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#therefore. me too.
garnet-xx-rose · 1 year
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Yes, I’ve done the work analyzing this relationship’s problematic traits and I’ve come to the educated conclusion that I still want them to fuck
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theminecraftbee · 3 months
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actually I will say all the “who could the new member be???” speculation has made me realize is. boy can those hermits sure hermit. I’m not sure ANY of them play much minecraft with literally anyone who isn’t each other. if it weren’t for grian spearheading first the life series and then the crossover in what now reads to me as a blatant “NOW MAKE FRIENDS I WANT MY FRIENDS TO BE FRIENDS” moves, I’m not sure we’d even have this much of a usual suspects list. no WONDER one of the guys on the shortlist of “most likely candidates” isn’t hermit-adjacent, we’re already out of hermit adjacent guys because they are TOO BUSY BEING HERMITS. LIKE THE LITERAL KIND OF HERMIT NOT THE—
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kiaxet · 8 months
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HOW ABOUT THAT @somerandomdudelmao DISASTER TWIN REUNION, HUH
Went a little feral to the tune of 2.2K words of self-indulgence. What else is new?
~~~~~~~
Donnie can't sleep. More accurately, he won't sleep. Not until he's done. He'd never been one to leave a project unfinished; death and resurrection hadn't changed that.
He taps incessantly, repetitively, on a keyboard and screen, the motions long since past inputting data and now only serving to keep him awake. The repetition is soothing, easy, and - counterintuitively - he finds his head drooping forward into sleep-
And he snaps back upright. No. Not until he can confirm Leo is okay.
Leo is behind him, he knows. Breathing. In bed. Asleep. Very much alive. And-
He jumps and whips around as a thud sounds behind him. "What the-"
Leo is on the floor.
Well, that answers the question as to whether his twin is awake.
For a fraction of a second, part of him wavers uncertainly. He loves his idiot twin. The question he hasn't been able to answer is whether his reaction to Leo waking up will fall on love or idiot twin-
"Leo!"
He can hear the exasperation in his voice, and yep, it's the latter. He takes a knee next to Leo and hauls him into his arms, lecturing him all the while, and if he can hear the annoyance in his voice then Leo sure as hell can. Sleep deprivation for the purposes of keeping his brother's soul alight had done nothing for his temper. "I swear to God, all you had to do was make a sound! Why are you such a difficult patient?"
He deposits Leo carefully on the bed - "Sit still!" - and checks him over, running every scan he can think of and making sure his brother's new body really is in good working order, spouting increasingly irritated commentary all the while. Of course the fall didn't hurt him - Leo is tougher than that, and Donnie does better work than that - but he still can't help the rising anxiety in his throat.
This almost didn't happen.
"-stupid, stupid selfless idiot!"
Donnie almost couldn't save him.
"Grrhh-"
Leo nearly died for real. Permanently beyond Donnie's reach. Well and truly gone-
"Do you have any idea how close you were to having nothing left to save?"
And now here Leo is, in perfect health, sitting on Donnie's bed with a big dopey grin on his face as Donnie chokes on his anxiety and damn near shakes himself apart-
Oh for fuck's sake.
"Hey. Are you even listening?"
Leo speaks up for the first time since he's woken up, voice shaky from disuse. "D-Donnie?"
And that is not a goddamn answer to anything Donnie has been saying, because of course it isn't. It's Leo. He's always had his own priorities. "Yeah. No. You're not fucking listening." Donnie heaves a long-suffering sigh, sinking back into the routine comfort that irritation at his twin provides. "At least you're talking." Small favors. "Although I'm surprised you're not throwing your stupid jokes at me." Even smaller favors.
He stops short as Leo's hand closes around his wrist, drawing Donnie's arm to Leo's plastron. "You're real," his brother breathes, looking from Donnie's hand to Donnie himself with tears streaming down his face. "You're real!"
And then, in the space of a thought, Leo's joy breaks, his smile turning desperate. "Are you?"
For a moment, Donnie stares at his twin, wondering at the sudden change in expression. He takes a breath-
And the part of him that had lain dormant for so long after he'd woken up - the part of him that had been screaming for his twin's safety ever since they'd recovered the few scattered embers of Leo's soul - gasps to life, blooming like a time-lapse video of a flower and reaching to the edges of Donnie's soul. Leo had called it their twin sense, and Donnie hadn't had it in him to argue after a while. Whatever it is, it's back, connected to Leo's renewed presence, and-
Donnie's heart floods with emotions. Relief and joy sprout quickly and are nearly swept away in a tide of exhaustionanxietyfearfearfearfearFEAR-
But down beneath it all, steady against the rising wall of terror, is the little blue spark of hope that his brother always carried. His core. The thing that let him continue on in the face of insurmountable odds, and lent that same strength to everyone around him. A ninja's greatest weapon.
