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#there's just so much about fish
beybuniki · 1 day
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they should go on a fishing trip pt.1
#DONT COMMENT ON THE BACKGROUND I KNOWWWWWWWWWWWW#anyway this is day 1. they take a bus. the bakugo household has fishing gear so ´deku is wearing bakugo's onesoe (?) and bakugo is wearing#his dad's. and notices he has grown :')#anyway they take a BUS and don't feel like doing this at all it's awkward for so many reason#also trying to relax after everything is neurologically just really hard they might be hyperivgilant dik#and there's so much they never got to unpack bnut they have to and they have to start somewhere and with someone#deku makes that flower crown while bakugo preps everything and they both look at it and are thrown back into their childhood 🧍‍♀️🧍‍♀️🧍‍♀️#and at first they just sit and wait for the bavarian fish to bite (rody should make a cameo tbh) but then bakugo breaks the iceeee.#and he starts with their moms because their moms have been such a stubbron connection between these two :')#and deku answers with the usual 'good :) how's your mom :)?' and to everyone's surprise he actually opens up#and tells deku about his mom's insomnia because she watched her son die (that shit was live streamed tpo 10 bnha tweets btw)#idk i love to think of their moms being a very easy subject to connect through i think it's easier for them that way to be more vulnerablei#and then some fish biteeeeeeeeeeee#but like 3 small ones so they have to gather berries and mushrooms and make stew (dw there's an aldi this is bavaria after all)#but yeah day 1 is a bit weird like it's just them in the woods with no distractions#which is so different from whatever went on during their 1st year of high school#don't read this i will throw up i just need this somewhere this is my public scrapbook#bnha#deku#midoriya izuku#bakugo katsuki#the flower crown on their knees makes this a bit homosexual but fishing is always homosexual im not fighting against that#au:#fishing
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redrocketpanda · 10 months
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Something that has been driving me insane about the credits are these sections with the fish so please bear with me whilst I do a mini deep dive (hehe) into fish discourse because YO, we need to talk about these fish!
Notice how at the beginning of the credits we actually have two white fish swimming along beside one another; one with bright turquoise eyes and the other with black.
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A little while later the fish begin to circle each other and a droplet falls into the water between them. As the disturbance ripples out from the center, one of the fish dives deeper into the water and changes its colour to black; symbolizing Geto's change and descent into darkness
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Then we have this heartbreakingly beautiful moment with Gojo and Geto:
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I cannot stop thinking about how long Gojo watches the black fish for as it swims across the screen, whereas Geto's eyes are lowered the moment the white fish appears and he closes them as it swims past.
Gojo cannot bear to tear his eyes away, whilst Geto cannot bear to look
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Throughout the credits, Gojo and Geto have been making their way towards each other through the pouring rain (or mostly sitting and waiting in Geto's case). At the end, they meet each other under a bridge and as they walk away together we see the fish a final time, swimming together again in a puddle formed by the heavy rain.
Geto walks on the left in the light, as the white fish swims close to his head, almost invisible in the brightness of the light. Whilst Gojo walks on the right in the shadow with the black fish swimming further away but still close by.
The fish speed after the two men before disappearing completely under the water just before the camera pans up and we watch as Gojo pulls Geto in for a hug as they walk away, before he's playfully shoved away by Geto.
There's a lot going on the credits (+ opening) that is absolutely killing me but man, these fish?! Breathtaking.
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ejsuperstar · 10 days
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Imagine you live in pelican town. The new farmer has been here a couple weeks now and seems to be settling in, except... He's picking the weirdest friend choices. Like sure it's not weird to befriend the local fisherman, especially when he has an interest in fishing himself, but you're pretty sure you've seen him rooting through the Saloon's garbage with the local homeless man. As well, he keeps harassing the poor guy who works at Joja even though you KNOW he doesn't want to be friends with him.
And since you're on the topic of weirdness, isn't it odd he seemingly runs everywhere at a full sprint? Or just... Eats entire raw fish while fishing for "energy reasons"...
...
