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#there is so much more i could say
pilferingapples · 1 year
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Bousingo Fashion: Rash Waistcoats and Scarlet Opinions
something of a companion piece to my recent post on Romantic fashions, dealing with a subset of it --specifically, the Bousingo style, or. What Would Bahorel Wear?  
( @badassindistress​, this is for you XD)
First, for those who’ve missed my other rambles on the Bousingo/Bouzingo/Bousingots group, a quick description of their general Deal, from Jehan Valter’s account of the  premiere of Hugo’s le roi s’amuse:
No doubt, the Bousingots had fought at Hernani and broke their share of seats, but ...The Bosingouts alone were at the barricades of 1832. There is the difference between them and the Jeune-France,... while the Young-France, inspired by the Byronnian sadnesses, hid their health and their good humor under elegiac and morbid exteriors, while they were satisfied with the freedom of the enjambement, and that they dreamed of revolutions as those of art, the Bousingots manifested political sentiments of extreme violence at least in form.
There’s a LOT of room to debate this description, but it gets across the general contemporary view of the group: the street-fighters types of Romantic republicanism, or of Republican romanticism; whichever side of it you like to emphasize.  The stereotype of their character was...well, Bahorel,pretty much to the letter. Hugo knew what he was writing, down to the Rash Waistcoats. Bahorel dresses Bousingo!  which means a very identifiable and politically loaded style But what exactly did that look like?
Let’s get some more 19C quotes in here!
" ...(there was) Pétrus Borel, in “bousingot” costume of insulting originality*: Marat* waistcoat, and a pointed hat with long ribbons, descending in the middle of the back.." (Jehan Valter's account of the opening night of le Roi s'amuse)
He could be spotted from afar by his pointy, wide-brimmed grey hat, his goatee, his long hair, by his enormous red cravat that clashed with the white lapels of his Marat-style waistcoat...- George Sand, Horace
There’s already a lot going on here, but let’s start with: 
Rash Waistcoats
...the best fellow possible; he had rash waistcoats, and scarlet opinions... (LM 3.4.1)
So as far as I’ve been able to tell, a Marat waistcoat is a waistcoat with really, REALLY Extra lapels. Based on , of course, Marat, as seen in this image:
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(ID: noted French revolutionary Marat wearing an extravagantly loose cravat, and a furry...jacket? with wide, spotted lapels. Very Wide. Almost sticking out further than his arms. He’s gonna put someone’s eye out with those things./end ID)
I *think* those are coat lapels--but the waistcoat named after him seems to be based on that look. Lapels for days! (note: a “Robespierre” waistcoat, like Grantaire wears, seems to be the same idea- a waistcoat with wide lapels--but not as exaggerated, and with a different cut.  Like so :
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(ID: a bright red waistcoat with lapels that reach almost to the arm-scye /end ID) And you can read more about them at this excellent post! )
George Sand’s Bouzingot wears a white Marat waistcoat,but red was a more iconic color. And a very specific red! Let’s fire up the quotes again!
" In order to avoid wearing the infamous red of '93, I had admitted a slight admixture of purple into the dye, for I was very desirous not to be suspected of any political intention. I was not an admirer of Saint-Just and Maximilian Robespierre, as were some of my comrades..." -Theophile Gautier, A History of Romanticism 
The “infamous red” to avoid was scarlet, the color Bahorel definitely wears: 
Bahorel, who was like a fish in water in a riot...wore a scarlet waistcoat, and indulged in the sort of words which break everything. His waistcoat astounded a passer-by, who cried in bewilderment:--
"Here are the reds!"
The Beards
“It was my beard that saved us! my romantic beard! my pretty little romantic beard!"- Les Miserables, 3.8.12
A beard ,fine,silky,full,scented with benzoin,and cared for as a Sultan's beard might be,... A beard ! A very ordinary matter in France nowadays,but at that time there were but two in the country : Eugène Devéria's and Petrus Borel's . It required absolutely heroic self - possession and contempt of the multitude And mark that when I say beard , I do not mean mutton-chop or fin-shaped whiskers,or a tip or a tuft,but a genuine,full,complete beard,one to make a man shudder . -Theophile Gautier, A History of Romanticism
In the 1820s and 1830s (especially early 1830s) beards were incredibly Out. Men of Proper Society simply Did Not Wear Them,  Oh, they had facial hair--but not beards. 
