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lucemferto · 3 years

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WE NEED TO TALK ABOUT PH1LZA (or Why Philza is a Victim of Narrative Circumstance)

Heyo! Per request I am posting the script to my video of the same name here on tumblr. I must warn you that just reading the script will probably not give you the full experience, so I would encourage you to watch the video (linked above).

There might also still be a lot of grammatical errors in the text, because I don’t proofread.

Intro

LAST TIME ON LUCEM FERTO

Okay, so! I don’t want this to turn into a reaction channel OR a Dream SMP channel for that matter! [echo]

Well, I lied.

[Intro to “Luc is pretentious about the funny blockmen. Episode 2”]

I swear, I’m working on other stuff. It’s just that my dumb lizard brain has only capacity for one interest at a time!

So, something you might not know about me, is that I am on tumblr – who am I kidding, most of you will know me from tumblr. Before starting this whole YouTube thing, I thought that website died years ago – but as per usual reality proves me wrong. I’m also on Twitter and Reddit, but I get the most engagement on tumblr – by far! – and I need those sweet, sweet numbers for the serotonin!

Anyways, one of my favourite past-times on tumblr is to razz Philza Hardcore Minecraft – that’s his full name – for being a frankly awful father [clicking away] – wait, wait, no! Philza fans, this isn’t a hit piece on him, I promise! Please come back!

This is video is meant to be a companion piece to my previous video about Technoblade and the Doomsday event – you can tell by the shared nomenclature – so you should probably watch that one before you proceed. Unless you don’t want to, which is also perfectly understandable.

DISCLAIMER: This video is mostly about the character Philza plays on the Dream SMP. Whenever I talk about the content creator Philza, I will say so properly. Also, Spoiler Warning for Dream SMP Season 2.

… What is that? You’re wondering what the Dream SMP is? Well, if you had just watched the other video like I told you to do, you would know, because I explained it pretty well there. But in case you don’t know, here’s the cliff notes.

Dream SMP is the hottest New Media Series on Twitch right now! It has it all: gaslighting, child soldiers, Machiavellian political intrigue, Hamilton roleplay, desecration of the dead, shounen protagonists, SO! MUCH! AMNESIA! Filicide, furries, a red egg that’s definitely homophobic and teenagers inventing nuclear warfare. And it’s all done in Minecraft – yes, the funny block game where the only way to emote is to crouch.

And you say the perfect brief doesn’t exist!

Now, you might be wondering, why do I want to talk about this? Well, it’s because Content Creator Philza is one of least controversial internet personalities that I can think of. That man exudes pure comfort. So, it’s just very, very amusing to me that his character became one of the most controversial figures on the SMP, only outshone by Tommy and Technoblade.

And it’s not just amusing, it’s also extremely interesting! I want to dig deep to uncover and discuss the dynamics behind why that is. How did it come to this point? How did a man who appears genuinely so pleasant create a character that inspires so much discourse!

Now, if you watched that Technoblade video – like I told you to twice now! – you might know, that I am the resident character analyses hater of fandom! And that impression is false and slanderous! Don’t tell other people that I hate character analyses! I love them!

It’s just that, in the Dream SMP in particular, there is an abundance of character analyses! Every streamer has at least two very good essays written about them, exploring every possible angle to view their characters and backgrounds and everything. All I’m saying is: I don’t have anything to add on that front.

So, instead I want to pursue a different approach – something, that I feel is a bit underrepresented in the fandom! And I’m not just talking narrative analysis – that’s right, this episode we’re going even more pretentious! – I’m talking Transtextual Analysis!

Now, what is Transtextuality? Well, unfortunately it has very little to do with actual Trans people – #transrights, just in case that wasn’t obvious – but instead describes a mode of analysis with which to put – to quote French literary theorist Gérard Genette – “the text in a relationship, whether obvious or concealed, with other texts”.

Basically, you know how the L’Manburg War of Independence heavily quotes and borrows from the hit musical Hamilton? That’s transtextuality! A lot of the analyses surrounding how Tommy mirrors the Greek hero Theseus, who was invoked by Technoblade multiple times in the series, are already doing transtextual analysis! So, it’s really not something that’s new to the Dream SMP fandom.

But how does this apply to Philza and how he is looked at and judged by his parental skills? Well, there are multiple forms of transtextuality, two of which we will discuss today.

But before we continue, I gotta do that annoying YouTuber thing. I know these videos don’t look like much, but I spend a really long time making them. I work fulltime and I try my best to keep up, but sometimes I can’t. So please, like, subscribe, comment to give me some algorithm juice – I really need it – and most importantly share it! Share it with your friends, share it with your family – I’m sure Grandma is very interested in what I have to say about Philza Minecraft.

And I’m trying to be better! If I sound at all different for this video, it’s because I finally bought a new pop filter, so I can hit my plosives without it sounding like there’s a thunderstorm in my room. I hope it makes a difference; it was a very cheap pop filter, so maybe it doesn’t. Maybe it sounds worse – that would be bad!

What was I talking about? Oh yeah, CHILD NEGLEGT!

Intertextuality: Why is Dadza?

You know what’s really interesting about the Dream SMP – aside from, you know, most things about it? Very few of the characters have concrete, fleshed-out backstories – and that’s pretty weird! In no other medium or genre could you get away with something like that – at least for long-form storytelling!

So, how does Dream SMP get away with this? Well, it’s because every character on the Dream SMP is basically a self-insert – and I don’t mean that in the “This character is based on me”-kinda way, but in the “This character, for all intents and purposes, is me!”-way. This, like many things that are fascinating about the Dream SMP, is owed to the fact that this series didn’t start off as a continuous drama – it started off as a Let’s Play.

And while we can talk about how someone’s on-camera/on-mic persona is in some ways a character, it’s still miles off of being an actual, fully-realized, separate character in a storyline.

This is where Intertextuality comes in.

Intertextuality is a subset of Transtextuality. It describes how the hypertext, which is the text, you’re currently engaged with, uses another text, the hypotext, to supplement itself. The interconnection the hypertext establishes with the hypotext, through stuff like allusion for example, uh-hum [Hamilton], can colour how an audience interprets the hypertext. Basically, Hamilton and Theseus are the hypotexts; the Dream SMP is the hypertext.

So, what does this have to do with backstory? Simple: The backstories of the characters in the Dream SMP consist basically of nothing but intertextual references. Through intertextuality their content effectively substitutes their character’s backstory.

You can see it everywhere. Wilbur’s and Schlatt’s relationship and rivalry is hugely enriched, if you are aware of their shared history like SMPLive, for example – I think anyway. I haven’t watched SMPLive, because … there’s only so many hours in the day and I cannot keep up with the Dream SMP and catch up on SMPLive and live a healthy life – which I already don’t do, so…

BadBoyHalo’s and Skeppy’s relationship, which has become the crux of the Crimson-Storyline of Seasons 2 and 3, is hugely supplemented if you know that they’re also very close as streamers and in real life.

Another great example of intertextuality is basically Technoblade’s entire deal. If you just look at him completely within the text of the Dream SMP and try to transplant his entrance to any other medium: It would be extremely weird! Like, he’s just this guy that comes in in the middle of a very climatic arc, no build-up, no explanation what his deal is, and he’s treated like he has always been there. In any other medium that just wouldn’t work – at least not without a flashback or some sort of exposition!

But because of stuff like Minecraft Mondays, the Potato Wars, his Duel against Dream and SMPEarth, we understand that he is a Big Deal!

Anyways, to bring all of this back to Philza Minecraft: What kind of hypotext informs how the audience sees his character? Well, this is where I will have to talk about SBI.

SBI is an acronym that stand for State Bank of India, the 43rd largest bank in the world and…

It also stands for Sleepy Bois Incorporated. Sleepy Bois Incorporated is a loose assembly of content creators, consisting of Philza, Wilbur Soot, TommyInnit and Technoblade. It is most well-known for its very endearing family dynamic – a dynamic that is frequently acknowledged and played up by the creators involved. Tommy is the youngest brother, Wilbur and Techno are the two older brothers and Philza is of course the dad. And when I say, it’s played up, I really mean it! Wilbur seems to be especially enamoured with the idea and leaves no opportunity untaken to bring it up – which we will come back to.

And I’m not saying that they’re faking this and this is somehow an act. While I know none of these people personally, it appears to me, that this is genuinely how they interact – if a little exaggerated for the streaming experience. Even when they’re not consciously playing into the family dynamic, their interactions still very much lend themselves to that interpretation by the viewers.

Philza especially just radiates Dad-Friend energy – so much so that it has become a huge part of his brand identity – yay, I can bring that back (check out my Christmas video if you want to hear me ramble about that). The nickname Dadza stuck even before SBI was a thing.

So, even if we completely disregard SBI – which we shouldn’t for reasons I’ll get back to – Philza has cultivated an image of strong paternal guidance. He is, in my opinion completely deservedly, regarded very positively. He is highly respected and in turn seen as a voice of reason.

All of this would eventually inform the hypotext of the character Philza within Dream SMP.

Interlude: Before Dadza & November 16th

Okay, so now we have established that a) Dream SMP heavily hinges on intertextual readings by the audience to supplement character backstory and b) that Philza’s entire deal is that he’s the dad-friend – more specifically that he’s the dad of SBI (not the bank). I think you know where this is going.

So, yeah, ever since it was on the table that Philza could join the Dream SMP, it was immediately assumed that he would take on the paternal guardian role all these traumatized people on that server so desperately needed – and with good reason! Like I said before, the audience at this point was trained to take intertextual interpretations as basically canon or at the very least canon-adjacent.

I want to emphasize that this is most likely not done deliberately. I’m sure content creators Wilbur and Philza didn’t sit there and said: “Yes! We will rely entirely on the audience’s inclination to interpret our characters intertextually to define character Philza!”. Like, obviously that did not happen.

But it’s also important to remember that unlike with traditional media and the fanbases cultivated there, the separation between the Dream SMP and its audience is almost non-existent – and purposely so. The story events are streamed live, Chats are acknowledged in canon and even outside of livestreams creators are extremely involved with the fandom. So, the weight of fan-expectations is equally amplified and will more likely be incorporated into the writing process. Case in point:

[Wilbur “I miss Philza”/Philza about Wilbur]

During Wilbur’s villain arc, even before his official involvement, Philza became a prevalent point of discussion. The hope that he would be the one to snap Wilbur out of his downward spiral was not only wish-fulfilment on behalf of the fans; it also very much played off of the intertextual reading of the SBI-dynamic in relation to the Dream SMP.

Of course, this still doesn’t make Philza and Wilbur canonically blood-related – but it definitely used the “paternal”-dynamic of SBI to build-up tension and drama.

And that ultimately brings us to November 16th. The Grand Finale of Season 1 and Philza’s first canonical appearance on the SMP.

Now, for this I want to pull back from the transtextual analysis and talk about simply narrative analysis: What is Philza’s narrative purpose on November 16th?

Philza serves as the last threshold on Wilbur’s Villain’s Journey – to appropriate Vogler’s version of the monomyth for a minute here – he is what Vogler calls the “Threshold Guardian”. He is the last enemy the Hero faces before completing his quest – in this particular case Wilbur’s quest is to blow up L’Manberg. Multiple people have at this point tried to dissuade him from this course of action: Tommy, Quackity, Niki and others. So how come this Philza moment is not redundant in terms of dynamics compared to these prior scenes?

Well, it’s through our intertextual understanding of Wilbur’s and Phil’s relationship. Because Philza does not just occupy the role of the Threshold Guardian – he is also implicitly the Mentor. Before Phil there was no character in the storyline that held a higher position of moral authority than Wilbur – Dream and Schlatt, while at points more powerful in terms of actual authority, were never positioned by the narrative as Wilbur’s superiors in the same way as Wilbur was to Tommy, Tubbo or even Niki.

Before November 16th all challenges Wilbur faced were from people narratively subordinated to him. But that trend is broken with Phil. That is why he is the Threshold Guardian, why this confrontation is at the climax of Wilbur’s arc. Because Phil is the last thing tethering Wilbur to whatever morality he held before his villain arc; Phil is the last, moral obstacle Wilbur has to discard before gaining his reward.

And, just a quick sidenote, because I’ve seen it around the fandom a bunch: When I’m referring to Wilbur denouncing his morality, I’m using that in terms of narrative analysis. I’m mentioning it, because Wilbur’s character can very easily be read as mentally ill or neurodivergent and some people have – rightly! – pointed out that the excessive vilifying when talking about his character is … problematic, to say the least.

So, I just want to make clear, this isn’t a character analysis, I’m being purposely broad when talking about Wilbur and Phil.

In the end, Wilbur takes that final step and gets his “reward”: As his final request his mentor takes his life and vanquishes the evil – the dragon of Wilbur’s story slays the dragon of L’Manburg. It’s very Shakespearean in its tragedy – but beyond the larger theatrics it’s not really used to further characterize Phil – at least in the context of Season 1. There’s not a lot of focus on his characters internal conflict during November 16th.

Phil, like Techno, is very utilitarian in how content creator Wilbur writes him: He serves as a moment of hype; an obstacle Wilbur has to face; a participant in the tragic climax of Wilbur’s character and ultimately takes on his implicit and expected role of mentor and guiding figure to the rest of L’Manburg.

I think not a lot of people talk about how Philza does not join Technoblade during November 16th. He takes the side of L’Manburg – he fights against the withers and he joins Tommy, Tubbo and the others at the L’Mantree, thus framing him as loyal to the L’Manburg administration – even though Season 2 would make his loyalty to Techno central to his character. But more on that later.

What’s also important about November 16th is that this is the day when the general intertextual interpretation became canonized text.

[You’re my son!]

Wilbur is made Phil’s canonical, biological son. The intertextual interpretation of SBI as it pertains to these two characters on the SMP was completely reinforced by the narrative. Or to put it in Fandom terms: The headcanon became actual canon. At least when it came to Wilbur … but what about Philza’s “other” children?

Well, that leads to our second form of transtextual analysis:

Paratextuality: Is Dadza?

These titles are just getting better and better.

The Paratext is defined as all those things in a published work that accompany the text. It comes in two forms: One of them is the Peritext, which are non-diegetic elements directly surrounding the text – like chapter titles, author’s notes, and stuff like that. Translated to the medium of the Dream SMP, it would be stuff like this:

[Examples]

And, trust me, I could make a whole separate video about how people on the SMP use their peritext as a tool for storytelling – I’m looking at you, Ranboo – but that’s not what we will talk about in the context of Dadza.

Instead, we will focus on the second form of Paratext, the Epitext, which consists of all authorial and editorial discussions taking place outside of the text. That’s stuff like interviews, private letters or J. K. Rowling’s Twitter Account – you know, before she decided to become a full-time asshole.

[Wilbur: Transrights]

After Season 1 ended, Wilbur indulged pretty heavily in providing epitext for the Dream SMP, something he had not done prior to November 16th. His paratextual additions ranged from the playful, like assigning DnD alignments to various SMP members, to the extremely impactful, like the whole three lives system!

You probably think, you know where this is going. Wilbur provided some epitext about how Tommy and Techno either are or are not biologically related to him … and I have to be honest I thought that too. But then I began looking into the impenetrable web that is the SBI-canon on the Dream SMP and found this!

[Ghostbur explains family]

So, it wasn’t paratext, it was just straight text. Said in character, in canon, without any implication that we the viewers should question this. The text of the SBI family dynamic was explicitly linked to Dream SMP-exclusive lore, namely Fundy being Wilbur’s and Sally the Salmon’s son. This is as clear as Philza’s anguished declaration on November 16th in establishing the intertext as text. And because Wilbur also had a very heavy hand in the discussion of paratext around that time, it gave his character’s words even more “canonical” weight. Metatextually speaking, this very much read like the author giving exposition through his character – exposition that we should understand as reliable.

And, by the way, before I continue, I need to give a huge, huge shoutout to kateis-cakeis on tumblr, I hope I pronounced that right, who was just so quick in providing me with these crucial clips. Without him I would have looked for days because these people don’t archive their shit! And the Dream SMP Wiki was NO help, by the way! I love what you guys do, but stuff like this belongs in the Trivia section on characters’ pages!

Anyways, basically during the entirety of early Season 2 the SBI family dynamic was basically canon to the SMP. Sometimes it was only alluded implicitly, again letting the intertext fill out the rest.

[Philza clips]

But just as often it was just explicitly talked about – both in the text and in the paratext.

[Fundy clip/Wilbur “Twins” clip/Tommy clip]

So, I know what you’re thinking: “Why is this part called paratext, if the entire family tree is just textual”. Well, that last clip might give you a hint, as to what I will talk about. Notice how Tommy, one of the people most directly impacted by the canonization of SBI lore, is both unaware of and seems generally unenthused about it, to put it nicely? Well, that would soon turn out to be a much bigger deal than anyone could have imagined as he wasn’t the only one.

[Technoblade decanonizes SBI]

Yeah …

This happened on 20th of December. Regular viewers of this channel will remember that I put out a 90-second joke video, where I complain about this very development. And while I was mostly kidding around, the core idea is still true. The paratext provided by Technoblade and established text were in direct contradiction with one another – and that brought a lot of confusion into the fandom. Confusion, that would soon be followed by frustration.

Because Techno only decanonized himself as part of the SBI family dynamic – but what about Tommy and Tubbo, the latter of which was incorporated into the dynamic exclusively within the lore of the Dream SMP. Was this still canon or wasn’t it?

What followed was a muddled mess of contradictions, intertextual implications, text and paratext in conflict with each another. It was for the most part inscrutable to figure out how Tommy and Philza related to one another. I’ll spare you every comment made about this – mostly because I want to spare myself from looking for all of them.

In the end, the current status is that their familial relationship is … unclear. Philza said, again in paratext, that it’s ultimately up to the writers to decide, whether or not Tommy is his son … which, I personally think he and Tommy should be the ones to establish that, but I’ll come back to that later.

