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inkskinned · 7 months

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the thing about art is that it was always supposed to be about us, about the human-ness of us, the impossible and beautiful reality that we (for centuries) have stood still, transfixed by music. that we can close our eyes and cry about the same book passage; the events of which aren't real and never happened. theatre in shakespeare's time was as real as it is now; we all laugh at the same cue (pursued by bear), separated hundreds of years apart.

three years ago my housemates were jamming outdoors, just messing around with their instruments, mostly just making noise. our neighbors - shy, cautious, a little sheepish - sat down and started playing. i don't really know how it happened; i was somehow in charge of dancing, barefoot and laughing - but i looked up, and our yard was full of people. kids stacked on the shoulders of parents. old couples holding hands. someone had brought sidewalk chalk; our front walk became a riot of color. someone ran in with a flute and played the most astounding solo i've ever heard in my life, upright and wiggling, skipping as she did so. she only paused because the violin player was kicking his heels up and she was laughing too hard to continue.

two weeks ago my friend and i met in the basement of her apartment complex so she could work out a piece of choreography. we have a language barrier - i'm not as good at ASL as i'd like to be (i'm still learning!) so we communicate mostly through the notes app and this strange secret language of dancers - we have the same movement vocabulary. the two of us cracking jokes at each other, giggling. there were kids in the basement too, who had been playing soccer until we took up the far corner of the room. one by one they made their slow way over like feral cats - they laid down, belly-flat against the floor, just watching. my friend and i were not in tutus - we were in slouchy shirts and leggings and socks. nothing fancy. but when i asked the kids would you like to dance too? they were immediately on their feet and spinning. i love when people dance with abandon, the wild and leggy fervor of childhood. i think it is gorgeous.

their adults showed up eventually, and a few of them said hey, let's not bother the nice ladies. but they weren't bothering us, they were just having fun - so. a few of the adults started dancing awkwardly along, and then most of the adults. someone brought down a better sound system. someone opened a watermelon and started handing out slices. it was 8 PM on a tuesday and nothing about that day was particularly special; we might as well party.

one time i hosted a free "paint along party" and about 20 adults worked quietly while i taught them how to paint nessie. one time i taught community dance classes and so many people showed up we had to move the whole thing outside. we used chairs and coatracks to balance. one time i showed up to a random band playing in a random location, and the whole thing got packed so quickly we had to open every door and window in the place.

i don't think i can tell you how much people want to be making art and engaging with art. they want to, desperately. so many people would be stunning artists, but they are lied to and told from a very young age that art only matters if it is planned, purposeful, beautiful. that if you have an idea, you need to be able to express it perfectly. this is not true. you don't get only 1 chance to communicate. you can spend a lifetime trying to display exactly 1 thing you can never quite language. you can just express the "!!??!!!"-ing-ness of being alive; that is something none of us really have a full grasp on creating. and even when we can't make what we want - god, it feels fucking good to try. and even just enjoying other artists - art inherently rewards the act of participating.

i wasn't raised wealthy. whenever i make a post about art, someone inevitably says something along the lines of well some of us aren't that lucky. i am not lucky; i am dedicated. i have a chronic condition, my hands are constantly in pain. i am not neurotypical, nor was i raised safe. i worked 5-7 jobs while some of these memories happened. i chose art because it mattered to me more than anything on this fucking planet - i would work 80 hours a week just so i could afford to write in 3 of them.

and i am still telling you - if you are called to make art, you are called to the part of you that is human. you do not have to be good at it. you do not have to have enormous amounts of privilege. you can just... give yourself permission. you can just say i'm going to make something now and then - go out and make it. raquel it won't be good though that is okay, i don't make good things every time either. besides. who decides what good even is?

you weren't called to make something because you wanted it to be good, you were called to make something because it is a basic instinct. you were taught to judge its worth and over-value perfection. you are doing something impossible. a god's ability: from nothing springs creation.

a few months ago i found a piece of sidewalk chalk and started drawing. within an hour i had somehow collected a small classroom of young children. their adults often brought their own chalk. i looked up and about fifteen families had joined me from around the block. we drew scrangly unicorns and messed up flowers and one girl asked me to draw charizard. i am not good at drawing. i basically drew an orb with wings. you would have thought i drew her the mona lisa. she dragged her mother over and pointed and said look! look what she drew for me and, in the moment, i admit i flinched (sorry, i don't -). but the mother just grinned at me. he's beautiful. and then she sat down and started drawing.

someone took a picture of it. it was in the local newspaper. the summary underneath said joyful and spontaneous artwork from local artists springs up in public gallery. in the picture, a little girl covered in chalk dust has her head thrown back, delighted. laughing.

