#they're considered one-dimensional

[constantvariations]

As stupid as the "Kyrie would kill me right now" line is, I can't help but run with the idea that maybe Kyrie is a secretly jealous person

She lost her parents to demons and her brother to Sanctus. She runs an orphanage. In Before the Nightmare, we're told that she often feeds other people's kids and refuses to accept donations that could help other people instead.

She gives and gives and gives. So, it's only fair for her to be a little possessive of the only thing she allows herself to keep: her relationship with Nero

Obviously she trusts him to be faithful and good, yet she can't help but cling a little bit tighter to his arm when he's around others, especially women she thinks are far more beautiful than her. Can't help but double check that his eye is on her and nobody else. Can't help but try to prove she's worthier than them by continually doing good deeds and making him happy however she can

She hates this part of herself and knows it's irrational, knows it's sinful, so she hides it. And she does it so well that people would laugh at the idea of Kyrie being jealous

Nero knows, though. It may have taken him a while to figure it out, but he notices her increased touches when they're in public, her subtle emphasis on "we" and "us" and "my boyfriend", her chores being done with a certain agitation or his favorite things popping up after these outings

Even if it can be irritating at times, he accepts all of her, just like she accepted all of him

#devil may cry #idk i just really want there to be more to her than one dimensional saintly girlfriend #(maybe the book fleshes her out more. i havent finished it yet) #but i think jealousy/possessiveness makes sense considering her life #and it's not like Nero is gonna complain #i kinda wonder if she feels she has to earn the good things in her life #maybe her parents died after a big fight over chores or her being selfish (because what child isnt?) and now she's got ocd #a 'mom and dad died because i was bad so if I'm good nothing will happen to my loved ones' kinda deal #they both got issues but they work together to overcome them and they're absolutely the annoyingly in love couple everyone wants to be #these bitches be sappy! good for them #yodeling into the void

[aeoris4lovers]

seeing the beginning of campaign one again, it's so wild to me that vax became known as the Broody Emo One.

i know he gets more broody as the campaign goes on and shit goes down, but his main personality trait at least at the beginning really is just like...charm?

like the dude's A People Person, he's buying drinks for a whole inn's worth of people and lightheartedly sympathizing with npcs about how his friends are all idiots and giving vex surprise hair ruffles while stealthed and generally just so far from the way he's portrayed by a lot of people.

he's such a likable person (very intentionally so) when things are more relaxed and i feel like that makes it hit way harder what he does withdraw bc that's not just what he's always like.

#not to mention even when he does get darker he's not an 'i don't need anyone' type by any means #like sure he takes time to himself a lot but he'd 100% be lost if he were actually alone #which is also true of caleb and i think that's why they work as part of a party even when they're more Broody (TM) #because as much as they might withdraw they also Desperately need their friends so they never fully bail #and that's such an important part of both their characters especially when you consider their attachments to vex and veth respectively #liam's characters always have Very Important Friends they're never really that Loner Type even though people tend to paint them that way #if anything it makes more sense for caleb to be talked about as the loner type because of how close he gets to bailing on everyone but nott #but i feel like vax gets much more of that treatment?? like okay the dude likes to Walk Away #he also Desperately Needs To Be Liked And Will Make You Like Him If It's The Last Thing He Does a lot of the time #it's not a one-dimensional thing by any means if you ask me and it's so weird to me that it's what defines him to a lot of people #c1 rewatch #c1 liveblog #cr liveblogging #vax’ildan

[anarchist-rat-swarm]

Got an interesting take on eldritch horror for all you writers out there. It's a bit of a roundabout schlep to reach the actual idea, but writers tend to be readers so I hold you'll stick with me til we get there.

So, consider a 2D creature. Little flat dude, living on the ground. No concept of "up" or "down." He's 2D, he just doesn't parse the concepts and can't perceive them anyways.

He sees you. What he actually sees is just the 2D cross section of you where you intersect with his 2D world, which is probably your footprints. So, as far as he can tell, you are a pair of footprints that are.... apparently one being? He doesn't get how it works exactly, but it's not too far out there, so he just kind of accepts that, yes, humans are The Two That Are One. Spooky. They always seem to use the singular to refer to the pair of themselves, and only differentiate between themselves as Left or Right. But other paired instances of The Two That Are One are, in fact, separate entities. So they're only in sets of two, unless accompanied by a companion called "Cane," which they are sometimes, or even a pair of companions called "Crutches." When Crutches are present, sometimes one of The Two That Are One will be missing entirely. It's a little confusing.

But wait, what now? They disappear and reappear in sequence, teleporting in turns. He never sees them just move like a 2D being, always the stop-start teleporting. Apparently this strange power is called "walking," and its accomplished by The Two That Are One moving through an unseen dimension called "Up," through a process called "lifting" themselves and re-entering the real world farther away in the direction they wanted to go. He can accept the idea of unseen dimensions, and he vaguely gets the idea that one of The Two That Are One must remain anchored in the real world to prevent something called "falling," which is some kind of uncontrolled movement through the unperceivable dimension of "Down." Which is the same dimension as "Up," but...... backwards? Reversed? He's not really clear, but "Falling Down" is presumably bad, so The Two That Are One keep one of themselves here in the real world to prevent it.

Except if they do something called "jumping." Which consists of gathering up their power to hurl themselves through the Up dimension together to reappear together somewhere else in the real world. He isn't sure why they Walk instead of Jump, since it seems better to take both of The Two That Are One together at the same time, but okay.

Okay, what the hell, they can Walk through impenetrable barriers like the great wall of Sidewalk Chalk? How do they go through that? What? They went "Over?" The hell is "Over?" Like 'around' but through the unseen dimension of Up? But they couldn't Walk through the barrier of Wall. Why could they go "Over" Sidewalk Chalk but not Wall?

And they can't go between the four small obstacles of Refrigerator Feet. The area between them is safe from The Two That Are One, for the four Refrigerator Feet are connected to each other in the strange and eldritch dimension of Up. The barriers are too powerful to be moved by The Two That Are One, and it (they?) cannot enter the real world where it is blocked by such powerful forces.

Got all that?

Okay, now consider a 4 dimensional elder god and how we 3D entities would perceive them.

#writing #eldritch horror #eldritch #elder gods #writeblr #writing prompt

[dcxdpdabbles]

I have this idea for a post but I feel like you would do it justice.

Basically, Danny is yeeted through a dimensional portal and reincarnated as the clone son of Tim and Connor(from when Tim cloned Connor during his death). This little shit wakes up after that, when Connor has already been found, as a six year old gremlin with a need for chaos.

Que pranks!

I don’t have much more than that so I will leave this in your capable hands.

-🎃

"Master Bruce, if I have to remind you to fix your tie one more time, Gotham will be without its protecter for many months to come!" Alfred snapped - actually snapped - from where he was attempting to reorganize the entirey of the Emberald Sitting room.

Right now, he moved all the furniture and all the wall directions. He was just adding some tastefully done flower pots to make the place look inviting but also regal.

It had been six hours, and from the looks of it, Alfred had not found the balance he desperately wanted. He started over four times. His patience was all but gone.

Bruce's hands snap to his tie, scrambling to get it set just right. He moves it only slightly to the left - not making much difference - with a nervous smile. Alfred's teeth snap shut with a click, and his eyes blaze with frustrated rage as he rounds the coffee table toward the billionaire.

Bruce looks to be holding back a scream.

Dick winces, sinking into his chair lest the aged Butler turns his ire onto him. He knows why this evening has to be just right. Especially to Alfred, but gosh, he could not handle how terrifying the butler could be.

It's just for one dinner and one evening. Dick tells himself. Once Alfred can finally say he married one of us off, things will return to normal.

"Honestly! If you didn't walk around looking like an unkeept vagabond all the time, maybe there would be a Lady of the House by now!" Alfred sneered at a pale-looking Bruce.

Or maybe Timmy bringing Kon over to announce their engagement means Alfred will try to marry the rest of us off harder. Dick despairs as Bruce endures another tongue-lashing. He wants to go help, but if he moves even an inch from his seat, Alfred might realize Dick is still in the room.

He can't afford to anger the beast any further.