It's Leo. It's Leo-
And Donnie can't leave him alone in his fear. Not when there's no need for it. Not when they're safe.
He lets that breath out, and sits next to Leo on the bed. "Mhm. I'm alive. And you're alive. We're safe. The Krang are gone." That's all the news that's fit to print, or at least the most important parts. What else does he have to say?
Oh.
"I'm sorry I..uh…"
He's sorry he what? Died? Left a mess for Leo to deal with? Didn't do enough while he was alive to keep everyone else alive in turn after he was gone? Kept his brother's soul in a fucking mug, because that was the only way he could ensure he wouldn't break it while Leo was still fragile? All of the above?
…yeah, it's all of the above.
He owes Leo one hell of an apology, and he's never been good at any of this, so instead he shrugs haplessly and leans forward, pulling Leo into his arms and hanging on tight.
It's a matter of moments before Leo has him flat on his shell on the bed and is sobbing into his arms. Normally he'd hate seeing his twin cry, but it's proof of life - proof that Leo made it, that his soul is intact enough for him to still be Leo, that he's alive and awake and here - and Donnie will take it.
And if he's squeezing Leo back pretty hard himself, well, that's fine too. Nobody else needs to know.
~~~~~~~
Donnie is yelling at him.
Donnie is strong enough to have picked Leo up off the ground, well enough to be on his feet without support, running tests and reading Leo the riot act over his latest boneheaded maneuver - in this case, forgetting he was missing an arm and falling out of bed.
Donnie is yelling at him, because Donnie is here to yell at him.
And Leo is smiling, because he couldn't be happier. He lets the words wash over him, draping over his shoulders like a favorite cozy blanket that he'd lost so many years ago, and he basks in the warmth that is his brother's voice and smiles.
It's enough to interrupt the yelling for a question, though he doesn't really hear it - just keeps smiling, and says Donnie's name, and it's so nice to be able to say it with a smile now, because Donnie is here-
-he is, right? This isn't just a dying hallucination on Leo's part, right?
(It couldn't be- he remembers his death, remembers breathing his last, remembers being trapped- but this-)
He reaches out, taking Donnie's wrist in hand, and pulls his brother closer to him. "You're…real…" It certainly feels real - skin and scales, softer than his own, and his fingers barely fit all the way around the wrist instead of encircling them with room to spare - and he stares down at it, tears rolling down his face as he finally looks back up at his twin. "You're real!"
The Krang show you what you want to see.
The thought strikes him unbidden, turning his joy and relief to ice. It's a well-known fact: a Krang infection can show its host what they want to see, visions of comfort and family and home, and extract intel from the host's reactions. He knows that- he knows that, and-
And he'd died surrounded by Krang- and even if he couldn't see or hear or feel, he knows he'd been held captive-
But it's Donnie- he wants this to be real- he needs this to be real- he wants his twin back so badly he can't think, and the idea that this could be a Krang hallucination is almost too much to bear-
"Are you?" He can hear how choked the words are as they leave his lips, but he needs to know-
And Donnie stops, and sits down next to him, and tells him everything he wants to hear - everything he could've ever wished for. They're alive. They're safe. The Krang are gone. It all sounds too good to be true.
And then Donnie offers him an apology and a sad half-smile, pulling him into a strong hug-
And the ice in Leo's mind shatters in a flood of warmth as his twin sense opens for the first time since Donnie's death. He feels his twin's irritation, and deep-seated exhaustion, and a choking wave of guiltguiltguiltguiltguilt-
And beneath it all, steady and strong as ever, the thrum of unending determination, powered by an unfathomably deep well of love. It's the backbeat to the melody of Leo's life, the point-counterpoint to his own heartbeat- it's something he'd never had to live without until he did, but it's back, rushing in to fill the silence he'd known with the strength to go on and the knowledge that he is loved loved loved, strong and overwhelming and all-encompassing in the way only Donnie can love-
It's something the Krang could never imitate.
This is real. This is all real-
He throws himself against his twin, toppling them both over on the bed as he clings to Donnie, unable to stand even a fraction of an inch of space between them, as though he could push their hearts together through their plastrons, and he cries, sobbing out worry and terror and grief and the slow, crushing exhaustion of a losing battle finally lost. He cries as though the world was ending - and it had, once when the Krang had invaded and again every time he'd lost a member of his family, over and over until he'd sent his last hope through a portal that had cost his littlest brother his life and succumbed to death himself.