#writeblr #warm up #this is longer than i wanted i really considered removing that part about myself and what i went thru #but i think it really fucking bothers me that EVERY time i talk about being an artist #ppl assume i just like. had the skill and ability to drop everything and pay for grad school.#like sir i grew up poor. my house wasn't a safe space. i gave up a FREE RIDE TO LAW SCHOOL. for THIS. bc i chose it.#was it fucking hard? was i choosing the hard thing?? yes.#but we need to stop seeing artists as lazy layabouts that can ''afford'' to just ''sit around and create''#when MANY - if not MOST - of us are NOT like that. we have to work our fucking ASSES off. hard work. long and hard work #part of valuing artists is recognizing the amount we sacrifice to make our art. bc it doesn't just #like HAPPEN to us. also btw it rarely has anything to do with true talent.#speaking as someone with a chronic condition i hate when ppl are like u have it easy. like actively as i'm writing this my hands r #ACTIVELY hurting me. i haven't been posting bc my left hand was curled in a claw for the last week #this isn't fucking luck. after a certain point it's not even TALENT. it's dedication & sacrifice.#''u get to flounce around and do nothing with ur life'' is a narrative that is a direct result of capitalism #imagine if we said that about literally any other profession.#''oh so u give up 10 yrs of ur life to be a doctor? u sacrifice having a social life and u get SUPER in debt?#u need to work countless hours and it will often be thankless? well i wish i was that lucky''#we should be applying that logic to landlords ONLY #''oh ur mom and dad gave u the money to buy a house? and all u did was paint it white and rent it? huh.''

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stevebabey · 9 months

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Dustin denotes his plan as a stroke of genius. Steve calls it fucking crazy.

It is crazy — going down to the police station and giving a completely faux alibi for Eddie is crazy.

But then, Steve recalls the handcuffs on the hospital bed, keeping him strapped in even though Eddie’s hardly in a state for escape, all bandages and wires. Steve remembers the fitful sleeps he’s witnessed when visiting, remembers Eddie’s ashamed whisper of fear that one of the officers would smother him in his sleep if no one stayed with him.

Steve remembers the bats. Remembers all the other shit Eddie got dragged through.

And if Steve can lessen that blow… well, then maybe he is crazy for going through with the plan.

There’s no prepping Eddie for it, of course, considering he’s being guarded around the clock. Steve thinks it’s ridiculous considering how feeble he feels just looking at Eddie. When he— when they had gotten him out, there was a moment where he was more blood than boy. Just jagged skin held together by Steve’s hands and sheer will.

He shivers involuntarily. This is crazy, Steve thinks, shifting a bit in the chair out the front of Eddie’s room, waiting for the discussion across the hall to meet its end. It’s crazy, but he’s already done it now.

Sharp footsteps sound across the hallway and Steve’s head yanks up. His heart beats too fast and he presses his palms down into his jeans to wipe them, standing up quickly.

“So?” He asks, eyes darting between Chief Powell and Deputy Callahan.

“That’s quite the alibi you’ve provided, Mr Harrington.” There’s a cool expression on Chief Powell’s face, giving away nothing. “One that not many would be so willing to give.”

Steve swallows. Presses down the panic tied to the implications of what he’s told them— him and Eddie. Him and Eddie together.

“We’d like to question Mr Munson a little as well, get everything settled. You know,” He makes a little gesture with his hand. “Make sure your stories line up.”

A new strain of panic jolts in Steve’s stomach and he hopes it doesn’t show on his face. Glancing over his shoulder, he peers between the blinds and tries to find Eddie’s face. He can only see the hospital bed, stark white sheets and hundreds of tubes. Steve tries to remember that he anticipated this, he prepared for this.

“Now?” He asks, turning back to face the officers. He tries to appear like his uneasiness comes from concern, instead of panic. “He’s just had another dose of morphine, I’m not sure how up to questions he’ll be.”