"And you, Master Dick!" Alfred suddenly rounds on Dick, pointing one long finger into his face, with narrowed eyes and the grim reaper at his shoulder. Oh, dear.

Thankfully, that's when the doorbell rings. At once, Alfred's face clears into an excited smile. "They're here! I'll let them in right away; you lads, gather the rest of the family. And remember, we must make a great impression! Tonight is the night we invite Mister Kon into the family!"

The butler doesn't quite skip out of the room, but the bristle walking with a chipper head turning is the close that Dick has ever seen him do.

"I'm so happy for Tim." Bruce mutters,"but I can not handle any more reminders that I haven't had a spouse."

"Tell me about it," Dick sighs, following after his father into the hallway and down to the dining hall. He can distantly hear Alfred opening the door and greeting the two. "A hour ago, he made seven passive agressive reminders that Tamaraneans propse with a dinner and a mock battle. Seven. I mean, how does he even know what Tamaraneans do when courting?"

"It's Alfred." Bruce tells him, taking a seat at the head of the table. Dick sits in the chair to his right as the oldest and First Heir- considering the reply. It makes sense.

Damian, Cass, and Duke walk in, not even a moment later. All are dressed better than any gala Bruce could have dragged them off, too. He is rather impressed that Damian is a red suit that makes even Bruce pale in comparison. Then again, he is the only one besides Alfred who has an eye for such things.

"Has he already proposed, or is he doing it at dinner table and were all supposed to act supirse?" Duke asks while sitting down. "I want to know what kind of face I should have prepared"

"The clone has asked Father for his blessing in his courtship with Timothy. He knew we would have figured out his plans when that blunder. It is no surprise." Damian huffs. Dick knows he's just upset that his big brother is going to get married and move out soon. He's adorable when he's territorial.

"I can confirm that Kon hasn't asked yet." Steph announces, strutting into the room in all her purple gown glory. Behind her, the Row sbilings wander in with matching celtic blue suits, making Dick grin. It's always nice to see people appreciate the best color. "Tim isn't the type of person to not show off his ring whenever he has a chance."

"I've always wanted to see a real-life popersoal!" Jarro gasps, flying into the room with his own little suit on. It's a nice black with green undertones just like Bruce's.

He lands in the miniature chair with a dinner dining set Alfred had special ordered for him.

It sits on top of where a regular dining set usually is, always the second chair on Bruce's left, because he is literally the favorite. Bruce denies it, but they all see the tender smile he throws the floating star.

The Wayne kids know. Jarro is too precious and hilarious, so none of them mind that he's the favorite. In fact, Dick has half the mind that he's the favorite of the majority of the family.

Jason leans over to pat Jarro's head, grinning when the little starfish swears. He adores when the kid randomly curses out of Aldred's hearing range.

"Shh, they're coming!" Cullen says from where he was lingering by the door, hoping to see Tim and Kon. He always looked up to the older boys as someone who had been forced into the closet for his own protection.

Seeing people like him helped ease the fear, and Dick feels his smile wideing when Cullen scrambles back to his seat. He's so excited he's practically in the Speed Force.

Alfred opens the door first, stepping to the side to allow the guest to enter first. Dick feels himself sit up straighter, the moment really setting in, Kon is going to propose to his younger brother.

His little Timmy is growing up-

"Wow, this place is big!" A child says, running into the room. Who the heck is he? "It's amazing, Dad!"

"Slow down. You don't want to fall." Tim laughs, rubbing the stranger's hair with a soft smile.

"It's okay, Dad. I'm strong!" The boy flexes his tiny arms. Tim laughs again as Kon crouches down to the little boy's height.

"Woah! Look at all those musceles. You're going to help me protect your dad, son?"

"Yeah Pa, I'll be the strongest super or robin ever!"

"Tim? Who might this lovely chum be?" Bruce cuts in, voice slightly strained. No one calls him out on it since they are staring wide eye at the tiny little boy who looks like an exact copy of Tim at age five.

Dick knows because he was one of the few in the Wayne's who saw Tim at that age. He's practically a clone to oh no.

Dick thinks he's having a heart attack.

Tim looks up at them before a brillient glowing smile breaks across his face. "Everyone, Kon and I have an announcement to make!"

Kon wraps an arm around his waist, sending adoring looks to man in his arms before they both hold up their left hand.

There are twin silver bands on both of their fingers. "We got married in Las Vegas, and we have a son! I like you all to meet Danny Drake-Kent! I made him when I thought Kon was dead."

"I am Danny, clone of Kon-el and Tim Drake. Fear me if you dare!" His voice squeaks. Squeaks.

Scratch that, Dick knows he's having a heart attack.

You can hear a pin drop in the silence his announcement cause, as Danny puffs up his chest and floats a few inches off the grown.

Oh, great heavens, Dick is an uncle.

"A fellow clone, son!" Jarro cheers from his little table. He slams two of his star points on the table to a beat that he speaks to. "One of us. One of us."

Danny's blue eyes land on the star fish and widen. He raises both arms into the air chanting back. "One of us. One of us. One of us!"

"It's awesome is what it is!" Steph cries, jumping up from her seat. "Hi, Danny! I'm you, Auntie Steph! I'm the cool one."

"Isn't this lovely? Master Tim not only has a husband but a child as well. Unlike some Masters." Aldred doesn't quite glare at Bruce, but he doesn't have to. The Waynes know who he means as Bruce wince.

Danny pauses in his chanting to look her up and down, staring pointily at her plum colored dress before humming. "That's a bold statement for an eggplant."

Steph gapes at him as Tim roars with laughter.

Oh, Dick is going to love this kid. He leaves his seat, trying to get to his nephew as the rest of the family attempts to do the same. Damain makes alarming threats to Kon, letting him know he would easily take him out if he detects a hint of mistreatment to his brother and new nephew.

The Waynes act like they can't hear the threat because they all have their own versions of the shovel talk prepared. They just have to get the clone alone.

It's a nice dinner.

#dcxdpdabbles #dc x dp crossover #Super Robin #Part 1 #Kon/Tim #The family were ready for a announcement #Alfred is stressing about marrying off his the Waynes #Dick's pov #Danny is Kon and Tim's son with no memories of his past life #Meeting the family #Yeah Kon and Tim elopped #Tim was in a crazy era

[powdermelonkeg]

Cheat Code #4 for accommodating disabled characters in sci-fi/fantasy:

If you want to show a character's personality in the aids they use, you need to add customization, accessories, and/or specializations.

i.e.: You'll have a more three-dimensional character design if you take the time to consider what you can make unique about an aid; it should be as much a part of your design thoughts as the clothes they wear or the hairstyle they keep, and there are several ways to go about it. For example:

Customization would be things like colors and lights. A prosthetic arm can have colored guards that slide in and latch; a rich person might have those guards gilded, while a scientist might have a whiteboard arm panel to scribble notes on, and a stage performer could have theirs painted black with a bone on it to give the appearance of a skeletal window. A visor that replaces vision could have a screen that shows expressive pixel eyes for a happy-go-lucky hacker, or a practical black shield for someone in strict uniform. ⠀ To customize: make yourself a base, then take that base and imagine what each character you apply it to would WANT it to look like; prioritize aesthetics or practicality based on their personal preference. ⠀

Accessories are add-ons to your aid, rather than part of it. A cane could have ribbons wound around it if it's used by a magical girl, or a secret compartment stopper to hide notes in for a paranoid detective. A wheelchair might come with paragliding wings that open with a pullstring for a daredevil, canvas bags full of tools for a mechanic, or hubcaps that detach and can be thrown as weapons for a soldier. ⠀ For accessories, you're not necessarily thinking of "what can I add to this aid to make it special?" The process is better defined as "what would they want to have, and how can I merge the two in a way that's easy to use?" ⠀

Specializations are sort of a deeper combination of the two above features. They're a more advanced way of making your aids stand out, down to the materials they're comprised of or their intrinsic properties, that uniquely suit your character. They're typically hard to come by without being specially made, and can't be quickly modded in. ⠀ A spine brace being made of magic, living wood that grows to fill gaps when damaged would be available to a wood elf, and probably specially given to a warrior who WOULD damage it. A wheelchair made of magic-resistant metal could have use for a battlemage that can't turn to deflect spells quickly, or a witch hunter who wants immunity from the mages they're hunting. A cane that lights up when it senses radiation would be useful to a planetary explorer or warp drive mechanic, but not to a marine xenobiologist studying the starwhale population, who instead has a whalecall whistle built into theirs. ⠀ A specialized aid takes into account not only your character's wants and needs, but also their profession, their common risks, and occasionally their class—especially if you're using rare materials.

