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luninosity · 3 years

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Okay, so, some Falcon and the Winter Soldier thoughts (will have some spoilers) for episodes two and three. General non-spoilery comment first: I feel like these were both *okay* episodes - neither as good as the first, but I didn’t dislike them, either. I’m still really curious to see how we’re going to wrap this all up in three more episodes; it doesn’t feel like we’re halfway done yet!

Okay, more spoiler-y notes below the Read More, not in any real order, just as I think and type. I’ll probably forget some things, but for now, here’re some thoughts...

--I like ep 3 slightly more than ep 2, mostly because of Zemo!

--I actually really love Zemo here (I liked him in Civil War, too): complex, sardonic, enjoying poking at people, a villain we do feel sympathy for even as he’s still sharp enough to remind us that he is a villain. Daniel Bruhl has always done a fantastic job flipping between calculated cruelty, wry humor - the whole “I am a Baron” moment was great - and pain that for him is still raw, about the loss of his family. (Some things’re awfully cliche - look, the supervillain’s playing chess and reading Machiavelli in his cell? really? - but, y’know...sure. Why not. We expect some cliches in the superhero genre, and this is an inoffensive one.)

--also Zemo dancing. That’s it. That’s everything.

--moving on from that: I’m also really liking how they’re writing John Walker. He does have charm, and there’s a certain amount of sympathy - especially as we see him worrying about filling the Captain America shoes, in ep 2 - but we’re also getting this really subtle sense of wrongness about him. He’s clearly vindictive and angry when things (and people) don’t act according to his mental script for them, and he’s willing to use his name and power to do things like get Bucky released...which in context and given our sympathies for Bucky is a good thing, but...it’s also an indicator of his willingness to do what he wants, because he can. (To be fair, Steve Rogers also often did that! - but Steve earned our trust, both in narrative and character. From his first introduction to WWII leadership experience to all the Avengers stuff, Steve consistently acts to protect people, and he’ll also listen if someone else has a good idea or if someone needs to talk, like with Wanda.) So I’m really liking this slow-fuse character development.

--mixed feelings about Sharon. I love that the show’s acknowledging how much she sacrificed for our main heroes, with no reward. On the other hand, she also clearly knew the consequences that could happen; she said as much at the time. The level of bitterness seems like a lot. But I’m also interested in everything we still don’t know about her - if she’s not the Power Broker herself, she’s obviously Up To Something. So that should be fun.

--hey, look at that X-Men location, with Majipoor! Also a nod to Wolverine’s favorite bar there, I think?

--I love heist and disguise plots!

--I also really like Bucky’s having to revert to the Winter Soldier - Sebastian Stan does it so brilliantly, with so many layers of emotion: not wanting to, loathing it, recognizing the necessity, shutting off all emotion and just coldly doing it, hurting but covering it up...just fantastic, and you know I love some hurt/comfort, and this seems like such a great set-up for emotional hurt

--but! this also seems like...a weird plot hole, kind of? Bucky’s pretty famous at this point, right? I imagine the criminal underworld knows he’s been pardoned and deprogrammed, right? or do they assume Zemo, with his knowledge of Hydra, still has some special control over him?

--along the same “this seems like someone didn’t think this through” path, Sam, you’re a professional, turn off your phone on a mission. Oh my god. Face-palmingly stupid - and I think somewhat lazy writing, as the writers plainly needed a giveaway, and went for the first idea they had. Even if it made a main character look incompetent.

--the Flag Smashers and Karli are...fine. They feel very Generic Marvel Villain - not the big space alien type, but the other type, the “I have a personal loss and motivating pain so I’m a little sympathetic but also Clearly Evil, watch me kill civilians so the audience won’t ever find me TOO sympathetic” type. Meh. Fine. Zemo’s more interesting, but...fine.

--Anthony Mackie is such a fantastic actor - every bit of his reaction to the Isaiah Bradley reveal is so good. The anger, pain, frustration, ferocity...heartbreaking. Actually that whole scene is so good - his emotions at discovering this secret history are palpable, and it’s so painful, because we also understand why Bucky would keep the secret - as someone who knows about pain and trauma and being experimented on, and knowing Isaiah wants to be left alone - we feel really deeply for both characters here, and it’s great.

