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pocketfulofrecs · 3 years

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ChilianXianzi was one of the first authors I (Dee) read in this fandom and These Mortal Treasures was one of the first fics I read. ChilianXianzi has a great writing style and you’re fully immersed into the story she’s weaving. We are really looking forward to anything she writes in the future.

She has written 39k+ words on 7 works, both mdzs and cql canon. You can find her @chilianxianzi on Tumblr.

Her fics:

To Not Vainly Break Branches - [mature | 3k | wip | emperor LWJ/empress WWX]

For Safekeeping Purposes - [mature | 2.9k | crime boss/sugar daddy LWJ]

The Shadows of My Old Places, Falling Across the Moats - [teen | 8.4k | QHJ goes to Burial Mounds]

To Start A Bridge From A Single Log - [teen | 4.7k | epistolary]

These Mortal Treasures (our post) - [teen | 9.3k | dragonji]

They say - [teen | 3.1k | LWJ is troubled by rumors]

Proximity to Knowledge (our post) - [teen | 7.2k | WWX protection squad]

Dee’s favourite: These Mortal Treasures, definitely. It is one of the first fics I read when I entered this fandom. It is also one that planted the idea of writing a dragon fic. I really love it. The story, the pacing, LWJ’s response to WWX, everything.

Ju’s favourite: Proximity to Knowledge! I love genius WWX, and I love WWX and his ducklings, and this fic gives me both so well! Jingyi pov is so much fun, and all the juniors doing whatever they can to be close to WWX and learn from him just makes me so happy. It’s a really good fic to read when you’re feeling down.

The Interview:

Q. When did you start writing fics? Did you have fandoms before this one?

A. I think around 2006-ish? I used to write character and quest mods for Baldur's Gate 2 before I went through the Knights of the Old Republic fandom and the whole ouvre of Bioware's games, although Dragon Age was the fandom I was most involved in and wrote the most for. There was of course a Harry Potter phase amidst all that, as one does, but also a good deal of Sailor Moon.

Q. What made you start writing for MDZS?

A. Definitely the worldbuilding and the issues and themes raised in canon. In a way, MDZS is the complete package of family issues, class issues, communal responsibilities, my childhood love for Wuxia/Xianxia, and the increasingly dangerous and volatile court of public opinion - which is also reflected very prominently in the MDZS fandom proper.

And let's not forget the Wangxian, because they're just a couple that works not just because they look good together (They do) and have a deep love for each other (Hell yeah they also do), but they also work perfectly together because they are constantly, stubbornly striving for the same values in a world where such values often come second after ideas of honor and performative righteousness.

Q. What’s your favourite fic you’ve written?

A. It's an ongoing one and it's called "To Start a Bridge From A Single Log" where I wanted to explore the possible uses of Cultivation outside of the super insular scope of the cultivation world and how that would impact both communities, because all of these hogging of spiritual resources, I cannot stand it. But it also has ridiculous amounts of Wangxian mutual pining so there's that, it's just all my favorite things piled up together.

Q. What’s your favourite type of fics to read?

A. Oh, it really depends on my mood at the moment like that's why rec blogs like this is just so *mwah chef's kiss* because there's just a ready selection of different stuff for different occasions! In the MDZS fandom, I do gravitate towards fics about Wei Wuxian finding a home and his place in the world outside of his Jiang upbringing, or fics where Lan Wangji and Wei Wuxian just work together realizing their mutual vow, being a good role model for the juniors.

Q. What’s your favourite comment? Or type of comment?

A. Any comment is a favorite, honestly! Writing stories are just like talking to people right, so being answered is always nice :D I suppose whatever the comment is, it's just always really interesting and heartening to see that parts of what you're talking about resonates with other people, enough to get an answer in words :)

Q. What motivates you to write?

A. I think I'm inherently a very angry person. Like literally the way I set my career path had been to find what things made me the most angry and do my best to fix it, and I feel like that's also my approach to writing. I would tackle something I think is a problem or a question that makes me angry and try to find my way through it via the characters and worldbuilding - And even if in the end the problems don't get solved or the questions are not answered, there would still be dialogue incited and there would still be the process of seeing said problem from many perspectives as writing (and reading!) encourages you to do.

Q. Who’s your favorite author?

A. The authors that really stayed with me are the Shoujo mangakas of the late 80s and the 90s, because they gave me examples on so many different ways to express myself outside of the one-note "girls should be like this" sentiments that were still somewhat prevalent when I grew up. My favorite has to be Kyoko Hikawa, though. Other writers would probably be Margaret Atwood and Nnedi Okorafor because of the way they talk about many issues through stories so they're not directly talking about it but still kinda blatantly talking about it.

Q. What is your favorite trope to read and/or write?

A. Curtain fics! There's just something inherently telling about how a character approaches the everyday and its logistics, because in a way these everyday things around them are also the things that molded and shaped them to be who they are.

Q. Do you have any advice for new authors?

A. I guess start small? I used to teach piano and after all the godawful finger exercises and endless scales it's always SO nice and validating for the kids (and adults!) to be able to complete an actual song, even if it's just a tiny piece of twelve bars. And I feel like it's a bit like that with writing too, the joy of just like, finishing something with your own hands and then having people hear/read it is such a great motivator to do more. Like we could totally start with super simple goals and as we go on, the goals or the objectives could become bigger or more diverse.

Q. What do you think is the most important element in writing? Plot, characterization, relationship?

A. I really think it depends on what kind of experience you're looking for your readers to have? For me, some plots or concepts are so engaging that you'd be fine even if the characters are switched to another fandom, and some fics have such good characterization that it happening in limbo would be fine with me, that kind of thing. I guess it's also fun to experiment with each pressure point and see which feelings and reactions from readers (and yourself!) you gain from each you love the most and how to combine each element in a portion that works out for you.

Check out their stories on ao3 and remember…

Comments and kudos feed the author’s soul.

#mdzs #author spotlight #chilianxianzi

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stimmypaw · 3 years

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stimmypaw reads the apprentice’s quest, a blog post

A big one, just a bunch of thoughts as I’m reading it, of course, lots of spoilers for the first book in the Warrior Cats series A Vision of Shadows. This will be covering just the first book tho, it’s all in the Read More, let’s gooooooo!!!!

