cheers to the future of humanity (and the future of us)
[ID: Digital illustration in color of Vash and Wolfwood from Trigun. The illustration takes place during the ship/home arc, specifically chapter 21. At the center, Vash is grabbing Wolfwood by the collar and pulls him into a kiss in the middle of a celebration. The pair is colored in vibrant warm hues while their surroundings are colored in cooler colors like green and teals. Luida, Brad, Meryl, and Milly are shown amongst the crowd, occupied in the celebrations as Vash and Wolfwood share a moment by themselves at the center. END ID]
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All the jokes about Ken and horses are good but I just wanna say it's such a good parallel to how actual young men get swept into misogyny and the patriarchy.
Like they're told to believe it means men get to be cool and manly and have this power but with that comes extremely rigid commands of what they can be as a man and a cycle of self hatred for never matching those gender roles perfectly. Patriarchy tells men that if they just do exactly what is expected of them, then they get all the "cool stuff" that comes with. That doesn't work though when there's only a small group that actually gets that power, but men will keep trying to fit into those roles in hopes that they can.
In the end there are no horses or the myth men are told, it's just endless cycles of self hatred and ingroup fighting.
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i'm still very sad they didn't do anything at all in season 3 with the Nate & Roy dynamic they'd been building off in the background for the first two seasons, because the layers there were really fascinating.
Starting with like, Roy being the only one to vocally and actively stand up for Nate in season one. At the time I think Nate was appreciative, but I think in hindsight, (rightly or wrongly) it quickly morphs into this mindset that Roy is sort of patronizing and has long viewed him as this weak thing in need of protecting. It feels (in Nate's mind), like Roy swept in to play the savior when it convinced him, but even that was based more around his hatred of Jamie than it was about liking Nate. And we see Nate later think himself proven correct in that thinking after he kisses Keeley and confesses and Roy...barely reacts. Roy, who is furious and angry about everything and everyone every day of his life, is suddenly like "Oh it's fine" when Nate has kissed his girlfriend. Nick Mohammed's commentary that Nate actively saw that as a micro-aggression was so fascinating and makes a lot of sense.
Then you have Roy, who did see season one Nate as someone to protect, but then was also driven to his best performance on the pitch during his final season by Nate's no-bullshit speech before the Everton game. That scene is so effective because it's such a jarring departure for the entire team from how they've previously viewed Nate, and it works for Roy especially because Roy respects people who don't give in to the intimidation he's constantly goading them with and instead tells it to him straight, no words minced (this is why Roy gets along so well with people like Rebecca, Keeley, and Ted, and why the breakthrough moment with Jamie is Jamie calling him out at the gala, etc.). I think there IS a part of Roy that doesn't respect Nate in season 1, which is why he later reacts how he does to Nate's kiss with Keeley, and it's a mindset he's vindicated by when Nate turns on Ted. But that also gets all mixed up with moments like the Everton, with the evidence of Nate being such a good strategist that Roy later finds himself deeply envious of after becoming a coach himself.
During the time they are both coaching together, there's a dynamic there where they both (I think) believe the other person doesn't take them seriously, and it's rooted in a little bit of truth (on both sides!!) that's then wildly exacerbated by their own insecurities. Like, Nate is intimated by the fact that Roy is this rich famous hotshot publicly beloved, so that it feels way out of Nate's league to even be interacting with him. At the same time, he also thinks Roy is a bit of an asshole who doesn't see him as a threat because he doesn't take him seriously, and is (fairly) offended by it. Meanwhile, Roy is intimated by Nate because Nate is so clearly so intelligent, which I think is something Roy is insecure about in general, given his own education being superseded early on by football. He sees Nate as being a more adequate coach than himself because of this. But he also thinks Nate is spineless and whatever respect he had for him (fairly) dissolves completely after Nate goes to the press about Ted.
So it's like, this messy mixture where they both have something the other desperately wants but they can't see at all why the other would possibly be envious of them due to their own insecurities. They are, imo, the two most insecure people on the show in completely different ways. They hate themselves far more than they hate each other, yet they displace the weight of that feeling onto each other; Roy by treating Nate with indifference and Nate by dismissing Roy in his head as an asshole hotshot whose had a great life handed to him and doesn't even appreciate it, whereas Nate has to fight tooth and nail to find success. And it all boils down to them not understanding one another while also having a lot in common under the surface.
Anyway, I think it would be super interesting to see how their friendship or even just their relationship as coworkers develops after season 3, as they both make active attempts at overcoming their insecurities and doing better by themselves and each other.
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Okay I've talked about the tragedy of Laudna now let's talk about the tragedy of Imogen.
