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#the writing echo chamber
enchi-elm · 2 months
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I've been writing some smut for two of my OCs in the Turn fanfic You've Caught Me Between Wind and Water, Lt. Jameson Mullcock and Lt. Frederico Ridgewell. It's going really well, so well in fact that I might end up submitting it to an erotica magazine in the future--which would prevent me from posting it on AO3.
To that end, to cover my own disappointment, here's some bits of lore for these two, gratis:
Background
Frederico
Full name is Frederico “Dico” Miguel Carvalho dos Reis Ridgewell
He is a Portuguese-American (mother is Portuguese) and stands in for the many Portuguese-American contributions to the Continental Army (go look up Pedro "Peter" Francisco)
Father split when Frederico was young, he grew up with his mother in New York in a Portuguese neighbourhood
Speaks fluent Portuguese
James
Jameson Mullcock is just Jameson Mullcock, but he goes by James
He is Irish-American and stands in for the many Irish-American contributions to the Continental Army (I explicitly wanted to include an Irish-American character because there were shitty stereotypes in the army against the Irish from other nationalities; like, we have primary sources for this)
James does not disclose he is half-Irish when he enlists and just lists his birthplace as Philadelphia
His mother is Abaigeal Noiréis (Abigail Norris), born in Galway, Ireland (thank you @mercurygray for naming her and helping me with her backstory!)
She is Catholic and married a Protestant British soldier she met during the occupation of Ireland, then followed him to England and then Pennsylvania and had to keep her faith secret
James is raised Protestant and only knows a little of the Catholic faith, which he keeps secret (because there was a considerable anti-Catholic sentiment in parts of the colonies)
Knows a little bit of Irish and wishes he knew more but doesn't think he'd be welcome (or feel comfortable) among the Irish soldiers and officers
Personality and looks
Frederico
olive skin, dark eyes, tousled dark hair
enough weight on him to look conspicuously healthy at Valley Forge in 1777
exactly as athletic as he looks but not quite as intelligent
drop dead gorgeous and doesn't care
cinnamon roll, too pure for this world, is the only one unaware that people believe this of him
a dark horse so dark you can't even see him coming
James
pale enough to look anemic, eyes and hair too light for people's comfort
tall, gangly; gaunt, even by Valley Forge standards
more athletic than he looks and more intelligent too
sarcastic slacker who's too smart to let people know how much more responsibility he's capable of taking on
has maybe two vices (tea and tobacco) that he'll hold onto, everything else he's already resigned himself to losing
would rather light his arm on fire than go after something he wants in a direct, open, and honest manner (and be Seen? Are you mad?)
Occupation
and the whole reason I put this post together, which is to remind future Apfel that they are 2nd LIEUTENANTS in LAMB'S CONTINENTAL ARTILLERY which was reorganized in 1777 from LAMB'S INDEPENDENT COMPANY NEW YORK ARTILLERY which drew from artillery companies in NEW YORK, CONNECTICUT AND PENNSYLVANIA. OKAY??
AND ARTHUR GARRICK IS A 1ST LIEUTENANT AND CAPTAIN ARMISTEAD FOLK IS THEIR CAPTAIN. AND PERKINS IS THEIR ENSIGN. IT'S ALL ONE GROUP. REMEMBER THIS!
CALEB WAS PART OF THIS GROUP. THEY WERE ALSO IN PEEKSKILL AND AT THE WHITEMARSH ENCAMPMENT.
YOU ALREADY WROTE LAMB INTO THE STORY IN CHAPTER 8.
YOU ALREADY FIGURED THIS OUT.
YOU DON'T NEED TO RESEARCH IT AGAIN.
...
@georgios-kyriacos, I believe you expressed interest in these two :)
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mournfulroses · 5 months
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Chelsea Wolfe, from She Reaches Out to She Reaches Out to She; "Whispers in the Echo Chamber,"
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buggachat · 1 year
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I know I've said this and many variations countless times before, but just a reminder:
responding to fandom analysis posts of a show with "haha or it's just bad writing 🤣", "wow the writers must have written this by accident because they're bad 😛", or "wow one interesting thing managed to happen despite how bad the writing is 😆" is... grating.
