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yumeka-sxf · 4 months

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In addition to Yor's epiphany scene, this scene was the other one I was most looking forward to in season 2 - a scene that, in my opinion, is one of the most Twiyor-ish scenes in the series so far 💖

Why is it so significant? Because there was no reason for Twilight to put on any Loid Forger acting in that moment. He wasn't conversing with nor being scrutinized by anyone. So why would he give that soft smile followed by such affectionate, comforting words as "お疲れ様/otsukaresama"? (this can be translated in many ways, but generally it's something you say to thank someone for their hard work).

The answer is because it's something he truly felt...he understood the sacrifice Yor made for Anya's happiness and genuinely appreciated it (if only he knew the sacrifice she made on the larger scale, lol). While he's a bit perturbed at first since some onlookers were snickering at him, it didn't take long for him to soften and then graciously carry his queen and princess the girls back to the ship 😭

But Twilight overall was really soft in this episode and I loved it~ From his blush upon seeing Yor to the several times he gave that same soft smile when talking with/looking at her...I think Anya was right when she called him out on the ship about missing his wife 😅

I liked how the anime conveyed his shock when noticing her bruised face...what must have been his thought at that moment? 👀

The scenes of the family activities translated better in animated form in my opinion. While they were each only a single panel in the manga, they lasted a few seconds each in the anime, plus the addition of the insert song helped the with the comfy, wholesome vibe~ Also the part where Yor inadvertently chucks Anya across the ocean is still hilarious.

Loid's dorky skip at the beginning of the episode translated very well in animated form too 😅

The ending of this chapter in the manga always felt a bit rushed to me...it quickly jumps from the aforementioned scene of them returning to the ship, to suddenly being home, reuniting with Bond and Franky, having a meal together, then Twilight meeting Sylvia, all within a few panels. Even though I wish the anime added more than just some additional scenes of the ship leaving the island, I felt it flowed much better in the anime since, just like the family activities, each scene in the ending lasted a second or two instead of being a single illustration.

But I love how this chapter/episode ends, with Yor, Anya, and Bond napping while Anya draws about her family vacation. This seems to take place the next day or maybe later the same day they got home, so makes sense they'd still be tired from the trip!

By the way, the manga has this additional scene showing that Olka and company are safe. Weird that the anime didn't stick it in at some point.

Also, the anime team didn't have to go so hard with this episode's key visual but they did...and I love it 😍 Might actually be my favorite of the key visuals so far!

I was very happy to see the "surrounded by liars" panel finally animated! This is such a funny scene and a great way to fully wrap up the cruise arc.

I also burst out laughing at Yuri's locker 🤣

Damian is surprisingly laid back in this episode. I think the reason is because Anya's antics aren't directly involving him. He tends to go total tsundere only when she's actually talking to him, lol.

The new scene of Yor getting the keychains for her coworkers was a nice addition! Guess it's canon that Yor and Anya didn't sleep for the entire trip back, lol. Glad they got to spend family time on the ship too! (though I wish we could have seen Yor's reaction waking up in Loid's bottom bunk bed, haha. He must have brought her to his room since he wouldn't know where her room is. Unless she woke up before he even put her in a bed, in which case she would have been super embarrassed knowing he was carrying her around in public 😆)

Looks like next week the anime will be changing the order of things a bit and giving us the Becky home-wrecking and Fiona chapters (the latter of which seems to have some anime original content?) The Becky chapter is one of my favorite stand-alone chapters...I'm already dying of laugher thinking about it 😂

#spy family #spy x family #sxf #spyxfamily #loid forger #yor forger #anya forger #twiyor #sxf anime #becky blackbell #yuri briar

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fuckyeahisawthat · 9 months

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I’ve had my share of [Crowley voice] you idiot thoughts at both of them over their terrible communication skills and severe chronic inability to say what they mean. But like. I get it.

For 6000 years, they had to talk in code. They had to express themselves in grand gestures and subtext and plausible deniability, out of fear of being found out. And they got really good at it! They developed a whole secret language of ways to say I love you because they couldn’t say it out loud.

But now that they can—and need to—talk about what they are to each other with actual words, they don’t know how.

Neither of them know how to say what they want, openly, and to ask what the other wants. And (I think this is a crucial component) they don’t know how to fight. They’ve had enough spats to have a 350+ year old apology dance, but they have repeatedly avoided talking about the really big differences in their worldviews and what they value, because those conversations would immediately bump up against the things they try hardest to avoid (doubt and guilt for Aziraphale; rejection for Crowley), and because that could lead to a real disagreement that they don’t know how to get around. And then where would either of them be? Alone.

So they bicker and they have drunken philosophical debates and they make up and do little dances all while not really talking about the big differences in how they see the world. And then when the pressure is on they have horrible miscommunication blowouts where they end up talking past each other and hurting each other deeply because they don’t even realize they’re not on the same page.

Upon rewatch I think this is part of why Crowley seems so unhappy in the early episodes. I think he did hope that once they weren’t working for Heaven and Hell, things would go in a more explicitly romantic direction. (But of course he won’t just come out and say that, until the absolute last ditch moment.) From his POV, he’s made his desires perfectly clear (he hasn’t) and I think he thought that working for Heaven was the last thing holding Aziraphale back. And then they cleared that hurdle and nothing changed. Or not enough. Because the problem goes deeper than that.

And bless(/damn) them, they’re still trying. The confession was clearly so hard for Crowley, and would have been even without the first half of the scene, because he’s working against his deepest insecurities. He can’t even finish his sentences, and yet he’s still trying. And I do think that Aziraphale was working up to his own version of it (he’s so openly physically affectionate with Crowley this season, much more than in the past) but he’s always moved a bit slower with these things, and then it was too late. (It’s always too late.)

But even if they’d both been able to openly say their I love yous, they still have this thing sitting between them, which is that Aziraphale doesn’t understand why Crowley would never go back to Heaven, and Crowley doesn’t understand why Aziraphale would want to. And having that conversation goes right to the heart of how they’ve both been damaged by the system of Heaven and Hell, which is why I suspect they’ve both instinctively avoided it before now. And at some point in s3, they are going to have to talk about that.

#good omens #good omens s2 #good omens s2 spoilers #aziraphale #crowley #there’s a whole boatload of metaphors in ‘can’t talk to each other because we’ve always had to talk in the subtext’#that i suspect i will be digging into more

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desos-records · 1 year

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The part I appreciate the most in the Lockwood and Co show is how it handles depression and suicidal thoughts in teenagers. As a theme, it’s not often (ever) done well. Lockwood and Co is the only story I can think of that depicts it in a nuanced, realistic, non-romanticized way

but first, before I get into it: [if you’re in crisis or need someone to talk to and don’t want to/can’t use your national hotline, highly recommend Samaritans, genuinely saved my life] okay, let’s go

Lockwood is the most obvious, with his general disregard for his own life and admitted suicidal ideation. Lucy struggles with her self-worth and the intensity of the emotions she’s subjected to. George worries that he doesn’t belong, that there’s something useless or wrong about him. The show depicts these thoughts and feelings in a way that isn’t overblown or dramatized, it’s all but casual. Which is how it happens. Depression or suicidal thoughts don’t crash into you all at once, they creep into your life without you noticing

But more importantly (and again, something I’ve never seen anywhere else), the show also offers counterpoints to those thoughts and feelings. It shows that there is a way out, even though you may feel trapped and hopeless. This is crucial for the show’s target demographic. Bad media depictions of depression or suicide get internalized, contribute to the stigma, and make it harder for people to ask for help. This show doesn’t do that. This show tells its audience that, yes, things are scary and painful and it fucking sucks, but it’s not hopeless. And it says it so well

In the second episode, when Lucy wants to quit, she admits something that I’m almost certain she’s never told anyone

“sometimes I just think I’d be better off dead”

And when I watched this the first time, I expected Lockwood to react the way I’ve seen people react in my own life; with silence or panic or downright dismissal. But he didn’t. He stays calm and he says something that is so so important to hear when you’re struggling under the weight of feelings like this

“I understand that”

Saying this tells someone several things: that you’re on their side, they aren’t strange or monstrous for feeling like this, and that you’re not going to attack or abandon them because of it. And you can see the impact it has on Lucy, the way her face clears. She went from struggling to breathe and near tears to calm and steady. It’s no mistake that in this moment we hear his and Lucy’s theme for the first time (those simple, beautiful guitar strings)

The next thing he says is also important

“and it’s not true”

Simple, to the point, directly addressing her feelings, and (the most common mistake) doesn’t make it about him. Telling someone that you love them or that they’d be upset to lose you might sound nice, and it can be later on in the conversation, but in a moment like this, it’s infinitely more helpful to confront the thought itself