And now he's alive. Here, wherever here is, with Donnie. Clinging to his twin, and being held in turn as Donnie gently sits them both up, never letting go as Leo cries himself out.
It takes a while - long enough for Leo's gaze to settle into a stare and his thoughts to settle into a comfortable static. He's alive, Donnie is alive, and he has no fucking idea what else is going on, but he's just going to be okay with that for now.
His thoughts rouse enough to inform him of something wrong - the line of tension Donnie is carrying down his neck and over his shoulders. That won't do. Leo could try to massage it out with one hand, maybe try to get Donnie to talk about it, but Donnie never likes to talk about it, and Leo isn't one for slowly soothing away tension when he can just take an axe to the release valve instead. Plus, it gives him something definite to focus on, instead of…this whole situation. Whatever 'this whole situation' actually is.
Donnie had mentioned his stupid jokes, right?
"H-hey Dee?" His voice wavers from disuse, thick with tears, but he pushes through. "Why did- why did the tree buy a camera?"
"What?" Oh, Donnie is not going to see this coming. Excellent.
"To do a photosynthesis." It's nowhere near the level of pizazz he normally uses for a punchline delivery - he's still too tired and frazzled and clinging to Donnie entirely too hard for that - but that beautiful pause of a terrible joke sinking in tells him it had hit home nonetheless. Donnie moves - he can hear the telltale slap of face meeting palm - and then breaks down into helpless laughter, smacking the back of Leo's shell as the tension Leo had felt in his twin's shoulders abruptly relaxes. Good. It worked.
"This is so fucking stupid," is all Donnie manages as his laughter fades, and he slumps fully against Leo with a murmur. That's...abrupt. Sure, Leo had felt Donnie's exhaustion, but he hadn't realized it'd been that bad. He takes hold of Donnie, gently laying him down on the bed to rest-
Remember what happened last time Donnie fell asleep next to you.
He gasps sharply at the thought - not again NEVER again - and keeps his hand steady as he moves, laying both fingers gently against Donnie's neck and feeling for his pulse. It's easy to find, strong and steady and even, like it had been before the infection had taken Donnie's vitality and then his life.
But he's alive, and healthy, and sleeping. He's okay. And Leo-
Leo moves his hand to the side of his own neck. His pulse is also easy to find, quickened with the adrenaline of an unknown situation and multiple consecutive shocks to his system.
Okay. Take stock. Assess. Figure out a plan from there.
He's alive. Donnie's alive. The Krang are gone. And everything else…is a big fat question mark, with no easy answers and no indication as to where to begin looking for them.
Well.
Uh.
"What the fuck," Leo whispers to the room at large, as though the walls could answer.
~~~~~~~
(A world away and still very close, a younger pair of twins cling to one another the way a drowning man clings to driftwood: desperately, clutching tight, as though letting go will spell their doom. Neither of them know where the emotions came from, or why; all they know is that each of them are damn glad the other is alive, and they'll do everything they can to make sure that continues to be the case.)
(What the fuck, indeed.)
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tallfroggieart · 10 months
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AGH HAPPY PRIDE MONTH!!! (ft., ofc, our favorite ot3)
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chirpsythismorning · 8 months
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Welcome to a series I'm calling:
Yes, that scene did foreshadow Mike's monologue was disingenuous
Because you'd be surprised how many times the show (even prior to s4) has poked fun at Mike's monologue in the most random ways.
The Bingham's Beautiful Performance
First we have Suzie's sister on the floor, bedazzled and sporting a veil all while her brother is filming. This is basically the kids attempting to present a tale of a romance ending in gruesome tragedy.
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Our bride here is El. The edition of the veil could be a nod to the loud majority's series long assumption that Mike and El are going to end the show together, preferably getting married.
Unfortunately, this is the closest thing they'll ever get to it, with the acknowledgement of that possibility in and of itself being mocked.
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This next shot makes the likelihood that these scenes are connected pretty much indisputable, that being the edition of the record player behind the bride's head.
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The only reason they made a point of having Will push the radio out of El's way, was to subtly connect this moment in Surfer boy to the beautiful performance we saw at the Bingham's only a few episodes prior (scenes that are widely known to be filled with foreshadowing for the season's ending).
A few bylers have already talked about these parallels, so this isn't new knowledge per say. But I do know some have dropped it altogether as possible foreshadowing for whatever reason, while most fans outside of the byler fandom insist it only foreshadowed Eddie's death. However, I think there are too many details that equally, if not more connect it to Mike's monologue than to Eddie's death.
