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#there's lots of bits and pieces I left out too
ambrosiagourmet · 2 days
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Rin Masterpost
Rin! Rinsha Fana! Beloved side character I think about far too much (or maybe not enough?)
I decided that it might be nice to put together an informational post about Rin, since she has some of my favorite background details of any character in Dungeon Meshi. This is partly as reference for myself, and partly for anyone else who might be interested in her but not know where to chase down the tidbits we we get of her, both in canon & extra materials. There’s also a little bit of theorizing and analysis sprinkled in for fun.
If anyone spots something I missed, please let me know and I will add it in!
Alright. Time for ultimate #rinposting
History and Timeline:
We don't have an official timeline for Rin (even in the expanded Adventurer's Bible, sadly), but we can put a lot of pieces together based on Kabru's timeline & their respective ages.
Rin is 2 years older than Kabru, and they met when he was 9. Assuming that he met her soon after she was taken to the elven capital, that means that the elves took her when she was 11.
Before that, she lived on the Northern Continent. Interestingly, when Mickbell asks about Shuro, Rin says she was born "here."
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Since "here" doesn't mean the actual Island itself, it must mean simply "not the east." She is described in the Adventurer's Bible as having "no real knowledge of or attachment to the East," so maybe that's why she draws a "there" verses "here" line.
I'd also like to add a note here that the elves don't seem uh... they don't seem great about respecting the value of other cultures, especially those of short-life species. Milsiril seems to have discouraged Kabru from eating or remembering food from his hometown, at least, and that's even as an adoptive parent who cares (at least in some way) for her child. As I will touch on later, the "care" that Rin was under probably had even less respect for her history or ties to either Eastern or Northern culture.
That is all to say, considering that Rin spent many years with the elves, I'd take her having "[no] attachment to the East" as more of a comment on how she feels now, and less as a definite choice she made. She may genuinely have chosen that approach and opinion for herself, she may have been pushed towards it by the elves, and she may have had little choice at all in the matter - all are valid interpretations, though I personally lean towards the thought that it's unlikely the elves didn't have at least some hand in it.
Anyway, Rin does seem to know at least a bit about her heritage - she can presumably name and identify the specific island her parents are from, and she recognizes that "Shuro" isn't a name used there. She also knows that different places from the Eastern archipelago speak different languages, so she knows at least a little about the other islands as well.
Some additional extrapolations I'll make based on these facts: she never mentions, and probably isn't in contact with, any family from her island. This may be because her extended family died, because her parents didn't (or weren't able to) maintain contact, or because she lost contact when she was taken by the elves. Somewhat relatedly, she also prooobably doesn't speak the language, at least not fluently, though her being able to comment on the state of language in the archipelago makes me think that she at least learned a little as a kid.
Anyway, Rin's parents were refugees from the archipelago, though we don't know what specifically caused them to leave. There is this little tidbit of info we get (from the cover of chapter 48, of all places), though:
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So yeah, that seems like it would be the backdrop of Rin's parents fleeing. As I said earlier, it's unclear if Rin might have any living family left back on her island. The listing she has for “family” in the Adventurer's Bible is just a dash, but so is Izutsumi's, for instance, and we know that she was taken from her family with no knowledge of who might still be out there. It's possible everyone else was killed, it's possible they were separated... it's possible that Rin's parents didn't even know.
As an additional note, and this is speculation on my part, but I think there is an argument to be made, with this tidbit from the cover as well as the Nakamoto clan's specialty in espionage and use of ninjas, that the politics of the archipelago are partially based on Sengoku era Japan. Not necessarily super relevant here, but I think it's interesting context for all... of the archipelago characters, honestly.
(Especially considering it seems like the Nakamoto clan is in a relatively comfortable position, and yet clearly are involved, or at least prepared to be involved in larger conflict. How stable is their position, really? How is Shuro's father viewed by the wider region and archipelago as a whole? What about his lord? NOT THE POINT THIS IS A POST ABOUT RIN. BUT IT'S VERY INTERESTING TO THINK ABOUT.)
Okay, back to Rin's parents.
Whatever caused them to leave, they made their way to the north, where they made their living with their magic for a time. There are no specifics about what kind of magic they used, but we know at least some examples of jobs that magic can get you, based on the flashback to Laios and Falin's childhood in chapter 26. Laios proposes that Fain could use her magic to be a priest, gravekeeper, or wandering exorcist. Though these are specific to Falin's affinity with spirits, they give some idea of the shape of the work that might be available. It's important, but it is also on the outskirts of society - not necessarily admired or appreciated by the average person.
And Rin’s parents were killed by vigilantes for that magic. It's not entirely news that superstitious villages in the area would sometimes kill magic users - we see a small drawing of people being burned at the stake in a panel towards the end of the manga:
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Nonetheless, Rin is the only person in the main cast who has experienced this brutality firsthand. And she did experience it firsthand, having been found by the elves as the sole survivor within the burnt ruins of her home.
It is unknown exactly how she survived, or what happened to her parents before and during the fire. Rin lived, and they did not.
The elves came some time after the fire, intending to investigate reports of ancient magic. They (and we) don't know if Rin's parents actually did use ancient magic, or if the reports and murders were simply spurred by general fear and superstition. Rin was the only piece of "evidence" that remained, and so she was taken back to the west with the elves when they left.
We don't know much about her time on the Northern Central Continent (where the elves/Canaries are based), but it doesn't seem like she was adopted or taken in by anyone the way that Kabru was. According to the Adventurer's Bible, after being taken into custody, "under their care she was treated as a captive animal would be." I would guess that means very basic food and shelter, little to no education. Probably the most social contact she got was from Kabru, as well as maybe, occasionally, from elves treating her as a curiosity, such as in this bit in the Adventurer’s Bible:
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Assuming she left with Kabru (which seems like it is the case, there's no info about them having separated during that time), she spent 9 years with the elves, and has been with Kabru on the Island in the 4 years since then.
She also stays in the Golden Country after the end of the story, apparently working as an alchemist.
Additional Details (& Speculation):
What does she remember of her family and home?
I'd like to take a moment here to explore a little of what Rin might remember of her parents and home.
For reference, we can look at Kabru. The canaries came to Utaya when Kabru was 6, and he arrived in the capital when he was 7. He remembers the events of the tragedy in his home, and has some memories of his mother and life in Utaya, including memories of local dishes.
Rin lost her parents and home at 11, so she presumably has much clearer memories of the events that lead to her being taken by the elves... or she might, assuming that they haven't been completely blocked by her trauma from the event.
Yeah, I am fairly damn sure that she's got some memory issues from trauma and PTSD. For one, this is the state she was found in:
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As already mentioned, she was also treated like something of an animal by the elves. She probably didn't have a lot of contact with other people, which would further perpetuate that sense of isolation and dehumanization. What I'm getting at here is that Rin probably didn't have much to help pull her out of this place, or heal these wounds. She had Kabru, who was also a kid and even younger than her, and she had herself.
Obviously trauma leaves different scars on everyone, and everyone responds and copes in different ways. But I do think it is interesting that we never hear anything about Rin's parents or life before the elves, and there are no real details about it given in the Adventurer's Bible the way we have for Kabru. What's presented is more surface level facts: they were refugees, they made a living with magic, they were killed.
I'm inclined to believe that things are laid out this way because that's how Rin holds on to these things. She knows things about them, but possibly remembers them more as things she was told/knows to be true, rather than actual memories she can picture herself experiencing.
Rin's Magic
In an interesting counterpoint to her potentially spotty memory, I do actually think Rin may have learned magic from her parents (or started learning, and was self-taught from there). She never attended a magic academy, and actually has a bit of grudge against people who did - owing to the social protection afforded to "upper-class mages," which her parents did not have. She also almost certainly wouldn't have been taught by the elves, who not only treated her as an animal but also knew her parents may have been involved with ancient magic.
Falin began to show signs of magical talent at 8, and was sent to the Magic Academy at 10, and that was as someone who had absolutely no guidance about or exposure to magic in her home town. Raised by two mage parents, I think Rin absolutely could have been learning some things by the time she was 11.
In terms of continued learning, I'll add that Rin is able to identify Marcille's magic as being A) from an Academy student, and B) cast by an elf:
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This makes me think that she continued to study magic on her own while held by the elves, and probably even more so after leaving with Kabru. They didn't form the party until two years after they left the elves, which would give Rin plenty of time to try and learn from other adventurers on the Island, or to study up on her own. She'd probably be able to pick up some dungeon-crawling basics (like the water walk spell), as well as become familiar with the skill level and expression of skill common in different people with different backgrounds (hence why she is able to comment on the "textbook" academy wards).
Much like Marcille, Rin also seems to rely on a 'one size fits all' Big Boom method of dealing with monsters: lightning. We see the best example of its power in the fight with Chimera Falin:
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But we also see her cast it pretty recklessly in a few other places, including the end credits of the new anime ED, which I think provides a good example of the downsides to such an approach...
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Yeah, it is very much a 'get out of the way or get zapped' spell.
Especially since Marcille's offensive magic is self-taught and works very similarly, this definitely reinforces the idea that Rin figured most of this stuff out herself.
Outfit and Character Design
Dear sweet Rin of the Red And Black... how I love her design.
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First of all, her clothes are damaged. Despite the fact that Rin looks relatively well put together overall, her outfit is worn out. I have some theories on why this is that I'll get to in a bit, but for now I'll just touch on what this design communicates in general about it.
I think, just like with Kabru's horribly messy room, it creates a sense that there is something more complicated underneath the surface. Something that isn't being addressed or seen to, just as the dress hasn't been mended or replaced.
It also reflects her not caring a ton about her appearance. She's neat, but she's not concerned about being pretty, so she doesn't bother with fixing up her outfit after her dungeon crawls. This also fits with her perpetual scowl (which I will talk more about in a bit), and slightly disheveled hair.
Next: the gloves. At first I thought they might be a sort of uncomfortable-with-touch thing, but after skimming through the manga and some bonus content, I have another theory. Rin takes the gloves off to eat, as well as a few other instances, such as when working on a spell with Holm and Marcille in chapter 36
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This one is especially interesting because she has them on in the next chapter, during the fight with Falin. Since she also isn't wearing gloves during some of the Daydream Hour art of her outside of the dungeon, that leads me to believe that they are specifically for combat.
What does she need them for, though? Most other casters we see don't wear gloves. Well... just look at the other half of the page where she attacks Falin with lightning:
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She is enveloped by this spell. I said it before was pretty reckless magic, but maybe its not just a problem for her teammates, but for her as well.
So here's my theory: maybe the gloves are rubber, or some other electricity-resistant material? They might help protect her from her own magic. I don't know why a caster would need gloves for combat otherwise.
