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#theory analysis
anthurak · 3 months
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You know the more I've thought about it, the fact that Charlie and Vaggie do a romantic reprise of 'More Than Anything' feels like a strong indicator not just that Chaggie will end up being framed as a thematic parallel/foil to Lilith and Lucifer, but also that Charlie is specifically meant to be the counterpart to Lilith; the (half)human woman who inspires Hell through song, and Vaggie the counterpart to Lucifer; the fallen angel who fell in love with her.
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inafever · 9 months
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Oh my god I've been so stupid
GIVE ME COFFEE OR GIVE ME DEATH
It was an outright goddamn death threat
You either take the coffee, or take the death
Metatron you nasty little piece of shit
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crowleys-hips · 5 months
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ok i know everyone's analyzed the shit out of the Job minisode. but i think everyone has overlooked this Very Important detail, and it's this:
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do you see it?
golden kermit collar
thank you for listening
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omar-rudeberg · 1 month
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ok but the way they've been on again off again for three seasons specifically shrouded in the colours of the swedish flag - showing us the monarchy has intruded on their relationship. even the good, even the private, and always, always the bad and the ugly.
💙💛
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makes this white flag moment of surrender even more powerful. they're stripped of this blue and gold brushed over them by society, colourless and allowed to create their own existence - together, a blank slate. themselves, again and only - forever.
🤍🤍
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angelltheninth · 3 months
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FUCK! I gotta talk about Charlie's power!
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She stopped Adam at his full strength here, and he seemed genuinely scared and confused by her. Charlie is fairly young compared to Adam and her dad so it's very likely that the demon form she showed in this fight is just a part of her power and not the full thing. I man look at her arm!
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Also no angel wings yet but Viv did say Charlie has them too. We could see them in season 2! And see more of how powerful she actually is. Now it makes sense why she's only bested by her parents. She's a powerhouse of character and we've only seen a fraction if it.
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risestarkiss · 5 months
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"This Whole Situation"
Rise Ramblings #1
So as you guys know, one occurring phrase in the show between the boys and April is “This whole situation.” Although vague, and used in many other contexts, sometimes the family uses the phrase to refer to their mutations.  
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However, once finishing the series it’s hard to miss that Donnie never says the phrase. Now, I could be wrong (and If I am, just comment and let me know!) but I have a theory as to why Donnie doesn’t say it… Donnie never says “this whole situation” because in his mind, there IS no situation.
The Evidence:
I started noticing something interesting about Donnie’s state of mind about himself.
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He never really expresses that he’s different from other people, he’s just…him. Obviously, he knows that he’s a mutant, but it’s not something at the front of his mind. I associate it to if someone has a certain attribute, that person is just that, a person first. I believe it’s the same for Donnie. He’s a person, that just so happens to be a mutant turtle, and I live for it.
What made me solidify my theory was the use of disguises in Rise, specifically the use of disguises in April’s school.
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All of the boys have visited April’s school, and all of them decided to wear disguises, except Donnie.
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He just shows up in his regular clothing. One could argue that the hoodie is his disguise, but then why did the rest of the boys wear actual (silly) disguises while our boy Donnie is just like, “Hoodie? Check.” And not only that, but for the whole episode, all eyes are on him, and he just. Doesn’t. Care. It’s glorious!
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Later, in the episode Donnie vs. Witch Town, we see that Donnie showing up all willy-nilly pell-mell at April’s school was not a one-time thing. It’s literally been happening for years!
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Therefore, I believe that canonically Donnie doesn’t care about “this whole situation.” And if someone does, as far as he’s concerned that’s their problem, not his.
○○○○
Part Two: On His Own Terms
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biceratops7 · 9 months
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OK OK OK OK-
Ok is ANYONE else talking about the “evil coffee” theory yet??? Or is that just the discord I’m in
Cause like…. Who the FUCK puts THAT much emphasis on a RANDOM CUP OF COFFEE??
I mean Aziraphale literally says “I made my position clear” and then Metaron is immediately like “aAAH, but I brought you.. an OAT milk LaTé 👹” with foreboding music and ominous shots like some scene straight out of a fucking Disney movie, OH Kay… I see you you Jafar sounding bitch 😭😂
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maxiemumdamage · 3 months
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I realize we’re probably supposed to feel threatened, or at least worried, that the Vees are all ready for a power grab, but I’m…not.