Chief Powell narrows his eyes. Steve silently begs him to take the bait — he doesn’t want to defer the questioning, he just needs a little more wiggle room in case Eddie is slow on the uptake. He’s a performer though. Steve hopes that’ll be enough to convince them.

“Now is best.”

Steve nods, his face grave. “I understand. Just… if he’s a bit slow, give him time to find his answers. He doesn’t know that I’ve… told you.”

Steve’s hand presses down on the handle to the room and the door opens with a hiss. He enters the room, his eyes landing on the officer posted by the door first before they travel onto the bed, to Eddie.

The chair beside the bed is empty for now which means Wayne must be off getting some food. Good, Steve thinks. This will be easiest with a smaller audience to convince.

Eddie’s eyes are closed, resting as best he can, but at the new noise they peek open. The ripple of happy emotion will help their case immensely but Steve delights in the fact that that reaction is genuine. Eddie is happy to see him.

“Big boy!” He rasps as a greeting. He waves one hand up, wires sticking out of it and the handcuff on it clinks uncomfortably, and he begins a spiel. “Welcome back to my humble—”

He cuts himself off when he sees there are other visitors today besides Steve. The heart monitor jumps and Eddie’s hand drops, eyes back onto Steve in an instant.

“What’s going on?”

Steve strides to his side, his hand reaching out to curl his fingers around Eddie’s limp hand. His skin is cool to touch, fingers icy. Surprise jumps onto Eddie’s face but his fingers tighten their grip, holding his hand too. Steve sits down in the seat beside the bed and lets the real nerves of the situation make his voice tremble when he speaks.

“I— I had to tell them, Eddie. About your real alibi.”

To his credit, Eddie only lets confusion wash over his face for a moment before it turns to some mixture of anger and sadness. A furrow forms between his brows, his grip on Steve’s hand tightening, and Steve doesn’t think he’s acting at all when he says, “You didn’t.”

Huh. Maybe he’s figured it out after all, Steve thinks.

Steve nods solemnly, letting his thumb wander over the back of Eddie’s hand. He remembers what it’s like to dote on girls, on Nancy, and find it’s not nearly as hard to bring it all out for Eddie either.

“I had to,” He murmurs, reaching a hand out to brush back some of Eddie’s hair. The heart monitor spikes again and Eddie’s cheeks glow pink.

Behind them, Chief Powell clears his throat and Steve jumps, remembering himself and what he’s trying to accomplish here.

“Excuse us, Mr. Munson, we have a few questions for you.”

There’s a moment where they let their words register and Eddie takes a deep breath, squeezing Steve’s hand and giving a little nod. Chief Powell continues.

“Mr. Harrington here has come forward with a statement that would place you elsewhere than the scene of the crime at the time of Miss Cunningham’s murder. Can you recall where you were that night?”

The mention of Chrissy’s name makes Eddie flinch and Steve’s glad he’s already holding his hand so he can squeeze it gently. Eddie’s gaze drops to their intertwined hands and stares hard for a moment. Shuffling puzzle pieces into place.

Steve leans down, presses a soft kiss to his bruised knuckles, and says “Tell them the truth.”

Eddie inhales sharply, steeling his nerves and turns his attention back to the officers. “I was with Steve. We were… we were at his house.”

Chief Powell nods, scratching words down in his notepad. He hums in a way that tells Eddie to keep going.

“We were…” Eddie trails off and looks to Steve, trying to follow the story already planted. Steve nods, hoping it comes off like he’s trying to be comforting boyfriend, instead of a subtle nudge.

“…Kissing.”

Steve resists the urge to snort at the absurdity of the whole situation. This whole thing is so convoluted and it’s twisted that Eddie’s even been accused but Steve’s putting his fuckin’ reputation on the line and Eddie says they’ve been kissing?

He doesn’t even need to turn around to know some eyebrows have raised behind him.

“Kissing?” Steve hears Chief Powell repeat. “Just… kissing?”

Eddie’s attention snaps forward again and Steve can see him piece together the snappy persona, the Freak, the scary dog privileges that come with being an outsider. He straightens up a bit, shoulders squaring but Steve can feel the quake in his hand.

“I’m sorry, did you want a play by play of the whole act, Chief Powell? I can go into detail if you want, who took who’s pants off first, yanno, but I didn’t peg you for that kinda guy.”

