I just had a weird dream where there was a popular video game series set in a post-apocalypse world, about a group of girls who have been transformed into some kind of nightmarish cyborg abominations that looked like someone crossed an antropomorphized motorcycle with a xenomorph. and they killed people for fun.
anyways with the new release the company responsible for the games was like "we listened to the public outcry about the lack of positive femininity, and made some changes to better represent women! listening and learning! <3"
the game was the exact same as the one before. the only change was that they turned the nightmarish scooter-abominations bright pink.
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Watching Daniel's post-quali interviews with the Sky team and Jenson and Natalie's experessions when Danica asks Daniel questions are SENDING ME
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the part of the storm over cruciat confrontation where clem lets slip in her anger “you were quite happy to make this fucking- make this fucking boat disappear. you waved your hands, the boat disappeared- as soon as- as soon as i stop being useful to you, i- who took this fucking vessel for you?” makes me so 😵💫 thinking about it being reflected in crysanth’s “in death she could be something she never was in life: useful.” attitude that she was reared by and has never stopped not only attempting to emulate but attempting to surpass… the way she treated the rapid evening and now the witch treats figure in bismuth and likely more resurrected residents of the crown of glass…. her ass is not breaking that cycle!!! the wheel turns!!!!
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I am currently reading Stormbringer, because if I'm going to write Chuuya angst involving his past, I need to know it and it's driving me insane.
Stormbringer spoilers under the cut (I have not read the whole thing yet)
Do you think it was on purpose that the first body Verlaine chose to show Chuuya was Lippmann? How much did Verlaine know of their dynamic?
Lippmann who just pages before his death offers Chuuya a life outside of the mafia. Who wanted to Chuuya to become an actor alongside him and thought he would thrive at it. If Chuuya accepted that offer, what would Lippmann have become to him? A mentor, a role model, a big brother type?
You have Verlaine who believes neither he nor Chuuya can survive a life with regular people and then you have Lippmann who offers just that to Chuuya.
Did Chuuya want that offer? No, not a chance in hell, he said. Because Chuuya had goals that aligned with him staying in the mafia. But still, Lippmann was holding the lifeline should he need it.
Was it just a coincidence that Verlaine had Lippmann in his trunk or a calculated move to manipulate Chuuya into believing Verlaine could and would destroy any other option he had.
Does it haunt Chuuya, that he got in that car, the whole time Lippmann's body was in the trunk? Do you think he puts on Lippmann's movies to hear his voice again and wonder about what could have been if he'd taken him up on his offer?
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my gender and sexuality are largely irrelevant most of the time. I think the closest thing to describing my experience is "dyke" but that barely describes any of it and also i am careening away from womanhood and amatoromanticism at a brisk pace. I'm like if you gave a man the d word pass. I'm like when people point at a canonically male character and go "that's a lesbian". my gender is between me and the state of Washington, unless I'm wearing earrings then I'm "man with earrings". if I ever fall in love WRONG gas leak. hope this helps. if it doesn't then explosion fire pipe bomb sirens tornado black hole ://
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i wanna make a post about the way vegas' face totally drops when pete says he has no humanity left. the humanty that rocked vegas' world, and now when pete claims it's gone, it finally makes vegas realise that he has fucked up bAD. but it's 3:45 am, so i do not know hOW to phrase myself, but just know i am going to be replaying those seconds until the day i die
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suddenly really wanna open ct for no other reason than that was my favorite announcer voice and it makes me nostalgic
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