I also think this might be why her dress is tattered at the bottom, by the way. Especially since the Daydream Hour genderswap design doesn't have a similar problem with his outfit, since the tunic isn't as long.
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I will admit this is a bit of stretch/guess, but I think it's a fun one, and I wanted to share. I do think I'm right about the gloves being for dungeons/fighting specifically, at least. That seems pretty consistent throughout all of her appearances.
I also mentioned her scowl, so I'll touch on that briefly as well. The (fairly confirmed) explanation for Rin's expression is that she intentionally wears a frown to prevent her other expressions from showing through. I think it's important to emphasize that it's not just smiling that she is trying to suppress here - it's any strong emotion:
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Anyway, because I can, here is the art of Rin smiling.
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Rin and Kabru
I have talked a bit about Rin and Kabru's history, but I think it deserves its own section.
I think it's very interesting that Rin is pretty much the ONLY character in all of Dungeon Meshi that has explicit canonical romantic interesting in someone. It's literally part of the main summary sentence in her character profile.
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This could be sort of reductive as a way to describe a female character (and in some ways it still is), but I think in part the simplicity and directness of it actually is part of what makes it so interesting. Especially when on the very next page we see the comic about her backstory. "This mage is in love with Kabru" -> one page of a horribly traumatic event and a child frozen in shock with no one to comfort her. What does that do?
Well, in my opinion, it shows how much Rin focuses on Kabru as something to keep her in the present. In contrast with the immense loss she has experienced, her love for Kabru is current and alive. He has presumably been her anchor for years, and I think that her love is part of that anchor.
Adding to this, in contrast with how explicit her feelings are, she never seems to actively pursue Kabru. She complains about his potential interest in other women, but she doesn't really flirt. She doesn't let herself smile around him any more than anyone else, and she doesn't hide her bitterness or anger from him to present a more appealing persona.
As much as she craves Kabru's attention, and has stayed by his side for years, I don't know that she really wants to possess him. He seems to know about her feelings, more or less, and she seems to know that he knows. Maybe she believes he doesn't reciprocate and is respecting that, maybe she's afraid of what she could lose if she tried to change things, or maybe the change itself frightens her. In any case, though she's not exactly happy with the way things are between them, she doesn't seem to be trying to change that status quo.
A specific thing I'd also like to talk about with their relationship, beyond Rin's love for him, is her fear for him. As the Adventurer's Bible puts it, "she worries that his knack for dealing with whatever life throws at him might lead him to get too full of himself and end up in serious trouble."
Rin is an interesting mix of restrained and explosive, herself. Her magic is destructive, her temper seems to run hot (she gets annoyed easily, at least), and her feelings for Kabru are apparent. At the same time, she doesn't let her emotions show on her face, she is the one who bluntly states that the group has hit the limit of their abilities, and she doesn't act on those obvious feelings for Kabru. It's interesting, then, that what she fears for Kabru is that he won't restrain himself.
And a small personal idea about that as well: I wonder if she somewhat blames her parents for getting killed. Again, this is very speculative, but I think it's interesting that her fear for Kabru is that he will get too full of himself. Take up too much space. It's never really stated what Rin thinks of her parents, but it can be easy in grief to search for control, and control often means blame. If they hadn't been so confident, so flashy, would they still be alive...?
I don't know if she's ever thought like that, and it could well be that her fears for Kabru come from a totally different place. But it's an interesting connective thread between her past and present - the idea of "getting in trouble" for taking up too much space and being too confident in one's own abilities.
Miscellaneous Tidbits:
On that note, I'd like to wrap up the main part of this post, and move on to a few extra things that I couldn't find another place for.
Rin plays with her hair when she's stressed
Using stressed as a pretty big umbrella here, because I think it's hard to perfectly pin down all the emotions at play, but it is a habit of hers. Best displayed in chapter 32, but it shows up in other places, too.
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Her design contrasts with Marcille
This is a small thing, but I just love how much they are visual opposites.
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Rin wears red and black and has dark hair, Marcille wears blue and white and has light hair. Marcille cares a great deal for her hair and puts it up in elaborate hairstyles, and Rin's is mostly loose and a bit messy. Marcille was even educated at the Magic Academy, which Rin dislikes. They both have little capelets. Also they both look very cute in each other's clothes.
Rin knows Flamela (and they meet again in canon)
Nothing much is done with this in canon, but I think it’s super interesting that Flamela's squad are the ones that find Rin as a child and take her away to the west, and then they end up stuck in the dungeon together for a bit.
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Two days??? I'm so very curious what things were like between these three.
Aaaand I think that's all I have to say about Rin! For the time being at least. There's a lot more analysis that could be done about her and Kabru especially, but for this post I wanted to keep things at least somewhat anchored to canon facts, with only a layer or two of speculation on top.
If it isn't already obvious, I think Rin is a super interesting character with a ton of potential depth to explore. She mostly interacts with Kabru in canon, but has ties to a bunch of other characters: she and Marcille fill similar roles in their parties but have differing personalities and histories, she and Falin (and Laios) have been tremendously shaped by xenophobia and fear of magic common in the Northern Continent, her parents fled from conflict in the same region Shuro and his retainers are from, and she has history with Flamela and some of the second canary squad.
Her temper, her fear, her love... her repression and passion - they all inform her character, even in small ways, even with as little time as she spends on the page.
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lunicho · 2 days
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Good lordddd I need to suck Kei’s dick so baddddd
He loves being watched I 100% agree if there’s one thing Kei loves it’s performing…
I’d like to believe that sometimes he’ll masturbate just to get you to watch behind the door
Like imagine he knows you’re coming home from work or college so he will start making himself feel good and he’ll “pretend” that he didn’t hear you come in so you end up looking at him through the small crack in the door he intentionally left. he’s so pretty and making such delicious noises that you don’t have the heart to disrupt him and your mind is so busy watching him you don’t even think about walking in and joining.
He loves getting off on the fact that you’re completely unaware he knows you’re there. The way you just stand there and watch makes him fuck his fist faster.
If you stand there for too long he’ll finally make eye contact and call you out saying shit like “do you like the show, baby?” Or “if you wanted to watch all you had to do was ask” maybe even an “I know you’re there baby, you think I wouldn’t know when my pretty lover is watching me?”
Omfg just imagine his hair all messy and he has that signature piece of his bang that lays in the middle of his forehead 🤯
Our Keikei 😵‍💫😵‍💫😵‍💫 Keikei who loves to corner you even if he’s not even touching you 😵‍💫😵‍💫😵‍💫 Keikei who moans and cums into his hand while keeping eye contact with you 😵‍💫😵‍💫 Keikei who smirks and tells you to come closer 😵‍💫 Keikei who’s grin widens as you slowly walk towards him, knowing that you’ll follow his every command 😵‍💫
-😵‍💫 anon who is now plagued with Kei AND Harua thoughts…
Don’t write any Euijoo thoughts or else that’ll be my whole bias line and I don’t think I can take all three of them without exploding 😔 /j
oh my eyes are watering i can't believe you
u must genuinely want me dead like WHAT. imagining him getting fully undressed in bed, his clothes thrown near the door for extra effect. his hand would stroke up his length so smoothly because of the lubricant he's using,, he loves when his hand is able to glide easily, the sound of his hand on his cock filling the room. it'd make him even harder, the sound being reminiscent of your pussy. it'd take everything in him not to gaze over at the door, not to give into the fact that you're already there. he'd throw his head back and still his hand, thrusting up into his fist. a bud would grow in his stomach so fast but he doesn't wanna cum without you. i feel like after so long he'll just sigh out like, "watching me is that fun? come in baby.." his hair would def be so so messy cuz i feel like he pulls his own hair/touches his hair a lot when he jerks off like it's just a habit of his.
him knowing the affect he has on u is deadly, the way he knows you comply with him so easily. he can see in your stature and the way you walk that he'll be able to mold you and play with you however he pleases. he doesn't even need to speak for you to listen, he could just pat the bed or motion over to you for you to come over and join him ooh i'm sick
this is making me think of like.. what if one of the other members is a bit of a loser, super lame but super pervy and he always watches u and kei have sex, he has a fascination with u, one that kei is aware of. kei knows he's there, he knows he gets off to the way you moan and cry but kei pretends he's not aware until it's time to expose him..
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plulp · 7 months
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IM NOT A DOCTOR BUT I THINK I MIGHT BE ABLE TO HELP
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caroll-in · 4 months
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I II III IV V VI VII VIII IX X XI XII
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sheliesshattered · 8 months
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oh yeah
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it's happening
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technicolorxsn · 4 days
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love how there are pretentious video essays that just repeat the book and meander and ramble about house of leaves. it's what zampanó would have wanted. it is not, however, what I want
#anyway i finished the main portion of the book#all i have left is the poems and a few other small things i think? ive read pelafinas letters#im thinking of getting the full book of her letters#but also they severely messed with my head so we'll see#i will say. i do get why ppl say the book is pretentious and frustrating#there was a lot of stuff where i couldnt tell if it was supposed to be satire or if it was genuinely just that dense and pretentious#and a lot of the codes were rly obtuse imo?#like... idk. some of them were super obvious like the sos stuff or pelafina outright saying what to do#but others like. man how am i supposed to know johnny waxing poetic about pussy was coded#i mean that one is also pointed out though much later but i know i missed a lot just like it that werent pointed out#and ive heard theres a lot of shit where the message you get is just danielewski????? which gonna be real. kinda dumb.#but i did also really enjoy the book#there was a lot of stuff in it that was just so compelling or poignant or whatever other word#the minotaur stuff is good (ofc id say that though i love me some minotaur themes)#also a lot of the scenes with johnny just...... christ#idk how ppl say to skip them hes so fascinating#yeah i could do with him talking about his possibly hallucinated sex life a bit less but also his story is just plain interesting#i still think about the part where the girl he was talking to runs over a dog they had picked up........ it was fucking chilling#and his hallucinations of dying are so descriptive in just the right way to get under my skin#the uncertainty with him and his family..... did pelafina try to kill him? did his father just send her away for being a bit too overbearing#over an accident? was there something else? what was the deal with his foster family? with lude? gdansk man and kyrie?#how did it get published? who are the editors? why did the band know of the book before it should have been published?#why does his journal section end with a story from a man he admits to making up completely? the doctor from seattle doesnt exist#the chronological end is more hopeful with him saying things will be okay but then he puts a previous entry after that?#i think the burning of the book parallels the story nicely#johnny said his piece; he nurtured the book as much as he could; but it was hurting him and he had to give up on it#idk!#this book does make me feel a lil dumb ngl
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unravelingwires · 6 months
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Mambo
“Is that cultural appropriation?” Jay asked.