I get it. You don't like the show, and no matter what happens in it, you'll never change your opinion of that. So why are you even interacting with analysis posts? What do you get out of it if you think literally everything in this show is written by accident? Why do you think the OPs of these posts want to hear about how much you don't care and don't want to even try to engage with it at all?
Make your own post. And tag it with the appropriate salt tags so I can blacklist.
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randomsufff · 6 months
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I’m back Michie girlies and this has been on the dome for a while but I’ve been seeing people mention it and at least one fic has executed this idea (“I once was his tutor” I salute you 🫡) but I need to just present this idea anyways because it has COOKED for a while-
I think it would be absolutely fucking hilarious if Max had started treating Richie the way he did Grace. Like the whole, dumb himbo act where he laughs real hard at non-jokes and tries to rizz Richie up as he’s going to class.
In my head- this is connected to the “Richie tutors Max” universe, so in my mind- Richies been helping him out and he’s been getting to know the guy, Max either: 1) eventually realizes how much of a capital P Prude Grace is OR (the funnier option I think) 2) Grace, in her want to get thoughts of Max Jäegerman out of her head, goes so far in the opposite direction that she somehow accidentally sleeps with a woman and is no longer “forbidden fruit” as Max puts it. (Insert side story of Grace battling internalized homophobia as she developed a friends-with-benefits turned maybe actual relationship with…. idk Deb or Alice or someone.) Cue Max looking at Richie and being like “I can totally seduce this nerd, my skills aren’t lacking just because I couldn’t get Grace.. this is 100% not me subconsciously really liking the dude and wanting to genuinely date him and knowing no other way to outwardly express this”
ANYWAYS- point is I need Max to try to flirt with Richie in that himbo way that he did with Grace-and I need Richie “This projects on thermodynamics… what the fuck are you talking about???” Lipshitz to just be constantly confused on what’s happening to him.
AND THEN when he finally realizes that Max is trying to get with him, I need Mr. Richie “has definitely never been with or slept with anyone and is just as unhinged and horny as Ruth (need I remind you she said Stephanie was the object of both their sexual fantasies)” Lipshitz to look at Max, really debate over it, before going “I may not have standards but I, unfortunately, have morals” and that he couldn’t do anything with Max since he was… well…his and his friends bully for years.
Boom, kick start the redemption arc that starts with Max just wanting to sleep with Richie but shifts to genuinely wanting to date him and trying to open up/clean up his act.
(Also- to add to that ‘“Dirty Girl Soup” Richie version’ concept that I’ve seen somewhere- I think it would be so fucking funny if Max’s equivalent to this, scandalous, forbidden, sexual fantasy was just Richie being the most supportive, understanding and healthiest boyfriend ever. Just accidentally fantasizing them in the most domestic situation ever (you know, because it goes against his Literal Monster persona). Like Richie’s, i don’t fucking know, holding his hand as they get coffee together and is just so understanding and calming when Max attempts to bully this fantasy Richie, and Max-who is just swimming in toxic masculinity (but is super ok in knowing he’s bi. As people say- he’s an actual asshole but he will bully you using your correct pronouns damnit)- is just like “NO, what are these feelings??? Why do I feel like this??? This is so wrong… but why does this feel… actually nice???” Yeah… funny shit)
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anxiouspotatorants · 4 months
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This whole «Lorelai is evil and so is Rory and Emily is the real MVP of the show» shtick is getting on my nerves.
Like don’t misunderstand me, I love Emily and Richard. They are interesting and complex characters with strengths and weaknesses and a whole lot of baggage (like almost everyone in Gilmore Girls, except maybe the Town Troubador). But they aren’t this perfect well meaning couple with an ungrateful daughter who refuses to accept help and grow up.