Steve can’t miss this reaction, turning his head to watch both officers shuffle uncomfortably on the spot. Chief Powell tries to keep his power, eyes narrowing, but it’s hard to maintain when Steve dots another quick kiss across Eddie’s knuckle.

“Very well.” He seems to land on. “We’ll be back to collect a formal statement later—”

Eddie gives a faint squeak, his hand grasping Steves that much tighter.

“—but I’m happy to have the guard and cuffs removed from your room for now.”

A sigh so large escapes Eddie that his chest deflates a good couple inches and Steve feels his own shoulders relax a bit. Chief Powell steps forward, key retrieved from his belt and Steve winces seeing the ring of irritated skin around Eddie’s wrist. No doubt caused from the thrashing of night terrors.

He releases Eddie’s hand long enough for it to be freed, scooping it back up in his as soon as he can, properly this time. All fingers intertwined, palm to palm. Eddie eyes their hands again and Steve pretends to not hear the jump in the heart monitor.

The officers leave, including the one holding post, the door sliding shut with a gentle click and Steve holds himself still— unsure of how to start explaining what he had sprung on Eddie. He feels bad, dropping him in the deep end, even if it was for his own good.

“Eddie—” He starts.

“Hug me.” Eddie hisses out the corner of his mouth. When Steve doesn’t react, he says it again, fiercer - it doesn’t match the way he’s smiling so sweetly at Steve. “Hug. Me.”

Steve does as he’s told, shooting up onto his feet and hesitating only for a moment before Eddie’s arms are creeping around his waist — he leans over and tries to keep his weight off him. Eddie’s frazzled curls tickle at his cheek and Steve just burrows his face in further.

There’s a faint whisper into his ear. “They were watching still.”

Steve pulls back a bit, not to check over his shoulder, but to see Eddie’s face. He’s serious, eyes skirting the window behind them but the moment Steve pulls back, his eyes shift down and he softens.

“And now… kiss me too?” He says. His tone conveys that he knows he’s being far too cheeky. Steve’s wonders if the officers are still watching. Wonders if he’d still kiss him even if they weren’t. He casts a glance over his shoulder and is met with a empty window, the officers retreating down the hall.

He turns back to Eddie with an incredulous expression. “What? Getting you off murder charges not good enough for you?”

Eddie’s face shutters for a moment, as though every emotion to do with Steve’s sacrifice floods him at once. There’s a burst of gratitude when he doesn’t mention it — doesn’t mention everything Steve might be giving up for Eddie, everything that might crumble should the details of the case become public.

He chooses the joke again. Eddie always does.

“Yes, but remember, we’re madly in love,” Eddie sings, brows wiggling about on his face and making Steve snort. “So feel free to kiss me anytime you feel like it.”

Steve snorts. “Duly noted, Munson.”

Eddie throws his head back softly against his pillow and pretends to wail in pain. “Munson? That’s all I am to you? That’s how you treat your boyfriend?”

Steve can’t help but grin a little at the theatrics and finds himself thinking that of all the people to be stuck pretending he’s dating, at least with Eddie, it’ll be enjoyable. Well, at least interesting. It will certainly be an experience.

“You have no idea how I treat my boyfriends, baby.” Steve says, voice low, just to see if he can get Eddie’s heart monitor to jump again. It does, a steady beeping as the BPM climbs up a few numbers.

Steve can feel the blush on Eddie’s cheeks, he’s so close, and it’s so nice to see colour on his face — such a stark comparison to the paleness of- well, of older memories.

Steve grins. Despite every nerve that feels singed beneath his skin, overworked from all his anxiety — despite considering every potential backlash that faces both them outside this room, outside the hospital, Steve searches within himself.

He can’t find one single ounce of regret.

next part.

#gay ppl in my phone…. take this humble offering to tide u over between fics #everything has become long #i cannot help it #every idea is like 5k+ words #this is me trying to combat it #ruby writes steddie #steddie #steddie fic #steddie ficlet #pre steddie #steve x eddie #steve harrington x eddie munson #uhhhh that’s all folks #this is indeed the trope of steve telling the police they were fucking for their alibi lmao #10 points if u can guess which line is from the hunger games!#that’s what inspired this

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