i just. i just…FUCK. i just really want harrowhark to go sicko mode when she realizes john has the power to resurrect whoever he wants he just chooses not to and even after learning about his own blood daughter he still doesn’t resurrect her he just makes her a construct. i would be alecto-levels of grief-stricken-enraged if my childhood nemesis/guard dog/whipping girl/codependent lesbian situationship that i lobotomized over/suicide-pact soulmate/only friend was suddenly here but not here haunting her own dead body and the only reason she’s present is because she was made into a fascist killing machine for a man with a power kink, and she’s not even happy about it but she’s going through the motions because all she knows of love is to be useful. (forever your sword.) and if i was harrow and i died and then came back to myself after switching bodies with the human cage holding the earth’s soul and realized all of this, i think i too would be accompanying the earth’s soul on her shoulder to go kill a man with eclipse-eyes and criminal levels of nonchalance. y’know. the one who guarded g1deon but not me, lord. the one who was so sure i had never seen that which lies insensate and with stilled mind, lord, who did not realize i was a lock and there was a key in the shape of a girl, lord. the one who looked me dead in the eye and told me i could never have my cavalier back, lord. the cavalier who came back haunted and empty and incomplete by your hand, lord.
i’m so team ‘harrowhark saves gideon for real this time not because she wants her cav but because she wants her other half’ i might lose my mind about it
1K notes
·
View notes
idk but saying tyler being a manipulative serial killer means he can’t be with wednesday is genuinely so funny to me like baby this is the addams family we’re talking about. being a manipulative serial killer should put him at the top of the viable choices for wednesday list.
5K notes
·
View notes
daily gentle reminder that the words we use to describe ourselves are labels. they're not immutable states of being, they're not all-encompassing, they're not permanent, they're not universal; labels are just words that we use to indicate something about our experience that we find important enough to communicate to others. if your experience with attraction is significantly different enough from a typical allo experience then aspec labels are there for you to use as long as you want them; and conversely, what aspec labels communicate is just that someone's experience is aligned enough with what we describe as aromanticism/asexuality to warrant telling people about it. you never need a label, you never need to keep a label, you never need to justify a label, and you never need to use a label for anything besides what you want it for. it's not a contract. it's an adjective that you can choose to use or not to use. all it needs to do is be useful for you. 💚🖤
533 notes
·
View notes
No Homo. Just committed to the bit.
[First] Prev <–-> Next
1K notes
·
View notes
I think the world is so wonderful... (Patreon)
289 notes
·
View notes
I’ve mentioned this elsewhere but it feels relevant again in light of the most recent episode. Something that’s really fascinating to me about Orym’s grief in comparison to the rest of the hells’ grief is that his is the youngest/most fresh and because of that tends to be the most volatile when it is triggered (aside from FCG, who was two and obviously The Most volatile when triggered.)
As in: prior to the attack on Zephrah, Orym was leading a normal, happy, casual life! with family who loved him and still do! Grief was something that was inflicted upon him via Ludinus’ machinations, whereas with characters like Imogen or Ashton, grief has been the background tapestry of their entire lives. And I think that shows in how the rest of them are largely able to, if not see past completely (Imogen/Laudna/Chetney) then at least temper/direct their vitriol or grief (Ashton/Fearne/Chetney again) to where it is most effective. (There is a glaring reason, for example, that Imogen scolded Orym for the way he reacted to Liliana and not Ashton. Because Ashton’s anger was directed in a way that was ultimately protective of Imogen—most effective—and Orym’s was founded solely in his personal grief.)
He wants Imogen to have her mom and he wants Lilliana to be salvageable for Imogen because he loves Imogen. But his love for the people in his present actively and consistently tend to conflict with the love he has for the people in his past. They are in a constant battle and Orym—he cannot fathom losing either of them.
(Or, to that point, recognize that allowing empathy to take root in him for the enemy isn't losing one of them.)
It is deeply poignant, then, that Orym’s grief is symbolized by both a sword and shield. It is something he wields as a blade when he feels his philosophy being threatened by certain conversational threads (as he believes it is one of the only things he has left of Will and Derrig, and is therefore desperately clinging onto with both bloody hands even if it makes him, occasionally, a hypocrite), but also something he can use in defense of the people he presently loves—if that provocative, blade-grief side of him does not push them—or himself—away first.
(it won’t—he is as loved by the hells as he loves them. he just needs to—as laudna so beautifully said—say and hear it more often.)
153 notes
·
View notes
the thing about bakugou and attraction is that he's not shallow and i don't think he has a type. like, he considers the value people have—who they are, what their strengths are, their passions, their goals, their mindset—and i think those are the most defining factors for him when it comes to 'liking' someone.
and yeah, he's a man. he has initial and instant attractions to people. but i think they're fleeting and go as quick as they come. so i think he doesn't pay much attention to physical appearance, per se, when it comes to deciding who he wants to give his time to.
but—when he does decide that you are the person he wants to give his time to, everything about you is suddenly so attractive.
