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#then at one point he was like 'oh we could do the trans colors' yeah um thanks for being supportive now but um.  My Vision
jjsstars · 4 months
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twrpcharacterofthemonth: scott & erica
|| for @teenwolfrarepairevents event
|| tags: trans fem scott, trans fem erica, he/him pronouns for Scott, coming out, conversations about being trans/scott figuring herself out, erica’s deadname is mentioned but she’s the one saying it
“Hey Erica can I um- talk to you about something?” The blonde nods easily to Scott, motioning him to sit down next to where she’s lounging on Derek’s couch- after the training they did this morning she thinks a little rest is absolutely necessary.
“What’s up Scotty?” His head ducks away with a sheepish smile at the nickname that makes Erica grin.
“Y’know how you’re trans…”
“Yes Scott I’m pretty aware that I’m trans.” A furious blush runs across Scott’s cheeks as he squeezes his eyes shut and nods at Erica’s teasing tone.
“Sorry. I just- I mean- are you comfortable talking about it with me?” Something in Erica’s chest softens when she takes in the nervous look on Scott’s face and his pheromones throwing a waft of worry her way.
“Course, we’re friends so I’ll have no problem telling you off if you say something stupid.” She smirks and feels how Scott eases the smallest bit.
“Right, course, I don’t wanna like offend you or anything, just tell me to shut up y’know.”
“Scott just talk to me, it’s alright I won’t judge and I’m pretty comfortable answering any questions.” After coming out at the ripe age of seven, Erica’s gotten very used to invading questions or hour long discussions back and forth about her gender, and she knows Scott won’t be nearly as abrasive as people in the past.
“I um just wanted to know what made you know? Like what made you think you weren’t a boy?” She had a suspicion this conversation would go this way, and that this conversation would happen at some point. The longer she’s gotten to know Scott the more signs she sees in his behavior and while she’d never push or think she could never be wrong about what she’s seen- she’s been silently waiting to talk to Scott about this.
“My name was the first thing, I don’t know if you remember but it was Edward which is just- yuck even now. But I always wanted something prettier, and my hair longer, and girls clothes instead of boys, and I was always envious of the girls in class. I used to sit and stare at them wishing I could look like that.” Not that she had any idea what envy was in year two but she definitely knew she felt all types of twisted up when her mother would tell her she couldn’t have her hair that long or get the cool light up princess shoes the girls in class had.
“Oh.” Something she said must’ve struck Scott as his brow is furrowed and teeth dug into his bottom lip.
“Can I ask why you’re asking? You don’t have to tell me but, I’m here.” Her voice drops to something soft, the same tone she brings out when Isaac wakes up from nightmares, or when Boyd stresses himself out with school and needs a reminder to take a break, hell- she even reminds Derek to go get some sleep at times.
“I think I sit and stare at Lydia a lot.” Scott’s eyes don’t meet Erica’s as he speaks but she gives a faint smile anyways, reaching to take his hand in hers.
“She is really pretty.” And definitely one of the girls that Erica caught herself staring at when she was younger. Lydia has always been gorgeous, always sure of herself, that energy was captivating and she can’t imagine how much more it is for Scott since they’re friends.
“She wears a lot of colored tights and dresses and her hairs like super long and she wears this sweet perfume that’s so girly it stays in my nose for hours and- sorry. I- I didn’t mean to ramble like that.” One of Scott’s hands runs down his face but Erica shakes her head.
“It’s okay. Do you want to wear colored tights and sweet perfume?” It takes a moment of hesitation before Scott nods but there’s a grin he’s trying to hide that makes Erica’s whole chest warm.
“Maybe not as fancy as the ones Lydia wears but yeah, I do.”
“Then we should buy you some colored tights and sweet perfume and dresses.” She states while standing to put her hands on her hips and laughs a little at the surprised blink Scott gives.
“Right now?”
“Right now Scotty.”
“I like when you call me that.”
“C’mon Scotty, we got clothes to buy.” Erica extends a hand towards Scott that’s quickly taken as a brighter smile breaks over Scott’s face.
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ink-flavored · 8 months
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ask game ask game! 🐙🧠👩‍💻
thank you! gonna do P&J since it's what I've worked on most recently
🐙 share a snippet where the character is being a brat/smartass
Envy narrowed her eyes, ashy smoke pouring over her flawless platinum curls. “Listen, I didn’t come here to bitch, but I’m great at it.” “Oh, please,” Pride scoffed. “I can bitch way better than you. I’m the bitchiest. I can bitch you in circles. Bitch.”
I used to have a joke about "the Bitch King of Angmar" in there before I realized Pride wouldn't know what Lord of the Rings is.
🧠 share a snippet where the character realizes something important
“I also have a good time goading people into public arguments. Come on, you knew who you were inviting.” “I know, I guess I…” Justice leaned against the wall, brow furrowed. “I was trying to prove something to myself.” “Like what?” He didn’t answer right away, picking at his nails. “I know you don’t want a relationship with God,” he said, slow and deliberate, “and that’s fine. I would never ask you to. But I don’t think that means you have to be abandoned by me—by us. We can still get along, we don’t have to be separate to coexist. Does that make sense?” Pride worked his jaw for a second or two. “Not really.” Justice slumped, wearing a resigned smile, and he rushed to add, “But thanks. You know. For trying.”'
Pride realizing people care about him for real <3
👩‍💻 share a snippet that you worked on for a long time or struggled with
Problem is that most P&J things I have written are in a partial state of completion—but here's the most recent thing I've written that I've wanted to write for a long time but for some reason just didn't until like last night lmao
Pride rolled the offered cigarette between his lips, letting his lack of lungs make up for the fact that he didn’t know what to do with it. The woman slouched back, sighing a cloud of smoke, and carded a hand through her short, electric blue hair. He inspected her a little more, up close and personal with a human he didn’t immediately despise for the first time. Sitting next to her, the blunted tips of spikes on her the shoulders of her jacket came into view. All the colors and odd shapes were patches sewn into the leather. A flag with rainbow stripes sat on top of her shoulder. Another flag on the opposite shoulder had pink, blue, and white stripes. A small white circle on her chest read SHE/THEY in black thread. He scanned the collection of patches he could see—ACAB, read one. NAZI PUNKS FUCK OFF, read another. PROTECT TRANS KIDS, “QUEER” AS IN “FUCK YOU”, symbols with arrows, fists, and a large “A” in a circle. Pride had only the vaguest idea what any of it meant. “What?” she asked, guarded. “Nothing,” Pride replied. He tried to copy her, blowing a cloud of smoke. “I like your jacket.” Whatever she’d been guarding behind her intensity, it melted away. “Thanks. I made it myself.” “All of it?” “Most of it—basically anything with a picture I had a friend help me with, I can’t draw for shit.” She pointed to the patch with the drawing of a fist, raised to the sky. Pride nodded along. “Cool.” “Yeah, thanks.” She stuck out a hand suddenly. “I don’t think I ever got your name. I’m Olivia, friends call me Ollie.” He took the hand to shake. “Pride.” It must have been a weird thing to say. Olivia gave him a funny look. “’Pride’ like—” “Like the sin.”
[send me a snippet ask]
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krackkokichi · 9 months
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Disorganized RUIN questions, thoughts, and observations
this has been in my notes for a few days, and i needed to put them out there. would love for any comments, corrections, etc! all under the read more
Helpi
— sometimes gets veiny with yellow eyes: instances where he is hijacked by Mimic? but in one of those he argues with "Gregory" so is it something else?
— can't be related to MXES because actively works to disable it
— takes Freddy's place in Brazil ending
— tied to VANNI but why would Faz. Ent. have a mask that looks like that? definitely not created by Vanessa as is unaware of MXES
— why doesn't he let Cassie take the mask off in that one big area
Mimic
— the mascot costumes?
— poses and moves the same as Burntrap, but is it actually Burntrap?
— scooper ending parallels Burntrap being attacked by the tangle
— clear parallel to Candy Cadet story
— Gregory and Vanessa definitely lured the mimic into its enclosure and sealed it with MXES
Bonnie
— Monty dark ride shows Monty looking up to Bonnie & Bonnie passing the guitar
— hidden cutout of Bonnie falling/being blown away by monty
— connection to wet floor signs?? what does it MEAN
— eyes still glowing
— why in the back of Bonnie Bowl when last recorded location was Monty Golf
— broken bowling ball pieces suggest he was attacked there, not moved
— why'd he take so long to move to Monty Golf, and why go there in the first place?
— why was he killed? he still has his parts so probably wasn't used for Burntrap, unless since Burntrap wasn't created in this timeline, Bonnie wasn't needed? hmmm....
— Monty didn't have the claws at the time Bonnie was destroyed, but it was specifically a Glamrock Bonnie sign that Cassie used to electrocute and destroy Monty (hint toward karma??)
— Bonnie's sign seemingly confirms that Monty's shades were originally his (people using this as proof that Monty is innocent since "no way would Freddy let him wear them" when Freddy probably doesn't have any clue what happened [i don't necessarily think Monty did it; i'm just pointing out this is a bad rebuttal])
— he and Freddy have matching earrings, Freddy has bowling stuff in his greenroom, and Bonnie has Freddy merch in his room, and the poster? oh yeah. they're so gay
Freddy
— prototype??? i struggle to think this is just a design retcon when it's the first thing we see of him and it's a purposeful addition. and why would Faz. Ent. leave their main animatronic as a prototype
— gift box in chest? and its a different color? something's up for sure
— why was he replaced with Helpi in Brazil ending
— line in security breach where he questions if he was the first Glamrock Freddy
— i actually don't know if the PQ ending necessitates the destruction of his body or if that just happened over time, but from what I have seen people say, it seems like it is destroyed?
— are we sure that that's not just what the glamrocks' bare endos look like on the hands, because his hands are def just metal and not green, so could be not Monty's claws?
— invisible in AR
— multiple instances of headless Freddy (plushie, statue, in the AR portion with giant MXES, construction poster that says "don't lose your head", and ofc the actual animatronic)
— Mimic is pretty good at mimicking Gregory, and Freddy spent the most time with him, BUT Freddy constantly assists and supports Gregory, whereas the Mimic pushes Cassie to do things she doesn't want in order to serve its own purposes (why would Mimic play the long game with Gregory?)
Roxy
— atp i assume that Foxy was converted into Roxy in universe. Roxy trans REAL
— Foxy log ride? Cassie says it was so much fun, but other flavor text says it was never finished
— only one of the four capable of speech is Roxy (w/exception of "i smell pizza!")
— Roxy reactivating? how?
— her manner of speech is completely different from normal in the special day scene
— the cutouts, her replacing Monty on a vending machine, and her appearing fixed in AR unlike the others suggests that there some level of personalization to the AR?
Other animatronics
— Nightmarionne plushies and the Baby plushie room with the tally marks?
— Monty shrine???
— what happened to DJ MM? he's massive af and is just. not there? only possible appearance it the giant endo Cassie has to climb into in AR
— plenty of vandalizers apparently had no trouble getting pretty far in, so did the animatronics just avoid them or what
— who put the bunny ears, sun rays, etc. on the maskbot and music men?
— people saying latina Chica confirmed canon cause she's wearing a dress that is actually just a saloon dress? guys her name is literally Chica. latina Chica was always canon
— i love Eclipse (Kellen referred to them with they/them pronouns on twt btw! i'm assuming most people just don't know, but it's a little bit frustrating)
MISC.
— Cassie's dad and the note from him that can randomly show up
— elevator ending probably canon, but who knows for sure (Gregory didn't drop it, and you can fight me on that because why would he guide Cassie just to kill her?)
— Brazil ending definitely reference to sci-fi movie Brazil in which the protag goes into an escapist fantasy while being tortured. apparently this is also a term referring to the same movie, but a lot of people seem to not know what it means, so there you go
— how long after Security Breach is this? how long has Gregory been missing?
— if a man said to a woman what Freddy said to Bonnie, people would except they were a couple instantly, but since it's two guy robots, it's just a headcanon? bffr
Edited to add: the music-like noises that happen at the title drop remind of the beginning of "Beat It" no matter how many times i hear them
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fan-kingdoms · 9 months
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WHOO BOY. episodes 13 and 14 FINISHED and i am HERE with a LEGITIMATE BULLET-POINTED/NUMBERED LIST. mostly about ep 14 cuz i kinda already gave my thoughts on ep 13 in my reply to the last ask but there'll probably be some of that in there too.
okay first off. I LOVE TEN!!! what little ive seen of him anyway. funky little guy! the same and yet so very different and all the more fascinating for it! i will forever miss nine but i think im gonna have a SWELL time with ten. just absolutely glorious
i especially love how the entire time ten's in his festive little coma rose is just pissed and sad as hell and all like "the REAL doctor wouldnt DO THIS" but then the second he wakes up shes back to being all 😏😍🥰. girlie you are NOT subtle. (poor mickie tho <//3 boy does not DESERVE this)
also !!! love ten having his whole big sassy showdown with the sycorax while wearing pajamas striped in the trans pride colors. absolute slay you funky little space man
ogh i can already tell im about to have so many emotions about ten and rose. nine was at least somewhat more subtle but HOLY HELL ten. the heart eyes are insane my guy
im pretty sure captain jack is coming back at some point cuz i saw stuff of him with ten and rose before i got interested in watching the show. so like where is he. how do they get him back from satellite five i mean they thought he was DEAD so hes just stranded there. do they just decide to go back and check one day and pick him up. wh
TIME VORTEX ROSE. HOLY SHIT. THAT WAS SO BADASS AND SCARY AND HAUNTINGLY BEAUTIFUL AND. YEAH. AND THE FJFICNFING KIS,,,,, NINE TAKING THE VORTEX FROM HER AND DYING IN HER PLACE,,,, OUGH MAN. I GOT EMOTIONS
ik i aint seen thr last of the daleks. you resourceful little fuckers. ugh
harriet jones i had faith in you. i LIKED you. help i just read my own text in nine's voice (sidenote: ten's anger at her when she just,, killed the sycorax even though they were already leaving,, the COLDNESS in his voice. yeah thats the doctor right there 100% and MAN i love him.)
i think thats all for now but ill probably remember more stuff and come to scream about it in the morning
OOO A LIST I LOVE A LIST!!
(i figured out how to put a read more in an ask !! finally !!)
i’m so glad you like ten and i love that we can tell david is just having a swell time playing our favorite space man he is Vibing and just enjoying himself and it’s so fun to see— and oh yeah neither of them are subtle! you see most people agree that ten was literally born out of love, he’s so much more vulnerable and forgiving of himself because rose let him see himself, and he sacrificed nine for her so ten could freely love her. my HEART.
and oh yeah both jack and the daleks are slippery little fuckers they have a habit of making it out of places
TIME VORTEX. BAD WOLF. SHE IS THE BAD WOLF AND SHE CREATES HERSELF!!! ITS A PARADOX AND ITS SO COOL HOW SHE JUST PUTS THE WORDS EVERYWHERE HOPING ROSE WILL FOLLOW THEM THERE
I LOVE HARRIET’S CHARACTER BECAUSE IT REALLY SHOWS HOW PEOPLE CHANGE OVER TIME AND THE CORRUPTING POTENTIAL OF POWER UGH ITS SO GOOD
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mxbitters · 3 years
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hm.  i am bottling up all the things i have not yet oh idk.  DONE and so i uhhhhhhhhhhhhhhh have returned to my default state of looking at references for the unicorn tattoo i wanna get
#apparently one of the best references for what i'm looking at like for its position/body#is uh...........a b*rnum poster.  which.  makes sense but i'm not exactly fond of the guy.#i'll be using the poster as reference because like it's got the horse and the ring of fire but like.  eeh.#how do i even explain the style to the artist whenever this does happen.  like.. traditional style but like with some extra carousel horse#sprinkled in there if yk what i mean can you do that for me#i mean to be fair i think i'm pretty clear in like what i'm looking for.  it's just a matter of finding the right artist#like..............................if my dad wants matching tattoos i sure as FUCK am not doing something stupid#unicorn.  hoop of fire.  the unicorn is mostly black and white with some red mixed in because van halen colors.#tbh the van halen colors are more important to him but i like the color scheme since that was what i had in mind from the beginning#then at one point he was like 'oh we could do the trans colors' yeah um thanks for being supportive now but um.  My Vision#and.. also.. we both have the same skin tone.  those colors would have to be hEAVILY altered in order for it to fade good i think#like yeah i'm gonna be doing more pride stuff and honestly i consider the unicorn a pride thing already#but if i just started putting pastel pinks and blues on me.. that's not gonna look good.  it really isn't.#like it needs to be rooted somewhere in reds and greens especially if i'm going for color.  because those don't like.. clash..#i'm overthinking this and comparing tattoo ink with makeup colors but like same idea.  i don't wanna pour money down the drain#for something that's gonna really need touching up a lot and also just not look great in the first place
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sir-elyan · 3 years
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for #spnprideweek day 1: coming out + flags
↳ summary: cas tells sam a secret that he hasn’t (really) told anybody else. surprisingly, sam has one too.  PRIDE series | gen, sam & cas | word count: 1.7k
[READ ON AO3]
Sam’s grimacing a little at the grease from the fries on Cas’ plate. Cas would usually make a comment, here, about Sam keeping his eyes on his own paper, or that it isn’t nearly as bad as the veggie burger sitting on his plate at Sam’s behest. This is the recompense, Cas wants to say, but his mouth is dry and no words are coming out even if he wants them to.