Despite all that, it's too early to call him off putting or anything... He has been engaging in town traditions, and he's started helping out with the old community centre. He's probably like the rest of you. Someone with a few quirks, that will fit in with the valley great!
Surely he can't get any weirder... Right?
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come get yer Laughin'stock! get it hot off the press! free Laughin'stock right here!
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aquapede · 1 year
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an honorable end and an honorable beginning
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blueskittlesart · 15 days
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finally started my character design final and it's a 3-phase video game boss and protagonist so of course i had to go BATSHIT FUCKING INSANE. here's my first pass stay tuned for more bc this is like a 5 week assignment
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moeblob · 2 months
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Harvey telling the farmer it's their time for the annual check up before knowing them for a year is always funny to me. But the fact I keep drawing Asmodeus♡ with a big mouth and fangs made me read the dialogue more like "that's scary, please stop" rather than "okay onto the next part".
Anyway, I have never drawn Harvey before so please enjoy my attempt. (gives him a lil gray. as a treat. to me. the gray is for me.)
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mumblesplash · 1 year
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there’s always time for branding™️
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tastecrayons · 9 months
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weight of a dead world
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skrunksthatwunk · 3 months
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thinking about how eiji's a pole vaulter and how ash talks about eiji "flying" and how eiji's associated with bird imagery and how eiji's free (unlike ash) and how eiji comes in on a plane and leaves on a plane and how ash cannot fly, ash cannot be free, how nyc is ash's prison, and how ash is the leopard who dies climbing the mountain, unable to live at such elevation, how he was trying to reach the sky and be free but was always stuck to the earth, how he chose to die instead of climbing back down, how he chose to die where he could see the sky and hope and freedom almost like a bird with eiji's letter right in front of him rather than letting everything go wrong and ruin it once again, how eiji's a failed pole vaulter anyway, how a bad fall ruined his career and grounded him (physically and emotionally), how it took flying to america and meeting ash and needing to save him and skip for him to try flying again, how he landed hard and harsh and still the thought of that escape compelled ash to protect eiji at all costs because if he could fly that means something to him, even if he doesn't think he can fly, how eiji is the manifestation of his hope and how when he breaks and asks eiji to stay with him a while he folds himself over his legs and weighs him down and traps him and grounds him, how ash fights like hell to keep eiji alive not because he thinks he can be like him (hopeful, flying, innocent), but because he makes him forget the gravity of his situation, and so he can see eiji fly again. how he wants to see him escape. how eiji is a bird and ash is a wildcat and how ash never once saw eiji as prey. how eiji never saw ash as a predator. how it is eiji's naivete that first endears ash to him, how it is his freedom and flight and removal from darkness and his ability to leave that darkness that really roots eiji in ash's blood as something essential to him keeping on living in this hell of nyc. how it is that distance from the violence and that hope for the future that ash chooses to surround himself in as he dies. how ash dies in a dream because he feels more than anything that he can't fly like eiji, that he can never leave. how his violence is a part of him and will be forever, how it weighs him down. how he wants to enjoy the view from the mountainside rather than looking up from the ground below. as if they can both fly. as if he is with him up there and not grounded. eye-to-eye with what he can't have, seeing eiji's homeland: the sky. how he dies trying to reach the top because he couldn't take retreating and trying again. how ash, tired and tired and tired and convinced it will go on forever if he crawls back down the mountain, chooses to close his life deluged in eiji, in eiji's insistence that they can fly together, in eiji's hope for him and for them, in eiji's beautiful dream. how ash dies without trying to realize that dream. how ash, in dying, destroys it.
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rileyclaw · 2 years
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thank you for 100,000+ views on Fish in a Birdcage!! it’s only been a week and im so blown away by all the amazing comments and tags and bites into pillow and tears it into feathers (affectionate). omg as well as 6,000 followers now!
