batman beyond#batman and robin#mine#also feat the mild damian uniform redesign i like playing around with. it's fun i like her. i love u classic robin colours#the backstory for this image in my mind is that Terry knows of Damian/has maybe met him#in the future (whether we're going w the rebirth ''damian rejoins the league'' angle that i. don't love conceptually but can't judge-#-bc i haven't read. or if we go w/ some other potential future route for damian) and Terry is like. experiencing whiplash at meeting him-#-as robin. like you are 5 feet tall why r u so bossy. where is your dad good god. this is why i don't have a robin (?this is pre matt-robin)#but Terry's in an unfamiliar time trying not to cause a paradox so he puts aside his indignitude(?) at being bossed around by a kid#just long enough to make sure nothing goes horrifically wrong. hence this image takes place#<- i could've been a lot more eloquent explaining this but it's very late and i should've been asleep ages ago#anyway. absolutely crazy to me that Damian has had multiple flavours of secret brother plots and terry is a potential addition. rip damian#(also in my ideal future damian took up the nightwing mantle (EVERYONE READ NIGHTWING MUST DIE!!!) before retiring(#idk what his future career is. lowkey hes a webcomic artist in my brain but that's so horrendously self indulgent i can't condone it#also i decided to try my hands at lineart again. evil. how are you so stiff looking and difficult to do. waughh#anyway if things look weird. no they don't
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yesokayiknow · 27 days
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do you ever think about how one of doctor who's most famous time loop episodes (heaven sent) isn't a time loop. like the fact that time is passing normally is a huge plot point
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kurapixel · 1 year
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so paradox suicune huh
edit: anyways interesting how it actually has features vaguely remniscent of entei and raikou 👀 (and it is a fusion of them design-wise, just that it ended up being way more suicune than the other two)
edit2: paradox raikou!!! 👀 it doesnt look like a fusion even if walking wake does a little... possible at this point its unintentional though 🤔
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liznfin · 8 months
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I can’t believe Artemis gets mauled by a gorilla in Time Paradox and it’s the least of his problems.
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churinne · 7 months
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Happy Paradox Live Tuesday
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shortace · 2 years
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"Their faces wore the dazed expression of children who have woken up and are surprised to find themselves in a good mood"
... why yes, this was written by a man with two young sons and I bet he was going through it
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carlyraejepsans · 7 months
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"ok but if dadster is real where is the skelebros' mom" "there is no mom" "oh you mean he made them in a laborat—" "meteor" "what" "METEOR FELL DOWN WITH BABIES IN IT"
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thebiscuitlabryinth · 1 month
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[prev]
Nowadays, Pure Vanilla has gotten used to his sleep fluctuating wildly between turbulent dreams and sleep like the void itself has swallowed him whole. It seems like a game of chance whenever he rests his head down, and neither option leaves him any less tired the next morning.
Today, his dreams are absurd, swirling and spilling into each other, and vividly upsetting in a way he can't identify. He shut his eyes tight, but that doesn't block out the rest of his senses. He can hear begging, crying, shouting, and the scent of something burning and wilted lilies clashes in the air, creating a suffocating smell that winds around him slow. It is awful, but it is slightly less so, now that he knows how to recognise when he is in a dream. More importantly, he has a question, and he is more than aware of Shadow Milk's lingering presence.
"You founded the study of Dark Moon Magic, didn't you?"
It is a soft question, but one that is sure of itself. Instantly, the sounds and smells and sensations that had been plaguing Pure Vanilla disappear. Pure Vanilla keeps both his eyes closed for the time being, just in case. Tonight, his staff is absent like a missing leg, and he misses the added security of being able to look through it.
"Oh, come on! Don't interrupt the scene, we were just getting to the good part!" Shadow Milk's voice responds with frustration, the sound coming from all sides. It is precisely because it comes from all sides that Pure Vanilla keeps his eyes closed, not quite trusting that the shards of his nightmares have been fully swept away. He doesn't want to find out what Shadow Milk could possibly consider to be 'the good part' amidst the sounds of suffering and anguish.