I need you all to understand how silly this dividing line got, so I made a Diagram: 
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(ID: a rough sketch of a face, showing, in order, sideburns, a moustache, a neckbeard, and all three combined; these are in green and labeled “fine”. one face has a small soulpatch-level goatee, labeled “Risky, Satan’s Chin Patch”.  The last shows a short but fully connected beard, with  facial hair covering the entire jawline, labeled “Anarchy, Riot, Doom” /End ID)
The Full Beard was Iconically Romantic and especially iconically Bouzingo Romantic, as you’ll see when we hit the caricatures. Oh boy, are there gonna be caricatures. 
The final part of this is the hat--and here, I think, it’s time to move into contemporary (and near-contemporary) illustrations. First , a fairly Subdued version of two Bouzingo meeting: 
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(ID: two Bouzingo talking closely, with a Secret Handshake. They are wearing the clothes described in this post. Behind them  a policeman gestures angrily. /end ID)
I love this picture (and would love to know the provenance!) ! You can see the Marat waistcoat lapels, the beard on the one on the left, and, of course, the signature Pointy Hat. Imagine those lapels in bright scarlet, those trousers in plaids, black, or white, and the jackets in either bright blue or dark black for maximum waistcoat contrast, and you’ve got a good mental image of how this would have looked at the time. 
...You can also see the police officer telling them to move along. “Hostile Police Interaction”is also an iconic part of the Bousingo look, for obvious reasons. 
Here are some more fairly realistic, and sympathetic, pictures; these are illustrations of Laraviniere, the “Bouzingo” character in George Sand’s Horace. 
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Beard, long hair, pointed hat, extravagant but loose cravat,  “Robespierre” style lapels sticking out, tight plaid pants, solid cane for whomping people in fights? It’s the whole package baby! 
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I gotta include this picture too, because “naked , having grabbed a carpet, so you can come out and fight with landlords and cops” is also an Iconic Bouzingo Look. I am extremely not joking. If you’re going to care at all  about propriety , you can’t be Bousingo, and at least one group (and that led by Borel, Bahorel’s most direct inspiration) did run a nudist commune for a while!
These images are reasonably realistic,even sympathetic, portrayals. Now let’s get to the caricatures, and how people who didn’t like them saw all this. This is some of my favorite stuff, it’s hilarious:
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Image: Caricature (un peu chargée) d’un “bousingot” romantique  This image, leaning heavily on the Romantic associations of the Bouzingo, brings in that Medieval-style dress I mentioned. Apart from the hat and beard, this guy doesn’t have anything particularly Bousingot about his outfit; the dramatic ruff and doublet-esque cut of his coat could go for any Romantic. But I love this picture , look how ticked off he looks!XD
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I have no idea if this illo, titled “Old and New”, was supposed to be insulting, but I think it’s really charming! It’s a French Revolution-era revolutionary-- Robespierre-striped coat, knee breeches, wig or powedered hair, little cockades, etc,-- meeting a then-”new” Bouzingo, in striped trousers, a broad-lapeled tricolor waistcoat, a wide-brimmed “sombrero” type hat (also a solid Bouzingo fashion choice) , full beard (but super short hair--the other way that fashion ran,it’s either long or basically a canon-level buzzcut), and 1830s coat. The old Revolutionary carries a neat cane, and appears to be opening a snuffbox; the Bouzingo carries a fightin’ stick, and appears to be smoking a pipe made with a crowned skull holy shit I love it.  And they’re getting along just fine!  I have no idea if the vibe is supposed to be “The kids are all right! carrying on the banner!” or “ Look,the Youth of Today is trying to bring back that awful Revolution!” but either way the affinity between generations has me charmed.  (and again, we see the strong perceived political aspect to Bouzingo fashion!)