A similar moment in the first book stuck with me too, when they’re underneath Combe Carey Hall and Lucy almost steps into the well. What she’s hearing in her head (and the general phenomenon of malaise that ghosts produce) is very similar to depressive or suicidal thoughts. Before she can fall, Lockwood pulls her back

“no, Lucy, that’s not the way it’s going to be”

Depressive and suicidal thoughts deal in absolutes, so sometimes it takes an absolute to counter it

In the last episode, George has that heart-breaking moment where he says all the awful things he thinks about himself, partly because of the influence of the boneglass and Bickerstaff, but it’s also been building up, there in the background. Increasingly, it’s Lockwood and Lucy working together and George working on his own, which picks at old wounds (engineer, engineer, engineer, weirdo). He bonds with Joplin because he feels like she understands him in a way the others don’t

“it’s nice to have someone to show off to”

But Lucy pushes back against all that because she sees herself in all the ugly things George is saying, because she’s felt that way too. She understands that. She’s so surprised and horrified to hear him saying those things, resigning himself to dying down there, she’s not going to let him go on believing them

“you’re not a third wheel or an oddball or whatever it is that you think you are”

“you’re the best of us”

“we are not losing you, Georgie”

Flo called him that earlier too, but Lucy wasn’t there for that and coming unprompted from her it sounds so much like something you might call your slightly annoying younger brother. She’s so absolute about it all, with no opening for doubt, and you can see something like surprise on George’s face (but also pain because now Lucy’s in danger too)

For all Lucy knows, the boneglass will kill her. I don’t think for a second she genuinely believes her talent will protect her; she told Joplin that to protect George. It’s unclear when exactly she came up with the plan to use the skull, but she was willing to risk it anyway. And she knows, she knows, George will blame himself for this (because she would too, if it were the other way around), but even then, she’s very clear

“this isn’t your fault”

Their whole scene down in the catacombs is two kids trying to keep each other alive, physically obviously, but on the inside as well. And, oh god, George almost crashing down next to Lucy after he’s knocked over the boneglass, trying to wake her up. His voice

“Lucy, Lucy, it’s me, it’s me, say something, speak to me”

I think it’s down in those catacombs that George and Lucy really understand each other for the first time. In their own ways, they’re both curious and suspicious about the Problem and what causes it, trying to learn more about it (and stressing Lockwood out in the process). They both left their families; they both struggle with feeling strange and different than everyone around them. That connection pulls them both back from the edge

Lockwood, for all his confidence, is practically in crisis or was fairly recently (I suspect living with George helped). It’s fairly common, actually, for someone suicidal to overcompensate with an exterior shell to hide it, which can manifest in different ways depending on the person (they may not even realize they’re doing it, I didn’t)

And I love how the show handles it. He’s not made into this dark, tragic figure. He’s so full of life it hurts. He jokes around with George and Flo, fights with Kipps, admires Fairfax. He has dreams (plans) for the future. He’s struggling with trauma, they all are, but he’s not Broken™ in the way similar leading characters are often made out to be, in the way we often fear we are

And, of course, there’s Lucy, a wreaking ball through the precarious balance of Lockwood’s life. It’s not so much that she gives him a reason to live (although she definitely helps), but she holds him accountable in a way no one else does. This is the difficult part of recovery that no one talks about. Having people care for you (George) and sympathize with you (Flo) is great and necessary, especially early on. But at some point, you have to take responsibility for yourself and the noise in your head (you have to open your door on the landing)

What that looks like is complicated and messy and different for every person, but seeing it played out in a story is remarkable. I’ve never seen anything like it. This is a difficult thing for anyone to learn (many adults never even try)

That shot of George, Lucy, Lockwood (and Kipps) rising up on the catafalque sums it all up for me. Each of them fell into darkness alone and rose out of it together. They inspired each other to fight and win their individual battles, even when they couldn’t be there to help

#lockwood and co #lockwood & co #anthony lockwood #lucy carlyle #george karim #george cubbins #quill kipps #lockwood and lucy #lucy and lockwood #locklyle #lockwood netflix #flo bones #She speaks!

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ineffableteeth · 1 month

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So I was rewatching Good omens and I realized something.

Season 2 brings up Memory. A lot

Specifically Crowleys memory

In every episode something is said about it and I find this really interesting

I’m only going to bring up what I think are major, I want to note there are more instances than this. This is gonna be messy and a little disorganized since I’m just throwing my words on this post as I think of them and read the episode transcripts but I had to write it out.

In Episode 1 we see pre-fall Crowley and are introduced to our amnesiac archangel. This will be important later

We don’t see much of Crowleys memory loss in this episode but the biggest example I could find was the way Beelzebub had said Extreme Sanctions after Crowley misunderstood

It was as if they were expecting him to remember

In Episode 2 we get the first blatant hint of Crowleys memory loss

When Gabriel said he couldn’t remember, Crowley doesn’t say “Well try anyway”

He says “Yes you can.”

Crowley knew Gabriel could remember, he knew he could make himself remember. As if he knew it from experience.

Also in this episode we get Crowleys “I’m a demon, I lied.” As well as several other instances where he lies in this episode.

I also feel like his “Lonliness” is important to point out, because I feel like that goes much much deeper than “[I’m on] my side”

In Episode 3 we get Crowley and Gabriel’s Conversation about “Gravity”

Crowley knows what gravity is on a base level. But he says “I don’t remember” when asked why gravity exists and proceeds to give a very nondescript explanation

Now for Episode 4. This episode is actually what triggered me to start looking for these instances.

Because of Furfur

Near the end of the episode when Furfur enters the dressing room he mentions that him and Crowley were directly next to eachother during the Great War, as well as the fact Crowley used to jump on his back “Like a little monkey in a waistcoat”

And Crowley didn’t remember

All he remembered was going to war

Why does Furfur — A demon — remember but Crowley doesn’t?

In Episode 5 we get one of the most crucial ‘memory’ scenes imo

The aftermath of Crowley threatening Gabriel

When Gabriel tells Crowley “It hurts to remember, my head isn’t built for that” Crowley replies with “I know, do it anyway”

Again it sounds like Crowley is speaking from experience

The most important quote to me though is when Crowley says “I know, looking at where the furniture isn’t.”

Because after the fact he proceeds to ask Gabriel if he wants a hot chocolate

This wasn’t a sympathetic action. It was Empathetic.

He feels for Gabriel, he knows what it’s like to not know

Finally in Episode 6 we get context.

This is where the whole amnesiac archangel comes into play.

Before I get into that though I want to bring up Crowleys meeting with Saraquael. Because something interesting stood out to me while reading her voicelines. After Crowley asks “Do we know eachother?” Saraquael says “When you were an Angel” and pauses before she says the following voiceline “We worked together on the horsehead nebula”

Those were two different sentences. I’m definitely looking too far into this but to me it sounded like she knew he wouldn’t remember so she gave unnecessary context. This as well as the fact she didn’t respond when Crowley essentially said he didn’t remember her.

Back to my original point though, during this episode we finally learn how (and why) Gabriel lost his memories. Angels can remove their own memories as well as have their memories removed by other angels.

But clearly Furfur still has his memories, as well as Shax, Dagon, and Beelzebub

And anytime Crowley mentions “remembering” something it’s post-fall

Adding on Neil’s post about “Crowley not being a reliable narrator on his fall” as well as showing Crowley pre-fall in episode one leads me to believe there’s some foreshadowing in there and something happened to Crowleys memory.

But What?

Why doesn’t he remember?

What did they do to him?

#good omens #crowley #crowley good omens #good omens crowley #aziraphale #aziracrow #crowphale #ineffable husbands #gay omens #aziraphale x crowley #good omens aziracrow #aziracrow good omens #crowphale good omens #good omens crowphale #aziraphale good omens #good omens aziraphale #crowley loves aziraphale #aziraphale loves crowley #good omens theory

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gammasnippets · 3 months

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[CHANNEL_9] fromis_9 '채널나인' EP58. Spotlighting🎬 Part.1

fromis_9 Lee Saerom, Song Hayoung, Jang Gyuri, Park Jiwon, Roh Jisun, Lee Seoyeon, Lee Chaeyoung, Lee Nagyung, Baek Jiheon

2,824 words (Unedited)

It’s the year 2027.

With the immense attention social media content garners these days, K-pop groups must put out a lot of various kinds of content for their fans to stay in their boat. And as of late, some artists are even resorting to a more risqué and sexual form of media just to stay in the game. The morality and ethics of it is something that shouldn’t be scoffed at, as it has sparked controversy around the industry. Others are in favor of it, while some are against it.

But as time goes by, this venture becomes harder and harder to resist as more and more fans are eating all forms of content… Until their perception of it all becomes grayed out.

Being one of the industry's most revered groups, the members of fromis_9 are just some of the artists who started partaking in more provocative and sensual concepts for their content to provide fans with a more sensual form of fanservice. Their agency has always been reluctant to do so, as they had their reputation to keep up. But with many groups competing for the top spot, these nine girls have to “exploit” what assets they have to push themselves higher in the industry.