Like, we just watched Carmilla and Rosie — aka the supplier of Angelic weapons and the apparent best information broker in Hell — clearly cement themselves as being on Charlie’s side. Alastor might have gotten his ass kicked by Adam, but he still held his own for a good while. Besides, Adam was clearly the strongest person in Hell at that point except for Lucifer, so it’s hardly a humiliating defeat. And considering the other Overlords already there are his friends, we can expect Zestial would probably jump in on the project just for kicks.
Compared to all them, the Vees…aren’t exactly a threat. They can’t do shit if Carmilla refuses to sell to them, and while she’s the least invested in the Hotel of all the Overlords involved, I do think she’d draw that line if she thought it necessary. Business is clearly a secondary priority compared to family for her, and I’m suspecting her daughters might end up being some of the Hotel residents since it’s a good place to stay safe.
And even without that, uh. Lucifer. Lucifer who just kicked Exterminator ass for all of Hell to watch, Lucifer who just demonstrated to the public how much he cares for his daughter and how brutal he would be to anyone that threatened her, Lucifer who is the literal king of Hell and will now be staying at the Hotel.
To throw Vox’s words back in his face: they’re gonna die. They’re gonna fucking die.
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tare-anime · 3 months
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I love to see Loid's protective side towards Yor growing at a steady pace.
Loid has always been so protective towards Yor from the beginning, even before he himself was aware.
As shown at chp. 5
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Here, he has just met Yor, but the moment Swan dared to stomp on her feelings, he got agitated and defend her right away. Even though, he still able to stop himself, and rationalize things.
It happened again during chp. 30
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Look at how fast Loid's expression changed from "Hey, what are you doing here, Fiona?" Into "I dare you to say another word about Yor (grrrr)", at the exact moment Fiona dare to imply how worthless Yor was.
Still, after this time, once again Loid rationalized all of actions are for mere mission sake, even though we know during later chapter that he dislike the disguise that imply he and Fiona were married couple.
During Wheeler arc, at chp. 86, Loid finally aware about his "weakness". And that weakness is someone named Yor.
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(smh. 🙄🙄 This man really is slow in learning about feelings. But he is getting there......)
Nevertheless, this realization really evoke his protective side. And almost immediately after this moment, he started to actively move to protect Yor, even in the slightest sign of possible 'attack'.
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At the latest chapter, chp. 94, a.k.a only in 6 chapters later, he even starts to actively use his physical power to prevent even the slightest discomfort to happen towards Yor.
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Look at how hard Loid gripped that man's arm for daring to suggest tying Yor up. And that glare??? Geeezzzz.....
Now, I have a desperate need to see Loid going full attack towards someone who dares to hurt Yor either pysiologically or (is it possible?) physically in somekind of situation like maybe something like (shameless self promotion here) my fic.
Please Endoooooo, I'm begging you..... 🙏🙏
Give us more protective and jealous Loid.
I need to see it 😫😫😫😫😫
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room-surprise · 3 months
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Evidence that Kabru from Delicious in Dungeon is Indian, a Masterpost
(Some of this info is taken from my upcoming essay about the names and cultural origins of all the characters in Dungeon Meshi. There's a link in the source to the AO3 version of this essay.)
Since Kabru’s first appearance in the anime is upon us, I wanted to write something that compiles all the evidence we have that Kabru is meant to be a person of South or Central Asian ethnicity, or at least whatever the equivalent to that is in the Dungeon Meshi world. 
Ryoko Kui can and does draw people of many different ethnicities, and the way she draws Kabru matches the way she draws other Asian characters in Dungeon Meshi. He doesn’t look Black, or Hispanic, or any other ethnicity because he isn’t supposed to. He looks like a dark-skinned South or Central Asian person, because that’s what Ryoko Kui probably intends him to be.
So let’s go through the evidence! (There are no spoilers for the plot of Dungeon Meshi below, but there ARE spoilers for Kabru's backstory as explained in the manga, and in extra materials like the Daydream Hour and Adventurer's Guide book.)
KABRU’S NAME
The Dungeon Meshi Adventurer's Bible tells us Kabru’s real name is unknown. There are other characters whose real names are only told to us in the Adventurer's Bible and were never revealed in the manga, but then Kabru, Thistle and Izutsumi’s entries simply say their real names are unknown, and though Kui could tell us their true names, she doesn’t. I assume this means that the characters themselves don’t know what their real names are, and that the names they go by are not their birth names, but this is only a supposition on my part.