But why is all of this important anyway? Why would this ambiguity create such an uproar, such controversy – especially when it comes to Tommy’s character? What makes Tommy’s and Philza’s relationship such a target for discussion in the fandom?

Well … this is where we will have to talk about the storyline of Season 2.

Interlude II: Tommy’s Exile and Dadza in Season 2

Okay, Season 2. This is where the spoilers are, so I will just sneakily drop this again. It took me five seconds to google this gif and I will milk it for every penny it’s worth!

At the beginning of Season 2, Philza’s narrative role has not changed much from where Season 1 ended. He is in L’Manburg dispensing earthly wisdom, being a paternal figure to Fundy, Ghostbur and Tubbo, helping with the nation’s rebuilding efforts; just generally occupying the role of the mentor.

[clips]

And then came … the Exile. The Exile Arc took place between December 3rd and December 15th during Season 2 of the Dream SMP. It revolves around TommyInnit getting exiled from L’Manburg and slowly getting psychologically tortured and broken down by Dream. It’s a really great arc, at least in my opinion, that explores and deepens a lot of Tommy’s character relationships, whether that be Tommy and Dream, Tommy and Tubbo or Tommy and Ranboo. One relationship, however, is noticeably missing.

So, yeah, Philza spends basically the entirety of the exile doing pretty much nothing of consequence. And that’s not a problem specific to him – One big criticism I would levy against the Exile Arc is that a lot of characters are left spinning their wheels. Which is why we get zany stuff like El Rapids, Drywaters, Eret’s Knights of the Roundtable, Boomerville – anyone remember Boomerville, that was a thing for 5 seconds, wasn’t it? – basically a lot of storylines are started and then unceremoniously dropped. Now, I will talk more about this, when I make a video about Season 2 of the Dream SMP … in ten years, look forward to it.

In the case of Philza, this inaction was especially damning, because at this point it was still a considered canon that he was Tommy’s dad. So, the fans were left with a situation, where just a few weeks prior Philza was occupying a paternal role for Fundy and Ghostbur … but now, that his youngest son was in a very concerning predicament – to put it lightly – he was nowhere to be found.

So why is that?

Well, the most obvious answer is that Dream and Tommy didn’t write him into the storyline. We’ve seen that Tommy wasn’t particularly interested in exploring a familial relationship to Philza, at least at the time. And it would just not fit in with what Dream and Tommy tried to do with the Exile Arc: they wanted to tell the story of Tommy being isolated, completely under Dream’s mercy, slowly worn down and manipulated. If Philza had been constant presence for Tommy during that time, it would have definitely shifted the narrative focus. That doesn’t mean that they couldn’t have done that, it’s just a matter of fact that they didn’t.

This also reveals another truth about content creator Philza’s character work, that I think is extremely crucial: He takes what the writers give him. Outside of a few choice moments, he doesn’t seem particularly interested in expanding or even solidifying his character on the SMP.

What I’m saying is that he is very go-with-the-flow: Wilbur wants to enact a Shakespearean tragedy? Philza’s up for it. Fundy wants him as a parental figure and mentor? Philza’s here for him. Tommy, conversely, doesn’t want him as a paternal presence, even though it would make sense for Philza’s character, as it was established so far, to be there? Philza will oblige.

The reason I’m mentioning this is because, while Tommy and Dream were unwilling to utilise Philza in their storyline, someone else was more than happy to. Which leads us back, like it always does, to everyone’s favourite Porky Pig-kinnie in a crown: Technoblade.

Technoblade and Philza, from everything I’ve seen of them, seem to be very good friends – and they share a lot of history even outside SBI. So, it’s commendable that they would collaborate on a storyline together.

A consequence of that, however, is that Philza’s narrative purpose shifts completely with very little transition. His entire character changes from being the Mentor-figure of L’Manberg to being pretty much exclusively defined as Technoblade’s ally; his man on the inside. It is a very sharp turn from the end of Season 1. Their relationship is once again informed via intertext – this time the Antarctic Empire on SMPEarth serves as the hypotext – but there isn’t a huge effort made to smoothly integrate that aspect of Philza’s character into the larger narrative framing around him.

How much the narrative utilisation of Philza has shifted can be very easily observed through the Butcher Army event on December 16th, a story event that I like less and less the more I think about. Here Philza is used to show just how corrupt and violent Tubbo’s administration has becomes. He is no longer the respected mentor, he is now the stand-in for the oppressed populace, similar to Niki’s role in Season 1. On a narrative level, he is here to prove a point.

If you’ve seen my Technoblade video, you know how I feel about … just that entire storyline, so I will not reiterate too much on it. I just want to make clear that I’m not principally against this development – if they wanted to truly explore Tubbo going down a dark path and getting corrupted by power, so much so that he would even treat the person who effectively raised him like a prisoner, I would be extremely here for it, I cannot stress that enough.

The problem I have is that it’s just so sloppily done. It is not coherent with how these characters behaved and, more importantly, how they were narratively framed prior to the Butcher Army event. Fundy gets one token line about Phil being his Grandfather – a far cry from the very emotionally complex relationship they had established at the beginning of Season 2 – and Phil then callously disowns him.

The major problem simply is that we don’t see how Philza changes from Mentor-figure to embittered, oppressed citizen. And there was enough time to build to that. During the entirety of Tommy’s exile Tubbo was pretty much spinning his wheels and Quackity and Fundy were opening up plot cul-de-sacs that didn’t end up going anywhere. This is time they could have spent on developing their relationship to Philza and the dark path they were going down – but again, Season 2 video.

There is not much to say on Philza’s narrative purpose and framing beyond the Butcher Army event. He remains pretty much exclusively Techno’s consigliere with his role as Mentor to L’Manburg a distant memory. He has some cute character moments with Ranboo, because content creator Philza is just big dad-energy whether he wants to or not, and whenever he and Ghostbur share a scene suddenly the narrative remembers that there are people other than Technoblade that should exist in Philza’s inner world. But aside from that, Philza’s storyline in Season 2 remains … pretty definitive is the nicest way I can put it.

Most importantly his relationship with Tommy continues to be completely unexplored – whether by chance or choice – and that combined with ever vaguer paratext leaves “Dadza” in a very peculiar situation.

Conclusion: Is Dadza a Good Dadza?

So, the question to end all questions. The big, obnoxious text, that I will probably have put in the thumbnail – I haven’t made it yet, but I know myself. The honest answer is: I couldn’t tell you.

I have, in the past, been expounding the virtues of narrative analysis. That is because I feel that Narrative Analysis and Textual Analysis, like in this video, can provide certain tools that Character Analysis lacks. Often times I see people trying to get at a writing problem or query and getting frustrated because they’re not using the toolset, they need to figure out what they want to figure out.

But I’d be a hypocrite if I pretended like everything could be solved through the modes of analysis I prefer. And I think the Dadza-issue is exactly such a case.

I set out to explore why the Philza-Tommy-“Dadza”-relationship has become so controversial. It’s a combination of expectations build up through intertextual readings, that were partly canonized – something that is very common for the Dream SMP – conflicting pieces of paratext, which only serve to muddle the issue further and a text that is not only completely uninterested in actually exploring Tommy’s and Philza’s relationship – as it stands right now they might as well be strangers, narratively speaking – but also completely changes Philza’s narrative purpose as it relates to characters like Fundy or Tubbo about half-way through with little to no transition.

That is why I say, that Philza’s character is a victim of narrative circumstance. Because unwittingly, through all of these factors and decisions, there is not coherent reading of Philza that frames his parental skills in a particularly kind light.

The question of how we can judge Phil as a paternal figure ultimately falls within the purview of the character analysis – and that’s a very multifaceted issue, highly dependent on which POV you focus on and how you interpret the other characters in that POV’s periphery.

To put my cards on the table, I think that Philza is a very flawed father/father-figure – and I find that absolutely okay. Flaws are the spice of character building. He is not Cinderella’s Evil Stepmother – but he’s also definitely not Mufasa. If we were to read Philza as a paternal figure, then he would have made a lot of mistakes and decisions to the detriment of his “children” – least of all everything that happened on Doomsday.

But I also have sympathies for Philza fans who are tired of the Dad-Debate and would like to have his character judged independent from his relationship to Ghostbur, Fundy, Tubbo and Tommy.

Ultimately, to bring it all to a point, I’d like to end with saying, that I think that Philza, out of all the characters on the SMP, has the potential to be on of the most intriguing, multifaceted ones. There are all of these different patches of story, character moments and narrative and transtextual implications, that, if brought together, could create a beautiful tapestry of the character Philza.

You have his relationship with Techno, which holds the potential for so much emotional conflict and vulnerabilities, you have his time as mentor of L’Manburg, which is just criminally underused; the complex relationship between him and Ghostbur/Wilbur; and – for me, personally – most intriguingly this weird, almost uncomfortably distant non-relationship with Tommy. That last one is intriguing to me, because it contrasts just so much with our intertextual understanding of the characters and streaming personas – and it just holds the potential for so much conflict, so much drama, so much angst. Which I live for!

And, yes, I do believe that most of this is narrative happenstance, that this was largely not intended by Philza or really any of the writers. It’s just what happens when hybrid-roleplay-improv a long-running, livestreamed storyline in Minecraft.

But I want them to realize the potential they have on their hands, because it could – with barely any adjustments – turn Philza from a victim of narrative circumstance to a champion of it!

Outro

Thank you so much for watching this video. Usually, I don’t record outros this standard, but after this beast of a video I felt it necessary. I hope that whether you’re a Philza fan or a Philza critical or just completely uninvolved in the whole thing, there is at least a little entertainment you could get from this.

I want to take this opportunity to say that my next few videos will probably not be Dream SMP related – a sentence which undoubtedly lost me a bunch of subs – simply because I don’t want to burn out on it. I genuinely enjoy watching the SMP and being exhausted by it would be something I wouldn’t want to force on myself.

But who knows what will happen? The Karl Jacobs video was something I did spur of the moment because the idea just came to me – so I can’t guarantee that the next video won’t be a three-minute joke about Purpled or whatever.

Anyway, my concrete plans for future Dream SMP videos are essays on Season 1 and Season 2 as well as one for Tales from the SMP.

Before that I have a longer video in the works, which I’ve already teased a bunch, so I hope it will finally be finished sometime. And I also may be working on something … eboys-related? Maybe. I’m not making any promises!

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welovetau · 3 years

Note

“Can we take this home?”(Android Tau to Julia, maybe a cat or dog he sees and is fascinated by it and wants to keep it. Or whatever you can come up with. If you still do these of course uwu)for the fic prompt.

Oh gosh I haven't done one of these in a hot minute! Thank you for the prompt! It's really been a while aah, cause usually I do robot A.I TAU with either they/them or he/him pronouns, and my android/humanized/human Tau with she/her pronouns (personal headcanon that human Tau would be a trans lady) So I'll keep it vague and use he/him pronouns for you!

(Mentioned child/animal abuse, but mostly wholesome)

"Can we take this home?"

The question caught Julia off guard for a second. They were currently doing one of their daily walks; Tau adored being able to get out and about to explore the world. Right now they were in a nice neighbourhood so she followed his gaze to the animal in question.

"Uh." She replied, looking from the dog to the leash it was currently secured to and then the owner who looked like they wanted to laugh. "I don't think so."

"Please, Julia? It is so cute!" Tau begged, practically vibrating with how hard he was pleading. It was adorable, but it wouldn't change the situation.

"Maybe we can pet it instead, can we pet your dog?" Julia asked the owner, who was still giggling at her companion.

"Sure, go ahead." They agreed, getting their dog to sit for the two of them before instructing Tau on how to pet the dog.

He was absolutely delighted by the experience and talked about it the whole way home. Even if he didn't have a physical heart, it was set on the animal.

Julia had never had a pet before, balcony pigeons excluded. She was never allowed and the one time she had saved up enough money to buy a fish...well, it hadn't even made it home before her dad took the bag and threw it in the road.

A dog would probably be too much for her and she didn't have the stomach to try to get another fish. A hamster would get lost. Reptiles were cool but Tau for sure adored the fluffy animals so.

"Tau, I have a surprise." Julia said.

It had been about a week since they had seen the dog and Tau was still a little heart broken about not being able to take it home. After thorough research she concluded that a dog wouldn't fit into their current life style, but...

"Come on." She coaxed him along, seeing the curiosity and excitement exuding from him as they walked farther than usual.

"What is this place?" Tau asked, his voice filled with delight as he took in the unfamiliar building.

"An animal centre. I'll let you pick out a cat, if you want one." Julia explained, opening the door and letting him go in first.

Again he was practically vibrating with giddy energy as he looked at all of the furry animals. "They're all so cute!" He said as looked at each one, reading over their information cards.

Julia looked as well, but she wanted to leave the choice up to him. She had taken some extra shifts at work to make sure she had enough saved up to support the new house member, if one was chosen.

Tau stopped in front of a cage, his sights locked on the info card and a sad little beep escaped him. "This one."

Julia peered into the cage, looking at the shaking cat inside, before her eyes travelled to the card. Ah. "Alright."

The cat had hidden from them for the first few weeks, which worried Julia. She respected the cat's desire for privacy, she understood...They both...understood. But it still worried her that Tau would fall out of love with the idea of having a pet.

Instead, Tau was patient. He would sit beside the bed, sliding pieces of food underneath to make sure the cat was eating without pressuring her to come out.

Julia would also leave water dishes underneath there and avoided walking past the bed unless she really needed to.

They had both done as much research as they could and it began to pay off when one day, a paw stuck out from under the bed. Tau made a sound of delight and grabbed one of the cat toys they had bought, which had gone unused. He wiggled the stick and that paw grabbed at the toy on the end, bringing it into the depths before it came swinging back. She launched herself from beneath the bed, jumping for the swinging toy.

Tau laughed mirthfully, causing Julia to look over at the commotion before smiling as she watched them play together.

Within another week the cat was freely leaving her domicile. Only running back in to hide when something spooked her, but still, it was progress.

And then she let Julia pet her for the first time, just a little headbutt against the woman's arm.

"She needs a name." Julia said, giving the cat a slow blink as she continued to gently stroke their animal.

"Hope." Tau answered quickly.

Julia laughed lightly. The name was cheesy, but who cares? "Hi, Hope." She said, smiling wider when the newly named cat allowed Tau to pet her too.

Hope purred in response.

All I could think about was this post while writing this 😂

(I need to start doing imagine descriptions, I always see them and forget to do them, aahh)

[Image Description: Screen shot of a twitter post saying, “I don’t know what just happened, but I was at the animal shelter before work and a toddler walked in and pointed at me and went “I want that one” and his mom just looked at me and said “You can’t have that, that’s a grown man.”. End]

#Tau #Tau 2018 #Tau Netflix #Julia (Tau)#My Writing #Thank you for the prompt!!!!#I write this while one of my cats is all snuggled up in my side ;-;

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chroniccombustion · 3 years

Text

Caught in The Grey (ch 6)

Genre: Trans!AU, hurt/comfort, romance, angst with a happy ending Rated: T Characters: Souji Seta (Yu Narukami), Yosuke Hanamura, Naoto Shirogane, Kanji Tatsumi, Investigation Team, Izanagi/Shadow!Souji Warnings: depression, dysphoria, disassociation, self-hatred, implied suicide attempt, suicidal thoughts, mentions of homophobia, implied past child abuse and transphobia, canon-typical violence, mild sexual content Status: multi-chapter, incomplete

Playlist: Spotify | Youtube <- previous chapter | next chapter -> (unavailable)

Souji is talking to Kanji.

Souji is walking with Kanji.

Yosuke feels something inside of him twist sharply. He feels… sick.

Chapter 6: On the Outside, Waiting

“I was only in my mind, You were on the outside waiting. I could feel you all the time. Your voice could save me...”

- (“Echo”, Starset)

Thursday absolutely creeps into existence.

Yosuke wakes with a vicious headache. It doesn’t start off slowly, either; from his first moment of consciousness, even before opening his eyes, his head feels like something has been trying to claw its way out from inside his skull while he slept. It thrums just behind his eyeballs, leaving everything tinted ever-so-slightly yellow around the edges with each pulse. He digs the heels of his hands into his eye sockets in an attempt to lesson the pressure, but all he gets for his troubles is a stinging, lingering starburst behind his lids – not even ten minutes into the day and Yosuke’s mood is already beyond all hope of saving. So, bleary and exhausted, he forces himself to ooze out of bed like melted wax. He gets up, frowning against the sickening dizziness, the weird sallow hue, and drags himself through the house to get ready for the day.

Going about his morning routine feels like he’s wading through wet concrete. The constant pain keeps his stomach just barely at the point right before nausea, and as he sidesteps around Teddie in their new “brotherly tradition” of communal teeth-brushing, Yosuke has to actively fight the urge to just go back to bed and stay there until Monday. Maybe if he hits a hard reset he can write off the Endless Week from Hell as just another nightmare; fuck knows he’s had enough weird dreams lately that one more wouldn’t mean much at this point.

He doesn’t though. He powers through the motions on pure muscle memory and diverts what little willpower he does manage to scrape together towards putting on a mask of normalcy. It sticks in place precariously, like dried, cracking glue that’s flaking off under too much heat and wear. He keeps the façade going as best he can, however, because despite wishing he could just evaporate into nothingness, Yosuke doesn’t want Teddie to think he’s pissed off at him. (Because he isn’t, not specifically, even if the bear’s enthusiasm for everything is a dozen kinds of irritating this morning.) So Yosuke does his best to try and keep his mental and physical discomfort as close to secret as possible.

More than being worried that Teddie will take it personally, though, Yosuke just doesn’t want his little brother to ask at all. The reserves of energy Yosuke normally has tucked away have not yet been replenished after days of continuous draining. Even the overflow of nervous, anxious energy that comes from his brain and not his body and makes it impossible for him to sit still half the time; he just… doesn’t have it. There’s simply nothing left that he can spare, not even for Teddie.