As the group delved deeper into this sensual rabbit hole, they made a variety of content that fans will surely go crazy about. From music videos that show their bodies in tight, revealing clothes, and a bunch of photoshoots that would make you blush with the sheer sensuality of the outfits and poses that they had, fromis_9 has gone to the world that only the most daring of groups would dare venture in. And being a part of a group of editors tasked to produce content like this, you often find yourself getting a lot of material to jerk off to from these girls.

To commemorate the group’s 10th anniversary, the company has planned a series of special videos featuring the girls for their ever-loyal fans. And after several passes and editing by the other editors, the videos finally came in your email, waiting for a final review to be conducted by no other than you. The pressure is high, as this could very well be the most successful video project yet. As the last editor to get the content, it's all up to you to give it the final touches and make these videos—12 in total— as flawless as possible. With tissues and lotion just within arm's reach, you start reviewing the footage.

You press play on the first video on the list and the unforgettable intro for their variety series “Channel_9” starts.

The episode begins as the camera shows a large studio complex, almost like the ones they have in other countries where they create live-action films and such, panning through the many large structures and beautiful gardenscapes scattered around the area. It then transitions to a drone shot, where the girls can be seen walking through the complex. They pass by large water fountains and flower patches, all the while showing how nice and beautiful the place is. All of them gasped in awe at the sight of the complex.

“This place looks like a big hotel. They could be hiding the rides in those buildings,” says Hayoung.

Seoyeon chuckles. “You mean a theme park?”

“Ah… Right,” she answers.

You can hear all the girls laughing at that short yet funny conversation.

“Unnie,” says Chaeyoung. “We just visited one recently and you still can’t forget about it.”

“That place was fun, though,” she retorts.

“Yeah. You’re right,” Saerom and Chaeyoung answer, almost in unison.

“Wish we can return to that place,” Jiheon tells everyone.

"Maybe the crew's planning to take us to a theme park," Jiwon tells the group as she looks at the cameraman with a smug look on her face.

Everyone giggles at that.

Gyuri then sighs. "There she goes again."

"Watch it get jinxed," Nagyung adds.

Seoyeon laughs out loud at that. "Her plans never work out."

"Ya!" Jiwon protests, "It'll work out this time. Just watch!"

She looks back at the camera again, nodding as if persuading them to agree with her.

However… She got silence for an answer.

Jiwon playfully sulks, making everyone laugh.

They continue to walk through the complex until they've reached the center of a huge courtyard, where the rest of the filming crew is waiting for them. As they are all getting into their respective positions, you see the members getting excited to start shooting the first episode.

"This will be exciting, hmmm?" Hayoung asks them, looking eager.

"I sure hope so," Jisun replies, smiling.

"Oh, me too," says Saerom.

One of the staff members then began to speak up.

"Hello, everyone," the staff member began, greeting them.

The group greeted her back in unison, bowing their heads.

"Welcome to the country's biggest filming facility," the staff member continued.

"Oh! So this is what it is!" Jiheon gasps.

The camera then pans out in a drone camera, giving the viewers another good look of the entire complex.

"This is probably where they filmed that one train movie I just watched," Chaeyoung says in excitement, her eyes sparkling in awe.

Suddenly, Hayoung yells.

"Ahh! Ahh!"

Everyone looks at her, shocked.

"What is it?" asks Saerom.

Hayoung, still looking shocked, excitedly points somewhere far.

"I… I've seen that bench from my favorite drama show!"

"Really?" Gyuri asks.

Hayoung nods.

The camera then pans over to a familiar bench that looks identical to the one in the show.

"It really does look like that one," Seoyeon says.

"Wow, unnie," Nagyung says. "You do know your stuff."

Hayoung smiles and gives her a thumbs-up.

"Anyway… We have prepared a series of challenges for all of you," the staff member resumes.

Oohs and ahhs can be heard from the girls.

“We call these Spotlighting Challenges.”

Another wave of amazement envelops the group.

Hayoung then raises her hand. “Spotlighting Challenge?”

The staff member nods. “These challenges refer to a study about how people behave differently when they are being watched—be it on camera or in the spotlight.”

Everyone nods at the given explanation.

“Ooh. So that’s why there’s ‘spotlight’ in the name,” Chaeyoung remarks, nodding her head.

“Yeah,” Jisun hears her and agrees. “But we’re definitely used to it by now, right?”

Chaeyoung nods back, laughing. “Yeah. This should be easy for us!”

"Every single challenge has different goals and rules to achieve,” the staff member follows up. “All of you must do your best to complete each challenge."

"I see…" Nagyung replies, attentively listening.

"So where are these challenges located?" Saerom asks.

"Each challenge is located at different areas within the complex. There are nine challenges—one for each member."

Everyone is shocked at the announcement.

"Woah! Nine?" Jiheon exclaims.

"Yes, each member has a unique challenge."

"Unique challenge?" Jiwon asks, her eyes wide in shock. "So we'll be alone?"

"Yes," the staff member nods her head. "These challenges can only be completed individually."

A sudden silence fills the air as they process the information.

"Jeez… This is going to be nerve-wracking," Gyuri mumbles, scratching her head.

"I feel the same," Jiheon tells her, her body shaking in nervousness.

"We know you girls will worry about not having each other by your side," the staff member tells them reassuringly. "But we believe in each of your skills and strengths."

"Thank you," Jisun bows, accepting the encouragement.

"Are the challenges going to be difficult?" Chaeyoung asks, curiously.

The staff member shrugs her shoulders and replies in a soft tone.

“Kinda…”

Everyone then lets out sighs and grunts at the answer.

“Oh dear. We’re done for,” Nagyung frowns.

"But we made each challenge doable for any member," the staff member explains.

Everyone responds with a mixture of relief and determination.

"Well that's good news," she says with a smile.

"I know right?" Jiwon replies, also relieved.

"These challenges will require all of you to be creative. So do your best," the staff member adds.

Those words piqued the girls' curiosity. Some of them begin thinking of what they could mean.

"Be creative, huh?" Saerom asks them, her tone doubtful.

The staff member nods. She follows up with the instructions with a smirk forming on her face.

"And maybe some of your… Physical skills."

A mischievous glint suddenly sparkles in the girls' eyes as they exchange knowing looks.

"Hmmm… I wonder how physical these challenges can get?" Jiwon mischievously suggests with a playful tone.

Her teasing remark sends a wave of laughter through the group, instantly lightening the tense atmosphere.

"Oh, boy. Jiwon's at it again," Hayoung chuckles at Jiwon's suggestive remark.

The group can't help but blush at the playful insinuation.

"Surely it's nothing like that… Right?" Chaeyoung asks, looking dumbfounded at the revelation of their challenges.

The staff member smiles knowingly, making the girls even more intrigued

"Oh, dear…" Jiheon whispers under her breath, her cheeks slowly blushing. "This is going to be interesting."

"Are we really going to do it? Here?" Jisun murmurs, sounding both nervous and excited.

"I guess so," Gyuri responds with a sly grin.

The girls look at each other once again, giggling, as if they're sharing a naughty secret only they know.

"But what do we get if we win?" Nagyung then asks, diverting the topic to their goal.

"We have prepared something for all of you if you win," the staff member replies. "Since there are nine of you, the group will need five members to successfully complete the challenges."

Everyone is intrigued, their curiosity piqued by the promise of a reward.

"What's the prize? Can we get a hint?" Saerom asks, sounding mischievously.

"Yeah! Tell us!" Jiwon follows up, yelling in excitement.

"Jeez, unnie. Tone it down," Chaeyoung playfully berates her.

"Well… Is there anything you girls like?" the staff member asks the group.

Some of the members start thinking of an answer, but the others already have their minds made up.

"An all-you-can-eat buffet!"

"A trip to a theme park!"

"Rent a cinema, maybe?"

"Ooh! Let's go overseas!"

Those are some of the answers the girls excitedly shout out, their enthusiasm shooting through the roof.

The entire staff bursts into laughter at their liveliness and shared excitement.

"I guess we'll have to discuss that later," the staff member says with a smile.

"Alright!" Hayoung replies, pumping her fist in the air.

"I'm actually kinda excited now," Gyuri admits, a joyous look on her face.

"Me too," Jisun adds.

"So please do your best, everyone," the staff member encourages.

Saerom nods, looking determined. "Of course."

The other members nod, too.

The rest of the staff then carries, in front of them, a ballot box. Colorful envelopes can be seen inside the transparent box.

"Wow! So pretty," Jiheon exclaims, her eyes gleaming with excitement.

"That's cute," Nagyung agrees, a smile forming on her face.

"Everyone, please take turns drawing an envelope," the staff member instructs, gesturing towards the box.

