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Wherever I have gone, wherever I've been and gone, wherever I have gone, the blues are all the same —“Blues Run the Game,�� Jackson C. Frank (1965)

It Keeps Right On a-Hurtin’ #23 - Ring-a-Ding-Ding II

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Read IKROAH on Archive of Our Own

Notes / Original Pencils / Transcript:

Notes:

Let’s talk about two things.

The first thing is burnout. It’s hilarious in retrospect that the notes on the previous issue open with an apology that it’s been three months since the preceding issue, which given that this current hiatus lasted six months, lmao. As I’ve mentioned before and elsewhere, shortly after completing the previous issue of IKROAH, the toll of working on it and other projects so industrially for two years finally caught up with me, and by May I basically had a kind of flip turn where suddenly, I could not stand my own art. More than that, I was repulsed by the very act of drawing, of making. Too many self-imposed deadlines, too many long nights churning comics out in as few sessions of work as possible, too many other things that I wasn’t giving myself enough time for. Something had to give, and when it did, I could barely hold a pencil for months without just getting really angry. I wish that I could say that there was something specific that I did to overcome this feeling, but there wasn’t: I can only attribute wanting to draw again to spending a long time not drawing at all, a time in which I tried to basically forget through disuse all of the bad habits that I’d ingrained about making myself make art. Art is an important hobby and creative outlet to me, but sometimes, you really just need to step away from something for a relatively long time so that you can come back to it with a much healthier mindset. And that’s what I’ve done. Thank you all for being so patient with me during IKROAH’s first real hiatus. There have been “hiatuses” in the past but, for example, one thing that I definitely had to strip out of myself was the anxiety and the guilt that I would feel when IKROAH would go on “hiatus” because more than three weeks or so passed between issues. I had myself on an absolutely insane production schedule for no reason except believing that getting every issue out as fast as possible was paramount. When I first began this comic with issue #1, I thought I could do one issue every two weeks. This was colossally stupid and going in as naive as I did with this mindset was like ingesting a slow-acting poison. IKROAH issues come out whenever they come out and that’s that from now on, and I feel silly because no reader of the comic has ever acted entitled to anything but that anyway.

The second thing I want to talk about is my art itself. My burnout had a point, especially with IKROAH, which is that there are some things about my art that is very frustrating. Did you know that the reason that IKROAH pages are the size that they are (1080 x 1678 px) is because I draw them two-per-sheet-of-paper at 13cm x 21cm each, and 1080 pixels is twice the width of the (possibly outdated) maximum display width of an inline image on the dashboard, and a height of 1678 pixels matches the aspect ratio of the best way that I could digitize my images at the time, which was by taking a picture of my art the best that I could with my phone in good lighting? This was the standard that I set for myself in summer of 2020 and for some reason I decided that it was etched in stone. I made some small improvements over time, such as finally buying a scanner sometime around IKROAH #12, and then changing IKROAH’s dialogue font and switching to digital paneling in #22, but this is going to be the final issue that abides by that old, absurdly small page size. I have finally reached my breaking point in this issue with how it completely prevents me from drawing fine or distant detail, so this is the final issue that is going to be at this size. Were it not for the fact that pre-burnout I hadn’t already drawn the first two pages of this issue and had formatted the paneling and lettering already for this specific size, I probably would have gone bigger already!

IKROAH has been, for the most part, an artistic playground where I’ve honed my skills and experimented with the comic book form gleefully. Compare the art from the first few issues with the more recent ones to see that development in action. But for all of this development and experimentation, why have I felt like page size is unassailable? I can’t tell you for sure what the “new” page size is going to be, because while I have a larger size in mind, it’s another experiment, not a promise of consistency. I used to think that it was easier and faster to work small because smaller art meant less art, but I’m finally sure that it’s more trouble than it’s worth. Now, I’m extremely excited for what a much larger canvas will mean for the look of the comic, and for the rest of Volume 2, I’m sure that you’ll be able to see me experimenting artistically in some way with every issue.

Original Pencils

Unfortunately, due to the way in which this issue was inked, I don’t have the complete original pencils to share with you! I would draw and ink panels one-by-one instead of penciling the whole page first. This is because I my burnout was actually triggered, essentially, by fucking up the inks on the first page after penciling it and feeling sure that I would have to redraw it, and that making me so mad that I couldn’t bear to reapproach my art at all. I didn’t want to make that mistake again, so I went through the rest of the pages with a lot more caution. Still, I can show you some scans.