--I actually liked the abrupt swing from the Isaiah Bradley encounter to the casual everyday racism of the cops on the street - is it subtle, no. But it’s not meant to be: it’s meant to be standing up and shouting about how not that much has really changed, and about how pervasive racism is. I know some reviews were all, “this was just too much!” or “too forced!” but...look, it needs to be shouted sometimes for people to hear.

--Bucky’s notebook being Steve’s, oh, ouch, my feelings. If I had the time and energy to write fic...

--(also, if I had the time and energy to write dark!fic: where’re my fics in which Zemo’s implication about the Winter Soldier “doing anything you want” gets played with? what or who does Bucky have to do to keep the undercover charade going? so many Bad Wrong Kinky power dynamics and explorations of consent and what this would do to Bucky’s head, here, and honestly I’d totally read them all, just saying.)

--Sam and Bucky together...I don’t know. This is one of the elements that I’m not actually a huge fan of, but I think it’s partly a personal genre / sense of humor thing that’s not clicking for me, personally, again. Like...

--I don’t find people shouting aggrievedly at each other to be funny? I’m not sure why it is.

--I mean, I get that they’re doing, like, eighties buddy cop movies, but...it got old really fast then, and it’s not something we needed to bring back. It’s not clever, and it’s...well, shouty and annoying.

--(I say this as someone who genuinely likes the first two Lethal Weapon movies...but the significant difference is, I think, we’re also shown in both those movies that Riggs and Murtaugh care about each other. They don’t want to be partners initially, and they don’t get along initially, and they do argue over tactics**...but they immediately feel responsible for each other and act to protect each other even as they argue, because it’s the right thing to do and we’re shown moments of them awkwardly trying to connect, because they both have that deep sense of...protectiveness...that makes them Good People - like, if they learn something that the other person needs to know, they tell each other. They protect each other’s families / love interests. So by the end of the second movie, with that fabulous character death fake-out, Murtaugh’s initial shock and grief is real and powerful and painful, and so is his genuine relief when the worst isn’t true - and it’s all earned.) (**however, they tend to argue tactics *before* jumping in - “is it 1, 2, 3, go on 3? or 3, then go?” And then once that’s established, they go ahead. That makes a difference as far as...well...competence and teamwork!)

--(Sam and Bucky, as far as I can tell, don’t do the above, and just...maybe shouldn’t be working together?)

--I also don’t find grown men acting like my youngest nephew, when he’s having a temper tantrum, to be funny. Staring contests? Random insults? Sulking in silence? Oh, grow up.

--(Also, yes, writers, we see you with the “couples therapy” and “get closer and make your legs touch” and “landing on top of each other as they hit the ground” moments. I, at least, personally, am very tired of...I don’t know that I’d call it queerbaiting exactly, but this idea that we’re supposed to find these moments funny...because why? Because, ooh, they’re two men getting close to each other, physically or emotionally? Why is this a thing we need to draw attention to? Do you think you’re doing some sort of fan service? Please either make Sam/Bucky happen or stop doing this.)

--both Sam and Bucky are highly competent and professional agents, or they should be. They should know how to work in the field - even with people they may not like - and adapt to shifting strategy, make best use of available assets, include people in the plan, etc. I can’t help but compare this to something like, say, Leverage, which also has a team who mocks each other and makes jokes but clearly absolutely respects each other’s capabilities, has a plan going in and tells everyone what the plan is, and adapts (and trusts each other to adapt) on the fly as necessary, and does it all without random insults about someone’s (PTSD-related) staring and “robot brain”.

--one of the very specific moments that bothers me a lot is the ending of the therapy scene (yay for showing heroes in therapy! but also I’m pretty sure she’s...not a great therapist?). Bucky finally opens up and says something real, about his own self-doubt and wondering whether Steve was wrong about him....and Sam just...brushes it off and goes, “we’re done here,” basically. Not only does that feel wildly out of character for former counselor Sam, it feels cruel. I really deeply dislike that moment the more I think about it. Makes me want to scream.