The girls eagerly step towards the box one by one, reaching into the ballot box. They then head back to their original spots, envelopes in hand, excitement radiating from each of them. Some are careful in picking their envelopes, while some are swift and waste no time… And some play around with their selection.

All the members seem eager to open the envelopes and reveal the contents. But everyone is waiting for a signal, patiently, as their anticipation builds.

"Please remember that you shouldn't reveal the contents of your envelopes to anyone," the staff member reminds them.

Everyone responds in affirmation as they grip their envelopes tightly, excitement and curiosity swirling in their eyes.

"Okay. You can open your envelopes now."

The members rip open their envelopes, their eyes meticulously scanning the contents.

"Oh. So this is just instructions to where we should head for," Chaeyoung asks, raising an eyebrow in confusion.

The staff member nods. "Yes. You will be informed about the challenge once you reach your designated location."

She nods back in understanding. "I see…"

"I hope the missions are fun!" Saerom exclaims with a grin on her face.

"I'm more hoping that they're easy," Gyuri chuckles, crossing her fingers.

"That too!" Saerom adds, laughing along with her.

"Ugh! I'm getting nervous!" Seoyeon whines, hopping from foot to foot.

"Pretty sure you can do it," Hayoung reassures her, giving Seoyeon a comforting pat on the back.

"How cute," Nagyung murmurs, giggling at the two.

"So, is everyone ready?"

Everyone responds in unison, their voices filled with anticipation.

"We're ready!"

"Yes!"

"Let's go!"

"The Spotlight Challenge has started! Again do your best, everyone!" the staff member announces as she cheers them on.

"Thank you!" In response, the girls bowed to everyone in gratitude.

Each member then reviewed their instructions and began looking around, figuring out where to go.

"Hmmm… I guess I should be going here," Jisun muses to herself, reading the directions on her instructions sheet as she walks off.

"Hey, unnie!" Jiheon calls out to her. "Are you going?"

Jisun turns around and nods. "Ah! Uhmm... Yes."

"Wait! I'm coming with you!" Jiheon decides, running up to join Jisun on their journey.

On the other hand, the rest of the group continued to figure out their destinations.

"Well… I think I'm heading this way," Seoyeon says, pointing opposite to Jisun's direction.

"You're heading there, too?" Hayoung asks her curiously, glancing at her own instructions.

Seoyeon just nods with a sheepish smile.

"Yay! Let's go together!" she excitedly screams as she hugs her.

"Hey! I’m also heading there too!" Nagyung adds, joining in on the hug.

As the trio embraced each other tightly, the remaining members were still working out the instructions given to them.

"If this is here, then…" Gyuri mumbles. "Then this one is… Hmmm…"

"I guess I should be going… This way?" Chaeyoung says, scratching her head in confusion as she tries to decipher the instructions.

"Huh? Chaeyoung-ah," Gyuri calls out.

"Yes, unnie?"

"Are you leaving already?"

"Yeah, I think so," Chaeyoung responds, looking unsure.

"Okay. Do your best, then!" she encourages her, waving her hand at her.

"Will do! Thank you!" Chaeyoung replies cheerfully, waving back at Gyuri. "See you later!"

Suddenly, Jiwon appears behind her, as if peeking at her unnie's instructions. Gyuri quickly spots her and hides her envelope, giving Jiwon a playful glare.

"What are you doing?" the older girl asks, pretending to be annoyed.

"What?" Jiwon acts coy, smiling as if she's innocent. "I'm doing nothing?"

"You aren't supposed to peek at my directions," Gyuri scolds her, wagging her finger at Jiwon.

"No, I'm not," she continues her innocent act, blinking her eyes innocently at Gyuri.

But Gyuri sees through her act and playfully pinches Jiwon's cheek.

"Ow! Ow! Ow! Unnie!" Jiwon yelps as she feigns pain.

"Come on now, don't be sneaky," she says with a smirk.

"I'm not! Really!" Jiwon insists, rubbing her cheek dramatically.

Gyuri chuckles. "Alright. Where are you heading?"

"I'm heading that way," she points to the huge building behind the filming crew.

"Ooh. That looks big."

"I bet that's the main building."

"Seems like it. Yeah."

Suddenly, Saerom spots the two, approaches them, and joins in on the conversation.

"So, where are you going?" she asks.

Gyuri is the first to answer, pondering her options.

"I think I'll head to that building and ask around," she says, pointing to the same building Jiwon had mentioned earlier.

"Me too," Jiwon adds, nodding in agreement. "I think my challenge is somewhere in that building."

"I see…" Saerom replies, nodding at their answers.

"So where will you go?" asks Jiwon.

"Me?"

The two other girls nod expectantly.

"Same as you two. To that building," Saerom answers, confirming their choice.

"Oh. Then we all should go together," Gyuri suggests with a smile.

"Yes! Let's all go!" Jiwon exclaims excitedly, grabbing onto Gyuri and Saerom's arms.

Now with all the nine members of fromis_9 walking off in different directions, the view then shifts to a drone shot, showing the immense size of the complex, before showing a slo-mo view from each camera team that follows every member towards their respective destinations. Nervousness and excitement can be read on their faces, adding anticipation for the upcoming events.

All of a sudden, a brief montage teasing the future episodes plays. It showcases the members meeting new people, strategizing for their challenges, and lots of pure, unadulterated sex—the girls letting out screams and moans no one has probably heard. Your heart skips a beat as you process what you just saw. Doing sexy projects might not be new to them at this point, but nothing that's as bold and intense as this is.

You can't deny the creeping sense of unease that you're suddenly feeling. Yet, at the same time, it's an undeniable fact that you are getting excited and eager to see more.

Finally, the screen fades out, leaving you excited to review all of fromis_9's thrilling new series.

= = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = = =

Author’s Notes:

I'm back... I guess? 😅 I apologize for the sudden absence that took more than a year. I left everyone without saying a word. And with that, I would like to make up with a huge series starring all of fromis_9.

Yes. Including Gyuri. 🍊

As ambitious as this might be, and given the fact that I'm not the most creative writer with the most amount of creative juice there is, I'm gonna try and sprinkle a few other stories featuring other idols in between... Just to add variety, and to not bore myself (and everyone) with just one group.

And, yes. I know. I still have 6 more Girls' Generations to write a story about. We'll get there when we get there, okay? It'll happen... When it happens. 😂

A huge thanks to @braaan for the poster! You are too kind. 🫂

And with that, thank you very much for reading! 🙇

#smut #kpopfanfiction #kpopfanfic #kpopsmut #fromis9smut #saeromsmut #hayoungsmut #gyurismut #jiwonsmut #jisunsmut #seoyeonsmut #chaeyoungsmut #nagyungsmut #jiheonsmut

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babybinko · 9 months

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Made a TON of Venture Bros. genderbends :D

Bonus + some of my thoughts on all the designs under the cut:

This is from a conversation I had with a friend about how Dermott and Hank would behave in this AU (its exactly the same as normal)

Ok now some thoughts on my design process

Hank: I think I drew Hank's face actually perfect, I made her so cute. I also feel like there's a common trope with genderbends where athletic characters get short hair so I gave her long hair and gave Dean short hair. I actually think the longer hair fits her perfectly. ALSO I LOVE HER BOOTS.

Dean: I gave goth Dean more Accessories than normal because normal goth dean had no fucking swag (it was besties idea to make her pants ripped). Even before I started drawing college Dean I knew I was giving her those legwarmers you can pry them from my cold dead hands. Same with the legwarmers I knew the first dean design needed a Jean skirt its just the vibes.

Dermott: The millisecond I even thought about doing Dermott I KNEW she would be 2012 grunge girl aesthetic. Gigantic shoplifting energy. Love her.

Rusty: I wanted her to look like a mean mom and I believe I accomplished that goal. Absolutely had to add the glasses strap. Very Jamie Lee Curtis.

Brock: I drew the one with the hair down first and my friends preferred the one with the hair up so I just did both. I wonder if she was a cheerleader in college and killed another girl on her cheer squad by throwing her too far/dropping them.

21: I drew 21 then I realized I had just drawn myself with bangs. Also I drew her with a blunt because there's an episode where 21 has a joint in his mouth the whole episode the other henchmen are standing in stupid poses in the background and its maybe one of my favorite bits in the entire show its so stupid.

24: 24 took several attempts to get the hair right I kept drawing it short and curly and my friend told me to give her Elaine from Seinfeld hair which I think ended up working really well.

Monarch: One of my favorites I did. I feel like this one you can definitely tell how Bayonetta completely re-arranged my brain chemicals as teenager. I love the hip cutouts, I made a tummy cutout to kind of mimic how Dr.GF's monarch costume is kinda skimpy. It's also hard to tell because of the cowl but I tried to give her like a finger waves hairstyle.