Some fans have also noticed how Will was missing in quite a few shots at the Bingham's, which is interesting, but not all that surprising. Especially in this case...
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Will. Will is the director
Director Will: GET THAT RADIO OUT OF MY SHOT!
Will directed the monologue when he used his feelings to inspire Mike, with the reminder of it (literally in the moment) directing Mike to confess to El, just like Suzie's brother directed that beautiful performance. Both performances convincingly left its audience thinking that the performers feelings in that moment were believable and...
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genuine...
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nellasbookplanet · 7 months
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The more time I sink into andromeda, the more I suspect the biggest reason it ultimately failed commercially was because of the massive tonal shift I've already mentioned, and how there was probably a pretty big chunk of original trilogy players who simply no longer fit as a demographic, while the game failed to reach the people who might’ve enjoyed it.
The original trilogy, much as I love it, feels a little bit like a wishfulfillment power fantasy for a very obvious demographic. Almost all women are overtly sexy in design and the f/f relationship in the first game seems to be written along the guidelines of 'what would a straight man find hot'; you play as someone cool and confident and powerful, the most specialest human ever, and maybe you aren’t always respected but YOU and the NARRATIVE always know you're right and you get to be rude to and sometimes punch/murder people who disagree with you so it’s fine. The game then salvages all this by means of genuinely well-written characters and arcs, really cool sci-fi tech and lore, a fantastic story, and meaningful and hard-hitting choices and consequences (which also allow and often encourage you to steer away from that exact macho ideal).
Enter andromeda. Instead of being a super powerful supersoldier from the start, you're the kid of one. You barely know what you're doing. Everyone doubts you, including yourself. You don’t get the assuredness of knowing you are Right and Cool that you have as Shepard. You don’t demand that same respect. And I'm sure there are a lot of people who hated that.
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....Do we think Gortash took Durge to public executions as a date a form of bhaalist-banite bonding-
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On Tim's Boat
*Tim and Bernard are laying in bed sleeping, limbs entangled as Bernard sleeps on Tim's chest*
*at 3:47am Bernard is awoken*
Bernard, swatting Tim as he is squinting in the dark: Hey grasshopper? Is that a sleep paralysis demon-
Tim, shifting slightly, eyes still shut, basically sleepy mumbling: you wouldn't be hitting me, you'd be paralyzed
Bernard: then I think someone is stealing clothes from our closet
Tim, running his hand through Bernard's hair so Bernard knows he is listening: don't know why, we are the pits of fashion, they should be stealing from Sophie and Louie's closet, or even Tammy and Lauren's closet
Bernard: is that... Robin?
Tim, wide awake now, swiveling his head towards the closet: WHAT?
Damian, standing there in a Robin outfit looking through their clothes in the closet, gathering a pile on his arm: Your father wants you to call him, Drake
Bernard: Robin works for Bruce? Actually, that's not surprising.
Robin, walking out with a pile of clothes on his arm: I am confiscating these *walks out the door*
Bernard:
Tim:
Bernard:
Tim:
Bernard: Guess you could say he was... Robin us.
Tim: You're lucky I love you
Edit: Part 2
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carrotkicks · 1 year
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the power of friendship wins!
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irafook · 1 year
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jamesunderwater · 6 months
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NEVER STOP TALKING ABOUT YOUR FICS *shakes fist at all the fanfic writers out there* YOU CREATED A THING!!! THAT'S ALL YOURS!!!! THAT'S SO FUCKING COOL
listen all i'm saying is, if parents get to do the thing where they never shut up about their kids, then we get to do that with our fics. we created them, too.
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indecisive-v · 6 months
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thank you for your answer kazui it was very concise
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seance · 8 months
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GOOD OMENS (2019-) / ALL THINGS END (Hozier, 2023)
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snarkspawn · 1 year
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I wanted to try my hand at a Leyendecker style and these two made for great test subjects
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girlyaois · 9 months
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I honest to God think a lot of the moral fears surrounding whether you think about your f/os enough or if you comfort your f/os enough in your mind or if YOU do enough FOR your f/os can... really and truly be answered simply by being reminded that they aren't real. you do not morally owe any of your f/os your time, effort, or emotional availability. because they aren't real, and you are. and it's OKAY to say this. it will never be immoral to acknowledge we daydream and draw fanart for ourselves and our joy because we're real people, they're not, they don't need anything from you. don't exert yourself worrying about people who don't exist.
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estravenlover · 4 months
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HATER NATION!!! what’s the most annoying fan interpretation of aziraphale and crowley
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