So Yosuke swallows down the pressure in the back of his throat that threatens to choke him and pretends that nothing is wrong, that his head isn’t pounding like it’s about to explode and he’s two steps away from giving up for the day. He speaks when Teddie prompts him to, answering questions or responding as needed and staying quiet with it’s not. He lets the chatty blond fill the silence for him, instead, and uses Teddie’s unnatural lack of a need for air to his advantage. For the most part, it seems to work in his favor.

Teddie doesn’t notice – or at least, Yosuke doesn’t think he notices – and by the time Yosuke has to leave for school he’s almost convinced that his act has been bought. It’s only at the last minute, when he glances up for no real reason while slipping on his shoes and spots Teddie in the entryway next to him, that he catches the odd sideways look his brother is pinning him with. Yosuke gives him an overly sunny smile as he opens the door, pretending to both his brother and himself that he doesn’t see the frown on Teddie’s face, and finally slumps out into the chilly morning air.

He tries not to think about it for long.

The sky outside is drearier than it has any right to be as he begins trudging along the path to school. He’s actually a little glad for it – the diluted sunlight is just low enough that it doesn’t hurt his eyes and make his still-present headache worse the way a brighter, bluer morning might. Sadly, with his proverbial battery as drained as it is he can’t take much comfort from the lack of extra pain, and it does nothing to lift his mood from the murky depths of his own self-pity. So, even though the sun doesn’t bother him directly, Yosuke keeps his eyes trained on the concrete beneath his shoes as he walks and distributes his weight onto the balls of his feet to keep his own footsteps from jostling his brain.

He makes his way carefully down the familiar first part of the trek. He doesn’t look up, doesn’t pay attention to anything except the quiet music from his headphones – cranked down today so as not to exacerbate what he’s starting to think might be a migraine. Nothing happens; he’s never been so glad for uneventful monotony. He counts the cracks in the sidewalk as he crosses them and lets himself get lost in the repetition.

He doesn’t want to think – not about Souji, not about the dreams, not about the squirmy, guilty feelings low in his gut leftover from last night’s shitty texts. None of it.

He doesn’t want to think at all.

(He feels his knees start to buckle mid-step and has to forcibly blank out his mind to stop himself from remembering everything that’s made him question his own reality over the past few days, lest he turn right the fuck around and lock himself in his bedroom for a year.)

Surprisingly it seems to work; the awful, mocking voice isn’t there this morning, chewing at his memories and bringing them all into sharp relief. There is no harsh whispering in his ears, telling him all the ways he’s fucked up or how worthless and forgettable he is, how much Souji must secretly hate him or how disgusting Yosuke really is down inside. Instead there’s an eerie quiet, only broken by Yosuke’s own mind when he slips and lets his caged thoughts out for a moment. He can’t tell if he’s glad or unnerved.

He tries not to think about that, either.

(The yellow hue hasn’t gone away – he doesn’t know what that means but he’s pretty sure it’s nothing good.)

The mental silence feels like a cool breeze against a scalding sunburn for the short amount of time it lasts. It follows Yosuke the first third or so of the journey, numbing him to the streets and background highway noise within the couple-block radius around his house. But as much as he wishes it could last the entire day, Yosuke has long-since learned that nothing good or decent lingers around him for very long before vanishing and leaving him desperate for steady ground. All too soon, in little visual bits and pieces, he starts to habitually recognize his surroundings once more.

Just past the point where the sounds from the highway he lives by start to fade entirely, Yosuke’s eyes catch on minor landmarks, reminding him of just where he is and where he’s heading. He slows his already-sluggish pace even further and lifts his head to properly align himself with the rest of reality. Up ahead, about a block away, lies the little stretch of road where he and Souji’s paths usually intersect; he’d avoided it yesterday, and looking at it now, even from a distance, Yosuke can feel his nerve endings beginning to spark and crackle, even as his mind stays unnaturally silent. His muscles tense slightly, like his body is getting ready to break into a sprint at any moment before his head can even fully catch up and register the bitter unease that’s steadily taking hold. He hates this. He hates the way his stomach drops out at the sight of he and Souji’s meeting place. There isn’t even anyone there that he can see – though he’s ashamed to admit the teensy flash of disappointment – because... well, because – and, even worse, how afraid he is to stick around and find out if that’s going to change any time soon.

(The whole world turns sickly bile-yellow for a second; the color disappears when Yosuke blinks and swallows with a dry throat, but for a single instant it’s there.)

I can’t do this.

Just like yesterday, just like the coward he is, all talk and no spine, Yosuke lets his feet turn away from his typical route and down a nearby side street. It’ll take him a little extra time to go around like this, to wind through a different part of town and come out at another spot along the river before heading practically a back way up to Yasogami. He’ll still have to take the path to the front gates – there isn’t really another way he can go – but if he can do enough meandering and time it right then he can (probably, hopefully) avoid Souji until he’s actually in the classroom. He’ll have to figure out the rest of the day as it comes.

He stalls and stalls and wanders and picks his way carefully along a zig-zagging line in the general direction of the high school. He’s familiar enough with where he’s going that the roundabout way itself doesn’t bother him; he’s already spent a lot of time mindlessly exploring the streets of Inaba.

When his family first moved from the city, out to this tiny little hole in the middle of nowhere, Yosuke had found himself with too much free time and too few distractions to keep his mind from dwelling on his own misery. Being new meant he had no friends, and being the person everyone seemed to blame for Junes’ existence meant he wasn’t really welcome anywhere either. When he wasn’t at school he was working, and when he wasn’t working he was home alone because his parents were working, and when he was home alone his options were either homework or unpacking boxes. Eventually he ran out of both.

Video games were only fun for a little while before they grew frustrating and boring without someone else to play with. Movies and tv were alright but sooner or later he’d already seen everything twice over. Books where never really his thing because his attention span was always just too short to let him enjoy them; manga was better, but had the same problem as movies. In the end, Yosuke’s only choice for something to do besides sit and stare at the wall had been to go walking – if only to try and familiarize himself with the place he was inevitably going to be stuck in for the rest of his natural life.

So he walked. From the school district down towards his house, looping and doubling back to kill time, or from Junes after an earlier shift and across to the other side of town just to see how far this tiny pocket of rural bullshit extended before he hit the wilderness. He might not have gotten the whole place memorized, but after those first couple of months in Inaba, when his entire experience with the town outside of school, work, or the pile of moving boxes at home had been made up of long walks and lonely hours, Yosuke’s mental map had soon become, at the very least, decent.

He calls on that mental map now as he rounds another corner, pulling at a few staler memories to see if he’s going the way he thinks he is. The house at the end of the street with the blue shutters, the rickety doghouse in the front yard across the road – yep, all still there. He’s probably going to be late again, or very, very close to it, but as long as he keeps moving, as long as he twists and winds and pretends he doesn’t eventually have to join the rest of the student population on the same road to the school entrance, he can keep himself from succumbing to his anxiety. Souji is punctual, Souji likes routine. If Yosuke takes his time getting to school and avoids the usual path, then he theoretically doesn’t have to worry about accidentally running into Souji on the way.

But even as the thought helps to keep the jitters at bay, there is just something so… inherently wrong about it that Yosuke has to bite down hard on the inside of his own cheek to keep himself from choking. This is a violation of his own routine, of everything that has made his world anything considering normal up to this point. Never in a million years would he have ever thought himself capable of outright hiding from his best friend, going out of his way to purposefully avoid him – it feels like a betrayal, like he’s adding just one more slight against Souji to his ever-growing pile of mistakes. A faint echo of loneliness washes over him and clings to his skin like a humid breeze – the morning feels far too much like the walks he used to take before he even knew that Souji existed, all those months ago.

He never wants to go back to that.

He thinks he may have forgotten how to breathe.

Digging his shoes a little more roughly into the sidewalk, Yosuke powers his way up the street – headache be damned – and past the house with the blue shutters, counting his footsteps in his head loud enough to eclipse the lyrics of the song in his headphones. He keeps his head down and his shoulders hunched, only letting his eyes lift from the sidewalk to keep himself from tripping over as he walks like the entire world is clawing at his heels.

He almost doesn’t notice when he’s reached the path that leads through the school district.

He almost doesn’t notice the achingly familiar sound of Souji’s voice further up along the road.

He almost doesn’t notice the figure striding along at his partner’s side.

But then he does.

Yosuke looks up instinctively as his friend’s voice reaches his ears, startling violently for a moment when he sees just how close he got to Souji without even realizing it. His heart stutters, trembles like the wings of a frightened moth at the flash of silver not even twenty feet in front of where Yosuke has been disassociating as he walks. (And how funny is it that even when Yosuke forgets where he is, his feet always seem to lead him right back to the one thing that’s ever made his life make any sort of sense?) He nearly trips on the next footfall as he overrides his own autopilot and manually slows his pace, falling a little further back from the ethereal swath of black-and-moonlight ahead of him just enough to not be noticed. He makes sure to stay close enough that he can still hear his partner speaking, though – not even the words themselves, just the sound of Souji is all he really needs.

(Just how needy can he get?)

Souji’s voice carries on the slight breeze that blows through and ruffles his hair, moving it enough to catch the muted morning light and make it shine like sunbeams across the Samegawa. Souji's volume is as quiet as ever but unmistakable in its steady timbre, its velvet-softness, and even with his headphones still on Yosuke can hear it. He’s trained himself to pick up on Souji’s commands through his music while in battle. By now it’s almost second nature to him to react every time his friend speaks.

But Souji isn’t speaking to Yosuke. No, Yosuke is still a ways behind him and from the looks of it Souji hasn’t noticed Yosuke at all. Instead, walking side-by-side, so close that their arms nearly brush every time one of them gestures, Souji is talking to someone else. Someone tall, with broader shoulders and a louder voice, bleach-blond hair slicked back to show off the glint of several earrings, a uniform jacket worn like a cape instead of over the arms.

Souji is talking to Kanji.

Souji is walking with Kanji.

Something inside of Yosuke twists sharply. He feels… sick.

It sits like concrete in the pit of his stomach, growing rapidly in its weight until he can barely breathe, can barely see, the edges of his vision almost pulsing with that same ominous yellow. He can't think for a moment, can't focus on anything but the way his best friend – his best friend, goddamnit! - walks just a little too close to Kanji, smiles just a little too widely at Kanji. It's wrong, it's wrong, it's so wrong, and Yosuke can't even begin to peel back his own thoughts from the slow crescendo of screaming now building inside his mind to parse just why he's suddenly so angry. The yellow becomes tinged with something almost like an acidic green, the color of jealousy and vomit and everything Yosuke can feel at the back of his throat like a wad of wet paper. He feels shaky in a new way, no longer afraid but something closer to how he tenses before a strike in battle. Defensive. A snarl curls at his lips before he can stop himself, and it's only because he's still rooted to the spot in a kind of shock that doesn't even feel human anymore that he doesn't go launching himself across the way and yanking Souji back to himself by the arm.

Somewhere, deeper than the anger and the horrible heat trickling down his spine, Yosuke knows he's being unreasonable; after all, Kanji is Souji's friend, too, and it's not like Yosuke has exactly been available for Souji to interact with recently, so there's nothing in the world wrong with the other boy walking to school with another member of their team. He wishes he could pinpoint where this is even coming from, why he's suddenly flipped like a switch from wanting to avoid Souji at all costs to violently wanting to hoard him all to himself. It doesn't make any sense, and Yosuke's actually starting to get a little bit frightened of his own reaction.

It's just too bad he can't feel it properly below everything sinking into his heart, poisoning him from the inside out; maybe it would be enough to snap him out of whatever this is.

He stands stock still, only vaguely aware of the other people around him, some shooting looks at him no doubt, and watches as his Souji (his, something in him hisses,) passes through the gate with someone other than Yosuke. He watches, body frozen and eyes burning, refusing to blink as Souji, his friend, his leader, his partner approaches the school together with Kanji, the same way he used to (used to, should be,) with Yosuke.

It shouldn’t knock the wind from Yosuke’s lungs like he’s taken a Zio straight to the chest; it shouldn’t, because when all is said and done it's almost guaranteed all this is completely innocent – Souji is a friendly guy, and it's never been like him to say no to anyone asking for his time. (Except for when he did, Yosuke thinks bitterly, because wow, that wound is just not closing.)

But that's the thing, isn't it? Because no matter how much it is absolutely Yosuke's fault for putting this newest distance between him and his partner, even if Souji's refusal to talk to him had set everything in motion, no matter who or what is truly to blame for this, it does little to change the very real fact that Yosuke is not the one by Souji's side right now.

That Souji has picked someone else.

The scene is so similar that it’s almost as if Yosuke is looking at a displaced echo, a badly done juxtaposition of two different images made to look like one. Like someone stripped the negative of a photograph and pasted in a poor substitute. Like someone replaced the original and, and...

Told you, the voice inside his brain sneers. For the first time that morning, Yosuke feels that formless smirk stretching wider, curling into his fingers and toes like something settling into its frame after being wadded up, stuffed into a space it didn't fit. It feels simultaneously right and wrong – wrong because he doesn't think it's supposed to be there, hiding just behind his limbs, adhering to his bones and pricking at his nerve endings; right because the thing now wearing his skin alongside him disagrees.

It was only a matter of time before he got tired of your shit.

It was only a matter of time before he got tired of you.

He takes a few steps after them as they start to get just a little bit too far away, hyper -focusing on the way Souji acts, the sound of his voice and the way it lilts and flows, comfortable in a way Yosuke's rattling memories can't recall if he's ever been before. Yosuke zeros in on the lack of distance between the pair ahead of him, scanning them like Rise does in the TV and storing away all the minute details he can suddenly see, focus now sharp as his kunai. He sees the way Kaji's face reddens. He sees Souji looking over at Kanji with a bright expression, with a smile that shows teeth and pulls the corners of his mouth wider than Yosuke has ever seen when Souji is talking to him. He feels a growl rumbling deep in his throat.

Souji tilts his head in Kanji’s direction as the punk says something, swinging a large hand out in front of himself with obvious excitement and nearly smacking into Souji’s side with his elbow. He catches himself before the hit lands and sheepishly pulls his arm away, face going redder. Souji lightly, deliberately, bumps Kanji's elbow with the back of his own hand, no doubt reassuring the blond that his exuberance has caused no harm. Kanji rubs at the spot awkwardly. He says something. He blushes harder.

And Souji laughs.

It not a real laugh, it never really is with Souji, nothing louder than a very quiet chuckle or a huff or a breath, but Yosuke has heard it before, has been the one to bring it out before, so he would know that sound anywhere, will always recognize that silent shudder of his partner's shoulders as the other boy uses his body to communicate instead of his voice. Yosuke doesn't have to hear it – his mind supplies the sound.

That's mine! he snarls.

Not anymore, something mockingly singsongs in reply.

The yellow-green in his eyes grows darker and Yosuke can see the corners start to creep inward with solid color, until all he can see is the fondness on Souji's face that isn't meant for him.

He has to claw his way back to the forefront of his mind in order to get to class on time, just barely slinking into the room with the teacher coming up the hallway behind him. His eyes bore into the soft grey hair at the back of Souji's neck and – for the briefest of moments – he has to quell the urge to lean forward and sink his teeth into his partner's flesh, leave his imprint for all the world to see and claim what's his.

He doesn't even notice the way the thing inside him that before would have been copper and sick now seems to purr at the thought.

---

He doesn't remember the rest of the day.

Yosuke is aware that he somehow makes it through the school day, bounding out of the room at lunchtime to go and... well, he doesn't even know, really. He thinks he may have gone up to the roof but he isn't sure. He knows that he did eventually go back to the classroom – presumably after lunch – but beyond that there's nothing. The end-of-day bell sounds and he's immediately on his feet, out the door, down the hall, head foggy and vision tinted yellow; if anyone says anything to him then he doesn't even notice.

Something ugly is happening to him inside. He knows it, doesn't know how to fight it. Right now, after that morning, after everything swirling around in his chest and his head for most of the week now, Yosuke feels a disconnect between himself and reality. He's spent so much time trying not to think, then over-thinking, the repeating, and repeating, and repeating, that it's like something has finally snapped. He's so tired and wrung out that he can't tell how he even feels right now, whether he's mad at Souji or Kanji or himself. Or all three. Or just fucking everything. It's as if there's a block of ice holding him separate from the dark things twisting like vines behind his heart; he can't look at them, can't pull them apart with his hands and study them, he can only feel them coiling tighter and tighter until his body goes numb.

His phone goes off in his pocket as he stalks his way down the hill away from school, thighs burning despite months of combat toning his muscles inside the TV. He checks it on instinct, feels the vines in his ribs twist in another direction as he reads the “I miss you, Partner,” that Souji had texted him.

Guilt or anger or self-disgust or something climbs its way to the back of his throat and threatens to spill from his lips onto the sidewalk and it's such a mess, such a god-fucking-awful mess that the only thing Yosuke can do is type a quick, dismissive, “sorry @ work” and back out of the text before he chokes on molten, raw emotion. Without even looking he scrolls and clicks on a random chat log further down the list and pulls it up so he doesn't have to look at Souji's name anymore, doesn't have to try and figure out if he's upset or happy or just sick to his stomach. Chie's nickname screams at him from the phone screen, her words from last night still justifiably pissed.

Yosuke takes a second to think of the dirtiest pick-up line he can and sends it off, not even caring anymore. It doesn't feel like anything, he gets no satisfaction from it, doesn't even bother harboring the idea that maybe she'd find it funny like he used to do ages ago. It doesn't mean anything. Nothing means anything anymore. He's just hollow.