Accompanying the inability to speak is the twisting feeling in his gut that won’t even allow him to pick up the burger. The smell is too much, too, and Cas hates to admit it but it’s probably the grease, so he sits back a little against the peeling seat of the booth to calm his nerves.
It’s just Sam. He can do this. It’s only that this is the first time he’s telling anyone, and that definitely ups the stakes a little.
Well, that’s somewhat of a lie. Cas had told the nice woman at the grocery store check out last week when he’d seen her little pin on her work uniform and asked where he could get one. 
He hadn’t actually bought one, of course, but Cas eyed the small bin full of brightly colored pins on the way out, convincing himself it was stupid to get back in line again for something so small and inexpensive. Still, he’d thought about it on the drive back to the Bunker, and that night in his bed, and the full week following, up until now. 
Now, Sam was looking at him with concern, and wiping his mouth in that way that means he’s about to get serious.
“Is everything alright?” he asks, pointedly looking down at Cas’ loaded plate. He’d barely taken a bite, except for a few nibbles of his admittedly greasy fries. And it was weird because since becoming human, Cas' appetite had grown considerably, much to Dean's delight.
And—Dean. That's what this was all about, wasn't it? Sure, it was more than just Dean, it was all the humans that had made Cas' body ache like it hadn't before, had made him think of what it means to be in this vessel—his body—and be attracted to other...humans.
It was odd. In hindsight, things in Heaven had been so much easier in this regard. Cas had spent most of his life clueless to the capabilities of human attraction, and then he met Dean and it all came crashing down around him. Only then, Cas was ignoring it. He was facing the other way, because though he felt human, he wasn't. Not really.
But everything is different now.
Cas clears his throat.
"Well," he starts, "no. I am feeling what I believe you’d call...anxiety. My stomach hurts, I find I'm unable to eat, a-and my hands are—"
"Cas," Sam interrupts. Shaking. Cas' hands are shaking.
Sam's fully set his fork and knife down now, hands clasped together on the edge of the table. "Talk to me."
Cas licks his dry lips.
"It’s not...it isn’t a big deal, really,” and yet Cas can feel his heart hammering in his chest. He sucks in a breath. “But I’m, uh. I wanted to tell you that...I like men.”
Sam’s expression doesn’t change, but he blinks at Cas once from across the table.
“Okay.”
Cas raises an eyebrow, pulse slowing down a little with his next exhale. “Okay?”
Maybe it was that simple, and Cas was worrying over nothing. It’s just...this feels like it should be bigger. Earth-shattering. Like Sam should either hug him or tell him he never wants to speak to Cas again.
Instead, he just shrugs, picks up his fork and pushes bits of his salad around his plate.
But then Cas’ gaze moves to Sam’s face and...Sam’s frowning. Cas feels his heart thumping hard again, waiting for the ball to drop. It feels a little like when Dean sat him down to “talk,” right after he lost his powers, and, well. Cas knew how that had ended. He braces himself for the worst, schools his features to something more neutral.
“I’m,” Sam clears his throat, “I’m sorry you got nervous over all of that. I-I get that coming out is...” he laughs, “usually a bigger deal, but. You don’t have to worry with me, you know? I get it.”
That makes Cas pause. “You...do?”
Now Sam’s looking at him, eyes a little wide, but he works his jaw and gets the words out. “Yeah. Uh... well I guess now’s a good a time as any to tell you.”
“Tell me what?”
The fork is set back down again. The bell over the diner door jingles. 
“In college...you know about Jess,” Sam says, jogging Cas’ memory. He knows, so he nods and Sam continues, “Well we uh. We actually met in a Gender Studies class. I thought, ‘pff, easy A,’ but it was actually way more complex than I originally thought, so she kind of...tutored me.” Cas raises an eyebrow, and Sam rolls his eyes.
“Actually tutored me. Whatever. Point is, I learned a lot—‘cause she was a great teacher—and...not just about the class, but about myself, too.” 
Cas nods slowly, beginning to catch Sam’s drift. “Okay...”
Despite his tone, Sam’s posture stiffens a little, like he’s uncomfortable, or not really used to this type of conversation. Cas does his best to relax into his seat to ease him, unfolding his arms.
“What I’m saying is,” Sam shrugs, “I’m...not...cis. Like, I don’t....I’m not um, a guy, I guess. Well, sort of. I’m non-binary.”
Cas is silent for a second, mulling it over in his head. Eventually it becomes long enough for Sam to say, “Uh...you know what? You can forget it, man—”
“No!” Cas says, almost knocking over his plate in the process. The silverware clatters as it falls onto the table, and Sam flinches a little. “I was just thinking...I want to apologize if anything I’ve said about your gender has ever made you uncomfortable, or if you—”
Sam’s out-facing palm makes Cas stutter to a stop. There’s a weird guilt settling in the pit of his stomach, and the anxiety that he’d thought was gone is back full force again. Cas tears off a piece of his napkin.
“Cas, dude. Calm down,” Sam laughs. He takes a deep breath, and Cas follows his lead. They breathe in and out together for a beat, and when Cas feels fairly calmer, Sam pushes both of their plates aside.
“There’s no need to apologize for something you couldn’t have known about,” he starts, shaking his head a little, “and you haven’t done anything wrong, either. I still use he and him pronouns, and sometimes they and them. And besides, it’s not like I go around telling people. Especially with, uh, the way I was raised...I’ve been hesitant, you know? It was great in college, people were really supportive when I told them. But then when I started hunting again...I don’t know. 
“My dad...uh. I tried telling him, once. Didn’t go too well, so I didn’t try it again. I think that’s why Dean...” he shakes his head, frowning down at the table again. “It wasn’t easy, growing up the way we did. You could probably understand that.”
Cas nods. Under the table, his napkin is shredded into bits. 
“I do. I think, in a way, I also understand being trans.” Sam jerks their head up, intrigued. 
“Angels...we don’t experience gender the same way humans do. In fact, the concept is entirely nonexistent in Heaven. So, when we take vessels...”
“You’re essentially defining yourself,” Sam says in awe. It makes Cas smile to see them back in their element, leaning forward a little to listen better. “I never thought about it that way, not really.”
Cas shrugs. “I’m not sure all of my siblings did, either. Many chose according to which vessel would best suit them and their form. That was definitely a factor in me choosing Jimmy, but I also found the thought of looking like a human man...greatly appealing.”
Sam’s nodding now, gaze darting to different parts of the table. Cas knows that means they’re mentally crafting an essay right about now, or thinking of what books in the Bunker might further help in their research about it.
“Wow,” he says, “that’s—I mean. Wow, Cas. Thanks for telling me that. And uh, the other thing.”
“Oh. Thank you.”
There’s a comfortable silence between them now, and Cas takes it as an opportunity to sip from his slightly-melted iced tea. 
“So,” Sam starts again slowly, “have you told Dean?”
Cas sucks in another deep breath, and Sam nods. “Yeah,” he says, “me neither.”
It surprises Cas a little that Sam hasn’t told him, and he expresses that with an inquiring eyebrow. 
Sam purses his lips and dodges the unspoken question. “Dean’s not a bad guy. You probably know that better than anyone except me. You know he’d still love you if you told him.”
Cas’ heart pounds at the mention of the word. When Sam notices, he feels his ears begin to heat with a blush. 
“Oh,” Sam smiles, “that. I figured. For a while now, but I didn’t wanna say anything.”
Cas tries to will away the heat on his face. He doesn’t say anything, so Sam leaves it be.
The waitress gives them a worried look when she brings the check, eyeing their barely touched plates. They both smile apologetically, insisting that their food was “great” when she whisks it away.
On their way back home, Cas asks if Sam can stop at the store. They don’t ask anything more than, “we need groceries that bad?” and Cas dips inside. He knows this is just like any other grocery run—going in and out as quick as possible with the things they need—yet his heart hammers all the same when he stops in front of the bin near the door. The same employee from last week is working on lane six, and he’s sure to check out at that one with his goods. She gives him a knowing smile.
Cas flops into the passenger seat, a little out of breath.
“That was fast,” Sam starts to say, before noticing Cas’ lack of grocery bags. “Dude. What d’you buy, air?”
Instead, Cas brandishes two brightly colored pins. Sam tentatively takes the yellow, white, purple, and black one, eyes wide.
“For me?” they ask.
Cas smiles, running his thumb over the rainbow one in his hand. 
“For both of us,” he says.
[@spnprideweek]
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hc, the avengers/starks at pride?
•  It’s probably Peter who suggests all the Avengers go to pride, and as soon as he brings it up to Tony, Tony definitely becomes a starry-eyed, excited father at the prospect. Like, he probably wishes his father was more supportive in anything he did, so having Peter open up to him about an event he’s really excited about would make his paternal instincts THRIVE.
Peter, shyly approaching Tony: So, you know how it’s June?
Tony: Yeah...?
Peter: And, um, June is pride month.
Tony: Mhm...
Peter: I was wondering, if, umm, maybe we could all, ya know, go to some pride events together—
Tony, immediately lighting up: YES OF COURSE, DO YOU WANT ME TO BUY YOU MERCH? WHAT BUSINESSES SHOULD I SUPPORT?? DO YOU WANT ME TO DESIGN YOU A SPECIAL PRIDE SPIDERMAN SUIT???
Peter, tearing up: Yes, please, Mr. Stark...
•  EVERYONE gets a special pride themed suit. They all get different flags to inspire their suits, too! They’re not all rainbow! Bi, pan, lesbian, trans, ace, any color scheme they can think of, they get! 
•  Tony goes ALL OUT with the suits. I mean turn-his-blasters-into-confetti-cannons level of extra, here. He helps Peter make his web shooters fire pride colored webs. Steve gets a cape that’s a pride flag. It doesn’t do anything special, but it looks tacky, so Tony puts it on the suit anyway. Just to piss Steve off. I mean, what’s he gonna do?? Take it off and disappoint Peter?? AS IF. 
•  And pride becomes a mandatory event for ALL the Avengers. There will be no, “But I’m cis and heterosexual—” Tony WILL throw hands. You are supporting his spiderson; you don’t get a say. Not that it’s much of a problem because anyone who sees how thrilled Peter gets at the support couldn’t possibly turn him down in good conscience. And I mean ANYONE. Nick Fury couldn’t withstand those puppy eyes.
Fury: Look, I’m sorry, Stark. I have an important meeting that day. I support all of you, but I—
Peter, spotting Tony and Fury: Oh, Director Fury!! Mr. Stark told me you were gonna come, too!! I was so surprised!! But thank you so, so much; it means so much to me that even the highest members of our little team support me :) !! I’m used to higher-ups hating people being open about LGBT+ stuff, is all.
Fury: Ah...
Peter: Yeah, like at school they don’t let us talk about stuff like that. Apparently the existence of LGBT+ people is too “controversial.” It’s really dehumanizing. I’m so glad it’s not like that here though!! I’m happy the Avengers can be a safe space!!
Fury, sweating: Ahah...
Peter: Anyway, I’m gonna go work on my rainbow web shooters!! Bye!! Thanks again!
Fury: ...I’ll cancel that meeting.
Tony: Yeah, that’s what I thought.
•  Tony’s support would be so over the top it might border on overbearing. Like, when a parent is SUPER supportive, to the point that anytime they see ANYTHING rainbow in a store (pride related or not), they buy it. And then, like, they give it to you with that >:3 look on their face. “Ah?? AH??? DO YOU LIKE IT??? GET IT???? ‘CUZ IT’S RAINBOW?????” That’s definitely Tony. Once again, he’s compensating for not getting the same support from his own father figure. 
•  Also, Tony would totally pull strings to get prominent LGBT+ singers to perform at pride. Like, all of Peter’s faves. He would never admit to being the one to convince them, though.
•  And, obviously, the Avengers would make sure no assholes hurt people at pride. They see a Trump flag in the distance and all of the Avengers just
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•  No one tries to pull ANY shit that June.
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jockpoetry · 3 years
Note
supernatural sees women as a tool for development and strengthening of narratives/motivation and dean sees his body as a tool. is that anything?
When I saw this ask I really made the 🥴in real life. So, yeah anon, I do think there’s something to this.
Quick Disclaimer before I actually launch into my thoughts™: A lot of my read of Dean stems from my experience as both an oldest daughter and a transman. Being the oldest daughter was an experience I lived for many years, but I am also a man. I wasn’t raised as a man, I wasn’t socialized as a man, and even though once I came out upon reflection my masculinity was obviously there. Like I was a man™ before I knew I was a man. Even when I actively tied my identity to femininity for a long time! A lot of my prideful moments were based around statements like: “I was the only girl who (fill in the blank).” 
So I am just putting that out there before I launch into my spiel about Dean/Gender/Tool because they all interlock for me. 
I am also going to apologize in advance because I know this has fully gone off the rails and I’m not even done writing it yet. If this is incomprehensible ! Well, happens to the best of us.
First off, most importantly I guess before we discuss womanhood and Dean and the way both are utilized on the show I need to say that I personally don’t subscribe the whole Dean is female coded thing. 
It’s a read I can absolutely understand. But for me..he’s not. 
He’s a hypermasculine man to the point that when (and because he is written as a punchline, as the stupid™ brother, as the whore™, as the mother/father™, as daddy’s blunt instrument™, etc) Dean deviates from the pre-accepted definition of hypermasculine it’s Wrong. 
It’s Instantly Feminine. 
I think the internet has made the world very black and white, or blue and pink maybe. This point, I think, colors a lot of these discussions. Dean cooks, he cleans and so therefor he’s female coded. When that really just feeds back into the whole toxic masculinity loop. You can’t be masculine and cook and clean and cry. That’s for feminine people only. 
I get the argument! I do, I just think that Dean’s actions are not inherently feminine, it’s just in the vacuum of Female and in the Absence of Traditional Masculinity it makes sense to assign him female coded and move on.
IN FACT the way that Dean is the action hero of the show, the Masculine™ one on the show - but he cries, and he rages, and he cooks (Again and Again) and cleans (Again and Again). The fact he’s macho and confident but he has so little self esteem. Is frankly insane to me. You have this blaze of glory character who is so depressed that they have him kill himself. Twice. In explicitly “I hate myself, I hate hearing all the things I hate about myself, I want to destroy myself” ways. 
On just a regular ol’ network show that is just ungodly bad at times. They let their Male Hero cry - all the time (if I linked every example of this the essay would be...longer than it already is, but just take my word for it). Dean tears up and grieves and shows more than just Angry Horny Violent™ (he shows plenty of that, don’t get me wrong) but he’s Emotional (Again and Again and Again). In many different ways!
I mean, beyond even just tearing up, they make their Male Hero™ face sexual violence in pretty, uniquely horrifying - and queer! - ways.
Let’s make it clear, they did a lot of this unintentionally. 
Or they do it as a joke. 
Off of dean for a moment to say women are plot devices in this show. I could probably count on one hand female characters who have sincere depth to them that have roles outside of progressing plot, filling a filler episode, and who are still alive. Like even characters such as Charlie who are wholly developed, and interesting, are only remembered/mentioned/utilized to progress plots or fill an episode out - and then she dies. For pain™ for plot™ for no other reason than to traumatize a character. 
Which let’s also make it clear Dean’s trauma is also only used as a plot device (as is Sam’s but in a different way, and Cas’ trauma is a whole other barrel of fish we’re not gonna dive into right now). Like wholesale full stop they don’t actually care about what happened to him. Unless it’s relevant in an episode. 
Oh that boys home he was left at when he was 16 for months? Sure we’ll sprinkle that in in the back half of the series. Oh he was covered in bruises and said it was from a hunt (when it’s clear contextually they were from his father but saying the fantastical but true is easier than saying the uncomfortable but true). As Dean says though the story became the story, he was sixteen. He just went along with what John said.
We only see Dean ever truly rage at John, by the way, when either Dean is dead (when he’s between life and death and he rages at John, right before John “apologizes” for traumatizing him, for putting too much on Dean’s shoulders, and fucking dying) or John is dead (the Djinn episode where Dean is straight™ and John is dead™ and he goes to his grave and just yells and rages like he should have to his father in the real world).
Dean’s trauma from being both tortured and torturer in hell? Yeah, we don’t talk about that after it’s Relevant™. Even though it’s clear - especially in the demon!dean, mark of cain era, all those years later - Alastair still has his hooks inside of Dean. I stopped watching originally after s8 ended. I was fed up with the show, and with this whole renaissance I’ve been doing a rewatch and I’m into season twelve now and it really has never come up again. 
Even when he had the mark of cain and he was tasked with questioning and accused of torturing it was “the mark has changed you” and not “you were victim and victimizer in hell for forty years, which is longer than you’ve been alive on earth” (and, was about as long as he wound up living. Which is desperately sad.
Because we talk about Sam’s desire for a “normal” life but, Dean wanted out too. He was tired in the first few seasons of this show, he never had a chance to taste freedom (we don’t count the boys home, because that was a different kind of regimented life, and it was a false freedom) the way that Sam did in Flagstaff with Bones or at Stanford with Jessica. Love for Dean is sacrificing, it’s putting himself/his happiness/his well-being last.
Because Dean only knows love in the context of violence (like all of these fun examples, for starters) is a phrase that I’ve said a lot both in private chats and on here, and I absolutely think it goes to him being a tool (a blunt instrument, a plot device, so both textually and metatextually) instead of a person. Which Cas sees Dean’s shame/guilt and sees that side of Dean because he touched his soul, and saw more than just the Righteous™ man, more than just the tool, he saw A good man, not a machine. 