Vision Of Shadows time

Lots of new cats!!! I don't remember these guys as kits or anything wrow!!! I like their names but itll take a while to get used to them

Also cant believe they printed stormcloud's dead name

Omg there's a cat named beepaw

I love these cats all of them so much im going 2 cry

All new names are perfect

I FORGOT HOW GORGEOUS THE CAT VIEW IN THE RECENT BOOKS WAS, LOVE IT LOVE IT LOVE IT

I'm glad leafpool smokes weed

I love reading from Jayfeather's point of view, his grumpiness hasn't grown on me ever but thats just me, I still enjoy it lots he's great and its fun

Firestar and Leopardstar's characterizations are On Point i love it

OOF i feel so bad when jayfeather is mean to others, poor kestrelflight, I love those two

Lovely Jayfeather moments now its time for the first chapter

I like this duo! Also I didn't think I'd ever say this but shut up squirrelflight one can have fun AND learn with their mentors

Sparkkit sounds nice she makes jingling bell noises when she walks around

Alderkit is chadphobic /j

I can see Alderkit taking deep breaths to relax its rotating in my mind its beautiful

God this first chapter feels so good and comfortable, like eating noodles and chicken nuggets. I am so so deeply in love with it, its gorgeous!

Sparkkit is so perfect too, and Graystripe remembering Firestar aaaaaa

DUSTPELT SAID WHAT? PHDHAHAHHA OH NOOOO I don't remember their relationship much, must have been fun, I love young little creature squirrelflight I MISSED HER SO BAD WOW

I started reading the second chapter and died, I think ill take a break now 2 sleep heehhee

I love them describing twoleg stuff its always so fun and alien, like watching an animal planet show about funny sea creatures.

Also I have determined sparkpaw is my favorite, might be my favorite cat ever next to hollyleaf??? I really identify with her and also she's autistic i have decided that

Alderpaw baby noooo hhhh their mentor at least is trying to show its okay, he seems very emotionally distant so far and alderheart feels very emotionally needy, actually both of them do, did I mention I love Sparkpaw??? I might be imprinting myself 2 much on her

I love how like, its clear both of them are absolutely anxious and worried about others opinions on them, which is clearly something they got from being Firestar's grandkids, deputy kids and leader kids. And bramblestar too, I recall him being quite the anxious lad ahhah. Sparkpaw will be showing confidence and being loud but the second anyone isn't approving of her or she does something "wrong" she gets small and quiet, and she ended up setting a high bar for herself by being good at hunting and fighting so I'm curious to see how that will go. Also there's nothing wrong with being guided through a crowded place to meet others Sparkpaw!!! I bet the two of them would be stuck without not knowing how to talk to others had Needlepaw not shown up. I love them, my gf is mocking me saying I'm a Sparkpaw kinnie.

Apprentices will like learn about a thing and tell everyone about it all the time and assume its always true in every situation and thats valid I love kids like that. Also in my head Needlepaw kinda looks like a porcupine. Oh boo she's fatphobic >:(

I love apprentices they are so fun and silly, just making fun of the leaders like its nothing. The way they are clearly learning and absorving everything their warriors say and do like sponges its just ***chefs kiss***

Omg shadowclan is just full of 12 year olds help

And then the old person said "it sure is hard being old!" And everyone clapped

Shout-out to pretty Riverclan apprentice #481977 I love her

Leafpool: 👁👁

Alderpaw: I knew it im cursed and awful and terrible and I will never amount to anything

I wish the cats didn't seem to be giving up on him so easily though

Ah yes the classic thunderclan move "you suck, into the medicine hole you go"

The way sparkpaw changes the things she says and how she does when it isn't the status quo around her oooooooooooooyeaaaaaaa I love 1 autistic cat

Alderpaw considering your problems lesser than other cats won't help you deal with them better bro

I love Needlepaw's excitement about Alderpaw being a medicine cat apprentice, and her sarcasm, she feels like a preppy teenager

Ahhh this is so good, I am so thirsty for family moments like this, just Alderpaw bonding with grandma, I’ll definitely want to draw this one it’s so sweet.

Oh to be young and silly.

I really am enjoying like, Alderpaw’s struggles to seeing how he fits in the clan, how he fits in himself, how he wants to be seen and what he wants to be, it’s really good. I Am Engaged(tm) With This Plot.

SPARKPAW NOOOOOOO but also Yes I want her to be shown vulnerable and weak please

POP, god watching this stuff always awful, the cats must have thought he broke her ahahah

Also, really great that they learned from Dovewing and now like leave choices and discussions about prophecies between adults

And plus Brambles seemed to take the time to explain stuff to him, seems he wont be going alone either the 1 thing is that he will be the only one knowing what the journey is really about, why though??? I didnt read Firestar's Quest or whatever why does Skyclan need to be secret??? Seems quite silly really!

YESSSS SANDSTORM GET HIS ASS FIGHT FIGHT LOVE THIS LOVE SANDSTORM

I could feel squirrelflight nearing explosion here, this was very fun, i wish they werent hiding this though!!!

The secret thing is showing to be a plot point so I am once again Very Engaged

Also, wonderful dialogue bit, someone asked Bramblestar why an Elder is going and:

Lovely perfect perfect

I miss you dovewing

SQUIRRELFLIGHT LOVE YOU

Oh boy this is it

Traveling book moment

Graystripe: Soooo you're excited to go on the journey to the old territories and Skyclan?

Sandstorm: Yes! It's been ages and-

Graystripe: I'm sure the tribe will love the visit too

Sandstorm, groaning: Oh noooo I forgot about how the tribe is in the way of every journeyyyyy noooooo they're such a racist caricature, please tell me you have a plan

Graystripe: Yes don't worry about it the writers forgot about the tribe in my comic book so you can just use the excuses i did to actively avoid it

Sandstorm: Oh thank Starclan

Sparkpaw's desperation to prove herself oof, her anxiety with understanding the prophecy, oh boy, and Alderpaw feeling too overwhelmed by the questions and not managing to talk!!!! I am so glad they are both autistic

Hoping "Being Leader" wont mean theyre putting nonsense responsibility on the apprentice again

Ah good Sandstorm is on the lead again, as she should, she should have been leader she would have been great

I can't believe Alderpaw thinks I look stupid and diseased :( /j

Everything about this twoleg scene was scandalous I loved it, Sparkpaw just toppled over a trash bag and they are eating from it, iconic, also did those twolegs throw out a whole turkey? Damn

Its not that Sparkpaw is freakishly good at hunting she is very hungry and constantly on the watch for things to eat

BRO Ive never been in a road where the drivers are this wild, throwing bottles out of the car????? Ive seen Fruit being thrown like once or twice, what the fuck!!! I'm glad they are going to wait until the morning to continue

Okay I was not expecting Needlepaw to show up this girl is chaotic I love her

ACTUALLY YEAH WHY DIDNT THEY TELL THE OTHER CLANS ABOUT THIS SINCE THE PROPHECY IS ABOUT ALL THE CLANS???

Needlepaw is like Rono from Bambi 2 if he wasnt a mean bully and thats very epic

Very curious character though, how come her mentor isnt teaching her the warrior code properly? Is that an issue with all apprentices?? Is the clan overwhelmed by 12 year olds and they won?