His phone 'ping!'s and he barely glances at the response. She's mad again. Whatever. Let her be. Yosuke deserves it – the frigid rush he gets from her anger coats his skin and, in a horrible, disgusting way, it makes him feel better. Good. At least someone feels something in his direction. He sends her another message, pretending it was all a joke, that he wasn't punching at the walls of his tiny world just to feel anything anymore. He's gone so far from the constant buzz of anxiety and fear that he's grown immune to it now. Everything is so loud and at the same time it's all too brutally quiet. It's like he's rigged for self-destruction, caught in a loop of feeling betrayed and wanting to betray in return out of spite, folding back around to hating himself for it, wishing everything was back to normal, that he and Souji were back to normal, and then wanting to rip his own skin off when he realizes they aren't and can't. It tilts him side to side and he can't balance. He can't regulate his emotions, can't sort out his feelings, has no outlet – all he can do is take a swipe at everything around him and hope he finds a handhold, something to pull him back to the surface. Maybe if he causes enough damage outside himself then it will make up for all the damage already caused inside.

He wants to scream.

Instead, Yosuke types out another dirty text and hits send with shaking, vindictive hands.

Nothing changes as the afternoon stretches on. Chie spits more fire at him through the phone, apparently borrowing Yukiko's element for a while as she tells Yosuke in loving detail just how many ways she intends to break his knees. He hates that it's almost comforting in its normalcy – albeit in a dark and over-exaggerated way. The ice block sits comfortably in his chest, hindering him from properly feeling the fallout of his actions as the vines dig their thorns in deeper; he knows that if he tries to look behind it then he'll be disgusted with himself all over again, (Chie really doesn't deserve this kind of treatment, for one thing) and so he just. Doesn't. He holds back the part of him still consciously rallying against everything he's doing, yelling at him to stop, throwing itself against the frozen wall to try and make him feel all the remorse and guilt he knows is there behind the ice. It's building, drop by drop, bucket by bucket, action by action, but Yosuke can't make himself stop.

You really are a worthless piece of shit, aren't you?

It's to the point where Yosuke can no longer tell the mocking, hissing, whispering voice inside his head from his own. He thinks there might not be a difference at all anymore.

He wanders through the streets and between the buildings in the same weaving, winding pattern he did that morning, letting the music in his ears and the faint ache in his legs from his ceaseless power walking distract him from all the things he wants to pretend aren't happening. Eventually he reaches the bottom of another hill and doubles back to kill more time before his shift at Junes – because, unlike the night before, he really does have one this time. He debates on calling in as he takes the long way around to the shopping district. Right now he barely feels human, let alone like he's capable of interacting with other people; donning the mask of artificial pep needed to deal with shoppers is draining even on the good days, despite the fact that he's used to being on autopilot while at work with too many years of involuntary customer service making it almost muscle memory by now. In the end, though, he decides against it. Calling in will mean having to make up a good excuse for his dad, which might lead to a far longer and more complicate conversation than Yosuke has any desire to have. There's no way he has the energy to play verbal minesweeper with his parents, whether it be now or later once they get home.

He checks his phone to see how much time he has left to fortify himself, to keep his brain and his heart blissfully, chaotically numb, and sees a trio of new texts from Chie that must have come through while he wasn't looking. He taps her name to bring the chat back up and expects to see more of the usual fair. He doesn't.

Meat-Fu: What's going on Hanamura? This isn't normal.

Meat-Fu: U know u can talk 2 me right?

Meat-Fu: Ur my friend & I'm worried.

Yosuke feels like he's been stabbed.

Nonononono,this isn't right! With all the shit he's pulled to get attention, validation, to force the world to prove he's a bastard, none of it was supposed to result in this. He's sick, he's worthless, why can't everyone just hate him as much as he hates himself?!

Yosuke nearly throws the phone away from him, his body suddenly shaking as the ice cracks and the vines squeeze and he comes dangerously close to feeling something. This wasn't – he doesn't' know how to deal with this. Everything is off-kilter; Souji has gone and replaced him with Kanji and Kanji is stealing his best friend and it's all Yosuke's fault because he's disgusting, of course Souji isn't going to want anything to do with you anymore – and Kanji probably has the same kind of dreams that Yosuke's been having because that's what gay people do, right? And now Chie, of all people is picking up on the stuff Yosuke is trying so hard to shove down because how does he even begin to deal with all of this and he can't let her know, he can't! Not after everything he's done and said and everything he's turning into, oh god.

Blinking through the sudden blur in his vision, (when did he start tearing up, what the hell?) Yosuke grips his phone in both hands and sucks in breath after breath of too-thick air. He's so tired of borderline breakdowns. Typing as best he can with his limited sight, he fumbles out a reply, just something, anything to grind the conversation to a screeching halt before it can even begin.

Yosuke: wth r u talking about? lol ur crazy Chie

He sends it. It's not enough, it's too casual, too easy to brush off, but he can't see the screen anymore and his fingers won't move right. So he sends it and he stands there in the middle of the sidewalk near the bus stop in the shopping district, staring unseeing down at his phone and forcing himself not to blink. The tears stay in his eyes, dry up, fade away. He takes a shaky breath in and lowers his phone.

“Yosuke-kun?”

Oh no.

It's like a nightmare. An actual nightmare. He looks up and sees Yukiko standing a few feet away from him, likely waiting for the stupid bus (why did he have to stop here? Why?) with what looks like a couple of Junes bags draped over the crook of her elbow. She must have just finished shopping and come straight to the bus stop, ready to head home.

Which means Yosuke would have been damned either way – if he'd gone straight to work he would have run into her there, and because he'd stalled for so long he'd run into her here. He shouldn't have answered Chie's text, should have kept moving, should have taken another route or hidden in the stock room at work. He should have--

Yukiko takes a step closer, concern sweeping over her delicate brows. “Are you alright, Yosuke-kun?” She takes another step. Her lips pull into a frown as she looks at him and Yosuke can't even begin to imagine what's she's seeing.

“H-huh?” he squeaks out. His knees don't want to hold him up.

Yukiko's frown deepens. “You look troubled, did something happen?”

Yosuke shakes his head. “No! No, I'm perfectly fine, I'm just uh...” He flounders for a second, staring at her like she's an approaching Shadow four times his size – even if she hasn't moved since that second step in his direction. He knows his eyes are wider than a cat's, he can feel it. Finally he manages to blurt out, “stalling? Cuz I really don't wanna go to work.” (Well it's not... exactly a lie.)

From the way Yukiko is looking at him, he knows she isn't convinced, can already tell she's thinking of saying something. She's quiet and polite most of the time, yes, but she's been getting better at speaking her mind, and that scares him right now. He can barely keep himself together over a text conversation; there's no way in hell Yosuke will be able to make it out of a face-to-face one alive.

So he defaults. He defaults and it leaves him feeling gross and slimy even before it's finished leaving his tongue; “You know, if you're worried about me, you could always come cheer me up.”

(Oh god does he wish he could put the words back in his mouth and swallow them down.)

Yukiko leans back slightly, her expression turning uncomfortable, and it just serves to make Yosuke feel even worse about what he's doing. She opens her mouth to speak. Yosuke cuts her off.

“You never did send me that picture.” He tries to wink. He doesn't like how it feels.

This time, Yukiko recoils as if something foul has been splashed at her. “That's--”

But Yosuke is already turning on his jelly-kneed legs and willing them to carry him just around the corner, just out of sight. “See you tomorrow!” he calls, trying to keep himself from retching as the words come out. Behind him, he hears the sound of the bus' breaks squealing and pushes his legs faster. Yukiko won't follow him, he knows (he hopes,) lest she miss her ride home and have to wait for the next one. Yosuke has been spared for now.

(Except he hasn't really, now has he?)

He's almost makes it up to the top of the shopping district, almost makes it to (possible) safety at Junes where he can hide between the aisles, go and find things to do and redo in the stock room, keep himself busy without actually doing anything. It'll be a welcome distraction at this point, despite how vehemently he doesn't actually feel like dealing with customers, coworkers, hell, he'd even probably dodge Teddie because Yosuke just genuinely can't today. (And on the chance he spots one of his friends walking into whatever area he happens to be in, well... then he'll just have to find something to hide behind and stay there until they go away.)

He's almost to his goal when the universe decides he's not done suffering quite yet. There, coming around the corner, Nanako perched happily on his shoulders, is Souji.

Yosuke stops dead in his track, so abruptly that it's only by some tiny speck of luck that he doesn't fall face-first onto the pavement and break his nose. Panic erupts in his blood like he's been doused in gasoline and set on fire and suddenly his lungs are collapsing in his chest. He doesn't know how he manages to do it, but he dives to the side into an alleyway and tears out the other end as if his life depends on it.

Souji can't see him, Souji can't know he's there, because Yukiko and Chie both talk to Souji and Yosuke hasn't even managed to deal with all the stuff that's already happened this week, hasn't dealt with this morning even! So if Yukiko and Chie talk to Souji and tell Souji about all the horrible shit that's Yosuke's been doing...

Yosuke is doomed. Yosuke will absolutely be doomed. He hasn't spoken to Souji in days and he can't let their next interaction be Souji looking at him with disappointment, with anger, with disgust.

Yosuke runs through back streets and down alleyways until his legs betray him and he collapses against a wall just outside the Shiroku Store. He wasn't even aware he'd managed to book it that far – no wonder his chest feels like it's about to explode. He waits until he can manage to catch his breath, leaning into the bricks so he doesn't sink to the ground. When he thinks he can move again, (ten minutes, twenty minutes, half an hour later, he has no idea how long he's there,) he pulls himself around the corner and looks first to the left, up towards Junes, and then to the right down the shopping district. No Souji. Good. Hopefully the other boy is still up shopping with his sister and will be for a good long while, (especially if Teddie has anything to say about it.) Tentatively confident that he's not about to be ambushed by his former partner, Yosuke slips shakily out onto the sidewalk.

First thing's first, he shoves his hand into his pocket and digs around until he finds every bit of loose change he's got and shoves it gracelessly into the receiver of the vending machine. He hits a random button, doesn't even care what he gets so long as it's liquid and cold. He chugs the can without even tasting anything and he stifles a wince as the drink hits his burning throat, before the raspy dry feeling finally goes away. He tosses the can away in the nearby trashcan and slinks back into the alley to hide while he calls his dad and tells him he can't make it in for his shift.

(Chie texts him again because of course she does. He doesn't even look at it this time; he just fires off a quick, “@ work can't talk” and puts his phone on airplane mode.)

---

Yosuke makes a quick stop inside Shiroku Store before chancing the trip back home. He grabs a couple of instant ramens for himself, knowing full well no one will be home for a while to make dinner and that his own appetite is questionable after his stomach has been tied up in knots for so long. It'll also give him an excuse not to have to sneak back downstairs later and risk running into his parents. Again, not a conversational minefield he's willing to navigate right now. (He also grabs a pack of mochi to placate his little brother when Teddie inevitably whines about Yosuke not coming in to work.) Once he's out he heads straight home – straight, because the sun has started going down and it's freezing outside, so he feels confident enough in the low temperature to take the gamble on none of his friends being out where he can stumble into them.

He makes it to his house without incident, makes it inside and up to his room, even manages to take a bath without a fuss since Teddie isn't home yet to knock insistently on the bathroom door. For now, he's safe. But even knowing he's at home, alone, with his phone far away from him in the other room, Yosuke finds that he still can't relax. He soaks in the warm water, (he'd washed as quickly as fucking possible because even days later the shower makes his stomach squirm,) and tries to will the anxiety to bleed out through his pores. It doesn't.

Something is keeping his shoulders tense, his nerves frayed and spiked. Even when he gets out of the bathtub after Teddie comes bounding into the house, loud even from downstairs, Yosuke feels like he could jog all the way back to school and have energy left over.

He gives Teddie the mochi, which effectively shuts up any line of questioning that might have been incoming, and Teddie babbles excitedly as he eats. He tells Yosuke all about how “Sensei and Nana-chan” had come by to do some grocery shopping, how he and Nanako had run off to find the groceries together while Souji had wandered off. How they'd found him later after they were all done, around the side of the building, crouched low to pet the stray cats. Yosuke listens to all of this with far more attentiveness than normal; he only breathes once Ted is finished and there has been no mention made of Yosuke whatsoever.

It's... weirdly easier to relax his body after that, though understandably not his mind. His little brother is a small sliver of something normal, oblivious and innocent and forever just happy to be there. It lets Yosuke pretend that nothing bad is waiting for him just outside the house's front door.

Normally he'd play a few rounds of a video game with his brother until one of them felt tired enough to go to bed; tonight, though, Yosuke can't keep his attention on the game, and so gives up after only two failed races. He moves to sit on the bed and picks half-heartedly at his cold instant ramen, only partially watching as Ted plays against the game's AI until the bear starts getting bored. Teddie decides that they're going to have a movie night together after that, and Yosuke lets the blond boy put in some brightly-colored Ghibli thing for them to watch. Yosuke inevitably zones out.

It isn't until the credits end and the dvd menu comes back with a loop of the movie's main theme that he finally looks up, blinking at the red numbers on his alarm clock that read far later into the night than he'd thought, and then down to find his brother passed out cold on the floor. Yosuke sighs and gets up, throwing his unfinished noodles away before awkwardly – albeit carefully – dragging Teddie's slumbering form over to the closet and plopping him onto his futon.

It's as Yosuke is getting ready to turn off the light that he sees Teddie's phone lying on the carpet.

He doesn't know why he thinks it, what makes him link the sight of his little brother's cell phone to the flicker of memory that bubbles up to the surface. He doesn't know where the idea comes from. But he has it.

Rise had taken pictures of everyone and everything at the pageant. Rise had taken pictures of Souji.

Teddie had been begging Rise to send the pictures to his phone.

Yosuke has no idea whether or not Rise had ever actually did, but with how proud of herself she'd been for taking them, he'd bet money on there now being a whole folder of pageant photos residing in the bear boy's phone.

I shouldn't, he thinks, and not just because it'd be incredibly invasive to go poking around in his brother's phone – if he does, and he finds what he's looking for, then what? He knows neither the girls nor Naoto took any photos of the second pageant, but despite what he let Yukiko believe (and what he's been trying to convince himself of for days,) Yosuke doesn't need those; he'd snapped a few of his own when the event was happening. There aren't many - he'd been a bit preoccupied worrying over Souji's disappearance at the time, and he'd purposefully avoided taking any pictures of Naoto because they'd looked so miserable that it felt almost cruel, but he has some. (And thinking about it now, he realizes he hasn't so much as opened the photo gallery on his phone even once to look at any of them since he took them.)

So no, it's not photos of the beauty pageant he's looking for.

Slowly, as if terrified Teddie will somehow wake up and throw open the closet door to catch Yosuke in the act, he reaches down and picks his brother's phone up off the ground. He's just picking it up, he tells himself; he's just getting it off the floor so no one steps on it. He's doing Ted a favor. He's not going to look, he's not.

(Liar.)

It's not hard to get into Ted's phone – the bear doesn't have any sort of lock on the screen – and because it's a cheap Junes model, Yosuke already knows exactly how to work it. It takes him less than half a minute to find Rise's nickname in the text logs and pull up their last conversation.

There, staring up at him, is the bottom part of a photo, with what looks like the stage in the school auditorium.

Yosuke immediately feels his palms start to sweat. He crosses the room in two quick, silent strides over to the light switch, turning it off with fumbling fingers and plunging the room into darkness save for the faint glow of his alarm clock and the glare from the phone in his hand. He pads back over to the outline of his bed and throws the covers back, then climbs in, throws the blankets over his head like a child avoiding bedtime, and curls up into a ball on his side with his prize held tight in his nervous hands.

His stomach swoops as he holds his thumb over the up button, ready to scroll past Ted's enthusiastic words of thanks to Rise and see--- but hesitates.

He could stop right now, he thinks; it would be so easy just to shut the phone off, put it on the charger, go to sleep. He could roll over with his face in the pillow and pretend none of this happened. It would be so easy.

Okay, he thinks, momentarily closing the phone. Okay. Okay...

This isn't creepy, it's not; he's just... making sure. Right. Yes. That's all. The dreams started after Yosuke had seen Souji dressed up as a girl – after Yosuke had thought things about Souji dressed as a girl. That had to be the reason, right? He couldn't be gay if he was only attracted to his best friend when Souji was in a skirt, when he looked a little too convincing as a chick. That's where the wires had gotten crossed in Yosuke's head, when his teenage hormones had been confused at the sight of his already-pretty partner making an even-prettier lady. That's all it was, it had to be, and Yosuke was holding the proof, the means to his mental salvation, in his hands. All he had to do was look.

Yosuke closes his eyes and takes a second to brace himself, scared for reasons he doesn't particularly want to explore. He pulls in a deep, unsteady breath. Another. A third. On the final exhale, he opens his eyes and taps a key to wake the screen back up. He stares at the bottom of the photo for just a few moments more and then finally sucks in one more breath, pressing the 'up' as his lungs fill to the brim.

The first few pictures aren't what he needs: a crowded group shot, Teddie flouncing around the stage, Kanji looking ready to break an ankle in his ill-fitting heels, Yosuke hating everything while holding the mic. He keeps scrolling up, growing irritated and more anxious with every photo revealed not to be the one he wants. Eventually he just holds the button down and lets everything scroll by until all the images start to blur together; it's because of this that he very nearly misses a flash of grey and silver as the photo streaks by.

Yosuke immediately takes his thumb off the 'up' and jabs at the 'down' until the picture comes back into view. There, bathed in the harsh spotlight of center stage, stands Souji, expression tightly neutral and face pale. It sucks the breath from Yosuke's lungs.

This. This is what Yosuke has been trying so desperately to find, simultaneously to avoid. It feels wrong, somehow, like an invasion of more than just Teddie's privacy, but the whole school had seen Souji in a skirt so it's not like it's a secret that anyone's trying to keep. Still, as Yosuke stares at the familiar shape of his partner's face, his hips, his hands, Yosuke feels, not the wave of relief he'd been expecting, but sour. He can't even put his finger on it, why his face seems to curl up in frustration without him even consciously bidding it to; Souji's body is just as lean and graceful as he remembers it looking, with the long silver wig framing his face and softening his features and the line of the skirt hugging his waist to give him just the faintest of hourglass figures. It should be beautiful, in a way it is, but the more that Yosuke stares at the photo the less and less attracted he finds himself being.