When you want to design an aid to be unique to your character, go through this checklist:

What do they want it to look like?

What would they want to add to it, and how do I make it convenient?

What would their setting offer them for their job or status?

What modifications would they have to seek out themselves, and would/could they?

Ask yourself these, and you're well on your way to making your disabled characters as varied as your abled ones.

Cheat code 1: How to avoid eliminating disability in your setting

Cheat Code 2: What kinds of aid to use to accommodate disability

Cheat Code 3: How to make your setting itself disability-friendly

#disability #writeblr #long post

[cdlum]

I just wanted to say I think your art style is awesome! I was wondering if you had any tutorials on how you draw anatomy in your style (hips and legs especially)? Sorry if there's already one posted and I just didn't see it 🥲. Happy New Year :>

thanks for the kind words. i tend to draw people pretty stylized and then some so a good bit of artistic licence gets used. these tips are just what i use so feel free to take them with a grain of salt. with anatomy in particular you can kind of talk in circles because human/animal bodies are that complex so ill just zone in on the points you specified. here's a little image with a bunch of pointers:

the above image condenses a lot of the points I'd make, but basically the key parts are to start with the bare essentials and build up that complexity. using a line of action is a good way to get a quick, rough start. you draw a line out in the general direction of the pose and do your best to adhere to it to give the pose a sense of flow.

you can also draw smaller, thumbnail versions that throw a lot of caution to the wind but capture the basic energy of what you're going for. even having a tiny little stick figure version of your idea can make for a good guideline of where to take it forward.

when it comes to actual limbs, you wanna consider how they integrate and work together, kind of like how chains do. you can see on some of the parts of pear i've drawn out these wireframes to kind of portray how the mass of her legs works in a three dimensional space. for aspects like the waist/hips, i use that X technique i highlight above a lot, particularly for the lower torso. a lot of the times, even when drawing a character totally naked, imagining them wearing things like skintight underwear can help a lot to guide you in the right direction.

its also a good idea to consider things like gravity and weight to a degree. humans are essentially big meat sacks and gravity is always pulling down on that, but theres all kinds of aspects that effect that, such as character build or clothing. pear technically isn't naked in this, but i've tried to imagine her as such and take that into account.

if you are drawing digitally, don't be afraid to take advantage of the convenience you get with that workflow. you can retry and iterate on things a lot faster that pen and paper, and do things that aren't really feasible at all when it comes to editing and modifying your existing work. things like resizing certain bodyparts, instantly flipping the canvas, or using selection tools to completely adjust the positions of parts of your drawing. to give you an example heres a timelapse with all the little edits i made just to this demo drawing:

you don't have to use these techniques linearly, either. sometimes ill have a really solid idea for a piece in my head, and go back to basics with certain elements if they’re not coming out right or i just want to brush them up a bit more. some of the tutorial-y parts i added in i didn't actually use during the drawing but often do use so they're there just for demonstration. not every drawing i do starts as building blocks or a really basic version, often ill just start with a face and build it out from there.

i always encourage liberally using references (this can include yourself) and trying out stuff like life drawing or looking at things like existing photographs of real people/places/things if you can, the more you use learning material the better you'll draw up a mental inventory in your head that you can rely on more and more. some of these tips are things i've learned from other artists over the years (the chin one especially i remember seeing a tutorial about lol), so this is a lot of knowledge i've amassed from other sources over time myself. there are plenty of times ill use all sorts of reference material and its all in service of arriving at the final destination as smoothly as possible. learn by doing, as they say. hope this helps!

#tutorial #2024

[gay-jesus-probably]

Let me just preface this by saying everyone is allowed to have their own opinions, TOTK is a really fun game, and I'm glad that other people have been able to enjoy the story as well.

...But I'm being dead serious with my complaints about the narrative being 100% imperialist propaganda. And I'm getting really tired of people replying to those posts by saying it can't be imperialist propaganda, because imperialism is bad and the game says that Hyrule is the good guys.

Like, guys. That's not the argument you think it is. Yes, I am aware that the game tells us Ganondorf is a flat, one dimensional character with no ambitions, interests or motivations beyond destroying the entire world for the hell of it, and also it's totally not racist because he's green, not brown like literally every other member of his race. Unfortunately literally all of these things are kind of the entire goddamn problem.

See, the thing is, everyone trying to make these arguments is accepting the game at face value. Hyrule is the perfect and almighty nation chosen by the demigod Zonai, and whose royal family has the right to rule due to their divine heritage. The other races exist to serve the glory of Hyrule, and they're happy to do it. Ganondorf is pure evil and must be stopped at any costs.

But that's not how anything works. The story informing me that Hyrule is the ultimate good that has done nothing wrong is the whole goddamn reason why I don't trust Hyrule at all. There's always more of a reason than that. And the game fucking suggests there was more going on! Ganondorf mentions Rauru has repeatedly 'invited' the Gerudo to become Rauru's subjects, and let's be clear here, it doesn't matter how peaceful those 'invitations' were, when the guy who owns every single magical nuclear missile in the world repeatedly demands you surrender to him, there's always going to be an implied threat of 'do it or get magically nuked'. Just that power difference alone shows us exactly why Ganon would feel threatened enough to invade. It's because Rauru was holding a gun to his head, and Ganon was expected to just trust that he'd never pull the trigger.

And yes, even if it wasn't intentional Hyrule was always threatening to wipe out the other nations, considering the entire royal family walked around openly wearing their magical nukes as cute accessories. If they couldn't be safely hidden away, there wouldn't be four other secret stones sitting untouched in a vault until the last second.

But that's never acknowledged. Of course Hyrule is the only nation with the right to the secret stones; even if other races get to touch them, they can only have them if they swear eternal blind loyalty and servitude to the glory of King Rauru and Princess Zelda. Ganon wanting to have one magical nuclear bomb out of a stockpile of eight of them is proof that he's dangerous and evil. I mean my god, what if he just walked around all day wearing a magical nuke and using its power for his own benefit, that would be terrifying. It's only okay when Hylian royalty does it.

And you can't argue that Ganon betrayed his own people, considering we don't get to know fucking anything about his relationship with his people. He's shows as the leader of the Gerudo, we're told he's a hero to his people, he has soldiers that loyally follow him into battle... and then oh nevermind, they all hate him and will spend eternity trying to atone for sharing a race with him. How did the entire race do a complete 180 in the span of at most a few months? Who cares, what's important is that now they accept they exist to serve Hyrule so they get to be the good guys now and we don't need to know why they were following Ganondorf, or why they stopped following him.

Basically my point is that yeah, I fucking know how the game insists everything went down. That's the entire reason I think it's imperialist propaganda, because the entire story feels like Hylian propaganda to conceal and justify some horrific atrocities that caused all of this. I literally do not believe that I'm getting the story through reliable narrators, especially considering that the only people allowed to actually tell me the story are all the characters that have the most reasons to be heavily biased in favour of Hyrule.

When the game shows me protagonists that have a massive amount of power and control over the entire world, then says the bad guy doesn't like that system just because he's evil, and literally nothing and nobody in the game says anything to oppose that take, I have some questions about what the fuck the story isn't telling me. And I'd really appreciate it if people would stop trying to argue with me just by telling me to stop asking those questions.

#tears of the kingdom spoilers #tears of the kingdom #ganondorf #can you tell that i'm annoyed by these people bcause i'm annoyed #...nothing personal if you are taking the story at face value btw #its just that i'm trying to dig into the story to talk about it #and it's frustrating to have people telling me i'm wrong because i'm analyzing the game #like guys... if someone doing a little bit of analysis is all it takes to dismantle the entire story #then it's not a well written story

[charlietheepicwriter7]

Why is it always Hellva Boss earworms that make me come up with ideas?