Having lots of fun trying to play the game "what animal are they describing this time" the erins made here, im glad they're in a farm. Worried about Sandstorm though :c

Fuck im worried about sandstorm a lot, her wound hurt on Me

Yeah water is good youre right sandstorm

Aw man I hope she's okay let her at least survive to meet skyclan please

NOOOOOOOO SANDSTORMA A AAAAAAAAAAAAAAA

Sandtteooonrjrbbbmmnnnnnnnnnn

I am so sad

Alderpaw denying it, Starclan shining upon their vigil, everything crushed me i cried

Alderpaw considers Nihilism

Haven't seen a cat thank starclan for prey in a while its

Oh look they time skipped a journey! They don't tend to do that thats nice

I'm so excited to be meeting The Skyclan that everyone in the fandom knows now

So far they seem kinda mean but thats most clans at first glance really

Okay somethings up

I uh have heard of Darktail pretty sure he's a bad guy so yeah something really bad happened to Skyclan

Am worried

Darktail sounds like an evil himbo* i may be enjoying him actually

*himbos are usually nice by default so he's just evil and stupid and strong

Does needletail know these cats already?????

Shit

Oh okay fuck

I've been quietly reading the rest because I am just concerned and I want them to be okay as quickly as possible

Waterfalls are a classic nice

Oh boy time for our unlikely duo of Alderpaw and Needlepaw to get out of a Mess!

I did not expect this to end up with the two of them journeying into parenthood, but I'm happy it did

Well actually I'm very unhappy theyre so lost and there's no sign of Skyclan I am very worried for everyone involved Sparkpaw must be feeling awful!

Twigkit is a great name

Yeah this ended terribly

Overall! Frigging loved it this book was GOOD and a great start for the series I am very excited to read the rest, SO WORRIED ABOUT SKYCLAN THO AAAA the characterizations were great the characters were great the pacing was fun and I didn't get bored once!

I think o only wish I had read this sooner really so I could look up others thoughts without getting heavily spoiled about the last books, I can watch a few videos already though thats a start ahhaha. But yeah it was great and it felt very good to read, haven't swallowed up a book so quickly in a very long time!!! Very happy I finally got my hands on this 💕💖💕💖💕💖 cant wait 2 start the next one

If you read all this, hope you had fun hahaha, ill be making more of these cus theyre fun and I like talking about warrior cats thats just my thing

Til next time

#wc #the apprentice's quest #warrior cats #a vision of shadows #avos #warrior cats avos #avos wc #wc avos #avos warrior cats #warrior cats a vision of shadows #alderpaw #needlepaw #sparkpaw #violetkit #twigkit

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ayankun · 4 years

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The Asset

so I’m making my mom watch Agents of SHIELD (obviously) and today we watched eps 1x03 - 1x06. That’s The Asset, Eye Spy, Girl in the Flower Dress, and FZZT.

THEN I ACCIDENTALLY SPENT LIKE FIVE HOURS DISSECTING MY LEAST FAVORITE EPISODE YOU’RE WELCOME

First off, full spoilers ahead, of course.

1x03 is, hands down, the worst episode of the series. PERIOD. I didn’t give it my full attention when I did my rewatch, because I remembered it well enough for some reason and the guy that plays Quinn looks too much but not enough like Tahmoh Penikett to seriously irritate me. DODGED A BULLET THERE.

Giving it your full attention does not do it any favors. I was physically discomfited, squirming in my seat and dropping snide remarks every 12 seconds. It’s bad, you guys.

First off, we have this guy, who is, for now in S1, the one and only “Agent Mack.”

THE SIMILARITIES ARE UNCANNY.

Then this big rig gets dropped like 50 feet and I’m supposed to believe that this guy strapped in the back only had his glasses knocked askew?

Ok then we go see what the team is up to, and lord, three episodes has not been enough time for Chloe or Brett to Figure Their Shit Out. They’re so awkward and dumb looking.

After a passable briefing scene, where we learn that Baldy McGlasses is a valuable asset (and beloved advisor to FitzSimmons) who was being transported with maximum security before being kidnapped, we get this wildly wild “we have to put something on the screen while exposition happens” shot:

Which cuts contemporaneously to

Thanks I hate it

Where did the atmospheric smoke go? Was that highway always there? What time of day is this supposed to be where the ambient light changes so drastically over a matter of seconds? They couldn’t have kept the camera on the left side of the lane marker?

But it gets worse because Simmons has a line and the coverage for this is basically just a matched jump cut over to the other half of the line up and back again.

I can’t stand it.

So Agent Mack survived the fall and is still on the scene of the accident. My mom was pretty incredulous that he was alive, and I was thinking it was too bad that he had to sit there for hours waiting to be debriefed instead of being taken to a hospital.

THEN there’s some FitzSimmons pratfall-adjacent sci-fi nonsense that my mom really got a kick out of. But I was too distracted by Iain’s decision to play Fitz as a douchebag so far this season so I wasn’t in the right mood to be impressed.

Ok then we go back to the lab to do some science on the MacGuffin, and I will admit my favorite part so far is Skye challenging Coulson on the existence of the truth serum, and Coulson plays it so Coulson-y it’s truly chef’s kiss.

BUT THEN May comes along and drops 100 pounds of print media for Skye to review (oh yeah, there’s a key subplot about there potentially being a mole inside SHIELD, which is how McGlasses got got) and MY MOM who REGULARLY prints out things like Facebook posts to keep for posterity rightly pointed out that they have high-tech on this plane like holograms and stuff, so printing out all this correspondence in order to go through it page by page makes 0% sense.

Also we never see it again.

OKAY THEN COULSON AND WARD ACCOST A COWBOY RIDING A HORSE THROUGH THE WOODS. Said cowboy also just happens to have the incriminating bag of gold on his person, which Coulson and Ward straight up steal. That’s it. That’s the whole concept for the scene. Coulson’s just parked his car along a narrow woodland path, just waiting for a cowboy to come riding along so he can accost him/steal his gold.

Check out how whack this scene-setting shot is, too. We have Coulson on the left, facing the Cowboy on the right. At this trajectory, you can see that Lola and the horse are basically pointed perpendicular to one another.

Yet cowboy pulls to a stop without banking and addresses something dead ahead of him.

Surprise! Coulson’s over there now and Lola and the horse are facing dead on.

To really drive this home, cowboy spends the rest of the scene on the left, addressing Coulson who remains on the right.

Anyway so yeah, this scene is about roughing up an innocent civilian for intel and then stealing his legally acquired wealth.

At least they can’t take the sky from him.

The purpose of the cowboy gold is that it’s directly traceable back to Quinn Worldwide, which is hilarious considering that one assumes the under-the-table transaction used this method of currency in order to not be easily traced.

