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dailycelebs · 24 days

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Good doesn’t always follow from good deeds, nor bad deeds result form bad, does it? Even the wise and good cannot see the end of all actions. Scary idea! ANEURIN BARNARD as BORIS PAVLIKOVSK in THE GOLDFINCH (2019)

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bejeweleds · 24 days

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The painting. All my fault. I lost something that should have been immortal. I didn't mean to do it. Because what I've done cannot be undone. It doesn't matter that I'm going to die. But for all time, for as long as history is written, that painting will be remembered and mourned. THE GOLDFINCH (2019) Dir. John Crowley

#in a film sort of mood and then i need a set just for aneurin barnard in this movie #the goldfinch #goldfinchedit #thegoldfinchedit #filmedit #dailyflicks #filmgifs #cinematv #2605 #userzil #useraurore #violaobanion #userkraina #usertreena #usernoe #uservivaldi #underbetelgeuse

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clairedaring · 4 months

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THE GOLDFINCH (2019) dir. John Crowley

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lostgirlhood · 2 years

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"You did run off to Europe together."

The Goldfinch by Donna Tartt / Hannibal 304 "Aperitivo" / Hannibal 302 "Primavera" / Hannibal 213 "Mizumono" / The Goldfinch (2019), dir. John Crowley / Hannibal 306 "Dolce"

#hannibal #hannigram #the goldfinch #boreo #parallels #hannibaledit #thegoldfinchedit #hannibal and will #FINALLY i got this post out of my system now it's time for inner peace <3 #creations #comparisons

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oconnells · 2 years

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FINN WOLFHARD as young Boris Pavlikovsky in THE GOLDFINCH (2019)

#the goldfinch #boris pavlikovsky #finn wolfhard #thegoldfinchedit #filnnwolfhardedit #filmedit #edit

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threads-of-gold · 2 years

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#the Goldfinch #thegoldfinchedits #VHS edits #Donna Tartt #book to film #userbeautifullyflawed

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happy-xy · 3 years

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THE GOLDFINCH (2019) Directed by John Crowley Screenplay by Peter Straughan Based on the novel by Donna Tartt

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thegoldfinchsource · 3 years

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All the time, I’d known it was a mistake, keeping the painting, and still I’d kept it. No good could come of keeping it. It wasn’t even as if it had done me any good or given me any pleasure. Back in Las Vegas, I’d been able to look at it whenever I wanted, when I was sick or sleepy or sad, early morning and the middle of the night, autumn, summer, changing with weather and sun. It was one thing to see a painting in a museum but to see it in all those lights and moods and seasons was to see it a thousand different ways and to keep it shut in the dark—a thing made of light, that only lived in light — was wrong in more ways than I knew how to explain. More than wrong: it was crazy.