One major thing that made working on all but the first two pages was finally investing in real non-copy blue pencils instead of blue colored pencils. Real non-copy blue pencils lack the waxiness of colored pencils, making them draw much lighter, erase much cleaner, and generally behave much more like regular pencils that just happen to be blue. It’s been a godsend for my ability to ink more expressively, and I’m experimenting with inking and coloring styles are going to be my favorite part of the rest of Volume 2, because I think that that is something that I want to overhaul the most.

Also, one funny thing: if there was a significant reason why I made Benny’s suite number 1007, I have forgotten it. Just like how I must have forgotten in the writing and penciling of this issue that Benny’s suite is canonically on the thirteenth floor. Oops! Well, not in this canon it’s not.

I do have one complete pencil sketch to show you: IKROAH’s first ever two-page spread! Bang!

Transcript

EXT. THE TOPS CASINO, NEW VEGAS. The Tops’ signature sign shines brightly outside the entrance, brightly even for Vegas.

INT. THE TOPS CASINO, NEW VEGAS. Casino guests hustle and bustle around the main floor, checking in, heading to and from the cashier on the second floor, and mingling. Leaning against a rail overlooking the slightly sunken gaming area is AGNES SANDS. She stares intently and furiously toward the back of the room, where an older man is laughing with a younger man. The younger man is drinking a martini, wears a black-and-white checked suit jacket, and is oblivious to her presence.

AGNES thinks to herself as she watches him.

Hello, Benny.

Her eye narrows.

You’d think that getting shot in the head would be the worst thing to ever happen to somebody, but at this point in my life, I’m genuinely not sure.

On the casino floor, a RED-HAIRED WOMAN seems to accidentally bump into BENNY from behind, knocking his drink out of his hand. It shatters on the ground, and he turns angrily to face her.

When I was six years old, my father died from a bad fall. He was a caravaneer, so they never shipped his body home.

ROSE OF SHARON CASSIDY stands in front of Benny, clutching a nearly empty glass of whiskey. She raises her hand up to her faced, shocked and embarrassed. BENNY is just as surprised, and even more so when CASS takes his face in one hand and suggests that he come with her to refill her glass.

My mom was our town’s doctor, so after that, she decided to apprentice me as her nurse. I was still just a kid.

She was right to do it. It takes a long time to learn medicine, and it’s a useful skill. She knew it’d do me good.

CASS hurriedly leads BENNY by the hand toward the casino bar. As the pair brush past AGNES, she pickpockets BENNY’s key, and holds it up to glean the room number from its tag: 1007. Satisfied, she drops the key on the ground, and heads for the elevators. Just behind her, CASS points out that BENNY seems to have dropped his keys, and he reacts with relief.

But she was hard, as a teacher. Maybe even more so as a mother. Maybe she had to be.

AGNES’ elevator slowly ascends. First floor to the tenth.

Maybe I wouldn’t have started messing around with locks if I didn’t get it in my head to act so damn rebellious later on. I broke in somewhere I shouldn’t have. Found something I shouldn’t have. I was thirteen.

I had to put my own face back together right there on the concrete floor. Held it in place with duct tape, and two-hundred year old bandages. Pre-war.*

*As depicted in IKROAH #7 and the IKROAH Vol. 1 Special Delivery companion story, “Scar Tissue.”

Ding! The elevator arrives and the door opens.

I still can’t even shave without getting a cold sweat.

Back on the casino floor, CASS and BENNY have it it off. They’re smiling and laughing at the bar, several drinks deep.

Meanwhile, AGNES stalks toward Room 1007.

My mom was happy I was alive, but didn’t care whether I was okay, if that makes sense. She was always like that.

It’s why we fought when she found out about...me, when the changes from the hormones I’d been sneaking got...unignorable.

The lock is easy to pick for practiced hands. It opens with a CLICK. The door swings open and AGNES stands in the doorway, assessing the area.

I wonder what your mother would think of this. What she must have been like. Whether she’s even alive now. I wonder if she loved you, her baby boy, a killer in cold blood.

Eventually, we fought. Physically, I mean. It was a long time coming. I hit her hard, once, and that was it. It was over.

I don’t think I’ll ever forget what that felt like. Maybe I’m not one to talk.

Time passes.

BENNY returns to his suite and puts his keys in the lock.