--Sam insults Bucky way more than the other way around. It’s starting to feel very one-sided (it’d be better if more clearly reciprocal, though it’s still not a dynamic that’s my favorite), and again, feels out of character - maybe this is Anthony Mackie’s sense of humor, but Sam isn’t Mackie, and Bucky isn’t Seb, and it reads as...a weird unbalanced power-trip thing to me. And also out of character for Sam, who can be sarcastic (”If you guys eat that sort of thing,” about breakfast, when Steve and Nat have randomly shown up at his door) but that’s not the same as just throwing unprovoked insults at a person who’s trying to recover from trauma, and a lot of those insults seem to center on things that were done to Bucky, that he had no choice in (the staring, the arm, etc), and that feels....it just feels mean, to me. Make fun of things he’s had a choice in / can do something about, if you have to - hair, clothes, liking “old people’s games” like gin rummy or pinochle, not knowing who Beyonce is, I don’t know, there are so many options that aren’t cruel! Do that instead. Let Bucky have a good comeback for once, too!

--the action scenes are action scenes. Also fine.

--Sam might be right about destroying the shield, and the show may even be (unintentionally?) setting that up as the best outcome, but that’s a problem for the future, Sam; get it back first. Also it’s a problem you caused by giving the shield up - did you really trust the government to leave it unused in a museum? You’re not that naive.

--overall, it’s...a perfectly fine show, so far, I think? Solid, and interesting, but not great. I think some of what doesn’t work for me is because it doesn’t work for me personally, as far as the shouty insult-heavy action “comedy” bits that I’m not enjoying, but I think they’re doing what they aimed for with it, so in that sense, I guess it’s working? There’s a lot of really cool stuff around the edges - John Walker, Isaiah Bradley, that Dora Milaje stinger, the bigger world of a history interwoven with racism and superpowers, the chillingly effective use of Bucky’s past - but I wish I liked the central Sam-Bucky relationship more. Individually they’re wonderful - they’ve both had such powerful scenes dealing with family, trauma, and consequences - but I feel like, in the effort to do the buddy comedy dynamic, the writing has just made me really sure that they actually genuinely don’t like each other? To such an extent that if they show any affection / caring / interest in each other in the last three episodes, it won’t be believable. (I mean Sam and Bucky, not Mackie and Seb. Mackie and Seb’re adorable.)

--I just want to think about Zemo dancing some more.

#the falcon and the winter soldier #tfatws spoilers #spoilers #fatws spoilers #thoughts

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danwhobrowses · 3 years

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NXT Takeover: Stand and Deliver Day 1 - Review

It is Wrestlemania Week, and every company wants their shot

but alas, I can only do so much, so we’re gonna be sticking with Mania and Stand & Deliver for now. I do also have some other WWE post-mania stuff planned which I’ll also do for AEW Double or Nothing in May

but in spite of Dynamite still doing a decent ‘not gonna try to top it’ show, the night belongs to NXT so let’s get into it

Spoilers for Stand & Deliver Day 1, you have been warned

Pre Show I had to add this in because Sam Roberts really laid in thick the bravado, NXT is great but chill man. Seeing Io and Raquel enter the building was a good touch though. The Samoa Joe interviews were good too but damn I miss this man in the ring, it kinda threw me how well-spoken WALTER is, he’s kinda giving me the same vibe as Daniel Bruhl’s Zemo currently is in Falcon & The Winter Soldier, also interviewing Io proves that if the company’s hot on you promo game isn’t necessary to be a great champion, also Io has put Rey over more than the main roster has in the last 3 years. The shoehorned Prince Harry comment was not needed that’s not gonna get a pop but mercifully we moved on to other interviews, LA Knight still does a great promo and hearing that Mickie James will be on commentary for the pre-show match was interesting.