This isn't right.

(Oh, but isn't it?)

Yosuke scrolls up to look for another photo, finding a better one, a closer one, on the very next try. This time the camera is zoomed in, giving Yosuke a much clearer view of Souji from the waist up. Whatever bra the girls had stuffed him into makes his chest look natural, a petite curve to his body that fits stunningly along with the slender way his figure normally seems to taper slightly at his waist. Objectively, Souji looks great, hot, even in the pageant clothes he'd been forced to wear; Yosuke had thought as much when seeing his partner in person on that nightmare of a day. He squints at the phone in his hands and tries to recall just what specifically he'd found attractive when he'd been staring at Souji backstage in the dim, shitty lighting. His hips, definitely – he remembers thinking how perfect they would be for him to rest his hands on. Souji's waist, his chest, yes, but also his hands. Yosuke remembers how ethereal Souji had looked, too, with his eyes and the wig (an uncannily perfect match for Souji's actual hair color,) shining dull silver in the dark. The curve of his jaw, the hint of skin just above his collar bones, the line of his thighs barely there below the straightness of the skirt.

Looking at the photo now, Yosuke can see all the the things that he found so alluring before – and feels, strangely, next to nothing.

He can't understand it, why is he not swooning over the image of his best friend making the most amazingly convincing girl Yosuke has ever had filthy dreams about? (Something turns over in his mind, and suddenly, sickeningly, Yosuke feels like he's on the highest peak of a roller coaster, staring down at the hundred-foot drop below him just as the cart begins to move.)

The sex dreams hadn't featured a skirt.

They hadn't featured long hair or perky boobs.

In his dreams, Souji had just been... Souji. A flat, smooth chest, all toned muscle and softly masculine edges. The silver had been shorter, the cheekbones sharper, all of it had been Souji as he always is – a guy. No matter how gorgeous Yosuke thinks (or thought) Souji looked in his pageant outfit, the blinding fact remains that the boy in his dreams had stayed a boy.

Slowly, stomach twisting into nausea, Yosuke reaches out from the safety of his blanket shield and picks his own phone up off the night stand beside the bed. Like some kind of gremlin, he snatches his hand – phone and all – back into the darkness beneath the covers, clutching it to him with fingers so clammy it threatens to hinder his grip. His heart flutters in his chest, hard enough that he can feel his own pulse; he swallows and his throat is dry. Trembling, Yosuke holds a phone in each hand, holds them up next to one another. He opens his, and fumbles his way to his photo gallery, clicking through until he comes to a picture of himself and Souji, standing close and smiling as Yosuke snaps the selfie.

Oh god.

It's all still there. The photo is, again, a waist-up shot, but even still Yosuke can see the gentle line of Souji's jaw, the hint of his collarbones just past the open top button of his shirt, the long, delicate fingers on strong and calloused hands. Souji's hair is shorter, of course, and doesn't frame his face the way the wig did, so his cheekbones are more visible, his chin slightly sharper, but his eyes. Souji's eyes are still that same summer-storm hue, round and kind, and full of far more life than any of the photos of him in pageant garb. Pageant Souji looks like a marionette; real Souji looks like rainclouds incarnate.

Yosuke's gaze travels down to the very bottom of the picture, where the image cuts off right below Souji's belt buckle, leaving the dip of his waist, the jut of the top of his hip, all still visible. He's wearing his uniform shirt and jacket, but even with the layers of straight-cut clothing Yosuke can see that same faint, curving line of his partner's body that almost looks like the start of an hourglass. Yosuke can't see the other boy's thighs in this one, but the line of Souji's hip fills outward slightly, instead of carving a path straight down like Yosuke is so used to seeing on most other guys – himself included. Souji, for all that he's built like an athlete, is only sharp in certain places, soft in others; a graceful blade of curving steel, handle wrapped in velvety leather.

Yosuke tears his eyes away from the photo of him and Souji together and back over to the one of Souji at the pageant. The features are the same but different, radiant in one and hollow in the other – both have the same shape, the same color, the same lines and vivid angles. But even without the false femininity, Souji is still gorgeous. Souji is still ethereal. And Yosuke can feel that swooping in his stomach turn to something warm.

A terrible realization comes dawning over Yosuke's mind like a cold and wretched sun. The people in the photos – excluding Yosuke – though differing in dress, are the same. The things that Yosuke had noticed on the day of the pageant, when he'd stared and stared and stared at his friend like Souji was the most beautiful ghost he'd ever seen, every single one of them was still there. Even without the wig and the makeup and the clothing meant for women, every tiny detail that Yosuke had poured over was unmistakably present; they'd all been there the entire time, never not.

Which means that Yosuke just hadn't noticed them until he'd stopped and stared. And stared. And stared.

Oh my fucking god.

---

There is a certain kind of quiet mania that comes from not having slept at all; a distant sort of grinding at the threads keeping a person from breaking down, from cracking like a gunshot. It's a mental time bomb, one that can lead to either exhaustion and collapse, or the utter shattering of all rational behavior and thought.

Yosuke sits on the living room couch, already fully dressed for school, watching the sun come up through the window as his body and mind are eerily calm. That internal timer is already running low.

He hasn't slept. After his brain-breaking revelation the night before, Yosuke had lain there, pulling out every memory he had of Souji and turning it over and over in his mind. Each interaction, each time he'd thrown his arm casually across the other boy's shoulders, the way it felt when they sat close enough that Souji's body heat warmed his side. So many times Yosuke had felt his breath hitch, his heart beat just a little bit quicker, but every time he just brushed it off. Adrenaline from talking over the murder case, the heat in the summer air, his now-absent crush on Rise kicking in when she did anything cute. (Because he'd noticed that, too; that his cheeks no longer flushed while thinking about her – not since she went from The Idol Risette to his friend Rise.)

Memory by memory, it felt like Yosuke's self-dug grave had gotten that much deeper, and as he pulled on that first thread of realization, more and more had come. Like untangling a spider web piece by fragile piece. It had left his brain in a jumble, keeping him awake for hours until he'd just given up on sleep altogether.

He hadn't been restless, per se, but there had been enough static in his head that it had eventually threatened to spill out into the dark of the bedroom, and, resigned to being awake forever, Yosuke had peeled back the covers and crawled silently out of bed. Grabbing his wrinkled uniform from the day before and slipping it on, he'd gone to grab his toothbrush and a comb out of the bathroom (fervently not looking at either the mirror or the shower,) and headed downstairs to use the bathroom there instead. Slowly, with all the time in the world, he finished getting ready for school on autopilot, even bothering to make – and eat – a bowl of cereal. From an outside perspective he might have looked relatively normal; internally, however, there was nothing but empty, dissociated quiet. Still waters, deceptive with their glassy surface, poised and ready to drop into the churning rapids below.

Yosuke checks the time on his phone, still on airplane mode.

He stands from the couch without a sound, collects his coat and school bag, and slips out the door into the frigid November morning.

(His reflection in the entryway mirror turns to watch him as he leaves.)

---

He cuts through the back way to school again, though this time he doesn't drag his feet; instead, he stalks down the side streets with his hands shoved in his coat pockets and his shoulders hunched. The lack of sleep and the cold feeling now lingering just at the base of his skull both serve to sharpen the knife's edge of emotional instability he's currently teetering on. He feels... nothing. And everything. All at once. He feels like he could run full-throttle straight at somebody and deck them square in the jaw; he also feels like he could break into hysterical laughter at any moment, or maybe tears. It's hard to regulate what's going on in his everything, because his head is both empty and far too full from all the thinking he'd done the night before, but it's also quiet, which is never a good sign. Normally his brain is too loud, but today...

Today is different.

Today is bad.

If he had to try and put words to it, Yosuke would have probably described his mood (if only to himself) as fragile. It's like the wall of ice that had been blocking him from his thoughts and emotions before has turned to tiny, thin splinters. Sharp and cold and so delicate that one wrong move will shatter them – but they'll also slice everything in their path to ribbons.

The slow, methodical trudge to Yasogami High actually takes far less time than he means for it to, leaving him ample time to loiter unseen around the side of the gate, just out of view of any students passing through it. Somehow, (and he's not sure just which god to thank for this,) he hasn't seen Souji yet, either in flashes on the way as Yosuke ducked away from the normal path, or up already near the entrance. It means that Souji is either already inside or he's still en route. (And Yosuke hopes it's the former, because he's not sure just how well that wafer-thin pane of frost is going to hold. Or, for how long.)

It's just his luck, then, that he catches a glimpse of starlight silver and bleached blond coming up the crest of the hill. Yosuke digs his teeth so hard into his cheeks he can taste the coppery tang of splitting skin – Souji and Kanji are walking together. Again.

So easily replaced.

Yosuke bites viciously into the flesh inside mouth and turns to stalk into the school before either of the other boys – so close together they almost touch – can see him.

---

“Hanamura!”

Yosuke twitches, jerked from the ominous quiet inside his own achingly-empty head. Turning, (slowly, stiffly, with the faintest spark of mania waiting to be fueled,) he turns to see the bearer of the voice that had shouted at him from the stairwell behind. Chie stands on the second floor landing with her hands on her hips, glaring up at him with a look so cold it could rival her Bufu. Yukiko appears just two steps below and finishes the climb to stop beside her, a stern expression locked on her face as if made of iron resolve. Neither one of them looks to be in a forgiving mood.

Yosuke wants to just turn back around and ignore them, wants to say 'fuck it,' and just throw away what's left of his friendships so he can go back to the blissful emptiness of rock-fucking-bottom. It'd be easier that way, and he has neither the time nor the energy to even begin to untangle the knot of mistakes he's made this week.

But the looks on his friends' faces (Chie, especially,) tell him they aren't going to let this go, even for now, so, begrudgingly, Yosuke stands and waits for one of them to speak. They don't disappoint.

Chie, upon seeing him pause, marches up to him with Yukiko hot on her heels and together the pair of them back him up until he's nearly hit the wall. “Alright, you dick, we need to talk.” From around her, Yukiko steps into position and stays at Chie's side, looking for all the world like a disappointed mother as she silently lets Chie do the talking.

Somehow, Yosuke finds his voice. Somehow, despite that momentary fight-or-flight-or freeze instinct when the girls had stormed towards him, Yosuke is calm. (It isn't the normal kind, either, it's the kind of calm that can only be found when someone has reached the threshold of just how much adrenaline their body can handle and they loop back around to apathy.) “Can it wait till we don't have class?” he asks, and the voice that leaves him is so devoid of life and emotion that it actually makes Chie balk. She and Yukiko share a disquieted look, like they aren't sure whether to be startled or mad and Yosuke takes their moment of distraction to try and slip to the side where there's still space to move away.

This snaps the pair out of their hesitation. Chie blocks his path with an outstretched arm, open palm smacking the wall hard enough – though not violently, to his mild surprise – to make a soft 'thwap.' Yukiko, still silent, moves to block Yosuke's remaining escape route on the other side.

“No,” Chie hisses, “it can't. Because the moment we let you out of our sight you're just going to run off into nowhere and go back to avoiding everyone, just like you've been doing for days. We're tired of it, Yosuke.”

Yukiko nods. “I know we're not as close as you and Souji-kun, but you're our friend, too, and this behavior needs to stop.” She strengthens her stance - and it is frightening.

Yosuke can't meet either of their eyes. “...I don't know what you're talking about.”

Chie makes a sound low in her throat. “Like hell you don't; you've been totally MIA with barely a word to anyone, you've been acting shady as hell whenever someone tries to talk to you, and on top of that you've been straight up avoiding Souji – which is insane, considering you two're normally joined at the freaking hip!”

Yosuke must be doing something with his face, because Chie squints at him and says, “Yeeaaaah, don't think we haven't noticed.”

Something sniggers inside Yosuke's head and it makes his vision pulse a faint, sickly yellow. His lip curls in a barely-there sneer. “Look,” he says, a little more life in his words this time. He smacks at Chie's arm with the back of his hand. “It's nothing, will you get off my back? I'm just having a bad week.”

“Bullshit,” Chie growls in response.

From the corner of his eye, Yosuke can see Yukiko take in a long, carefully-controlled breath, as if she's silently counting down from ten to keep herself collected. “This is more than just a 'bad week,' Yosuke-kun,” she says, and the evenness of her tone belies the fire he knows she can conjure during battle. “You've been rude, crass, evasive, and downright belligerent...”

(Yosuke isn't sure he knows what all those words mean but he's pretty sure she's right on every one.)

“Even on your worst days you've never been this bad.”

Yosuke is so, so tired. He's tired of feeling like he's being buffeted by the wind that's supposed to be on his side, unable to find his footing and ready to fall at any given moment. He's tired of the wildly swinging pendulum of his emotions sending him back and forth from feeling everything to feeling nothing. (And deeper, deeper down, he's tired of people leaving him behind, even more so of driving people away; it's a skill he's never asked for but has somehow mastered nonetheless.)

He doesn't answer Yukiko's spot-on accusations. He doesn't answer Chie's too-observant glower. He doesn't look at either of them, he instead stares off to the side, unseeing, just past the arm that blocks his escape.

Chie lets out another sound of frustration and leans further into his space, craning her neck to somehow stare him down despite their height difference. “Well?” she demands, “Anything you wanna say?”

Yosuke takes a long, deep breath through his nose, letting it out so slowly that the yellow creeping into the edges of his eyes dots with black. With the exhale, he feels the last of his energy – physical, emotional, mental – drain away. It hollows him out with each passing second, until he's nothing more than a husk resigned to his fate of forever being the King of Fucking Up; he's already pushed everything this far towards the edge, he might as well take that last step over.

“...Yeah, actually,” he says, and it's a lifeless drawl, almost entirely devoid of anything. (He sees Yukiko stiffen and Chie flinch in his peripherals.) Exhausted, he lolls his head forward and finally turns his eyes to Chie's face, fixing them just above her eyebrows because he can't focus them any lower. False eye contact, something he's picked up in his time working at Junes.

He takes another deep breath, feeling that disconnecting wall of ice closing over his heart, and says, “You should probably lay off the meat, Chie, cuz you're not doing your thick thighs any favors.”

Yukiko gasps.

Beside her, Chie looks stunned, jaw dropped and mouth open like it's trying to form words her head can't find.

(Yosuke tastes bile in the back of his throat.)

Disgusted with himself and just wanting to not be here, Yosuke tries to use the girls' frozen reactions to his advantage. He isn't sure he can move or duck under Chie's arm, so he makes a break for it the opposite direction and attempts to slide past Yukiko – only for her to snap back to attention just as he's almost free.

“Yo--!”

But Yosuke is too far gone. Instead of letting himself be forced back against the wall, he doubles down, gives in to the fatalistic inevitability that he's going to be losing more than just Souji at this point. (Good, he thinks sadly; I don't deserve any of them, anyway.)

Swerving, scraping the wall with his shoulder to try and get as much space between himself and Yukiko as he can, Yosuke reaches out a hand (desperately hoping he misses,) and makes a pinching gesture at her skirt, causing her to jerk back and away. “See? Here's a perfect set right he--”

His face erupts in red-hot pain.

Yosuke staggers backwards, hitting the back of his head against the cold concrete of the wall with an audible 'thump.' Thoroughly bewildered, he blinks over at the space he had just been and sees Yukiko, hand raised, stance wide, and completely, utterly livid.

Oh, he thinks, slowly reaching up to touch his scalded cheek. I've been slapped.

“You!” Chie snaps, just as Yukiko whispers, “How dare you,” in the most bone-chillingly quiet voice he's ever heard.

He... may have gone too far this time.

Chie stalks forward, so close he has to shallow his breathing to keep his chest from touching hers when he inhales. She turns her face up at him and for a moment, through the exhaustion and the resignation and the apathy, he truly believes her to be capable of tearing his throat out with her bare hands.

It's almost impressive.

“What the hell is wrong with you?” she snarls, “You've been acting like a jackass all week!”

Yosuke focuses on Chie's cheekbones as best he can with her so close; he practically has to go crosseyed to do so, even without meeting her murderous glare. It's strange, how he's aware that his cheek is in pain, (and rightfully so, he deserved that slap,) just as he's aware that on any other day before this week he'd be terrified for his safety in a situation like this. He remembers just how hard Chie can kick, having felt it firsthand in delicate places. But his energy is spent at this point, and all the awareness in the world can't conjure up the ability to be anything other than drained.

So he doesn't react, just looks back at his (probably former) friend and huffs, “Chill out, Chie, it was just a joke.”

Both girls visibly tense, shoulders squared and backs straight. Yukiko brings her hand up like she's going to slap him again, rearing it back as she hisses, “It wasn't funny!”

Chie, simultaneously, bares her teeth in vicious rage. “Like hell it was!” she barks, her own voice layering over Yukiko's outburst.

Yosuke just lolls his head to the side slightly and focuses on empty air. “Yeah, well,” he drawls, unable to find the right emotion to put into his voice. “You're girls, of course you wouldn't get it; it's guy humor.”

Chie leans impossibly closer. “You think you're such hot shit,” she seethes, and her tone has gone icy, blisteringly cold. She jabs a finger into his chest hard enough for him to feel it bruise. “We put up with your nasty 'jokes' and your weird staring because you're our friend, but there's a limit, Hanamura!” Her lips curl, the finger digging into his sternum like a silent threat. “And you're freaking pushing it.”

Yukiko leans in as well, her hand still raised and ready, a bow string held taut. “Girls don't like it when you say things like that,” she says, so dark and even that it raises the hairs on the back of Yosuke's neck – but even though his body physically, instinctively reacts, the hollow pit in his chest where the ice now sits keeps his heart and mind numb. He doesn't look at her as she says, “If your brand of humor makes other people uncomfortable, then it isn't really humor at all, it's gross.”

There are people starting to collect around them; Yosuke can see them moving closer just past the haze of his unfocused vision. He can't tell if he cares of not, doesn't think he does anymore. Everything Chie and Yukiko are saying is too right, too justified for him to fight back or defend himself. I deserve this, he thinks, hears his own voice echoing like there's another nearly identical one layering beneath it.

