Queerness in Indian Media
↳Film: MAJA MA (2022, Hindi) dir. ANAND TIWARI
Maja Ma follows Pallavi Patel (Madhuri Dixit), a closeted lesbian who gave up her beloved, Kanchan (Simone Singh), decades ago and has since become a devoted mother, housewife, and adored member of her community. While making preparations for her son's (Ritwik Bhowmik) wedding, however, Pallavi is outed to the entire town--and subsequently must deal with the consequences to herself, her former beloved, and her family.
Madhuri Dixit discusses her role in this movie, how movies like this are more possible now because of OTT streaming, and the "unexpected reactions" to the story here.
Madhuri Dixit discusses this movie coming from "a place of love", wanting the LGBTQ community to "feel seen", and "accepting people for who they are" here.
The actress Madhuri Dixit has been in multiple gay and gay-coded media, both as a supportive character and as the gay character herself. She has also been supportive in real life of the LGBTQ community.
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My gf was listening to "White Blank Page" by Mumford and Sons and I once again told her that song is SO much better if it's gay.
She doesn't listen to the lyrics of songs but she's extremely good at literary analysis and this time she actually looked up the lyrics and has now come to the following conclusion: "It makes no sense if it's not gay."
My (objectively best) reading is this:
The narrator was in love with a guy who strung him along, never willing to be in a committed (or public) relationship with him and maybe insisting that it's extremely heterosexual "helping a bro out" sex, except in more intimate moments. Finally out of nowhere guy is suddenly committed to a woman and when Narrator confronted him, guy spat out homophobic vitriol and claimed he's not gay like the Narrator.
(For extra flavor imagine them as closeted, straight passing Midwestern flannel wearing, love-bonfires-and-camping guys who sat next to each other at church and elbowed and annoyed each other like best friends do and were each other's go-to source of emotional support! And then to suddenly shut Narrator out for the first time ever, by abruptly marrying a woman and insisting that he's always been straight and their relationship meant nothing...)
Here are the lyrics:
Can you lie next to her
And give her your heart, your heart
As well as your body?
And can you lie next to her
And confess your love, your love
As well as your folly?
And can you kneel before the king
And say, "I'm clean! I'm clean!" ?
But tell me now, where was my fault
In loving you with my whole heart?
Oh, tell me now, where was my fault
In loving you with my whole heart?
A white blank page and a swelling rage, rage
You did not think
When you sent me to the brink, to the brink
You desired my attention
But denied my affections, my affections
So tell me now, where was my fault
In loving you with my whole heart?
Oh, tell me now, where was my fault
In loving you with my whole heart?
Lead me to the truth and I
Will follow you with my whole life
Oh, lead me to the truth and I
Will follow you with my whole life
Why call multiple people "you" in a totally unclear way? Why would you claim that your female ex's new man can't love her AT ALL (not just as much as you did, AT ALL)? And invoking the judgment of God is so fucking tedious if you're just shaming your female ex for moving on or even cheating/getting with your friend. Also you look like a creepy asshole if you think a girl broke up with you for "loving her too much".
This song is tepid, badly written, and makes the narrator look like an asshole if it's NOT gay.
The gay reading is the ONLY compelling one.
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Sometime a couple months ago I was looking through a bookshelf with one of my friends and I found a book that was titled literally just “boy” and the situation went kinda like
Me, showing her the book: “This is my coming out.”
Her: “You’re boy?”
Before she could even do anything else she proceeded to put her weight on the shelf below her and that entire portion just came fucking crashing tumbling down and books went absolutely everywhere
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sometimes, i look at him and all i can see is you. your favorite movie is his favorite movie, his favorite color was your favorite color, you have the same dark eyes glittering with wisdom beyond your years and framed with dark lashes. his voice pitches up, and for a moment of time, for a singular heartbeat, he is a ghost in your shape.
but then he laughs, and the illusion shatters. he is himself, and you are you. warm, and cold. present, and past. here, and long gone.
you would have loved him, i think. you would've been the favorite, i think. you never got the chance to meet, i think. two flickering halves of an always incomplete whole.
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A funny(?) thing about Raven is the way she is an expert at manipulation and yet she is in fact one of the Companions manipulating you the least. She doesn't outright lie to you at any point, although she does hide her past, but most of the Companions do that.
And anyway, her past in her eyes isn't anyone's business considering she isn't hiding a huge secret that actually could affect everyone like Gale's orb or Wyll's Warlock Pact. Or well, in her mind it wouldn't affect anyone- sure, she's being hunted down by the Drow because she's wanted for murder and for desertion, but really, she isn't forcing anyone to fight for her, and if hey want to they can just abandon her, and she honestly would take no offense (so she claims anyway; it's more debatable in actuality). If she were left to fight the Drow off by herself it depends on which group is being fought.
In her Companion Quest I plan there would be three groups encountered during Act 1, each progressively larger than the last, and the third one Raven can't fight off by herself and even though she says otherwise, no matter how strong of a sorceress she is and how in-lore she's actually physically much tougher than you'd expect for a sorceress, this time? She's doomed if left by herself and you'd be able to tell how she actually knows deep down she can't handle this by herself this time.
Raven has a lot of trouble with asking for help though, partially due to pride (she's trying to shake it off, but three centuries of being subjected to indoctrination and being told the Drow are superior to all other races has given her a lot of pride and she'll probably always be a bit prideful as a result, but in fairness, it tends to be justified when it comes to her capabilities) and partially because she's just never had the option before. In the sense of showing weakness in Drow society was both a surefire way to either get killed or in general find yourself scorned.
Vulnerability had no place. She had to be strong, and she was! Raven was admired for her strength! And yet even as she basked in the admiration of her peers and reveled in the power she had, she's looking back now and wondering if she was really happy that way. If she was really happy being above so many people, unreachable, either admired or envied, and forbidden from "lowering" herself.
Power is great and all, but Raven is realizing perhaps having an actual equal is what she wants more.
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