Zoey Stark def. Toni Storm (Pinfall via Inside Cradle) Zoey Stark has been making quite some noise since her NXT Debut, similar to Utami Hayashishita’s start in Stardom and Leyla Hirsch in AEW it was mainly revolving around Zoey getting over even in defeat to big names. She started fairly even with Toni Storm with some solid chain wrestling, Toni was able to keep Stark grounded with submissions, which worked well for Zoey to feed off the babyface comeback, landing a big superplex. A flurry of an exploder and running knee hit two but then Toni came back with an electric chair facebuster, Toni tried Storm Zero but failed, so went for the Germans, tried the Storm Zero again but Stark counters it into a cradle for 3. It was a decent pre-show match, Stark gets a rub from winning but I get the feeling the rub should be bigger, Toni Storm is still good but her stock has dropped since her heel turn designed merely to lose to Io, the match finished a bit abruptly too.

Main Card Nita Strauss then guitars the anthem, ‘Merica and stuff on a PPV themed around Pirate and Highwayman motifs, as well as an Adam Ant song. The Skull is awesome though.

Pete Dunne def. KUSHIDA (Pinfall via Bitter End) Technical masterclass would of course be an understatement for this match. A minute in it was quickfire joint manipulation and reversals. Dunne took the early advantage after catching KUSHIDA and landing an X-Plex onto the apron, the injured arm didn’t slow KUSHIDA too much who did the handspring elbow and the Muta pele kick on the ramp. Dunne tried for the Kimura and the Bitter End but KUSHIDA escaped twice over, the latter catching a Back to the Future (small package driver). Dunne resumed control though in handling the arm, it might just be me but the audio was cutting out at this point. Cross Armbreakers traded and escaped as the arm began to slowly come into play, but KUSHIDA started handling Dunne’s arm too, a Top Turnbuckle Hoverboard Lock Spanish Fly also led to an armbreaker escaped by the ropes, another Hoverboard lock almost led to a pin. Dunne manipulates the digits of the other hand, which hurts KUSHIDA’s punch attempt, stomps on both hands twice over and then a Bitter End finishes the night.

That did not feel like 10 minutes, it was a great and well-paced match, wish it went longer. I anticipated that Dunne would win but one has to worry for KUSHIDA, even on his best WWE run he’s not able to win a feud, he didn’t leave NJPW for that.

Bronson Reed wins the Eliminator Gauntlet (Pinfall via Tsunami Splash on Isaiah ‘Swerve’ Scott) At first I thought Leon Ruff had botched his entrance until Swerve showed up, looking far different to the Killshot of Lucha Underground. Before the bell rang Ruff got hit into the barricade a lot and then an ad!? Dude, come on, the bell rings and they’re outside the ring again... Of course, it’s hard to start a pace for a Gauntlet, Ruff hit a lovely twisting Cutter as commentary ignored how his NA Title win was mainly a segue in the Gargano/Priest feud, a super frankensteiner was the big move before the next man came in: Bronson Reed. Ruff’s dive is caught and thrown back in the ring, Swerve planted with a combo suplex/crossbody before Ruff foolishly tried to attack Reed again, getting sat on a few times before Reed german’d Ruff and Swerve at the same time. Grimes came in next, delaying his entrance to distract Reed and land a moonsault, he bribes Swerve for a partnership which works for a decent while, Ruff got a big ouch suplex on the turnbuckle pads after some very slippery escapes. The arrival of Dexter Lumis involved super creepy eyes inside the Skull model but we missed most of Swerve finishing off Ruff. Lumis cleaned house until Reed recovered from the ramp DDT, Lumis even lifting Reed on the second time of asking before another big ouch ring-out with Grimes. LA Knight was last, his diss promos not as good as his earlier promo as Reed cut him off short and cleaned up house himself. Knight does get a good spur including a quickfire superplex but pauses when Lumis shows up, Grimes’ cheap shot misses and the Silence is locked in, but Knight rolls him for 3. Bit deflating that really, Lumis was the only one with story against Gargano and he kinda got chump pinned because he didn’t wanna release his finisher. Knight fell quickly after though, Grimes and Reed teaming up to end him, Lumis then locking the Silence onto him - probably setting up a feud there.