A few other students, faces unrecognizable, gather just a bit too close to the direction he's been staring in. He doesn't feel like letting them think he's acknowledged them, so he rolls his head lazily back so he can pretend to face to the two girls in front of him. He's just going back to fixing his eyes on Yukiko's shoulder when a swath of silver catches in his vision – just barely, just enough to make him look up before he can consciously think about it. He refocuses, and feels his heart come to a painful halt inside his ribs.

Souji is standing there, looking at Yosuke as if he's never seen him before. His eyes are wide and confused, thin brows pulled so low that they're actually visible below his hair; his lips are slightly parted as if he's been caught mid-gasp.

Yosuke stares back at him for a long, panicked moment. A slow, frigid kind of adrenaline begins to seep into this veins, making his hands and knees shake even though he can't feel it. It kick-starts his heart back to life and suddenly it's pounding as he looks into Souji's eyes for the first time in he can't even remember how long, seeing no trace of recognition in the other boy's face. Only pain. Only confusion and betrayal. Souji looks at him like Yosuke is a stranger now, gaze boring into his own like he's looking for someone familiar but just can't find them, can't figure out who Yosuke is.

He saw, the voice that had layered his own whispers, hissing though laughing, jagged glee.

Souji saw.

The floor drops out from under Yosuke's feet and he switches to autopilot to keep from falling, somehow managing to stay upright through sheer force of unconscious will. Chie and Yukiko must notice the change, because he can peripherally see them pause, turning their heads to see what he's looking at. It's enough.

Moving feels like he's underwater, drowning, but Yosuke sees his chance and snatches at it with trembling fingers; as the girls are distracted by Souji, Yosuke pushes himself sideways along the wall until he's no longer pinned by Chie's proximity. Once there's space to do so, he shoves his way forward, sticking out an arm and breaking through the line that Yukiko and Chie's bodies have made. They part in their shock, and he's able to slip between them at last.

“Whatever,” he hears himself say. A verbal barrier, a wall to keep them all at bay while he books it to something resembling safety. He reaches up and palms the headphones resting around his neck. “You guys throw your hissy fit, I'm goin' to class.” He tugs the headphones up as he takes a couple long, quick strides out of their stationary reach, shoving them over his ears without actually turning on any music – using the comforting weight at the sides of his head as a shield. If they try and call out after him, he can just pretend he can't hear them and keep walking.

He makes it all the way to the classroom without being caught; he doesn't dare look at Yukiko, Chie, or Souji (especially not Souji,) as the three of them enter the room. Yukiko first, then the others, and Yosuke busies himself with his school bag until the sound of the door opening signals the arrival of the teacher and the start of class just moments later.

Yosuke keeps his head ducked down the entire morning, just in case of the the girls decides to risk a glance back in his direction. He can't tell with his eyes glued to his desk, but he thinks that none of them do.

(He doesn't know whether he should be relieved or not.)

---

Yosuke is up and moving almost before the lunch bell even rings. Like he's done for the past week, he grabs his stuff and hightails it out the back of the room, pointedly not looking and any of the friends he's managed to alienate in only a handful of days. Headphones snug over his ears and player in his hand, he takes the steps up to the third floor, then the roof, two at a time. It's only once he's up in the cold air and alone that he feels like he can breathe.

Picking a spot as far away from the door as possible, Yosuke drops to the ground and leans his back against the frigid metal links of the fence, barely even feeling the chill through his clothes. The breath he's finally caught starts to pick up – only for a moment – and he has to bring his knees up to the his chest, hands over his eyes and fingers twisting in his hair as he ducks his head and pulls in lungful after lungful of air. It passes just as quickly as it came.

What do I do now?

Despite the hollow feeling encompassing his heart, Yosuke still feels the twinge of anxiety that had brought about the thirty-second panic attack; it sticks to his blood cells, causing his palms to sweat and go clammy in the nippy November breeze. He brings them to his mouth and cups them over his lips, breathing into them to try and warm them back up. It doesn't work.

He sighs and drops his hands back into his lap, tucking them between the bend of his knees. He didn't bother bringing lunch with him again today, though between the rare breakfast that morning and the churning in his stomach he isn't so sure he'd be able to eat anything anyway. Still, even a snack would have provided him something to do with his hands, and so Yosuke is left with nothing but his music and his surroundings to occupy his time. He frowns – being alone with his thoughts recently has been anything but good, and today having gone the way that it has so far, he can feel the incoming uphill battle against his brain. He cranks the volume up on his player in hopes of drowning it all out before it begins, but turns the whole thing off and tugs the headphones from his ears a minute or so later, not wanting to associate any of his favorite songs with the maelstrom already brewing inside his mind.

It starts with a replay. Every single thing he'd said and done that morning in the hallway with Chie and Yukiko. It twists at his gut with each image, each remembered word he'd vomited out like a bio-weapon; he barely recognizes himself in his own memories, and honestly that is the part that scares him the most. No wonder Souji had looked at him that way.

And oh, if that hadn't been the worst part of it all. Yukiko and Chie he already hated himself for, already felt sick over how he'd treated them both since even before this all began, starting with the festival. He wishes he could go back in time and stop himself from ever putting their names down – all of them – because not only was it just a shitty, immature thing to do, but it also violated their trust. He sees that now, and it feels like a hammer to the head, because with everything that he's turned into in the days since, he knows it all started with that one first terrible decision. Most of the low points in his life have started with terrible decisions, he just hadn't been aware enough to put the pieces together until now. Had things been different, Yosuke wonders if Souji would have been proud of him.

That, however, is the thing that brings Yosuke's already-simmering self hatred to a rolling boil. Of all the people he's hurt so far, Souji is the one that makes Yosuke feel like he's beyond all hope of redemption. Souji had been his partner, his best friend, and Yosuke, stupid, stupid Yosuke had taken that bond and thrown it right in the garbage. They were supposed to be equals, but Yosuke had been too busy sinking into his own head, too mired in self pity and selfishly wanting things to go back to a normal that likely didn't even exist anymore. Not after all of this. For all the maturing Yosuke feels he may have done – the only silver lining in the storm that he himself created – focusing only on his own hurt and blaming Souji for it is by far the most childish thing he's done.

(Inside his skull, stretched out as though sliding into Yosuke's skin like a glove, he can almost feel something like a head being tilted, an eyebrow raised. There is a quiet, contemplative, 'hmmm,' as if his mind is thinking thoughts without him. He doesn't know how to interpret the sensation, so he tucks it away on the back burner for now.)

Somewhere past the door leading back into the school, Yosuke faintly hears the warning bell sounding, signaling the end of lunch and the resumption of classes for the day.

Yosuke doesn't move.

He sits there and leans his head back against the fence in utter exhaustion; he doesn't have the energy or will power to get up and go back inside. He doesn't want to feel the others' eyes on him when he walks in the door, or, equally painful, being entirely unacknowledged instead. Having done the same to Souji for days,Yosuke will admit his hypocrisy in that he doesn't know if he'd survive having his former partner do the same to him - even if Souji had scared the shit out of him, neglected to communicate with him, left him to wonder and worry and want after the pageant.

Then again, some part of Yosuke quietly relents, Souji... really isn't obligated to tell Yosuke anything. And while their leader should have at least been courteous enough to let someone know he was still alive, he'd eventually told Naoto. Which had hurt Yosuke – pretty badly, in fact – to not be the one Souji had talked to first, but at least he'd talked to someone. (Even though Yosuke is still adamantly sure the “food poisoning” excuse had been complete bullshit.) But... it wouldn't be fair to expect Souji to never have secrets; after all, Yosuke still has secrets of his own, even after confronting his shadow.

Some are just far, far more shameful than others.

Thoughts swirling, Yosuke can feel a headache beginning to build behind his eyes. He keeps going around and around; he's mad at Souji, he's not mad at Souji, he's mad at himself, he's not mad at himself for being hurt – on and on and on. It's a loop that doesn't seem to have an end, and it's making Yosuke dizzy.

He sighs again, and there's an echoing sigh inside his skull, albeit one that sounds far more frustrated than his own audible one. He's too tired to suss it out, though, and because all this thinking is starting to spiral, he digs his player back out and tries one more time to drown out the thoughts with music. He's relived when his attention stays on the lyrics and doesn't go careening off again; he closes his eyes and lets himself go blank for a little while, almost-but-not-quite dozing, tucked away in his little patch of rooftop in the brisk November air.

Sometime later – he doesn't know how long – Yosuke is pulled from his trance by the sound of a far-off school bell. His player apparently ran out of battery long ago, because the screen is dark and his headphones silent. Yosuke feels like shit.

He's chilly to the point where his skin doesn't really have much feeling anymore; his neck is stiff from the cold and the position it'd been kept in while he was out of it. His ears ache a little, too, and it's probably more from the headphones than the weather. Groaning, Yosuke sits up and peels the headphones off, setting them in his lap and rolling his neck to try and get his full range of motion back. He feels something pop. With another groan, he makes it slowly to his feet and stretches, every muscle in his body protesting as he does.

Fully aware that he hadn't gone back in after lunch, Yosuke has absolutely no idea what time it could possibly be; judging by the position of the sun over the treetops, however, and the sound of the bell from earlier, he can guess that it's probably well into the afternoon. “Fuck,” he mutters to the empty rooftop. He's more than likely missed most of the rest of the school day, though if that's the case then he can't bring himself to care. There was nothing waiting for him back in the classroom anymore, anyway.

Reluctant still to make his way inside lest someone catch him, Yosuke takes his time gathering his bag, tucking his player away, setting his headphones carefully on top because, well, they aren't any use to him right now, are they? It's only once he's run out of stuff to do that he finally fishes his pone out of his pocket to check the time.

Weirdly enough, there are no new messages – which, he isn't surprised at but also is? If no one had wanted to talk to him after that morning, he would have understood. However, with as rightfully angry as they both had been, he would have expected there to be something from Chie at the very least – even if not from today, then something else from last night, surely. Curious and a little uneasy, Yosuke stares at his phone until the screen goes dark. Oh, he realizes finally; he'd forgotten he'd put it on airplane mode the night before.

(He'd wondered why his phone had been so blissfully, ominously quiet all night.)

He taps the keys lightly to get the screen to wake back up and goes to take it off airplane at last – only to hesitate just before pressing the button, thumb hovering as Yosuke chews on his lip. His gut curdles. Whether there are a slew of missed texts or none at all, Yosuke knows that whatever is waiting for him once he hits confirm isn't going to be good. He has to brace himself; he just isn't sure what for.

With a deep breath in and a quick breath out, Yosuke takes the plunge and hits the button, not looking at the screen as his thumb presses down. He doesn't want to see just yet. At first there is nothing – no belated notification sound, no vibrations, nothing. He thinks maybe he's safe for the moment, simultaneously unsettled by the lack of any apparent messages...

...Until his phone vibrates, just once, in his hand.

Yosuke's breathing sticks in his throat for half a breath, head instinctively tilting to look down at the notification that just jostled his anxiety. It isn't from Chie, which is not what he expected, nor is it from Yukiko, which also would not have surprised him. It isn't even from Teddie, whining that Yosuke had left without partaking in their new morning ritual of communal teeth-brushing. No, the sender, devastatingly, is Souji.

Prtnr: I'm sorry. I won't bother you anymore.

Everything stops.

#Caught In the Grey #'CiTG'#Persona 4 #p4 #souyo #souji seta #yu narukami #shadow Souji #yosuke hanamura #shadow Yosuke #trans!souji

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comingoutofthecauldron · 4 years

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let’s talk about lesbophobia in fandom

i don’t like to use the word “lesbophobia” unironically because of all the gross radfem terfy connotations, so i will clarify right off the bat that i am neither a terf nor an aphobe and that if you are i want you off my blog like, right now. unfortunately, the meaning of lesbophobia has been so warped by alt right lesbians that seeing it in an unironic context makes me, a lesbian, uncomfortable, which speaks volumes in itself. so to clarify, lesbophobia is essentially homophobia with a pinch of sexism thrown into the mix, and it’s running rampant in supposed safe spaces and, more relevantly, fandom.

/i’d also like to clarify that i’m not only speaking on lesbophobia, but also the general disgust and disdain for all wlw in fandom, and am using it as a sort of umbrella term/

lesbophobia and disdain for wlw has been around forever, but whilst gay positivity, mlm and mlm ships have been steadily increasing in popularity within fandom over time, wlw and wlw ships have remained perpetual underdogs. why? because lesbophobia has become a fandom within itself. both in and outside of fandom, we see instances of casual lesbophobia every single day—from aggression towards wlw to something as simple and prevalent as the complete and utter lack of sapphic ships and characters in media. hatred of lesbians and wlw is practically a trend, and it’s seeping in through the cracks of fandoms who are already facing issues with minorities and marginalized groups (i.e. racism, ableism). if you honestly think that lesbophobia isn’t prevalent as hell in fandom right now, you’re either not a wlw, you’re not all that involved in fandom, or you’re dumb as shit.

just look at ships. in almost every single fandom, the ratio of mlm ships to sapphic ships is ridiculously unbalanced. people are quick to ship male characters who so much as smile at each other (and i don’t condemn that) but would never do the same for two women—even on the rare occasion that the ship is actually canon. i once wrote a wlw fanfic for a [predominantly straight] fandom, and received messages like this gem:

on the flip side of that, if there is a sapphic ship in canon or fanon, it is often fetishized and sexualised to a disturbing degree. there will be double the amount of nsfw art and fics, and ninety percent of it will be derogatory and fetishized as hell. having been actively involved in several fandoms over the past few years (and currently a content creator in one), i’ve seen instances of all this hundreds of times. people go crazy for mlm ships, but the second you say you ship/prefer a wlw ship, there’s always someone at the ready with, “i think all ships are great!” or “it’s not a contest” or “i prefer [insert m/m or m/f ship] actually” or “they’re my brotp!/why can’t you just let them be friends?”. not only do lesbians and wlw not get to have any rep in media, any rep that they try to create for themselves in fandom just gets attacked or ruined. this is so detrimental not only to all wlw, but especially to younger wlw who will end up being indoctrinated into this belief that their sexuality is something dirty, something that can never be tender and sweet but rather something that deserves to be preyed upon.

building on that, let’s talk about engagement. i run an instagram account (where i have a significantly bigger following) as well as this blog for my fandom, where i post the content i create (mainly text posts). when i first started creating content, i made a lot for a relatively unpopular wlw ship, in which both girls are canonically romantically involved with a dude—though one of them is canonically pan. their canonical m/f ships are both very popular, and i noticed that my engagement was dropping every time i posted them, so i eventually just stopped. it wasn’t even a conscious decision; i merely resigned myself to the fact that the fandom didn’t want to see sapphic ships, and some people would even go as far as to condemn them. for reference, my instagram posts get an average of about 500 likes per post (popular ones usually exceeding 1k), but when i post this ship, my engagement drops to about 250 likes. similarly, my tumblr text posts have an average of about 140 notes per post (popular ones usually reaching up to 750), but my wlw content rarely surpasses 100. this just feeds the cycle of wlw never getting rep: if, like me, content creators become disincentivised by the lack of engagement with their sapphic content, they’re more likely to stop making/posting it, leading to further lack of rep—and when new content creators try to rectify that, they face the same problems.

and then, of course, there’s the treatment of actual wlw in fandom. my best example of this is when my friend and i made an anti account on instagram (the first instagram anti account in that fandom), our bio saying something like “salty and bitter lesbians being salty and bitter”, and received an onslaught of lesbophobic insults and threats from angry stans within hours. (tw: r*pe) one commenter even went as far as to tell us that they wanted us to get r*ped. as well as this, i’ve seen so many instances of people using slurs against lesbians in arguments/in anons, often for no apparent reason other than they feel that they have the right. when i first mentioned i was a lesbian on instagram, my account only had about 200 followers, and within a day i lost 20. i also lose followers whenever i post f/f ships, not quite to that extent but enough for it to be noticeable, on top of the aforementioned engagement dips. in the face of all this adversity, i think a lot of wlw turn to mlm ships because they’re the closest thing we have to actual rep, but when we do we get accused of fetishizing them by the same people who fetishize us. there’s an endless list of double standards that non-wlw have been upholding for years, and i can firmly say that i’m really fucking sick of it. because of our sexuality, we will never be allowed to enjoy something without someone labelling it or us as dirty or otherwise problematic, when to them, the only problematic thing about us is that we aren’t pleasing men.

as i mentioned before, the lack of rep for wlw in media is appallingly consistent, and part of that stems from tokenism. in a lot of modern mainstream media, you’ll have one, maybe two lgbt characters, and nine times out of ten those characters are white cis male gays. of course, there are exceptions to this, but generally, that’s it. script writers and authors (especially cishets) seem to have this mentality of, “oh, well, we gave them one, that’s sure to be enough!”, which means that on the off chance you do get your gay rep, the likelihood of also receiving wlw or any other kind of rep becomes practically non-existant. this belief that all marginalized groups are the same and that one represents all is what leads to misrepresentation on top of lack of rep, which is what makes tokenism so dangerous. if you treat your only gay character badly, you are essentially treating every single gay person badly in that universe. so not only is lesbophobia and disdain for wlw harmful to sapphic women via their exclusion in media, it’s also harming those minorities who do get rep. when people try to defend lesbophobic source material, that’s when fandom starts to get toxic. the need for critical thinking has never been more apparent and it has also never been less appeased—and wlw are getting hit hard by it, as always.

finally, a pretty big driving factor of lesbophobia is, ironically, lesbians. my lesbian friends and i often joke that though everyone seems to hate us, no one hates lesbians more than lesbians do. though i’d say it’s most prevalent on tumblr, i see traces of it all over the internet. the growth of alt right lesbian movements is not only reinforcing hatred for lesbians, but also reinforcing hatred for bi and pan women. here you have these terrible lesbians using their platforms to express their disgust for bi/pan women, for aces and aros, for trans women/nb lesbians, and people see them and say, “gosh, lesbians are just awful.” and just like that, all of us are evil. occasionally, lesbian blogs that i follow get put on terf blocklists for no other reason than the fact that they have “lesbian” in their bio. and the lesbians that actually deserve to be on those blocklists? they’re too busy spewing misinformation about trans women and bi women to care, boosted up by their alt right friends in an ever-expanding movement. i’ve found that this heavily influences fandom on tumblr, lesbians often getting branded as “biphobic” when they hc a female character as a lesbian rather than bi or pan. this criticism of both lesbians and wlw by lesbians and non-wlw alike only ever allows lesbophobia to grow, both in and out of fandom. that said, lesbians aren’t to blame for their own discrimination; rather, many of us have been conditioned into subconsciously endorsing it after spending our entire lives hearing heterosexual platitudes about lesbians and sapphic relationships. homophobic cishets are and always have been the nexus of this oppression—the only difference is that now they can hide behind alt right lesbians.

one thing has been made apparent to me throughout my time in fandom, and that thing is that no one likes to see men “underrepresented”. people hate sapphic ships and lesbians so much because there is no room for men, and men Do Not Like That. so, like the worms that they are, they slither their way in, be it through fetishization or condemnation of wlw characters and ships, and they ruin whatever good things we have going for us. the thing about worms, though, is that they’re easy enough to crush if you’re wearing the right shoes.

so to all my bi/pan gals and lesbian pals: put on your doc martens, because we’ve got ourselves some lesbophobes to stomp on.