On the other side though you have how “bad guys” view Dean: Desperate, Sloppy, Needy, Dean’s hole (Again), which is again so wildly counterintuitive to the story of a Macho Man Hero™. You’re using vocabulary that is both queering him and feminizing (and I know this a meme format, but sincerely it is done in a derogatory way it is feminizing. It’s breaking him down to bare parts, to a sloppy hole). 
My whole rewatch I have been absolutely fascinated by how identity and free will is utilized/conceptualized on this show. Castiel has been my main focus, but Dean and how he is framed by himself and others is...fascinating - and frustrating. The writers inconsistency lends itself not only to this unintentionally queer character, but also one that again is incredibly easily read as a non-traditionally masculine character.
As a feminine character.
This show has so few female characters that of course it had to foist the roles/behaviors/plots that a female character might have onto a male character. Which I think is part of why reading Dean as trans (either transmasc, or transfemme) is so easily done like.   
Half of these are shit posts, but you can find trans allegories/textual evidence in this show again, again, again, again, and again. And this is unintentional, they don’t want you to look at Dean and see woman, former future or present. Like a lot of these I’m sure are punchlines for them, because women/queer folk are punchlines to them. 
Sometimes the only women in an episode are random witnesses who get two sentences of dialogue, and then the main guest character is a man. Who flirts with Dean, and Dean is receptive to it. 
They paint themselves into a corner, there are female Rabbi. So easily could Aaron have been a woman instead of a man, but they made the choice to play up the HaHa Dean & Men card. 
Because, again, Dean has filled the slot of Woman™ of Female Lead™ and the flirting would’ve been straight if Dean was a woman. It’s a plot device, they needed to have the guest character be disarming, be cute, make the main character flustered. 
It’s just the main character is a man, because they’re allergic to women. But they still need those female plots, tools of femininity, to move their show forward. I mean I am a big subscriber to transmasc Jo (no idea if anyone else is with me on this one, but let me explain). Jo is in love with Dean (concept) not Dean (actuality). Which, we’ve all had our eggs cracked by someone like that. We were in love with them until we realized we just wanted to be them.
He loved her like a little sister, she loved him like a lost idol. He’s a golden calf and she dies for him, because she believed in him, she was the original character dashed at the altar of the Winchesters. 
I fully believe if she had lived and if this show had a crumb of actual good writing Jo could have been a deeply compelling transmasc character. But I also think she’s a fascinating inversion of Dean. Dean is a Masculine Character who subverts Toxic Masculinity, Jo is a Tomboy™ she’s not your (if you take it straight, literally and metaphorically) average female love interest. She’s angry, she’s not soft at all, all edges and corners and thorns. She isn’t helpless, she’s stubborn but not in a “you’re going to get punished for this” way. She’s right when she’s stubborn. She’s helpful, she’s a martyr. 
I could do a whole other essay just on Jo (and Ellen, and Ash, what a fucking trio!) but needless to say Jo was one of the first...plot device feminine tools sacrificed to this show. She was a regular, she was unique, she was an engaging character, and she still died (to progress the plot? no. for man pain? yeah, for like three episodes maybe, and then it’s forgotten just like the rest of Dean’s trauma, as we mentioned above). 
Dean and Women and Love is a very interesting tool used too because. Boy they sure try to make Dean love women and it fails in small ways, and in big, meaningless, failed het domesticity (again) ways. Not to mention whatever Lust (in the form of a woman) having no effect upon him, when they could have used that moment to assert his Masculinity and Heterosexuality. He behaved normally? And...also...whatever the fuck the Adios thing was!
Like they have these opportunities to make him Traditionally (toxically) Masculine, but make the choice to...not? To soften him. Because it’s a tool. He’s their female lead, textually he had to take on the role of mother(/father) to Sam, but...I mean this is a million miles long already. I know, but we absolutely can’t not talk about his Paternal/Maternal behaviors. (Which appear again and again again and again, outside of his relationship with Sam even/especially). He’s the mother hen, sage, safety net, beacon, home to so many side characters they meet.
I mean in many ways Jody is also a Dean comparison. Lost her family. Found a new family. She is non-traditionally feminine, but easily flustered and Silly™ (let’s just drop the entire sex talk over family dinner scene with Alex and the boys and looking to them for help, even though she was already a mother, and she’s a cop, and a hunter and this confident no nonsense individual.... She’s not). We are meant to see her as this hard ass, but she makes extra food for the boys to take back to the bunker. She’s deadly in a fight, but also still easily overwhelmed and put into damsel mode, and she cares so much even in the face of adversity.
It’s also fun to see how Jo | Jody are reflections of Dean at different points of his life. Younger, cocky | Older, settled.
Even when the text tries to tell us that he’s not.
When it reminds us that he’s violent. That he is his father, even if he says that Sam is more like John (which was reflexive, which was angry because of Adam and how Sam was behaving like Dean in that episode, and yes there are parallels to be drawn between Sam and John, the show barely dives into them). Instead we’re told that Dean is John (Again and  Again and Again and Again). 
So intensely that a fanfictionalized version of the Winchester Gospels makes it an entire fucking musical number. 
And yet, despite the texts insistence to make Dean Macho Man Father Reborn™ We get this Dean who is silly (and directly compared/contrasted to the female character in this scene), soft, in heels, nagging, and... Sully (you know Sam’s imaginary friend who has the same Haircut Dean has, who is a softer, shorter, friendlier, campier, version of Dean who was a replacement For Dean until the real one let Sam back in? That? Sully?) it’s hard to take them seriously. 
Hell, even when he was A DEMON? What did they do? They had him sing off-key drunken karaoke, they had him doing this ! Like that’s your hero, unhinged, free to be as bad as he could be, and you put him in a cowboy hat in a romance with the king of hell. 
The Female Lead, everyone. Who’s biggest betrayal(s) comes at the hands of his love interest (again, a man even though it was an angel who could’ve taken any vessel! who could’ve been recast, who canonically dies admitting his love to Dean - that one), who he tries so hard to be loyal to. 
The contradictions of his character are laughable. He is so emotional, but if he is engaged about his emotions? He shuts down, or he’s exasperated about being asked about them. It really is Female Lead/Only Here For The Plot disease, because everything is more important than him. How’s he doing? Doesn’t matter outside of the context of how x character is doing or that y character is dead. Or his emotions only matter if they’re done in penance. 
They also really do frame him as Pretty Boy™ in a violent way, or in a derogatory manner. They’ll give us homoerotic shots like this or these and never really acknowledge how these are gay shots. Sorry the gun scene is a a straight up sex scene, the beer sip spilling out over his mouth is oral, the scene where Cas fills up Dean’s glass with whisky is also a sex scene, they do this shit on purpose but accidentally queer it up. If Dean was a woman these scenes wouldn’t even matter. They’d be passing moments, but because he is not just a man but A Man™ they’re insane to see.
Not to mention all of these scenes and all the ones I haven’t linked where Dean dresses up. He performs masculinity, but he performs femininity too. He’s a plot device that is slotted in to whatever role they need. He’s Super Straight Butch Man™ but coaches the lesbian on how to successfully flirt with a man. He’s Action Hero™ who sits through a montage with the same lesbian and yays and nays her outfits, and enjoys himself.
Fuck he loves dressing up, he feels better in these costumes because performing a character is easier than being himself. Because who is Dean? He’s a tool, both textually and metatextually. It is exactly how the women and because of the women on the show that Dean is the way that he is. If there was a more steady female presence Dean would not be half as much of a plot device or half as camp/gay/feminine/non-traditionally masculine/queer coded as he is. 
In conclusion....
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Text
S3 ep5
Current emotional status: FEAR
Cthulu Max has been on the rampage for a whole week!?
Ew, the narrator
Oh man, are they sending the airforce after him?
I really like Cthulu Max's design
Momma Bosco 💗
Oh hey, Norrington and Papierwaite are alive.
Superball are you saying you tried to send the Maimtrons up Max's--
Also he's acting president while Max is... deposed of.
Superball is only giving Sam until 6am :(
Featherly!
"Wandering around the moleman tunnels is no fun without Max."
"You got it all wrong, we're trying to help Max." "We will help him... to a generous serving of ass whooping."
"That is one rabbit who will be multiplied... into 2,000 smoldering pieces."
Carol ran off with Blustet
"I only want her to be happy, is all." Aw, Curt
Superball just admitted to having separation anxiety from Max
Ok Momma can't come but Papierwaite and Norringron can.
I like Norrington :)
GASP
Is it?
It is!
SYBIL!!!!
RETURN OF THE QUEEN
Oh, she is very pregnant
She was a wizard at one point?
She's gonna help!
Superball there's no such thing as acceptable losses
Abe has his body back
"Four score and seven tons of raw power"
HE CAN FLY NOW!?
Sybil, I love you, but why did you mod someone else's car???
Grandpa Stinky I love you
Oh, he just handed us the recipe for once.
Asdfff the spore maxes swarming Grandpa
They stole Grandpa's hotdogs
"We must feed the host! Piglets and sphinkters make us stronger!" "We regret nothing!"
Grandpa hasn't slept in three years
Sam just casually taking the last of Grandpa's corndogs
The spores are trying to get it
Lol Sam slapped them
Sal's alive!
He's hiding from Sam :(
Lol we can control Cthulu Max with Corndogs
Ew, the cornstarch got mixed in with the giant puddle 🤢 Looks gross
Love how Sybil completely ignores the Flaming Max head
Also the look of disappointment on the spore's face made me laugh
Fifth trimester???
The way the one Max spore by Grandpa's truck is bobbing in circles with his mouth open is making me laugh.
Sam showing concern for Sybil because she’s preggers 🥺
Her being pregnant with Abe's child implies that statues have working genital in this universe
She put a weiner scented airfreshener in the desoto
At least Sam and a Max spore seem to like that (of course they do)
"Sybil you're the best!" Hell yeah she is!
Sam's mind went to the color bar codes to prevent being traumatized by Sybil's oversharing
We drowned the desoto
Asdfgh Sam just botched slapped one of the spores for trying to say "that's none of your damn buisness."
Ew, Max's spine is pointing out
Oh hey, Satan and Jurgen
Why is Jurgen wearing his old fashioned clothes instead of his emo clothes?
Lol Sam snuck into frame to shout "Go Mets! New York rules!"
"--besides it's just a good and noble thing to do." "You're not familiar with my previous work, are you?"
"Sam, what happened to you to make you so cynical?" Gee, Jurgen, I wonder what could have possibly happened.
Oh so the water tower counts as vegetable oil because Momma did something to it
Pfft we can replace Satan's microphone with a corndog
Omg they jumped off the building to avoid Max
Oh, they're fine, and the oil is in the giant puddle.
I'm thankful to Featherly for giving us an egg but I'd have preferred not to watch him lay it. Granted it was just in a cartoon way but he still made weird noises
Also TRANS FEATHERLY 2021
"I desperately wanted to see that, sir. Ask him if he'll lay another one."
Oh hey, the Flaming Max heads helped heat up the giant desoto corndog
Since I'm playing this in 2021 the Maimtron's song references are super dated, which defeats Superball's efforts
Oooh! A unique opening sequence???
Oh this music is jazzy af
Sam really doesn't like the Max spores
Sam how do you already know what Max's insides look like???
"Even when he's not a collasal monster Max's food comas can last for weeks."
Ok we wake Max up with the coffee beans, right?
Yup!
The gi Max spore is so sad he doesn't get to come 😢
"But I'm a horrible monster!"
"I suppose Max's brain always looks like a living room?" "Well, Max is host to all kinds of weird parasites, and he likes to he a good host!" WHAT
No really, this brings up so many questions about lagomorphs. Are they some kind of Symbiote or something?
And a previous episode confirmed Max is amphibious
Max has tumors!!!
It shocked Sam!
"Eugh! Get away fake Max!" "Do you find my warmth... alarming, Sam?"
"What do nightmares taste like, anyway?" "Pepsi"
Max wants to be author 💗
He also writes fanfiction about Flint 🤣
I'd unironically read his books.
Tina Belcher voice: Friend fiction
Max has an experimental fusion jazz band???
"He just killed a great white shark--"
Max being completely unable to describe a woman is very gay of him. Good for him.
Max's brain teleported everyone to different parts of the body.
Found Sybil in the gym/legs
The brain is broadcasting Sam's thoughts???
Sam couldn't think of a joke for the medicine balls :(
"Wow Max is looking pretty buff. Would it be too weird if I asked him to turn around?"
Sam! Stop thinking bad things about Sybil's pregnancy she can hear you you putz!
She's upset with him now
"Can you believe this guy?" "I find the entire situation to be very contrived and misogynistic." Same spore Max, same.
Sam stop being so mean omg!
"I changed Sybil, I totally get the whole parenthood thing now." "Really now?" "Tax deductions."
In Max's inventory now
Y'know, I never really thought about it as a storage house
Hit The Road reference :3
Baby roach hatched in
"Pa..papa?" "Now I am little champion, now I am!"
Max has a Maximus shrine
Sam turned into a roomba!
Aw, he named it Sam Jr 🥺
We won Sybil back through his love of Sam Jr
Found the conjoined twins
Huh, Max lost as eye. Does that mean he has a glass one, or do lagomorphs have regenerative abilities?
Pfft we have to play twister to control his arma
The brain is messing with things again
Oh, we need a roach to operate the game because of radiation
Well, let's kidnap Sal
Oh, poor Girl Stinky. She's really going through it
Aw, Sal feels bad
Sal?
Honey, are alright?
He's dying???
He's not immune to irradiation!?
Oh no, he's gone
I'm so sad 😞
Gotta pick up Sam Jr. Before I control Max
They mad Max do a magical girl pose
Ugh the narrator is back
Wait, what?
He's Max's brain??? SUPEREGO???
WHAT
"I was always ignored" Yo if my super ego was as pretentious as you I 'd ignore it too 😤
He wants to kill himself and Max???
I know Max had a self loathing complex but holy shit
The super ego is perfectly fine with destroying half the east coast what a jerk
Just noticed Sam's tie is red. Had no idea about this while drawing PI!Sam lol
We have to help Max get his memories back to use the ASTRO projector
Skunkapes has three Sam clones imprisoned
Sam had canon ocd?
Gasp Gordon???
No, it's Sammun Mak
I love him, little child tyrant
Just make him a mobile brain in a jar and let Sam and Max adopt him
Why is Grandpa here?
He isn't talking like Stinky
Too polite
Sam sees it too
He's a space gorilla
They switched brains?
Found the cloning g chamber
Let's go to Momma's first
CONE OF SHAME CONE OF SHAME CONE OF SHAME
Superball is "wracked with guilt"
"Keep it together Superball. Sam will be able to save the day. He always does."
Ok, let's go to the cloning facility
I'm still thinking about poor Sal yo
FLIIIIIINT!
He's punching space apes!
Girl Stinky really playing up the evil Mistress role
The doggleganger has a bomb on him!!!
Wait so Girl really is a mermaid??? I thought that was just her aestetic
God I love Flint
Haha we tricked Skunkape with scooby doo villain tactics
Got the robot
Her water broke... and it was pennies
Max wants to save Sybil! 😭🥺💕
Super Ego is here
Oh now he wants to save Max
The only thing here are those records
Super Ego waved goodbye
Cthulu Max is cute when he cries
Wait What?
His head is on fire!
The maimtron hit him!
He waved goodbye... and teleported away.
He exploaded!!!!
He promised he'd take Sam with him and he didn't!!!!
AAAAAAH
I thought the dead Max thing was popular angst fanon fic thingy!
We're cloning Max?
It didn't work 😭😭😭😭😭
Superball ran off crying
Oh God the credits are just Sam walking sadly what the hell
He's not even stopping to fight any crime 😢
💔💔💔
God the way he's clinging to himself
What?
The elevator???
MAAAAX
he's back???
Past Max???
He blew his Sam up???
Wait hold on I'm glad they're together again but this doesn't fix anything
There's so much trauma from this season
All the horrible things that happened during 301-304 happened in like 3 days tops, then Sam had to deal with Max being a monster for a week before watching him die!
And the new (?) Max had BLOW HIS SAM UP!!!
And they left the franchise like that for a decade????
What the hell?
I want to be happy but this shit is going to consume my brain for the next week at least what the hell
Aaaaaaah!
Like maybe they really do just brush it off but it feels unlikely
I know Max has a connection with his other selves so it'll be easier for him to adjust but certainly Sam is going to notice the discrepancies since he doesn't get the same deal
Someone told me there were multiple endings hold on
Aw, they walked off into the sunrise together
But still
AAAAAAAAH
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unrestedjade · 3 years
Text
Baseless Ferengi headcanons no one asked for and that get increasingly queer-navel-gazing and self indulgent because the horrible space goblins have consumed my brain:
- Mobile ears, because if hearing is so well developed and important to them they should be able to aim those big stupid radar dishes. Also because then they can emote with them and that's cute. THE AESTHETIC IS PARAMOUNT.
- Since they canonically sharpen their teeth with chew sticks and sharpeners, their teeth must grow continuously. So I submit: subcultures that let certain teeth grow out as a fashion/political statement. Ferengi punks and anarchists with 5" tusks. Ferengi with all their teeth filed flat (mom and dad HATE it).
- Corollary to the above, most of their teeth are crooked. At the least, they don't share our fetish for straight teeth. What if their teeth are deciduous, and there's no point in trying to force them into perfect alignment, since they'll just fall out and get replaced? So like, sharks but their teeth can also grow longer with no limit. WHAT HAST EVOLUTION WROUGHT ON FERENGINAR :V
- Parents nagging their kids to sharpen their teeth "or they'll grow up into your brain and you'll die :)"
- Personal space? Don't know her.