“Katie lived in Cuba for a few decades, so,” Vidya shrugged, “probably not?”
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cosmosis · 10 months
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based on this image from @fr3akingtf0utrn
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MOVED TO @seratopia
miguel o’hara x reader (fluff) - office life
how miguel o’hara slowly makes you fall for him check out my miguel o’hara masterlist here!
Miguel O’Hara doesn’t fall in love with just anyone.
But... every time he sees you around the office, his hands almost inch towards you like a moth would a light. Something ignites in him that he can’t explain, but he can’t help but want so much more of you. 
He likes to give you bagels and coffee during your breaks. (haha) Your work almost seems to magically disappear, and you’re a lot of the time left to finish up the easy stuff. Somehow, he’s even managed to sit with you for lunch, the rest of the spider-people in the cafeteria staring at the two of you while you eat. 
The entire building, all of the spider-people seem to know the happenings between you and Miguel, and they love it. It’s become somewhat a staple gossip within the workplace.  
Anyone bold enough would pass by Miguel in the hallways and say, “We’re rootin for you, boss!” In which Miguel wouldn’t know how to feel, whether it’d be angry or happy. 
As of now, the two of you have been flirting around, evidently more than just coworkers. He’s yours, and you are his. To you, though, he’s the absolute sweetest. He takes work off your plate, he’s kind, and he adores you. 
You’ve noticed Miguel getting a bit touchy lately, which you aren’t necessarily complaining about. Whether it’d be on your arm, a gentle hand on your neck to guide you through a crowd, or just being generally close to you, Miguel has been making his advances on you after Lyla spilled how it should be fine to do. 
His touch makes you shiver a little; he’s extra warm and so very gentle. You almost always lean into his touch, and Miguel loves it too, he just doesn’t admit it upfront. 
“You did great today, Miguel.“ You say. 
Both you and Miguel just headed back to Nueva York from a mission, taking out another stray anomaly that wouldn’t come without a fight.
 Miguel’s stomach flutters a little. Rarely, he ever gets praised by anyone. He’s the boss, the CEO; most of the time, he feels like it’s expected of him to do the best job. But, praise tastes much more sweeter when it comes from you. 
“You did well yourself, sweetie.“
Miguel’s mask dissolves away, leaving behind his pretty face. You don’t think you’d ever get tired of it. He gives you this look of adoration, one that the rest of the office has never, ever seen in person. 
You’re in Miguel’s office, well, more like your shared office. Miguel insisted that you’d move into his office, claiming, “I don’t want to go through the entire building just to find you for something.” which is code for, “I can’t live a day without being near you.” 
So now, you have your own desk and work area. You’re both alone, no one to bother, (except maybe Lyla, but she knows better.)
You’re at your desk, and Miguel steps up behind you. His big hand slithers to your lower back, running his fingers against the curve of your spine. He’s warm, you can still feel the heat radiating off of him from the previous mission. 
You feel him lean in, discreetly nosing his face into the top of your head. You lean in back, bumping your upper back into his chest. 
“Is this okay?“ Miguel mumbles, serious heat trailing up to his neck and ears. 
You nod. “Yes.”
And it was sealed from there. 
Now, Miguel rubs your back too often. His hand fits into place with your back like a puzzle piece, Miguel always finding some kind of way to lay his hand where it belongs. You love it. 
In the office? Yes.
During lunch? Yes.
Even on missions, he pulls you by your lower back to usher you away from a hit, and you both play around with that. He’s all fun and games when on missions, flirting, teasing, kissing. 
Now, it almost feels wrong when he isn’t touching you. 
. . .
“Hey, girl, look at this!“ 
Lyla pops in, automatically pulling up an internet article on your desk screen. It’s a web article; “The Science Behind Courtship in Male Spiders”
“Lyla, what does this have to do with anything?“ You ask.
Instead, she just scrolls into the article, highlighting a quote; male spiders give “back rubs” to seduce their mates. 
You raise your eyebrow. 
“You wanna know why Miguel’s been rubbing you so much? It’s cause of that!“ Lyla exclaims, as if she’s discovered this new scientific theory. 
“I guess you’re kinda right on that.“ You mutter. But, the more you start to think about it, the more it makes sense.  
Now every time Miguel palms your back, you think about the article. 
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© 𝒄𝒐𝒔𝒎𝒐𝒔𝒊𝒔.
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hattiestgal · 4 months
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If you don't mind my asking, how do you go about drawing fat? :3
JUST THE EXCUSE I WAS LOOKING FOR
So, for me personally, a lot of the time when I draw fat characters, I'm not looking to specifically capture the specifics of fat as much as the feel of fat. Bulkier, rounder shapes in the right places that has a feeling of weight to em! A lot of that is intuition and simplification at this point, but it all works on the same frame as just any ol' person. Like take this-
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For example. This is the basis for any body shape, not just the more average one that it may imply. Sure- it can be that average body shape:
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But also a fat one too!
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And a big part of that is knowing where fat usually tends to bunch up on the body, so lets take a look piece by piece! (Please keep in mind this is very simplified, and not completely precise in some parts)
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THE FACE: Cheeks (in purple) and especially the chin (in light blue) are the places where a lot of the fat is gonna wanna gather and round out on your face! Additionally, theres a small pocket of fat beneath the cranium on the backside of your head. It's small, but it is there. I believe fat can build up elsewhere like the bridge of your nose and forehead, but generally speaking, you're gonna have a whole lot more buildup in other places first.
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THE TORSO: A lot of the fat built up on the torso is gonna be sent to your tummy. More cushioning for vital organs, mostly out of the way, it just makes sense. Additionally, the lower backs fat builds up and joins with a patch of fat on your sides that forms what is typically referred to as the love handles to make that double belly look. Along with this, the immediate next target for the torso is the breasts, followed by the upper back!
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THE ARMS: For this limb, a VERY notable amount of the fat present builds up on the tricep and bicep areas, lessening once you get towards the flexor and extensor areas. You can almost think of the arm as a sort of triangular shape, wide side starting from the shoulder and tapering towards the hand, which itself mostly builds up fat around the back of the hand and the fingers. The shoulders themselves don't build up too much fat unless you got a lot
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THE LEGS: And finally, you can think of the legs having pretty similar curves to what you're probably already used to thinking. The front of the thighs getting a big buildup, along with the back of the calves, the other parts being flatter in turn. As far as the feet go- similarly to the hands, the top of the feet, along with the heels get most of the buildup, as fat on your soles would impede mobility. The glute, hip and crotch area will also especially build up fat, lending to the same triangular shape that you can see in the arm!
A big thing to note with fat is that it tends to taper off towards joints. Your knees, elbows, shoulders, hips, and all the other places are gonna have significantly less fat so that you remain mobile and flexible, as that's important!
Now that we have an idea of where fat builds up on the body, you might have something that looks kinda like this
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Which yes, does demonstrate a solid understanding of the places fat builds up, lacks the weight you're probably trying to convey, which brings us to out next point! Fat is well... heavy! Gravity is what gives fat much of it's shape, especially as you tread towards larger and larger bodies.
This is demonstrated really well on the arms especially-
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Those big ol' bits of fat'll really start to sag when left hanging, and they will squish like hell if they run into something. I like to think of these bits of fat as big ol' ovals that squash and stretch depending on if there's an obstacle in their way or not
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These are the important shapes to remember when it comes to the weightiness of fat! If you take all of this into mind, you should be getting something a lot closer to that shape you've been after!
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Oh, and always remember that fat bodies come in all variety of shapes and sizes! Play around with a whole lot, and seek out all the resources you can! it'll really lend to your knowledge when it comes to this kinda stuff!
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And as I always recommend when it comes to learning art- look at what your favorite artists do with fat bodies. See what you really like about the fat bodies they draw and try to replicate it in your own work, I promise you it's one of the most helpful things ever.
This is like the most basic of basics when it comes to drawing fat bodies though. If there's any additional thing about fat bodies, or maybe you want clarification on something, don't be afraid to ask! If there's enough to cover, I'll make an addition to this post!
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u3pxx · 1 month
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eat or be eaten. there is no hierarchy involved. eating is simply the privilege of the living.
1 | 2 | 3 | one out of three dungeon meshi illustrations i did for a class! 🪽🥩
id in alt text | like this art? it's a print, here! | like what i do? support me on ko-fi!
unfortunately, i forgot to hit record during the beginning orz but this still hopefully managed to catch a good bit of the painting process
as you may or may not have noticed, i've gotten into disco elysium, and around the time i made this, i've been making a lot of portraits imitating the style of the beautiful beautiful portraits in the game and i wanted to use the techniques i learned from doing that for here!
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here's also the version with text! brief said to include the title and author. the objective of this lil thing i had to do for class was to design three book covers in different styles and i hope my professor thought this was a different enough style compared to the others bc i am a lil nervous that it's not pfttt
originally it was going to be laios there bc he's like the "main" character but then i thought about the image of falin holding like, the kingdom in her hands and so i had to stop everything that i was doing and draw that immediately (the text is flipped bc my prof told me to flip the whole thing bc they were originally facing the left, i just didn't bother to correct the text lmao)
of course, had to include the gang, so there they are very tiny on the foreground DFGHD i am so glad that i thought of adding thistle too bc i just really thought that lil detail of him walking away from everybody else was pretty neat
i also wanted her hands to be covered in blood but i wasn't skilled enough to make it look good in the short timeframe i had, it looked a little too busy, whoops!
(i should also mention that this piece was a huge inspiration for this! it's so striking that it never leaves my mind oughh <333)
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markster666 · 3 months
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KINKTOBER (Except in February) - ALASTOR X READER - DAY #1 (DRY HUMPING)
Pairing: Alastor x Fem!Reader
Tags: Kinktober, One-Shot, 18+, Smut, NSFW, Flirting, Teasing, Not a lot of plot, Dry humping, edging, begging
Fandom: Hazbin Hotel
Word Count: 529
A/N: Hey everybody! Time to get this show on the road. The prompt for day 1 is dry humping, so here's a little scenario for such. Enjoy. The season finale releases tonight too! So excited hehe.
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Charlie and Vaggie left you and Alastor in charge of the hotel for the night because they wanted to treat themselves to a date. Vaggie couldn't even finish her sentence before Alastor interrupted,
"OF COURSE my Dear! What kind of manager would I be to say no?"
The night was very uneventful. Nifty and Husk were bored out of their minds so they decided to go to bed early. Charlie and Vaggie wouldn't return until the morning.
You were in your room, exhausted out of your mind. You decided to do one last check of the hotel before letting sleep consume you. You had nothing but panties and a nightgown that fell to your knees, but you assumed that wouldn't be much of an issue if it was just a quick scan. You realized Husk forgot to stock up the bar before closing it down, so you went to work on doing so.