Dr.Gf: I tried a bunch of different hats but my friends liked the brimless hat the most and completely doomed him into looking like a Bellhop (more than he already did). Its giving Tyler the Creator at the 2020 Grammys. I still think he's cute though :)

Billy: I really didnt want to just draw her in a suit because thats boring. The show always gives me 60s vibes despite being set in modern day (I'm sure its on purpose) and I definitely channeled that with Billy. It took a couple tries to find a balance between fitting her body but still looking adult but I think I got it in the end.

Pete: YAYYYY PETE YAAAAYY!!! ^_^ Shes so Ava Max Coded. I also gave her giant buckles on her shoes to match his stupid ass one two buckle my shoes ass shoes.

Triana: Very much looks like putting emo boy in the Pinterest search bar. I made her thigh highs into his sleeves and I gave him square bangs like her.

Dr. Orpheus: NEEDED to make her a hot milf and I did. Its a little hard to see but her shirt has lace over the open part. I love the hair Jewerly at the bottom of her braid. :)

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kakiastro · 6 months

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12h + the type of dreams you have

Can’t talk about dreams without Morpheus💜

Hey yall! I wanted to talk about how the 12h and the type of dream themes you will have based on the sign it’s in. The 12h rules our subconscious dream state while we are sleeping. The sign it’s in can be repeated themes and patterns you see in them. The 12h is ruled by Pisces which is ruled Neptune and traditionally Jupiter. Some people believe your dreams represent what’s going on in your conscious world, some believe they’re messages from a divine figure and others believe it’s your soul traveling to different timelines. Whatever your personal beliefs are, the 12h can give us clues on the type of themes we can expect.

To get a better analysis on your own 12h; look at your 12h sign + 12h sign ruler and house + degree + aspects to your 12h sign ruler. If you write out your dreams in a journal, see if there’s a connection to your 12h

Today, I’m just going to breakdown 12h signs just to give you an idea, write down and observe the things you remember .

ELEMENT THEMES:

12h Air dreams-fast paced. intellectual, may involve you coming to a decision on something that’s been bothering you mentally. Dreams may involve the sky, tornadoes, animals that fly, you could be flying.

12h Earth dreams- slow paced. grounded and stability. May involve you feeling out of wack and to find some sort of grounding in your life. Dreams can involve forest, trees, the ground, earthquakes.

12h Fire dreams- intense and fast paced. passion and creativity. May involve you lacking the passion for something in your life. If you’re creatively blocked, it will show up in your dreams. Fire, arguing and fighting, romance can be some of the themes

12h Water dreams- fast or slow paced. emotional. It may involve some sort of emotional disturbance that’s bothering you. Water also represents memory and reflection so you can dream about things that’s mirroring you. Dreams about water, your mom, your home, tsunamis, ocean, lakes can be involved

ARIES

-dreams may be very action oriented, there’s a a lot going on in them. You may have a lot of dreams that include arguing or fighting involved. The dreams could be fast paced as well so you may have trouble remembering them due to how quick they are. Dreams may be fiery or heated. You may have had dreams where you were dressed as a warrior or fighter. Dreams can also involve knifes, blood, leaders in your community (which can include you if you’re one) you may wake up with a headache.

TAURUS

-slow paced dreams that involves houses (external), maybe you’re always traveling to different houses. Houses being built or collapsing. Food may also be a big thing in your dreams, either you or someone else is doing the cooking. You may have ability to taste food in your dreams. You can be at different types of restaurants in your dreams.Money is another thing that may appear in your dreams, such as dreams of being at a bank or you working at a bank. It can literally be you surrounded by money. Jewelry can be another thing you see, dreams of fashion shows.

GEMINI

- very fast dreams that’s very airy. May have dreams that change from one thing to another in an instant. It’s like a tv show, switch from one episode to another. May have dreams that involve your siblings, your school with former classmates, aunts and uncles. Dreams of you traveling in a car or bus to different places in your neighborhood. Lots of communication and talking going on in your dreams. You may remember the conversations than the actual dream itself. Dreams can also take place in a library

-I have this placement and a lot of my dreams takes place at my old high school. I also have had dreams of my late uncle who’s passed visit me and we have conversations. A few cousins have come to visit me as well. Yes, I usually have several dreams in one night and they’re all connected to each other. The most I’ve had that I can remember was 7 in one night. Crazy!🤪

CANCER

-I feel like this can be either slow or faced paced lol. May have dreams of close family members especially your mom. Dreams may take place in your home or childhood home. May have had dreams that involves family reunions or get together. Dreams can include babies or nursery rhymes. Young children (age 0-4) , the moon, elephants or wolves can pop up. Being around water such as ponds, waterfalls and rivers. People may be really emotional such as crying or being angry in your dreams. Dreams of women in your life or just women in general.

- I have an intercepted chart so cancer is also in my 12h. I have dreams of my family all the time! Elephants have appeared in my dreams as well. My dreams has also taken place in my childhood neighborhood or home. I’ve also had dreams of childhood friends due to the Gemini influence in this house as well.

LEO

-fast but intense. Dreams may involve a lot of your childhood memories and all the things you liked as a kid. You can relive your childhood through your dreams. May have had dreams where you or someone is getting lots of attention. Dreams of meeting famous people and having conversations with them. You having your picture taken, lions or big cats may appear in your dreams. You being at the playground or around a playground. Children may pop up, if you don’t already have children, you may have had of dream of what they’ll look life before they are conceived.

VIRGO

-slow moving. Pay attention to the smaller details in your dreams because they’re more important than the larger scheme of things. Dreams may include spacious type of areas, libraries, at your job. Your Co-workers may pop up, your manager or supervisor as well. Dreams where you’re at the doctors office or talking to one. Conversations will be important in this sign as well because it’s also a mercurial sign. Conversations may be more detailed like

for example: you may talk a lot about sweets but chocolate cake may get brought up in your dream. The chocolate cake is the important part because that’s probably what you’re craving or what you need to slow down on.

The “devil is in the details” as the old saying goes

LIBRA

-dreams may include the people that you are closest too outside of your family members. If you’re a business owner, your dreams may take place there. If you’re in a serious relationship or married, you may dream of your partner a lot. Even if you’re single, you may have lots of dreams of your future partner before actually meeting them in person. Lawyers can appear as well.

SCORPIO

- you may have lots of nightmares or see lots of nightmarish things in your dreams. Sex dreams is really common with placement. You may have lots of “spiritual sex” with people you are attracted too 😝. Your dreams may take place in dark themed places such as night clubs, night time, in abandoned places, alleyways and dark corners. Dreams will be intense and will feel overwhelming when you wake up. You can also dream of death and birth as well. The phoenix may appear in your dreams.

SAGITTARIUS

-dreams can take place on a plane or in a different country/area from where you’re from. You can have dreams where you’re sitting in an airplane flying somewhere. Traveling could be a big theme in your dreams. If you go to church, your church may appear in your dreams, people from your church may appear. Even if you don’t go to church, it may pop up in your dreams or you being in one. Horses may show up in your dreams a lot, you may have had dreams of centaurs before. Running can also play a huge part, whether it’s you or the people in your dreams.

CAPRICORN

-dreams may take place at your job setting. Your boss may show up in your dreams. You may dream a lot of your grandparents especially your grandma. Dreams may take place in cooperate type of buildings. Dreams may take place in an area where there’s lots of big corporations such as New York. Dreams can also take place home but the home feels cold or you’re alone in it. Mountains can also show up, whether it’s you on top of one or just the image of them. Capricorn has water energy due to the symbol being a Sea Goat so you may have dreams of water. Goats, Crocodiles, Bats may appear. Bones such as your teeth falling out can be a theme.

AQUARIUS

- dreams that involve lots of people moving in your dreams. Dreams may not make a lick of sense with this placement😅 speeding, such as your driving fast or the dream is going a mile a minute. Out of all of the signs, I think Aquarius may be the toughest to remember and pin down due to the fact that aqua rules over abstract 🥴. Your social circle and your acquaintance may pop up. You may have random ass people pop up in your dreams like uhhh “who you?” LOL. Funny enough, those random people may actually appear In your life or if you believe in reincarnation, they could be past life people. Your dreams may be futuristic, you can dream of big events before it actually happen. Water, you carrying it or someone else can be a them.

PISCES

-Pisces is right at home here so you may have remember your dreams with ease. You may have the ability to astra project easily as well. The ocean (internal) may be huge theme. You probably have seen the depth of the ocean in your dreams. Fish or sea life in general may appear in your dreams a lot such as whales, Starfish and Sea horses. Music may show up in your dreams, like you may hear full lyrics to a song. You may dream of musicians. You may have dreams where the setting is taking place in a hospital or some type of asylum.

What type of dreams do you have?