KABRU THE MOUNTAIN
Kabru (काब्रु) is the name of a mountain on the border of Nepal and India, and part of the Himalayan range. It’s the 65th tallest mountain in the world and it is very snowy and icy, with frequent avalanches. Because of this, even though it’s not the tallest mountain in the world, climbing it is challenging, and is not often attempted. Those few that have managed to climb it consider it a major achievement.
“This prohibitively fearful icefall… had thwarted numerous expeditions, perhaps even the 'thought' of attempting the mountain… Unstable seracs of the icefall, a complex maze of chasms, and delicate snow bridges spanning seemingly never ending, near bottomless crevasses… Each time the members stepped into the icefall, they stood a good chance of never returning.” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)
WHAT DOES KABRU’S NAME MEAN?
Kabru is a character that is known for being very good at charming people, but who doesn’t express himself honestly, because he’s trying to manipulate the people and situations around him in order to maintain control at all times. I think nobody really knows who Kabru is deep inside, maybe not even Kabru himself, so a remote, hostile, icy mountain that’s hard to climb seems like an extremely appropriate name. 
Some of the oldest English sources I found regarding Kabru suggest that Kabru isn’t the correct local name for the mountain (a common problem in early Himalayan exploration by Europeans) and might just be a descriptor, or that it’s a misspelling. 
This makes the name seem even more appropriate, since Kui’s told us Kabru’s true name is unknown. It’s possible that Kabru was a place-name or a descriptor that Milsiril (Kabru’s elven foster mother) was given when she picked up a traumatized 7 year old Kabru, and she just started using it as his name, and that even he doesn’t remember his real name thanks to his severe trauma.
The fact that people in the real world can’t seem to agree on the mountain Kabru’s name, or what it means, reminds me of the running gag of Laios repeatedly getting Kabru’s name wrong in the manga.
"All the people near the Kabru massif call it 'Kaboor'." (The Alpine Journal, 1921-22 Volume 34, Edited by George Yeld and J. P. Farrar)  “It is also said that the name applies to a peak close to Kinchinjunga on the southeast, and not to the peak known to Europeans as Kabru… [The real name is] Pahung Ri [Pauhunri].” (Appendix I: Place Names in Darjeeling. The appendix says it was “compiled mainly from an article written by Colonel Waddell and published in the Journal of the Asiatic Society of Bengal (Vol. LX, part I, 1891)”) “Kangchen is a Tibetan name… the Sikkhimese use it as the name for the peak called Kabru by Europeans.” (Charles Bell, Dyhrenfurth's Himalaya (Berlin, 1931)) “...Kyabru or the horn of protection. The name is… Kabur… possibly a corruption of Kangbur or the swelling of snow; it might also mean the white swelling (kar-bur).” (Appendix I: Place Names in Darjeeling.)  “Kabru literally means the 'White Avalanche' peak (Ka means 'white' and bru means 'avalanche').” (Kabru - Mountain of the Gods, Major A. Abbey, Himalayan Journal 52, 1996, editor Harish Kapadia)
I’ve seen one other mountaineering article cite the “white avalanche” meaning, and I think it’s plausible since the Appendix says it can mean “white swelling” or “swelling of snow”, which may very well be a literal translation for “white avalanche”. 
WHAT ABOUT UTAYA? IS THAT INDIAN TOO?
Utaya means “raised” or “uplifted” in Hindi, but it’s also a real village and a Japanese boy’s name.
Utaya (ウタヤ) is the name of the village that Kabru was raised in before his mother died and he was adopted by the elf Milsiril. Utaya is located in the southeast of the Western Continent. It’s worth noting that Kabru probably wasn’t born in Utaya, since his mother had to flee from her home to keep Kabru alive, so Utaya may be some distance away from his birth place… Not so far that a woman with a newborn baby couldn’t survive the trip, but far enough that her husband’s family gave up on chasing her. So Kabru was probably born in a close-by area.
In the real world, Utaya (Yakut: Утайа) is in an extremely rural and isolated area with a population of less than a hundred people. It’s located in the Sakha Republic, which is in the Northeastern part of Asia in the Russian Federation. The Yakut/Sakha are a Siberian Turkic people.  