You were about 15 minutes in when you heard a voice on the other side of the bar,
"Well hello, little one, what are you doing up at such an hour?"
You startled, jumping up a bit and covering your breasts, crossing your arms.
"Husk forgot to restock the alcohol before closing, so I'm finishing it up. I'm almost done."
He hummed static and looked your body up and down slowly before locking his eyes with yours.
"Would you like some assistance my Dear?"
You felt your face heat up and you slowly nodded. Not breaking eye contact with you, he walked around to the side of the bar and joined you behind the counter, granting you help with restocking.
The second you closed the fridge after putting away the final bottle, you felt a force slam you against the counter, causing you to gasp and wince a bit in pain. Alastor's hand was tangled in your hair and keeping your head down, his tall figure leaning over you and fitting around your body like the perfect puzzle piece. His face was so close to yours that you could smell his minty breath,
"You can't expect me NOT to feel you up wearing this sheer little thing. Such a doll."
You whimpered as he placed a kiss on your temple before slowly grinding against your ass. You bit your lip, trying to hold back moans. He started hiking up your night gown so only your panties were exposed and started grinding harder against those. This caused a few moans to escape past your lips.
"Muchhhh better. Such a good girl."
You wanted to look back at him but his hand in your hair kept you in place. You felt yourself getting wetter and wetter and you could tell he could feel it too. You could tell he was enjoying evoking these emotions out of you. You felt so humilated.
He continued to do this for a good while, grabbing your ass and giving you juuuuust not enough...
He suddenly stopped after planting another kiss on your temple, leaving you hunched over the counter a panting and quivering mess.
"A-Alastor... please fuck me", you desperately pleaded.
He laughed,
"Good things come to those who are patient, Doll."
⋆。‧˚ʚ♡ɞ˚‧。⋆⋆。‧˚ʚ♡ɞ˚‧。⋆⋆。‧˚ʚ♡ɞ˚‧。⋆⋆。‧˚ʚ♡ɞ˚‧。⋆⋆。‧˚ʚ♡ɞ˚‧。⋆⋆。‧˚ʚ♡ɞ˚‧。⋆
TAG LIST (Comment Below if you'd like to be added!):
@smallershorteranduncut @persephoneblck @freekyfangirl @danveration @daisybelldarling @your-excellenc-z21 @aestheticgals-blog @naewasnothere @bontensbabygirl @amara-ishigami @strawberrypimpsimp @mneferta @deathnoteeee @lady-valtieri @itz-yue @alastorsfawn @thatdeadstoat @heartsbutterfly (won't let me tag you for some reason), @polytheatrix (You as well), @harmfulb1tch
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yamujiburo · 17 days
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Why I Love Hanamusa
I get this question very frequently but have never given a really in depth, definitive answer. All just kinda implied through my comics and spread out asks. So here's this I guess! Long post ahead:
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First, as a Pokémon fan in her mid 20s, I love seeing a ship where the characters are both in their mid/late 20s. Already, they’re much more relatable to me and my current experiences. Most Pokémon ships are between preteens, which can be cute but ultimately don’t interest me as much as they used to when I was a kid myself. Not enough to get super invested in and draw a lot of fanart for anyways haha.
I’ll also start by saying that canon doesn’t always influence whether or not I’ll ship something. I’m much more drawn to potential. Could the characters work together? Do their personalities work together in a nice way? I feel like this so much of fanon is anyways. Especially with queer relationships because they’re rarely depicted in the first place. A lot of the context for these ships is usually up to the fans to piece together or make up in general. And that’s the fun part to me!
Jessie and Delia have only met in the anime a handful of times. Any interaction they’ve had has either been pleasant, or just a typical Team Rocket interaction, with Delia dismissing them/not seeing them as a threat. Already a great jumping off point for me since, truly, they don’t have any actual beef or true, ill feelings towards each other. It’s not TOO out of the realm of possibility for them to potentially fall for each other. “But Jessie chased Delia’s son around trying to steal his Pokémon!” That’s where that dismissive and aloof attitude that Delia has comes into play. I’ll go more into Delia’s whole deal a bit later but I do think this aspect of her personality is a large reason why this ship can work. It’s not that she doesn’t care that Jessie has a bad past, but she can tell that, on the inside, Jessie’s a good person. And, in a scenario where Jessie is trying to become a better person, is forgiving enough to give her a shot. I feel like this is such a solid foundation for a ship. A character who has done wrong but is trying to be better and another character who is willing to help them be better. A classic dynamic!
It’s not just one-sided though; where Jessie is the only one benefitting and learning from the relationship. I believe Delia could get a lot out of being with someone like Jessie. To understand why, I think it’s important to know these characters’ respective backstories.
Jessie is an orphan/foster child who grew up in poverty. Her mother Miyamoto (from The Birth of Mewtwo) was a Team Rocket operative herself, who went on a mission to find Mew. In order to do this, she had to leave Jessie when she was just a toddler. Unfortunately, Miyamoto went MIA on her mission leaving Jessie to more or less fend for herself. Jessie went through life with zero stability, evident by her MANY different careers and constant moving around. It’s implied in the show that she went from foster home to foster home, and later in life tried being an idol, weather girl, florist, wine connoisseur, actress, most notably a nurse and finally a Team Rocket field agent. And even while in Team Rocket, she, James and Meowth were always doing odd jobs to get by. We see that Jessie used to be a sweet kid, and even adult, but the world and her circumstances repeatedly did her dirty, leading her to become the character we know today. Hot tempered, mean, selfish, etc. But despite this, her soft side does still shine through for the people and Pokémon she cares about. She is incredibly loyal.
Delia, unbeknownst to a lot of fans, also had a rough past (see Pocket Monsters: The Animation). Like Jessie, she had a lot of dreams and aspirations like wanting to be a model and even a trainer. But when she was 10, her mother didn’t let her, telling her that she had to stay home and learn to run the family restaurant (she’s an only child). Delia’s father left her and her mother to be a trainer, and never returned. When she was 18, she married Ash’s father and became pregnant shortly after. But right after Ash was born, he also set off to be a Pokémon trainer. And soon after that, her mother passed away, leaving Delia with just the restaurant and baby Ash. This gives so much context to Delia’s attitude in the show. We see that Delia is pained whenever Ash leaves on a journey, but she never shows that pain to anyone. ESPECIALLY Ash. She’s very quick to shoo him off when he shows any sign of wanting to go on another journey and even when he returns home, she acts more excited to see Pikachu than him almost every time. Without all this backstory, it’s easy to just read this as a funny gag, BUT with context, I think it really shows how quickly Delia shuts down and detaches in order to not confront her own feelings. She’s afraid of losing people and getting hurt again.
All that said, I think Jessie and Delia provide each other with EXACTLY what the other needs. 
Aside from becoming rich and famous, Jessie’s biggest aspiration is to get married. In my opinion, this is more so an underlying want for love and stability. There is no one more stable in the show than Delia. Delia’s lived in Pallet her whole life, she’s worked at the same restaurant since she was young and she is always there when Ash comes back home. She has all the love, patience and stability Jessie needs and craves. While forgiving, Delia’s not stupid and can keep Jessie in check. Delia’s also just an angel, which I feel, would make Jessie want to be better. And on top of all this, on more of a surface level, Delia’s a chef and excellent cook. She shows love through cooking and Jessie, who grew up poor, regularly starving and eating snow, happily receives that love. Jessie’s able to live a happy and healthy life with someone like Delia.
Delia, as stated, is very stable. Likely pretty monotonous and solitary, especially living in such a small town like Pallet. This isn’t a bad thing but it’s a little sad when you consider that Delia also had dreams of traveling, being a model and a trainer. She had to give up so many dreams in order to fulfill her duties as a restaurant owner and mother. And even now, when Ash is off on his journey, she feels the need to always be home and be that stable pillar, leaving behind any ambitions she had, thinking it’s too late for her (she’s only 29 btw). But then along comes Jessie, dangerous, passionate, an absolute firecracker. Someone who’s whole life has been about chasing dreams and either, never giving up on them or finding a new dream to chase. Upon learning about Delia’s past aspirations, I could see Jessie pushing her towards them, letting her know that life’s too short and she has nothing to lose from trying. On top of this, Jessie’s also loyal. She, James and Meowth are depicted as doing anything for anyone who gives them food or shows them kindness. Delia does both so there’s no way Jessie would leave her. This fulfills an essential need for Delia, who is afraid of the people in her life leaving her.
There’s so much potential for mutual growth and learning between these two and I adore that. They compliment each other, they help each other and they bring out the best qualities in one another.
I’m not really sure how to end this and I could truly talk about them even more but I don’t want this to be tooooo long haha. OH I could end it with maybe the most funny aspect of this ship that I've brushed over and also what drew me to it in the first place. Jessie. As Ash’s stepmom. THE END.
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vinceaddams · 7 months
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Any tips on learning to make buttonholes? I've been putting it off for.... *checks notes* like three years.... but better late than never and all that. I don't have any fancy machines so I gotta do it by hand but that seems right up your alley.
Thanks!
It IS up my alley, yes, I do most of my buttonholes by hand!
I'm actually part way through filming an 18th century buttonhole tutorial, but I expect it'll be a few more weeks before I finish that and put it on the youtubes, so in the meantime here's the very very short version. (The long version is looking like it'll probably be about 40 minutes maybe, judging by how much script I've written compared to my last video?)
Mark your line, a bit longer than your button is wide. I usually use a graphite mechanical pencil on light fabrics, and a light coloured pencil crayon on dark ones. (I have fabric pencils too, but they're much softer and leave a thicker line.) You may want to baste the layers together around all the marked buttonholes if you're working on something big and the layers are shifty and slippery. I'm not basting here because this is just a pants placket.
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Do a little running stitch (or perhaps a running backstitch) in fine thread around the line at the width you want the finished buttonhole to be. This holds the layers of fabric together and acts as a nice little guide for when you do the buttonhole stitches.
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Cut along the marked line using a buttonhole cutter, or a woodworking chisel. Glossy magazines are the best surface to put underneath your work as you push down, and you can give it a little tap with a rubber mallet if it's not going through all the way.
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I'm aware that there are some people who cut their buttonholes open using seam rippers, and if any of them are reading this please know that that is abhorrent behaviour and I need you to stop it immediately. Stop it.
Go get a buttonhole cutter for 10 bucks and your life will be better for it. Or go to the nearest hardware store and get a little woodworking chisel. This includes machine buttonholes, use the buttonhole cutter on them too. If you continue to cut open buttonholes with a seam ripper after reading this you are personally responsible for at least 3 of the grey hairs on my head.