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lesbaurinkos · 3 months
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Please tell us about looking up catboys on a lodestone and what is a graha and please as many pictures as you want and also is any of it gay i am very interested 🙏🙏
CRACKS MY KNUCKLES this is gonna be a long ramble because i have a LOT to say. as a passionate xiv player and such ^_^ god im gonna put a read more actually because this is gonna be so long. whoopsie!
so FIRST OF ALL g'raha tia is a much-beloved ffxiv character (voiced by jonathan bailey. like from bridgerton. that jonathan bailey. isnt that incredible) look at him. here he is. phil is so incredibly real
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he's a fan favorite for a reason he is so lovely and sweet and incredibly self-sacrificing and during my favorite story expansion, shadowbringers, we meet him as the crystal exarch- a leader of a dying world who has summoned us to help because we are that world's last hope. and his grand plan to save said world is ultimately to sacrifice himself. he's very depressed and very mysterious and slowly dying because his life force is tied to the crystal tower where he resides, which is what grants him power to keep going but is slowly crystallizing him, and he's just a very deeply tragic character at first... but then at the end of shadowbringers he LIVES! he has a new lease on life! and he didn't expect to ever get that far! so afterwards he's just so deeply earnest and excited about everything and it's so cute... so sweet... i love u graha <3 and this catboy is like gay as hell like he is soooo blatantly in love with the player character. who, like, officially in trailers and stuff, the default player character meteor, is a man. gayass cat!! anyway here's the crystal exarch figurine, which dnp own, and which i am jealous of them for. but it makes me smile that they have it. bc i love g'raha
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NOW ANYWAY. DAN AND PHIL'S CATBOYS!
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every ffxiv player character is displayed on this website called the lodestone, which has like community stuff and worldwide rankings and such. just like a standard mmorpg hub. and you can look up character profiles on there if youre curious, say, what mounts they have (cause in xiv you can get a whole bunch of different mounts to ride around on, from a massive shiba inu to a t-rex to the classic chocobo you are given at the start of the game to, like, actual cars and motorbikes) or what minions they might have (you can pick a little minion to follow you around in the game! just for like cute little aesthetic purposes. and they have minions of like cute little creatures, bosses you can fight, characters in the game, etc-- for example the minion iiii always have out to follow my catgirl around the world is a mini version of my favorite character y'shtola, who is a goth catgirl who is absolutely everything to me. wife of all time. she has the craziest lesbian dynamic with this goth butch named zero who you meet late in the story and who is SO everything as well. that's not the point. ANYHOW!) (also when phil said in the rating your favs video that if you play a cat in ffxiv youre definitely gay he was literally so fucking right. there are a bunch of different races to choose from, you can be elves, you can be bunny people, you can be dragon people, etc, but well. i play as a cat. they play as cats. fork. kitchen)
ANYHOW. so when phil said recently that his catboy was named MIKO STRIKER i was like "omg... i have GOT to go search him up on the lodestone and see what job he plays and how far he's gone in the story and such" and hereeee is his profile:
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31st sun of the 1st astral moon does translate to january 30th bc the ffxiv calendar is offset by a day. anyway the fact phil plays summoner is both so endearing and makes so much sense to me bc it's pretty well-known as the easiest dps class to play in the whole game. and i also started out playing summoner when i started!! and part of the summoner job is, well, summoning these magical creatures called carbuncles:
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isnt this thing cute... i love carbys. i named mine cherry tomato. im sure his is called susan or something ^_^ so delighted by the summoner rep. anyway then i went to look at his minions & mounts cause certain parts of the story award certain minions & mounts and i was like well i GOTTA know if dan and phil have finished endwalker (the most recent, emotionally devastating story expansion) (they have not, btw. both of their catboys are in the gear you get RIGHT before embarking on the final and MOST emotionally devastating leg of the story, but they don't have the mount and minion you get from FINISHING IT, which is killing me sooo bad. you guys.... go play the end of the story.... go cry.... it made me cry for like 7 hours nonstop it was so emotionally devastating. go do it lads)