Okay I need a cut because there's too many now. WHOLE SOCIETY OF GAY HOMOPHOBIC UNCLES AND AUNTS GO I HAVE A PROBLEM
- I can't remember who on here put forth the idea of them having retractable claws but Yes. :3
- Pushing back against the worst canon episode a bit but: relative ear size being the only obvious sexually dimorphic trait, and even that having enough of a gray area that the only way to be 100% sure you're talking to a male or female Ferengi is if you do a blood test. Unless they're intersex! *shrug emoji*
- This is why they're so fanatical about gender conformity and their Victorian "separate spheres" attitude to men and women's roles. Capitalist patriarchy is fragile! And as artificial to Ferengi as it ever was to Humans! (self-indulgenceeeee about gender shiiiiit)
- You know how with domesticated rabbits, the rabbit getting groomed and paid attention to is the boss? Yeah. Go ahead and paint your bestie's nails, just don't be surprised if she cops a little bit of an attitude with you from then on.
- Their fight/flight/freeze/fawn instincts skew heavily toward the last three, and what a lot of other species read as annoying sucking up is the Ferengi in question feeling anxious and unsafe. Especially if they don't feel integrated into the group. Even being at the bottom of the pecking order is better than not being in the flock at all.
- If they DO opt for fight, it's ugly and typically their last resort. Bites or scratches will get infected without intervention-- microbes that their immune system can handle could cause big trouble for aliens. You might wanna check for full or partial teeth that break off and get lodged in the wound, too.
- Too many of these are tooth related but I don't care. :B More teeth stuff: you know what else has teeth that grow constantly? Puffer fish. Likewise, Ferengi can chew up mollusk shells as easy as potato chips, and they need the minerals for their teeth. (Imagine grandpa Sisko offering Nog a crayfish for the first time and watching as he just...pops the whole damn thing in his mouth and crunches away...)
- Their staple foods seem to be grubs and other arthropods, high in protein and fat. I've unilaterally decided their cuisine also involves a lot of edible fungi, ferns, plant shoots and seeds. Gotta get those vitamins. Overall flavor profile leaning toward umami, vegetal, and fresh herbs, and pretty mild (or "delicate" if you wanna be snooty about it, which a Ferengi probably would let's be real).
- Not much sugary food. I'm basing this solely on Quark's aversion to root beer as "cloying". Which could definitely just be his personal preference, but most of the people I hear hating on root beer cite the actual sassafras/sarsaparilla flavor (saying it tastes like medicine) not the sweetness. Nog might be the weirdo outlier for being able to enjoy it.
- Their home planet isn't bright and sunny, so their eyes are better at discerning shades of gray in low light conditions, with relatively weak color vision. Which could explain why they dress Like That.
- Conversely, human music has a reputation for stinking on ice because a lot of it is juuuuust lightly dissonant or out of tune because we can't pick up flaws that small. Ferengi can, and it drives them up the *wall*.
- Music? So many different kinds. Traditionally, maybe lots of percussion and winds, and water as a common component of many instruments to alter pitch or tone. Polyphony out the ass. Some of the modern stuff is an impenetrable wall of sound if you're not a species with a lot of brain real estate devoted to processing sounds. Pick out one melody to follow at a time.
- Yes, back to teeth again I'm sorry. It's a sickness. At some point in their history, pre-chewing food was just something you did for your baby or great grandma as a matter of necessity. Possibly your baby gets an important boost to their immune system and gut biome from your spit. At some point takes on a more formal intimacy aspect and gradually drifted from something all adults and older kids do to something only women do. Your husband and older kids have perfectly functional teeth, but you love them, right? =_= (Think old memes about husbands being useless in the kitchen if little wifey isn't there to cook, but even more ridiculous. Ishka was right about everything but especially this. Thank you for making your family chew their own food, Ishka. Not all heroes wear capes. Or anything!)
- How did they get started on the whole men: clothed vs women: unclothed nonsense? My equally stupid idea: men just get cold easier. Those huge ears dissipate a ton of body heat. Cue Ferengi cliches like "jeez, we could be standing on the surface of the sun and my husband would put on another layer." At some point, again, this got codified and pushed to ridiculous extremes in the name of controlling women and keeping everyone in their assigned box, to the point that women just have to shiver if they really are too cold and men have to pass out from heat stroke if the alternative is going shirtless, because That Would Be Inappropriate.
- Marriages default to five years, but they're also the only avenue for women to have their own household or any stability. Plus their religion places no emphasis on purity save for pure adherence to the free market and the RoA. So, curveball to the rest of their patriarchal bullshit: female virginity isn't a concern in the least. Bring it up and they'll rightly side-eye you.
- Family law is absolutely bonkers and lawyers that specialize in it make BANK. I feel like custody would default to the father usually but oh wait, the maternal grandfather has a legal stake in this, too, and your next father-in-law is asking HOW many kids are you dragging into my daughter's house, etc etc. Growing up with a full sibling is way rarer than growing up with half or stepsiblings, since it usually takes both men and women two or three tries to find someone they vibe with. (Not love, unless you're super cringe.)
- A misogynistic society is a homophobic society. Imo those flavors of shittiness just come in pairs. Homosexual behaviors are fine within certain parameters (aka "always have sex with the boss") but not on your own terms. To add spice, bisexuality is their most common mode (because I'm bi and these are my hcs for my fics I'm not writing, so there), but capitalism demands fresh grist for the mill so you better get het-married and pop out some kids you lowly peons. You have a choice so make the proper one. :)
- Corollary to the above, that doesn't keep all kinds of illicit "we're just friends with quid-pro-quo benefits for realsies" affairs of every stripe and every gender from going on everywhere. Many Ferengi have a lightbulb moment somewhere in early adulthood when they figure out their dad's business partner or the "auntie" who visited their mom every month had a little more going on.
- Plus there's way more gender non-conformity and varying degrees of trans-ing than the powers that be have a handle on. Pel isn't unique, even if most would have to somehow make it out into space to be able to thrive.
Damn a lot of these are just my personal bugbears plus THE GILDED AGE BUT WITH HAIRLESS SPACE RODENTS ain't they
- Women can't earn profit, okay. But lending or "lending" things to each other isn't commerce, riiiiiiight? To be assigned female is to master navigating a vast, dizzying barter/gift economy. Smart boys and men leverage this, too, and there are splinter sects that view this as the purest expression of the Great Material Continuum.
- Of course plenty of women make profit anyway, and just do their bast to dodge the FCA. The tough thing about insisting on using latinum as currency is that cash can be so hard to track, you know?
- Because of the RoA, guys are discouraged from doing favors or giving gifts without setting clear expectation of getting some return on investment. This can twist into an expression of friendship (and of course women do it too), and the ledger will keep cycling between debit and credit among friends for decades. A common mistake aliens make is to tell them recompense isn't needed without explaining why, or return their favor or present with something that zeroes out the debt. The Ferengi will assume you want to break off the friendship. (I cribbed this from dim memories of an African studies course I took in 2007 and whose textbook I know I still have but I can't frigging find it...)
- Flirting, they do a lot of it for a lot of reasons. Roddenberry made it clear that they're just straight up pretty horny, but there's no reason it can't pull double duty for building alliances with other people, smoothing over feuds or disagreements, or cementing friendships. Ferengi who are ace and/or sex-repulsed are possibly viewed similar to the way we'd view someone who's "not a hugger/not big on touching" and if they flirt just don't get offended if it doesn't go any further; aro Ferengi don't garner much comment aside from an occasional "wow how badass, never falling in love with anyone."
- where to even start on making sense of the Blessed Exchequer??? Like seriously, what is this literal prosperity gospel insanity, I need to force myself to re-read Rand and like, some Milton Friedman for this shit. Help.
- fuck I'm probably going to actually do that, RIP me...
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vergess · 3 years
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@autismserenity​ said: Your tags are the most American thing I’ve ever read, we are truly so screwed here   
May I interest you in a more complete, and more excruciating, explanation of what I spent the last 18 months doing?
It is, I need to emphasize, fucking nasty. Don’t feel obligated, especiallly if you’ve already had A Day(tm).
There’s a lot of disease, a lot of worker abuse including sexual and racial abuse, a fine portion of letting people die for not being white enough for real medical care, all leading to homelessness.
For NDA reasons, because my former employer was just as vile as any tech company has ever been, I cannot be super specific about who I worked for. However, I can say that we handled the records and patient contact for all COVID testing for several states, as well as 2 of the 5 largest metros in the US, and several dozen smaller ones ranging from the approximate population of San Francisco, down to little towns, as well as the testing for several public school systems and at least two government agencies that I am not at liberty to disclose.
I tell you this for a sense of scale. When I say shit like, “my boss was more than happy to let thousands or hundreds of thousands die” I am not exagerrating for effect. We handled hundreds of thousands of tests a week.
Again, I need to emphasize, government agencies. Ones you would know if I named them. Ones everyone in the country knows.
And we were in charge of getting their test results from the already over swamped labs back to the patients, who often were not allowed to quarantine while awaiting results.
The fastest we got our turnaround time to on any consistent basis was about 30 hours. Often it ballooned well into weeks.
There were a number of factors for this, but the big one was always understaffing.
The staff we did have were treated like trash. One of the big selling points of this company is how “trans friendly” it is to work there. That is a lie. Every trans employee on payroll had their dead name displayed to all other staff, and until I personally changed the system setup on my arrival, patient facing trans people’s dead names were displayed to patients.
Remember that thing about “hundreds of thousands of tests a week”?
I was able to change the way patient-facing names were displayed. I was not allowed or able to alter the way internal systems displayed trans people’s names. But I was assured that it’s fine, because once you get a legal name change, you’ll be given new system accounts with your new name!
Your old accounts with your dead name would still be displayed and associated with the new ones though.
This is the “trans friendly” working environment. We were allowed to be out of the closet, as long as we were willing to put up with that. And any attempts to get it altered were the result of those nasty little transgender ingrates not being thankful enough.
Meaning that by asking to use our own fucking names we were already in the disciplinary shitter.
Another big selling point is the ~racial diversity~. The CEO was a man of colour, and so were like four other people on staff!! Wow!!!!!!!
This, too, was laughable.
Once numbers started coming in about the care gap for COVID between English and Spanish speakers, and our Southwestern US service area began to have a separate and brutal backlog just of Spanish speaking patients, my employer encouraged me to interview potential hires who speak spanish.
Fair enough! We all wanted to do our part to help close the already massive mortality gap.
So, I found candidates, did interviews, hired them, trained them, etc. But I don’t speak Spanish. As a result, I appointed 2 assistant managers who do speak Spanish to assist me in managing, you know, like the job name.
So when my super contacted them directly, completely skipping me on the chain of command, and told them to stop all of our Spanish speakers from translating helpful simple messages to send to patients, and instead start translating medical and legal documents, they very reasonably assumed I was in the know and went ahead with it.
TO BE CLEAR, that could have ended my life, theirs, basically everyone involved. Everyone in the company would have been completely fucked. At that point, my subordinates, the people for whom I am wholly responsible, were doing everything from practicing medicine without licenses, to encouraging spanish speaking patients to enter contracts that no one on the fucking executive tier could even read.
The moment I found that out, I and the A.M.s immediately started trying to get actual medical translation services to do our documents. We collected them in a neat folder. We queried translation services. We got quotes. We contacted my super and the CEO, about this over and over again for months. In the late autumn, we received approval for one of the translation services.
The CEO decided at the last minute that having people with no medical or legal training draft medical and legal forms was fine and good actually, and refused to sign the contract or send the documents for translation.
The excuse I received was that the COVID emergency HIPAA relaxations would protect us.
That’s not how that works.
Throughout all of this, Spanish speaking employees were told to either keep doing medical and legal translation work, or lose their jobs.
Oh, did I mention everyone was working between 30 and 80 hours a week, and all of us were marked as “contractors” so the employer could tax evade? Don’t worry, we filed complaints with the labour bureau.
So the entire department was let go, and “rehired” as temps through a temp agency, which because it was a temp agency could keep them marked as contractors regardless of the facts.
This change was presented to all of us, myself included, as the company getting a new accountant to handle payroll.
So if you’re keeping score, we’ve covered racism, queerphobia, medical negligence, fraud, and a frankly uncountable number of deaths.
Let’s talk about the sheer negligence towards employees ourselves. If you’ve worked in near-death medical care before, or any number of emergency services really, you know that the standard benefit suite includes either a dedicated therapist for your staff, or access to peer support groups with other emergency and medical servants through your employer’s benefits program.
Do you know what our mental health benefits were for this company?
The CEO got on a fucking zoom call with us all one (1) time, and said that if we were feeling suicidal or traumatized by the work, to talk to him about it, and he would be our therapist.
Do you know how many people per fucking day we had to contact only to be told they had already died because our understaffing delays killed them? He doesn’t. He never listened when we told him.
But let me put the cherry on the “Oh baby, you can talk to me, oooh” sundae.
Anyone who “looked” or “sounded” female, regardless of actual or assigned gender, was subject to constant flirtations and slimy, overly personal compliments about our appearances. Fortunately, at 3 levels removed from the CEO (Executives > Department heads > Managers > Employees), most of the people under my management had relatively little contact with him.
I was not nearly so lucky.
The CEO of this company has a watersports (urination) fetish. I know this, because he told me so and attempted to get me to join him in it. I have no idea how many other people in the company he did this to. I mean, what the fuck was I supposed to do, risk losing my job to find out? I have a fucking family to support, people.
Not that it mattered.
Eventually, all of these abuses became too much for my subordinates. Productivity fell off a cliff. Delays were getting worse and worse. In a medical emergency like this, delays=deaths.
So, like a fucking idiot, when the department heads reached out to me to ask what they could do to improve productivity, I shot down their frankly insulting suggestion of raffling a $20 amazon gift card to patient facing employees, and instead suggested a very simple, “enroll us with a peer support group, every single person in this department has PTSD from working in this pandemic.”
They were confused by my assertion of PTSD. I was asked to compile a document of complaints, concerns, and weaknesses in our patient facing services.
I and the A.M.s did so. It was roughly 40 pages long, with each page given a known problem, the reasons why it was a problem, and some potential solutions that might inspire further solutions or be able to be implemented. We submitted it. There was no response.
A week passed.
I had been working 80 hour weeks for most of a year. I hadn’t even been able to take weekends. I took my first sick day, in a company with “unlimited vacation days.”
I received a call at 3PM.
I had been fired for “differences in communitcation.” If you’ve ever seen that “Problem Women of Color in the workplace” chart? Yeah.
So had most of my department, including every transgender member of the department, and several of our extremely limited in supply Spanish speakers, who were presumed to be “on my side.”
Some of them, I barely even knew beyond the formalities of the job, and they were punished anyway.
I lost my insurance, and as a result I lost access to my medications.
But the real problem? I lost my house. And not due to lack of payment.
I lost my house, because when I got the job we waited 6 months for stability’s sake, and then readied to move out of the area. I got a mortgage on the basis of my employer’s written guarantee to the bank that I would continue to be employed for the next year at a minimum.
With the mortgage approval in hand, we entered a sales contract on our existing home.
We got and accepted an offer just days before I was fired. To keep our house meant paying a 25,000 dollar broken contract fine. We didn’t have that. We had a 10% down payment for a modest fucking place in a cheaper area, which is less than half that.
But without a job, my mortgage approval was also voided, meaning we couldn’t buy a house either.
All of a sudden, we were homeless during the plague, because my employer wrote and signed a letter to a bank guaranteeing my future employ, and then changed his mind when too many people died due to his own negligence.
Oh yeah, one last thing: the job paid less than Pandemic unemployment Assistance.
...After that, well, it’s homelessness until just last month. I... if you’ve never been homeless it’s.
It blurs. Everything is happening constantly, except for all the ways in which you are endlessly, mind breakingly bored. Bored, overloaded, and always uncomfortable.
Obviously my health would have declined regardless. Malnutrition, stress, everything.
But I was also unmedicated.
It was hell. I was in hell. I don’t know if I can recover from it, to be honest.
I bounced back from being homeless as a child. Children are as resilient as they are stupid, and the monstrosity of homelessness was little more than a vaguely remembered loathing and a panicky fear that it would ever happen again.
A child who is dying is worthy of sympathy, even if it is meaningless coos from passers by. If they have family, they may be able to rely on them too.
An adult with the indignity to die homeless and crippled, according to the average passer by, is worthy only of disgust and perhaps even punishment for being such a worthless waste.
My reward for nearly killing myself in a desperate bid to help stem the tide of COVID was the destruction of not only my life, not only my entire family’s lives, but the lives of every single family of every single employee who worked with me.
And you know what’s worse?
Each one of us still did more to limit the lethal impact of COVID than the entire united states government.
It breaks something in you, going through that.
It makes you realize that hope is a fool’s game.
But, I have ever been a fool, and so, I continue to play.
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sigynpenniman · 3 years
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Julian Bashir Playlist Time!!