Do a whipstitch around the cut edges, to help prevent fraying while you work and to keep all those threads out of the way. (For my everyday shirts I usually do a machine buttonhole instead of this step, and then just hand stitch over it, because it's a bit faster and a lot sturdier on the thin fabrics.)
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I like to mark out my button locations at this point, because I can mark them through the holes without the buttonhole stitches getting in the way.
For the actual buttonhole stitches it's really nice if you have silk buttonhole twist, but I usually use those little balls of DMC cotton pearl/perle because it's cheap and a good weight. NOT stranded embroidery floss, no separate strands! It's got to be one smooth twisted thing!
Here's a comparison pic between silk buttonhole twist (left) and cotton pearl (right). Both can make nice looking buttonholes, but the silk is a bit nicer to work with and the knots line up more smoothly.
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I've actually only used the silk for one garment ever, but am going to try to do it more often on my nicer things. I find the cotton holds up well enough to daily wear though, despite being not ideal. The buttonholes are never the first part of my garments to wear out.
I cut a piece of about one arm's length more or less, depending on the size of buttonhole. For any hole longer than about 4cm I use 2 threads, one to do each side, because the end gets very frayed and scruffy by the time you've put it through the fabric that many times.
I wax about 2cm of the tip (Not the entire thread. I wax the outlining/overcasting thread but not the buttonhole thread itself.) to make it stick in the fabric better when I start off the thread. I don't tend to tie it, I just do a couple of stabstitches or backstitches and it holds well. (I'm generally very thorough with tying off my threads when it comes to hand sewing, but a buttonhole is basically a long row of knots, so it's pretty sturdy.)
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Put the needle through underneath, with the tip coming up right along that little outline you sewed earlier. And I personally like to take the ends that are already in my hand and wrap them around the tip of the needle like so, but a lot of people loop the other end up around the other way, so here's a link to a buttonhole video with that method. Try both and see which one you prefer, the resulting knot is the same either way.
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Sometimes I can pull the thread from the end near the needle and have the stitch look nice, but often I grab it closer to the base and give it a little wiggle to nestle it into place. This is more necessary with the cotton than it is with the silk.
The knot should be on top of the cut edge of the fabric, not in front of it.
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You can put your stitches further apart than I do if you want, they'll still work if they've got little gaps in between them.
Keep going up that edge and when you get to the end you can either flip immediately to the other side and start back down again, or you can do a bar tack. (You can also fan out the stitches around the end if you want, but I don't like to anymore because I think the rectangular ends look nicer.)
Here's a bar tack vs. no bar tack sample. They just make it look more sharp, and they reinforce the ends.
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For a bar tack do a few long stitches across the entire end.
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And then do buttonhole stitches on top of those long stitches. I also like to snag a tiny bit of the fabric underneath.
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Then stick the needle down into the fabric right where you ended that last stitch on the corner of the bar tack, so you don't pull that corner out of shape, and then just go back to making buttonhole stitches down the other side.
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Then do the second bar tack once you get back to the end.
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To finish off my thread I make it sticky with a bit more beeswax, waxing it as close to the fabric as I can get, and then bring it through to the back and pull it underneath the stitches down one side and trim it off.
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In my experience it stays put perfectly well this way without tying it off.
Voila! An beautiful buttonholes!
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If you want keyhole ones you can clip or punch a little rounded bit at one end of the cut and fan your stitches out around that and only do the bar tack at one end, like I did on my 1830's dressing gown.
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(I won't do that style in my video though, because they're not 18th century.)
Do samples before doing them on a garment! Do as many practice ones as you need to, it takes a while for them to get good! Mine did not look this nice 10 years ago.
Your first one will probably look pretty bad, but your hundredth will be much better!
Edit: Video finished!
youtube
And here's the blog post, which is mostly a slightly longer version of this post.
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purplealmonds · 10 months
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This is my tribute to the late Technoblade. I'm well over a week late to the anniversary of his passing, but I think it was worth the wait. I wanted to get this right.
The story I want to tell is of time's passage after his passing, and the set dressing of this space is a symbolic amalgamation of various aspects of his life depicting that concept.
I have a lot more to say about this painting - three pages just for the symbolism alone. If you're interested, please let me know and I'll share my analysis on a separate post! Edit: I caved. Aight, prepare for a massive info dump below the cut!
DISCLAIMERS:
Although I put a lot of research into this piece, my knowledge is likely flawed and incomplete. If I missed or misinterpreted a reference, it’s because I’m new to the Technoblade community. If I got a symbolism thing wrong, it’s because I relied on Google search for answers. I fact checked where I could. And with this analysis, I hope I can clear up any misinterpretations! 
OVERVIEW:
There’s lots of imagery to unpack so I’ll try parsing it in a structured manner. Let’s first examine it holistically. 
The story I want to tell here is of time’s passage after Technoblade’s passing. As such,the set dressing of this space is a symbolic amalgamation of that concept.
Prominently featured are the various medical equipments - a nod to the grim reality of his cancer. But let’s not linger upon that aspect of his story.
Of equal importance are the more mundane objects - his gaming setup, the couch and pillow which Floof sat upon in that one photo, the plethora of paraphernalia of branded merchandise, and references to his exploits in Minecraft. These are relics and mementos of his legacy.
All of these elements intermingle in flooded, lushly overgrown room looking out to a rose-tinted exterior. Is it dawn? Dusk? I’ll leave that interpretation up to the viewers.  
The third and final component is the plant life representing his community -us. We beautify this metaphorical space with where it was once laden with tragedy. Yet, despite these riotous blooms, we never quite encroach on the bed - the empty space left behind by him.
SET DRESSING:
Much care was taken in selecting the blossoms and placing them in symbolically significant locations.  And this neatly transitions us into the analysis individual details.
Foreground: 
In the foreground, ivy crawls through a lamp and white clovers thrive atop a pile of pillboxes. The lamp base, once a shining bronze-like finish, is heavily tarnished. The lampshade is overgrown with moss and ivy. Even if the greenery has yet to damage the electric wiring, the damp surely has finished the job. Even if the bulb is replaced, the body is too far gone. The light’s never coming on again. 
I was initially put out that my painstakingly 3D modeled pillboxes became entirely obscured, but I think it works in favor of the piece’s overarching theme: the beautiful wilds overtaking a space that once reeked of the desperate fight to prolong life. 
White clover blossoms meaning “thinking of you” is paired with the ivy meaning “everlasting devotion”.  It’s an apt combination. It has been over a year since his passing, and we still remember and carry on his legacy. 
Nestled amongst the foliage is Techno’s compass. It was once used to hunt him down in the Dream SMP. But now, it’s an odd comfort. Even though he’s no longer with us, he’s still somewhere far, far away– or is he? The original idea was for the needle to point heavenwards, but it is currently pointing…sideways?  I’ll get to the reasoning a bit later. 
The Flood:
Moving deeper into the space, we hit the floodwaters. These once turbulent currents are now tranquil enough to nourish this verdant place. The thriving plant life hides much of this darkness. It is beautiful, hopeful, even. But always bittersweet, because everything that grows here is laced with an old sorrow.
White lotus rise from the murky depths. That is us, overcoming our grief. Breaching the surface, we gain a new vantage point to contemplate this loss. Perhaps we can also find a more comforting perspective of it.
Submerged amongst the blossoms is a rusted oxygen machine. I wanted to decorate the machine with stickers, much like one would personalize a plaster cast for a broken limb. It is deliberate that the “Technoblade Never Dies” sticker is in shadow, while the “So Long, Nerds" is in light. 
Immediately to the right was meant to be a box of assorted Technoblade apparel.  But then I flooded the space for narrative reasons, rendering that idea unusable. I eventually converted it into a Welch’s Fruit Snacks box, because apparently Technoblade liked them? It’s one of the shallower references here but it is what it is.
And finally, there is a little cameo floating somewhere in the waters. An Easter egg, if you will. I wonder if you can find it? 
Furnishings from Home:
I found the couch and Technoblade’s gaming setup during my trawl through the Technoblade Reddit page for reference photos. Balancing this space full of impersonal medical equipment with more personalized belongings is grounding. These areas insert familiarity in this strange environment.
Gaming Setup:
The gaming setup is bare bones - just the monitor, keyboard, and mouse. There was no space to add more iconic elements like his Blue Yeti microphone or the steering wheel from that Minecraft challenge. Hanging above but heavily obscured by overgrowth are two framed pictures of Technoblade’s cabin and a potato minion. It is a blink-and-you-miss-it detail, placed in a dim space and requiring close examining to notice. Without the context of the rest of this environment, it is easily mistaken as generic set dressing. 
That’s the point, though. This was a space where he streamed and created videos much beloved by his community. This space was the means of creation, not the creations themselves. Without the creator at the helm, this setup becomes insignificant. Does one dote over the easel on which paintings were created, or the paintings themselves? So now it sits in darkness, a footnote of Technoblade’s legacy. 
Nostalgia Corner:
On the other end, we have the sold out Youtooz plushies and the Agro Pig plush from the recent merch drop sat atop the couch.  If you look closely, you’ll see a Skeppy coin leaning against one of the plushies. Behind the couch is a shelf. A generic shelf, but the important bits here are the sellout bell, Youtube plaque, and vinyl figurines. 
This corner of the room is nostalgic and soft. Everything is bathed in rosy pink light, and it is filled with things that are comfortingly familiar. All across the world, people in his community have these pieces of merch to remember him by. 
The red poppies that also grow here have multiple meanings. It represents the battle - one against sarcoma - which was fought here. It symbolizes death, but also resilience in the face of grueling conditions. It is said that they grow in former battlefields where of fallen warriors. I believe of all the flowers here, this one best represents Technoblade.
The Hanging Mobile:
Strung up above it is a rather last minute addition to the environment - a hanging mobile fabricated from totems representing each member of the Sleepy Bois Inc. friend group. First and foremost is Technoblade’s iconic MCC crown, aptly placed at the top. Although it is untouched by the greenery, the gold and jewelry are somewhat muted and tarnished by time.
This is not the case for the objects below. TommyInnit’s music disc shines iridiscent green and purple - Cat and Mellohi merged into one. To is right is a sky-blue guitar pick with the LoveJoy logo engraved onto it for Wilbur Soot. And finally, below it all is Philza’s Friendship Emerald - sparkling and refracting light - with Elytra feathers fastened at the bottom. They, suspended and isolated from everything, maintain a pristine vibrancy which strongly contrasts against everything else in this space. 
IV Stand:
Next to the computer setup is the IV stand. It sustains life which is incapable of continuing on without intervention. The butterfly milkweed growing on it, in contrast, says “let me go.” The latter, overtaking the tangle of tubes and powered off patient monitor, is victorious. The hooks stand rusted, and the IV bag empty from disuse.