I’m also open for readings, information in my pinned post

#astrology #astrology community #knowledge #love astrology #astro observations #advanced astrology #birth chart #tropical astrology #12h #Pisces #neptune

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attackfish · 9 months

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So everybody here knows that I'm notorious for being a massive defender of Ursa, and that I have no patience for the "Ursa was a bad mother, she favored Zuko, and was abusive to Azula and abandoned her kids, and made Ozai abuse Zuko," narrative. That narrative is vile, victim blaming, and deeply stupid on a number of levels.

With that out of the way, I want to talk about some really really bad parenting we see Ursa do during the series. And it is to be clear really really bad.

In the Book Two episode, "Bitter Work", Zuko and Iroh have a conversation:

ZUKO: So Uncle, I've been thinking. It's only a matter of time before I run into Azula again. I'm going to need to know more advanced firebending if I want to stand a chance against her. I know what you're going to say, she's my sister and I should be trying to get along with her-

IROH: No, she's crazy, and she needs to go down.

This scene is a favorite of a certain type of Azula fan who wants to paint Iroh as a big meanie who didn't wave his magic redemption wand over Azula the way he clearly did over Zuko. See? See? He's writing her off here and calling her crazy.

This of course misses the context of that scene, which is that Zuko is taking care of a severely injured Iroh, who was injured by Azula, in what looked a heck of a lot like a murder attempt. Earlier in Book Two, in the episode, "The Avatar State", Azula unambiguously attempts to murder her brother after failing to capture him, and he is only saved by Iroh's quick reflexes.

But let's leave that argument aside for today because what interests me about this scene in the context of Ursa's parenting, is the line Zuko says right before Iroh's infamous declaration: "I know what you're going to say, she's my sister and I should be trying to get along with her."

Because in the context of Zuko and Iroh's situation, where Azula has recently attempted to kill Zuko, and just put Iroh into a coma that Zuko had to take care of him during, in which he has only just woken up from, this line from Zuko actually demonstrates some really warped thinking. It is not a healthy response to the situation at all. And his assumption is that a good caring parent figure like Iroh is going to respond to this situation by telling him that Zuko needs to get along with his sister, who is actively trying to hunt him down and capture or kill him.

So why does Zuko think that? What adult reacted that way to Azula's violence toward her brother in the past? It wasn't Ozai. Ozai is not going to use the language of getting along with one's siblings, when he is so bent on setting them against each other. So who was it?

The show answers this a few episodes before this scene, in the Book Two episode, "Zuko Alone." The answer is clear and heartbreaking: It was Ursa.

The scene in which this becomes plain, starts with Zuko and Ursa walking together. Mai spots them and smiles and blushes. Azula notices, and then turns to Ty Lee, and whispers, "Watch this!"

AZULA: Mom, can you make Zuko play with us? We need equal teams to play a game!

ZUKO: I am not cart-wheeling.

AZULA: You won't have to. Cart-wheeling's not a game, dum-dum.

ZUKO: I don't care. I don't want to play with you!

AZULA: We are brother and sister. It's important for us to spend time together. Don't you think so, Mom?

URSA: Yes, darling, I think it's a good idea to play with your sister. Go on now, just for a little while.

And then Ursa leaves Zuko alone with Azula and her friends.

There is a lot here that I want to talk about. I have in fact talked about this scene before, and what it tells us about Ursa's eagerness to reinforce Azula's seemingly kind and loving behavior: [Link], and even touched on why this is in fact an example of bad parenting from Ursa: [Link], but I think this deserves its own post, where we examine exactly what went on here, what this tells us about Ursa's parenting, and how this affected Zuko, and to a lesser extent, Azula.

In those previously linked posts, I talk about how this is clearly a pattern, that Azula has learned to predict and manipulate, and because we know it's a pattern, we know that this behavior on Ursa's part is repeated, and something her children have come to expect from her. Zuko and Azula know their mother wants her children to get along with each other, and love each other and have a good sibling relationship with each other so much that if Azula she plays into that, Ursa will force Zuko to spend time with his sister, and worse, that time will be unsupervised.

So, to be clear here, what Ursa is doing is giving Azula unsupervised access to her brother, against his will, as a reward for Azula momentarily acting nice. Or in other words, Ursa forces Zuko to spend time with his abuser against his will because she wants them to get along.

I think we can all see how that is some grade A terrible parenting.

And it does have negative effects on Azula. I think that we can see her learning how to manipulate people, learning how to lie and get what she wants from people, and that Ursa by giving her what she wants here, is showing her that this is a thing she can do to get what she wants. That is not a great lesson to teach your kid. I think it also feeds into Azula's possessiveness of her brother, and sense of entitlement towards him. She has learned that even the people who love and care about her brother, won't protect him from her. And she has learned that no matter what she does to him, he is supposed to try to get along with her.

These are some really terrible lessons, and we see some of the effects of them throughout the course of the show, so why is it that the "Ursa is a terrible mother" crowd never bring this up? I mean of course we know why, it doesn't fit their narrative. Their premise is not simply that Ursa is a bad mother, or even that her bad parenting explains Azula's behavior.

In fact frequently it isn't even about finding someone to blame for Azula's behavior, so that the responsibility isn't Azula's. (Which, to be clear is not how it would work anyway, because even if Ursa were exactly the type of horrible mother they said she was, Azula was still making the choices to do Very Bad Things, in the same way that just because Ozai is an abusive father, this doesn't mean Azula stopped being responsible for her own actions). It's more about proving that she has suffered enough that she deserves all the sympathy, and is allowed to be awful to other people, including Zuko, you know, as a treat.

The narrative that the "Ursa is a terrible mother" crowd are pushing is that Ursa didn't love her daughter, and thought she was a monster, Azula suffered so much, and it's so sad, and this is why she deserves to do very nasty things to everybody else, and no one should ever hold her accountable. Frequently there is some flavor of, "Zuko had a mother who loved him, you guys, unlike Azula, so he doesn't deserve sympathy, not like poor baby Azula!" Which is a deeply warped thought process on many many levels, but we're not going to go into that here.

The point is, that this type of bad parenting that I am pointing out here, doesn't fit this narrative, because this is not the kind of parenting mistake that a mother who doesn't love one of her children, and thinks that child is a monster, is going to make. This is the kind of mistake that a mother who loves her children very much, and wants them to have a good relationship, and doesn't recognize the threat that one of her children poses to the other, is going to make. In fact, the fact that she does it, proves that Ursa does in fact love her daughter and does not think she's a monster. So it does not fit the narrative these people are spinning, so they will never bring it up as an example of how Ursa was a bad mom.

Of course the other reason the "Ursa is a terrible mother" crowd aren't going to bring this part up is because it would mean acknowledging that Zuko deserved to be protected from Azula, and needed to be protected from Azula, when they were both children, which would go against the whole "she's a poor innocent child" thing they like to spin, and also because Azula is getting what she wants here, and Zuko is the one suffering, which is not going to get Azula any sympathy points.

And for the most part, Ursa was an excellent mother, who did the best job she could in horrible circumstances that she had very little control over, but she wasn't perfect, and she did make mistakes, which makes all of this a wonderful example of how even very good parents can make very bad choices that hurt their children and cause serious long-term damage.

I've talked some about the long term damage that Azula faces from this, learning about manipulation, and developing some really nasty entitlement issues with regards to her brother, but Zuko's long-term damage is if anything worse.

When we put this together with Zuko's line from "Bitter Work" quoted earlier, we can see that Zuko learns what Azula learns from the other angle, which is to say that he will not be protected from Azula by anyone, and not only will he not be protected, but he does not deserve to protect himself. Not only can he not defend himself, but he can't even protect himself by avoiding her. That's not allowed either. And in the face of her cruelty and violence towards him, it is still on him to make their relationship work, and to be clear, he should absolutely be making their relationship work. And the adults who love him are going to tell him this, no matter what Azula does to him.

I for one am really glad that Iroh is there to say no, that's a terrible idea, and you do not need to keep trying to get along with your sister who is trying to kill you. And it's significant that throughout Book Two, Iroh consistently protects Zuko from Azula, and teaches him what he needs to fight back.

#Atla Ursa #Uncle Iroh #Zuko #Azula #avatar the last airbender #posts i created #azula needs her own warning #i ship iroh/tea #zuko is a dweeby little turtleduck #mother bear ursa

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rebelspykatie · 1 year

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It’s funny that anyone would think that Steve and Robin aren’t platonic soulmates when they’re canonically attached at the hip.

Steve has a whole conversation with Robin that’s loaded with inside jokes as he literally ignores his date at the basketball game.

They follow each other around the video store talking about their love lives where they make reference to stealing each others jokes, wishing they could combine into one person with both of their skill sets, and regularly picking movies to watch while they work (and knowing their interests in movie genres).

Steve wakes up early to pick Robin up for school before he has to go to work, even though there’s several hours between that and when they open. He also doesn’t know that Robin can’t drive, so he’s obviously just been chauffeuring her around no questions asked. He was already doing this at the end of season 3 for their job interview.