Apple Music playlist (if you're a heathen and subscribe to apple music like me) here
I know that there's plenty of people making playlists, but I really feel like this is an under-utilized brand of fan content. Instead of attempting to create a list of songs that Julian would listen to, or a playlist of songs which were all lyrically directly applicable (though there certainly some of those in here) regardless of genre, I tried to create something which captured, above all, his vibes instead, by choosing songs that balance at least somewhat relevant lyrical content with the energy or feel that I associate with the character. What it means matters, but not as much as how it makes you feel. That said, I signed up for apple music and read a TON of those overwrought iTunes store album review descriptions while I was making this, so I have a whole lot to say about all my choices here. In depth explanation of my symbolism and methodology behind each song under the keep reading. (I love tumblr. I want to write 1,000 words of analysis about why I picked songs to represent Julian Bashir and some of you are gonna read it. This is where I get to pretend to be one of those iTunes music writers. I feel joy.)
Good Morning - Two Door Cinema Club TDCC's Gameshow is high on my favorite albums of all time list for nebulous reasons I myself don't really understand. It was this album, though not this song (but one that will pop up later) that actually inspired me to make this playlist to begin with, as for some reason, from the color scheme of the album cover, to the overall vibe, to the ever-present references to illness, injury, surgery and healers in the lyrics, the whole thing feels inescapably Julian to me. And with an opening like I'm a sinner/I'm the victim/I'm an alien when I'm myself/I'm a healer/I'm a fixer/I'm a present danger to my health/I'm so strong/Doing what I'm supposed to do/ There's something wrong/With somebody like me, it's hard NOT to think about Julian when you hear this song, and I can't think of a better way to start this off.
Sweater Weather - The Neighbourhood I think there's a joke somewhere about bisexual people all liking Sweater Weather, and yeah, I resemble that remark. Sweater Weather is just good. You'll notice there's a sort of chill-indie-alt-electronic thing going here, and that is very much the vibe I'm sticking with. Sweater Weather slots in beautifully, both sonically and thematically. As the singer looks to warm and protect the person he's with from the cold, you can't help but feel a loving coziness coming off of this one. It always makes me feel cozy, at least, so it's here.
Gooey - Glass Animals I have nothing to analyze here because the artists themselves have said that the lyrics of this song have no meaning, they're just meant to capture a vibe, and capture it they do. Close your eyes and ride the vibes of this one. The energy is right, I love it, it belongs here.
Blue - Mika I could probably write a couple hundred words on Blue alone, in any context. This might be my beloved Mika's magnum Opus. Opening the song with the inherently counterintuitive lyric Blue is a feminine color, Mika manages to pack it ALL into this 3 minute song: questions about gender; concepts of sadness, joy, and their intersections; of the perception of melancholy as a flaw and loving people despite, or maybe because of, those "flaws" and anything else about them; a powerful first person reassurance that made me start weeping in my car the first time I heard it; just the phrase "why are humans cruel to you." And oh boy, ARE there questions of gender. Why is blue NOT considered a feminine color? Is that a good thing, a bad thing? In 3 minutes of artful poetry, Mika manages to wrap up sadness, love, joy, pain, the feminine that exists within the masculine and the masculine that exists within the feminine, in the simple color of blue and then, in one lyric, validates it all. And on a much simpler and more obvious note, this is in fact all a philosophic musing on the symbolic meaning of the color we see Julian wearing almost all the time (when he's not in uniform, almost all his civvies are also shades of blue.) I feel like this is one of those songs that's hard to analyze because it does what music and poetry does best - communicate something that cannot be communicated any other way. With these broad themes of loving others around the things they can't love about themselves, you can decide for yourself if this one is coming FROM Julian or directed AT him, either works. I find myself struggling for exactly the words to explain this one, but listen to it; you'll understand.
Little Dark Age - MGMT Another choice with no obvious lyrical relevance, but the tonal fit was just too good to pass up. The vibes pass.
The City - The 1975 This song is one of several present because it leans on medical symbolism to get its point across, though I would be lying if I said I fully understood what that point was. But the entire second verse, apparently about the song's subject suffering from some kind of illness and reassuring him that the next one's the M.D./You'll be feeling just fine, seems somehow to transmit the discomfort of illness directly to the listener. I don't know how or why, but the effectiveness of the empathy the second half of this song elicits, in me at least, puts it squarely in the "odd medical vibes" category.
Surgery - Two Door Cinema Club THIS is the song that inspired this whole playlist, mostly because of its title and general vibe. Another example (of many) of medical/anatomical references in this album (another of the songs is called Fever, etc), this song just feels like Julian to me.
The Other Side Of Paradise - Glass Animals I really like Glass Animals. That is probably becoming obvious. Aside from its delightfully cohesive vibes, this song opens with what's simultaneously the slyest and most brazen gay lyric I have heard on the radio recently, as the male singer says When I was young and stupid my love left to be a rock and roll star/HE told me... The song seems to be about a man whose male lover left him in pursuit of fame and fortune, and eventually ends up with a woman, leaving the singer behind. It's got simultaneously subtle and obvious gay themes, it's got confused love affairs, it's got so much bisexual energy. I cannot think of anything that could be more Julian.
Sit Next To Me - Foster The People Kind of like Sweater Weather, this whole song is built around a rather cute and sweet "sit next to me," and you can't help but feel a bit warm and cozy when you listen to it. I think it pairs with sweater weather well, and slides in with the rest of the picks very nicely.
Nothing Better - The Postal Service (the original band of the lead singer of Death Cab For Cutie) Another example of heavy surgical symbolism, the very first lyric of this song is Will someone please call a surgeon. This is actually a duet, and the singers speak of their real hearts to represent their emotional ones. Something about Your heart won't heal right if you keep tearing out the sutures always gets me and always will. And it vibes good. It vibes so, so good.
&Run - Sir Sly Sir Sly's &Run is my favorite song for driving too fast. It does an amazing job of musical onomatopoeia, talking about running while making you want to run. It's a song about running out of plans and running as far as you can instead, which is all very "I'm illegal by definition so I went to the farthest possible reaches of space." And like everything else here, it just feels good. It's also one of the only highlights here that I can actually see Julian listening to.
Cosmic Love - Florence and the Machine It's no coincidence that it seems like most of us who are invested in Julian Bashir are some flavor of genderqueer, be it trans, nonbinary, questioning, or something else entirely - the man's got a Gender with a capital G, and there's a whole lot going on in there. Between the words that were written for him on the page, and the words that were actually spoken, and the way he carries himself, Julian always seems caught between the white, western, and frequently toxic masculinity that the writers often seemed to want to imbue him with, and the very different, racially and culturally distinct masculinity Sid actually brought. But there's an undeniable element of the feminine in Julian too, at least by a traditional definition. The presence of this part of him at all, much less the fact that, in-universe, it's the more traditionally "feminine" parts of himself - the caregiving and nurturing aspects - that Julian seems proudest of or to like most about himself, is a large part of what makes his character so interesting, at least to me. So there was no way I was getting out of this without acknowledging that somehow, and I can't think of a better way to acknowledge a complicated relationship with the feminine side of one's own gender than with this world's own Celtic divine feminine, Florence Welch. I can't think of any better artist, at least that I know of, to represent femininity as a nonspecific ethereal goddess-concept. I basically spun the wheel of Florence here, as anything would have worked, but Cosmic Love felt very appropriate for a character who does in fact live in space. There could even be some Garashir in here, I think.
Dream Sweet In Sea Major - ミラクルミュージカル, or Miracle Musical, a sister act made up of members of Tally Hall I also couldn't leave off without acknowledging Julian's affection for classic lounge music, especially since it's the only thing about his taste in music that we actually know. But instead of tacking on some rat pack, instead I'm polishing this off with the incredibly chaotic and somehow also perfectly cohesive and calm Dream Sweet in Sea Major. It's got all of the vibes of a lounge singer but gone completely off the rails, which just seems perfect somehow. And it's also a very nice feeling to be left with, so it seems only right to put it at the end.
and if you've read all of this, I love you. Y'all didn't know I was this into music did you. but I am. oh boy. I AM.
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bosspigeon · 3 years
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Carabosse et la Fee des Lilas
Prompt: 💋Drag
Pairing: Adam/Male Detective, Bonus Found Family Vibes~
Words: 5,346
Summary: Tina spends some quality time with Arlo and Unit Bravo as they prepare for Wayhaven's first real Pride festival, Tina torments her best friend and his maybe-boyfriend (as is her god-given right), and Arlo has a big think about his favorite role and what that role allowed him to explore~
CW for references to transmisogyny and implications of past trans/homophobia
Sometimes, Tina wonders if Arlo missed his true calling. His hands are surgeon-steady as he pencils delicate patterns onto Felix’s cheeks, outlining with white eyeliner in preparation to fill them in with bold colors and glitter. Tina almost can’t wait for her turn, even though Felix looks like he’s in real, physical pain with the effort of holding as still as possible. She’s no stranger to that struggle herself.
Neither is she a stranger to Arlo’s forceful, if toothless, threats, overcome as she is by fondness when he growls that he's going to draw a mustache on Felix’s face with permanent marker if he doesn’t stop bloody bouncing.
It’s pretty fun to watch from the outside. Sure, when you first sit down when he’s like this—all sharp and snappish and “stop moving or I’ll chuck you out the window”—it’s hard to keep still, but Arlo’s got this sort of quiet intensity to him when he’s focusing on something that’s oddly meditative. He’s just a soothing presence, really. Like a capybara or something. He’s friend-shaped.
Whatever weird magic it is, it’s definitely catching, because Felix looks less like he’s about to burst, like he did when Arlo was putting down the foundation, and more like he’s enjoying the attention. Tina’s not sure how long it’s going to last, seeing as Felix has given her a run for her money in the “manic energy” department, and he’s nowhere near as caffeinated as she is at any given time, but for the time being, he’s (mostly) still and quiet.
There’s music playing, quiet enough that the broody one (she knows his name, but it seems to bug him when she calls him "the broody one," which is funny, so—) only grumbled about it for a few minutes when Arlo turned it on, and even seems to enjoy sitting close enough to Arlo’s stupidly fancy stereo system to, she guesses, feel the rumble of the bass through the floor. Vampires are weird.
Anyway, it’s Arlo’s usual sad goth boy nonsense, but as quiet as it is, and with its intense instrumentals and rumbling vocals, it’s pleasant background noise more than anything.
Nate (the handsome and charming one, because of course all Arlo’s vampire friends are handsome, so she has to differentiate between them somehow) is rifling through Arlo’s bookshelf like it’s his job, and visibly struggling to pick something to read, because Arlo’s sitting room bookshelf (the one she found at a yard sale three hours away and lashed to the top of her sedan with every single bungee cord she could find at the local hardware store because it was coffin-shaped, for god's sake) is where he keeps all his weirdo occult stuff to, quote, “make people who pop by unannounced leave faster.”
And then there’s the big, handsome, stupidly fit blonde Arlo still won’t call his boyfriend, even though they’re so obvious it’s sickening, and she means that with all the love in her heart. He’s sitting in the armchair by the bookshelf, positioned so he can look like he’s reading one of Arlo’s old music magazines and totally isn’t taking advantage of the perfect line of sight of Arlo perched on the end of his coffee table so he’s not too tall to work on Felix, sitting in a chair from the kitchen. Tina sure hopes he doesn’t think he’s subtle, being a super special vampire secret agent and all.
He seems to notice her eyeing him, at least, and keeps his attention pinned firmly on the magazine, though he is definitely not reading a single word. Nate keeps browsing, the Broody One keeps brooding, Arlo keeps working, and Felix starts to hum. Arlo gives him a sharp look, but it doesn’t seem to be moving his face in any major way, so he just rolls his eyes and keeps tracing pretty patterns onto that unfairly smooth, dark skin. Do vampires do skin care? They probably don’t even need to, and that’s probably one of the reasons people like to villainize them. It always comes down to jealousy, doesn’t it?
She sighs, loudly enough that every eye in the room turns to her, and while she did not expect the sudden attention, she knows she can at least use it to entertain herself. She homes in on Adam, and smiles when she finally looks at the magazine he’s still valiantly pretending to read. There’s a familiar man on the cover, and while she can’t be bothered to remember his name, she grins. “Oh, hey! Arlo, he’s reading the one with the guy who looks like you!”
Arlo doesn’t even look up, but he huffs out a laugh and rolls his eyes again. He’s going to give himself a headache if he keeps that up.
The comment does exactly what she wants it to, which is draw the attention of all the other vampires. Arlo even begrudgingly pulls the pencil away from Felix’s cheek so he can take a look, and he immediately bursts out laughing.
“Arlo!” he exclaims, slapping at Arlo’s knee. “You didn’t tell us you had a twin!”
Nate chuckles (warm and rich and handsome, if a sound can be called handsome) and turns from the shelf to study the magazine curiously himself. Even the Broody One peers over to see, a little smirk curling his permanently-scowling mouth.
“Considering he was born in the sixties, I definitely don’t,” Arlo drawls. “Tina’s been making that joke since we were kids. She’s just happy she’s got an audience who hasn’t heard it twelve times a week since she first saw my old Type O Negative poster.”
“Some jokes just get better with time,” Tina says archly. “Like a fine wine.”
“And some jokes age like milk,” Arlo fires back.
Adam tilts the magazine so he can look for himself, and his dour expression clouds over even more, brows furrowing and mouth twisting. He peers up at Arlo, studying him, then down again.
Got you. “Yeah, you’re right,” Tina says, nodding sagely at him. “Arlo’s much prettier.”
It has exactly the reaction she was hoping for. Arlo drops his eyeliner pencil and makes a strangled noise, glowering at her with his cute freckly cheeks going all red, and Adam, who is a good bit paler than Arlo, goes pink from the crewneck of his just-this-side-of-too-tight tee shirt to his hairline. Tina wants to punch the air as the other vampires snicker at them. Well, except for Nate. Nate’s not a snickerer. He chortles. It’s adorable.
“Speaking of pretty!” Felix crows once they’ve all had a laugh at their fearless leader’s expense. He points to his own face with both hands, dancing in his chair, and Arlo sighs and rolls his eyes again, bending to pick up the dropped pencil. Luckily, the tip isn’t broken, so he can get right back to work, once he’s given the young vampire a moment to get his wiggles out. He settles, sitting on his hands and pursing his lips when Arlo gives him a dry look. He hovers back in with the pencil, and then Felix blurts out, “How’d you get so good at this anyway? Well, I assume you’re good at it. I haven’t seen it yet.”
Arlo doesn’t say anything. He just looks at him, pencil poised, until Felix pinches his mouth shut with a quick little apology. Once Arlo’s satisfied his canvas is actually going to hold still and keep quiet, he gets back to it. “My school was pretty small, especially compared to the bigger-name performing arts schools out there,” he says after a moment of quiet focus, tracing the outline of a heart around one of Felix’s eyes. “Our department didn’t really have a huge budget, and workspace was at a premium too. We didn’t have a lot of time to prepare for performances before someone else had to use the theatre, so we all did our own makeup at once, for the most part. Sometimes we’d help each other out, because we all had our strengths and weaknesses.”
He pulls back the pencil, squinting critically at the heart like it’s not completely perfect. “Demi was the best at laying the groundwork, and at matching colors to our costumes and complexions. Viv was the best at coming up with concepts and making sure we looked like a matching set. Wendi could do insane prosthetics, and was the best at bullying our department head into giving us the money for them. I had the steadiest hands, so I always did the eyes and the details.”
“Was Wendi the one who did your Dracula look?” Tina gasps. “That one was so cool!”
“Dracula?” Felix blurts. Tina doesn’t miss how the others perk up with interest too.
Arlo glares at him, and he shrinks back with a sheepish little grin. “Yeah, we did Dracula, uh… second year, I think? That was when Tilly transferred in and started doing our choreography. She’s the one who got Professor Dacey to let us do less classical stuff and start branching out a bit.” He glances briefly at Tina, staunchly ignoring the way Felix pouts at him for dividing his attention. “And, yeah, Wendi did the prosthetics for that one.”
“She’s got to be magic,” Tina asserts. “She managed to make your sweet, mopey face look so scary.”
Felix and Mason both snicker at that, and Arlo’s mouth goes all lemon-sour pinchy, like it always does when she calls him a sad puppy man, or any variation thereof.
“Take a lap,” Arlo says to Felix. “Don’t touch your face.” He jerks his head at Tina when Felix bolts to his feet and starts zooming around the flat to get out some of his energy. “Your turn, if you’re done being a comedian.”
“I’m never done,” she says with a sunny smile, but she bounces over to take Felix’s place in the chair and closes her eyes serenely so he can start on her makeup.
“And, God, do I know it,” he grumbles under his breath, knowing full well she can hear him, and so can everyone else in the room, too.
“Do you have pictures?” Felix hollers. He’s dipped into Arlo’s studio, and he’s making no secret of rifling through the desk in there, drawers slamming and paper rustling.
Arlo tips his head back so when he sighs, loud and dramatically long-suffering, he’s not blowing his breath right in Tina’s face. She appreciates the gesture. “Bottom right drawer,” he calls back, resignation thick in his voice. Given how long he’s been putting up with Tina—and Felix might just be Tina’s second platonic soulmate (Arlo, of course, being the first)—he already knows that keeping quiet is just prolonging the inevitable. Tina opens her eyes briefly to see Felix come sailing out of the studio with a thick leather-bound album held triumphantly over his head.
“Oh, I haven’t seen that in years!” she coos happily.
Arlo bops her on the forehead pointedly with a sponge covered in foundation, and she closes her eyes obediently.
She hears Arlo’s antique sofa creak as Felix plops down onto it, rifling through the plastic pages. “Aw,” he whines, “no baby pictures?”
“I can’t imagine him ever being a baby,” Mason snorts, and he sounds closer than he was before. Tina knows better than to open her eyes while Arlo’s in the zone, though. He’ll bop her with something less soft than a sponge next time. “I figured he’s just always been a giant.”
