FNAF SPOILERS! SCROLL! TALKING ABOUT THE SPRINGLOCK SCENE!
i’ve seen so many people discussing the springlock scene in both negative and positive ways and i think it brings up really cool points about how matthew played that scene and balanced fan expectations with his own characterisation.
i think the discussions around this movie have rlly exposed the disconnect between fanon and canon in fnaf, especially talking abt the core games in isolation, bc frankly in the game universe (ignoring the books) we get Very Little characterisation for William other than the obvious, but Matthew managed to add so much in the way he talks and his body language.
in the reveal scene, we see afton at arguably his peak. in his first scene, he comes off as somewhat demeaning and judgemental until he recognises mike’s name, at which point he seems to have this nervous energy, rushing to cover it up but stumbling slightly, his reaction to the tables being turned even slightly is massive.
this is a man who committed multiple mrdrs in essentially broad daylight, hid the bodies in the most obvious place, and still got away with it, and then kept the crime scene as a trophy of his actions, and an ongoing prison sentence for his victims. he has been in complete control for decades, and is confident that he can deal with any kind of threat quickly. his confidence in his reveal is palpable
it changes when vanessa shoots him. the whole parallel with vanessa and the animatronics is hugely interesting too- how william refers to the animatronics almost endearingly as “kids” when he wants them to obey, how both vanny and the animatronics have an unearned loyalty to him, almost a pseudo-adoption through what he did to them, taking them from their parents and keeping them under his thumb, forever stuck as naive, forgiving, obedient children. vanessa breaking from that control shakes him, but the mask slips back into place almost immediately.
then, he’s outsmarted by the brother of one of his victims, and the child he planned to end next. his pseudo-children turn on him and he can no longer manipulate his appearance or shed his skin to escape. he explodes on them, and his language is incredibly telling that he is being dishonest.
he calls them small, trying to belittle them into submission, even though they are ten feet tall metal animatronics powered by rage. he is grasping at straws to regain control, and failing miserably.
finally, the springlocks go off. the locks in the movie look more like a ribcage, so the first two likely puncture his lungs. they’re slow, and painful, but he doesn’t scream or beg or sob. he grunts and groans, gritting his teeth and only letting out sounds of pain that sound almost involuntary. there is no way in hell he would visibly let himself show weakness or pain in front of these creatures that he believes he has control over. he isn’t brought to his knees until there are eight metal spikes embedded in his abdomen. he doesn’t let the mask fall for even a second, until he literally PUTS THE ACTUAL MASK ON and finally collapses. even then, he’s fighting for consciousness, twitching and writhing with no control over his body. william afton thrives on control, and his soul will not rest until he gets it back.
it’s why he keeps the pizzeria- he always comes back. he can’t help but return to the scene of the crime, putting on his old costume, continuing his killings. he revels in being a constant threat on the horizon. and now, he knows he is going to die, and he knows the suit will bring him back, and noone will be able to get rid of him then. so he puts the mask back on, and waits.
in terms of the sfx- they’re pretty accurate. with stab wounds, you need to leave the knife in the wound as long as possible for best chance of survival, as it stops the blood from escaping. in terms of the springlocks, there wouldn’t be copious amounts of blood as the locks are keeping the wounds filled- which is good because it means a slower, more painful death.
I had the joy to contribute to this year's 2022 zukka novel!
we were an amazing group, we had lots of fun and also suffered a bit. but in the end, I am proud that we created this digital zine together!
i got to colaborate with aiyah (writer) and burnt_oranges (beta) so if you like to check it out click on this links below!
DOWNLOAD IT HERE zukkanovels blog
aiyah ao3 & burnt_oranges ao3
the fic is not on ao3 yet. i will up date this post once i have the link!
[ID: two drawings and a comic page showing sokka and zuko from avatar the last airbender.
1. sokka and zuko are in the woods. the sun setting behind them. right in the image sokka is sitting on his blue scooter throwing a red helmet toward zuko in the centre of the image. sokka has an open-mouthed smile on his face. he is wearing a green hoody with yellow accents. Sokka's backpack was secure on his back. zuko is in the centre, glaring towards sokka, cheeks puffed out in an effort of catching the helmet. he wears a white dress shirt and black pants. his backpack hanging over his shoulder.
2. sokka and zuko riding sokkas blue scooter. Sokka is driving, wearing a yellow helmet. he is smiling his tongue sticking out. zuko sitting behind sokka waring the red helmet, exspression neutral.
a comic page separated by three panels by wavy iridescent-looking lines. in the first panel sokka and zuko are standing in front of a pond, surrounded by green forest. with a big round gate in its centre. the incite of the gate glows with an iridescent mist. zuko is standing on the left looking down at sokka. who is smiling up at zuko leaning forward about to take off his shoes. the second panel is split in two. on the right it shows sokka leaning forward extending his hand towards zuko inviting him to take it. he is smiling. on the right zuko is looking toward sokka smiling hand raised about to take sokkas. the last panel is a close-up of the boys holding hands. in the background is the gate blurred out. End ID.]
artblog: chiptrillino-art
bonus illus under the cut
[ID: two drawings showing sokka and zuko from avatar the last airbender.
1. upper right corner. sokka and zuko half-body drawing. both boys wear school uniforms. zuko neatly closed his jacket, dress-shirt and tie around his neck. sokka open jaquett, wearing a hoody underenath. sokka is leaning over zuko, one arm around his shoulder invading his space. smiling to zuko who looks unsure and pinches his mouth together. in his other hand, sokka is holding a helmet.