The final three ended all chance of alliances, Reed comically flattening both men when after a delayed fall from a superkick. Grimes and Swerve both try a handful of tights to pin each other, but Swerve’s one pays off. Swerve also powerslams Reed onto the apron and then hits a 450 for 2, two House Calls don’t drop Reed, a third gets 2, but a slap wakes Reed up. Powerbomb, Beach Break (idk the technical name) and Tsunami Splash for 3.

Liked the match, Reed is a worthy winner but I just wish they dealt with Lumis and Grimes better, Gargano came out the ramp to stare down his opponent and we moved on to the next.

NXT UK Championship: WALTER (c) def. Tomasso Ciampa (Pinfall via Knife Edged Chop) Reminder that the UK title is WWE’s best looking active belt because good god it’s glorious.Ciampa stayed on the turnbuckle to stare down WALTER, completely unafraid of the mountain he faces. They lock up but WALTER uses his muscle, looking for those monster chops, one on the turnbuckle preludes a messy drop for Ciampa, Walter’s hand is injured though by the chop of the announce table gimmick breaking, Ciampa works on it but the champion’s big boot earns a reprieve, his submission attempts are futile with the injured hand though so he applies his power and weight to keep on top. A flurry of lariats finally chops WALTER down for an Air Raid Crash, but it’s only for a 2. WALTER northern lights reversal’s a Fairytale Ending for 2 but could not escape the second, still a 2 count though. WALTER’s submission attempts neutralized by the fingers again as Ciampa continues to lay into WALTER’s hands and head, an Avalanche Air Raid Crash then hits for 2 as well, Ciampa at a loss for what he can do, opting to throw his own blistering chops, WALTER gets nasty with a neck twist and two powerbombs but it’s 2 again, Sleeper Exploder and one massive chop gets the 3.

I had heard great things from this match, and it was very well done narratively and physically, but a chop as the finish? Dunno, Ciampa had already taken chops, 2 powerbombs in succession and yet what ends it is a chop from an injured hand? Feel like it could’ve ended more emphatically.

No Thatcher present either, instead we get a Franky Monet (Taya Valkyrie) promo and a Reed/Gargano backstage argument.

NXT Tag Championship: MSK def. Grizzled Young Veterans & Legando del Fantasma (Pinfall by Wes Lee on Zack Gibson via combo Spinebuster/Spinning Blockbuster) Another ad break during LDF’s entrance was disrespectful, the mask was awesome though. Gibson likely not in the best of moods with Liverpool’s 3-1 defeat to Real Madrid in the Champion’s League first leg but he still flies the colors. LDF control the match at the start with tag offence, Gibson going for MSK off the bat until LDF get in the way. Drake and Carter get some time in the ring but Lee remains on the apron awaiting the hot tag, after a dive LDF comes back to do a dual dive themselves, double Coast to Coast on Carter is broken by Gibson who gets dumped out by the duo and another commercial break (wtf come on!). LDF were getting some great combo moves and rotating in quick tags as Carter continues to be the feeder, Drake almost catches Wilde with a roll up though and Lee gets another hot tag, first clear the ring, then out the ring to Gibson, then to LDF, somersault Pele Kick, combo move for 2. Gibson and Drake almost catch Carter with a Doomsday Device on the outside but Lee nails Drake with a knee, GYV neutralize Lee by hurting the hand as well, Carter holding Lee’s hand to prevent a tap as LDF come back in. They clear the ring, hit the combo move but it’s 2! GYV and MSK take out LDF leaving the two left to fight, a double cutter by Carter takes Drake out of the ring, leading to MSK finishing Gibson with a twisted blockbuster/spinebuster combo. Very much earned for the new champions, exciting match, LDF got a lot of shine too I hope they win the titles later down the line.