Coulson name drops Quinn like he’s some off-brand Tony Stark that we should be impressed with, and we are immediately shown that Ian Quinn’s defining characteristic is that he has an assistant to hang up his cell phone calls for him. We are not impressed with Ian Quinn.

OKAY AND THEN WE GET THIS COMPLETE MIS-READ OF SCRIPT INTENT IN THIS SHOT

why why why why why why would you ignore a character’s line like that. Why are you choosing to TELL me that a man is tied up when it would be SO EASY to SHOW me.

Especially since the narrative so far is that McGlasses has been skillfully kidnapped by a very determined adversary, and this moment, this interaction, is where that assumption is proven erroneous. Quinn’s line is a very specific cue that we are meant to SEE that he’s restrained, per our expectations following a kidnapping, specifically to introduce the twist that Quinn is just that budget Tony Stark who actually has no malicious intentions towards his former colleague.

A super close close up of McGlasses fails to achieve that moment the script was hunting for. I’m feeling that the intent was to keep the focus on this dude because of the upcoming secondary twist where he is revealed to be the SHIELD mole who masterminded his own kidnapping, but this guy is So Bad at acting I don’t think keeping him front and center is ever going to pay off.

(ok I just checked and it turns out Ian Hart is a prolific English actor. this makes me feel like I ought to chalk it up to “difficulty emoting while doing a fake American accent” but guys this performance is so bad I’m really not willing to believe there’s a good excuse)

anyway it turns out Quinn’s good guy!

.....but then he’s on the wrong side of the shot all of a sudden for no good reason and HEY maybe this set up with the wide angle on the lab and a clear look at McGlasses’ physical situation within that environment would have been an alternative for, you know, maybe some sort of establishing shot? Maybe? No?

Also here let’s take a moment to let the “plot” really sink in. These two chuckleheads are former classmates and colleagues, even though one of them looks about 20 years older than the other, and Quinn discovered that “an asset” was being moved, “deduced” that the asset was McGlasses, and wanted to bring McGlasses in on his semi-nefarious science plan. So to avoid SHIELD interference in his schemey scheme, Quinn

kidnaps McGlasses directly from SHIELD custody,

in the showiest manner, not only using but LEAVING BEHIND the exact product at the core of his scheme,

and pays a local cowboy with easily traceable gold in exchange for just some regular backhoe to bust open the big rig transporting McGlasses, instead of, I don’t know, using his massive wealth and influence and in-house R&D products to not massively incriminate himself

He couldn’t have just invited McGlasses over without calling attention to himself?

There is the way that “the asset” was being “moved” makes it sound like McGlasses was on top secret lock down with no civilian rights or means of making/receiving contact with people like old colleagues. But this is never clarified, like, the only other thing we know about him is that he evidently advises classes at the Sci-Ops branch of the SHIELD academy.

ALSO we have yet to learn that McGlasses personally staged “being moved” and leaked the hints regarding the identity of “the asset” to Quinn just so that Quinn would do all these nonsense things he done. He couldn’t have just invited himself over???

Also the conversation they have at this point is real rough, with non-sequiturs, shambling exposition, and garbage jokes that wouldn’t float even if you didn’t have a log and a ham struggling to mimic human behavior.

Also Quinn bought the PRIME MINISTER OF MALTA’S old manor specifically because it has a huge underground lab???? What about Malta do I need to know about before this makes sense?

Let’s move on. FitzSkimmons have an only-mostly painful scene of exposition in which Iain is still having a hard time with the lines/characterization the Powers That Be are forcing Fitz to be at the moment. I’m going to say it. Season 1 Fitz is Utterly Unlikable.

However, this rant has given me the opportunity to 1) stand corrected and 2) appreciate this understated joke:

She’s still on page 1 of 1 billion LOLOLOLOL

The other nice thing to come out of this scene is the casual validation that the public school system may not be right for everyone, and that being a high school drop out does not mean you can’t also be an intelligent self-starter who finds value and satisfaction in picking up a trade skill on your own. *coughs in Robbie Reyes*

UGH but then we go back to McWooden and Bargain Ham. Their story is UNINTERESTING and their performances are HARD TO STOMACH. Also it ends on a mirror of the shot we started with (so there is some evidence of intelligent design at play here after all)

But this framing makes me so uncomfortable like, I’ve shipped for less don’t put weird ideas in my head that no one wants least of all me--

Ok. We’re a third of the way through. It doesn’t stop getting worse.

So here’s the correct way to reposition your characters if you want to change up the eye lines without making it super jarring! The start of this scene is actually really textbook-nice, just look:

The pre-mission planning is already in full swing, but we follow Skye, the outsider on the outside, approaching the scene with some amount of hesitation.

She starts on the right, facing left, and crosses across the path of the camera as it follows her towards the meeting, ending up on its left while the folks currently giving lines are framed over her right shoulder. Your eye line and sense of positioning has fluidly followed hers, and this makes sense.

From this establishing shot, we do a real nice punch in on Coulson as he’s speaking, using a really action smooth cut as he does a bit of business with his hand.

We’re still coming into this scene from Skye’s POV, and this shot reflects that -- close enough to focus on the important action, but distant enough to show Skye’s current position (literally and figuratively) relative to the rest of the team.

The reverse shot is ... fine. It’s fine. I don’t like that she’s framed on the right hand side of the screen (exactly where Coulson was a split second ago), but the eye lines still match up and it does give the impression that the camera is the avatar of the audience and we just turned on the spot to look at her as she quietly invites herself to this scene and starts putting that big beautiful brain of hers to work.

Then we leave her to it! Feel the difference this cut has, emotionally, from the last time we looked over at Coulson:

We’ve left Skye’s aloof POV and now we’re all up in his biz. This framing tells us he’s no longer the subject of Skye’s contemplation and has gone back to being a character of the TV screen doing TV character things.

The remainder of this scene holds onto that “normal” shot-reverse-shot framing of the team as they give their opinions and work through the plan.

This laudable result of thoughtful camera work is almost instantly ruined by Fitz yammering on about using a brave little monkey to do their serious spy business and HOLY COW Iain does his best with the dreck he’s been given but there is no universe in which I will find this type of dialogue acceptable.

The valuable plot point here is that Skye is finding her footing on the team, doing hacky stuff on her phone and putting herself out there as -- wait for it -- an asset to Coulson. Ward responds to this with bafflement, being generally supportive of her known abilities while also being doubtful that she’s a complete package, and turning to Coulson for advice on how to round her training out.

This results in yet another JARRING AF transition (read: there’s no transition) from Ward and Coulson’s heart to heart to Ward pointing a gun at Skye at some indeterminate amount of time later.

Look we haven’t even had time to ingest Coulson’s line yet and BAM we’re here.

