sorry but if you actually think Cancel Culture ™ is a thing then you're kinda a dumb fuck. Cancel culture isn't real, holding people accountable for their actions is a thing, but this whole narrative around Canceling that's evolved over the past few years isn't real. It's never been an actual thing. Its just a fear mongering tactic to further vilify the groups who were being harmed in the first place and victimize the person who did something wrong.
Your fav being called out for playing an antisemitic video game that directly gives profits to a hugely influential TERF, who's said openly she sees getting profits / royalty cheques from her franchise as endorsements for her bigotry, is not "cancel culture". It's called the consequences for your actions.
You have every right to do and play whatever the fuck you want, but that goes both ways. If you go out of your way to build up and financially support these people who're openly advocating to take away trans people's rights, then you get to deal with people not trusting you because of it. You get to deal with trans and Jewish folks not feeling safe around you, not wanting to be around you or not wanting to talk to you. Because you have shown that you care more about nostalgia and temporary personal emotional gratification over the wellbeing and safety of those communities in the real world.
People have explained why supporting HL is wrong, people have explained why it's harmful, people have explained in detail the issues with this situation. You. Just. Don't. Care. You don't listen, or read, because in the end, you can't be bothered enough to put in the effort of having 1 moment of critical thinking.
It's not that folks don't have arguments or evidence, it's that it clearly does not matter to you. It's that the value of an antisemitic game full of one horrific thing after another is worth more to you than the real, living breathing people who are going to be, and have been, affected by this.
You come across as a bad person. Not because some person on Twitter determined you must be, but because your actions speak far louder. And they're screaming red flags.
I'm not going to argue with you over your own bad decisions and life choices. You've made your bed and are mad that people are telling you to lie in it.
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quite literally one of my favorite things about louis in the books is that he projects all the anger he feels at god directly onto lestat.
like god is great and all powerful and all knowing, but god is also an indiscriminate killer; a killer who would have paul take his own life, even though he was devout and moral and good, while keeping louis on this earth (even if he's none of those things. even if he's the one who gave paul the proverbial push over the edge of that balcony). everything in the world is part of god's plan, but god is withholding, god won't share that plan with his children, even if they beg, even if they pray, and so louis is left alone, abandoned by god. and he can't hate god, because god is above reproach, but he has all this anger and this grief, and he has nowhere to put it.
and then he meets lestat. lestat who promises to transform him, to make him something new. god promises to care for your immortal soul, but lestat offers louis an immortal body. god can turn water into wine, but lestat can turn human into vampire. god forces louis to argue with his brother - an argument that kills him, and lestat forces louis to kill a man before he'll turn him into a vampire. humanity is made in god's image, but louis abandons humanity, and lestat remakes him in his own.
louis gives up god for the promise of rebirth, for the promise of new life filled with new meaning. but, of course, there's no such thing as leaving your old life behind, and ghosts don't stop haunting you just because you've died. and so louis gave up a god who was out of reach, who knew everything but would tell him nothing, and what he received in return was a god who he could finally speak with, but who had no answers to give him. and he can't accept it. so all the anger louis has at god is now anger he has at lestat, but at least now god is a man he can touch, who he can yell at, who he can resent without apology. lestat is a killer, lestat will see the brightest in humanity, the people most worthy of life, and snuff them out. lestat promises knowledge and answers, but cruelly withholds them. lestat is his creator, but he's a bad one, an uncaring one, a maker who refuses to take responsibility for what he's put on this earth.
and this resentment grows and grows and grows, until there's only one way louis can possibly handle this continuous failing of god. claudia knows it, and louis agrees. and so they kill god.
and nothing changes! nothing changes, nothing improves, and life is still just as miserable and achingly deprived of meaning, and it's not until louis finally talks about his fear out loud (that there is no god, that life only has as much meaning as we decide to give it, that even if god isn't real, good and evil are, and louis has made himself evil all on his own) that he fully accepts that he was punishing lestat for the crime of not measuring up to god - the exact crime louis punishes himself for. and so now louis is alive in a world bereft of both god and lestat. and he just has to cope with that.
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I decided to do a full loop (companion side quests included) this time around and Siffrin's obvious desperation when Bonnie says he shouldn't have jumped in to protect them back when he lost his eye... Siffrin is never really going to recover from the end of act 3, are they?