Lorelai is not perfect either by any stretch of the imagination. She’s presumptuous, stubborn, used to getting her way and struggles to see things from more than one angle, but she’s also kind, hard working, supportive and able to strike a balance between being open and setting boundaries. She’s a complicated, flawed person, like all good protagonists should be (as opposed to heroes). And she doesn’t fight with Emily or cut her parents out because she’s being immature, she’s doing it because they genuinely hurt her several times.
Imagine if things had gone exactly like Emily and Richard wanted things to go. A 16 year old Lorelai would be married against her will to a guy who would likely then spend the rest of his life under the thumb of his parents for the «mistake» of having Rory. Her social life, her work, her education, all of it would be heavily monitored by Emily and Richard, as they would insist she only engage with what they deem respectable work and social circles. Lorelai in the DAR, Lorelai running charity functions, Lorelai staying married to a Hayden. So much of what makes Lorelai herself would be gone: the inn, her friendships with Sookie and Michel, cooky hobbies and a band of semi-adopted misfits and Luke.
Certain people (not many but still some) seem to forget exactly what it is Emily and Richard ultimately criticize Lorelai for, because it’s not her childish remarks at Friday Night Dinner. They criticize her for her lack of university education. For her lack of a high status job even though she runs a successful inn that she co-owns herself. For her terrible pick of men - not because of how they might be as lovers but because they’re not high society and not the kind of wealthy guys who could let Lorelai retire to the life of an affluent housewife (like did we forget that one of the times Lorelai cut them out was because they refused to accept LUKE?). Hell, they usually don’t criticize Lorelai for reasonable issues with how she raised Rory, they criticize her for not controlling Rory’s love life more.
I do think Emily and Richard love Lorelai and Rory, and that at the end of the day they want them to be happy (otherwise none of these characters would fight so hard to stay in each other’s lives). But time and time again they let their love of status and fear of a bad reputation stand in the way of recognizing their daughter and granddaughter for what they love and for what make them happy. Dislike Lorelai all you want, Rory too, but don’t come here and tell me that Emily is the one in the right.
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woven-song · 4 months
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i wonder if people say shadow isn't "in character" because they simply got too lost in the fandom circle that they have a firm idea in their head of what he should be like, even if it's not aligned with canon, and won't accept it any other way
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ecle-c-tic · 3 months
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Kinda crazy how quick people who don't even watch ofmd will jump on the bandwagon of get fucked you guys suck haha glad your show is done! Like??? I genuinely don't understand. Why go out of your way to rain on someone else's parade with clearly no knowledge of the show?
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lazuliquetzal · 16 days
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thanks @bobafett for the tag i love tag games SO much
How many works do you have on AO3? 38! Huh! I don't know what I expected? (If you wanna be exact, it's actually 41 because I have 3 joke fics posted anonymously.)
What’s your total AO3 word count? 653,468
What fandoms do you write for? Whatever I'm into at the moment? Right now it's God of War. Earlier it was Linked Universe. Before that it was Daiya no Ace. But I'm not particularly loyal, it's literally just whatever idea that manages to stick.
What are your top 5 fics by kudos? Reflection -- a classic AA Batteries -- my beloved Dawn of the Fourth -- *evil cackling* ain't no rest for the wicked -- oh my god do people still click on this Denial and Deterioration -- I SWEAR I'M STILL WORKING ON IT I ACTUALLY ADDED TO THE DOC LIKE 3 DAYS AGO
Do you respond to comments? I try to! I try to catch every comment, but if a fic is on the older side and the comment isn't super long, I sometimes don't reply. Not because I don't like the comment (i love all comments i love you all) but because if a fic is not fresh in my brain I don't have much to say
What is the fic you wrote with the angstiest ending? DO NOT READ IT, but it's the shadows we cast. I was fifteen. I'm not linking it on here. It's still on my AO3 because I'm not a coward, but I'm also not very brave, so like, don't read my high school fic, you've been warned.
What’s the fic you wrote with the happiest ending? Probably Candid? That one is SUPER fluffy, which is not normally my style, but you know, sometimes you just gotta flex your fluff muscles,
Do you get hate on fics? Eh, not really. I've gotten a few negative comments, but mostly from FFN, and I honestly don't even count those lol.