Sat atop the patient monitor but almost blending into the walls is a pig figurine featured in Dream’s latest music video. It stands on a high perch, yet is unassuming as to direct focus on Technoblade, or rather, his absence. 
Hanging from the wired basket is an air freshener tag. If you look on the official website, this is one of the only products which has what I can only call interesting flavor text. Most are merely descriptions and specs of the product. To quote it verbatim:
“Yes, this is a real product. And no, this ‘air freshener’ has no discernible fragrance. ‘Why’ you ask? Because Mr. Technodad and our team agreed this was exactly the sort of air freshener Alex would have found hilarious.”
As morbid as it sounds, I feel like this air freshener tag would not have existed before Technoblade’s passing. It is so unlike any other merchandise I’ve seen in any other branded merchandise store. It’s like an inside joke, secretly shared within the descriptions for the world to eventually discover. 
Window:
Unlit candles line the window sill - the aftermath of a candlelight vigil. It is a versatile symbol. It raises awareness of a disease or illness. It pays tribute the dead. Judging from the melted wax dribbling down the candle shafts and the wall below (the opacity was reduced so it looks less like bloodstains), this has been done many times over. But there is so much more candle to burn, representing the people still continuing this ceremony, albeit in the privacy of their own homes.
Above the candles are some broken blinds. When grieving, it would have been so easy for Mr. Technodad to hide away from the world in his grief. It’s understandable, to give into that primal urge to flee from prying eyes when he’s at his most vulnerable. He had the difficult task of reading out his son’s final farewell to us. This barrier between him and us dismantled by this gesture so we can remember Technoblade together. 
Coincidentally, the window frame itself somewhat resembles the kitchen window featured in Technoblade and Technodad's cooking videos. Completely unintentional on my end, but fitting in a way since in both those videos they're pulling back the metaphorical curtains for the audience to peer into a small aspect of their private lives.
To the right of the window is a nondescript clock, forever stopped at the 6:30 as a nod to the date when the "So Long, Nerds" video was published. The minute hand is accidentally left out removed to signify that time will no longer move forward for Technoblade. In contrast, the rest of the world - represented by this space - continues to grow and change around his absence.
A wind chime hangs just outside the window. It is said that the soothing sounds produced by them is a healing balm during tumultuous times. Where there is wind there is stirred up emotions, but it is motionless on this calm, breezeless day. A rare respite, where remembrance overrides grief. 
On a more amusing note, there is an interesting looking moth perched on the window glass. Upon closer inspection, the wing pattern may look somewhat familiar. In Chinese culture, when a huge moth visiting your home is the embodiment of your recently deceased loved one checking on you. Remember the compass in the foreground? Well, here’s why it is pointed sideways instead of upwards. This idea came up rather organically during a VC session in the R/Technoblade Discord server. My handful of viewers and myself affectionately dubbed this doofy looking moth TechnoMoff!
Venturing further beyond the windows, ferns grow with wild abandon. They represent eternal youth, and from a certain point of view, he will remain youthful forever at the age of 23. He lives on through us carrying on his legacy and spreading his story. 
Everything outside is tinged with pink. After someone dies, we start seeing them less as a person and more as a legacy. It is the natural course of things to start seeing the deceased through rose-tinted lenses - hence the artificially pink hue of the outside contrasting with the more grounded color palette of the inside. 
Bed:
And now we circle back to the centerpiece of this entire composition: the bed and the things that surround it. 
In front of the bed is an over-bed table with a single object: an incense bowl filled to the brim with burnt sticks of incense. A simple shrine for Technoblade. In Chinese culture, we light incense at the altar to honor our loved ones. We may live separate lives and not cross paths often, but we all come together to leave our marks through this ritual. It is proof that he is still very much loved and missed by us all.
The bariatric bed frame is typically seen in hospitals. It allows the patient to comfortably sit up or recline without expending valuable energy. Encased in this frame is something more personal - the mattress and cushions which Technoblade laid upon in his photo with the Youtube plaque. Their unique patterning is a foil for the impersonal receptacle it is caged in. It is spotlit by the window light, emphasizing its emptiness. Not a single blossom dares to encroach upon this space, because to do so would be to erase the space where Technoblade last resided. Like I mentioned before, this is story is about the space around him as much as it is about him. 
Cradling this bed frame are several flowers. Rosemary and forget-me-not’s for remembrance. Appropriate, given its proximity to the bed. Morning glories, for resilience. That’s us, again. For a while, we meander and spread in the upper walls of this space, avoiding the floodwaters which symbolize grief. But eventually, we gather the strength to meander down to the bed, where grief was the strongest.
CONCLUSION:
There is that cheesy quote from that one Marvel TV show – “What is grief, but love persevering?” While this reframes our perception of dealing with loss, grief is not some thing that should linger. The absence of grief does not equate to the lack of love. Instead, I would like you to consider this: remembrance is love persevering. And with our combined perseverance, Technoblade will never truly die. 
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wongyuuu · 1 month
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calendar | csc
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pairing: seungcheol x f!reader genre: smut word count: 3.1k summary: the red mark on the calendar is one of seungcheol's favorites warnings: minors do not interact, kissing, stimulation, swearing, petnames, penetrative sex, unprotected sex (don't do this), oral (f. receiving), breeding kink, cock sleeve (kinda), dirty talking playlist: ➝ here a/n: still a little (a lot) insecure about smut, but wanted to try writing this one. not proof read
please remember that comments and reblogs are extremely important
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seungcheol stopped in front of the calendar in the closet, a smile tugging at his lips. the red circle around the date, signaling an important event he always waited a little more anxiously for. 
not that having sex with his wife was something he couldn't do as often as he liked, far from that. if anything both of you were always eager to be with each other, even after so many years together. it had never gotten boring or dull at any moment. both of you always wanted to try new things and keep it interesting, mostly you. for seungcheol being buried deep inside you while you moaned his name was to closest thing he'd ever to heaven, if such a place even existed. 
he gave up on the shirt, knowing fully well what the sight of him in nothing but sweats did to you. pair it with his wet hair and it was enough to drive you crazy. the good thing about being with someone for so long is knowing exactly what ticks the other person off, and what buttons to press. well, it could be both a blessing and a curse. in that moment seungcheol chose to believe that it was solely a blessing. 
a small groan left his lips at the sight of you lying on your stomach, scrolling through your phone, in his shirt and black pair of panties — the one he bought you after there was a small accident with a few pieces of underwear. 
the thing about ticks and buttons is that it works both ways and, obviously, seungcheol wasn't the only one who could play that game. 
he crawled on top of you slowly and pushed your hair to the side so he could kiss the nape of your head. you sighed in contentment when you felt his weight on top of yours. 
"look," you said, raising your phone slightly "hannie sent me pictures of his daughter today"
seungcheol looked at the smiling face of his friend with a little girl in his arms. it had been many years since he had seen jeonghan look quite that happy. of course that suddenly finding out about a child and suddenly needing to be a full-time dad wasn't the easiest thing in the world but he was playing it like a breeze. you swiped your finger and a picture of the little girl in a bright yellow dress greeted him. seungcheol smiled. yeah, she was cute and looked every bit like jeonghan, acted too. a little menace, she was.
"what does he want? if he's sending pictures he wants something" he chuckled knowing his friend well. everything jeonghan did had a purpose.
seungcheol sat back on his heels and slowly started to massage your shoulders over the fabric of the shirt. 
"he asked if we can have gia tomorrow night, he has a work thing to go" you moaned lowly when seungcheol pressed on the not in your shoulder blade, "i said yes"
he laughed again. of course you had been quick to agree, it didn't surprise him. you had always loved kids and were always happily willing to have them for any amount of time needed. after you had gotten married it had gotten a little more frequent since most of your friends had decided to have kids at the same, and since jeonghan found out about his daughter it had gotten weekly. seungcheol never complained, he too loved kids and liked having them around, he especially loved the glint in your eyes whenever you looked at them running around the living room, breaking a thing or two.
"cheol" you said one day at the darkest hour of the night after rolling around in bed for hours, voice barely a whisper as you played with his hair "i... should we start trying?"
it was too late, his mind was barely working, almost drowning in sleep for him to understand what you were saying but in hindsight, he should have seen it coming.
"trying what?" he asked turning around and wrapping you in his arms, his leg nesting between yours.
"for a baby"
that was how the calendar ended up hanging on the closet wall. your ovulation period was marked in a bright red marker. 
"do you think it's really work or, maybe, a date?" you asked.
slowly seungcheol moved his hand lower, to the small of your back, pressing a little more tenderly where he knew you struggled with pain. he moved your, his, shirt up,  adding a little more pressure as your body fully relaxed under him.
"jeonghan wouldn't date now," he said "gia is still getting used to him and us, he wouldn't add someone else to the mix"
you turned around under him, eyes narrowed. when you raised your arm to rest it under your head your shirt lifted a little, exposing the skin right over the elastic of your underwear. it was pretty, yes, with lace details on the sides but that mattered very little. seungcheol was far more interested in what was hidden under it. 
"you're telling me that jeonghan hasn't fucked anyone since we got gia? a whole seven months ago"
seungcheol placed his hands on your waist, your skin warm under his touch. the corner of your lips tugged up at the expression in your husband's eyes. he was struggling to keep focus on the conversation both of you were heaving. jeonghan and gia were the least of his worries. 
"i care very little about who jeonghan fucks" he said, voice hoarse as he leaned forward at the same time he pushed your shirt further up "all i care about is putting a baby in my beautiful wife"
he pressed a kiss to your naked skin. he had imagined it many times, you pregnant with his kid, your belly around. it had been one of the many reasons why he had woken you up in the middle of the night and fucked you dumb. he had never said anything, choosing to let you decide when it was time. when you were ready to have a baby. seungcheol knew that it was going to change things for you a lot more than it would for him, it was also your body. 
if it were up to him, you'd have a least two kids running around the house. 
"you have some work to do then," you said, laughing. 
almost like a reflex, you tangled your fingers in his hair. you sighed as seungcheol started his exploratory kisses. some were light, like the touch of a feather, loving, in a worship manner. others were the exact opposite, harsher as he pulled your skin in between his teeth just for a second, to later soothe the spot with the tip of his tongue. he loved to leave tiny marks in your body, where no one else would be able to see them but him. but you knew they were there, it was a constant reminder of the night before and a reminder of what was still to come.
you spread your legs to better accommodate seungcheol as he pushed your shirt to your neck.  you felt a little electric tension run over your skin when you noticed his eyes on you, taking in your every expression. you smiled when he pressed his thumb over your hard nipple, pinching it.
seungcheol took your boob into his mouth, biting your nipple at the same time he pinched the other one. involuntarily your back arched, your grip on his hair tightening.
he loved the sounds you made, how it usually started so low and small but he always managed to work you up enough to get you begging under him, on top of him. either way, you'd end the night pleading for him, for his cock.