This all started in season 3, but was solidified in that final scene where they’re going after jobs together, spouting off to potential employers about their best qualities to land the job. Robin has clearly had time to warm up to Steve and jokes with him about his resume and with Keith about Steve’s terrible taste in movies, but excellent taste in women.

During that drive to school in season 4, they talk about both of their love lives, in which they reference an off screen conversation where Robin gave Steve advice to just be himself and girls would like him more, the same advice he’s giving Robin for wooing Vickie.

They openly talk about Vickie throughout season 4, so clearly there’s no shyness or residual awkwardness from the coming out or Steve’s former crush on her. In fact, it appears to have made them even closer. See: the boobies conversation in episode one.

They’re close enough that Dustin has obviously mocked Steve for not dating Robin repeatedly after the events of Starcourt. They have that platonic with a capital P speech down pat. They joke twice about being in charge of the kids together, once when Dustin and Max barge in to search for Eddie and they joke about taking turns strangling the little idiots and then again when they get on the boat about bedtime’s at 9 kiddos.

Both joke and poke fun at each other. Robin makes fun of Steve’s protective streak with the whole ‘unless you think us ladies need you to protect us’ comment. Steve makes fun of Robin snooping in Nancy’s room and jokes about her not giving off an academic scholar vibe. Steve jokes about wanting to punch her in the face when she won’t stop rambling about rabies. Steve teases her about her muppet joke working because he’s the one who made it up. Robin’s previously teased him about how many children he’s friends with, not knowing he’s protecting them from supernatural horrors.

By the end of season 4, we find out that they both had issues learning to walk. They both think their romantic interests are doomed. They give each other the same advice.

They always gravitate towards each other, especially when they’re in danger, always in the same group. Robin clutching at Steve and making sure he’s okay after Eddie held the bottle to his throat. Robin jumping in directly after Nancy when Steve got sucked into the watergate. Robin moving behind Steve in the upside down when the bats were coming at them because she knew he’d protect them (actually everyone goes to stand behind him). Robin crying out for Steve first when the vines snatch her. Steve finding Robin to grab the supplies for the Molotovs and then chasing after her when Vickie kisses that boy.

Any time we see people break off into groups, they’re together. Paired up to discuss end of the world strategies and their unrequited love lives. Team search for Eddie. Team keep Eddie safe and hidden. Team destroy Vecna. Always the same team.

Steve encouraging Robin, even after the incident with Vickie in the store because he doesn’t want them to give up on love. Him being so happy to see her flirting and chatting with Vickie at the school. Robin comforting him when Nancy runs into Jonathan’s arms.

If you’re watching all of that, I don’t see how you could come away with anything less than them being platonic soulmates. They’re practically finishing each others sentences while they bounce one brain cell back and forth between them.

#stranger things #steve harrington #robin buckley #platonic soulmates #do I ever shut up?#no thanks for asking #katie writes

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thesiltverses · 13 days

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Hello! I found the silt verses about three weeks ago and have listened to it several times since. I have a few things to say.

I absolutely adore that episode about the national grid workers. I think it’s my favorite episode of any podcast I’ve ever listened to. My favorite part of that first episode Paige is in is how she justifies not standing up for Vaughn, that cognitive dissonance that you wrote so well. This episode gives me what I wanted from that episode, the workers all banding together to stop the wasteful sacrifice of one of them. The actor who played the foreman did an incredible job as well. I think that having him discuss which of his workers he would sacrifice was such a significant moment, despite how brief it is. It cuts right to the big question that I took away from the podcast which is, “How much is someone willing to sacrifice in order to maintain their comfort?” And the utter disrespect of Glodditch (apologies for the spelling) refusing to cancel even the radio but asking grid workers to kill themselves for 200kw/h! Top tier episode.

I grew up in the south and went to college in Appalachia. I saw the disparity in technology and “advancement” if that makes sense that poverty brings, and the way you set up the world invokes that feeling in me again. You are an amazing world builder and storyteller.

I really enjoyed the cameos - I’m a big fan of malevolent/devisor, Old gods of Appalachia, and all of Jonny sims work, so hearing familiar voices was an absolute delight. Harlan Guthrie as an acolyte of the snuff gods might have been a bit too on the nose with some of the things that man writes, though… /pos

I’m transmasculine, and something that I really appreciate is how you manage to make a trans man do some objectively awful things, but still manage to make him a complex, full character that I was rooting for very frequently. Brother Faulkner is so, so important to me as a character. Paula Vogel has a play called “Indecent,” which is about the true story of a troupe of I believe German Jewish actors between the years of 1910ish and 1940s putting on a show called “God of Vengeance” by Sholem Asch, also a Jewish man. “God of Vengeance” has queer themes and received a lot of criticism from the Jewish community for showing Jewish folks in a “bad” light at a time when there was already so much hatred for Jewish people. Brother Faulkner being as complex and, in my opinion, malicious and cutthroat as he is at a time when trans people face so much bigotry, especially legislatively in the United States, brings this conversation about “God of Vengeance” up again for me. I also love how normalized non-binary people are in this world, without question. “Sibling this or that,” the hunter, adjudicator Shrew - big thanks from me for all of this.

All of this to say, I love this podcast. Can you talk more about the rhetorical gods? Is Babble one? What makes them one if they are, or why aren’t they? I’m fascinated by them. Can you talk more about the propaganda gods too?

Thank you so much for the thoughtful and kind words!

I'll check out Indecent, it sounds really interesting and I'm very glad to hear Faulkner works for you as a character. I think the topic of how to include and write queer characters who are capable of terrible things and thoughts (because, after all, these characters are human beings and not tutelary exemplars), within the context of both a rising movement of transphobia right now and centuries-old scapegoating / pathologising portrayals more generally, is a really knotty but a really important one, and I always want to make sure I'm approaching it with care and due responsibility as well as a sense of humility around the limitations of what, as a cis writer, I can actually achieve.

To that end, I don't want to ever take the audience response for granted, but I'm always really grateful to hear that the portrayal is working for a listener!

Propaganda gods: gods whose prayer-marks or ritual verses are fed directly to the enemy, enforcing destructive or sabotaging changes to reality (so rather than sending a destructive saint or angel to rampage over the foe, you might drop pamphlets or send radio messages to the enemy to 'convert' them).

Rhetorical gods: gods whose followers possess reality-warping powers of language itself (which is why 'rhetorical god' is a polite way of saying 'liar's god'). In other words, the paranoia around them comes partly down to the fact that a disciple like Val may appear to be a limitless shaper of new forms, rather than shaped into a limited form of their own, as a result of their worship.

#carmen maria machado has a fun mini-essay about queer villainous portrayals which I do recommend

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phoebepheebsphibs · 23 days

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I mentioned in a reblog thing that I'd wanted to make a Rise comic series called "ROTTMNT: UNPAUSED" and I hinted to one of the finale episodes being called "Mikey's Birthday Bash"

Well I'm gonna infodump about that now...

So basically the episode started off with Mikey waking everyone up for a special breakfast to celebrate his bday, only to discover that not only did his brothers forget his bday, they all made plans of their own. To quickly make up for it, the guys take him into the Hidden City for a quick shopping spree before they all have to leave for their engagements. While Mikey is looking for something to buy, he overhears his brothers conversing about how in the next year, Raph won't be a TEENAGE mutant ninja turtle anymore (he is 17 currently). Donnie adds that he is already looking for colleges to join and hopes for an early admission. Leo also admits he has been planning for the future. Mikey realizes that his brothers are all planning to leave and grow up, which he is not ready for. He runs away crying, and meets a strange old hag who sells him a "special" birthday candle, which she promises will grant his biggest birthday wish.

Mikey finds his bros again and uses the candle on a meager cupcake they got for him. As soon as he blows the candle out, the four are transported into a version of the Battle Nexus, trapped there along with every other character from the show (and my comics) by the hag who sold Mikey the candle. She reveals that Mikey's wish was for "everyone to spend my birthday together", and the only way for them to escape is for the turtles to win the tournament! The bros are furious at Mikey for making the wish, and Mikey promises to get through the games as quickly as possible so they can get back to their plans and leave.

The hag states that the turtles will be pitted against their previous enemies, and with each round they win they'll will receive more allies. Anyone KO’d will be eliminated from the round and sent to watch in the audience, and upon the ending of the game all contestants will be returned to their last location. The enemies will get progressively more challenging until they defeat all of their opponents.

Round 1, April is with the guys, and they are up against Baxter Stockboy, Albearto, and the Purple Dragons.

Round 2, the Casey Joneses join the fight against the Foot Clan.

