when i was around 9 my family cat died and i was understandably upset about it. so a few days later in my elementary catholic class (italian thing. ask mussolini about it and then hang him again) i drew a picture of "what i thought heaven looked like". and what heaven looked like to me was god standing around with an arm around jesus' shoulders being like "and THEN my wonderful son did this..." with jesus looking visibly embarrassed, because that's how a good dad is supposed to act, while all the angels and souls of the departed sat at their feet looking impressed in their wings and haloes. various pets being among them, such as my cat, my grandpa's old dog etc, also behaloed and winged. except when i went to show my drawing to the teacher explaining my artistic thought process, she looked at it and went "nice. but animals don't go to heaven because they don't have souls like us."
i wish. oh how i wish every day of my life that i'd been the hypersensitive, quick-to-tears kid that would've undoubtedly triggered a whole class religious schism when my classmates found out why i was screaming and sobbing my eyes out. but alas, i just discarded her theological theory altogether. what a silly woman she was. she must've never had pets, otherwise she'd clearly know they DO have a soul. boy, was she gonna get a surprise when she got to heaven.
now that i think back on it, you have to laugh at the heartless, eye-opening cruelty of looking a grieving child in the eye and saying "sorry kid, little mina's not getting into heaven." what a succinct summary of catholicism. anyway, I'm not christian anymore.
HOWDY EVERYONE- so excited to FINALLY be able to show off my piece for this year's Bumbleby Big Bang!
Unfortunately no accompanying story as of yet- but I really hope you guys get to read it someday! The premise involves Yang cursed to be trapped inside a sword, which was an idea I KNEW I had to make move.
Details and development stuff under the cut!
Lots of fun collaboration with the author, Celeste! We worked together to find the look-of-picture, Blake's outfit, how the Grimm look, the style of the sword, the whole shabang! I'm really happy with how it all turned out!
When I first saw all the prompts, even before claims opened, I got to work on a handful of exploration pieces based on some of the summaries, to decide which of the stories I was interested in would be the best fit. Here's the initial idea for this one I put together over a lunch break:
After showing Celeste, we got to work finding the look we wanted! Went back and forth a bit and found this great look for Blake! Also shoutout to Pinterest boards for visdev inspiration I love you Pinterest boards.
Just about everything stayed to final anim, with the simplification of getting rid of that purple cloth hanging from her belt, (since I already had the rope ends to think about working with), and the light purple strap across the chest, since leaving it out would simplify the linework on her chest.
The sword also went through a bit of change! Celeste had the idea of Yang making the sword catch on fire, which I LOVED. I went with a split design so we can see the fire more clearly start from the hilt and grow to cover the whole blade.
And from there we brainstormed animation ideas! I went all over Youtube for video reference of sword work (that would be complex enough to be interesting, but short enough to be manageable). I found something we liked from Motion Actor Inc., a channel I've used LOTS for both personal and professional work (I work in 3D Animation, for those who don't know). I edited this together, to see the action from multiple places at once, which gave me the idea for that camera move that's in the final anim!
Now for the fun part! Make that badboy MOVE. For the cam turn, the first frame she's in the air I'm referencing the top left video, and the frame she lands I'm referencing the bottom left one. While she's airborne I'm just inbetweening that! No reference for the Grimm, just wanted it responding to her attacks, but I end up tweaking the roughs later on to make the block feel stronger.
Then from there we had to actually figure out Grimm designs! Nimona had just released, and Celeste and I loved it, so she asked if I could take some inspiration from Nimona's shadow form! GLADLY. Here's what I came up with!
I was going between how the movies and comic designed Nimona, really loving the almost liquid shadow of the movie, but also how the comics had this broken up/held together rougher form. Celeste liked the second to last one the best! The original plan was to have it leave a wispy shadow trail like the concept art, but to simplify the animation we left it solid instead!
Next up is tiedown! Basically just getting the roughs more on-model, so the lineart comes out nice and clean. I've also transferred the new Grimm design to the base from earlier, and fire's also outlined orange so it reads clearer. (SPOILER- if you look REAL close here, you can see Yang visible in the fire! I liked the idea of Blake's slash also doubling as Yang throwing a punch. The idea is in the concept art earlier but now it's working with the action.)
Next step- final look of picture!! I asked Celeste for sources of inspiration to draw from when thinking about environment design, and we got Nimona, She-Ra, and Owl House! Used each of those as springboards for shading style, colour palettes, and how the fire would look!
From there, we kept the straight trees/bush/lake/foreground greenery from the first one, the blues from the second, and the fire from the third!
Once I had this frame, it was a matter of working backwards and making the background work pre-camera turn (which was ABSOLUTELY the most challenging part of this process). Learned a lot doing this! Procreate isn't quite equipped to make something like this efficient, but I'm pleased to say that Dreams would make something like this easier in the future (keyframing objects instead of hand-drawing/spacing duplicates by hand, for example).
From then on it was just colouring the lineart, adding shading, and finishing up the background! Beginning-to-end this whole process was beginning of July to end of October!
I had an absolute BLAST putting all this together. Here's to next year where I find a way to do something even more ridiculously complicated!! It's fun!!!
I carried this thing for MONTHS with the EXPRESS PURPOSE of putting Raphael in it (knowing full well Larian wouldn't let me do that, mechanically) and I had one major miscalculation.
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[[ All Croissant Adventures (chronological, desktop) ]]
I love that in the Podcast they specifically said they wanted to frame the hospital fight not as this action packed scene, but as sad. Because Joel has completely disassociated. He’s checked out because trauma can do that to a person, let’s you separate what’s happening. They said this is him burning his soul for this one girl.
He’s doing what needs to be done in the same way Marlene did but while her focus was humanity, his focus is just Ellie. It’s tunnel vision. He kills anyone who is a threat and even if they drop their weapon, they could change their mind and still shoot him and then Ellie dies. He doesn’t kill the doctor until he becomes a threat by wielding the scalpel.
And them saying Marlene actually signed her death warrant the moment she said “let me go” because it meant she planned to try and survive her wound. There would be a tomorrow and in that tomorrow, she would try and come after them. So of course she had to die because her living meant Ellie wouldn’t be safe.
Left this abandoned in the drafts (which is a bit ironic) but it's a spin on this post, where instead of Apollo just being locked in some room on Olympus somewhere, he's bound to the ruins of an abandoned Ancient Greek city. Maybe somewhere near Delphi, maybe Troy, idk.
Re: the lack of demand for wool thanks to propaganda causing more waste; my parents live part-time in a small village in Ireland that is about half populated by sheep farmers. ALL those farmers have had to pivot away from wool production to mutton production, because they can't survive off selling the wool anymore. So now they are killing exponentially more sheep than they were killing before, since. You know. You don't have to kill the sheep to harvest the wool!
God, this is incredibly sad
all that wool that could become, not just winter/cold-weather fabric, but summer-weight wool that's excellent for temperature regulation!
and of course, the irony of killing more sheep because P*TA told you the non-lethal sheep product was evil