Now a couple of definitely unflattering images:
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Above, from an article about “newspapers and their readers”: a Bouzingo reads Le Charivari!  as @clove-pinks​ said on the post that introduced me to this image: “Swanky, obnoxious outfit, long hair, reading Le Charivari illustrated magazine—it’s a bousingot Romantic! “ Again we’ve got the hat, the beard, the loud pants, the stick (I am dying at the stick placement omgggg) -- but you can see how the negative take on them frames them as poor (everything here is patched and broken) , dirty, and menacing. 
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One more, from the same source as “Old and New”:  a whole darn group! Again, there’s the outfit geared to be provocatively tricolor, the broad sombrero style hats, a friggin Phrygian cap, a heavy stick , and beards all around. Note though the wide array of colors, especially the guy in a pink hat in the background!:D 
So there’s Bouzingo/Bozingo/Bousingo etc fashion for you! Right at the intersection of Aggressively Political and Dramatically Romantic, bright, brash-- but still leaning into (then) modern styles. This look was about knowing the modern dress code enough to send very clear and specific messages; in this case, “Ready, willing, and able to throw down for the republic at any moment”. It could be toned up or down , but it was always  LOUD (Bouzingo Means Noise!!) and it was meant to be a legible message to anyone who’d been in Paris for five minutes.  Anyone wearing this outfit (a) knows how to do Style, and they’ve chosen to wear this look , and (b) is a fighter, or is about to become one, because oh,you will get punched in this outfit.  Or arrested. Or punched and then arrested. 
But you’re gonna look incredible when it happens. 
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rabidremedy · 7 months
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How do I tell Mario Mirante that like, us? Him and I? Please?
I am cutesy short Latina with thighs and a thing for firefighters and Italians, I know he lives no where near me but I NEED him to know I'll play with his hair and write cute lil notes for him on his snacks that I'll sneak in his bag for work/gym days. I WILL do the butt scooch thing when spooning someone tell this man to come to New York.
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lukellios · 1 year
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What a difference six years makes
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timelessbian · 15 days
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actually that ao3 post about calculating kudos-to-hits ratios to decide if a fic is worth reading has me so pissed off. someone put real time and energy into something they are SHARING WITH YOU FOR FREE on a site where you can quite literally filter and search by anything you want and you're STILL trying to find a foolproof method to find stuff that's "good enough to read"???
YOU ARE NOT THE TARGET AUDIENCE FOR EVERYTHING
you don't have to like or read everything in a given fandom or tag, but you also don't have to be a cunt about it and imply that it's not worth reading. this is the kind of shit that moves people to stop creating altogether, and to see people agreeing in the tags is so disheartening. absolutely unserious behavior.
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forbidden-royal · 3 months
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The seasons change, and the sun will rise again.
Wow, just wow. @somerandomdudelmao, your series was incredible. I only found your comic in July and I didn’t become an active tumblr user/follower till September, but I’m so glad I got to watch this project come to a close. The ROTTMNT fandom wouldn’t be the same without you and your comic. You’ve inspired so many people, including me, and I just want to say thank you, Cass. Thank you for making my year a little bit brighter. Thank you for reigniting my love of art. Thank you for creating. Thank you for existing.
You’re no longer just some random dude lmao. You’re the creature who fixed the apocalypse, the creature who brought together thousands of people and built a family. A family of turtles and fans.
In honor of C.A.S I wanted to color and animate the final panel of the comic. Im still learning color theory and digital art but you’ve inspired me to improve, and what better way to start than with the end? It was a beautiful ending, so perfectly paced and full of a peaceful hope twinged with a bittersweet sadness. Your comic might be done, but this turtle family will live on forever.
Now go take a well-deserved nap and relish in your success!
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15000bugs · 1 year
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didnt post about it yesterday because i was emotionally broken but oh my GOD the new episode killed me
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New Robin Tim: *Just sitting there happily watching the Incredibles with Dick and Bruce*
Dick and Bruce: *secretly watching Tim and glancing at each other every time Syndrome comes on screen*
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darkeneddawning · 9 months
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Escaped clone au
You know all those fics where Danny and Damian are twins but everyone first assumes Danny must be a clone? How about an au where Danny is Damian's clone who escaped the League after he was assumed dead. Damian could even have been the one to have "killed" him, back when Danny was a newly created, fully brainwashed clone minion and trying to kill Damian himself.