So, during the whole Freakshow thing, it wasn't true mind control. Danny was definitely affected, but it messed with his self esteem and emotions to the point where he damaged all of his relationships and is considering running away. Freakshow, who was a little bit smarter in this, then reveals that he knows Danny's a halfa and hey, why don't you join my ghost circus while you figure some things out.

So Danny becomes a clown because he's always liked clowns, and if you've seen the new episode, you know what happens next

and over the course of a few years, Freakshow isolates Danny from his family and friends, indoctrinates him into the crime side of business, and gaslights Danny into thinking he's nothing without him. Danny loves performing, but is so beaten down that he thinks he can't leave even if that's what he wants. Danny's a famous performer at this point, even if no one knows his real identity. The other ghosts aren't really a comfort since they're mind controlled.

The Justice League, specifically Young Justice, already know that Circus Gothica is a crime ring, but have no evidence to get them arrested bc the ghosts (who they think are just metas) are too good. The leader during the thefts (Danny) is the only one they've ever been able to get close to. Maybe at some point, Tim!Robin and Danny get trapped and Danny has a panic attack for failing Freakshow? Something happens that makes Tim convinced Danny isn't a criminal willingly, but he can't convince the others.

Danny and Klarion somehow end up dating. Freakshow joins the light, probably, and the two work really well together. Klarion asks Danny out, and Danny was really reluctant since he hasn't had... anyone, in years, but they date and it's just another thing for Freakshow to hold over his head.

Eventually, Freakshow gets the inkling that Danny isn't working as hard as he should be so he puts "Greatest Clown in the World" contest, and tells Danny that all the clowns who don't win will be immediately killed.

Danny is horrified, but he can only care about himself right now, so he's working his ass off.

(Meanwhile, in Gotham, the Joker tried to join, but the Batman broke in, stole all his bones, and left him in the hospital for a few months)

So Danny's putting his all into this performance, but Young Justice finds out about the murder bit and infiltrates with, IDK, disguised Nightwing? Klarion is also there to support his man.

Danny ends up tying with Nightwing, and the tie-breaker is a three minute performance and whoever's more entertaining wins. Danny has a panic attack during Nightwing's performance and Tim and Klarion team up to talk to Danny.

Danny's convinced he will be nothing without Freakshow (literally, he might fully die), so while Klarion helps him feel better about his skills, Tim finally gets the deets about Danny's whole situation. Tim logics that Freakshow mindcontrolling this other dimensional species + Danny is half this species = Danny is being mind controlled, pissing off Klarion while Danny thinks back to what happened when Circus Gothica first came to town.

His irrational anger at family and friends, his desperate need for approval from Freakshow, how he never even considered going independent, how he thought he was immune to the mind control staff despite being half ghost.... He's pissed. He wants to quit.

So he tells Tim that YJ needs to get the staff during his performance; without it, Freakshow wouldn't be able to mind control anyone. And he goes on to give his performance.

As for that... look, 2 Minute Notice is an amazing song with amazing choreography. the only thing i would add would be a quad somersault during the trapzee part.

Danny proves himself as an amazing clown, Freakshow gets arrested since Danny is willing to testify against him, the ghosts are free, and Klarion later murders Freakshow in a cell because that's his boyfriend, you pathetic excuse of a warlock.

"Freakshow, you sad sack of shit! Fuck you!"

#chaotic spirits #dc x dp #dcxdp #dpxdc #dp x dc #c: danny fenton #c: freakshow #c: klarion the witch boy #c: tim drake #c: nightwing #cw swearing #cw attempted murder #did i imply that danny was actually a grayson in the end? #yes i did and both tim and nightwing are having a little freakout over that #i'm tired of people saying danny's afraid of clowns bc freakshow isn't a clown! it's just circus trauma #now i gave him DOUBLE circus trauma #klarion loves his silly clown boyfriend #danny loves his scary magic boyfriend #tim loves having his theories validated and lords the fact that he was right about Danny over YJ for weeks

[thatnerdyqueer]

People get so confused when I try to explain the type/s of attraction I feel. But let me put it like this: I "fall in love" with someone's character. I don't want their body - I want their presence. I don't lust after them - I admire them. I don't want a romantic relationship - I find them fascinating. Interesting. Fun. They challenge and compliment me. They're loyal. They're funny. They're not two-dimensional, they're a well rounded character. I fall in love with someone as a character, as an arc, as a person. As a friend. People seem to read this one of two ways - it's romantic, or it's just platonic and I haven't found the right person yet. *sigh* the definition of platonic is 'deeply affectionate but not romantic in nature'. So yeah, it's platonic. It's deep. It's affectionate. It's not romantic. It's just as good though, so can we stop saying 'just'?

Like, you know when people have gay panics? I want that, and frequently experience it, but in a platonic way. As in, wow what you did was really impressive/intersting I want to get to know you and spend time with you kind of way. Not in a wow I want to kiss you way. Someday I want to meet someone in a bookshop and 'flirt' with them or whatever allos seem to think it is, and get their phone number. And then, instead of asking them to see a movie as a date, I'll ask them to come and eat pop corn with my friends and watch a movie because I think they'll find it interesting. Make no mistake - I'm aroace, but I still want my meet cute. I want a platonic meet cute where I find someone, who's character is so full and interesting and bursting with life that I get their number and send them memes and geek out with them, and get to know them and admire them until we feel comfortable around each other. I just want to live with someone. To read together, watch tv shows together, listen to music together, go to the theatre together, without them being considered 'dates'. Because I don't want them because I want their body. I want them in my life because I like their character.

And if you think about it, I'm very lucky in this way. Because, while not everyone has a super-model body, the vast majority of individuals are so bursting with life that I am very, very, likely to find people, many people, whose character I love. To be honest, I've already found plenty. But, ever the "optimist", I hope I find more :)

#oriented aroace #grey aroace #greyromantic #aromantic #aro #ace #asexual #greysexual #demiromantic #demisexual #alterous #quoiromantic #neuroromantic #queerplatonic #platonic #platonicise #tertiary attraction #aesthetic attraction #found family #aroace

[howtofightwrite]

If a character can manipulate points of gravity (up becomes down, left is down, right is down for yhe duration of the scene) and essentially be a spiderman without the spider webs by getting to run up buildings, and essentially be fighting in a more 3-d space...anything worth commenting on? I think what I'm trying to ask is what should one take into account when it's possible to have fight scenes in three dimensional ways. I recall that you wrote a post about how sea battles would technically look nothing like land battles considering the environmental difference of enemies coming at *all* directions.

That's not, really, “all directions.” For one thing, they don't have to worry about your character phasing through solid objects. It's also not going to be as effective as the web shooters for avoiding fire.

One of the quirks of Spiderman is that he doesn't, and really can't, travel in a straight line. He travels in a series of arcs, and while those arcs are predictable, it's much harder to lead your shots when he can jerk away in a different direction with almost no warning.

This is in contrast to characters with gravity manipulation based flight, who tend to travel in straight lines.

The issue with a battle in the sea comes from this basic concept. If you're a mile underwater in the Pacific, it is quite likely that there is another four miles of water below you, with the nearest land thousands of miles away. There is no cover.

Somewhat obviously, an urban environment offers a lot more cover. Your character can come in around buildings, drop from above.

What's significantly more disturbing is the prospect of your character being able to alter gravity for others. Causing someone to “fall” away into traffic or the sky is probably far more horrifying than the idea that they could run up a wall. Though, I suppose it's important to never underestimate the sheer pants shitting terror one can inflict by crab-walking across the ceiling towards your preferred prey.

Of course if you're manipulating gravity, then it stands to reason you may be able to add or subtract the gravity. It's one thing to sneak up on a mobster and propel him into the sky at 9.8m/s2. It's another thing to casually create a small gravity well inside his brain and crush his skull. Or, an anti-gravity spike and explode him like a forgotten microwave burrito.

It should go without saying by this point, but this power set can get really messy.

