something. about. the horror of being sent on an impossible (death) quest and obligations and hospitality politics. the trauma of not having a home, and then the trauma of being in a house that becomes actively hostile to you, one that would swallow you whole and spit out your bones if you step out of line. all of this is conditional, your existence continues to be something men want gone.
it's about going back as far as I can with the perseus narrative because there's always a version of a myth that exists behind the one that survives. the missing pieces are clearly defined, but the oldest recorded version of it isn't there! and there's probably something older before that!! but it's doomed to forever be an unfilled space, clearly defined by an outline of something that was there and continues to be there in it's absence.
and love. it's also about love. even when you had nothing, you had love.
on the opposite side of the spectrum, this is Not About Ovid Or Roman-Renaissance Reception, Depictions And Discourses On The Perseus Narrative.
edit: to add to the above, while it's not about Ovid, because I'm specifically trying to peel things back to the oldest version of this story, Ovid is fine. alterations on the Perseus myth that give more attention Medusa predate Ovid by several centuries. this comic is also not about those, either! there are many versions of this story from the ancient world. there is not one singular True or Better version, they're all saying something.
Perseus, Daniel Ogden
Anthology of Classical Myth: Primary Sources in Translation, edited & translated by Stephen M Trzaskoma, R. Scott Smith, Stephen Brunet
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hey in light of this all, just a reminder: don't fucking "sign up" for protests, don't give your names, phone numbers, and/or emails to any sites, don't announce on social media that you're attending protests, and definitely don't make dumbass posts like "who's rioting tonight?". This type of shit is going to get you in trouble and put others in danger too. Use your heads.
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okay last one for the night but. honestly i really hate how the franchise has been using loyalty to Rick as a shield for so long. If Rick was involved in a project or not doesn't matter, especially not anymore.
ReadRiordan and the publishing for the franchise has been using this tactic for ages - they obscure if any writing related to the series wasn't written by Rick unless it's special circumstances. It's near impossible to find out who the ghostwriters are (Stephanie True Peters and Mary-Jane Knight). TSATS was promoted as the first time we got a non-Riordan (Rick or Haley) author working on one of the companion novels despite having seven already existing ghostwritten books in the series. The only reason Mark Oshiro was emphasized so heavily for TSATS was because they also work as a sensitivity reader for topics such as queer identity, and Rick had received backlash in the past for being a Straight Cis Old White Guy repeatedly falling into bad habits (that he hasn't broken out of) with certain characterizations that he kept doubling-down on or retconning into oblivion. The show emphasizes that Rick was involved, but the LA Times article brings into question exactly how much he was involved, and it doesn't even really matter either way. The ReadRiordan site actively avoids putting any writing credits on their articles (or art credits...) or anywhere on their site.
Practically the entire fandom unanimously agrees the musical - which had zero involvement from Rick - is the best adaptation of the series so far, including the TV show. Some of the best writing to come out of the series recently was the stuff ghostwritten by Stephanie True Peters (Camp Half-Blood Confidential, Camp Jupiter Classified, Nine from the Nine Worlds, etc). And yet when promotional stuff is posted about CHB:C, there's clearly coded language used to hide the fact that Rick himself didn't write it. Yes, that's how ghostwriters work, but at this point we should really stop pretending "Rick Riordan" isn't just a pen name for a group of authors like "Erin Hunter" and that Rick is actually writing everything in the series. I can easily look up and see which Animorphs books were ghostwritten, and who those authors were. I can find every "Erin Hunter" easily listed on official sites. And yet most people don't even know the Riordanverse franchise has ghostwriters at all.
And the franchise is still trying to use the "Tio/Uncle Rick" stuff. Author loyalty and marketing parasocial relationships isn't going to save the franchise when the author himself can't hold up his own original themes or even keep basic series bible details straight, and especially not if the editors are barely if at all doing their job. And please at least get a goddamn series bible by this point.
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THEY CALLED IT GODLAND
A1 posters for school, using my spec bio setting idea as the backbone. Only had 6 weeks to make everything you see here, truly and honestly drug me through the mud in a My chronic pain is much worse now kind of way. Happy with the work, bitter about how hostile university is ect. I'll post more development stuff from my backlog later, and it's something I want to keep working on. For now enjoy my penguins and open this in a new tab to read 🦭
▄▀▄▀▄▀▄▀▄▀▄▀▄▀▄ SITE Kofi Zines Patreon
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listen, I do not condone historical misinformation, but there is nothing I get delight out of more than this absolutely batshit article from a religious website that unironically lists Flint as a mythological god of pirates
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JACK THE GIANT KILLER
originally this was a kind of personal visual vibe test: I'm still turning some thoughts around about jack in my head (altho I have finished assembling the skeleton of a story and I'm looking forward to seeing what happens when I start to press at it) but I really liked how it turned out so I'm posting it as it's own illustration :)
the first post about this idea is over here, but I've fine tuned it down a bit so that the story begins with jack finding the body of a giant while he's out in the woods one day, and the story spirals out of hand before he can stop it.
it's been interesting to read up on jack tales from a literary analysis point of view while I figure this story out!! and through the power of more coffee, I think. I'm close to pinning down an underlying theme I'd really like to bite into. I just need to condense it down to a couple of sentences instead of several paragraphs.
and to close this post out, here's another excerpt from the j.g. ballard's the drowned giant that haunts me!
bsky ⭐ pixiv ⭐ pillowfort ⭐ cohost ⭐ cara ⭐ ko-fi
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by now charles and max HAVE to be aware of lestappen, what with their team admins posting all about it and everything. i wonder from their perspectives if they’re at all like confused because it’s not like they hang out a lot outside of racing—not like piarles or galex or anything. like do they realize the cultural significance of their previous rivalry? and with all the shipping lingo like maxplaining and even the name lestappen itself becoming mainstream, are they becoming more self-aware about their own actions?
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the ongoing transmisogyny situation on this website is becoming something that would be almost comical if it wasnt you know genuinely impacting the lives of marginalized people. ive been using tumblr for over a decade and i dont think ive ever seen this level of cartoonish incompetence and thin-skinned behavior from staff members much less the fucking ceo. get a fucking grip guys.
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