The Turkic peoples are a collection of diverse ethnic groups of West, Central, East, and North Asia as well as parts of Europe, who speak Turkic languages. 
Early and medieval Turkic groups exhibited a wide range of both East Asian and West-Eurasian physical appearances and genetic origins, in part through long-term contact with neighboring peoples such as Iranian, Mongolic, Tocharian, Uralic/Yeniseian peoples, and others. Turkic peoples share, to varying degrees, non-linguistic characteristics like cultural traits, ancestry from a common gene pool, and historical experiences. 
JAPANESE MEANINGS FOR UTAYA
Utaya can be a Japanese boy’s name with several different meanings, depending on which kanji it’s spelled with. In most of the spellings: Poetry, sing a poem, singing, compose poetry
In many of the spellings: The place where the sun shines, it's been a long time, distant, big, to shoot with a bow, to swear, affirmation, question.
The Utaya disaster happened a long time ago.
If Utaya is up in the mountains above the clouds it’s a place where the sun shines brightly.
 Kabru has sworn to himself that he will prevent another Utaya tragedy from happening.
In only a few of the spellings: to mend, feathers, wings, a word for counting birds and rabbits, sort them out, washing with water to separate the good from the bad, roof, house with a roof, a world covered with a big sky, infinite space, song that praises the Buddha, Eight.
Counting birds and rabbits makes me think of divination and also that the people of Utaya were like little birds and rabbits (small prey animals) to the monsters that devoured them.
Separating the good and the bad could hint to the “judgment” of Utaya and the greed of its people that led to their downfall, also sorting through things to separate good and bad is something that’s done with food and other resources.
The Himalayan region is often referred to as the “roof of the world”, with a big open sky above it. 
The infinite could refer to the dimension the demon comes from, or to the sky above the mountains. 
Buddhism is a common religion in the Himalayan region, and eight has auspicious connotations in Buddhism. 
With all that in mind, Utaya as a name for Kabru’s home village is an interesting choice, and adds another layer to his origins, maybe suggesting not just North Indian/Himalayan, but Central or North Asian cultural influence as well. 
It is also possible that the name is just telling us that Utaya is “up” in the mountains, or that it was “uplifted” by the wealth of the dungeon, or even that Kabru was “raised” there… The Japanese name meanings are also extremely fascinating and hint at similar ideas, as well as the tragedy that happened to Utaya.
WHY ELSE DO YOU THINK KABRU AND UTAYA ARE HIMALAYAN?
In the real world, the Himalayan mountain range is an extremely popular tourist destination, and the amount of people who want to visit and attempt to climb the mountains far outpaces the local ability to support it. This makes me think of the dungeon of Utaya and how people overcrowded it in their desire to conquer and exploit it. 
Dungeons as an unsustainable way for locals to make a living that leads to the destruction of their homes when the dungeon inevitably collapses is a major plot point in Dungeon Meshi, so I think the parallel is likely intentional. Characters often talk about someone “conquering” the dungeon, and “conquer” is also the terminology commonly used for climbing a mountain. This terminology obviously has a hostile, imperialist subtext in the real world, since it’s most commonly used by outsiders talking about proving their strength by climbing a mountain.
Also, there are local legends in the areas surrounding Mt. Kabru that there is a valley of immortality hidden on its slopes, which reminds me of the way that the dungeons can grant conditional immortality to the people inside of them.
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This image of Utaya could be showing us a village built on a mountainside. The house shapes seem a bit more Middle Eastern than Nepali/Indian, but it’s not a detailed drawing and the roof styles are a mix of flat and peaked.
CULTURE
In the Daydream Hour sketchbook, Ryoko Kui included a small comic about characters sharing desserts from their home countries. A young Kabru is shown enthusiastically trying to share an unnamed sweet, and he is interrupted by his elven foster mother, who insists he present a type of elven cake instead. We know that Kabru hates this type of cake, and he seems disappointed to have to eat it and talk about it.
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The white balls in Kabru’s dessert are very likely meant to be  an Indian sweet called rasgulla (literally "syrup filled ball"). Rasgulla are a dessert popular in the eastern part of South Asia, made from ball-shaped dumplings of chhena dough, cooked in light sugar syrup. While it is near-universally agreed upon that the dessert originated in the eastern Indian subcontinent, the exact origin is disputed. Rasgulla are as culturally important to the Bengal and Odisha regions of India as Parmesan cheese is to the region of Parma in Italy.  