"do you think today is the day?" he asked, trailing his kisses again down your stomach to your panties "do you think i can pump you full enough to get you pregnant?"
you expected seungcheol to tug at the sides of your panties and pull them down but instead, he kissed you over them. he grinned when he saw the small wet spot in your underwear. 
"i barely started and you're already wet, baby?" he teased.
he ran his finger over your cunt still covered by the thin panties. your hips twitched under his touch, needing more than just light touches. but you weren't ready to give in to him yet. he was going to have to work harder if he wanted to hear you begging for more.
"not a word? playing hard to get tonight, i see" he pushed your underwear to the side, lightly blowing your clit. he had to contain the laugh that erupted in his chest "let's see how long it lasts"
you raised your hips as seungcheol used his index fingers to pull your panties down. you laughed when you saw the small piece of cloth being thrown over his shoulder. your laughter died as soon as you felt his warm, wet, tongue on your clit. he sucked the small bundle of never into his mouth at the same time he pushed two fingers into you. he was relentless, his pace devastating, not giving you a second to breathe.
the sounds, of his mouth on you as well as the wetness of your pussy, were obscene but they turned you on even further. you wanted, needed, more.
and the thing is, seungcheol was the giving kind of partner. whatever you wanted was yours, but you had to say it, loud and clear. for him.
"come one baby, just ask" he blew your clit again, this time using the tip of his thumb to lightly brush it "use your pretty little mouth and beg for me"
a curse left your lips when his fingers stopped moving and he pulled away from you. your orgasm that was right there, around the corner, suddenly gone, leaving only your throbbing cunt and ragged breathing as a witness. 
you tried to grab his hand and push his fingers back but the was being a little shit, holding it behind his back.
"fuck, seungcheol," you said, partially annoyed, and desperately turned on "just eat me out, fuck me with your fingers. whatever you do just make me cum"
"your wish, wife, is always my command"
seungcheol wasted no second. his lips were around your clit and a third finger was added into to slit. it only took a few pumps for you to come undone under him. a mess of moans and curses. unsure of when exactly you had let go,  your hand gripped his hair again, forcing his head closer to you, grinding his face against you, desperate for everything he had.
seungcheol used the edge of the mattress to apply some pressure on his throbbing cock. he was so hard it was painful so whatever friction he could get was welcomed. 
every single one of your moans were met a stroke of his tongue and a pump of his fingers. it was torture, the most delicious and vicious kind of torture.
seungcheol only leaned back when he felt the shake in your legs subside, crawling back you. he pressed his thumb in your mouth, smiling when you opened and sucked him in. you were the most beautiful thing in the world, with your cheeks painted in a bright shade of pink, and two tear stains on the sides of your eyes. god, he loved you. 
you could taste your own release in his finger when you circled his finger with your tongue. you grazed his skin with your teeth looking into his eyes. seungcheol hissed, wishing that it was his cock in your mouth.
"i know you would love it if i sucked you," you said "but i really need you to fuck me, right now, please"
you were going to be the death of him.
you pulled your shirt over your head and turned around, sticking your ass up while your chest was pressed against the pillow.
for a second seungcheol felt like a teenager who just found out he was about to fuck the hottest girl he had ever laid eyes on. he was quick to push his sweats off. he hadn't bothered with boxers, knowing exactly where the night would lead the two of you.
"i'm going to fill you up so good baby" he squeezed your ass and second later slapped it "so so deep there's no way you won't get pregnant tonight"
he ran his tip over your pussy a few times, coating himself in you. he knew that he could slide in without doing it but he also liked torturing you. your moans got a little more desperate every time rubbed against your clit.
whenever he took you bare the sensation was entirely new and different. yes, there were a few instances when both of you were in too much of a hurry, or sometimes it just didn't matter enough, to care or remember to take a condom, but ultimately both of you had always been careful. you took your pills, he carried a condom and life moved on. but even after months of no condom, no barrier at all between the two of you, seungcheol still felt his head get a little dizzy. 
your walls adjusted perfectly to him, clinging around him, pulling him, demanding every single inch of him. he slowly pushed in until all he was deep into you, to the hilt.
you moaned against the soft fabric of the sheets, loving the burning sensation of the stretch. you pushed your ass high in the hair, wiggling it from side to side begging him to just move. the stretch of his dick deliciously painful still.
"cheol, move" you begged.
"this what you want?" he asked 
seungcheol pushed your head further into the mattress, his hand on the back of your head, thighing your hair around his fist. finally he started to move, he pulled his cock all the way out and pressed it back in, hitting that one spot that made your head spin and little stars shine behind your closed eyes, over and over again. you squirmed when seungcheol pressed his weight over your body, moaning as he somehow got even deeper.
you moved your hand down your body, slowly circling your with the tip of your nail.
"cheol, fuck" you bit the pillow "faster, please, just fuck me"
he loved the neediness in your voice, how you completely forfeit with your no-begging police. the smell of your sweet vanilla soap disappeared now that your skin was coated in a thin layer of sweat. 
seungcheol didn't change his rhythm, knowing that it was enough to drive you crazy and over the edge.
"are you touching yourself, baby?" he pulled on your hair, giving you a taste of your medicine. his dick throbbed when he saw the smile on your face "fuck"
he reached forward, slapping your hand away from your cunt. you cursed at him but the nasty words were quickly replaced with a moan when he pinched your clit, tugging and pressing, driving you fucking crazy on his dick. even so, his pace was slow.
"cum for me, baby" he whispered. 
"let me ride you" you begged "i want to look at you when you breed me"
your words had always been the ruin of him. he almost came right there. he turned you around and sat on the bed, grinning when you cried when his dick left your pussy.
"i know, baby, but you were the one that wanted to ride me"
a small fuck you left your lips as you crawled on top of him. seungcheol moaned when you gripped him, your hand sliding up and down his length while you grazed his tip with your nail lightly. you aligned him to you and sank down in one swift movement, making both of you moan.
seungcheol was wrong, being balls deep into you wasn't paradise. no. paradise was being balls deep in your cunt while you rode him, tits bouncing in in his face, while you moaned his name again and again like a prayer, taking what you wanted from him. he cupped your breasts in his hands. your hands covered his, forcing your nipples between his fingers and squeezing. 
"fuck. cheol" you said, eyes on his as you circled your hips before thrusting down on him again "i'm gonna cum. i need to"
your walls squeezed around him. seungcheol moaned as he held you by the hips holding you in place, while the pounded into you, finally, finally fucking you as fast and as hard as you wanted. he fucked you roughly, watching as his cock disappeared in your cunt, each thrust deeper than the previous one. seungcheol felt the muscles of his thighs and stomach squeeze at the same time you clenched around him, milking him.
he pressed his thumb to your clit and the scream you let out was enough to drive both of you to the edge. you let your body fall forward, and you bit that spot between his shoulder and neck. seungcheol continued to pound into you, fucking his cum as deep as he could, pushing it further into you making sure not even a drop was wasted. 
it took both of you a couple of minutes to settle down, evening out your breathing, and making sure your legs were no longer shaking.
"seungcheol" you cried, finally looking at his face, kissing him, letting him invade your mouth with his tongue "i'm so full. it's so deep"
he could never, ever, get enough of you.
“don’t move baby, let’s make sure this one sticks”
you kissed the side of his neck, feeling his hot cum inside you while his dick slowly got flaccid. you loved to have him in you, just there, with you, as close as humanly possible, with nothing between the two of you. his personal cock sleeve, he had called you a few times.
“you say it like fucking me is a terrible task someone assigned you”
you felt the vibrations of his laughter before you heard it. you just closed your eyes and pressed your head to his chest, the sound of his heartbeats calming like a lullaby.
“fucking you is the one task i’ll never ask someone else to do in my place”
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2K notes · View notes
roosterr · 8 months
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hi! i was wondering if i could request your thoughts/drabble on how the 141 would react if a mission went awful and you were left in the hospital with amnesia! like the reader wakes up and has no memory of her team🥲
if you aren’t taking requests atm or this doesn’t fit with your writing, i completely understand and you can ignore this! just wanted to say i binged your masterlist and absolutely love all your writings! keep up the amazing content <3
the 141 when you have amnesia
note: AAA TYSM FOR REQUESTING THIS!!!! and ty for reading my stuff, it means a lot!! i had so much fun writing this it's unbelievable, this concept is just so JUICY,,, i really hope you like it!! <3
wc: 2.8k
warnings: established relationship, angst sadness and depression wow i did not mean for this to get so sad
ao3
[part two]
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price
✹ he would undoubtedly blame himself for what happened to you. as your captain, it was his job to keep you safe and make sure you came home in one piece, and he'd failed you there.
✹ weeks and weeks go by as he waits endlessly for you to wake up, and with every day that ends with you still unconscious, he feels his resolve slipping just a little bit more.
✹ he holds himself together as well as he can, keeping his head high and projecting confidence that you'd be okay, if only to keep the team's spirit up. they still needed their captain, and he'd be damned if he failed them too.
✹ behind closed doors, however, he's a mess.
✹ john drinks, a lot, so much that it’s irresponsible, but the image of you, beaten and bloody and barely breathing haunts him every time he closes his eyes. he locks himself in his office, away from the others and ignores their concerned calls through the door.
✹ he visits you, only when it's late and there's no one else around to hear him whisper apologies to you with a lump in his throat. he confesses to you like a sinner, all the things he wishes he'd done differently, how he'd put himself in your place in a heartbeat if it meant you'd be okay.
✹ other than those nights, he does his best to stay away from the infirmary. it’s selfish, but he can’t bear to see you in such a fragile state.
✹ he’s in his office when you wake up.
✹ the nurse finds him on his second drink of the night, and no sooner than the news leaves her mouth he's pushing past her and rushing to the infirmary. he bursts through the door, startling you and the other nurse with you.
✹ "hey, sweetheart." he’s by your side in an instant, taking one of your hands in both of his as he gazes lovingly into your eyes. it feels like it's been an age since you've looked at him, the sight of your eyes alone almost has the dam behind his own breaking.
✹ you’re staring back at him with a somewhat lost expression, but john’s so relieved that you’re here, that you're back, it slips his notice.
✹ he leans over to press a kiss to your forehead, like he's done hundreds of times before, but you stop him by placing your other hand on his chest. he pulls back with a concerned frown, finally noticing the unsure look you're wearing.
✹ the nurse briefly explains that some memory loss is common for the amount of head trauma you sustained. he should've expected something like this, in fact it's a miracle you made it out with just memory loss.