This scene’s fine. It’s doing double duty and that’s admirable. Triple duty, even. Many duties are being performed in this scene. We have

fledgling Skyeward

the introduction to the gun-manipulation maneuver Skye will use later on

Skye’s irreverence butting heads with Ward’s need for brass-tacks

at least one solid joke at Ward’s expense

Ward valuing Skye’s er, assets -- I’M TALKING COMPUTER SCIENCE YA PERVS

a very competent conversational segue into Ward’s Whole Deal, wherein we are introduced to the concept of his childhood trauma (lolol and man does Brett just fail to deliver these lines in any sort of a way that inspires human empathy wowowo he’s so bad in this one)

a callback to an earlier conversation as well as a set up for a future joke

SKYE STEALING WARD’S GUN FROM OUT OF HIS PANTS A++++

Now we go into pre-heist plan-walkthrough mode, and it’s so boring and lifeless that Skye’s actual summary line is “Plan, green, drop, walk ... pie.” To be honest, she got more out of the discussion than I did.

May has an interesting character moment where she’s complaining about going into the field and then immediately regrets it because she was never going to be sent in, but that means Coulson’s going in instead and that worries her. I keep thinking back on this season as being unfocused, but that’s because I forget that the sales pitch for this entire shebang is “we killed Coulson in Avengers but now here’s a show where he’s the lead because everyone loves him so much” and the subsequent focus of the inaugural season is everyone’s burning curiosity to find out how they undid his murder.

Aside from the sci-fi/Marvel/generic spy show gimmick of the week, these early episodes never fail to prioritize the interpersonal dynamic of their team while simultaneously teasing out the Coulson mystery with these nice little regular hits.

I let it keep playing while I was typing, and we flew over some whatever business where Skye goes to Quinn’s party, and Coulson and Ward land their little raft on the beach, and the other kids are watching from the Bus and FITZ IS AGAIN TERRIBLE

I feel you, Jemma.

(Also, am I wrong in hearing him give in and say “boobs?” The Netflix subtitles have it as “oops” but that can’t be it.)

Anyway so Skye’s busy using her Assets to win Quinn over, and Chloe’s shining moment in this scene is the delivery of the drivers test joke.

Back to stuff that’s gratingly awful, we’re supposedly on Malta, right? And you know how Hollywood generally and the spy show/movie genre specifically tries to stretch their location budgets by putting on color filters to “evoke” distant lands?

We go from the above, washed out and unfiltered, to this sepia-toned nonsense:

This is supposed to be taking place basically right outside. Why not just keep the filter on for the interior scenes, too? There’s plenty of searing Maltese light coming in through that wall of windows.

(They must have had a hard time on location for the manor shoots, though, it’s just as washed out in the earlier scene set outdoors that I didn’t show you because it was boring but I’m showing you know because it’s not even the same color filter as the Coulson/Ward shots

)

((Also, yeah, I get it. You can’t fly to Malta for a day for a television shoot. But how many people are you fooling when you put the Santa Monica mountains in the backdrop of every exterior shot?))

So we go back and forth between these high-grain-low-saturation beachfront stuff to these holy angelic light of judgement shots and I hate it.

Like, why choose to shoot against this nuclear-blast light? It’s not doing your actors any favors.

Especially when you’re ALSO choosing to depict that same “natural” light with a whole different palette and then continue to give us the opportunity to compare and contrast.

Also I hate the Ward/Coulson business because it’s just generic spy stuff where some guards come out of nowhere and I guess maybe it’s implied that their cute boat was found but it could just as easily be that it was explicitly stated that there were guard patrols and I forgot.

But then they fight and defeat the guards in literally under 8 seconds and that’s that. End of stakes.

The character moment that validates this trivial obstacle is that Coulson tries to do something with a gun and finds that May’s concerns weren’t entirely unfounded. He’s a little rusty.

Also Ward’s response to this is to chuck the gun into the laser wall and I don’t know why. In any case, the energy from both of them in this screenshot really resonates with me.

So then Skye Does The Thing with her Assets and if you’ll let me be picky again about plot holes, why does the wireless access MacGuffin need to have an interface for Skye to check that the connection is possible, and THEN have that connection activated by LITERALLY dropping it on the table. They couldn’t have set it to auto-scan and then tell her through her earpiece to stay still when the connection activated itself?

Whatever. Success! Immediately followed by ... INEXPLICABLE OBSTACLE

WHO, praytell, is on the other end of that walkie talkie? Because the downed man is the man you see. Typically, it would be like a survivor of the scuffle who radios for backup, but here we see the scene of the scuffle and some unknown unseen ADDITIONAL MAN who I guess is just spying on them from somewhere and radioing still more unseen men?

Instantly hearing this news, the Unseen begin a sniper assault on Coulson and Ward, and we get to see their bullets getting evaporated by the laser wall. Remember those guards walking along the sea cliff towards the sign? There’s no place for the snipers to be sniping from, unless they have some kind of invisible floating island.

This scenario is made even more hilarious once Fitz brings down the laser wall and Coulson and Ward dive through like they think they some kind of James Bonds and then the wall goes back up and the snipers keep sniping.

Why aren’t the guards on the inside of the perimeter of the compound which they guard? This laser fence is now protecting the intruders. Minor design flaw.

Anywho, Quinn is still talking about how he doesn’t trust SHIELD and SHIELD doesn’t trust him, so it’s like, what are we supposed to believe about this guy anyway? Why did Coulson introduce him as bargain bin Tony Stark if he was known to be bargain bin Justin Hammer all along?

So now that snipers have failed to snipe the intruders, some Seen Guards come to alert Quinn so he breaks the wireless MacGuffin and turns a gun on Skye. (Just sayin, if it had been some secret device that was still in her bag, she’d have plausible deniability)

I think, at this point, I have two conclusions

Team Coulson has no extraction plan for getting McGlasses out of the compound since they don’t have a Plan B to get back through the laser wall, no firepower to use on the Seen Guards, and no available land-or-sea getaway vehicles.

There was never any sort of extraction plan for Skye even if the laser wall and the Seen Guards were not an obstacle.

Here’s where it gets the messiest.

Coulson busts in on McGlasses but is told no rescue is required.

AT THAT SAME TIME

May has just popped open a tablet over in some room by herself, evidently disinterested in whatever FitzSimmons is probably doing right now in light of this drastic turn of events, and she’s randomly googling up on the SHIELD leak mentioned earlier, only to discover that it was MCGLASSES ALL ALONG.

Keeps a cool head, our May.

Yeah, we know, we .. he ... he just said ... you know what? We didn’t actually care, though? Who the mole was or that it was McGlasses. We certainly didn’t spend the last half hour watching May diligently tracking down some breadcrumb trail of clues to get to this dramatic reveal, only to find out a second too late. We didn’t even see her checking up that Skye had/didn’t have this angle covered.