Do you write smut? If so, what kind? No. I genuinely wouldn't even know where to begin.
Do you write crossovers? What’s the craziest one you’ve written? Nah, crossovers aren't my thing.
Have you ever had a fic stolen? I have seen a fic that was very blatantly referencing one of mine, but I don't really consider that stealing.
Have you ever had a fic translated? Nope!
Have you ever co-written a fic before? Does the absolutely insane crack fic written on the tail end of a 29-hour voice call count?
What’s your all time favorite ship? Hmm. I read a lot of Merthur, but that's mostly because the Merlin fandom tends to be really good, and therefore there's a lot of good Merthur (although I do like Merthur a lot, super Shakespearean, only valid soulmate pairing I've ever seen).
What’s a WIP you want to finish but doubt you ever will? If I abandon a fic, I'm going to make an announcement. If I haven't officially abandoned it, it's still fair game. That said, Replication is like, on the lowest of low priorities.
What are your writing strengths? It comes with absorbing plot structure into your personality, but yeah, I'm a kick ass plotter. Also comedy. That also comes with the plot structure.
What are your writing weaknesses? Atmosphere/description. Worldbuilding. Also to a lesser extent, character voice -- I feel like I eventually default to everyone just sounding like me
Thoughts on writing dialogue in another language in fic? Depends on context, but it's always through the lens of "how does this effect the experience for the reader?"
First fandom you wrote for? I wrote a Star Wars fanfic when I was like, 9. First fanfiction on PURPOSE was for PJO.
Favorite fic you’ve written? I think the best thing I've written so far is DotF, but my favorite is probably The Disappearance of Narumiya Mei. WHICH I'M ALSO STILL WORKING ON, life just got REALLY WEIRD and I had to take a step back from it RIP
Tagging @tavina-writes, @ellie-tarts, @lieutenantbiscute, @aoryuucchi, @bytebun, @mimbotomy (no pressure if you don't want to!) and of course anyone who feels like doing this
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enchi-elm · 11 months
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Gosh. The hardest part of planning to write a tallster fic is realizing how much history was condensed for the sake of the show, and then the deeper you start reading (which is still relatively surface) the more you struggle whether to write historically accurate or lean into the fact that it's already not and instead write something that passes as 'appropriate' for the time-period. How the hell do you do it (awe)?
Hello, Delightful Human!
Casual blog readers, this Delightful Human left a truly wonderful comment on my huge Tallster multichapter and now seeing their username always makes me smile.
First of all, from this ask it sounds like you yourself are embarking on a historically accurate (ish) Tallster fic, to which I give you my most heartfelt encouragement and <i>sincere</i> condolences.
I really didn't know what I was getting into with Wind and Water. When I wrote Chapter 1, naive and with good intentions, the only historical understanding I had of the American Revolution was what was presented in the TV show. Not being American myself, it was never covered in school, nor had I ever been interested in it until I saw my two rogue boys swashbuckling across the screen playing at being spies.
So I know intimately the dilemma you present. Once I started delving, and oh boy, did I ever delve, I realized it was going to be impossible to present every aspect of the events I wanted to highlight in a way that captured properly and respectfully every point of view I wanted to include. To this day, I don't know about the major campaigns before and after Valley Forge, nor the greater political context of Washington's position and relation to Congress. (You know who does? @tallmadgeandtea)
To me, it was always more important to stay true to the emotional core of the story, and for that, I realized my ignorance wasn't as big a stumbling block as I thought. Nobody knows what's going on in a war, not <i>really</i>. Most of the events you're writing about were experienced through very very narrow perspectives. Ben is trying as hard as he can to figure it out, and even he gets it wildly wrong, endangering the people he loves most. On a personal level, on a soldier level, on a Caleb-and-Ben level, the things that were going to impact them were the things I prioritized learning about. And I leaned into the chaos. Centuries later, we still don't have clear answers and almost all the investigation comes from the Patriot side of the war. Getting it 'clean' and 'correct' was no longer the objective. Mess and confusion are central to any conflict.