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so yeah phil does lack the venat minion and argos mount which you get from finishing endwalker. but he DOES have this cute carbuncle mount which you have to buy with real money mind you!! and they come in 3 colors on the shop. this is phil's. made me smile :)
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and well after looking at phil's profile i was like "of course he doesn't play any other classes. yeah that makes sense. BUT i wonder about dan. where is his catboy" but without a name i couldn't find his profile without insane digging or something so i forgot about it UNTIL i was rewatching wdapteo sometime after christmas and i got to THIS picture:
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and the thing is that dan's catboy here is wearing job-exclusive gear. only people who play the monk class can wear that outfit there. my first thought was "what the fuck is wrong with him monk is the most baffling job on the entire planet" my second thought was "yeah ok of COURSE he plays monk" my THIRD thought was "wait. i can just look up catboy monks on the server miko is on then. i can totally go look at dan's catboy" and did so and within like five seconds arrived at D'HASH TIA here ^_^
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which like. definitely dan's catboy given the pictures we've seen of him. and the ffxiv calendar, again, is offset by a day, so the birthday IS june 11. bingo ^_^
and what is so special to me about this is that dan's catboy has a "canon" name while phil's absolutely does not-- sun seeker miquo'te (cat people) have clan names and then titles, basically, so a canon sun seeker male name would be like. letter of the clan, apostrophe, name, then "tia" at the end which is just a title for young males (like dearest g'raha tia). so yknow. d'hash tia is a proper canon name while also being so incredibly dan to pick, methinks. i love it
(and then i was going thru a lot and rewatched the japhan 2019 instagram stories and realized i didnt need to go thru so much because we've actually known theyre monk and summoner players since 2019. they went to the ffxiv cafe. they got job-specific drinks. for their fucking jobs. dan got the monk drink. phil got the summoner drink. it was always right there. theyre so funny)
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i do think it's so funny that neither of them have ever played another job in all their years of playing ffxiv. u guys there are so many jobs out there..... dan go unlock dark knight i know you would love the job story i know it in my heart...... but no they have stuck to their guns they have stuck to their classes all this time. it's beautiful to me
anyway d'hash tia's minions and mounts mostly match miko striker's which makes a lot of sense to me bc i imagine they probably play most of xiv together
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BUT the carbuncle mount d'hash has is the RED ONE. which sent me through every single stage of emotions ever.... you have to buy those mounts with real money.... and they bought matching ones.......... ridiculous. ridiculous of them.
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AND. dan's catboy also has the fat moogle mount. this beautiful thing right here
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which is another mount that costs real money to buy..... and it's a two-seater................ more likely than not he's flown the both of them around in this thing................... i need everyone to know this information. it's so important. to our society.
(also as an aside. the story they told in wdapteo about going to a gay bar in xiv. i cant state enough how real they were for that. bc roleplay venues are insanely common ingame and its so fucking funny and ive always wanted to go to one just out of sheer curiosity but if anyone ever spoke to me i would instantly log the fuck out. so the fact they did just that and then got flirted with by someone and instantly logged out.... like that's it. that's the exact experience. it's so beautiful)
(as another aside. xiv is real gay i prommy. and looking at their minions lets me know they've also done my favorite raid series, eden, which is essentially. two main characters, thancred and urianger, and their adopted daughter ryne who they CANONICALLY RAISED TOGETHER they are LITERALLY HER FATHERS, work to save the world and meet this goth girl named gaia that ryne falls in love with and like. ryne and gaia are blatantly meant to be canon to the point square enix made a spinoff game where characters very clearly based off them actually ARE together. it's adorable. little baby prep/goth lesbians. i hope dnp love them as much as i do. also im SO sure dan is a thancred fan honestly bc he seems right up dan's alley. anyhow look! arent they cute!)
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TLDR i am such a massive fan of dip and pip's xiv catboys and i need the world to know that they bought matching mounts bc it's SO important to me. and ive gone on great journeys here. amen.
