that scene in tlo where thalia tells percy he can't start feeling sorry for luke bc luke made his choices. and thalia reveals that the reason they couldn't make it to camp in time for all of them to make it to camp was bc luke kept picking fights. and annabeth never saw this as wrong bc luke was her hero. so thalia had to pick up the pieces. and percy thinking both that luke was put in a cruel position and that luke was putting others in a cruel position. and percy is the only character who understood both sides of luke bc annabeth sees only the best of him and thalia sees only the worst. and that's why percy is the prophecy kid and the one who gives luke the knife. bc annabeth had spent the entire series essentially giving luke the knife when he didn't deserve it. and thalia was never going to give luke the knife. but percy is the only one who can see exactly when luke deserves the knife.
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LOOK I JUST REALLY ENJOY THEIR FRIENDSHIP OK?? You can't tell me they wouldn't hang after their respective personal quests (spawn ending ofc)/emotional breakdowns over their own mortality
EDIT: I forgot to watermark these so now more than ever PLEASE don't repost
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I watched When Harry Met Sally yesterday so now I'm curious how everyone's parents met. Any and all stories are welcome!
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my dad saw ao3 open on my computer and asked if that was like my writing club and just so you know that's what fanfic writers are now, we're all in the same writing club where we all write about the same media and show each other our little stories and that's kind of cool actually
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Sometimes people get their start in fandom with something like, idk, the MCU or light action shows like Supernatural or children's fantasy like Warriors (this last example said with love), where the writing is an inconsistent mess, characterization can change on a dime, there's no themes stronger than like "family" or "stop the bad guy from changing our way of life". And their fandom experience is taking the hints of interesting ideas presented and dropped and spinning them into something interesting, or just fluffy and fun, and then discarding the rest.
And then these people come to a piece of art that like. Actually has themes and good writing and a coherent vision, but they're still trained on The Giant Trash Heap That Must Be Sorted Through, so they start their routine of excising fun yaoi moments and throwing the rest in the trash, except now the rest is like. A professionally made passion project by a group of skilled writers with a hundred years writing experience between them, and this fan is writing the same coffee shop AUs as ever. And it makes something that feels same-y and fandom out of something unique and well-made and, well, interesting.
And like. That's their prerogative, more power to them, but it makes me wanna pull my hair out to talk to these people about a piece of media I actually care about beyond that Trash Heap level.
And if you're someone whose only fandom experience has been Trash Sorting and you're running into people arguing with you abt their favorite piece of media, give them a second thought I guess?
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One thing for those who have watched The Boy and The Heron or will watch it. The Japanese title for it is How Do You Live? And Miyazaki stated he was leaving it for his grandson, saying, "Grandpa is moving onto the next world soon but he is leaving behind this film".
The deaths of contemporaries and friends such as Satoshi Kon and Isao Takahata and also the expected successor of Yoshifumi Kondo were things that have always weighed heavily on the back of Miyazaki's mind.
He recognizes the industry and the occupation for how soul crushing it was, grinding up either the spirit or the physical body of those who work in it. He loves and hates the industry he stands on the peak of and fully recognizes how it will probably be the death of him. And he knows it'll leave him unable to say a lot of things to his Grandson.
So How Do You Live? is a lesson. For his grandson. For himself. For his two sons. And probably for anyone else willing to pay attention.
Hayao Miyazaki is a flawed man that makes things so important to so many people. And I think more than any other film of his, in this you get to pull back the curtain a bit and see him at work. And what should be this giant unblemished titan can be seen for what he is, a sad old man who had higher hopes for himself and has even higher hopes for the people he makes his work for.
It's a beautiful thing to see another's humanity in their work. To look past the artifice and glam of commercialized art and find humans behind it. And humans willing to show their humanity and mortality is even rarer. And something to be celebrated. So when you watch it. Or if you've watched it already. Understand that this film is Miyazaki kneeling down, weary after years of weaving dreams and making mistakes, reaching out and saying to you that he hopes you can do better. It's an old man who's made all the mistakes of the world passing it on to you, hoping you do better, and making sure you know it's okay if you don't.
How do you Live? By making mistakes. By messing up. But still moving forward. And still reaching out.
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I fucking LOVE that Donna is not immune to being a little starry-eyed over The Doctor in the way that many of us get a little starry-eyed over our best friends but she IS immune to being that way in front of them lmao. Double love that this appears to also be Catherine Tate and David Tennant's dynamic
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