It's also worth remembering, this is one of those power sets that are just as dangerous to the user as their foes. Hopping from one building to another while flicking gravity mid flight could very easily result in broken bones and a really unpleasant landing. Unless they also have some pretty significant kinetic resistances, this is probably not something they'd want to use as a travel power (unless they're carefully tuning it to create fight.) Otherwise, inertia is their greatest foe.

To be honest, wall climbing is a slightly strange choice for a primary travel power. Yes, it is a viable choice, but using those same powers to take flight is going to be much less risky.

-Starke

This blog is supported through Patreon. Patrons get access to new posts three days early, and direct access to us through Discord. If you’re already a Patron, thank you. If you’d like to support us, please consider becoming a Patron.

#writing reference #writing advice #writing tips #how to fight write #starke answers

[rabarbarzcukrem]

The eternal opposing relationship between the two sides of a mirror

or: In defense of Shiori

I feel like Shiori is one of the most controversial characters in Utena. Some love her, others despise her. And I don't have a problem with people having strong opinions on her character. What bothers me is the tendency to exaggerate her most negative traits, focus on her most harmful actions, completely ignore any redeeming qualities she might have and then paint her as a one dimensional villainous caricature, a mean straight girl who plays with the lesbian's feelings for the sake of it, without anything deeper going on.

I'm aware of the fact that some people refer to her like that in endearment or in a satirical fashion, and I'm not saying that you can't consider her your favorite problematic evil girl representation. I'm only trying to make people realize that it's her complexity that actually makes her such a compelling character.

I've seen people call Shiori all sorts of names, some of which were baffling enough to make me wonder if they even remembered what happens in the show, and weren't just judging a version of the character that they made up in their head.

So, let's look at the things Shiori actually does, throughout the course of the story.

Disclaimer: I'm only going to take the series into the account here, because I think we can all agree that everyone's characterization and personality differs at least slightly in the movie. Background characters also get a lot less screen time to explain their motivations in order to fully focus on Anthy's journey and struggles, which is understandable.

1. She "steals" the boy from Juri.

This is her biggest crime, which seems to define her from the very beginning. Even though Juri didn't actually have any romantic feelings for him, this action is detrimental to their relationship - it breaks the trio apart, isolates Juri from the pair, is an act of betrayal against her and proves it was done with full awareness that it would hurt Juri emotionally.

Shiori is a deeply insecure person, who constantly feels inadequate and beneath other people. The only reason why Juri seemed to actually like her that Shiori could think of was pity, and even when she found out she was the object of her romantic affection all along, she still struggled to comprehend it. Her self loathing and constant perceived inferiority make her desperate to gain any sort of control over her life and relationships, but they're also the exact reason she feels that the only way she could ever do that is by hurting others. She's always one step below and incapable of crossing that distance, therefore the only way to become equal to people is to bring them down to her level, by humiliation.

When she "steals" the boy from Juri, she achieves that. For a moment, she feels good about herself and leaves Ohtori thinking that she has found the answer, the solution. But she's wrong. From that moment on, it becomes more and more apparent to her that what she did was never out of love for the boy, even though she doesn't let herself acknowledge it fully. Because the truth is, Shiori actually regrets hurting Juri, which she admits herself during her elevator confession.

When the guilt starts getting to her, her confidence high wears off, and she ends up feeling ever worse.

That's why she breaks up with him and comes back. She's not ready to leave yet, not ready to progress. There's still something binding her to Ohtori - Juri, and Shiori's unresolved feelings for her.

2. She tries to set things right with Juri and to fix their relationship.

Even though at this point Shiori still thinks that Juri only ever associated herself with her out of pity, she still makes several attempts to get closer to Juri, who understandably (albeit coldly) turns her down ever time. This is a very clear sign of conflicting feelings Shiori has for Juri - jealousy and admiration, resentment and longing, hate and love. After all, Shiori admits that the two practically grew up together. Their friendship may have always felt fake to Shiori, but she clearly cherished it deeply.

3. The Black Rose Arc.

First of all, we should establish what is the purpose of this arc and how it functions. It explores the motivations of background characters and shows their worst side to the audience. The characters that end up in the elevator are the most unstable, vulnerable ones, with the least power in the system, in unequal and/or exploitive relationships with the duelists and their agency under threat. Mikage offers them a way to gain that power by making them follow their most toxic, negative emotions. And despite all other characters doing exactly that, from what I've seen Shiori is the one that gets the most hate for it. I don't think she should be judged any harsher for what she did under the influence of the black rose than, let's say, Wakaba or Kozue. Especially because the reason all of them ended up in that elevator is because they recognized that these urges were harmful and were seeking help and counseling.

What this arc does do is reveal how Shiori's inferiority complex drives her to act against her own desires. Even though she longs for things to be different, even though she is not happy at all with how her relationship with Juri looks like, she is unable to fix it, because that would require her to consider her own affection for Juri. And she can't do that, because it would mean admitting that she's not stronger than Juri, that she hasn't beaten her, that she's doesn't have control and an advantage over her. Although she tries to keep up this smug, self-assured facade, the reality shines through.

They key to understanding Shiori is noticing that she specifically doesn't want to acknowledge that Juri's feelings are reciprocated, and the obsession is mutual. If you paint their relationship as one sided, you're actually falling for her act.

4. She enters a relationship with Ruka.

Ruka is a handsome (arguable), respected boy who appears out of nowhere and starts showing interest in Shiori. It's obvious that for an insecure girl, who in addition struggles with confusing repressed feelings, this would be something unthinkably wonderful. The affection and praise she gets from him is exactly what her low self-esteem craves. You might be wondering why she didn't perceive Juri's feelings for her in the same way. And a part of the answer might be that, post nameless-boy-incident, Juri was nothing but cold to her. She might have been pining after Shiori from afar, but in the end she's distant and untouchable, and they're divided by their messy past. Meanwhile Ruka is a clean slate, seems openly affectionate, engaged in their relationship and he pays attention to her. But I think the main thing that makes Ruka so different from Juri is the fact that...he's a boy. Because, as Revolutionary Girl Utena establishes, gender plays a crucial role in interpersonal dynamics. Attention from a boy is fundamentally coded as romantic, desirable, necessary and most importantly: increases the girl's worth in society's eyes. It makes one a princess. Meanwhile Juri's advances could only be seen as an invitation to friendship, at best. But Juri's status and beauty make her special, while Shiori is not. Therefore, it can only be pity and mockery.

Of course, Ruka only uses Shiori to influence Juri and dumps her as soon as he achieves his goals. It's true that Shiori could have listened to Juri's warnings, but then again... why should she? From her perspective, Juri's her ex-friend that doesn't want anything to do with her, who only suddenly comes to Shiori when she's finally happy and fulfilled, and encourages her to end it. She doesn't know the wider context of the situation, nor does she remember the Black Rose arc. Juri's warnings don't sound sincere to her.

And so, Ruka gets rid of her in the coldest, most indifferent way, not explaining anything or showing even the slightest sign of compassion. Before that though, he makes an interesting remark, about Shiori putting on an act and polishing somebody else's sword.

Honestly, I don't really know how to interpret it in any other way than Shiori actually having feelings for someone else, despite trying her hardest to conceal it. Are my shipping lenses not allowing me to see any different possibilities? Am I going crazy? I don't know.

Nevertheless, Shiori begs him to stay, devastated. Her life got turned around so suddenly, she found appreciation, status, comfort and stability, and now all that's been taken away from her as abruptly as it was given. It's a public humiliation.

I once heard someone say that this would be the perfect moment for Juri to step in and defend her. And to be honest, although it may be true, I'm not completely sure. It may have been the one display of open care that Shiori needed from her, but it might as well have been interpreted by Shiori as Juri affirming her superiority over her and feeling sorry for her again. We will never know. In my opinion, so much of their relationship is going on in their own heads that the only thing that could ever cause positive progress is communication (which neither of them seem to be a fan of).

Instead, Juri only tries to console her after the fact, when Shiori's at her absolute lowest. In the context of all the assumptions Shiori holds and Juri's previous indifference, it quite understandably comes off as a sneering attempt to gloat.