Did she print out the contents of the four-foot binder as some sort of eco-terrorist cruel joke since she was just planning on spending three seconds on the computer to complete the same task?

Ok so Coulson misinterprets McGlasses’ decline of his rescue operation as collaboration with Quinn until May clues him in. We then go to commercials and come back and have to go over all this info again just in case we didn’t follow that super exciting double-cross the first two times.

At which point we figure out where all the pre-production time was sunk -- somebody had to spend a lot of effort envisioning how they were going to do the wacky-gravity scenes. My feeling is that fun challenges like that are what stand out to people who are working on a thing, and sometimes the prestige of “pulling that off” can overshadow the need to pay attention to other, less exciting aspects of filmmaking, like making sure your eye lines stay coherent in a scene or that your color gradings aren’t super distracting.

Anyway I do really like the load-bearing scene where Quinn threatens Skye at gunpoint because it is one of those many examples this season has of laying ground work for and paying off character moments.

Skye’s flip and smart and completely not ready for this level of field action, but she remembers her training, remembers how earnestly Ward wanted her to be ready for this defining moment, and gets the gun!

That “nOPE” when she can’t shoot the man is also Classic Skye and we Love Her For It.

Anyway oh yeah, McGlasses reveals his master plan to get kidnapped, so that he could get on site and ruin Quinn’s everything because he’s a Bad Justin Hammer. His performance is SO PAINFUL and his reasoning has yet to make sense. Coulson doesn’t ask “why did you have to be kidnapped to get in, though” but he does ask “why didn’t you try reasoning with him” as if that were the question we needed an answer to.

Also it turns out FitzSimmons has been pretty chill this whole time since their agents lost their extraction plan (well, they’re smart, they probably knew all along that there wasn’t one) and are just puttering around the lab working on what looks like their regular day-to-day science, talking excitedly about gravitonium rather than panicking that the whole plan’s gone to shit.

Unflappable.

COME ON PEOPLE the mission wasn’t “throw McGlasses into the gravitonium and do high-fives” it was “rescue McGlasses from Quinn’s grasp.” From the way that this plays out, there is 0% indication that their initial plan was ever expected to succeed.

WE DON’T EVEN SEE HOW THEY GET OUT OF THERE, WE JUST LOOK AT SOME MCGRAVITONIUM AND THEN SEE COULSON ON THE BUS INSTRUCTING THE CONTAINMENT FACILITY ON HOW IT SHOULD BE HANDLED.

Oh well, the gratuitous plot is disposed with after this point.

In the denouement, we get to see May and Coulson interact over his experience in the field and her experience being stuck watching him in the field. She’s finally ready for combat, but strictly for his sake. And he’s at the point where he’s ready and willing to take her up on her offer instead of trying to prove that he’s everything he was before he died.

Following that, we get some Skyeward with some really gross romantic comedy type music. Bear, you’re better than this!! But the scene is nice, Chloe really brings it (almost brings too much) and Brett is there to support her.

It’s a really on-the-nose admission from Skye that her allegiances lie with SHIELD, but its an organic continuation of that bit from earlier where she wandered all up on their meeting, the outsider, and pushed her way into the heart of it. She wants this. She wants to feel like she belongs here. And now she’s been trusted with some opportunities and tools to prove it!

This early in the season, we’re still doubtful that she’s on the up and up, what with that Rising Tide plot thread hanging so loose and tantalizing over our heads. Due to the potential of a storyline revolving around her betrayal, there are a lot of fun little moments in the next few episodes where Ward gets to say some betrayal-related stuff that is absolutely excellent in retrospect.

I was watching some old interviews and while it is very clear Brett did not know the fate of his character in advance, it’s also distinctly implied that no one knew and the arc of the season may have developed episode by episode. That’s so nutty to me, considering how strong the structure of the season is, how there are so many satisfying call backs and payoffs later on.

I think I’m more likely to applaud a well-plotted narrative, in which foreshadowing and a deliberate order of events slowly unravel to great effect. But I can definitely appreciate the ability to force the illusion of the same by being crafty and attentive and not letting any usable threads go to waste.

Ultimately, whether by design or by providence, Season 1 is successful in pulling it all together. It’s just that episodes like this one don’t really inspire you to believe that that outcome is likely, or even possible. Episodes like this one cause a person to give up watching halfway through the season and walk away for years until cajoled into giving it another shot because “it got good somehow.”

But what this season has, every episode, especially ones like this one, is a pronounced, chaotic, relentless prioritization of Character over Plot. What is this show about? Who cares. That’s the wrong question. This show could have been about anything, and these early episodes are all too aware of it. What kind of story can you tell when every option is on the table and no one knows what to expect from you?

You find that story, step by step, episode by episode, through the eyes of your characters. The forward motion of the story isn’t “how did Coulson come back to life” but “what is life going to be like for him now?” It’s not “will Skye betray the team” it’s “what does she want and what is she willing to do to get it?”

Posing and answering these character questions generates the Story of Agents of SHIELD. Plots be damned. Remember how at one point in this episode, our heroes robbed a cowboy at gunpoint? Yeah. Me either.

And I can’t agree more with this approach. In my experience, PWP works best when its about the characters.

#agents of shield #aos

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savage-rhi · 4 years

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I remember I kinda disliked Higgs till the moment he looked at Fragile with those wiiiiide eyes full of wonder™. Like... That look made my knees turn into jelly. What detail made you like Higgs so much?

WHOO BOY~ Sit down honey bunches of oats, I got a hell of a list for ya :D!

That scene killed me in particular because you can see the utter vulnerability Higgs had been trying to hide the whole time just come to the surface. His internal mask comes off the moment Fragile touches his face, and I admire the hell out of Troy’s acting because you can see the despair, the awe, and rawness in Higgs’s eyes as he’s looking up at this person whom he hurt and now literally is holding his life in their hands. It calls back to when Higgs asked Sam that when he finally looks death in the eye, will he blink. And I love the interpretations of what Higgs’s is thinking at that moment within the fandom cause there’s so much you can just dissect and read from that. The scene is just--*the chefs kiss* especially from a writing and acting perspective.

As for me, I liked Higgs right off the bat because of the aesthetic. The fact he was into Egyptian mythos and such and seeing it conveyed in his gear made me go HELLO??? (I’m a big fan of Egyptology myself, I was and still am obsessed with much of it). What really made me love him though as a character, was seeing how much of myself was in him. I mentioned in a post a while back how when writing Higgs in my fanfics, I applied a lot of my persona and life to his character so it could help me flesh him out.