Instead, Pure Vanilla sighs. "It was your choice to stop everything when I asked that, wasn't it? You can't blame me for that."
"Bzzt! Wrong! I can blame you because you did interrupt. It doesn't matter what I did in response, a disruption is a disruption." Shadow Milk declares loudly, voice a little rougher, as if he was daring Pure Vanilla to argue back. But his voice is now only coming from one source, right in front of him, so Pure Vanilla cautiously opens his eyes to check the surroundings.
He finds himself in the library of Blueberry Yogurt Academy, and nostalgia eagerly rears its head within him, somewhat surprised. He's stood beside a littered table, surrounded by the deep blue bookshelves of his youth and the comforting smell of aged paper. The details blur a little past that, some of the shelves lighter, more like the bookshelves in his chambers in the Vanilla Kingdom, leaving it less like a perfect replica and more like a collage made out of bits and pieces of his lifetimes' worth of memories, but it is mostly the Blueberry Yogurt library.
Shadow Milk is across the table from him, tutting when Pure Vanilla takes too long to reply. He leans his elbows on the table, propping his chin on the bridge of his linked fingers. "Sneaky, silly-Vanilly, trying to use me to get out of your funny little nightmares. Very, very sneaky."
"It worked, didn't it?" Pure Vanilla says, a bit stiffly, because that had never been his main intention, mostly because Shadow Milk isn't nice enough for him to think it would work. No, his main intention is genuine curiosity, and that is exactly why he continues to prod. "...You didn't answer my question."
"Because it's a stupid one." Shadow Milk hums back, tilting his head to the side. He tilts it far enough that his cheek is now resting against his hands instead of his chin. "You should be able to figure that out yourself. Didn't I already tell you where my home is?"
Pure Vanilla doesn't answer for a moment, laying a tentative hand on the edge of the table as he tries to squint at the papers across its surface in the dim lamplight. It takes him a second to realise that they're all forbidden texts on Dark Moon Magic, and when he does, he murmurs back. "It's better to clarify than assume, isn't it?"
This time, Shadow Milk is the one who doesn't answer for a moment, instead staring at him with those piercing eyes. Pure Vanilla can feel more around him, behind him, lurking in the shadows pooling in the nooks and crevices and he can't help it – he shivers slightly.
That reaction must be enough for Shadow Milk, because he snorts, and pushes off the table to lean back, kicking his feet up onto the table and right on top of texts, which is already enough to make Pure Vanilla wince. Poor library etiquette aside, the movement is horribly uncanny to watch, partly because he is leaning back onto thin air instead of a chair, partly because he moves so quickly it's like his limbs snap into place, and partly because his smile is stretched far too thin as he does so.
"Of course I did. I'm very talented, you know." Shadow Milk announces smugly, his eyes never leaving him. They narrow slightly, all of them in suspicious synchronisation, and he raises his eyebrows expectantly. "But I must admit, I am crumbling to know why you brought it up."
Whys are always difficult to answer, especially for something as difficult as motives, which can morph and change over time. Pure Vanilla hates lying, but he hates lying in front of Shadow Milk even more, because he seems to recognise every single one and Pure Vanilla doesn't want to give him the satisfaction.
But he really can't admit the core of the matter to his face. He can't admit that ever since he glimpsed the ghost of Shadow Milk's past, he hasn't been able to stop thinking about it. He can't admit that he is actively trying to glimpse it again, and what better way to try and draw it out than with any scholar's pride and joy – their work?
"It's impressive. I, myself, have mastered White Magic over the years, and I certainly contributed to its development, but I cannot claim that I created it as a school of magic." Pure Vanilla explains instead, and it isn't a lie either, just lacking all the details. He fidgets a bit, tugging at his own sleeves, adding quieter. "Dark Moon Magic is forbidden too, so there aren't many detailed sources left on it. I want to know more about its founding."