✹ "i'm sorry, can you tell me who you are?" you ask meekly, looking back at him with an apologetic look in your eye. you look guilty, like it's your fault this happened and not because of his own shortcomings.
✹ john's heart sinks at your words, but he's careful not to show it. amnesia can be temporary, he knows that, he just has to jog your memory.
✹ "i'm john," he smiles as warmly as he can through the panic in his chest, lifting his left hand to show you the wedding band on his finger, "your husband."
✹ your jaw falls open, your eyes wide as you look between the ring, his face, and the nurse behind him, who simply nods in confirmation of the captain's words.
✹ "you're…" you mutter, disbelief taking over your voice, "my husband?"
✹ you take his left hand in yours, bringing it closer to your face and examining the wedding band, a tiny smile pulling at one corner of your lips.
✹ "yes, love," his chest rumbles with a chuckle, grasping your left hand and showing you the matching band on your own finger, "we're married."
✹ "seriously?" you ask, comparing the rings on your fingers and looking back up to him with an almost comically surprised face. john nods again, his moustache tilted with an amused smile.
✹ "been together for nearly seven years."
✹ "how the hell did i convince you to marry me?" you mutter. at that, he lets out a real laugh, bringing your hand up to his lips and pressing a kiss to your knuckles.
✹ "think i should be the one askin' that question."
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gaz
✹ kyle takes it harder than anyone.
✹ he visited you once, at the first opportunity when you were stable enough to not require constant observation, but the sight ruins him. you looked so weak, nothing like how you should; your cheeks were sunken and your skin has a sickly sheen to it, and there was nothing he could do to help you.
✹ he couldn't stand it.
✹ he becomes so easily irritated, a hair trigger just waiting to snap. the others want to help him, but he won't let them get close enough to try. any mention of your name has him shutting down, leaving faster than they can finish their sentence.
✹ he barely sleeps, spending most nights curled up in your bed with his tears soaking your pillow. he surrounds himself with your clothes, things that smell like you, but your scent eventually fades and he just feels so alone without you.
✹ price finds him like that one night, sitting on the floor with his back leaning against your bed after throwing up from crying so hard. he hauls kyle up by the collar of his shirt, and forces him to meet his stern eyes through the tears.
✹ "pull yourself together, garrick! they need you to be strong for them, how d'you think they're gonna feel when they wake up and see you like this?"
✹ after that it's like the spell is broken, and he realises just how pathetic he's been acting. in the weeks you've been out, he's only visited you – his partner – once. you'd never forgive him if you knew.
✹ from that night onwards, he visits you at least once a day, filling multiple vases around your bed with beautiful flowers and making sure they never wilt.
✹ he got 'get well soon' cards for you too, having each of your teammates, and even kate, sign one to decorate your room.
✹ you wake up surrounded by life and colour, physical evidence of how much he loves you that puts a smile on your exhausted face, even if you don't know who left them.
✹ he's off base when you wake up, picking up a fresh bouquet for your room. his phone rings as he's leaving the florists, and as soon as he hears the nurse's voice he's sprinting back to his car, throwing the flowers onto the passenger seat and racing back to base.
✹ he bursts through the infirmary doors to see you standing with the help of the nurse, your legs wobbly but your face determined. he almost breaks down in the doorway.
✹ when you look up and meet his eyes, he feels his heart stutter in his chest. he rushes towards you, the new bouquet slipping from his fingers, and almost knocks you off your feet with the how hard he embraces you.
✹ you let out a small 'oomph' as he squeezes you, hesitantly wrapping your own arms around his torso. he sniffles into your shoulder, a few tears wetting your shirt despite his attempts to hold them back.
✹ "hey, uhm…" your voice reaches his ears, hoarse with disuse, "are you okay? what's your name?"
✹ "what?" kyle lifts his head, pulling back to mirror your confused gaze. "babe, what're you on about?"
✹ the nurse pulls him aside, leaving you sitting on the edge of your bed as she explains your amnesia to him.
✹ you really didn't remember him. his heart withers in his chest, the pain of losing you all over again spreading to the ends of every limb.
✹ "no, no no no–" he mumbles, stumbling back over to where you sit and cupping your worried face so gently, like you'd break if he was too rough. "please, love, you have to remember"
✹ you cover his hands with your own, a few tears falling from your eyes and rolling hot against kyle's palms. "i'm sorry, i want to remember, but…"
✹ "please, i love you…"
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soap
✹ johnny spends every free moment at your bedside.
✹ he talks to you, tells you stories about everything that's happened since you've been asleep; the time ghost burnt dinner and set the fire alarms off, a robin that landed on the windowsill of your shared room, anything that comes to mind.
✹ sometimes he plays your favourite songs, sitting on the end of your bed softly humming along, praying that you'll hear it and come back to him.
✹ most often though, he draws you. he fills page after page of his sketchbook with sketches of you; the peaceful look on your face as you lay next to him, memories from before the accident, the two of you together – though he always puts infinitely more detail into you than himself.
✹ similarly to the captain, johnny stays positive about your condition, refusing to even entertain the idea of you not waking up. he's optimistic, and so good at hiding the anguish of being without you that even ghost is fooled by his facade.
✹ he won't let the others worry about him. you're the one in the hospital, you're the one that deserves their sympathies, he has to stay positive for everyone so they don't worry, so you have something familiar to come back to when you wake up–
✹ in reality, he's living in denial. he's on the verge of a steep mental nosedive, and if he looks past his delusions for even a second, he's afraid he'll spiral into a pit he won't be able to claw his way back out of.
✹ so he continues to live like that. he has one-sided conversations with you, going on for hours as if you're talking back to him. he brings you your favourite meal when the mess hall makes it, putting it on your bedside table so you can reach it and clearing it up the next day when he comes back.
✹ when you eventually, finally wake up, he's already there with you.
✹ it was late, and against the nurse's wishes he'd climbed into your hospital bed with you, an arm around your shoulder holding you close his chest while his other hand doodles away in his sketchbook.
✹ you let out a small sound and shift against him, and his heart skips a beat under your ear at the realiseation that you're back.
✹ any lingering tiredness immediately disappears from his mind, as he throws his sketchbook carelessly onto the side table and wastes no time in gathering you up into his arms and bringing you into a crushing hug.
✹ a groggy, surprised noise leaves you, the sound of your voice lighting up johnny's face with a smile so wide it aches. he loosens his hold just enough to hold the side of your head with one hand, gazing into your eyes like you were the only person in the world.
✹ "there y'are, bonnie, i missed you so much,"
✹ he presses his lips to the top of your head, his eyes glassing and his heart full with how relieved he is that you're awake.
✹ "...what's going on?" you mutter, your eyes darting all over his face and to the room around you with a confused furrow in your brow.
✹ "lemme call the nurse," he replies with an easy, comforting smile, reaching somewhere behind him for the call button.
✹ while you wait for the nurse, he helps you sit up, adjusting the pillows behind your back so you can sit comfortably, all the while rambling about everything and nothing all at once.
✹ "you should've seen gaz's face, darl, it was priceless–"
✹ "i'm sorry, i… i dont remember you…"
✹ nothing has ever shut him up quite as effectively as those words.
✹ "wh… what? stop messin' about, bonnie," he chuckles, desperately searching your eyes for the humour that was missing. when you only shake your head in response, the smile fades from his face and quickly morphs into concern.
✹ "sergeant mactavish, how many times do i have to tell you to get off the bed!" the nurse exclaims as she enters the room. he doesn't get down though, just fixes her with the most intense look he's ever worn.
✹ "why don't they remember me?"
✹ the nurse explains that an injury like yours was bound to cause some lasting damage, but amnesia was more often than not temporary.
✹ "i'm sorry, i wish i could remember you…" you mutter, dropping your gaze to your lap as he turns back to you.
✹ johnny exhales deeply, finding a great sense of comfort that you'll most likely get your memory back. he gently tilts your chin up again so he can stare deep into your eyes.
✹ "don't apologise, that just means i get to woo you all over again, bonnie."
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ghost
✹ simon would be destroyed.
✹ while you're knocked out its like he forgets how to be human. he eats, sleeps, and breathes on autopilot – like a robot with a function, no feeling, just keeping himself alive until you wake up.
✹ it worries the others, price especially, but the walls around his heart are expertly crafted, and without you by his side he sees no purpose in lowering them.
✹ when you do wake up, the first thing you see is him, sitting at your bedside with his hand enclosed around yours. his eyes are closed, but he's still very much awake, in fact he finds himself unable to rest anywhere but in the chair by your side.
✹ the way you try to pull your hand from his brings him back to the present and alerts him to your consciousness. his eyes snap open in less than a second, already glassy with the pure relief he feels now you're back.
✹ but you're looking at him differently. where there would once be soft affection, now he can only see confusion, and worst of all, panic.
✹ and there's fear in how your shoulders bunch up, but simon tries his best to ignore that thought.
✹ "hey, you're alright, darlin'," he coos, as gentle as he can manage, pushing the rising dread to the back of his mind.
✹ he presses the button to call the nurse, letting go of your trembling hand bringing it up to your shoulder. your worried gaze flicks to his arm and back to his face, which makes him pause in his tracks.
✹ "who… who are you?"
✹ simon's waited so long to hear your voice again, but hearing those four words from you shatters his heart into pieces.
✹ no.
✹ you didn't forget him. there was no way.
✹ "it's…" he swallows hard, blinking rapidly to hold back the tears threatening to fall. "it's me, love, it's simon."
✹ you're still looking at him with that same anxious expression, and he curses himself when he realises he's still wearing his balaclava. he practically rips it from his head, dropping it to the floor without a care for where it fell.
✹ your eyes study his bare face, tracing over every crease and scar, the mess of hair on top of his head, and finally landing on his desperate eyes.
✹ "i'm sorry, i…" you look guilty, the subtle shake of your head hurting simon like a knife to the chest. "...do i know you?"
✹ the silence that follows your words is unbearable.
✹ you really did forget him.
✹ all the time you'd spent together, the memories you shared, the love you had; it was all gone, just like that.
✹ suddenly he felt like the walls were closing in on him, he couldn't get enough air and his skin was crawling with the need to escape.
✹ at that moment, the nurse comes through the doors, startling simon into standing from the chair and stumbling backwards. he never takes his eyes off of your guilt-ridden face. you didn't know him, not anymore, and that meant he was all alone again, with no one to care for him and call home.
✹ the emptiness in his chest was enough to make him want to rip the hair from his scalp.
✹ the nurse says something, stealing your attention from him with words he's too overwhelmed to listen to. he takes the opportunity to back away, disappearing through the doors with a hand covering his mouth, fighting the urge to throw up.
✹ it was a miracle to two of you got together in the first place – simon didn't know if he could get you to love him again.
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