Rasgulla are also popular in Nepal, where they are called rasbari. 
KABRU’S PHYSICAL APPEARANCE
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Kabru is one of several characters in Dungeon Meshi with clearly non-European features: he has brown skin and thick black/dark brown curly hair. He has almond-shaped eyes with long, dark lashes (fans like to joke that he’s wearing eyeliner). All of these are traits common to people from the Indian subcontinent. His blue eyes are not common for someone with his skin/hair color, but blue or green eyes are not unheard of in that region either. 
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(Indian man with blue eyes)
Blue or light eyes are often a cause for discrimination, like what Kabru experienced as a child. More on this in a moment.
Kabru is 5’7” (170cm) tall, which is short for a Northern European man (180), tall for a Nepali man (162cm), but close to the average height of Indian men (177cm). He has a slender build, which is also common for Asian people in general, and South Asian men in particular.
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Compared to the European-looking tall-men in Dungeon Meshi (such as Laios, Falin, Delgal, Marcille’s father), Kabru’s facial features look more like the other Asian characters, such as Toshiro and his party. 
CAN DARK-SKINNED PEOPLE HAVE BLUE EYES?
Yes. Light-colored eyes are very uncommon in parts of the world where most people have dark eyes, since dark eyes are a dominant trait in real-world human beings. That means that in order for two parents with dark eyes to have a child with light eyes, both parents need to have a recessive light-eyes gene (or for there to be an illness or genetic mutation), and that’s rare in populations that don’t have a lot of light-eyed people to begin with.   
THEN WHY DO SO MANY DARK-SKINNED CHARACTERS HAVE BLUE EYES?
Anime and manga often give characters with dark skin light colored eyes instead of allowing them to have brown or black eyes, which is much more common in real life. It’s a hurtful design trope that makes many readers feel that their natural dark eyes are somehow ugly or inferior to blue eyes.
This trope is used over and over again by authors who want their characters to look “cool” and “exotic”, and for their eyes to be high-contrast to make it easier to show their emotions.
I don’t think this is what Ryoko Kui is doing in Dungeon Meshi. 
UNREALISTIC HAIR AND EYE COLOR COMBOS IN ANIME
In a lot of anime/manga, blue eyes (regardless of skin color) don’t actually mean anything in the narrative, in the same way characters having green or pink hair doesn’t mean anything, the colors are non-diegetic, they don’t actually exist in the world, like the music that plays in the background without an on-screen source. 
It’s an artistic shorthand to make characters visually stand out, instead of giving them all black hair and eyes like most real-life Japanese people… Which is what most anime/manga characters are meant to be: Japanese people. 
Dungeon Meshi has a large cast of characters that are explicitly meant to be non-Japanese. We know this because there’s a group of characters that are Japanese, and they’re drawn differently from everyone else, they wear ethnically Japanese clothing, and have ethnically Japanese names. 
Unlike other series, where eye and hair color don’t mean anything, Dungeon Meshi has no unrealistic skin, hair, or eye color combinations. 
(Except for the elves, who seem to have different genetics than real world-humans. I’ll get into that another time.)
Ryoko Kui must be aware of the dark skin, blue-eyes design trope, because if she gave Kabru blue eyes just because she thought it looked good, surely she would have made some of the other Asian or dark-skinned characters have light eyes. Out of 9 Asian or dark-skinned tall-man characters, Kabru is the only one with blue eyes.
Kabru having light-colored eyes is central to his story, and Kui talks about it.
KABRU’S STORY AND WHY HIS BLUE EYES MATTER
Kabru’s father and his family tried to kill Kabru when he was born because he had blue eyes. Kabru’s mother ran away, and ended up raising Kabru by herself in Utaya. She didn’t try to return home to her own birth family, but instead struggled to raise a child completely on her own with no money or support, which implies she had no other options, due to the fear people of their region have for people with blue eyes.
This is a real thing that used to happen frequently in areas where most of the population has dark eyes, and it still happens to this day.
In a realistic story, this is logically what would happen to a character with dark skin born with blue eyes in a place like the Utaya region. It’s rare for manga or anime to show dark-skinned blue-eyed characters facing this. 
WHAT IS THE “EVIL EYE”?