It’s been a while, but her moment in the Feywild truth exercise where she says "I think I’m tainted. I don’t know if I want to save gods that don’t love me" has really stuck in my mind. The thing is, I don’t think she’s specifically talking about the gods here, but rather summing up and projecting her entire experience as a ruidusborn. She isn’t thinking "Why aren’t I the gods' special little princess? Why haven’t they come to save me specifically?? You better love me or I'll let you die" (which we have seen does seem to be a common attitude in the Vanguard) This is her fear of being against her own will tainted by something evil. Her fear that, despite knowing how wrong it is, part of her longs for the power and belonging that comes with giving in to Predathos. It’s knowing that this thing is the antithesis of the gods, and that no matter what she does and how much she opposes it, it is still part of her. And because of that, the world doesn’t love her. Her mother left, her father can barely look at her, her own body will betray her with feelings and powers she doesn't understand, her community ostracized her, her allies view her with suspicion, the gods will not lend a hand in their own rescue when she asks despite Imogen putting herself and her loved ones in danger for their sake.
And Imogen is tired. Tired of being the bigger person, tired of resisting. Logically she knows the gods don’t hate her specifically but it ads up, and as the lure of Predathos does promise love and belonging part of her wants to give in because why should she risk so much to save a world that has never once tried to save her.
And that’s where she, as well as Laudna, get so interesting. They have deeply sympathetic reasons for their doubts and flaws, as well as for why they value each other so much higher than the entirety of Exandria (tl;dr because they have only ever gotten genuine understanding and unconditional love from each other). But that doesn’t mean it isn't flaws. It doesn’t mean Imogen, if she hadn’t met Laudna and the Hells first and realized the harm the Vanguard is causing and that their promises are ultimately lies, couldn’t have been drawn in by the Vanguard's ideas. It doesn’t mean they aren't wrong in blaming gods for bad things in their own lives, or in demanding special treatment. But it’s deeply understandable, which is the very reason they and people like them're such excellent targets for the Vanguard to convert. And once in the Vanguard, it doesn’t matter how tragic and sympathetic you are, you are still doing evil.
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y'all can all cancel me (again) for this, but if there's even a SHRED of 'who should I pick?' from Penelope in season 3, I am tuning out SO fast because like. . .sorry not sorry, there IS no choice. Debling is some crusty OC suitor she barely even knows and Colin is a man who she has been so supposedly in love with to the point where she'd ruin her entire family's reputation to have a potential love story with him. Penelope and Colin have background, years of knowing each other, intimacy that few people in the Ton can boast of having (letters, conversations about purpose, fights and arguments and makeups) and her and Debling have. . .a dance or two at a ball because he's a rebound for Penelope's broken heart. he means nothing. he has no nuance, he has no weight to the story, he is such an afterthought to me. either I wanna see Penelope going 'you know what? I don't even LIKE this dude. he's. . .fine, but I don't care about him even a shred as much as I care about Colin' or the INSTANT Colin's like 'you know what? we should get married' if it's not an immediate 'say less, you're already my husband, try returning me without the receipt, Debling whomst?' then I don't want it!
like. . .it's just so frustrating to see all the 'I hope Debling sweeps her off her feet and she rejects Colin's proposal and she makes him work for it and and and-' nonsense from the fandom and it's always tagged and no matter how many times I block it, it just keeps popping up. I go into the Polin tag for POLIN. I don't give a SHIT about a male love interest other than Colin. Not one. Not a shred. Not an iota.
and also. . .Debling has the 'benefit' of not having depth, or character traits, or HISTORY, so peeps can project onto him however they want, but I'm calling it now, there is NOTHING he could do or be that would make me like him more than Colin. Colin will always hit different, and I will always love him more. and if Pen's not on that same page? lol bye
you want me to believe Penelope and Colin are soulmates and it's romance for her to hem and haw about how difficult a decision it is for her to marry a stranger who knows barely anything about her. . .
when Marina was out here dropping banger lines like 'You were the only man with which I could see myself being happy' and 'I do not care about any of these men, where is Colin?'? like hello??? and she wasn't even fully in love with him!!!! but we'll demonize her until the cows come home in our fandom and make her the villain in Polin's love story for DARING to get in between Polin, yet Debling, a white man, is a darling dear perfect prince for getting in between Polin? existing in our fandom solely so Penelope can be like 'lol, Colin ain't shit, let me entertain any and everyone else'?
if that's the direction it goes then, ten toes down and on my mama, she doesn't deserve Colin and she can move because I'm on my way to court him my damn self
and that's that on that
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There's just something so fucking great about the concept of characters like Zeke Banks and Peter Strahm having this complicated relationship to serial killers while having such a strong urge for justice and finding the truth???