We both grew up in abusive homes with people who were supposed to love us, and we carried that trauma all the way into adulthood and had issues forming connections to people (legitimate ones and not just putting on an act to blend in). We also grew up insolation (I lived out in the woods and could never really visit people cause of agoraphobic grandparents and Higgs’s uncle-daddy kept him locked away), and both our ‘fathers’ beaten the shit outta us and having mixed feelings towards them. Unlike Higgs, as soon as I got therapy and out of my toxic environment I’ve been growing and getting better. But the despair especially in Higgs’s journals, and wanting to have the power to feel in control of life for once is something as an abuse survivor I can relate and feel for.

Higgs’s characterization literally made me take a step back and go “shit, if I never got help, and if I was in a position like he was, that easily could have been me”. Seriously, there was a time in my life where I didn’t like or care about people nor myself to the point where I was just as nihalistic and fatalistic as him. I could have been one of those people that said fuck it and turned to some group where I felt like I had purpose even if it meant hurting others or bringing about some sort of end. There was a time where if someone like Amelie had said she could have given me power to feel in control, I would have said yes in a heartbeat just to have some sort of validation. Higgs’s characterization gave me an existential crisis of my own character, like showing me how easy I could have flipped if I was given a nudge.

I also relate with Higgs attempting to blend in with society/community and make something of himself after escaping his uncle’s abuse and trying to feel important for a cause. The fact that he strived so hard for validation is something I reached out to cause even during the time of my abuse and after, I wanted to form relationships with people and I went out of my way to try to be important. I wanted people to like me after all the crap I had been through, and I worked hard to make that happen like he tried minus the ego cause I had zero energy in that department (wish I had a fucking business like him though by the end of it lmao!).

I don’t want to write out a major essay, but tl;dr there’s a lot of his personality and character I see a lot of myself in and my heart goes out to Higgs. There were several moments in the game where I saw a piece of me, and I couldn’t help but go “if only you got help, if only someone saw a sign, if only...etc.”. I pitied him. I wanted Higgs to see he fucked up, but there’s another way of dealing with it. If I could have descended from the heavens, took two pieces of bread and smashed his cheeks and called him an idiot sandwich I would have done it then dragged his ass to therapy and kept him in line and made sure he got help.

Thank you so much for sharing what drew you into Higgs and for asking me my two cents! This was super sweet to read and I loved going in depth on this topic. Please feel free to keep this going if you want to discuss further :D I’m always open for these discussions.

#higgs monaghan #also i hope you're doing well and you're safe #and may birds shit all over people that give you trouble #Anonymous

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curioussubjects · 5 years

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Non-jittery Thoughts on 15.01

Alright, had some time too calm the hell down, so I could have thoughts beyond a keysmash and a crying emoji. Chances are, too, that I’ll have more to say once I sit down with the episode again. Had to get these initial reactions/musings out of the way first.

This episode did a bang up job setting up the personal plot points for tfw. I’m super excited to see where this is going: Dean’s hell trauma revisited, Sam’s wound and its connection to his own darkness, Cas still struggling with belonging, Dean and Cas’s continuous wrongfootedness coming to a head. It’s going to be a killer of a season emotionally, and I am Here. For. It.

Full disclosure: the biggest chunk is destiel related. In my defense, Dabb & co. didn’t have to enable me, but here we are.

More thoughts under the cut.

General Thoughts:

My hype was not squashed! We got a really strong season opener and I’m so happy about it. Sure, we got running ghosts. But overall the episode was incredible; just a solid SPN episode all around. A+ job and kudos to all involved ♥♥♥

The new title card is gorgeous and full of meta potential goodness. See this post for more on that; op hit it on the head I think. For additional analysis, there’s this post from different op that is killer.

Opening sequence with tfw fighting zombie ghosts and running for shelter? Amazing. Showstopping. Breathtaking.

Dean’s grief over Jack that’s embroiled in his grief for Mary. Just. “He was our kid.” That’s some complicated shit right there.

Gotta love all the tidbits hinting at what is to come during 15.a, at the very least, if not the larger goal of the season. Reading y’all’s thoughts on the episode has been great so far, and I can’t wait to see what else crops up this week.

On Sam: Currently, Sam’s role in the more interesting aspects of the plot continue to not quite match Dean’s, which has been a problem for a while. I’m seriously hoping that changes some with Eileen’s return, Rowena coming in with some banter maybe next week, and whatever weird curse Sam got with that bullet wound. I’m loving the potential and I’m loving the prospect of having Sam brought back to the center of the plot. I missed some more emotional involvement from him this episode, too, but that should be addressed once things calm down and Sam and Dean can debrief. However, we got peak Sam in a crisis and it’s always a treat to see him do his job. Bless. Him telling the clown to shut up made my night. I love him so much.

On Belphegor: First off, Alex did such a fantastic job. I giggled a ridiculous amount. Instantly invested in the character as bringer of shenanigans. Was not disappointed. Quick deliciously meta tidbits about Belphegor, some of which may not feature in the show, but are still *chef’s kiss* (x):

Moabite deity responsible for fertility and sexual power (in case the ep wasn’t clear on that lmao)

was worshiped in the form of a phallus (so glad that made it to canon jfc)

is a fallen angel??? hello???

he’s the demonic embodiment of sloth, BUT specifically negligence and apathy (i am screaming isnt negligence the whole ordeal with dean and cas atm...and apathy was the problem with jack’s soulessness)

rules misogyny and licentious men (yeah ok no wonder he was a fan of younger dean oof)

the juiciest: emerged from hell to investigate marriage among humans (and is conveniently in the peanut gallery of dean and cas’s fight. funny how that happens. hilarious, even.)

apparently after living as a man to experience sexual pleasure he was appalled and fled back to hell where sex between men and women wasn’t a thing i’m??? what?? (yet in the show he seemed ok with hot dudes ayy)

I’m glad my “horny on main” observation turned out to be so on point jesus. Can’t help but wonder how long he’s gonna stick around. His outside perspective is amusing, at the very least. However, the fact that he barely interacted with Sam, but was a lot interested in Dean as well as Cas (though to a lesser extent) makes me think that he’s doing more than just deus exing them out of zombies and ghosts or offering hell exposition. Seems like he going to expose SOME OTHER STUFF. ABOUT DEAN (AND CAS?). He is the “Lord of Opening” after all. And isn’t using their words and being honest the thing we’re all waiting for wrt to DeanCas?? There’s some opening up that is necessary posthaste. Listen, I know I’ve been saying they need a marriage counselor, but this is not what I had in mind. Pretty on brand, though, I guess lol

I’m also really interested about the coding work the character is doing in continuing to queer Dean’s characterization. Belphegor being himself associated with (male) sexuality, and the show clearly focusing on his attraction to humans of the man variety. I wouldn’t even call it subtextual at this point as Belphegor’s interaction with Dean in the car to was really overt. My hopes that the show might actually be explicit about Dean’s bisexuality is uhhhh getting high again *confetti.* Should also maybe at least note that using a demon to do this is probs not like the best strategy, but at least said demon was 1. not skeevy and 2. mostly sympathetic to the audience.