NXT Women’s Championship: Raquel Gonzalez def. Io Shirai (c) (pinfall via One-Arm Powerbomb TITLE CHANGE) If Raquel Gonzalez doesn’t win rookie of the year for 2021 it’ll be a travesty, her current run has been built amazingly. Before we started though we see Steph in the crowd with Sarray (Sendai Girls and SEADLINNG’s Sareee). The tunnel cam of the two competitors and the names on the LEDs sold the huge Main Event feel of this match. Side note though, while NXT does tout the most stacked Women’s Division out of the major wrestling companies they shouldn’t peacock themselves, most of their talent are ready made acquisitions with a few like Ripley, Belair and Gonzalez who gritted to the top, just because your division is stacked doesn’t mean that there aren’t cracks, and let’s not forget that ROH barely has a women’s division and NJPW doesn’t have a division at all, if we’re comparing the actual competition Stardom still gives WWE a run for their money having made their stars in Natsupoi, Guilia, Utami, Konami, AZM, Tam Nakano and others.

The match kicks off with a flurry, picking up where they left off last NXT of Gonzalez just boomeranging Io with her size and strength and Io flying back with vigor and athleticism. The champion takes control with a dive out the ring but Dakota rakes her eyes, leading to Dakota being kicked out of ringside immediately. Io hits the apron moonsault but Gonzalez lawn darts her into the ring post, a lovely Dominator-esque move with extra flip brings the advantage fully in the hands of the challenger. Io uses her flexibility to frustrate Raquel and hits a picture perfect hurricanrana, misses the 619 but arm drags into another 619, Yoshi Tonic for 2, tries for the Moonsault but Raquel sets up the One Arm Powerbomb, Io wriggles it into a crossface which is ended by a rope break, Moonsault on the ramp and then a running meteora leads to Io doing the ‘jump off the NXT arena prop), after slowly rolling Raquel into the ring it’s the Moonsault, but it only gets 2! Raquel flattens Io with the One Arm Powerbomb outside of the ring, rolls Io in with some trash talk, Shotei is responded with a Lariat, One Arm Powerbomb and that’s 3!

That was a solid main event, recurring problem though: it was too short! That match went under 15 minutes and while it was jam packed with high spots and power moves we could’ve had more time with Raquel’s crowning moment. I feel like Io could’ve resisted more offence seeing as her Skull crossbody and Moonsault should even out Raquel’s two One Arm Powerbombs. Also they overdid the smoke on her celebration we could barely see her. That being said, this was definitely a worthy usurper to Shirai, Gonzalez at the top of the division will be an interesting new landscape after a year of Shirai as champion. She’s had a good run, I do wish it didn’t involve the Charlotte skulfuckery at the start but she has done well to keep on top of the division during the COVID era and she’s done a good job in making sure the next champion is over.

Conclusion Good wrestling is all you need, and NXT Stand and Deliver stood and delivered strongly on Night 1, there is of course room to top it but that may be the intention. Do wish that some matches went longer but I’m not mad at all with who won, so once more a job well done as NXT end their Wednesday Night Campaign on a high.

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aion-rsa · 3 years

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How The Falcon and the Winter Soldier Finally Gives Sharon Carter Her Due

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This article contains THE FALCON AND THE WINTER SOLDIER spoilers.

The Falcon and the Winter Soldier has its fair share of issues: The bizarrely uneven pacing, the mixed messages about capitalism and propaganda, the fact that Flag Smashers is literally the stupidest name for a villain supergroup in history even if they do exist in the comics. But like WandaVision before it, the series truly excels at giving multiple sidelined Marvel Cinematic Universe characters a chance to finally step forward into their own stories.

In just three episodes of this Disney+ series, we’ve already seen more acknowledgment of Sam’s struggle as a Black superhero than we have in any other MCU property. We’ve watched Bucky Barnes – arguably the franchise’s most tortured, damaged soul – seek help for his mental health struggles, try to facilitate restoration for his former victims, and bring justice to those he worked for as the villainous Winter Soldier. The show has barely scratched the surface of his complex relationship with Steve Rogers and his apparent obsession with his BFF’s legacy, but there’s every likelihood we’ll circle back to it eventually. Someone has to take up that shield, after all.