Danny gets adopted by the Fentons and canon goes on as normal, until Dan. Witnessing what would happen to the world should he turn evil really drove home to Danny how dangerous he is.
Even if he was confident he could be trusted with his absurd amount of power (which he isn't), what if the League of Assassins found out about him? Does he still have programming triggers from his evil assassin clone conditioning?
So, Danny does the responsible thing: he goes to Batman to turn himself in.
Cue Danny showing up on Bruce's doorstep with ghost hunting equipment, intel on the afterlife, and an almost unbelievable backstory. Somehow he still managed to be more well-adjusted than Damian.
More thoughts under the read more
Here's how I'm thinking Danny leaving the League went down:
After surviving his wounds but failing his mission, Danny (then an unnamed potential Damian replacement) knew there was no point in returning to the League. As a failure, he was meant to be disposed of. He even thought of simply allowing himself to perish, since that was what the League would do.
But he couldn't help but feel as though that would be a waste of a resource. Surely he could be of more use to the League alive than dead?
That tiny bit of rebellious logic is what caused Danny to go into hiding, only living on based on the off chance he would find opportunities to further the League's goals. Obviously, that mentality didn't last long after being exposed to the real world and meeting one Jazz Fenton.
Being adopted by the Fentons was the best cover Danny could have asked for, since any odd behavior he couldn't hide while he was learning how to be "normal" was totally overshadowed by the sheer bizarre eccentricity of his new parents. He was still the neighborhood weird kid, but even that was a major upgrade from disposable tool, so Danny considered it a win.
Anyway, if anyone likes this idea, please feel free to have at it! Interpret it as you please :)
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thechaoticrow · 1 year
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so we all know about “who the hell is jordie?” “someone i trusted. someone i couldn’t afford to lose”, right, but what we forget is the significance of kaz calling jesper ‘jordie’. it’s not just that jesper is a brother to him- jordie was kaz’s protector. jordie was the 13 year old that protected kaz and who kaz protected, the goofy one who made him smile and bought him hot chocolate at night. he felt safe around him. he trusted jordie with his life. in calling jesper ‘jordie’, kaz shows that subconsciously, he trusts jesper to protect him, that he could turn to him should he need it. and every time he yells at jesper, the gambler who couldn’t stay out of the red, for losing another bet, getting in debt again, all he can see is that same thirteen-year-old boy, swindled out of everything he owned and left for dead on the street. with every word he yells at jesper, he silently urges him to stay alive. with every bet jesper makes, all kaz can think is “i can’t lose a brother. not again.”
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bixels · 2 months
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Jesus man, relax.
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badangle · 6 months
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nate, totally chill: :) you guys have. gotten really close lately :)
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a slightly scribbly Eddie for @akemima's promptlist, day one - cool outfit! well, i don't know if its Cool, but it sure is an outfit!
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nautical-nasa · 1 month
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"Let me know if I'm driving bad in 27." :(((
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zu-is-here · 9 months
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This made me think of Dust and Swap leaving their respective theaters at the same time, halfway through the movie, to buy an extra refill of popcorn.
My mind has nothing concrete but something tells me it could be an interesting conversation ╮⁠(⁠.⁠ ⁠❛⁠ ⁠ᴗ⁠ ⁠❛⁠.⁠)⁠╭ (maybe also a little awkward?)
**********
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Chaotic duo ♡
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vvanessaives · 1 month
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James Fitzjames + Caravaggio's Entombment, David with the Head of Goliath, Penitent Magdalene, The Incredulity of Saint Thomas, Death of the Virgin, Bacchus
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running around in circles. nimona and ballister. do you get it. she wakes up from a nightmare and immediately calms down when he comforts her because she trusts him. he quite literally jumps off a balcony because he knows she’ll catch him. she tells him what shapeshifting feels like. lets him bandage her leg. he’s absolutely overjoyed when he sees her again at the end. he goes from rejecting her to accepting her to begging her to come back to rejoicing when she does. not only does she come back to life but she comes back to HIM. to her HOME. SHE FINDS HIM AGAIN IN ANOTHER LIFETIME. SHE GOES BACK TO HIM ON PURPOSE. DO YOU GET IT.
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