I want to know more about you.
There is another lapse of silence, and Pure Vanilla is tense with tentative hope. After all, if Shadow Milk was really against the topic altogether, he wouldn't have gone through the trouble of plucking him out of his nightmares.
Shadow Milk's smile is sharp like a knife, clashing with the casual way he folds his arms behind his head, almost languid as he finally muses. "Oh, really? That doesn't sound right. I'm sure there's enough details lying around to get the gist of it. After all, you've used Dark Moon Magic before, so you must know something about it already."
Pure Vanilla flinches back, and it isn't a surprise that he knows about that too, not anymore, but it still leaves him with unstable footing. Regardless, he doesn't let that scare him off the topic, which he suspects is exactly why Shadow Milk said it. "...I've only really used it once, and I don't remember much about what happened. So I may know something, but that something is rather little."
It's a confession, and the truth. His brief tangle with Dark Moon Magic is a complete blur in his own mind, watered down to blinding sensations and a heartache so intense he had felt like he was crumbling. Theoretically, he knows enough about Dark Moon Magic to hold a conversation, but he remembers nothing about it in practise.
"You know who could help you with that?" Shadow Milk asks, seemingly unbothered, but the words curl with open mockery and a smirk. He tilts his head back slightly so he can look down on Pure Vanilla and throws his arms out dramatically. "Our beloved, newly coronated Guardian! She has plenty of experience with–"
Pure Vanilla's heart lurches painfully.
"Don't talk about her!" He interrupts, voice bursting out louder than he expected and panic fluttery in his chest. He doesn't want to hear him tear at her old wounds, even if she can't hear it herself. He knows how vulnerable that cry makes him seem though, and he fumbles to lower his voice to something softer, less shaky. "Don't– please, I'm asking you for a reason."
Shadow Milk giggles, a strange grating sound that climbs higher with each breath, until he is laughing in earnest. He curls into himself, arms wrapped around his middle, and the position looks painful with his feet still planted on the table. Pure Vanilla watches him warily, a little shaken by the mention of White Lily, and wonders if maybe, he was wrong about what he thought he saw in Shadow Milk. He has been seeing more things that aren't there, recently.
His laughter stops abruptly. The stillness that follows is jarring, but doesn't last long.
Slowly – so slowly that it is unnerving, for someone who typically moves as erratically as him – Shadow Milk reaches forward with one hand and plucks a scroll up from the table. He unrolls it with a lazy flick of his wrist, the other end tumbling away over the edge of the table and across the floor. It is a smooth movement, Pure Vanilla notes through the pounding of his heart and his scrambled nerves, a practised motion that speaks of thousands of opened scrolls.
Shadow Milk peers over at the contents of the scroll with an empty, disinterested expression, his legs melting through the table until he appears to be sitting somewhat politely again. The sudden switch to this from his near hysterical laughter leaves Pure Vanilla disturbed, unsure if this is progress or not.
"I wanted to strike a balance between Black and White Magic." Shadow Milk says, his voice a disconcertingly low murmur, almost monotone. While his main eyes remain steadily on the scroll, the rest are eagerly burrowing into Pure Vanilla from all sides. "Black Magic draws from the void, making it unpredictable and destructive by nature, but full of potential. White Magic draws from the moon, primarily, and other celestial sources, making it safer and easier to use, but limited in its purity. If I could find the middle ground, I could harness magic with more flexibility and power but less unpredictability."
Shadow Milk pauses then, his eyes sliding up to stare right at Pure Vanilla, and his lips quirk upwards. When he speaks again, his voice gains a little more character but remains mainly flat, like a poorly-delivered theatrical monologue. "The dark side of the moon was the obvious choice for a source of that kind of power, because it's the natural overlap between the moon and the void. Once you figure out a source for magic, it's simple to find a way to draw from it, and to make it simpler, I had access to the knowledge of the Witches at my fingertips. All I had to do was write everything down, and the school of Dark Moon Magic was born. Easy-peasy!"