So the setting became really important. The Frontier, the forests, the hills. The feel, the cold, the sensory bits. (I also played a stunning amount of Assassin's Creed III while I was writing, which may or may not have helped with some of the scenes.)
And honestly, I got a lot wrong. About two years into writing You've Caught Me Between Wind and Water, I submitted an early chapter of it to a writing critique group and was promptly informed just how much bigger and more industrial the Valley Forge encampment was than how I'd envisioned it. I pulled in elements of that knowledge into subsequent chapters, gently massaging the portrayal of the camp in my narrative. Wasn't until about Chapter 9 that I started reading Joseph Martin Plumb's account of the war, at which point it really sank in just how <i>miserable</i> and dire a soldier's experience was. So then that helped fuel Shepherd's characterization, and Reggie and Freddie and Stanley.
So, the short answer is:
Keep the emotions front and centre. The rest is just very clever window dressing, really.
Read as many historical sources as you can and learn when to draw the line and make executive decisions (maybe Washington didn't give Ben an earful about the horses <i>this month</i>, but it did happen and so it could have happened). People haven't really changed in millennia, so make them human before you make them historical figures. Remember that it's your story and you can include anyone you want (and indeed, restore them to their rightful status and importance, cough cough, "Han Yerry", cough.)
Try not to pull your hair out, but remember it grows back. Talk to people who know better than you and read other stories that are historically accurate but don't centre the history. Personal favourite examples from my circle of friends (who I have to promote whenever I can because I think they're all amazing) would be Lucyemers' Bewitching Precision, CrepuscularPetrichor's May 1792, LadyTP (@ladytp)'s ....Lady, where did Seven Autumns go??? I can't find it on AO3! Also ASheepsLife's Who could resist Deliverance and of course, the most historically accurate one I know about, Cchambers' The Summer Soldier and the Sunshine Patriot.
And thank you for asking your question! Hope this helps.
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mournfulroses · 5 months
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Chelsea Wolfe, from She Reaches Out to She Reaches Out to She; "Whispers in the Echo Chamber,"
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whataduck · 2 years
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a thing i did on and then completely forgot once i was done.
i really like the scene where survivor meets pebbles in-game and i wanted to make a comic so :>>>
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crowtrobotx · 6 months
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every time that “don’t use AI chat to talk to your favorite characters, find an RP partner!” post rolls around my dash I have to laugh bc like I agree in theory but I am always reminded that my one (1) attempt to get into the tumblr RP community years and years ago was the single most unpleasant online experience I think I’ve ever had. literally how do so many self-centered, cliquey, outrageously rude people exist in one place.
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mauvecherie-writes · 7 months
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You can tell I’m maturing because the way people are being on Twitter right now would be something old me would have joined in but right now it just seems far more cringe than anything.
Like there’s just one narrative and there simply can’t be any other and if you speak on it, you’re being called a simp for a team you support …
So let me keep quiet and go back to writing.
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shadowqnights · 4 days
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ok so if you want to analyse mystreet on a literal sense i want to see the same energy kept up for garroth who is literally katelyn's exact parallel. who funnily enough actually nearly killed someone in college because he was harassing aph. a situation which is actually written TO be taken seriously unlike much of love love paradise prior to its wild tonal shift. garroth whose early slapstick was also later retconned as a genuine result of being experimented on. that their temperaments were both addressed and that they both took genuine measures as to not hurt people and were making efforts not to let their anger control them. that they were both violent at times as a result. in fact that garroth's was worse because it was played very seriously that he almost killed a guy. explicitly. no slapstick or jokes there. and they both reacted angrily towards them/someone close to them being sexually harassed. they both had genuine arcs that involved communication and healing that came out of NOWHERE in a huge tonal shift from the both of their physical strengths being played for funny slapstick humour. but i don't think you hate garroth to the extent that you hate her which is funny . its funny isnt it. acknowledging that katelyn and travis both had an arc that involved communication and growth where they were both flawed makes it even stranger to adore him but call her an abusive monster.
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