This is all assuming, ofc, that Belphegor is not catfishing tfw (there’s precedence, after all -- and kudos to anon and op for the timely observations).

On Dean & Cas: I think it’s really damn telling that so much space was given to their relationship as like the most important thing going on with their characters? Obviously they have individual issues to deal with (their own struggles with Chuck, revisiting Dean’s stint in hell....which btw also eventually involves Cas too so *hands*), but my sweet baby jesus the validation feels good. Onwards.

We actually have a weird amount to unpack here because, as others have said, the tension between them is coming from more than just Mary and Jack -- though Mary and Jack are absolutely the main stressors atm as well as emblematic of problems they’ve had for a long long time.

I’m gonna start with Dean because boy do I love that dumbass; I want to shake him. So we have Dean: he’s grieving Mary, he’s angry, he’s scared, he’s lashing out. It’s a Thursday. We know he’s angry with Cas because he blames him for Mary’s death, even if indirectly. You know what that reminds me of? Dean hating Jack for causing Cas’s death, even though it wasn’t directly Jack’s fault. More importantly, though, both the loss of Mary and the loss of Cas were caused by the same catalyst: Cas going off on his own to solve a problem instead of asking Dean (and Sam, but really, mostly Dean) for help. Like, it’s the one thing Dean has very clearly expressed that Cas needs to stop doing (hi 12x19). It’s the same mistake Cas has been making for years. There was a false sense of security there during seasons 13 and most of 14, but alas. Again, here we have Dean losing someone because Cas couldn’t just come ask him for help. Like. It makes sense, and it’s understandable, despite Dean’s coping mechanisms being shit. In short, Dean’s actual problem with Cas is less that Mary is dead and more that Cas refuses to learn his lesson wrt them being stronger as a unit rather than doing their own thing and putting themselves and others in unnecessary danger.

Meanwhile, we have a continuation of Cas just being really sad and heartbroken because not only is Jack dead, but he’s once again unsure about his standing with Dean. He wants to protect his family, he wants to protect Dean, he wants to come back with a win; once more, he goes off on his own to do it and it blows up in his face somehow. As much as I loved Cas getting mad at the end of last season, I get why he’s somewhat subdued again. He has his guilt and grief and doubt to deal with. He doesn’t want to be mad at Dean probably about as much as he doesn’t want Dean to be mad at him. So far I’m not yet seeing the return of the spark we got when Cas was defending Jack last season, but I’m sure Dean walking out rattled him beyond the hurt. I wanna see what else happens to make him leave “in a huff” (a bit of spec on this further down). That said, what I’m most excited about is seeing how Cas gets reintegrated into the family -- pretty sure that’s universal lol.

The juiciest part now, though: I was all about the interplay of distance and care that we saw between them; let’s pause here for a quick sec to appreciate how that same interplay has been such a central part of Dean and Cas’s relationship since always like ugh. So much of the larger plot points in the show have also been situations that kept them from being truly partners as well as being constant interruptions on their ability to USE THEIR FRIGGIN’ WORDS AAAACK. We give Sam a lot of flack, but everything has awful timing in this show. We’ve had moments of honesty and vulnerability, but they’re always always cut short before we actually get somewhere; before they arrive at a place where they can talk about their issues. If the “are you ok” scene isn’t a perfect microcosm of that idk what is /sigh

So, yeah, the “Are you ok” scene oooh boy. I wasn’t as excited as some of you at this scene being an example that Dean still cared, as that was never a doubt I had in my mind (it was definitely a yes omg just talk jesus moments nevertheless). Dean couldn’t possibly just turn that shit off, no matter how much he thinks he’s done with Cas. Like, please. What we do have is Dean indulging on his own need to know that Cas is, at least, immediately fine. Triage, if you will. Him walking off before Cas can either elaborate, or, most likely, tell him about Sam, is peak Dean passive-aggressiveness. The meltdown I had in the tags of a gifset of the scene is still relevant:

#cas's little sigh of idk relief???#like he's so sad and physically fine but he's SO SAD and heartbroken#and here's dean finally not just being cold to him and ASKING ABOUT HIS WELLBEING#look at cas's face in tht second gif my heart#you can see him gd relax too i cant#and dean has his fucking check in during a break in the chaos face#im so mad#jdhakjsdfhklsd#and then dean just.........walks away and doesnt actually debrief or help or none of the things he would do#and cas is just...there all vulnerable and upset right before he clams up at the demon's quip#but it doesnt even last look at his damn face as he leaves IM SO#somebody hug him#skldjfhklsajdfa#he needs a dean hug#but noooo dean is being a jackass#this is awful#im not ok#i hate it when they fight#im over it that's enough drama dabb i take back everything i said about loving pain

I’ll definitely have more thoughts on this once we have whatever emotional payload next week.

All in all, I’m not actually concerned about the future of their relationship. They’ve been through much, they’ll be fine. I am, though, tickled that we’ll see these key problems in their relationship reach a point where they have to be dealt with. Also: I can’t wait for the catharsis that Cas leaving is bound to elicit. Both for us, the viewers, and the characters. Besides, Dean needs to go to a corner and have a think about his behavior and if pushing Cas away is really what he wants. And then maybe finally we can get that sweet sweet resolution of an affirmation about Cas’s place in Dean’s life. And in turn an affirmation that Cas does trust their family unit enough to depend on them.

I think we got a good set up in this episode leading into whatever drama we get in the coming weeks. The tension was up to 11. Love it. Hate it. Personally, I think the empty deal might be what does sets off Cas walking out. Somehow, the deal is not a secret anymore. We have here another instance of Cas making a super important decision that affects The Family on his own and then keeping it a secret (to protect Sam and Dean, a pattern). Dean can be angry and think Cas is dead to him all he wants, he will blow tf up when he learns about this deal. Sam isn’t gonna be thrilled either, though he’s more likely to make puppy eyes of sadness and Disappointment than yell at Cas. Seriously, though, I can just see Dean saying some bullshit because he’s just so done and here goes Cas potentially dying again, which in turn will probably piss Cas off. Etc etc. Cue the violins.

tl;dr: if episode 1 is any indication, we’re in for a wild fucking ride, kiddos. hold onto your butts!!!

#supernatural #spn #destiel #deancas #spn spoilers #spn15 #spn meta #my stuff #ok thoughts still a little jittery #but my brain is so hyped i needed to let these go into the ether #before i could sit down and write any sort of coherent argument #gosh i do love this show so much

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