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Third episode “Power Broker” brings back another familiar face in Sharon Carter, a character who is more often remembered for the uber-awkward kiss she shared with her aunt’s once and future boyfriend in Captain America: Civil War than for any actual specifics about her personality. Her brief appearances in the films have established that she’s intelligent, a pretty decent hand-to-hand fighter, and determined to do the right thing, no matter the consequences (thanks for that lesson, Aunt Peggy). Heck, she even single-handedly led an insurrection to try and save SHIELD way back when it was taken over by Hydra in Captain America: The Winter Soldier.

Yet, despite all that, the character simply could not catch a break, either onscreen or among the MCU franchise’s fandom. The fact that Sharon’s presence in Civil War is largely used to reassert Steve Rogers’ heterosexual status rather than to explore any actual aspect of who she is or what she wants makes her presence in the story seem pointless, and though she has appeared in two separate MCU films, the franchise has never bothered to give her much of a personality beyond a sort of blonde civil servant archetype.

Thankfully, that seems to finally be changing. Because the Sharon Carter who appears in Madripoor feels like a woman we’ve literally been waiting years to meet.

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Gone is the All-American girl positioned as a perfect match for Captain America. In her place is a Sharon Carter that’s been hardened by life in a dangerous world of bad luck and worse choices. She’s apparently the only person still paying for her involvement in the events of Civil War, and all her former teammates and supposed friends were clearly content to let her languish in a country without extradition laws, rather than help clear her name. (Don’t get me wrong I love Bucky, but he got a pardon already, didn’t he? For crimes that were a whole lot worse than anything Sharon did?)

Her bitter, jaded attitude rings true for someone who not only had to say goodbye to everything she cared about but had to relearn how to exist in a post-Blip world without any of the signposts that had previously defined her identity (and not for nothing, but it also makes her a lot more interesting and layered than she’s ever been allowed to be before). Of course, Sharon now seems pretty cynical about things like the Avengers and the culture of superheroes that surround them – but what did any of them do for her except literally ruin her life?

This is a Sharon who has not only learned how to fend for herself, she’s now a woman with real agency who doesn’t apologize for having choices or making them. Yes, she’s lost her idealism and her moral compass appears to have become a bit tarnished in the years since Civil War, but can we really judge her for that when Bucky and Sam are out here breaking a mass murderer out of jail? Sharon fences stolen art, sure, but only because she’s been caught up in the crossfire of events that aren’t and haven’t ever been her fault. Her life has become collateral damage to something much bigger than she is, and the institutions she spent her life serving didn’t show up to save her. She had to save herself instead, and those kinds of lessons are difficult to forget.

All of this makes Sharon “kind of awful now” according to Bucky, which is the sort of offhand comment that is theoretically supposed to be a joke, except these two have never been that kind of friends and this is a franchise that has, in the past, been wildly reluctant to acknowledge that its female characters can and should be allowed to encompass the same shades of grey as its men. In reality, these experiences have left Sharon as three-dimensional and layered as either of The Falcon and the Winter Soldier’s heroes, with her own private griefs and rage.

This rage is most clearly expressed in her positively brutal fighting style, which now involves deadly accurate knife-throwing skills and a much more violent hand-to-hand technique. Her face-off with a gang of local thugs is one of the best in MCU history, and the fact that she’s allowed such a scene feels like a significant step forward for a character who not very long ago seemed doomed to languish as little more than a love interest.

Yes, it’s a bit disappointing that Baron Zemo ultimately gets more screen time in “Power Broker” than Sharon does – no matter how charming Daniel Bruhl trying to dance might be – but it seems evident that this won’t be the last we’ll see of the former Agent 13. This episode repeatedly hints that there’s more to Sharon’s business in Madripoor than meets the eye – heck, she might even be the eponymous boss herself – and whatever she’s up to now, it’s probably not going to be strait-laced hero stuff. What a difference a few years in forced hiding makes, huh?

The post How The Falcon and the Winter Soldier Finally Gives Sharon Carter Her Due appeared first on Den of Geek.

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