Felix laughs, high and chiming. “No wonder Agent Priestley’s always so sour, then,” he says. Tina giggles, and it becomes an inelegant snort when Arlo bops her again on the nose.
“Ask Rebecca if you want to see my baby pictures,” Arlo mutters blandly, and Tina can feel the weight of his attention. “I doubt she has many after age two, and the ones before I’ve barely seen.”
Tina’s not a super-special supernatural secret agent, but she tries with all her might to will someone to change the subject before things get weird. Now’s as good a time as any to learn telepathy.
Felix, heart of her heart, interrupts what’s shaping up to be a real prize winner of an awkward silence with a loud gasp. “Woah!” he exclaims, and pages crinkle as he presumably holds up the book for Arlo to see. “Who’s this? Did you do her makeup too?”
Arlo’s hair rustles as he turns his head away from her, and then the hand on her cheek freezes. Tension radiates through every inch of his body, practically leaching into hers. She cautiously opens one eye, and sees Arlo sitting up impeccably straight, stiff as a board and staring at Felix like a deer in the headlights. He swallows so hard she can see his throat move. “Um,” he says, stilted and strange. “Yeah. I did.”
Tina opens both eyes and squints at the photo album. Oh.
Felix looks at the sudden strain in the way Arlo is sitting, the tightness of his posture, and looks quizzically down at the picture again.
Tina remembers that performance. She remembers Arlo dancing (ha) around the subject when she asked him teasingly if he was going to be playing the prince, who was the lead, was he excited to kiss a pretty girl?
She can’t remember the character’s name, not so many years after the fact, especially since they were all weird classical nonsense, either Latin or French or some mishmash of the two. But she remembers the costume. She remembers waiting with bated breath to see Arlo onstage, to stand and scream and cheer obnoxiously loud in support of her best friend. She shot to her feet the second she saw his obvious silhouette rise from a feather-bedecked black chariot, head and shoulders taller than anyone else onstage. The music swelled, lightning flashed, and then when the spotlight hit him, she was so stunned she plopped right back into her seat with her jaw on the floor.
Arlo’s always been one of those guys that straddled the line between pretty and handsome. Long, lustrous hair and eyelashes she would kill for, cheekbones that could kill, a defined jaw, a proud nose, and intense eyes she could only call sultry—if she hadn’t known him since they were both weird, gawky brats, she’d probably be half in love with him before figuring out she wasn’t his cup of tea. But seeing him onstage was always an adventure. He threw himself into whatever character he played, put his everything into them, from the costume to the makeup to the performance. He just became the character, and in a way that was so very Arlo, all that intensity and focus channeled into an act that completely stole the show, in Tina’s humble and completely unbiased opinion.
Carabosse! That was her name!
Carabosse was no different.
Arlo’s makeup was flawless, ghost-white foundation giving him intense Morticia Addams vibes, contouring that made his cheekbones look absolutely unreal, bold black (or maybe really dark purple?) lipstick and shiny, smoky eyeshadow that made him look ethereal and wicked, with a daggerpoint cat-eye that she spent an hour begging him to teach her after the show. When he turned his head in a sharp, birdlike motion to look down his nose at the dancers playing the King and Queen, she gasped at the way his hair rippled down his back, shiny-black and woven with actual feathers that trailed back from the ornate metal circlet resting on his brow like a bird’s crest. The costume was breathtaking, too, a tightly corseted bodice and a high collar, a dramatically billowing skirt and trailing, feathered sleeves that flared like wings whenever he moved.
And the way he moved! Arlo’s dancing changed with every role, whatever he felt would suit the character. One of her favorites was always his Hans-Peter (she had a soft spot for that one, and had ever since she was little—one of the first Christmas gifts her stepmom had ever given her was little storybook version of The Nutcracker that came with a CD) because his dancing was so stiff and stridently mechanical, he looked like a real toy soldier come to life. But his villains moved with a slinking, predatory prowl she’d only ever seen in monster movies, and never in something like a ballet. His Carabosse was as beautiful as she was terrifying, and it was incredible to watch. She wanted to fling herself at him after the show and babble at him endlessly like she always did, but she spent a solid minute staring at him slack-jawed, until he shifted awkwardly and looked down, and the confident intimidation of the Wicked Fairy sloughed away to reveal Arlo underneath.
He almost melted into the floor with relief when she finally startled to babble.
She puts a hand on his shoulder and squeezes, and he takes a slow, deep breath, offering Felix a strained smile. “Take a closer look, mate,” he says quietly.
Felix does. He looks up and squints at Arlo, and then back down at the photo. Tina has to bite her lip so she doesn’t laugh when he looks over at Adam, still holding the magazine with that metal singer that kind of looks like Arlo on it, and then back at Arlo. His mouth drops open into a little o, and he shoots to his feet and shouts, “No way!”
Mason was allowed his name back briefly, but he goes right back to Broody One when he grimaces at Felix and slinks pettishly back to his corner.
Arlo’s shoulders are practically around his ears, but he tries to keep smiling. “Yeah. Sleeping Beauty. Fourth year. I was the Wicked Fairy.”
“He was amazing,” Tina declares, shoulders back and chin tipped up challengingly. “The costume was insane, but the way he played her was absolutely, ridiculously badass.”
“You look awesome!” Felix blurts, still gawking down at the photo. He flips to the next page, and squeaks happily when he finds more pictures, from different angles, showing off the costume, the way Arlo loomed over the other dancers, the way he commanded the stage. Tina should really find out who took the pictures and send them her thanks, because they really put in the work. “Your makeup, your dress, your hair! How’d you even do that?”
Arlo laughs, and it sounds so utterly relieved, Tina’s heart breaks a little. Arlo’s always been sensitive, and for someone who dresses and holds himself the way he does, he worries more than he lets on what people think of him. Especially people he cares about. She squeezes his shoulder again, and he bites his lip when he glances back at her and smiles hesitantly.
“A lot of wire, and enough hairspray to choke a bloody cow,” he says, twisting around and slinging his long legs over the coffee table so he can face the sofa. “I think we bought every bag of black feathers the craft store had, and then spent an entire weekend painting them with this stupidly expensive embossing powder. We had to get, like, ten pots of the stuff, because the craft store only had pots the size of a quarter.”
“I admire your dedication,” Nate says pleasantly, strolling over to peer over Arlo’s shoulder. They tighten just a bit before relaxing slowly. “That costuming is superb. I’ve seen professional productions that weren’t half so detailed.”
“That would be Viv’s work,” Arlo laughs, looking down at the pictures fondly. “She took whatever cheap garbage the department had for us, raided the nearest clearance fabric rack, and worked her magic. The employees at that little craft store loved and hated us in equal measure.”
Arlo is still tense, but he’s loosening up little by little, and with him Tina does too. The easy camaraderie is soothing, and she knows how much Arlo cares about his vampire friends, so it’s got to be a huge weight off his shoulders to be able to let his guard down around them. He deserves that. He deserves to be able to be himself.
Adam standing up draws Arlo’s attention like nothing else could, and he freezes like a startled rabbit again looking up at the burly blonde vampire as he approaches the sofa. He looks a split second from bolting. Tina sits up straighter and gives Adam her most daring look, squaring her shoulders to make it perfectly clear she's ready to fight the second he opens his mouth. She’ll definitely lose, sure, but she’ll make as much trouble as she can before she goes down.
He reaches out, his hand hesitating before it touches the album’s glossy page, and he looks up at Arlo with a questioning tilt to his brows. Arlo looks like he’s barely breathing, but he nods, and Adam slips one of the pictures from its sleeve. He straightens his spine, shoulders back, holding the photo and studying it carefully. His face is impossible to read, about as expressive as a bloody brick wall. Tina’s vibrating with nervous energy. She’ll fight a vampire, though. She will.
When Adam does finally speak, his voice comes out so softly Tina almost doesn’t hear it over the adrenaline rushing through her. “You look… striking.”
Striking. Oh my god.
She wants to laugh. They’re ridiculous.
“Thanks,” Arlo chokes out, his cheeks and ears going red this time.
Oh my god. Tina covers her mouth with both hands. Arlo glowers at her. It’s a lot less threatening when he’s blushing like that. “I didn’t say anything,” she mumbles against her palms.
“Your face,” he hisses, and she yelps.
“Oh! Shit!” She pulls her hands away, and he grabs her by the chin to check the damage with a click of his tongue.
Tina thought things would get better once Arlo actually kissed the man (and maybe got a leg over, but that’s only her business when she can finally get Arlo to actually talk about if the big, beefy Adonis is as missionary-with-the-lights-off as he looks) but at least they’re not just staring longingly at each other from across the room and then getting all sad about it anymore . Thankfully, Felix seems to be an old hand at clearing up the weird tension between the two of them, chiming in a delighted, “I’ve never seen you look so scary!” as he rifles through all the pictures from the Sleeping Beauty show. “I mean, you’re pretty scary when you go all furry, but also, you sort of just look like a big lanky puppy, because it’s just you, you know? This is someone else! Who is she! She's so cool!”
Arlo sighs and turns around to fix whatever Tina’s ruined with her foundation, and throws himself back into dolling her up. Thankfully, the actual festival’s not for a while yet. She complained about the unnecessarily early start when Arlo suggested the time, but now she’s glad he’s such a persnickety prick about scheduling. “I had a lot of fun with it,” he admits, shrugging his shoulders. “The original script notes said to get, y’know, sort of silly with it, but I wasn’t a big fan of that angle for a character like her. Yeah, I wanted to be campy, but not in the way…” He purses his lips. “Okay, well, Nate probably knows this, but a lot of classical ballets that have a female villains do this thing with them that I hate.” He frowns deeply, patting at Tina’s chin with gentle ferocity. “ An evil female character is supposed to be sort of… sort of a cautionary tale, I guess? Like your typical bitter spinster crone, the old hag, or the wicked stepsisters, things like that. So they’ll specifically cast a male dancer and put them in bright, gaudy facepaint and garish costumes that are supposed to be cartoonish and ugly, that you're supposed to find funny, to show you that this character is bad because she’s indelicate and mannish, and that’s why she’s evil.”
His mouth twists around the words, and he looks up, back at the vampires, leaving Tina a moment to really appreciate that Arlo’s comfortable enough with them to do what he’s only ever really done with her—which is ramble about something he’s passionate about. It’s always fun to watch. He turns back to her, and she just wishes his hands weren’t occupied, because he’s a big hand-talker otherwise. “I got the role because the professor thought it would be funny to stick me in a role like that, being so tall and, y’know,” he gestures vaguely to his faded old band tee and dark jeans, the thick leather cuff around his wrist. Tina doesn’t see what he really means, seeing as he looks cozy and content right now, but she gets what he’s going for. “He was expecting me to be awkward about it. The big, tough guy doing drag as the creepy crone caricature.” He huffs. “I talked with Demi about it, and we decided to say fuck that.” He sits up straighter, tilts up his chin, and looks down his nose at Tina.
She peers up at him, wide-eyed, and suddenly wonders if this is how Demi felt, playing Aurora when Carabosse looked down her nose at her like an insect under her heel.
“I thought Carabosse deserved better,” Arlo says fiercely. “If I was going to be a villain, I was going to be a damned good villain. I was going to tower over all the delicate, dainty little princesses and fairies, and I was going to be fierce. Professor Dacey wanted Aurora, and Candide, and Florine to be the epitome of sweet, delicate femininity, the ideal damsel in any classical show. Carabosse is supposed to be the complete opposite. You’re supposed to root against her, not want to be her. She’s a threat to the idea of womanhood, of the ideal feminine. She’s bold and selfish and she takes what she wants. I leaned into that. I even danced en pointe for parts of it, even though Carabosse isn't supposed to, and between the rehearsals and the actual performance, I thought my feet were gonna fall off, but it was worth it.”
Arlo smiles, and Tina is thrilled by the wickedness of it. She thinks she even sees just a hint of fang. Arlo’s been so careful about showing his teeth, ever since he told her what happened to him, why he disappeared for so long, so it's somehow special for him to feel like he can show her even a hint of what he’s become.
“Professor Dacey was pissed, afterwards, of course,” Arlo laughs, but there’s an edge to it. He seems to shrink. From Arlo to Carabosse to Arlo again. He looks down at his hands as they work on Tina more than at her face. “He didn’t, y’know, say anything he could have gotten fired over, but he did rail about being left out of planning and the budget and all that rot. Got even madder when Demi pointed out we’d spent our own money on the costumes. I think if he was tall enough to look down on me, he would have.” He snorts, a bitter curl to his mouth. Tina thinks of it painted bold, dark purple, thinks of how it would look with those teeth behind it. She wonders if he’d let her do his makeup for the festival. She’s not nearly as good at details as he is, but she’s no slouch either.
“You should have let me put raw fish in his hubcaps,” Tina mutters, just to make Arlo laugh. It works, and she beams at him.
“Would have been a waste of fish,” he mumbles, sucking his teeth. He finally picks up a bright eyeshadow palette and starts waffling over colors. He’s quiet while he deliberates, but after a while, he sighs. “I liked being Carabosse,” he says, like it’s a secret. Like he’s trying very hard not to be ashamed.
“I wish I could have seen it,” Adam says, almost dreamily. Tina could scream. “I— We could have, I mean. All of us. In solidarity.”
“Smooth,” Felix whispers.
“I’m sure it was a phenomenal performance,” Nate adds helpfully. He’s taken the album from Felix to flip through to some of Arlo’s other shows. “The passion you have for your characters shines through in just photos. It’s quite impressive.”
“You should have gone pro,” Tina mutters. “You’d be a household name by now.”
Arlo snorts and bops her with the brush. How many bops is that now? She’s certainly on a roll today. “And who’d keep you in line back here?” he teases.
Tina squints up at him and sticks out her tongue. “Like you’ve ever even tried to keep me in line, you big softie. You love the chaos, just admit it.”
“I’ll admit you to the hospital when you do something stupid and get yourself hurt again, how about that?”
They bicker like children back and forth while Arlo finishes her makeup, a wash of pink, purple, and blue eyeshadow and matching lipstick, overlaid with a lustrous sparkle to her cheekbones and a cute little black heart-shaped beauty mark under one eye. Felix gets a bi flag heart to match her eyeshadow around one eye, and then the rest is a sort of confetti splash of sparkly stars and hearts in every color. Even Nate goes for the bi eyeshadow (Bi-shadow? She should have been saying that this whole time!), making him, Tina, and Felix a matching set, and Mason consents to a very simple pan flag on his cheek. Tina suspects Adam only allows the eyeshadow treatment so he can have Arlo cup his face all tenderly, but she keeps the thought (mostly) to herself. He looks good in pastels, she thinks when she sees the finished blue, pink, and white.
Arlo draws a little heart under his eye too. The heart in Tina's chest almost explodes with warmth.
And then Arlo disappears into the bathroom, leaving the rest of them to entertain themselves while he gets ready on his own. They go through the album some more, and Tina tells them all about her favorite shows, because she went to every single one she could manage, and got Arlo’s school friends to send her videos of the ones she couldn’t. Tina Poname is Arlo Priestley’s number one fan, and that will never change. Not even now that she's got some competition.
When Arlo comes out of the bathroom, they all look up in sync, and he stands there, shifting anxiously from foot to foot under the attention, and lifts his hands in a stilted shrug. “So?” he asks, smiling nervously. He’s changed clothes, too. Tight pants, big boots, a mesh-sleeved black shirt underneath his patch-and-pin-covered denim vest. His wrists jingle with chunky bracelets, and his hair is braided neatly over one shoulder. But his makeup is what really steals the show. That insanely sharp cat-eye, of course, but one eye is done up in blue, pink, and white, and the other in yellow, white, purple, and black. He smiles timidly. “I, uh, I couldn’t really decide on just one,” he says, sticking his gloved hands into the pockets of his vest. “I’m, um, I’m not sure which one’s really right for me yet, I guess?” He shrugs again, and Tina watches delightedly as Adam stands up slowly, his eyes on Arlo with such an awed intensity she wonders if he even remembers there’s other people in the room. Arlo keeps babbling as he approaches, the words tumbling nervously from his black-painted lips. “I sort of like matching with you, Adam, and I know they’re both fine, but I—”
Adam grabs him by the lapels of his jacket, yanks him down to his level, and silences him with a kiss. Tina throws her arms up in the air with an impulsive shriek of “WOO!” that Felix echoes even louder. They high-five over Mason’s head, and he looks like he wants to throw them both out the window. Nate sits by with a pleasant little smile, which only fades when he takes note of the clock.
Adam and Arlo are still kissing, Arlo’s hands cupped around the vampire’s cheeks and Adam clinging to his vest like he'll drown if he lets go. Tina thinks she might see a hint of tongue when Nate loudly clears his throat.
They break apart with an indecent smacking noise, and Tina yelps out a sharp laugh when she sees Arlo’s black lipstick smeared all around Adam’s mouth.
Nate crosses his arms and smiles dryly at them. “Why don’t you two go fix your faces,” he suggests. “The rest of us will make sure the car is packed for the festival.”
“Um, yes. You— We—” Arlo fumbles for a bit, touching his smeared lips, his eyes just a bit dazed. He and Adam look at each other, and then flee for the bathroom together.
Tina’s never been more excited for a festival in her life.