That's about it. You may have noticed that I've summarized all Shiori's appearances into 4 points, and only one of them includes an instance of Shiori hurting Juri voluntarily, out of her own free will, not influenced by anyone. I'm not saying that she was forced to taunt Juri during the Black Rose Arc, I'm not trying to diminish the suffering she's caused or trying to paint her as a perfectly good person. I am trying to make it clear that she is not some cunning plotter, dedicating every minute of her life to finding ways to make Juri suffer that some people seem to take her for. I am trying to humanize people's perception of her a little bit. Especially considering the fact that last scenes of her include those when she waits for Juri and follows her so that they can go home together, and then joins the fencing club. If this doesn't show that she's capable of change, I don't know what does.

She's not an innocent princess, that's true, but she's not just an egoistical, manipulative liar either. She's a bit of both. After all, if Revolutionary Girl Utena is supposed to teach you anything, then I think it's that we're all just people, and the complexities of human experience make it impossible to fit anyone into a box, assigning them definite labels like "princess" or "witch".

And if you look at a teenage girl who, like all people in Ohtori, struggle under the system of patriarchy and heterosexuality, and all you see is a wicked, sinister witch, then you may have just fallen into the trap that the narrative had set for you.

#Shiori: I may be pathetic but you're the one who fell for me lol #no fr you don't need to make up reasons to hate shiori there's plenty enough right there in the text #rgu #revolutionary girl utena #shiori takatsuki #juriori #I guess #she's so fucked up I love her #like girl feeling delighted after finding out your bestie has a crush on you is not very straight no matter how you justify it #moje

[decolonize-the-left]

Is anyone else just completely disillusioned? Done?

I could not think any less of people still talking about celebrities or how their biggest issues are not having a Starbucks cup that's $50

Like why are we as a collective letting people like that run the lives of everyone on the planet? A planet rife with unnecessary conflict and greed? People who can't be bothered to just Not go to chick-fil-a?

Why are people who clearly value profit over humanity in charge of humanity, ykwim? How the fuck did that become a majority opinion?

I drive thru my nuclear town, I go to our community events, our local small businesses, I try to support my community in ways I can everyday. But I can't help but notice that So Many of the people who do that alongside me, don't show up to protest for the rights of the people they claim to support.

Its all so incredibly shallow and one dimensional and obviously disingenuous and why the fuck are the rest of STILL begging for the ability to make changes within the framework they built?

Why are we still making educational posts for them and trying to make them understand when the first thing we are taught about reaching understand is that you must first be willing to listen and they refuse.

The ruling classes never listened. Never, ever have they granted anyone any oppressed group rights that they asked for without the group needing to fight for it. And it's always after generations of oppression.

I'm fucking tired of being nice and pretending the laws they made up matter and like their socially constructed bureaucracy is the only way to make change to be quite fucking honest.

They're LUCKY we use it EVER and now they don't even fucking listen to our voicemails?

The only things stopping me from taking what's mine are disabilities and I'm Dying to know what everyone else's excuses are.

Or is that?

Are we all physically too incapable? Is every single able bodied person actually a liberal fascist?

Asking for the disabled Turtle Mountain Ojibwe person typing this who's life literally depends on y'all caring enough about other people to make life anything but a list of systematic circumstances I'll suffer from until I eventually die early of an illness I can't afford medical aids for and which are not provided for me either.

And if you're able bodied and you feel the same... Start working outside that framework and stop asking so nicely. Stop giving a shit if you don't have the support of the oppressors and their liberal foot soldiers.

Stop worrying about what CNN is gonna say about you because I promise that the people who matter and Understand you will be inspired to follow in your foot steps and supportive.

Get active in your co-ops, mutual aid groups, and consider training like you're black bloc.

Learn what direct action is and how to do it and start doing it. Just reading theory era is over.

More of this

less whatever the level of cognitive dissonance this is

Imagine saying 'i voted so I did everything I could' like the suffragettes didn't have an arson and bombing campaign because the people who Could vote were people benefitted from their systemic silence and thus did almost Nothing to help them get voting rights and they Refused to let oppressor laziness be their obstacle.

Yeah, they don't teach you that in Voting Matters School the suffragettes were bombing the UK just a year or two before they got their rights do they?

The only language oppressors will listen to is their own.

And I'm Tired of pretending otherwise because that delusion is what makes the privileged feel like they don't have to do anything but vote and makes them feel they're justified to criticize those of us that fight back through other avenues.

And maybe if we had politicians that gave a shit about any of us then those votes and movements and public sentiment would have a bigger sway in government, but they don't.

They don't fucking care.

Why are we still giving them power over any of us and letting them tell us what to do and demonize us when they use that power allowed to kill us and bury us in unmarked graves in some field in Mississippi? And make everything so expensive that the richest citizens on earth struggle to pay their bills?

Why can a government only "condemn" a state agent's right to shoot an unarmed protester 57 times, but they can bypass Congress to send Israel billions upon billions worth of weapons?

I'm tired of pretending this country is anything but a front for White Supremacists when every liberal I see is trying to gaslight everyone into thinking genocide is acceptable.

Shut the fuck up and get out of my equality tags, fascist.

#Whiteness #white Supremacy #decolonize #decolonization #colonialism #imperialism #direct action #leftists #fascists #fascism #settlers #colonizer #indigenous #ojibwe #native #ndn #solidarity #mutual aid #lgbt #capitalism #leftist #usa #liberals #progressives #voting #biden #joe Biden #Palestine #gaza #Americans

[akimojo]

"Is it because of how differently it (Final Fantasy XIII) handles female characters compared to earlier games?" YES you are so right about this!! The main cast is majority female and the fact that each female is an individual vastly different from each other with multiple dimensions and layers to their character is probably why people shit on it. Plus if you look at the males in the group, they are FAR from the typical brooding male FF protagonist and yet still unique and nuanced in their own way. People didn't like that the characters broke the molds/archetypes/tropes that many of the FF games follow. And that's why the FFXIII cast stands out so strikingly to me personally.

And they're not just deep characters, they're allowed to have major character flaws that actually lead to negative consequences! Not to mention that their personal goals and motivations do NOT revolve around men

Even well-written female characters from other ff games (like yuna for example) don't have any traits that men would generally find unappealing in a woman, they don't challenge male players at all

And then in comes lightning, who starts off so toxic and poisonous to the people around her, acting violent toward male characters and making rash decisions that require you to think about why she does what she does, and the male-dominated fandom hates her

And don't even get me started on vanille and fang because their bond is at the foundation of ff13's story, but it's somehow the one aspect that I've seen haters sweep over the absolute most. Which is very strange considering most people can recognize how important zack was to cloud, or tidus to yuna, or rinoa to squall, or locke to celes, etc

Now that there's men going around wildly misinterpreting tifa's and aerith's friendship as them actually just fighting over cloud, you really gotta wonder if they just didn't care about fang and vanille because their relationship had nothing to do with a man lmao. And you just can't fully understand ff13's story without understanding how important fang and vanille are to each other, just like how you can't understand lightning without taking into account her struggle between self-preservation and the love she has for serah

I don't like to cry sexism over assumptions, but it's pretty hard not to do that when such a huge chunk of ff13 haters are men that insist the characters are one-dimensional, like?? how can anyone be that wrong?? Especially when the ff games they praise have some of the most one-dimensional female characters in the entire franchise (sorry ff4 but your handling of rosa is atrocious), but of course that doesn't matter because hey! The dudes need a love interest to sit there and look pretty for them!

#now that more women are getting into ff i NEED a ff13 remaster oh my god #it was ahead of its time it really was #ask #anonymous #final fantasy xiii

[the-badger-mole]

In the debate between pro-aang-kill-ozai and anti-aang-kill-ozai. Which side are you on and why? If it's the anti then did you like how it was done or do you picture something else?

I think I've mentioned before, but I am not inherently against Aang not wanting to kill Ozai. Some of my favorite heroes have a no-kill policy. I don't even mind the lionturtle solution itself. What I didn't like was how it was handled. There was plenty of time to address Aang's reluctance to kill before the second to last episode. I can think of three points in particular where it would've been thematically appropriate and given Aang's bland, two-dimensional character some depth.