2. fullbody sketch of sokka an dzuko. both boys wearing their uniform. zuko got rid of the jaced. he opened the first two buttons of his shirt sleeves roled up tie untied. frowning at the viewer. sokka is leaning on his bike. waring his hoody, dressshirt peeking out udnderneath. he is smiling torwards the viewer. End ID.]
the more I think about the mutiny at Terror Camp, the funnier it becomes. like... that was only their second stop. imagine you are on a road trip across the continent, you make it to your second hotel of the journey, and suddenly everyone is pulling guns on each other, one of your team leaders got stabbed in an arby's parking lot, the guy you hired to keep everyone safe is now openly mutinying with some rat guy who wasn't even supposed to be on the trip in the first place, and now you've ordered both of those guys to be hanged for their crimes. your dog is dead, the rat guy ate it. one of your other team leaders gets lost and almost immediately starts chewing on his shoes. the rat guy took your only doctor. several people got mauled by a bear.
AHEM. So no one explicitly asked for this but considering Peat's legs got plastered all over Twitter, there are clearly a good number of you thirsting over them. So you're welcome. I guess?
okay it's 1pm and i willingly unprompted said to my mate 'hey if we make this a competition on who can finish our finance report first that'll make us way more productive' (bc we're both hateful people) and she agreed and our deadline is 3pm i will keep you posted
Benny is more of a capable leader and person than people give him credit for.
Seeing as no one challenged his position as head Chairmen for 7 years and even then he only loses the position if he’s caught, killed or forced to leave. Yes, it’s also likely House wouldn’t have allowed him to be killed but he sure as hell would of found a way to remove him if he was causing too much unrest within The Tops power structure. Even Swank and Tommy don’t outright dislike him and more so are concerned with his recent secretive and shady behavior, emphasis on recent.
Taking all we know into consideration, Benny likely knew the future direction that he wanted to take Vegas but was so caught up in the plans to acquire Vegas that he didn’t think of how to make his dream a reality. Something he admits to in canon. I see this being used as the main argument that Benny doesn’t know what he’s doing at all but I see it more in the same vein as you can’t really plan something from nothing. The transformation of Vegas is a sensitive thing that he can’t really work on until he has it. The only reason he ran to the Fort prematurely is the Courier who was causing so much of a stir he would’ve likely been found out much faster, making all that planning for nothing if he didn’t take that chance.
Benny is careful (well a lot more careful than he is regularly depicted in fanon), the Courier being able to trace him was dumb luck on their part and his hair being noticed at the Fort is a realistically small oversight that even Caesar is disappointed in because he admits Benny got farther than he should’ve been allowed by his legionaries. The fact he can plan an ambush on the Courier or tries to quickly and concisely clean up lose ends that don’t lead back to him shows he’s not just acting on impulses or in the moment decisions. Or rather he’s quite good at thinking them out, whether they work depends on how you play really. This is all to say it’s 100% believable that Benny could lead an independent Vegas (house was basically setting him up to do that). If he had known explicitly that House was setting him up to replace him, he likely would’ve bought more time by getting in closer, learning more of the system to then flip House’s edge to his favor. Again something he was doing already but likely without the knowledge of House’s feelings on him personally.
No matter what, Vegas’ future was tied to Benny; House’s plans for him, having to get the chip and if he had somehow succeeded. It’s also interesting that of all the people vying for control of the dam/Vegas, Benny’s plans are the only ones actually oriented towards a new future, not a recreation of something long past.
Hello Kofi. My HNOC brainrot is lasting longer than i thought it would be, but I am yet to understand HOW THE HELL DOES FORT GALFRIDIAN WORK. I've spent hours collecting information and I think I generally get how it's shaped and the artificial gravity thing. What I have not absolutely understood is 1. Where do the people live? Are they on the curved part of the cylinder (so they see the sun as a line in the sky) or in the base (which mean that they see just the end of the tube ig)? And 2. How do they travel through the different levels? I'm sorry to have robbed you of your time with my random rambling, thank you for all your work which makes me so happy everyday. Byeeee<3
So the movie Interstellar came out a few months *after* HNOC, but both Fort Galfridian and Cooper Station are variations on the O’Neill cylinder concept (https://en.m.wikipedia.org/wiki/O%27Neill_cylinder) so it’s not an original concept to either.
Interstellar is probably the clearest and easiest to find visual example of the main habitable level I can think of. I think this is concept art from the movie:
So as you can see, the people live inside the inner layer of the cylinder (think the inside of a cardboard tube.) The ground is also the ceiling and it’s all a bit giddy. The whole station spins to generate an artificial gravity effect. The big difference between this picture and Galfridian is that this station has the light source at the extreme end of the cylinder (and presumably at the opposite end too), which would not light the whole station evenly, whereas (according to all of us except Jonny, who obviously has a right to his opinion) Galfridian’s light source is a huge strip that runs from end to end of the cylinder, supported by colossal pylons, providing uniform light and oppressive heat (tube sun).
There are, of course, many lower layers under the ground where a combination of automation and operations crew carry out the essential functions, life support, hydroponics, weapons systems etc. How do they get down there from the habitable layer? The same way you’d get into a basement. Service elevators, stairwells, tunnels.
As Galfridian is broken, and there’s no longer a crew as such, these systems are decaying and wearing down. Some stopped altogether without the GRAIL. As the station’s solar orbit decayed over the years, the very outer levels became so flooded with solar radiation that even the Saxons won’t go that far out.