Shadow Milk throws the scroll to the side with little fanfare, not even sparing a glance at those ancient texts as they land in a heap of old paper on the floor, uncaring of if they damage or rip. And why would he? They both know this is a dream, and even if it wasn't, he had written that scroll himself.
Pure Vanilla would have cared, dream or not, if he wasn't wholly distracted, reduced to only a wide-eyed blink.
Because Shadow Milk may feign a bored face and voice, as if reading off a report or a particularly uninspiring script, but when their gazes meet, his eyes glitter like shooting stars, sparking with pride and passion and something else.
It captivates Pure Vanilla, the very same shine that comes with a breakthrough for every researcher. It is exactly what he had been hoping to see again, but the sight still leaves him feeling unmoored, even if pleasantly. Intruige and hope swirl within him, and he suddenly finds himself desperate to hold onto this ghost of the past, to make it stay longer and help it spill into the present.
"What does it feel like?" The question comes out before Pure Vanilla can think it through, focused on continuing the conversation before Shadow Milk can pick up his showmanship again in full. "Dark Moon Magic, I mean."
Shadow Milk huffs, a playful grin settling on his face again, and a sickening mix of dread and disappointment trickles through Pure Vanilla as he watches him lean over, crushing more texts beneath his palms. For a scary moment, he expects him to make another quip towards his previous use of the magic, or worse, bring up White Lily again.
He doesn't. Shadow Milk kicks his legs up behind him, so that he is laying on his stomach in mid-air, and cheerfully asks, "How about I show you?"
He doesn't wait for Pure Vanilla to process what he said, let alone reply. He reaches out and ensnares Pure Vanilla's hand, the one normally occupied with his staff, and laces their fingers together. Pure Vanilla doesn't reciprocate the hold, surprised, but only tries a small unsuccessful tug in response.
Shadow Milk's grip is an oppressive pressure, tight but not quite painful. He presses their palms together firmly, and Pure Vanilla gasps.
Magic bursts through the contact, rushing through his jam in a dizzying, warm flood. It is thicker, heavier than the magic Pure Vanilla is used to, thrumming and twisting as if it has a mind of its own, almost scratching at his dough as if trying to consume him, and he can't even concentrate on it because– because–
He can see everything.
Pure Vanilla really, truly can. He can see Shadow Milk's curling smile in front of him, he can see the Faeries having a feast, he can see Black Raisin greeting the moon from one of the Vanilla Castle's towers, he can see Dark Cacao striding through the citadel, he can see White Lily going through her morning routine, he can see his own sleeping body, and places and Cookies he doesn't have the presence of mind to recognise, all simultaneously. He doesn't know what to focus on, doesn't even know how to focus on anything, and his head hurts like it is falling apart.
This is how Shadow Milk has been watching me, he thinks deliriously, the only thought he can manage as he drowns in his sights.
And then, in a snap, he is back in the library with only one scene to see. His vision swims a little at the edges as if it didn't get the message, and he wobbles in place.
Shadow Milk is still holding his hand, but the grip is slightly looser, and the stream of his Dark Moon Magic is gone like a whisper. His grin is sinister and too big for his face, but his eyes still burn like stars.
"Fun, isn't it?" Shadow Milk coos, giddy like it is a shared secret, lifting Pure Vanilla's trembling hand and brushing a kiss to the back that buzzes with Dark Moon Magic. "My very first masterpiece."
Pure Vanilla wakes up disoriented, with a ringing headache and an itch in the back of his hand. White Lily notices his poor state almost immediately when she sees him – wonderful as she is – and she asks if he had a nightmare with that gentle, concerned slope to her brows.
Pure Vanilla adjusts his grip on his staff, leaning against it more than usual.
"No." He assures her lightly, not quite the truth and not quite a lie.
[next]
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