First, right after the siege at the Northern Tribe. Aang may not have technically been the one who killed all those Fire Nation soldiers, but it couldn't have happened without him. You would think that someone who is both committed to pacifism and also the one the entire world is relying on to end a war that people have been fighting and dying in for a century wouldn't just be able to shrug off what happened. Aang did, though. Didn't even cross his mind when he was whining about people expecting him to kill Ozai.

What should have happened was the next season should've opened with Aang grappling with what happened and his part in it. He should feel guilty about it, not because he was actually wrong, but because it should feel wrong to him. Then, Katara and Sokka should comfort him and tell him he did nothing wrong. Build it up that their word are comforting him a little, then drop the bomb when they start talking about how cool it was. How amazing it was to see all those soldiers running in fear for once. How relieved they are that so many of them died. Then have Aang snap on them about the sanctity of life. He needs to be angry and hurt, and this should be the point where he decries the powers of the Avatar. He'd call himself a monster, and maybe he would call Katara and Sokka monsters, too. Then they (probably mostly Sokka) would argue with him that they aren't monsters, they're just trying to survive, and the Fire Nation is a threat to be taken out. This would be the first time it's brought up that Katara, Sokka...the entire world expect Aang to kill Ozai. I think it would be perfect as a season 2 opener. Season 1 was light and goofy, and Zuko was their biggest immediate threat. The siege raised the stakes, and season 2 should continue on that rising. Aang should also have started looking for another solution here. In the library, Aang should've asked Wan Shi Tong if it was possible to end the war without more violence. We should've seen Aang coming to terms with the fact that the world is suffering and he is the one they are looking to to save them. One thing I think the Harry Potter movies in particular did well was that shift from goofy and whimsical to darker and more frightening (as far as kids movies go) as the story went on and the stakes got higher, and the danger felt more real to the characters. Aang never gets that realization. He has moments when the danger feels real, but he's goofy and whimsical for pretty much the entire series until the plot of an episode needs him not to be.

The second place they should have brought up his reluctance to kill was DoBS. This really should've been a no brainer. Aang was loosing sleep over facing Ozai. He had his anxiety about losing- though not really what losing would mean for his friends and the world- but he didn't even consider what winning would take. If DoBS had been successful, there's no way Ozai would've been able to be taken alive. Logistically, killing him would've been the easiest, safest option. You mean to tell me no one brought it up? No one asked Aang how he was planning to take Ozai out? No, instead we get Aang proving he knows what enthusiastic consent looks like and taking away his excuse for what happened later, but nothing about Aang weighing his personal beliefs against the needs of the world. That training montage and confrontation that he has with his friends in the second to last episode should've happened here. This should've been when his tendency to run away should've been challenged, too, because half a season before he was crying about how he abandoned the world again. Now his instinct would be to run, but his friends would challenge him, calling back to that moment. They could demand that he present an alternative to killing Ozai. I don't think any of them would object to him living to stand trial, but Ozai is a rabid dog, essentially. He needs to be put down. Aang's got nothing, but not for lack of trying. When he tells his friends about all his efforts to find a non-lethal way to defeat Ozai, they are unmoved. They are at the doors of the Fire Nation, and now is not the time to be indecisive. He has to go face Ozai. And he's probably relieved when the plan fails. This whole situation would have the added bonus of skipping that first Kataang kiss because no way would Aang want to kiss Katara after her insisting he terminate Ozai with extreme prejudice.

The third place Aang's no-kill policy should've come up is TSR when Zuko asks him what he's planning to do when he faces Ozai if he's so against killing. This should scare Aang, and it should be his focus for the rest of the season. He should be more withdrawn from his friends, because with all the training he's doing (and he would still be training on all the elements because he's not that good at any of them), talks about the most efficient way to kill would be unavoidable. Katara might actually try to teach him bloodbending. Toph would just tell him that a big rock is just as effective as some fancy bending move. Zuko would be warning him about his father's ruthlessness and cunning. This would be where Aang looses his patience with his friends and insists that he's a pacifist and Ozai doesn't deserve to die. This would piss Katara in particular off because by this point, Aang knows what happened to her mother. He would get an earful about how Ozai's plan is to do to the Earth Kingdom what his grandfather did to the Air Nomads and how he's going to let millions of people die because of his refusal to kill one. Now, Aang can take off, only instead of just running away from his friends because he doesn't want to hear them anymore, he could be making one desperate last ditch attempt to find a solution that both ends the war and keeps him from having to kill Ozai. EIP could still happen in this circumstance, but instead of getting mad that he's being played by a girl, he would focus more on how eager for his death the Fire Nation is. That would come up in the argument about killing Ozai.

Now, for the lionturtle. I'm about to blow some minds. I have been vocal about my hatred of the Lionturtle/Rock of Destiny desu-ex-double team, and I do still hate it with a passion. However, as a concept, I don't mind the lionturtle. This is a fantasy adventure. You expect a bit of magical intervention. What I wanted was Aang grappling with this problem for more than half an episode. I wanted him working on a solution the entire time, starting from right after the siege. I wanted to see him take initiative. To actually think about the problem. Maybe have him specifically looking for the lionturtle. Then when it shows it, it could be because it knew Aang was looking and decided he was worthy of a meeting. Aang could still have his meeting with his past lives, and that could still go the way it did. Then the lionturtle could speak up. Instead of poo-pooing the idea of killing Ozai, it could agree that it was the most effective way to make sure that the war would end. Then, when Aang is despairing that he'd wasted all that time trying to find a different solution, the lionturtle could offer the spirit bending. But it would have to come at a cost, and it might not work the way that Aang hoped. Now Aang has to make a choice. Sacrifice something for this spiritbending ability (I'm thinking he loses his airbending, because it seems poetic) that might not have the outcome he's hoping for, or give up his pacifism- one of his few connections to his heritage- and kill Ozai. He chooses the spiritbending. Instead of the conveniently placed rock, Aang would actually have to give up his attachment Katara. I think he would be half-way there, having finally realized how little he understood her. He "loved" her because she was pretty and took care of him, but he's come to realize there's a lot more facets to her that he hasn't gotten to see because they don't fit his narrow view of her. He also understands what Guru Pathik was trying to tell him about one person not being able to replace everything Aang has lost, and he realizes how unfair to her he had been. He still loves her, but as a friend and caretaker. This will actually lead to a deeper friendship between them. Aang defeats Ozai without killing him, but now he has to deal with the loss of his airbending, which only now does he realize was a much of a connection between him and his people as his beliefs. He still has spiritbending. He can still airbend in the Avatar State, but he's effectively cut off a limb to keep his integrity. He will go the rest of his life wondering if it was worth it, especially after Ozai goes to trial and is sentenced to execution anyway. The effects of that on his children could be explored in LoK.

TL;DR I don't have a problem with Aang not wanting to kill Ozai. I just wanted to see him deal with it before the last minute. I think the show would've been better for it, and Aang would've been a more interesting character.

#atla #anti-kataang #aang #how it COULD have gone #he would've been a much better protagonist if we actually saw him struggle with his destiny #spiritbending should have consequences #that's too much of a power up to just give to the hero #and ozai should still die #it just doesn't have to be at aang's hands #THE YEAR OF CONTENT!!!!

[sapphic-agent]

Let's Talk About Izuku Midoriya

As most of you know, Izuku is my favorite character in the show. But dismissing my bias for a second, there are a lot of issues with his character. Mainly, how it's handled within the story and the negative affect it tends to have on the overall plot.

What I think really dampens Izuku's character is a lack of depth. Fellow Izu fans hold your fire... let me finish.

The lack of depth wasn't always a problem. In season 1, he tends to have a lot of lines that indicate complex emotions. When he's walking home after Bakugou's suicide-baiting, he shows at least a little contempt for what was said even if he tries not to take it to heart. Hell, even during the suicide baiting itself, he reacts with anger and intends to stand up to Bakugou even if he is forced into silence by fear. During the bus ride to the USJ, Kaminari and Asui are (rightfully) observing that Bakugou is a dick and Izuku is surprised at the swap in their roles. In the Battle Trials, he's guilty when Bakugou accuses him of purposely hiding his quirk, but also confronts and outsmarts him, knowing that beating Bakugou (standing up to him) is the only way he can even start to become a hero.