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kraiyan · 3 years
Text
i made my own little headcannons to fit in if michael and jeremy were dating and a bunch of other stuff that i don’t want to spoil so take my headcannons and please don’t pay attention to my overuse of the words ‘so’ and ‘like’
i wrote this headcannons for me in my notes so there are mentions of panic/anxiety attacks, light mentions of an eating disorder, nightmares, and self harm but i’ll just put a trigger warning for when those parts show up and if i missed anything that is triggering please let me know
- michael is trans and gay and jeremy is bisexual
- i think they would’ve been friends since kindergarten so they grew up telling each other EVERYTHING
- i feel like michael was really girly as a kid but in like 6th grade he just completely switched to like tomboy but he didn’t do on purpose it just happened
- then in seventh grade michael told jeremy he wanted to be a boy then after that with help from jeremy he came out to his moms
- michael had a crush in jeremy since 7th grade but i don’t think jeremy was his first crush
- i think since michael was straight when he was a girl he just assumed he was straight as a boy and his sexual awakening was captain sparklez
- michael has two moms and jeremys mom would’ve died in a car accident so it’s just him and his dad
- i imagine they confessed to each other in their second year of high school
- (TW: mentions of abuse) jeremy realized he liked michael in freshman year and it was really bad he could not stop thinking about him so when he got squip squip l would not stop punishing him for it
- so jeremy definitely has some problems with his bisexuality
- after years of pining for each other when they finally kissed jeremy could not stop panicking about it
- like they went to sleep fine but he was internally panicking and he tried to keep it together but the next day he absolutely broke just started sobbing saying over and over again “is this okay, are we okay”
- michael is the type to listen to a vulgar music to help his dysphoria
- so him and jeremy are in his car michael plugs in his phone and just starts singings “hoes want to be seen with me and i like their big thick titties”
- and jeremy can do nothing else but be like michael what the fuck
- they decided to keep their relationship a secret and not tell anyone bc of jeremy still coming to terms with himself and he didn’t think his dad would understand
- but i feel like michael moms had already pieced together that they were dating and jeremy didn’t mind that they knew bc they’re literally lesbians but every time jeremy came over from that point forward they had to keep their door open
-(TW: mention of an eating disorder) in a different angstier au jeremy would struggle with eating as a control thing after squip
- (TW: mention of an eating disorder) in an angstier au michael would have an eating disorder cause dysphoria
- i feel like once he realized he was trans he had really bad dysphoria but like with therapy and stuff he got over it
- so i think michael really liked afycso and had it on a vinyl and now jeremy knows all the words
- they don’t do anything at school because jeremy is still uncomfortable so they just pursuit their relationship between closed doors and michaels car in an empty parking lot
- i feel like they both got really excited when michael got referred to as sir for the first time
- jeremy and michael grew up together but ironically when puberty hit michael started to wear baggy clothes than he wore a binder than he wore super baggy clothes to hide his tits after coming out but during squip he had time to self reflect and work on his dysphoria so when jeremy saw michael outside of school he kinda said TITS and was so caught off guard by them
-(TW: mentions of self harm scars) i think michael has sh scars due to losing his childhood best friend and the whole panic attack in the bathroom thing and jeremys seen them but didn’t bring it up to michael because they’re fading so he obviously doesn’t do it anymore but it was a huge shock for jeremy to find out
- they never brought it up tho and it was never discussed bc who cares it was in the past
- michael pants his nails black and i think on some very rare occasion jeremy would paint his nails too (like the way karl paint his) and michael has lots of nail polish cuz on the rare occasion he paints his nails different colors and he repainted his nails every two weeks
- no matter how many times michael has changed in the same room as jeremy even let jeremy help take off his binder jeremy will never not get shy when he changes and will always ask to go into another room
- jeremy is a coffee person but not hot coffe because he always drinks it too early and burns his tongue
- he originally bought his hoodie™️ in really huge size to battle dysphoria but that just made the hoodie last for years
- jeremys name in michaels phone is something very gay and lovey and shit and michaels name on jeremys phone is just michael :)
- jeremy would come home all suspicious and and red faced after him and michael came from an empty parking lot that his dad would not stop begging him to meet this girlfriend of his
- i don’t think jeremy told his dad him and michael were playing a game or something and they kiss jeremys dad comes in and is like what 😦
-and his dad is shocked that he has been pushing girlfriend but he has a boyfriend and is just soooooo awkward about it and never sees michael the same but never makes any rules about them bc he doesn’t want to be homophobic 😭
- i don’t think he was really not supportive but it took him a bit to get used to it but it was so new to him and he was just so phased he just kinda talked to jeremy about his sexuality then left it at that
- they are like gendebend bubbline (marshal lee and the other one yk)
- michael has a queen vinyl the listen to a lot
- so i think michael would still smoke a bit and one time he convinced jeremy to do it with him and jeremy mainly coughed a lot then they just made out the rest of the time but they didn’t tell their parents they would be staying out after school and they both got in trouble
- michael gets blue raspberry and jeremy gets cherry but he also gets coke sometimes too (slushy flavors)
- at the beginning of their relationship they had to take it really slow so that jeremy would feel coqmfortable
- (TW: mentions of panic attacks) so jeremy has nightmares of squip and he wakes up having panic attacks and it’s really tiring bc he only gets 2 hours of sleep if he has these nightmares
- (TW: mentions of panic attacks) i feel like along with his nightmares he also had panic attacks that squip would punish him for pursuing a relationship with a guy let alone michael
- so after he got over his nightmares he just struggled with sleeping and nighttime in general like just fear around going to sleep
- so he often stayed up alll night to avoid sleeping and would like go to bed at 6 or on a good day 4 or 5
- so i think to get over his fear he had to make a routine first he would make some sort of hot drink or just water (mostly sleepy time tea) then he would text michael that he was going to sleep he also wears the same pajamas every time he goes to sleep just to make sure the routine really works then lastly he reads a comic book then he goes to bed
- i think the reason jeremy couldn’t sleep well after getting over the nightmares is because even if squip doesn’t haunt him enough to show up in his dreams anymore it still haunts him enough to stress him out constantly so he doesn’t sleep well
- to conclude the nightmare and sleeping saga jeremy basically has a night routine and sleeps with a night light
- i feel like they both go to therapy but we’re to scared to tell each other (and they both started going to therapy before they started dating)
- so fast forward they’re dating and are trying to plan a date and jeremys like i’m busy on monday at 1 and my dad needs me to help him with something on tuesday so how about wednesday at 3 and michaels like i have somewhere to be like at 3:30 and jeremys like where do you have to be and michaels like where do YOU have to be and so they count to three and say where they’re going to be and they both say therapy and then they’re like you go to therapy i think that would be so cute
- so michael has really thick glasses like his vision is awful so if jeremy is mad at michael he would wake up early and move his glasses over so michael would have to struggle to get out of bed and look for them with his poor ass vision
- he can see things right in front of his face but as soon as it moves a bit too far it’s blurry
- and speaking of his galsses if they’re really kissing along the way jeremy would take of his glasses so they could get closer to each other’s faces (like how elle and tao do in heartstopper )
- michael and jeremy have been friends way too long to not have practiced kissing with each other
- i think christine was a long time crush for jeremy so he definitely practiced kissing michael a lot since they were in 6th grade and michael was just soaking that shit up
- he’d be like what if she wants to make out we should practice that and jeremys like oh yeah you’re right and michael would be so freaking happy
- but they definitely got caught by jeremys dad and he laughed it off cause what else are you meant to when your 11 year old son and his 12 year old best friend are kissing each other
- they didn’t do it anymore after that cause they were soooooooooo embarrassed
- so i don’t talk about the rest of the characters but i’m about to make a headcannon including them so i’m gonna say my headcannons
- so chole is demisexual and panromantic
- brooke is a lesbian
- rich is bisexual and trans
- jake is pan
- jenna is questioning or straight
- and christine is aro/ace
- so i think jeremy and christine dated for a bit then christine broke up with him cause she was all like i can see the way you look at michael and also because she realized she was feeling intense platonic attraction not romantic
- and also i think they’re all friends so they have a group chat where they send homework answers and stuff
- so i think one time jeremy is doing his nighttime routine but this particular night he’s really tired so he texts michael goodnight bby <3 love u then skips the comic book reading and goes to bed but he sent it to their group chat so as soon as he got situated into bed all he hears is his phone going off so he has to check and it’s just everyone freaking out
- so he like fully sits up is looking at his phone in complete shock then realizes he never said a name so they are like who’s this mystery girl
- so he calls michael tells him about the situation then decides he’s ready to come out
- so the next day they’re more handsy then usual like jeremy wiped something off his face michael saw that he was cold and pulled him real close and their friends are like okayyyyy
- but mind you christine knew that jeremy liked michael so she knew exactly what was happening
- so at the end of the day their friend group is making plans to hang out but everyone was busy so jeremy goes well i’ll see you guys tomorrow waves at everyone kisses michael then starts walking to his house then michaels like yea i’m gonna head home to and like drives away and from that day forward their friends would not stop teasing them and were impressed they could keep there secret for so long
- so i feel like michaels moms both have jobs that run late so mom #1 is an er nurse and mom #2 is an account so this leaves michael a lot of time of being alone in his house so naturally you need to take advantage
- so one time mom #2 gets home and walks in just to see jeremy fully on the counter making out with her son
- i don’t think they got in trouble but his mom was like please not on the counter
- and then there was another time where mom #1 came home on her break cause she doesn’t live far from the er so she like yells to michael that she’s home
- and so naturally you come down to hug your mom so he comes down to greet his mom with a red faced jeremy behind him and his mom thought this was so fucking funny but as soon as she’s done laughing she immediately goes anytime jeremys over the doors open and that was the end of it
- everyone has this one thing that someone does that make them all blushy and stuff
- for jeremy it’s when michael wears fitting clothes cause michael is known to wear hoodies or just baggy clothes in general so when michael does get hot and needs to like put something on he puts on one of those body fitting v necks and jeremy losses his shit like he’s fully blushing and avoiding eye contact and since michael changed cause he was hot he’s sure that jeremy is so hot that his face is turning red and he’s embarrassed to say to take off his cardigan so the entire time jeremy is being full homo for his boyfriend michael is thinking he’s about to pass out from a heat stroke
- so i think jeremy enjoys this so much that for the first week of spring michael will only wear fitted clothes because jeremy loves it
- for michael it’s when he’s kissing jeremys neck and jeremy runs his hand thru his hair and pulls it a little when this happens michael loses all common sense one because jeremys enjoying himself so much that he has to kinda tug on michaels hair and two he’s enjoying it so much he doesn’t have time to think that squip is going to punish him and that makes michael just lose his mind so by the time they’ve pulled apart jeremy as sooooo many hickies and they both look at each other like what the fuck did we just do
- moving right along i feel like when jeremy wakes up at night and is terrified to go back to sleep if him and michael are sleeping together he will like hug him until he gets back to sleep and it works every time
- when they were like 7 jeremy got really sick with the flu and michael was so scared that he was going to die so he kissed him while he was sleeping because if his best friend was gonna die so was he and the next day he got really sick with the flu and jeremy would not stop crying because he thought that since michael refused to leave his side he got him sick…they’re idiots
- jeremy is the type to go to school with the worst fever ever he could throw up in the middle of the school day and still not go to the nurse and if he got sick during junior year forget it you had to strap him down to his bed if you wanted him to take a day off like michael had to sedecue him into staying in bed and taking medication so that he could feel better
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inosukeslefttoe · 3 years
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SO i just finished wonder egg priority and i think that with confidence i can say it has been one of my favorite animes like... ever ?? and not even from hyperfixation or obsession over it just... its so fucking real yet so simple in a way that i havent rlly seen shown in any other shows you feel ??
but first i wanna talk about how sexy the art and animation is real quick... HOMIE ITS SO GOOD LIKE EVERYTHING ABOUT IT JUST... serotonin... the characters are all so unique and iconic and fun but not over the top in their designs yknow ??? they seem like regular every day girls but they stand out and theyre all sO CUTE !!!! also i love how the style is like this soft bubbly slice of life lookin stuff with bright happy colors and the most beautiful scenes you could find but they also have the SICKEST fight scenes complete with whimsical animal helpers and terrifying villains and crazy weapons unique to each character. and the animation. god DAMN shawty i am obsessed with everything in this show. i might make a post solely about the art later lol bc i wanna get into the other stuff.
so the themes in the show right ?? it starts just as this cute lil magical girl kinda deal but within the first episode we see that like.. oh damn... thats kinda heavy... tbh i was a little shocked and thought about stopping bc yknow bad mental health BUT i was so intrigued that i had to keep going and i am SO GLAD that i did. because this show just so beautifully discusses all these heavy topics in such an eloquent and artistically expressive way. and also like, , the juxtaposition of the charming childlike vibe with bright colors and 14 yr old girl protagonists against the dark themes of suicide and so much else,, i think is just perfect. bc a lot of heavy animes are more of the seinen genre and have some middle aged dude as a protag or make the entire color palette dim or offer little relief to the pain of these heavy themes right ?? but NO not wonder egg bitches B) because these problems arent just things that ppl face later in life or just problems that need to be talked about among adults or the edgy seinen watching squad,, these are REAL problems that face people of every age, gender etc and i think its awesome that wonder egg addresses that. some may cringe at the thought of their high schooler watching animes that discuss sexual harassment, suicide, abuse, self harm, eating disorders etc,, but in reality it is the most comforting thing i have ever come across and is basically jsut free anime therapy. because not only does wonder egg present these themes to the viewers as something real that happens to all kinds of people (making said people feel heard in a way that maybe they hadnt before), but it also makes sure to vanquish all of these forms of trauma. and the way the trauma is vanquished isnt always beautiful and it isnt always just magically gone with a poof. the struggles of overcoming or living with that sort of thing are shown in such a real and relatable way that addresses every hardship trauma survivors have to go through. and i just. god i cry bro. 
oh m y GOD and the lgbtq+ rep in this show ?? like shawty... as soon as i saw episode one i was picking up on some gay/lesbian themes but then again im sapphic and project that a lot so i tend to see that sort of stuff like... everywhere... but NE WAYS... episode ten made me FUKCING CRY BRO LIke i cant believe there was a whole trans character with a whole trans pride hoodie like LKGHKDGH my heart is just so.. so fucking full thinking about him. bc like yeah i know there are trans characters in anime but i feel like theyre always very ambiguous about actually being trans or not or erased or portrayed as a harmful stereotype or theyre constantly misgendered and still refered to as their assigned gender at birth and i hate it. HOWEVEr... Kaoru.. *chefs kiss* it was so amazing to see a character straight up say “yeah im trans” in such a casual yet powerful way bc i personally have never seen that before. and i love love loved how he went into his backstory and talked to momoe about gender bc i think thats what she rlly needed and that it helped her find herself and it makes me so happy oh my god,, and the way they talked about it never seemed forced or like it was the focal point of his existence yknow ?? like yeah he existed to help momoe overcome some of her trauma but he also just existed to be HIM yknow ?? also... personally, i headcanon momoe as a trans girl even though i dont remember it being explicitly stated plus the school scenes of her and stuff would seem like they suggest otherwise ??but,,, SHAWTY THE AMOUNT OF SUBTEXT and her complicated relationship w gender is... something i feel like a cis girl would not go through so harshly yknow ?? with all of the questioning and feeling detached from femininity or feeling like ppl dont see her as an actual girl and only like her as a guy or for her masculine traits,,, but dont take my word on this bc i myself am a cis girl but that was just my take on it as someone in the lgbtq+ community trying to educate myself on the transgender community :) either way,, wonder eggs portrayal of momoe and kaoru and the way that momoe becomes so passionate about expressing herself the way she wants to as a girl is just... good lord im gonna cry its so perfect,,,.so ... i just love this show way too much. i also am honestly super lost about the relationship btwn acca and ura-acca ?? bc i was gonna mention ura-acca as a canonically gay guy bc when i was watching i interpreted ep 11 as him being in love with acca and being jealous of Azusa (bc i mean,, they lived together (i swear to god there was only one bed in that apartment) and had a daughter together and def loved each other and also when Frill said they were husbands and then when ura-acca said he wasnt attracted to azusa but he was def jealous of their relationship ??) but then i saw somewhere that theyre brothers ?? which would make sense ig since they look kinda similar and accas daughter called ura-acca “uncle”.. but at the same time its ANIME SO THEY ALL LOOK SIMILAR and referring to gay couples as siblings is an EXTREMELY common euphemism soooo... IM JUST LOST HERE... but yeah i tried doing research and found different things so i cant say anything for sure >:( however,,, if they are canonically a lil fruity for each other... when frill refered to acca as ura-accas husband i imploded dude you never hear that sort of wording in anime.. but if theyre related i am so sorry. 