Round 3, Draxum, Splinter, Big Mama, and the two missing siblings hinted at by the writers join against the evil league of mutants and the Mud Dogs. April is KO’d after getting slammed into a wall and knocked unconscious by Heinous Green. Cass is KO’d by Hypno after he hypnotizes her to knock herself unconscious as well. Draxum is KO’d by Meat Sweats after he steals his power.

Round 4, Several characters (such as Agent Bishop and Mona Lisa) join to fight against the Triceratons (which were introduced in my series). During this round, everyone is K.O.'d except the turtles. However, Mikey sees that he didn’t finish the battles in time and his brothers have missed their appointments. He feels guilty, and his brothers are admittedly irritated.

Round 5, the final boss battle. They are pitted against the Shredder and the Kraang. Before the fight begins, Mikey has a blowout with his brothers and finally admits that he was angry they were gonna leave because he was scared of growing up, as he is not ready to be an adult yet and he doesn’t want to be alone. The Kraang interrupts stating “I can help you with that” and captures Mikey. However, the Turtles get one last team member… Karai. The Shredder -- having been defeated and Oroku Saki redeemed -- turns against the Kraang and sides with the Turtles and his daughter. The boys defeat the Kraang using the special formula from the movie, but not before the Shredder and Karai are K.O.'D by the Kraang. The Kraang are defeated with the last of the mixture, but to the boys' horror they see that Mikey was kraangified, and now have to fight against him as their last opponent. They try, but are unable to defeat him due to his increased strength AND his ninpo. Leo refuses to admit defeat, saying “Mikey never gave up on me… I can’t give up on him.” He tries one last attack, grappling with Mikey and holding him down...

I happened to make sketches of what came next...

The game finished, everyone is returned home. Mikey apologizes for everything, but Raph admits that he isn’t ready to grow up yet either, and he never wants to leave Mikey alone. He found out the hard way what that felt like, and the brothers agree to wait a little longer to grow up and enjoy being the teenage mutant ninja turtles while they can. Back at the lair, everyone bursts in to make sure Mikey is okay. They spend the rest of the day with him, enjoying his birthday...

So yeh that's that

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mskenway97 · 2 months

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I had this in mind for some time and some ideas made me think about this story. It takes place during the course of the 'Alpha/Omega' episode of transformers prime after Optimus lost the Star Saber.

Tfp Optimus Prime x Fem!human!reader

I will stay

Words: 1,576

Summary: You haven't heard from your guardian for days, when you got the news from Jack that a new weapon had been discovered. You decided to stop by to see why he wasn't talking to you like before to discover a side of him you didn't know.

Warning: angst, sorrow, g/t content, g/t confort fluff

You knew something wasn't right, ever since he came back with his memory restored. Something was keeping you upset, you felt that he had put up a wall that you couldn't get through. That didn't happen before. You met him by chance bad timing, a detour home several Vehicons and a big robot of almost 30 ft. Since then he had taken care of you, as Ratchet refused to be the guardian, plus you were older than the children on the base to your surprise. You befriended them, but you were always intrigued by Prime, and little by little you were able to talk about various things. Seeing what caught his attention… Apart from the popular culture books of Earth and what I was dedicated to. Partly little by little you began to fall in love with this metallic giant, his kindness, his concern, his dedication to the Earth. To feel safe among his servos, or to sit on his shoulder while he worked, little details that mattered a lot to you. But at the same time they made you feel helpless, helping Miko and Raf was easy. Engaging Ratchet in conversation was a challenge. Understanding Bumblebee was a challenge. But you tried because you wanted to get to know them better. Everything started to change since Unicron showed up, the day Optimus left… Those were the worst days for you, you didn't know how much you needed him… the sound of his voice, the touch of his finger when he stroked your hair…

He came back to you but interactions started to be more limited, he would pick you up from work: Arcee or Bulkhead. Only Ratchet stayed at the base…. That made you feel partly miserable, you knew he had great work, great responsibility but at the same time you wanted to help him. That he just didn't show that stoic side to all the people. But you were only a small human, between a war of enormous titans. You could only stand by and watch, you wished you could do more, could help more. But you were just an ant in comparison…. You wished at least to see him smile, at least just once… If only you could comfort him, do something. You would do anything. This was eating you up more and more. Until the deadline came when Jack started telling you about a new weapon the autobots had found: Star Saber, it seemed they had an advantage to win, at least something that looked like they would win the war once and for all. That day you left work late at night, but you knew Optimus would be at the base, so you called Ratchet for a groundbridge. You watched with all the joy in the world. Until you saw Ratchet's long faces, the others were patrolling. You didn't understand what was going on until you saw a weapon completely destroyed.

-Ratchet, what happened? - you asked as you climbed the stairs. Ratchet sighed as he looked at the command center - Star Saber was destroyed, Megatron found a way to create his own Star Saber with Dark Energon.

-How is this possible? Solus Prime's forge can only be used by one.

-Megatron found a way… Optimus fought against him, with some injury but he will be

-Damage?! - you said as Ratchet tried to calm you down.

-He's fine. You should go home… Something in you jumped, you were sick of having to leave, of having to be pulled back - No, not this time. I'm going to talk to him. Don't even think of stopping me - you said seriously as you walked down the hallway without listening to Ratchet's words to reason with you. You moved quickly down the long hallway to get to Optimus' room, you didn't think, you acted on pure instinct and emotion. You wanted to know how he was doing, he didn't care if he tried to kick you out, he wasn't going to back down too. you weren't going to leave him behind, you weren't going to give up anymore. You tried knocking on the huge door to see that it wasn't locked, which surprised you since Optimus was always careful with his room and his secrets. He hadn't let you in either due to various reasons that the autobot leader always made an excuse for. Then you walked in to see around a room that had a huge desk, next to a bed, what appeared to be a pile of datapads on the desk table. You stood admiring the place, as you looked like a little doll or toy as you walked around. The door behind you closed, you jumped in fright. Then you saw Optimus, he seemed to be leaning on his bed. At least you had a fix on him, the problem was how to get to him.

It was not easy for you to get to the bed but with a lot of patience you climbed up one of the bed spreads, you approached carefully so that he would not crush you when he moved, you were in front of his face about to wake him up but you noticed on his face in his optics rather, there was something blue liquid. Biologically, humans and cybetronians were not so different… He was crying… You approached him carefully as you touched his faceplate, it felt cold but at the same time you heard a small engine noise, you saw that he opened the optics slowly to see your face so close to him. You thought he was going to refuse or push you away, you were about to respond but contrary to what you thought, his servo grabbed you to pull you to his chest and place you close to his spark. He was stroking your back with his other servo, feeling a great warmth but you shook your head at what you initially came for. This bot had great skill in reading your mind, he already knew why you were here.

-You were worried about me… I am sorry for my absence these days, little one. Matters have led me into situations to keep you and the rest safe. You clenched your fist, a little clenched your jaw, I was doing it again….

-Don't do it… Optimus was confused to hear you - Pardon?

-Don't you dare hide how you feel in front of me, I know you're trying to protect me…. But what matters to me is how you feel, don't you dare say it's not important, war is important. You are distancing yourself from everyone…

-Little girl, I…

-Don't you dare do this alone… When Unicron arrived you disappeared. I thought you really left - you said trying to keep your tone of voice without tears - You walked away, I don't care if it's for my protection, I don't care how many times you try to push me away, I will stay… I will not leave here - you said determinedly as you looked at the optics. There was a deafening silence between the two of you, you looked at each other with determination that your words, then you felt his arms around you squeezing you a little you felt him leaning you to his chassis. You looked at his optics to see the tears coming back to him.

The burdens of a leader are something I must keep, I stayed away for your protection. I may win some battles others I may lose them with quite a few consequences: the Star Saber, Raf's life was close too…. If it hadn't been Raf… - he said as he lifted me up to look at you better - and if it had been you, I wouldn't have forgiven myself…. The words the giant had said had hit hard in your heart, as he wrapped his servos around you as if to protect you from the world -… I can't lose you like that - he said in a low voice. That made a little more of a dent in you, but you moved closer to his face, leaned gently to his cheek as you saw that his optics were focused on you.

-I know, that's how I've been feeling these days too…. I don't want to lose you like this either.

You gave her a soft kiss on her cheek, which had the effect of sounding her engines a little as she squeezed you a little closer in her servos, you felt her nuzzle to you. You had missed these interactions so much, you had missed her too much.

-Next time, try talking to me. I know I can't share your burden, but I'll listen to you as long as it takes - you said as she put you back closer to her chassis but closer to her spark.

-I will try for you. And I will never leave you alone again - he said as you felt a big pulse of sparkle warm you up a little. That was all you needed to hear, you stayed like that for a while longer as words were not needed at that moment. Maybe when things calmed down you would tell him how you really felt about him. Just feeling his company, though, was all you needed. Maybe one day you would manage to get a smile out of him. But little by little, you felt him close your eyes to fall asleep near his chassis. Feeling at peace at last… Next to him.

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