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The “evil eye” is a supernatural belief in a curse brought about by a person looking at you. The belief in the evil eye has existed since prehistory, as long as 5,000 years ago. It is estimated that around 40% of the modern world's population believes in the evil eye. This concept is most common across the Mediterranean, the Balkans, the Middle East, and Central and South Asia, areas where light-colored eyes are uncommon. 
In areas where light-colored eyes are rare, people with green eyes, and especially blue eyes, are thought to bestow the curse, intentionally or unintentionally. Just one look from a blue-eyed person is often considered enough to inflict a curse.
One of the most famous and widespread talismans against the evil eye is the nazar, a glass amulet featuring concentric circles in dark blue, white, light blue and black. It’s supposed to “bounce” the curse away from the wearer. 
HOW DOES THIS APPLY TO KABRU?
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Imagine Kabru growing up in a village surrounded by people wearing and hanging talismans that look like his eyes, because the people around him think blue eyes are evil. They call his mother a witch for birthing him, and a whore because she doesn’t have a husband. Imagine parents forbidding their children from playing with or even talking to Kabru. People crossing the street to get away from him, or chasing him away by throwing rocks.
I think the reason young Kabru was able to learn how to speak some kobold is likely because he was so heavily ostracized by the other tall-men around him, the only children he could occasionally interact with in Utaya were kobolds, who might not share the same cultural superstitions that the tall-man do. 
This childhood trauma, combined with Kabru’s experience of the dungeon collapse in Utaya, and being raised by an elf that treated him more like a pet than a human being, set Kabru up as a character who has never had a home where he belongs. He has been an outsider from the instant he was born, and every place he has lived treats him as an “other.”
To his father’s family, he was a curse. To his mother, although she loved him, he was a burden. To the people of Utaya, he was a monster. To the elves, he’s a tall-man baby (no matter how old he gets) with funny looking eyes, to the people on Merini Island, he’s a foreigner from the West with elven ways and education. 
CONCLUSION
I wanted to write this because I know some people will see Kabru in the anime for the first time today and think "Oh, another dark skinned blue eyed character! This is a bad character design that is evidence that the author is racist at worst or ignorant at best.” And I don’t think that’s a fair assessment of Ryoko Kui’s work in Dungeon Meshi.
This isn’t to say that Ryoko Kui has never done anything wrong, or that her work couldn’t be more inclusive, or that there’s no way in which she could improve. 
But there are pages and pages of artwork she’s done that shows she cares about these issues, and I think it’s worth celebrating when someone makes that kind of effort with their artwork.
ANYWAY…
If you’ve read this far, you’re very strong hahaha. I hope you enjoyed this essay. I’ll be publishing more soon when I finish my Dungeon Meshi research on the names and cultures of all the characters. Wish me luck!
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"The baker girl".
This is how people like Chloé or Gabriel have been referring to Marinette in a mean and mocking way throughout the seasons, as if this was something she should be ashamed of.
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The fact that her Lucky Charm turned out to be a baker's peel and she used it to beat the crap out of Monarch is so symbolic and powerful.
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rayroseu · 4 months
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I love how Meleanor's dragon form can serve as little hints about how Malleus grew up as a dragon🥹💚🐉🦎
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Comparing the frills on their cheeks... it seems like their frills grows with age and gets lighter and more connected to their eyes, it seems to get more purple skin/highlights as well.
In contrast to Meleanor's adult dragon form with hard scales, Little Malleus seem to have softer skin/scales, so i think their hard scales develop over time too. Also their snout gets more patterned too.
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The spikes on their backs seems to separate as they get larger. Looking at Little Malleus, he has spikes that are close to each other yet on Meleanor's spikes, they're kind of sectioned in her head, torso, and her tail.
Their horns grows darker as it gets taller. Its noticeable on the horns of their head and on the wings.
Their horns also get more ridges over their development! Since Baby Malleus has smooth horns but now in Malleus' grown up form and Meleanor's, its more textured.
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I think their horns are purple at the start then starts to get dark green??? Both Meleanor and Malleus' horns in card art always have green highlights after all.
I wonder if they're more green-colored in their human form bcs it symbolizes their empathy and how they're more humane and how connected to nature they are, but when they're in their dragon form, that green-color is reserved only in their internal organs (eyes and mouth), so "they shut their kindness off".