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izlaria · 3 years

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Someone you like (part 2)

This is the second chapter of my “Someone you like” inspired fic. It’s also available on AO3 in case you prefer that platform.

Feel free to write comments in the tags or send me messages about this. I love feedback!

16 and 14 years old

Pidge Gunderson. I am Pidge Gunderson.

Katie looked herself in the mirror, trying to convince her brain that the image reflected was hers, that it was a boy, with no previous links to the Garrison, someone who had wanted to go into Communications.

It didn’t really work. All she saw was Matt: his glasses; his short, unkempt haircut; his nickname for her.

Maybe it was better like this. Katie had initially meant to immerse herself in this new identity, to go so deep into Pidge Gunderson that no one would be able to see past the cover, but the truth still kept slipping through her defenses. Katie was a Holt and her family was missing, so she was gonna find them. Pidge was just a tool.

It would be easier if there weren’t so many risks in studying at the Garrison.

Her father hadn’t brought her around often, but Katie had become infamous among the night-time security for her excursions to discover sensitive information regarding the Kerberos mission. Iverson, in particular, was probably expecting a new advance on her part.

He hadn’t recognized her, yet.

Sometimes Katie worried that she’d already been exposed and that they were just gathering evidence before actually making a move against her. If the Garrison was willing to lie about her father’s and brother’s deaths, then she couldn’t overlook the possibility that corruption ran deep within the organization.

She sighed, tugging at the ends of her hair.

“Come on, Gunderson!” she heard someone shout from outside her door. “You’re coming to lunch with us whether you want to or not!”

Lance continued to make noises, probably talking to Hunk. They usually threatened to hack into her keypad if she didn’t come out to join them for meals. Katie couldn’t really understand their stubbornness. She might have appreciated their offer of friendship back in Middle School, when she’d felt ostracized by her peers, but now it was just another hazard to her already convoluted plan.

“Go bother some poor girl, McClain!” Katie shouted in response, feeling more inpatient than strictly necessary.

She knew that Lance meant well, but she didn’t have time for his hijinks. Katie had a duty to her family, first and foremost, and any effort spent placating her teammates was a waste in that regard. Not to mention that Lance had a knack for attracting attention that completely opposed her own need to remain unseen.

Her door slid open with an elegant swoosh.

Katie poked her head from the bathroom to glare at the two boys who stood there. Hunk had the sense to look ashamed, but Lance just grinned.

“It’s bonding time, Pidge!” He stepped into the room, arms wide open. His easy smile was the same as ever, despite the news they’d received earlier that day about their performance stats. It was probably why Lance was there, after all.

Katie actually felt a little bad about the whole thing. She wasn’t particularly invested in training as a communications officer and, though she wouldn’t say it affected her retainment of the knowledge demanded from her, it certainly translated into frustration when they were in the simulator.

She wasn’t much of a team player, Katie could admit.

“If you’re trying to get on my good side, this is not how to do it,” she grumbled, trying her best to keep her voice low. Too much of a change would eventually weight on her vocal cords or sound plain ridiculous, but a difference in pitch and speech patterns were certainly necessary to disguise her true identity. Thankfully, any slip up could be attributed to puberty, as she’d been seeing many of their male classmates endure the difficulties of cracking voices.

Lance took her by the shoulders and shook her indiscriminately. “Quit being the worst!” His cheerfulness hid the vexation that Katie knew he truly felt. “We’re having burgers today, so I’m not letting you bring us down.”

She snickered. Lance was notorious for his love of junk food, despite Hunk’s attempts to get them more nutritious meals. He frequently spoke about his mother’s cooking but didn’t seem to have that same interest in the dietary plan prepared by the Garrison.

Katie couldn’t really fault him for that. Their meals were usually so blend that they seemed to withdraw taste from any of the condiments added.

From behind Lance, Hunk had finally gathered enough courage to come in. He looked around in such false innocence that Katie might have believed him, hadn’t she caught him going through her drawers the previous week. That boy was nosy as hell.

Just another reason to keep them away.

“If I go with you to the cafeteria, does that mean I can get you out of my room?” She fixed them with a stony look.

“For a time,” Lance offered, all cheeky and bright and annoying.

Hunk put a hand on his shoulder, pulling his friend back from Katie. “We noticed you didn’t eat yesterday, again.” He sighed. “If you took better care of yourself, we wouldn’t come here so often.”

Katie let that reasoning sit with her for a bit. She usually sneaked granola bars and other less-perishable types of food into her room to eat while she worked, but it was true that she didn’t really sit for meals unless the boys pushed her. She didn’t think they would notice.

It brought a strange warmth to her chest. She’d felt cold for so long now, always at arm’s length from those around her. Her mother had tried, but she was grieving and her suffering filled her until there was no more room for her daughter. These small kindnesses had gone away with Matt.

She struggled not to reach into her pocket for the picture she kept of them. Hunk had a curious soul and Lance was a gossip; they had almost caught her one too many times.

“I guess I did want your input on how to recalibrate this old radio I found in the junkyard…” Katie huffed out a breath, which the boys took as a surrender.

“Ah, nothing like the smell of oil and grease to really improve the day!” Lance put an arm around her shoulders, but she quickly dodged away, lest he recognize anything different about her body. Even though she was already pretending to be a boy, Katie didn’t want to also have to pretend to be trans. It was a line that she dared not cross, morally.

She felt the dysmorphia more acutely than she’d imagined she would. As a child, she had enjoyed cutesy things and dresses and her long hair. The sudden departure from those possessions was supposed to remove her from her previous identity, but Katie would always know the truth. There was no escaping it.

More than anything, it was the inability to choose that left her frazzled. The loose clothes and glasses and boyish haircut didn’t bother her and they did give her a liberty that more feminine wear didn’t, but Katie wished the circumstances allowed her to be a girl too, sometimes.

Alas, here she was, stuck between Hunk and Lance as they basically escorted her to the cafeteria. Matt would have a conniption if he ever found out there were boys breaking into her room at all times of the day.

“You thinking about those amazing fries we’re gonna get?” Lance sighed dreamily. “Honestly, I don’t know how they do it. Every other meal freaking sucks, but then Monday comes around and the cooks just nail it!”

Hunk chuckled, nodding along. “They probably want to put us in a good mood for the week. Everybody knows that getting back to classes after the weekend can be hard.”

“Hard? It’s impossible.” Lance dragged his hands through his face. “I nearly fell asleep during Arithmetic today. Professor Reeves is such a bore!”

“Maybe you wouldn’t fall asleep if you didn’t spend Sunday nights in town,” Katie quipped before she could stop herself.

“Yeah, well,” Lance floundered. “What’s your excuse, then? You won’t come with us, but you still look dead on your feet in the mornings!”

“I’m just not a morning person.” She crossed her arms, turning away from Lance.

In doing so, however, she came face to face with Hunk, who was staring at her with an inquisitive look. He was less loud about it than Lance, but it was clear that he also had questions about what Katie spent her time doing.

She tightened her arms around herself, feeling her stomach drop.

This was why Katie didn’t like to talk to them. It was usually easy to ignore Lance, because of how over-the-top he was, but Hunk’s gentleness and concern made the guilt rise within her. She didn’t want to involve other people in her lies, didn’t want them to believe Pidge was their friend only to be faced with a betrayal.

And that’s how they would see it, wasn’t it? Katie didn’t have a lot of experience with friendships, especially not ones as deep as Hunk and Lance’s, but no sane person would take it lightly to find out someone had lied about their whole identity and motivations.

Besides, if she ever did find out what the Garrison was hiding, it could possibly affect the future of the organization and disrupt the trajectory of every student there.

Before Katie could go further into her spiraling thoughts, she felt Hunk maneuver her into the cafeteria line. She had tuned out the rest of their conversation and now Lance spoke of a girl in his Aerodynamics class.

She ignored his ramblings. Lance tried to project this image of a lady’s man, but the few dates he’d scored since they started school never seemed to really move forward. They ended up in an endless cycle in which Lance fixated on some girl, hit on her endlessly, then finally gave up and went crying to Hunk.

Katie couldn’t see the appeal of it, but it most likely had to do with Lance’s self-esteem and need for validation.

“I think Jiya might actually like me!” he declared, despite how both Hunk and Katie were more focused on filling their trays with food. “Whenever the teacher asks me to stay behind and clean up, she stays to help! That has to mean something!”

Katie collected her juice box and went to sit down, pointedly ignoring Lance’s questions.

“I’m sure you’re right,” Hunk said agreeably. He didn’t sound too sure, but his expression showed that he was trying to be positive for Lance’s sake.

“Or, you know, the girl is just a nice person who thought you were being picked on by the teacher.” Katie raised her eyes to give Lance an unimpressed look. “And you’re reading too much into it.”

The boy scowled at her. “What would you know, Pidge? I’ve never seen you with a girl before.”

“Yeah,” she raised an eyebrow, feeling smug that the other two wouldn’t understand the humor in this. “What do I know of girls?”

Katie had to suppress a laugh when Lance turned to her with a very confused expression. Hunk, however, gave her a small, secretive smile that set off all kinds of warning signs.

“I don’t get it,” Lance complained to Hunk, then turned back to her. “I don’t get it!”

“Well,” Hunk started and immediately her heart started pounding in her chest. Outwardly, Katie tried to remain impassive. “The girls in our class all love Pidge.”

“They do?!” Lance burst out, eyes widened. His gaze shifted back and forth between her and Hunk.

They didn’t, Katie was pretty sure. Did they?

“They think he’s cute,” Hunk confirmed, waving his fork in the air as if trying to recall the exact words. “Pidge is quiet, but he’s smart and mostly polite, so Denise decided he was a good guy and the rest of the girls kinda followed her lead.”

Now that Katie thought about it, it was true that she’d helped Denise with her Bio homework and that people had been nicer to her since. She supposed they could see Pidge in a good light, especially because he seemed so much younger than the other students in Engineering.

Katie blinked rapidly to dispel her thoughts. She’d been thinking of Pidge in the third person, again.

“Fine, then.” Lance narrowed his eyes at Katie. “What miraculous advice do you have for me, oh Great Pidgeon?”

Despite his sarcasm, it was clear that Lance truly wanted an answer. It was one of the most ridiculous situations Katie had ever found herself in.

“How about you show some interest in what these girls like, instead of showboating around them?” She flicked a fry at him, which Hunk quickly stole for himself. “Sure, some people want to be impressed, but we all got into the Garrison and a lot of them already know your grades on the simulator. Most girls want someone who will listen and who they can have fun with.”

“I can be fun!” Lance protested.

“I get what Pidge’s saying, though,” Hunk intervened. Katie hadn’t meant to be harsh, but Lance suddenly looked a little deflated. “We know that you’re great, but you’re always so busy trying to be what these girls want from you that you don’t really get to know them. A little kindness goes a long way.”

Katie nodded along, munching on her burger. “No girl wants an egocentric boyfriend,” she added, mouth still half full. Lance glared at her in both disgust and indignancy.

“I don’t want to hear this from you, Mister I’m-not-here-to-make-friends!”

She shrugged and continued to eat her burger.

“Okay, okay…” Hunk put his hands up placatingly. “How about I get us some dessert and we change the subject?”

Lance glanced at him through the corner of his eyes. “Those guava-flavored popsicles?”

“You know it!” Hunk grinned back at him and the two shared a high-five.

“You’re so easy to please,” Katie commented once Hunk had gotten up. She used her last fry to soak up the mayo leftover on her plate.

Lance glared at her for a moment, before letting the last of his annoyance slip away. He reached into his backpack and took out an apple.

“Here.” He deposited it on her tray.

Katie frowned at him. “What is this?”

“You always eat fruit after we get something greasy, right?” he asked it casually, distracted by trying to squeeze ketchup onto his remaining fries. The condiment bottles in the cafeteria were continuously blocked.

“Yeah.” She blinked up at him, caught by surprise. Her voice had gone soft and she had to clear her throat to dispel the emotion that knotted there. “I didn’t think you would remember.”

Lance looked up from his food to give her an exaggerated eye-roll.

“You’re my friend, Pidge.” He kicked her under the table. “In spite of all your efforts to keep me away.”

She stayed silent for a moment, staring at the apple.

“Thank you,” she said. I’m sorry, she wanted to add, but it would make no sense to him. As far as Lance knew, Pidge was cold and self-involved and clinical to a fault.

“Don’t mention it!” He threw a fry up and tried to catch it with his mouth, but it merely bounced off his nose, marking it with ketchup. “Dang! One more!”

Katie let out a breath of laughter. Then, sitting up to better her odds, she waved at Lance. “Try me.”

By the time Hunk returned, Katie was biting into her apple as Lance complained about the ketchup stains he’d gotten on his uniform jacket.

She didn’t know what had driven her away from the dorms that day. There was a restless energy within her that demanded space and, though she’d never been the biggest fan of nature, it had sent her directly into the Arizona desert.

Katie felt like Pidge, today. Not like Pidge Gunderson, but like the little girl who’d yelled a misheard swearword at locked doors, until her brother had come to her rescue. She felt young and impulsive and alive, despite the grief that still weighted on her shoulders.

More than anything, she missed her mom.

In Katie’s eyes, Coleen Holt knew everything there was to know about agriculture and plant life. She was a different kind of genius from her father and brother, possessing a peacefulness about her that none of the other Holts could ever hope for. It had been a comfort through the years of Katie’s adolescence.

Sitting underneath one of the few trees distributed across the Garrison grounds reminded Katie of her grandmother’s place in Italy, where the fruit trees spread as far as the horizon. If she closed her eyes, she could imagine the sweet smells that rose from the vegetation.

“I wonder if they have lemon trees here,” she murmured to herself.

“I don’t think they do, Pidge.”

Katie lurched back in shock. She felt her shoulder scrape against the tree trunk and had to stretch out an arm to keep from falling. Lance sent her a carefree grin, bent down at the waist to look her in the eye, as he usually did. It irritated Katie to no end, not only for how condescending it was, but because it always put him too far into her personal bubble.

“What are you even doing here, Lance?” she asked once her heartrate had gone down.

“I saw you through a window and thought we could eat together, since Hunk is sick.” He looked pointedly at the half-eaten sandwich she’d tossed in her surprise. “I see you started without me.”

“Well, now I’ll have to buy something else for lunch, so thanks for that,” she said through gritted teeth.

“Don’t be like that, Pidgeon.” Lance poked her on the ribs. “I even brought you something as a bribe.” And then he extended an apple towards her.

Katie took it, trying to cover up her amusement with exasperation. “Do you think I’m obsessed with apples or something?”

“Next time I’ll bring you a lemon,” he teased.

Maybe it was because she felt more herself than she had in weeks, but Katie snickered at him. While his sanguinity could be exhausting, this time it was a welcome relief from the stagnation she’d fallen under.

Lance pulled out a sandwich from his pack, one of those 30 centimeters subs in Italian bread and multiple fixings, and Katie felt her mouth water at the sight. He must have noticed, because Lance chuckled and broke out one end for her.

“I think this is a palo verde,” he remarked after swallowing his first bite. At a confused look from Katie, he clarified, “the tree. You were talking about it before, right?”

“You speak Spanish?”

“Yeah…” He sounded like he was laughing at her. “I’m Cuban.”

Katie suddenly felt very stupid. He and Hunk had probably mentioned this already, but she didn’t pay them that much attention. It was a little embarrassing, especially when Lance seemed to be memorizing every small piece of information she offered him.

“Oh.” She searched for the right thing to say. “I didn’t know. Your last name sounds American.”

The whole situation left in her a sense of déjà vu. She couldn’t quite remember why, but the words pulled at her memory.

Thankfully, Lance took it in stride. “Our family has been to the US, then back to Cuba, then back to the US for generations. My whole name is actually Lance Serrano Mcclain.”

She nodded. Normally Katie would let the conversation drop and focus on finishing her meal, but she had already decided to take a bit of a break that day, in order to be more attentive at night. It couldn’t hurt to find out more about her teammate.

“So… Palo verde?”

“It means green stick, which seems kind of unfair, because this tree is actually pretty big, especially for the climate around here.” Lance fanned himself. “I hate how dry it gets.”

She almost agreed with him, but, as far as Lance and Hunk were concerned, Pidge Gunderson had no reason to have been outside of Arizona. Instead, she pretended to ponder his comment.

“The desert can be pretty unpredictable. The lack of humidity during the day is bad, but I wouldn’t want to be caught out when the temperatures drop.”