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lying on the floor thinking abt how ironwood embodied and was corrupted by the ugliest characteristics of the god of light; the desire for absolute control, the latent hostility and disdain for human emotion, the absolute inability to see beyond his own designs for the world and his perceived creations—even ironwood’s obsessive single-minded focus on getting penny on a leash no matter the cost echoes the way light responded each time salem defied him—
& like. ozpin is absent throughout v7 but oscar devotes most of his time on screen to prying ironwood away from that path, with negligible success—there’s the beginning of a turn after jacques’ arrest, yes, but by the end of the volume it’s crystal clear that ironwood went for the “tell the truth, protect and rally mantle” plan because it made him feel in control of the situation again and the instant cinder and salem shattered that illusion of control, he recoiled from it and lashed out at the allies he perceived as having tricked him into letting his guard down—and ozpin doesn’t return until oscar’s effort in this regard has finally and irrevocably failed. which keeps sticking in my brain as important, particularly in light of watts in 6.4 saying that ozpin is the only person who stood a chance of getting through to ironwood.
(sidebar i think watts was being overly pessimistic there, about the possibility of ozpin foiling them by talking sense into ironwood. even before ozpin died and ironwood entered his fascism death spiral, ironwood marched into an allied kingdom with his armada in tow without so much as a courtesy warning, chafed openly when ozpin declined to blindly deploy that armada on the basis of hearsay from a fifteen year old kid, politically stabbed ozpin in the back by freezing him out of his own council, and throughout it all moped about ozpin not trusting him enough. like,, lmao)
and then of course there’s the fact that atlas was specifically a project that ironwood and ozpin shared—and atlas itself is and has always been used narratively as a symbol for the hollow promises, failures, and illusory progress of the post-war society ozma designed—and the entire story up to this point was a slow inexorable build towards the fall of atlas.
it just seems like a microcosm of what’s going on with ozma and the god of light and the divine mandate? in that ozma’s loyalty to the gods (or at minimum, the inertia of his original loyalty to them) feels reflected in his choice of ironwood to guard the relic of creation and shepherd the floating city meant to represent the ideals ozma thinks humanity needs to achieve to earn salvation—he picks a champion who resembles the god of light himself!—and then, when the budding tyrant he trusted spins around to shoot him he’s not even present to—like his self-imposed isolation inside oscar’s head renders him powerless to even try to change this situation for the better! ozpin later claims that he was secretly there all along, but the only times he resurfaces are when oscar is in immediate mortal peril so i’m not sure that i buy that, at least not in the sense of ozpin having full conscious awareness of what was happening around oscar throughout v7; but either way, his miserable isolation blinded him to the developing crisis—either literally or willfully—and he roused himself just a little too late to prevent catastrophe. again.
(gestures vaguely at lost fable, at ozma trying so hard to have it both ways with salem, to be with the apostate and manipulate her into serving the gods so he wouldn’t have to choose, for years and years and years until his lies and passivity metastasized and they destroyed each other, gestures vaguely at the v5-6 promising not to lie in one breath and immediately lying again in the next, until his secrets got squeezed out of him by the avatar of knowledge who palpably holds him in disdain and his house of cards imploded in his face; also gestures vaguely at ozma the heroic knight errant who faced down an army alone to save one person, and how thousands of years have whittled him down to a morally bankrupt shell of what he was and how that slow putrefaction of his character has been driven every step of the way by refusal to act in some form or another. waves hands it’s about the paralysis of being caught between his conscience and his god-given task)
anyway
i think a normal amt about the blinding of rapunzel’s prince and the exile in the desert and the restoration of his sight when she finds him there
ANYWAY, with the way things are resolved re: ozpin’s return in v8 and the fall of atlas having set the stage, narratively, for a massive paradigm shift in the immediate future and the kids who didn’t fall being in vacuo now—kingdom of destruction, presumable home of the maiden whose fairytale theme is “dont view the world at a distance, take an active part in it,” and the place where eighty years ago ozma won a war with a magical sword nuke and sculpted the world into what it is now, stagnant rotting husk of his ideals that it is—on top of the structural change in salem’s role in v7-8… i just. i just,,
hhhhhh
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