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ukulelekatie · 10 days
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yesterday I put my eclipse glasses on over the top part of my regular glasses so I could look up at the sky through the filters but also look down and still be able to see where I was walking and I said “I’m an anableps anableps!” and no one knew what I was talking about
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redrocketpanda · 8 months
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From the person who brought you unhinged JJK S2 fish discourse, please accept my humble new offering: me holding up images whilst screaming ferally at you: did ya see?! did ya see what they did with the colour symbolism in episode 4 and what it Means?! Well dw cause I'm here to serve you a heinously long meta-analysis regardless. This episode has completely undone me and I need to give you a blow by blow account of why
I want to go in depth about the final scene of e4 bc that's really what set the cogs whirring in my mind, but let's start with the following image bc it exemplifies everything, not just in terms of the colour symbolism but of the heartbreaking changing relationship of stsg
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Throughout the previous episodes and opening/credits of S2 we have been made to associate the colour blue + lightness with Gojo and the colour red + darkness with Geto. The sparkling blue eyes and stark white hair of Gojo, his Limitless: Blue technique, the white fish, the way he is often shown standing/walking in the light, turned to face Geto versus the black hair + dark eyes of Geto, the black fish, shown standing/walking in the shadows, turned away from Gojo (etc etc)
Yet the final scene of e4 flips this on its head and what this Means is, quite frankly, soul destroying
We join Geto as he walks along a dark, narrow corridor flooded with red light until he reaches heavy doors. He's confronted with his own image, reflecting back at him, before using both hands to prise open the door. When he steps into the bright white light of a high-ceilinged room, his face falls as Gojo emerges like a messianic figure from the applauding crowd, carrying the shrouded corpse of Riko (side note: god I have a lot of thoughts on Gojo as a messianic figure but I'll save that for another time)
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Gojo approaches Geto with his head bowed (whereas usually he is always looking up at Geto) and the moment Geto lays eyes on Gojo he knows something is wrong (similarly to Toji earlier in the episode). He barely seems to recognise Gojo and though Gojo's eyes still sparkle with their bright blue infinity, his expression is dull and lifeless. Geto asks disbelievingly in a way that stabs me right through the heart: "Satoru. Is that you?"
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At the start of the conversation, the camera pans from Gojo on the left to Geto on the right and is shot from below in a way that emphasises the growing cavernous expanse between them
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But it's what happens in the following moments that's really the killer
Gojo states that he fucked up and that everything that has happened is therefore his fault. Geto tells Gojo "let's head back" (I read this both as: let's head back home and as an indication that Geto wants things to go back to how they were). The camera then cuts to Gojo's mouth as he asks flatly - "Suguru, should we kill these guys?" - and then zooms out as he continues - "The way I feel right now, I doubt I'd feel anything about it." The camera zooms out, showing Gojo standing in front of the applauding crowd, holding Riko's body and continues to draw back, making Gojo seem as if he's getting further and further away from Geto, as well as from us, whilst his eyes glow ethereally
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I want to do a separate post about what happens with Geto, Gojo + their relationship in episode 5 but I do also want to point out here: this is the scene that Geto experiences invasive flashbacks of in the following ep. It's the moment that he realizes that he's lost Gojo, that Gojo is now fundamentally different in a way that Geto doesn't recognise or understand, that Gojo is far beyond his reach
As Gojo walks past a motionless Geto, away from the light and into the darkness, we cut to Geto's downcast eyes, pupils dilating wildly as though he's in shock/about to cry (this harkens back to the fish, the way that Geto can no longer bear to look at the white fish as it swims past). We are then left with Geto standing in the bright blue-white light telling Gojo that there's "no point" in killing them, whilst Gojo replies in the darkened, red corridor "does there really need to be any point to it?"
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Gojo is a broken man, a complete shell of who he once was and this scene demonstrates Gojo's transition as he turns away from Geto. The colour symbolism, though, is present throughout the earlier parts of the episode and beautifully illustrates how we arrive at this exact moment (as well lays the foundations for what comes next)
Let's return to our blue/red colour theory bc there's a lot going on here during this episode!