As a result, their form is mostly dark purple on their dragon form, the color of (evil?) void magic. So, its like when theyre in their dragon form, they're encasing their empathy inside to showcase how cruel/sinister they actually are, it could also convey that in their dragon form, they're not channelling their "fae magic" but their controlled power over "darkness/evil/hell"
Malleus after all said, he's the ruler of those who follow the darkness, Meleanor is the evil princess, and Maleficent has all the powers of hell.
Also I realized Meleanor (based on the Battle pic), might be as big as a entire castle and that's just her at ~300 years old... She looks like she could wrap her own castle with just her dragon form lol.. So I'm really curious at how massive Malleus dragon form is... Maybe its Ramshackle size for now since he's just 178 years old so might not be a dragon at a size of an entire castle yet-
These are just my thoughts after staring at Meleanor for so long kwhkdhsk also bcs I want more Baby Malleus content,,,, It's what Meleanor would've wished😔😔 especially the time where he first transformed into a human🥺💕💝 I think it'll be precious to see Baby Malleus clutching to Lilia for dear life because he can't balance on two human legs jdkdhlssj🥹🥹💝💖💖 Imagine Lilia's surprise seeing Meleanor's horns on their kid as soon as Malleus transformed to a human,,, 🥹🥹🥹 Levan, where are your genes...
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melbatron5000 · 19 days
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The evidence stacks up
Oh my god. I just saw this yesterday. This.
THIS.
(Follow this for my fully fleshed out theory.)
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Yes. Yes. They showed us how it's going to go.
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And watch him palm the bullet out of his mouth.
I rest my case.
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whateversawesome · 3 months
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Spy x Family's Secret Story
A few days ago, I learned something interesting at school: some stories have secret stories.
Hopefully, I can explain it: a secret story is what is not told explicitly in the narrative, but that the reader can understand by the character's behavior, thoughts or actions.
The most interesting part is that this secret story is, in many cases, what pushes the main story forward.
So, of course, I had to apply this to my sxf brainrot 😏 It took me a while to figure it out, but I think I got it...
Remember this panel?
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It's one of the most celebrated panels in the manga. We finally got to see Twilight shirtless 😎 and we've enjoyed countless fanarts of it (thanks to all the wonderful artists 👏) Well, it was precisely this panel and the timing of it what made me realize about Spy x family's secret story.
This is the first time we see Twilight naked, right? This was also the first time he realized he was vulnerable.
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Here, Twilight, master of disguise, best spy of Westalis, rips his disguise, admits that he has weaknesses and shows us that he's injured because of this vulnerability.
Think about the symbolism of it; a person is at their most vulnerable when naked and we didn't see him in this state until he had that conversation with Yor. Even though the arc was about catching Wheeler, the secret story of that arc was about weakness. Wheeler himself mentioned it several times and it's not a coincidence that in this arc Twilight shows weakness not once, but three times:
1. By not killing Yuri (and getting shot)
2.By getting hurt during the confrontation with Wheeler and lastly...
3.When he sees Yor again!
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It's also not a coincidence that he got physically hurt because he showed weakness. I suspect it won't be the last time this happens. Keep that in mind for the future...
All this is related to that secret story l mentioned at the beginning. I think SxF secret story is precisely that, not weakness, but vulnerability.
That conversation he had with Yor was about that; she was trying to convince him to be vulnerable with her (more on that here). And his thoughts were about that too; he's telling Yor in his mind he lives in a world where he cannot be vulnerable.
And that last line!!
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It's exactly what secret stories are about: unsaid things.
The fact that an arc about weakness and vulnerability started and ended with Yor and where Twilight acknowledged his weakness is very significant. Do you see it too? All this happened because of her and I think he knows it too.
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Twilight's struggle with vulnerability is what pushes the story forward and ultimately what makes so many of us connect with the characters. Clearly, he's losing the battle with himself and he's trusting and relying on his wife more every day; we see it in his behavior. We all want that to happen too!
Because, what is more human than to become vulnerable because of love?
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cvntkisser · 25 days
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Bungo stray dogs fans will really watch a character get cut in half, drowned, shot in the head, blown up and have characters prepare for another character's funeral and be like i wonder how they survived because they couldn't have possibly died.
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jesterbabey · 5 months
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wait I just realised as soon as “fuck you Clivesdale go get fucked” starts, everyone is lit green ??
IS WIGGLY BEHIND THE HATCHETFIELD/CLYVESDALE BEEF
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