I ran away to the NCR after that. I was an adult now, and had to start over. And I needed skills that my mom couldn’t have taught me. I thought I’d be a combat medic, out in the field. But no. No, no. Of course not.

BENNY opens his door, looking exhausted and covered in kiss marks. Looks like somebody really wore him out. He shuffles over to his bedroom.

They shipped me to some do-nothing recon station way up north in California, near Gecko. And from the minute I set foot there, my C.O. fucking hated me.

He abused me, berated me, blamed me, because I took his old friend’s position or something. Stupid petty bullshit like that.

I think that he was sabotaging my medical supplies. Messing with my work, trying to get me discharged.

There’s no other way he could have found my estrogen from home.

BENNY undresses in his bedroom, and then flops onto his bed.

Just another thing for him to scream at me about. Or it would have been.

AGNES enters the bedroom.

Never got any military police after me when I attacked him with a scalpel that night and ran.

Maybe he couldn’t cover up his own bullshit well enough, so he just kept his mouth shut. Doesn’t matter. Lucky me.

AGNES rifles through BENNY’s jacket, which he hung on a coatrack near the door.

I ran to New Reno. I’d deserted. The only job I could get was at a charity clinic run by one of the crime families there, and it was dismal. I couldn’t afford to live.

So I started picking locks again. Pockets, too. Got real good at it, too. You’d know.

AGNES’ eyes fixate on something. She’s pulled it out of his coat.

I was stealing to survive. Same dance, different song. Nevermind my hormones, I needed food and shelter. I’d never felt lower.

The Platium Chip.

I was casing one of the casinos there when I saw a man get glassed. I was still a doctor. Still had that oath. So I went to work, and saved the man’s life right there. His name was Yancy Bishop and he made my life a living hell for six long years.*

*IKROAH #12.

Until I killed him.

Something else catches AGNES’ attention in BENNY’s bedroom. Something on his nightstand. A gun.

He came to me helpless in surgery and I ripped him apart from the inside out, thrilled, exhilarated, terrified of myself.

AGNES approaches the nightstand. She picks up the gun.

And after that...I ran away again. Ran until I got to the Mojave. Ran until I fumbled into being a courier. Making deliveries, always running, but not a doctor anymore, not stealing to survive, just some stability in my life for once. For once. And then:

It’s the same gun that BENNY shot her with.

She turns to face BENNY.

You.

AGNES removes the 9mm bullet that she has been wearing around her neck since she left Goodsprings; a bullet made partly from the lead that was fished out of her own skull.

You are not special.

She loads the gun. As quietly as she can.

I’ve been dealing with people like you my entire life. My mother. My C.O. The Bishops...

...your Khans, McLafferty, the Van Graffs...have I killed more people in the last week than you have in your whole...

AGNES approaches BENNY’s bed. She gets one shot.

...was I the only one, Benny? And you couldn’t even do it right. I clawed out. An ugly life, too ugly to kill, even with a gun to my head. Your gun. This gun.

She raises the gun. She aims with both hands. Bodies are easier to hit than bottles.

Rigged from the start—is that what you’d said? You piece of shit. You look like you have everything, have been given everything. So you just had to rub it in, that night. Didn’t you.

AGNES scowls. Her brow furrows with rage.

Always been too big of a target. Too tall, too wide, too mannish. Never been beautiful. Never even got to be handsome, like you. Then you shoot my eye out, butcher me even more—and all for what? A mail-order tchotchke!?

The gun gleams in the sparse light.

I’m going to fucking kill you.

AGNES’ expression shifts.

I’ve killed so many people to get to you.

Her hands start to shake. The gun is heavy in them.

And...and now I’m going to kill you.

Sweat is beading on her face.

Because of what you did to me. Because I can’t sleep at night. Because of you. I don’t sleep, most nights, because of you.

AGNES grimaces as her whole body trembles.

So I’ll kill you, with the fucking gun you killed me with, then I won’t be so...

The gun. The gun. The gun--

I’ll...I’m—

Her eye is wide with terror.

Oh God.

AGNES stands alone in the dark in the bedroom of the man that she has planned to kill. The gun is in her hands. Tears stream down her face, frozen in grief. The gun is in her hands.

BENNY is awake. He has been awake. He is sitting up in his bed. He is staring at her staring at him.

The gun is in her hands.

AGNES fires the gun.

SFX: BANG

#fallout #fallout new vegas #courier six #benny gecko #rose of sharon cassidy #the tops #new vegas #ikroah archive #volume 02 #23

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