380 notes
·
View notes
One thing i absolutely ADORE about captain swan is how open Emma becomes with Killian. Like you have this pirate that, for so long, only had the Jolly Roger and revenge to expect in his life, and when he meets Emma, is completely inthralled by her and is willing to show her that he will STAY. Not only that, he is determined too. And Emma, once she’s used to him being someone to rely on, comes to really be comfortable with him. And becomes a necessary part of her life. Then we have S5a with them in Camelot and they are just determined to hold onto each other while she’s experiencing the hardest times right now—
Anyway, all that to say that I completely adored them ever since me and my mom stumbled upon this crazy show and I miss them sm!
96 notes
·
View notes
and dean winchester thought he was unlovable and didnt deserve happiness he hated himself and thought eveyone would eventually leave him and then a literal fucking angel fell in love with him. like loved him more than anything else in the world.
68 notes
·
View notes
You know, when I kept getting asked "so you didn't ever have severe pains before now?" in the hospital and I kept replying "I have a high pain tolerance" I meant it. However, there is only so much pain my tiny 4'9" body can hold... (aka I am sweating and in agony bc I'm getting told to use LESS severe pain meds so I don't rely on them too much and it is AWFUL)
47 notes
·
View notes
something i feel responders to pjo criticisms are not getting is book accuracy is important.
rick riordan created this project to be a book accurate adaptation on the screen. it doesn’t matter if annabeth is white and blonde, those people who are mad about that are wrong and their “criticisms” should be just thrown out. no, i’m talking real criticism. because being upset a series whose reason for existing is to be a faithful adaptation isn’t? not stupid. if you can enjoy the series—in my opinion not all the changes are objectively bad, but many, from a storytelling angle? from pure craftsmanship? are objectively bad—regardless, i’m happy for you. truly, if you feel the joy and magic the original series gave me while watching this show, i am overjoyed someone feels the magic. that’s more magical to me, worth more, than the show itself. but if you then insult me for not enjoying the show? tell me i must not love the story as much as you? tell me i am simply looking to hate the newest next thing, and not that i adore this series so much it pains me to see it so? that i don’t wish to see it succeed regardless of the betrayal i feel?
silly me, i thought our shared love of something meant we could all express it, even in different ways. but i guess not. i guess many of the series’ fans are just keen to discuss the show with the same bad faith it was made in.
81 notes
·
View notes
Being a stan sounds so exhausting. Like being compelled to defend the honour of a billionaire who doesn't know you exist every time they say or do dumb shit sounds like the most miserable existence.
61 notes
·
View notes
rennala marika toxic yuri i cant get you out of my head
65 notes
·
View notes
actually before i go to sleep
giving Luz the same kinda shot composition here directly after finding out what happened to King and Eda (and telling Camila that she hasn’t changed her mind about returning back to Gravesfield after rescuing the two) while dressed as Azura (someone she admires) to when Philip arrived to the isles in search and rescue for Caleb (<- if getting there was accidentally or not does not matter) while dressed in his attire or at least clothes that resembles them, truly driving home the point of how similar the two of them are and how they really are just mirrors of the other
364 notes
·
View notes
Bro I was reenacting the "Just So" clip while I was putting away the dishes and when Frank yelled at Barnaby I was gonna say "oi fuck you" y'know because I was being silly but what came out was an almost PERFECT imitation of Barnaby's voice- I couldn't even finish the "fuck you" because I broke down laughing
Btw the reason this is so funny is because I'm a 5'2" Latino AFAB with NO experience in voice acting whatsoever yet for some reason the spirit of Giant Blues Clues decided my vocal chords were the PERFECT place to set up real estate
Anyway peace and love
HAGHASBCAKJSCNAKLD I WHEEZED
57 notes
·
View notes
i just think it's leaving out so much to act like women's gender is an intrinsic part of their experiences that is reflected in all parts of their lives, but men's gender is a nonentity that has no impact on their experiences.
even when talking about privileged men, it's not doing any favors. because that positions women as having a Gender, their Gender being something different and glaring while cis men's gender is barely there, so obvious it doesn't even have to exist, because it's the default.
but then also when talking about marginalized men, you have people who insist that being men has 0 impact on their marginalization, like stereotypes about men and gender roles are ephemeral when it comes to men? like male gender is some 2d blankness that has no impact on any other identity. like "woman" is something that stands out because it's so Different and Abnormal but "man" can't interact with anything else. examine things you cowards
oh also I think this goes hand in hand with how people won't analyze cis men's manhood as specifically cis manhood. people make sweeping statements about manhood and analyze cis men's place in gender but never or rarely acknowledge their cismanhood specifically, instead equating cismanhood with manhood itself and causing trans men to be outsiders within our own gender.
595 notes
·
View notes