E4 starts on a banger: we're cruelly given a recap of Toji telling Geto that he killed Gojo and then within the space of about 7 minutes, Geto too has been killed. It's tragic and sad and none of us want to be reminded of it but I'm going to (srysrysry) because hey, check out what's going on. Notice the cool blue tint of Geto's "death" versus the vivid red of Gojo's? (a horrible eg I know but you should've heard my scream when I caught onto it)
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And here's another cool example that had me ajdjsksjdk bc ofc I clocked Gojo using his red technique, but look at the blue glow around Geto's hand?! I don't recall seeing it being used for Geto before (correct me if I'm wrong) so it's interesting to see it being used here, plus us seeing Gojo using Red properly for the first time
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Let's just pause here for a moment bc this is a hugely important moment for Gojo's character arc and the fight with Toji gives us an incredible colour theory moment
In the previous episodes, we've seen Gojo being able to easily use his Limitless Blue technique but remember how, in E2 Gojo tried to use Red and hilariously fucks it up announcing "I failed" and resorts to punching the bad guy instead? It isn't until this episode, after Gojo has used reverse cursed technique whilst on the verge of death to heal himself (idk if heal is the right word) that he is able to learn to use Cursed Technique Reversal: Red
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We have this really beautiful animation sequence during Gojo's fight with Toji. A blue and a red droplet swirl around each other and then splash together to reveal a swirling rotation of blue and red rippling water. The colours converge, red droplet slipping into blue water, blue droplet into red. The droplets come together to form the shining purple infinity plucked between Gojo's fingers, granting him the "Hollow Purple" technique that allows him to blow a hole through Toji.
Gojo explains:
"Reverse cursed technique uses negative energy. While it can enhance the body, it can't regenerate it. Multiply that negative energy against itself to create positive energy... Take the amplified and the reversal, then smash together those two different expressions of infinity to create and push out imaginary mass."
Gojo + Geto, amplified + reversal = two different expressions of infinity -> create / push out
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Toji "killing" Gojo was the moment that set Gojo on a different path, which allowed him to evolve beyond belief and causes him to ascend to, what he believes is, divinity. He takes the basics of Blue and Red (primary colours; Gojo and Geto) and mixes them together to create something new, something transcendent, something that surpasses who he (and Geto) were before. He becomes an unstoppable power that far surpasses everyone else, and this is what Geto recognizes: that Gojo has evolved without him (which we know from E5 has huge consequences for Geto's thinking)
And so now, finally, let us return to Geto at the end of E4
After Gojo asks Geto "does there really need to be any point to it?" (killing), the camera flashes quickly between the applauding audience and Geto's empty hand, which he then clenches into a tight fist. He raises his downcast eyes to look forwards (resolutely, looking into the future) and responds: "it's very important there is..."
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We're left with the image of Gojo standing on a blue floor, surrounded by the clapping crowd. The floor wavers as an all consuming darkness pulses beneath him, locating Geto as it's central point as it surges out towards the crowd "...especially for a jujutsu sorcerer."
We're reminded of the conversation where Geto and Gojo almost come to blows whilst playing basketball in E1. Geto's argument that jujutsu sorcerers exist to protect non-jujutsu sorcerers whilst Gojo complains about having to protect "the weak" + patronisingly tells Geto to get off of his moral high horse.
Now we witness the extent of Gojo's apathy in action, as he pulls away from everything and everyone, and the swinging of Geto's moral compass from protection to genocide as he's left behind in the ruins of all that once was, of everything and everyone that he loved
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crow-with-a-pencil · 2 years
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I may have been consumed by the detective au brain rot
Found this song recently and was immediately possessed by the creative spark to make something with it, so here's the extremely rough result of using only a 6B pencil tool.
Hope u like :)
Song lyrics: "Rule #15 - Four Aces" by Fish in a Birdcage
Detective au by @starlightcloudbaby , fic is Sleuth Jesters by @naffeclipse
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fernsensei · 8 months
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Hi can I have the V1 and Gabriel stuck together in a little wooden boat lost at sea. thank you. please make them comically adorable and useless. I want to see V1 staring at fish wistfully and Gabriel curled up and maybe hopeless even while he has wings.
hihihi!!! sorry for the long reply i was doing stuff. but anyway here you go!
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i hope they are as adorable and as useless as you'd expect bc i giggled so hard on the final piece my head got dizzy
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