Specifically, I love to think about how in the middle of their games of cat and mouse, or at those moments they inevitably share as they sharpen their knowledge on each other and get close enough to bump, when their intentions get a lot more nuanced as they insist on combing through them later again and again... that connection and obsession shoves everything else to second place. Seeing one another tunnels their vision, and their actions will follow rules made on the spot.
But then the world keeps on turning around them when they leave the crime scene with blood on their shirts and a gun that may or may not have been pointed but never used, piles of mangled bodies from 'collaborative traps' and distorted audios calling the remains of another horror story a chance for 'redemption' never stop being found; survivors slam doors in their faces when they come for statements and sob their hearts out at their closed off support meetings— suddenly, it's their place to show remorse, perform the respect and compassion that's lacking in their lovers... and how it impacts them to carry that burden they, against their own better judgement and all good reasoning, carry because they only give this much of a tangible fuck when they're put face to face with that damage.
It's just breathtaking, to wonder how ignorance is bliss and they cover themselves in it for the sake of something they want so badly. The guilt that comes when the blanket slips right off, yanked back by their lovers. Maybe even by themselves, punishment for their own broken vows. Weakness.
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you know, there's a lot of art (both as an actual art and fanfiction) in phandom that elaborates and deepens the relationship between danny and ghosts, and not much about ghosts and everybody else. there's some things about vlad and danielle and jazz and surprisingly mr. lancer (?), and that's usually it. and honestly, good for you all, the things i saw were really fascinating, genuinely.
but like. i would DIE to see more about the relationship between sam and dora. the parallels alone are??? ENDLESS POSSIBILITIES, I'M TELLING YOU.
i want them to be friends. i want them to be kindred spirits. i want sam to treat dora's kingdom as a safe heaven, a calm harbor where she can simply be, with no expectations and daunting responsibilities. i want dora to teach sam how to differentiate fabrics by feel alone, how to dance with her eyes closed and all the different messages flowers can tell. i want her to tell sam about that time sir albert made a fool of himself trying to oppose a new economic reform, talk about all the economic, legal and political reforms she's been making in all it's excruciating detail and then to teach her the perfect curtsy.
i want sam to show dora how to tend to a garden. to show her the joy of watching a new life grow and knowing that you did this, that you hands can be gentle and loving, that you were not born to hurt. i want them to recite poetry to each other, to argue and debate and discuss, to find a meaning where the words before were empty, to offer an angle never thought before. i want sam to teach dora how to skate, be it skates, rollerblades or a scateboard, and dora being absolutely terrible at it and yet still doing it everytime they meet because it makes them laugh.
i just think they'd be really good friends, if given a chance.
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hello there, angel
[ID: Digital illustration in color of Vash and Wolfwood from Trigun Maximum. Vash is sitting facing the viewer and holds a rose between his clasped together hands, but he’s looking to the left, upwards, at Wolfwood, with an awed expression. Wolfwood hovers over him with wings sprouting from his back. He has a cigarette lit between his lips, his arms and legs are crossed, and he looks back at Vash with a neutral expression. The both of them are covered in a blue shadow, casted by Wolfwood and his hovering form, while warm light hits the back of his wings and over Vash’s legs. Small feathers sits next to Vash. End ID]
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“If you just do everything you’re supposed to do you’ll eventually end up where you need to be.” Infinity train book 4 you fuck me up so bad still. “You can mess up even if you stand still…” MIN-GI PARK…..
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Irks me a little bit whenever Dean torturing in Hell is positioned as his own fault, or even really his choice to do. We get given the solid number, 30 years of torture for him and 10 inflicting it on other people (which was also more torture for him because it’s Hell, the torture evolves, it doesn’t stop), and we get told that wasn’t long enough. That John held out longer. That angels were going to pull Dean out of Hell and if he’d just held on a few years more, the seal wouldn’t have been broken.
But that isn’t true, right? We know Heaven wanted the seal broken, ergo Dean wasn’t getting saved until it was. Until it, and he, we’re thoroughly broken and usable by Heaven to achieve their own ends (ie to make him into a good (obedient) Michael sword.) So, it wouldn’t have mattered how long he held out in Apocalyptic terms because the game (that he didn’t know he was playing) was rigged against him.
But more importantly for Dean, the amount of time he managed not to break literally does not matter. Because it was never going to be long enough. Thirty years, forty, a hundred, a thousand, it does not matter how long he held out because the breaking itself is the unforgivable part to him and the breaking was always inevitable.
Anyway. There’s my Dean meta for the year. Eat up, I guess.
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Shi Long Lang insisting all of his agents identify themselves as "1" during team countoffs, and Manfred von Karma setting his bank PIN to #1 have the same and yet opposite energies.
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another yayo just for fun :)
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