god this is so much longer than i planned it to be oops but i also love the theme about like.. relying on friends to help carry your weight but at the same time not becoming completely dependent on those friends and using their support to learn how to love yourself and rely on yourself yknow ?? bc that is exactly what healthy friendships look like. bc i think ai sort of had a codependency thing goin on with koito maybe ?? but now she has a whole squad of funky friends that are so so different but all struggle with different kinds of trauma and although they fight over it, they always get through it with each other together. and they push each other no matter what to be the best versions of themselves and they teach other that getting hurt is okay because theyre always gonna be there to pick up the pieces no matter what happens. they can give each other space when they need and adapt to meet each others needs but theyre always able to balance it out with their own needs and thats such a beautiful thing in friendships especially at their age like damn i wish i had that maturity when i was 14 but no all i had was depression. another thing is that through these friendships you get to see all the different sides of each girl; you get to see them being strong or a shining light to their friends when theyre hurting but you also get to see them being hurt and weak and allowing themselves to be on the receiving end of the comfort. their friendships allows them to have weaknesses but it also allows them to highlight their strengths and thrive off of each others. I LOVE FRIENDSHIP DUDE
next i wanna briefly mention some of the themes connected to suicide that ive noticed. a big one is the survivors guilt that ai feels once koito is dead. several times she screams that she wishes she couldve gone with koito and she dreams of a “perfect world” where they committed a double suicide. one of the main reasons for her troubles is that she blames herself for koitos death and feels like it should be her thats dead... but at the same time she feels like too much of a coward to do anything now that koito is gone. she just has all these complex and contradicting feelings that wear away at her in ways that ppl that havent gone through the suicide of a loved one could never imagine. a lot of the times when things like this are portrayed in media i feel like its more in a way thats meant to guilt trip those that have taken their own lives and paint suicide as this selfish sin thats unforgivable but... not only does wonder egg reject that idea and instead portray it as a heartbreaking tragedy with,,, so so many terrible reasons, but it focuses on the feelings of ai separate from koito without blaming her in any way. not once did i feel like the show antagonized koito or that ai blamed koito for doing any of this, but they simply mourned her loss and touched on ais reaction towards the event but separate from koito herself if that makes sense. and i think that discussing survivors guilt without painting koito as the bad guy is something so beautifully done in wonder egg that can really resonate with those that have lost a loved one to suicide and have struggled with these same things.
okay i think this is the last thing ill mention,,, but HOMIE THE PARALLEL UNIVERSE BIT AT THE END. I AM. OBSESSED. i am such a whore for anything about the multiverse okay n e ways...,, not only did this make a super epic trippy ending of season one and add a little bit more magical girl whimsy to the show,, but it had such a powerful message. from the perspective of og ai,, finding out that you killed yourself in another world is... i mean its definitely not a surprise but at the same time it rlly makes you think how close og ai herself couldve been to that point and what decisions led her out of that dark place in her life. if i were in her shoes i would be terrified and id cry bc the thought of going back to such a dark place and actually going through with something like that is my worst fear and probably something that ai fears too. but at the same time,,, think from the perspective of ai two !!! like yeah its true that theres this awful terrible version of ai that dies but theres also a whole version of ai that is a superhero magical girl fighting off monsters to save countless ppls lives !! and she has a badass lizard and a gang of awesome friends !!! at first i was worried that ai two would be jealous of og ai and compare herself to her and feel inferior but like.. THEYRE LITERALLY THE SAME PERSON AND CAPABLE OF THE SAME THINGS !!! and ai two realized that !! just within the span of one episode, she went from the version of ai who took her life,, to the version of ai jumping in front of a friend to take a bullet for them and save their life. and that just inspired THE SHIT OUT OF ME. i think that ai was sent another version of herself to sort of beat her own worst enemy yknow ?? those doubts and fears that shes no good or that shes that same bystander from episode one and that she hasnt changed at all. but getting to interact with her parallel self and see her grow was just what she needed to realize that while yeah sometimes the worst thing can happen and things can be terrible but on the other hand sometimes the most wonderful thing imaginable can happen because she has the power to do either. 
so im gonna go ahead and stop rambling bc i got all my thoughts out that i wanted to for this post :D but yeah lol i might make another if i feel like it sometime. long story short: this show is perfect and it is going on my favorite of all times.
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Stuck with Me
George Weasley x Reader
Fandom: Harry Potter
Note: As always, Fuck J.K. Rowling. Trans rights are human rights.
This fic is kinda based on the abilities I’ve scripted for my DR. I still haven’t shifted yet, but I know I’m getting close. I’ll keep y’all posted…
Warnings: SPOILERS FOR DEATHLY HALLOWS!! George’s injury from Deathly Hallows…
Word Count: 3k
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“Where is he?” You asked, eyes wide as you rushed into the Burrow. You could feel it. George was hurt. “Where’s George?”
You walked further inside and spotted him laying on the couch, blood dripping from the wound on his face. Fred was kneeling in front of him, Molly stroking his hair. When he spotted you, his gaze softened.
Tears welled up in your eyes and you let out a choked sob.
“I’m alright, love.” He protested softly.
Fred moved over the tiniest bit, giving you room, but also wanting to stay close to his brother.
You leaned in so your face was close to his and whispered. “I think you’re forgetting that I can feel your pain.”
He chuckled bitterly. “Right. I’m so sorry—”
“Don’t be.” You shook your head. “I’m here to fix it.”
***
George had found out about your powers during third year. He’d fallen off of his broom during Quidditch, and as a result, he’d broken his arm. You weren’t sure why, but you were…tied to him, in a way. It wasn’t like that with anyone else, not even Fred. But whenever George Weasley felt pain, you did too. It had been that way since you first locked eyes at the train station first year.
So, in the middle of the night, you snuck down to the infirmary, where he was sleeping for the next few days. He wasn’t asleep. The pain was keeping him up. When he saw you walking towards his cot, he raised an eyebrow.
“What are you doing here?”
“I, uh…I have something that can help. But you have to keep it a secret.”
“A secret?”
You nodded seriously and approached him slowly. “You can’t even tell Fred.”
“Wow, that’s serious.” George thought. “But if it’ll make the pain go away, then…I promise I’ll keep it a secret.”
You knew it was a big promise. He told Fred everything. But you knew, looking into his eyes, that he meant it.
So, you sat on the edge of the cot and raised your hand. George watched in awe as your palm glowed yellow. You held it above his broken arm, and even inside his cast, he could feel the bone mending itself even faster than Madame Pomfrey’s magic could ever work. His pain dissipated, and a few seconds later, he felt completely normal again.
Relief rushed through you as the pain left you, too.
“H-how did you—?"
You waved your wand and the cast popped off of his arm. He stretched it out, wiggling his fingers and moving it around.
“It’s a family thing.” You shrugged. “It skips a few generations, usually.”
He grinned at you, stars in his eyes, and whispered, “Wicked.”
***
It was your fifth year now. You were good friends with the twins, you had been since first year, so it wasn’t all that uncommon for you to go to Hogsmeade with them over the weekends. They let you in on their pranks, and every once in a while, they’d pull one on you, but it was all in good fun.
George never really knew why you always seemed to know when he was hurt. Whether it was a bruise or a papercut, you’d always make a beeline to him and ask to “talk” privately. Fred was convinced the two of you were hooking up, but really, you’d just hold your hands over his injuries for a few seconds until the cuts closed up or the bruises faded to nothing.
And so, because he was so curious about exactly why you were so attached to his injuries, aside from being a healer, of course, he decided to…well, to ask you.
“Hey, (Y/N)?”
“Yes, Georgie?” You turned the page of the book you were reading.
His face lit up. He was always pleasantly surprised when you were able to tell them apart without even looking at them. Almost anyone else couldn’t tell them apart after staring at them for five minutes, but you didn’t even have to look up from your book to know he was George.
His eyebrow raised and he smirked mischievously. “How do you know I’m not Fred?”
“Because you’re not.” You laughed. “Next question.”
“Fair enough.” He chuckled and sat on the couch next to you. “I was wondering if you wanted to go to Hogsmeade this weekend.”
“With you and Fred? Sure.”
“Oh…well, no, I just meant…you and I?”
You closed your book and looked up at him, a smirk pulled across your features. “Like a date?”
He thought on it for a second before nodding, “Yeah, as a date.” He smiled softly and then added, “I didn’t think it was any secret I fancy you.”
“Well that’s good.” You leaned over and kissed his cheek, causing his face to flush adorably red. “I fancy you too, Weasley.”
***
When the weekend finally hit, George met you in the common room, all bundled up for Hogsmeade. You went over together, and at some point, George wrapped a large gloved hand around yours. You gave it a reassuring squeeze and he squeezed back.
The two of you got some butterbeer and settled into the Three Broomsticks. It was quiet enough that George felt he could ask what he wanted to in privacy, so he did.
“Why is it always me?” He asked.
You raised an eyebrow and asked, “What do you mean?”
“It’s always me you heal. Why?”
Your cheeks burned. “I honestly…” You sighed. “George, when you’re hurt, I feel your pain. I don’t mean that figuratively, like, I literally feel your pain. When you get hurt in Quidditch, I feel it. When you get burns from fireworks, I feel it…It’s just easier for me to find you and fix it as soon as I can.”
“That makes sense.” He nodded. “Is it like that with Fred, too?”
“No.” You replied. You smiled softly at him. “Just you, Georgie.”
He smiled back. “How long has it been like this?”
“Since we met on the train platform first year. Fred stepped on your foot on accident. At first I thought it was a coincidence, but the evidence kept piling up, and when you broke your arm third year, I couldn’t ignore it anymore.” You took a sip of your butterbeer. “When my parents found out I’d gotten the family gift, they told me I couldn’t tell anyone because…well, people would use me because of it, but I don’t think they expected me to get attached to someone like this.”
“So what you’re saying is, you’re stuck with me, then.” He smirked.
You gave him a playful little shove, laughing. “Real shame that is.”
He stared at you for a while, his eyes drifting down from yours, and then, very gently, he leaned in and captured your lips with his. You reciprocated immediately, a hand rising to caress his cheek. You got lost in his careful touches, the softness of his lips, the warmth of his breaths ghosting across your cheeks.
“About damn time!” You were interrupted by none other than George’s twin.
The two of you pulled apart guiltily and looked up at him. Lee was standing next to him and handed Fred a few sickles, cursing under his breath.
You waved shyly. “Hi, Fred.”
“Oh don’t mind us. Just here to get butterbeer. Carry on with your snogging.”
“Will do, mate.” George saluted him, watching as they walked out the front door, leaving you in peace once again. He turned to you, mischief written all over his handsome features. “Well, (Y/N), would you like to carry on with our snogging?”
You pressed your lips to his boldly. His hands gripped your waist and tugged you closer. Between kisses, you murmured, “Hell yes.”
***
Your sixth year was quite an adventure to say the very least. With the Triwizard tournament going on, everyone was buzzing with excitement. All of the visiting students were really nice, and the tournament itself was really exciting.
When the Yule ball was announced, you already had the perfect dress in mind, and while you and George were dating and had been since the previous year, he hadn’t officially asked you yet. Well, until breakfast one seemingly uneventful morning. You were sitting in your usual spot, beside George and across from Hermione when all of a sudden, George stood up. You looked at him, confused.
And then he started shouting, “Attention all Hogwarts and Durmstrang students, I’ve caught you looking at my lovely girlfriend, (Y/N) (L/N) since the ball was announced! This is an official announcement that she will be attending the ball with me, her boyfriend! That is all!” He promptly sat back down.
“Oh I will, will I?” You chuckled, looping your arm through one of his.
“Well, you…you will, won’t you?” His confident expression softened.
You leaned up and pressed a quick kiss to his lips. “Yes, George, I will.”
“Brilliant.” He replied, taking his arm from yours and wrapping it around your shoulders instead. “So what color is your dress, love? I want us to match.”
George met you at the ball, a pink tie wrapped around his neck to match the gorgeous pink silk of the skirt of your ballgown. When he spotted you coming down the stairs with the other girls you’d gotten ready with, his breath hitched and he swore there was something caught in his throat.
“You look so beautiful…” He whispered as soon as you were standing in front of him.
“You clean up nice yourself, Weasley.” You stood on your toes and pressed a kiss to his cheek. “You ready for this?”
“Oh love, I already spiked the punch.” He wrapped his arms around you, kissing you deeply. “It’s gonna be a great night.”
And it was. You danced the night away in the arms of the man you loved, blissfully unaware that things were soon going to take a change for the worse.
***
Voldemort had returned, and as a result, Dumbridge was ruling the school with her iron fist. Worst of all was the punishments she inflicted. The first time you were made aware of it was when George and Fred had gotten detention for one of their pranks. You were somewhat used to your boyfriend and his brother winding up in detention for their schemes. What you were not used to was a searing pain across the back of your hand, like something was being carved into it with a blade.
As soon as his detention was over, you found George and rushed up to him, grabbing his left hand and staring at the letters carved into it. They read: I will not pull pranks.
“What did she do to you?”
“I’m so sorry, love.” He took you into his arms, stroking through your hair. He was shaking, and when you pulled apart, there were tears in his eyes. “I didn’t know…”
“It’s not your fault.” You shook your head and held your palm over the back of his hand, the gentle glow of your magic quickly erasing the marks, not even leaving a scar in their place. “See? All better.” You kissed the back of his hand. Then, you sobered up, realizing George hadn’t gone through it alone. “Where’s Fred?”
“Right here.” He replied, walking into the common room next. It was empty aside from the three of you.
You looked up towards the stairs, but when you didn’t hear anyone coming, you walked up to Fred. “Give me your hand.”
“You’re dating my brother.” He looked at you, confused.
You rolled your eyes. “Not like that.”
“Give her your hand, Freddie.” George encouraged, holding up his now-healed hand, free of the marks that had been there less than a minute before. He was surprised you were showing Fred your secret after all of the time you’d been holding it in, but George wouldn’t have had an explanation as to why his marks had faded so fast.
Fred’s eyes widened in realization and he held out his injured hand.
You lit your palm with magic and held it above his cuts, watching as they shrank into nonexistence.
“And how long have you been able to do that?”
“A while?” You shrugged, shoving your hands in your pockets.
“Did you know?” He looked at George, who nodded, a guilty look on his face. “For how long?”
“Third year…” George murmured.
“THIRD YEAR?! Bloody hell…” Fred shook his head, chuckling. “Well, actually, that makes a lot of sense. Explains a lot, for sure. And here, I thought you two had just been hooking up this whole time.”
“I’m gonna pretend I didn’t hear that.” You laughed, walking back to George, who pulled you to his chest as soon as you were close enough.
His long fingers stroked through your hair and you exhaled a long sigh, glad to be in his arms. He pressed a long kiss to your forehead before whispering, “Thank you, love.”
“Of course. We’re in this together.”
***
A few weeks later, you were walking the saddened halls of Hogwarts when you found the twins sitting on a bench beside a crying Nigel. They were talking to him softly, trying to soothe his tears. When George looked up and spotted you, relief flooded his features.
As soon as Umbridge stepped back out of the hallway, you made your way over and knelt down in front of him.
“Nigel, this is my girlfriend. Her name is (Y/N).”
“Hi Nigel,” you spoke softly, smiling up at the crying child. “I know it hurts, but I can make it stop hurting. Can you keep a secret for me?”
He nodded, sniffling.
“Here, give me your hand.” You held out your left hand, and Nigel put the injured one in it. You knew Harry was standing just behind you, but you didn’t care. It was your seventh year, there was about to be another wizarding war. In times like these, people needed people like you, and you were glad to help in any way you could. You lit your palm with magic and gently soothed away the angry marks littering Nigel’s little hand. “See? All better. If this happens again, you can come find me. I’m usually in the common room reading. Alright?”
“Thank you.” He sniffled.
George stared at you, a lovesick look on his handsome face. “Thank you.” He repeated, beyond grateful you’d found him when you did. “Thank you so much for doing that, love.”
“Of course.” You nodded. “Us Gryffindors have gotta stick together.”
“Speaking of that, actually…” Fred trailed off, giving George a nudge.
Nigel started walking back to the common room, and so the rest of you all headed off in that direction. George and Fred explained their plan to you, and you listened, nodding. When you finally got back to the common room, it was empty. So, George turned to you and took both of your hands in his.
“You’re welcome to come with us, love.” He spoke softly, a million stars in his eyes. “We’d love to have you at the shop with us.” Then, he added softly. “And I’ll miss you loads…”
“I do want to come, but…” you glanced up the stairs after Nigel. There were so many other kids like him who didn’t deserve Umbridge’s torture, and you could make it better.
“But you need to be here.” George finished, nodding. “I understand.” He cupped your cheeks and leaned down, pressing his lips to yours. “I’ll see you at the end of the school year, then.”
“You better be at the train station to pick me up.” You told him, tears welling in your eyes at the thought of being separated from him, even if it was only for a little while.
“I will be.” He promised. Then, he chuckled and added, “I’ll try not to get too hurt in your absence.” Then, even softer, he added, “And I’ll write you every day until you’re in my arms again.”
***
It had been a long road, but eventually, it led you to kneeling down in front of the couch at the Burrow, George’s head bleeding badly. You raised your hand to heal him, but he grabbed your wrist, stopping you with a pained look in his eye.
“But love, your secret…”
“I don’t care.” You shook your head, tears in your eyes. “I care about you more than any stupid secret.” You lit your palm and held it above his head, watching as the gash closed and the blood dissipated. The stinging pain in your head faded, too, leaving you feeling normal again. “I love you, George. More than anything in this world.”
The rest of the Burrow watched in awe, all of them but Fred unaware that you’d been patching up their boy since you were thirteen.
Instead of responding to you, he sat up and pressed his lips to yours, his large hands framing your face. When you finally parted, he rested his forehead against yours and whispered, “Marry me.”
Molly squeaked, a giant smile on her face.
“W-what?” You asked, breath hitching. You stared at him, waiting for him to say it again.
“I-I don’t have a ring or anything, but…” He locked his eyes on yours. “Marry me. I want to spend the rest of my life with you.”
A tear slipped down your cheek and you nodded, pulling him in for a wet, emotional kiss. “Yes, George. Yes, of course I will marry you.”
He gasped and pulled you to his chest, tears of joy fogging up his vision. Then, he whispered into your hair, “You’re stuck with me, (L/N).”
You chuckled and replied softly, “Gee, real shame that is.”
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