Lance faked a shiver. “Don’t even talk about that! I have too much tropical blood to handle the cold well. Hunk’s Samoan, by the way,” and there was unnecessary emphasis to his words here, “so he’s the same.”

“I didn’t realize both of you weren’t from around here.” Katie could imagine how much they missed their families. Choosing to voluntarily leave so that they could study at the Garrison must have been difficult.

“That’s nice to hear.”

She frowned. “What do you mean?”

“It’s just…” He scrunched up his nose, as if he wanted to take back the words as he said them. “You were so cold to us when we first met, we weren’t sure what it was about.”

It was her turn to grimace. Katie hadn’t wanted to seem like so much of a jerk. She could be snappish and patronizing, even with those she loved, but her haughtiness towards her teammates had been a façade created to keep them out. Not that it did any good.

“Ugh, you’re already closed off, again.” Lance threw his head back in frustration. “I shouldn’t have said anything.”

“It’s just personal, Lance.” Katie played with the apple in her hands. “I swear it’s not about you two.”

Without looking directly at him, she couldn’t tell what expression Lance was making. He stared at her, letting the silence extend.

Then he popped the last of the sub into his mouth, spreading back onto the grass.

“We will pester it out of you.” She turned to see him grinning. The confidence there was a quiet thing, so much different than Lance’s usual hyperboles and that much more effective. She felt dazed by it. “Eventually.”

Katie had never understood what the girls in her school meant when they talked about crushes. They always seemed frivolous, going on about someone’s hair or how handsome they were or how strong. Meanwhile, Katie had simply hoped for a friend, for a respite to the unending mocking.

Still, Lance suddenly looked very interesting under this light. His chin was too pointed to be considered attractive, but his blue eyes caught the sunshine like polished stone. He could be funny and thoughtful and inventive, attributes Katie hadn’t expected to value.

She moved her gaze to where another group of students was sitting, uncertain if the heat running up her neck would translate into a damning blush. She bit into the apple to keep from incriminating herself further.

#plance #pidgance #lidge #flirtyrobot #cyance #voltron #voltron legendary defender #vld #vld lance #pidge gunderson #katie holt #lance mcclain #vld fanfiction #vld syl verse

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peterparkerstarker · 4 years

Text

Employee Benefits - Starker

Written for my lovely Crush Anon who requested trans!Peter as a go go dancer at a gay nightclub, feat. “daddy kink, praise kink, humiliation, voyeurism, exhibitionism, the good stuff !!!”

Note: this fic uses the terms pussy and cunt to describe Peter’s junk as a trans man. I chose to use those terms because that’s what he was comfortable with as it plays into the humiliation kink, but it might not be for everyone and that’s okay. As a (mostly) cis writer, I tried really fucking hard to be as respectful as I could be about the trans experience, and make the humiliation more about Peter being desperate for Tony to fuck him than about his trans-ness.

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Peter was nervous about tonight.

It was his first shift at his new job, and anybody would be nervous on their first day, he reminded himself. It was normal, totally and completely normal.

Except for the fact that this wasn’t a normal job. Not in the least bit. He knew what he was getting himself into when he’d applied. But now that he was actually here, all dressed up and ready to go, he suddenly wondered if this was a bad life decision.

Go go dancer at a gay bar. What the hell was he thinking?

Sure, he and MJ had spent so many late nights practicing his moves, and Ned had lent him the money for his outfit, or at least what little clothing it comprised of. And they’d both lied their asses off to get Aunt May to believe he was safe with them, at an overnight astronomy club field trip. He was 18, so he was perfectly within his right to get a job dancing at this bar, but May would’ve thrown a fit and grounded him, so this was the best option he’d had.

He shifted awkwardly in his outfit, a red leather chest harness that distracted from the binder he wore under it. At least he hoped it did. Ned had spent all his savings to help Peter order it online, and while Peter had insisted he’d pay him back by Christmas, they both knew there was no way he could afford to.

He had tight blue shorts on as well, into which he’d securely tucked his packer, another gift from Ned with MJ’s help for his birthday last year. Peter glanced at himself in the mirror one last time before deciding there was nothing else he could do to get ready and would have to just go out and do the fucking job. This is what he’d willingly signed up for, after all.

He took a deep breath and left the dressing room.

But now, as he stood there at the back of the stage, trembling, he wondered yet again what the fuck he was doing here. But something within him kept pushing him forward, made his legs keep moving until he came into the pulsing neon lights that lit up the club, the bass pounding and thrumming through his body, and with shaking hands he climbed into the cage that would be his work space for the next hour.

“We like to start the new guys out slow, so you’ll just be dancing for an hour at a time, with 30 minute breaks. We’ll see how that goes and then go from there,” the manager of the club had told him when offering him the job. An hour suddenly seemed like a lifetime now.

He let out a haltering breath, clicked the cage closed around him, and closed his eyes, feeling the music beat deep in his chest, connecting with it, letting his hips follow.

This was the easy part, the part that made him want this so bad. It made him feel high, or drunk or something like that, he honestly didn’t know what either sensation was like, so he had to guess this was similar. Regardless, it felt so fucking good. Like his brain disconnected just enough from his body to be okay. He wasn’t Penis Parker when he danced, he wasn’t the kid at school that everyone gawked and laughed at, he wasn’t any of the shit they put him through. He was just Peter, vibing with the beat and letting his body talk for him. And he didn’t hate his body in those moments. He felt like himself, and that also felt so fucking good.

He opened his eyes, surveying the dark and crowded dance floor, and smiled. People were watching him, entranced by the way he moved, some were even copying him, trying to look cool. Some were significantly more successful than others.

One song blurred into another, faster and more erratic, and he began to let loose a little more, taking up more space in the small cage, grinding against the bars and feeling warm, sweaty hands grope him, desperate to touch him. And fuck, that felt good too. It made him dizzy, being so wanted and desired by these men. They saw him and couldn’t help themselves. And he wanted it just as much as them.

The hour passed in a flash, Peter lost in the music and the groping touch and the high of it all. He saw the light flash that signaled shift change and he begrudgingly let himself out, stopping to wink at a few of the more handsy clubbers on his way out and went back onto the main stage

‘God, what a fucking trip’, he thought to himself. ‘I could get used to this.’

He stumbled backstage, suddenly so much more tired than he had realized, eager to sit down and take off his shoes. They hadn’t been hurting when he was dancing, but now he was so uncomfortably aware of the way they pinched his right pinkie toe and was desperate for reprieve.

The break went by quickly, shoes off, making sure to drink water and adjust himself in the bathroom, and then being whisked back on stage by the manager because he’d been such a hit that they wanted him back as soon as they could.

This time, he stepped in with confidence, eyes locking on a gorgeous man with dark rumpled hair, olive skin, and a tight black tank shirt. His skin glistened, tight muscles in full display as he stared back at Peter.

Hungry. That was the look the man was giving him.

Hunger.

It made him shiver with need, and god, he wanted to be pressed up tight against this man’s hard sweaty chest, grinding and kissing and nipping at his neck. He kept staring, never letting himself lose sight of the man, dancing just for him this time.

Other hands ghosted across his skin, streaking him with glitter, but he didn’t pay them any mind. He had his sights set on one conquest, and he’d be damned if he lost tonight.

Peter didn’t really have experience with sex, but he didn’t intend to let that stop him. He knew what he liked, knew all the fucked up, degenerate things he craved, and he would be damned if his inexperience was going to hold him back tonight.

He danced out the rest of his second set, eyes locked on the man, daring him silently to come closer, but the man was playing his own wordless game. He never came close enough to touch, never seemed to pay mind to the hordes of man grasping for any skin contact they could get with Peter’s soft, creamy skin.

He seemed almost… amused now. Like there was a joke only he was in on, and that only made Peter want him more. He wasn’t begging for Peter’s attention like these other men, he knew in no uncertain terms that he deserved it, and was going to get what he wanted.

It made Peter need him all the more.

His second set finally ended, and as he was climbing out of the cage, pushing away clingy hands of strangers, he lost sight of the man. He’d turned his back for a minute and suddenly the man was gone.

Fuck.

So much for that…

It was the end of his trial shift and he’d been hoping to sneak onto the dance floor to get up close and personal with the stranger, but try as he might, Peter couldn’t spot him anywhere.

He sighed and hurried back to the dressing room to peel off his sticky clothes and clean up. Tonight had been good, great even, but he was sad about the missed opportunity.

He walked into the dingy backstage room and blinked at the bright light, confused.

The man, the one he’d the past hour eye-fucking while he grinded mostly naked against metal cage bars was sitting there, looking calm and expectant.

Peter blinked again, confused and speechless. The man smiled a half-cocked grin and extended a hand as if to shake. “I’m Tony. And you are?”

Peter just kept blinking. ‘Jesus’, he thought, ‘Say something!’

He stuttered out his name and felt a blush rising hot and fast to his cheeks. Why was this guy back here? No one but staff was supposed to be back here.

“Bucky didn’t tell me he’d hired a new kid, and I’m gonna have to give him extra hell for not telling me just how incredible you look up there.”

Peter cleared his throat, working up the courage to say, “It’s my first night.. I’m sorry, who are you?”

“Tony. I thought we just went over this?” he said, grinning again and leaning back in the dressing room chair Peter had used earlier.

“No, I know your name’s Tony, but why are you back here? Only staff is allowed, and I don’t want to get in trouble with the manager. He looks like he could kick my ass,” Peter said, finding the courage to square his shoulders and face this man head on.

“Calm down, geez. Bucky isn’t telling anyone shit apparently. I’m Tony, the owner of this bar. Bucky works for me, he’s the bar manager, and he oversees the scheduling and hiring when I’m away for business trips, but this is my bar, I can do whatever I want. And to be quite honest,” he said, looking Peter up and down slowly. “What I want to do right now is you.”

Peter felt like his brain had short circuited just a bit.

This gorgeous man wanted him. And not just in an across a crowded room way. He’d come back to proposition Peter.

And fuck, did Peter want him. His body was aching and sore, but he wanted to do whatever this man asked of him, his need for this stranger overpowered any need for rest after hours of dancing on display.

Tony quirked his head to the side and added, ”Of course, if you’re not interested that’s perfectly fine, no harm no foul, welcome to the Iron Man team, we’re glad to have you and it’ll be strictly professional from here on out. But I get the sense that’s not what you want, is it?”

Peter shook his head no, maybe a little too eagerly, if Tony’s bark of a laugh was any indication.

Tony gestured to him to come closer, and Peter did, getting close enough to touch, but he refrained.

“I want you to kneel for me.”

And Peter did, falling to the ground wordlessly, entranced by the sheer power this man held over him with a look and a few simple words. He would do just about anything to feel Tony's touch, but that wasn’t the game they were playing, and he was more than happy to play this one out.

Tony stroked his cheek, gently, warm and sweet and never broke eye contact. Peter felt himself practically panting, needy and desperate for more.

“I’m probably twice your age, you know?” tony whispered

“I don’t care.”

“I’m old enough to be your father.”

“Well, I never knew my dad, so what does that matter?”

Tony grinned devilishly at that. “Daddy issues huh? I can most certainly work with that.” He unzipped his pants, pulling out his cock, and letting Peter stare doe-eyed at it in excitement. It was just as gorgeous as him, long and thick and just slightly curved up, cut and defined and glistening at the head with pre-cum.

A wet dream come to life.

Peter’s mouth watered, he needed so badly to get his tongue on Tony's cock. Needed to taste and feel and suck and swallow. Needed to fuck him and let Tony have his way with him. Needed to be used.

Tony nodded, ever so slightly, and Peter took that as a sign to start, licking up the length of him gently, ever so gently, and smiled as Tony let out a deep groan. He’d never done this before, but he’d watched enough porn to know the basics.

He knew it wasn’t the best head of Tony's life, but he didn’t care. He was sucking off a stranger on a dirty floor of a gay bar where he was now a gainfully employed go go dancer. Peter wasn’t going to waste a second worrying, he was too lost in the silky texture of Tony’s cock sliding in and out of his mouth, the way his hips thrust to meet Peter’s lips, the panting breaths Tony let out, the little moans of pleasure that encouraged him to keep going, let him know he was doing good.

“Ah, that’s it, such a dirty slut, on your knees for a man you just met. God, you’re gorgeous, lips wrapped around my cock. I wanna wreck you with it, you’d like that, wouldn’t you?” Tony asked.

Peter eagerly nodded, still too focused on licking the head of Tony's cock to properly reply, and Tony grabbed his chin sharply, pulling his face up to look up into his eyes.

“Such a cockslut. You can’t even focus enough to tell me that’s what you want. Bet I could lift you up and fuck you on this table right now and you’d be begging me to fill you. Is that what you want? Me to fuck you till you can’t take any more? Of course, I wouldn’t stop until I was done. I’d keep fucking your tight little hole, make you scream and cry. Do you want me to make you cry Peter?”

And Peter let out a moan ripped from somewhere deep in his chest. He’d never wanted anything more. He could feel himself dripping wet, his shorts were probably soaked through already.

He needed Tony to pound into him until he came, screaming and crying and begging for more. He needed to be tony’s fuck toy, humiliated and used. His whole body ached with the need to be wrecked by Tony's huge cock.

Tony saw the desperation in his eyes, the way his lip trembled, and suddenly lifted him up off the floor and onto the cluttered table top. Items clattered to the ground to make room for Peter’s slim body, but they didn’t pay attention to them, too caught up in kissing frantically, biting and sucking, Tony working his mouth down Peter’s neck, hard enough to leave bruises. It hurt so bad, but the minute he lifted his mouth from each spot, a wave of endorphins crashed through his body, like a high he’d never imagined before. He wanted tony to hurt him, keep hurting him enough to make him cry out, anything to keep feeling this fucking good.

Tony unceremoniously pulled down his shorts, packer and all, and stared in wide eyed hunger at Peter’s uncovered skin.

He suddenly felt so shy, so self conscious. Humiliated. A searing flash of heat worked its way under his skin. No one had seen him like this. Peter didn’t even like to look at this part of himself, but the way Tony looked at him, like an animal ready to pounce, starving and greedy. He pushed those feelings aside. He needed tony to fuck him, needed tony to know how much he wanted him, how wet he got for him.

And Tony did touch him, rubbing his swollen wet clit, gentle circles at first, getting a feel for Peter's body, and then faster, harder, brutal and wonderful all at once. As soon as Tony knew Peter could take a little, he would go full force, overwhelming him with sensation. It made him shake with need. He needed Tony to stuff his cock into him.

Peter let out a whine, grinding hard against his hand, and Tony grasped onto his chin again, holding him tight with the hand that wasn’t pumping away.

“Daddy doesn’t like greedy boys, you understand? You'll take what you're given and be grateful for it. Cum sluts don’t get to set the pace. You’re mine right now, and I say when you can come, understand?”

Peter looked away, embarrassed to respond, and Tony clinched harder onto his chin, grip tight enough to bruise. At the same time, his fingers slipped into Peter, two, maybe three? Peter wasn’t sure. All he knew was that Tony filling his pussy up was the best goddamn feeling in the world, and he needed more.

He nodded feverishly, letting out a breathy “ Yes daddy,” and was rewarded with Tony's fingers curling up inside him, hitting a spot that made his vision blur a bit.

“Good boy, such an obedient little thing when you want to be. Daddy’s gonna train you so well. I’ll have you coming all over my hand on command soon enough. You’ll be begging to drink my cum after I'm through with you.”

And as he said that, he took out his fingers, held them up for Peter to see his own pre-cum dripping and glistening in strands between his fingers, and then he was thrusting himself deep into Peter's cunt, the head of his cock hitting deep inside him. He was going to be so sore tomorrow, and the thought of feeling a reminder of tony’s cock deep inside him tomorrow made him shiver with excitement.

Tony pounded into him, a brutal pace that left him breathless. All the while, he bit and sucked bruises up Peter’s exposed collarbone, the waves of adrenaline hitting even harder with Tony buried deep inside him. He could feel it building, like waves of heat crashing over him.

“Fuck, Tony, I’m gonna… I think I'm gonna…”

“That’s it baby boy, come for daddy, want you to come all over my cock, wanna feel you tighten around me, you can do it, come for your daddy.”

And he did, clenching and wet and screaming out Tony's name. He hoped the pounding music from the dance floor was enough to drown out his yells as he came.

And then Tony was yelling along with him, spurting deep inside him, coating him with sticky wet cum, marking him, claiming him.

They lay there for a minute, Tony's heavy body pressing him down hard against the top of the table, sweaty and panting and grinning at each other like fools. Tony leaned down to kiss him. Gently, ever so gently. A tender kiss that made Peter fall in love that much more.

As Tony pulled out, Peter could feel his cum squelching inside him, oozing out of his gaping hole, cooling as it trickled down, a messy reminder of what they’d just done.

Tony helped Peter up, helped him clean himself up as best as he could, and gave him another kiss, turning Peter’s bruised chin up to stare into his eyes.

“Tomorrow night I want you here an hour early for your shift. We’ve got some extra hands on training to do… understand?” Tony asked, and Peter early agreed.

He collected his stuff, only just now starting to wonder how the hell he was going to hide these bruises from aunt may. He’d just have to tell her he was staying the night at Ned’s tomorrow, and ask MJ to help him conceal them with makeup.

He was about to leave, still floaty and out of it on how good it felt to be fucked like that, when Tony called out, “Make sure to tell Buck thanks from me on the way out, will you?”

Peter stared back, confused.

“He’s been trying to find me a new boy for a while now, he must’ve taken one look at you and known how badly I’d want you.”

Peter flushed, pride and shame swirling into each other.

“Don’t forget, an hour early tomorrow, and be ready to make daddy happy, understand?” he added, with a wink that made Peter wet all over again.

‘Not too bad for a first night on the job,’ he thought. He could certainly get used to these benefits.

#starker #trans!peter #go go dancer #night club au #gay club au #my fic #my writing

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