(This is evidence that at some point Izuku was aware that Bakugou's actions weren't alright and wanted to condemn them, he just didn't have the strength or confidence to go through with it. This entirely disappears later in the series with no reconciliation of those feelings)

We don't get many scenes like this later on. Izuku takes Bakugou's insults and attacks with no reaction or just a nervous one. And we never, ever see him attempt to stand up for himself against him.

And no, I don't count Deku vs Kacchan Part 2. Izuku was practically forced to defend himself as Bakugou would have attacked him either way, and his entire role in the fight is going on and on about his admiration for Bakugou. Izuku isn't standing up to Bakugou, he's being placed in a situation where he's forced to help develop him. The entire episode is solely for Bakugou's benefit while shoving Izuku into a corner.

But even taking a step away from Bakugou for a minute, Izuku also becomes more one dimensional in regards to Uraraka.

I've said this before answering an ask, but in the beginning of the show Izuku was the one who was attracted to Uraraka. He was flustered by her kindness and reacted bashfully to her hero suit. And for some reason this... goes away. The last time he gets even slightly embarrassed around her is the licensing exam when she appears jealous of Camie (Toga). Not only that, it feels like all of that transferred to Uraraka. She was the one who ended up becoming bashful and flushed and embarrassed, which would make sense if Izuku's feelings didn't almost entire disappear. It does both their characters a disservice; Uraraka is reduced to a more one-dimensional love interest (don't @ me for this, she has her moments and I love her) and Izuku loses another aspect of his character.

I would even say this is present with Todoroki on some level. Izuku was supposed to be his first real friend and they barely interact. Which is even worse considering they're both part of the "main trio." It would have been so easy to play them off of one another since they're supposedly best friends and should be the closest two in that trio. Their friendship was one of the starting points of the entire series and their connection is an integral part of both their characters. Yet they both interact more with Bakugou than one another.

(For comparison, look at Bakugou and Kirishima. They're in a multitude of scenes together and we see how their relationship develops over time. We see their companionship and how Bakugou comes to trust and rely on him. We don't get anywhere close to that with Izuku and Todoroki.)

Over the seasons/volumes (whichever you consume), Horikoshi has dumbed Izuku's character down to crying, defending others, and being self-sacrificing. And these aren't inherently bad traits for a main character, but they weren't all he had in the beginning. He had more personality and he had stronger feelings. Taking that away from him cheapened his character.

Another failing of Izuku's character is how him being quirkless is blatantly ignored by the series.

This was an integral part of his character. It's what separated him from the vast majority of people in the show. It destroyed the only dream he ever had. He was discriminated against for it. It defined his entire existence for the first fourteen years of his life.

And it's never talked about.

Okay, I shouldn't say that. It is used to draw parallels between him and Shinsou (and Aoyama later on). But other than that, Izuku really doesn't acknowledge it. For someone who would grapple with not being good enough for OFA, him not really dwelling on being quirkless is odd.

In a series about the corruption of society, it's strange that the discrimination the main character faced from that society isn't talked about. In fact, outside of Melissa (she's legit the only character who was born quirkless and stayed quirkless, everyone else who's listed quirkless had their quirks taken away or received a quirk later), the series doesn't really introduce quirkless people at all even though they make up 20% of the population (and that isn't a small number by any means, that would be 1.6 billion people in 2023).

Yet this issue that was very present in the beginning of the show is just... swept under the rug. Like everything Izuku went through because of it just doesn't matter. A four year old came to the realization that he was beneath his peers by society's standards, but Izuku just doesn't talk or think about it ever again.

It not only ignores the very real trauma and struggle the main character went through, it also shuns a very important piece of world building. Having Izuku born quirkless was the perfect way to introduce this problem with society. But no, other than his dream being ruined and Bakugou's bullying, Izuku doesn't struggle with this in any other way. We only have vague implications of what he went through growing up quirkless so we can't imagine what it's like for the other 1.6 billion people.

This ties into his lack of depth, but a lot of the time it feels like Izuku's only relevance is to be a prop for other characters. Bakugou is obviously the main one and I went over this in the apology analysis. But Izuku doesn't respond to his apology in any way, we never get to see his thinking or how he was affected, and then he faints at the end. Izuku is a puppet in place to further Bakugou's development. This is also present in Deku vs Kacchan Part 2; all his thoughts are centered around admitting Bakugou and propping him up.

As much as I hate it, it somewhat makes sense for Bakugou. But it's utter insanity that this is extended to Endeavor as well.

Back during the Sports Festival, Izuku displayed disdain for Endeavor. He was aware of what an awful person he was and how he hurt Todoroki. Yet for some reason he then tells Todoroki that he thinks he's ready to forgive him.

This is completely out of character for Izuku. For one, he never inserts himself into others' business unless it's to defend them. And up until that point he hadn't said a word about Endeavor; not to comfort Todoroki and not to abhor his actions. So why in the world would the first thing out of his mouth about him be that Todoroki seems ready to forgive him?

It's almost like he's acting as a mouthpiece for Horikoshi, indirectly telling the audience that Todoroki no longer holds any resentment for Endeavor. Izuku's relevance in this scene as Todoroki's best friend should not have been to assume that he's ready to forgive his abuser.

He also verbally defends Endeavor against Dabi. Even though he knows how abusive and neglectful Endeavor was to his children. Condoning Endeavor while disparaging Dabi makes no sense for Izuku's character. He was defending Shoto too which makes sense, but there was no reason to add Endeavor into that. Just because Endeavor was his mentor (for like three weeks if that) doesn't erase what he's done.

To make Izuku ignorant of this was a slap to the face of his entire character.

Even in his own major arc, Izuku gets the shaft. Dark Deku was a major let down because there was hardly a deeper dive into his character. He was on his own with the past OFA holders for weeks and we barely see him talk to them. Him cutting contact with Toshinori when we didn't even get to see them interact much made no sense (Toshi didn't even try to find him afterwards which was so out of character). The top 3 heroes allowed him- a fifteen year old student- to run on his own without even trying to talk him out of it.

And what's supposed to be an honest attempt to get him to come back and trust him turned into 1A a) physically attacking and ganging up on him and b) allowing Bakugou to goad and insult him. And he wasn't even close with all of 1A for nineteen of them to do this. This should have been restricted to Iida, Todoroki, and Uraraka (and maybe Tsu and Aoyama). He has issues with showing vulnerability in front of people, why om Earth would it make sense to blindside him with his entire class?

(The only part of Dark Deku I truly enjoyed was Uraraka sticking up for him at UA and Kota and that woman he saved earlier running to comfort him and show their gratitude. Although Eri not being there is very weird.)

Like I said above, I love Izuku. But I absolutely hate the way he's been handled by his author. He deserved an actual well thought out character arc and a lot more focus and attention. He deserved to have more intricate, complex relationships with other characters that weren't his childhood bully. He deserved to be treated well in his own story.

#izuku midoriya critical #i love him okay #i just don't love how he's written #izuku deserves better #mha critical #bnha critical #anti bakugou katsuki #anti enji todoroki #anti endeavor #long post

[expectopatronum81]

Unpopular opinion but......

Am I the only one who misses the og marauders? The marauders fandom isn't even about the marauders now, 99% of their canon personality traits hv been replaced with cliqued behaviour. For some reason there's a massive obsession with their sexuality and I just don't get it? Lyk can't u have a character with any sexual orientation with personality traits outside it anymore? Does there really need to be a complete erasure of their most defining traits? I just wish we could get the actual marauders era characters back

James Potter: Pureblood, rich, intelligent, arrogant, a bully, but extremely loyal; took Sirius in and turned into an animagus for his werewolf bestie when the whole world would have shunned him; he could have led a life of utmost comfort but chose to risk his life and fight for those he loved in a war that didn't even concern him personally. His last words were asking his wife and child to escape while he tried to hold voldy off without a wand

Sirius Black: Haughty, a bully, extremely good looking, cool, rich, blood traitor by 16, comes from a family of literal death eaters, very intelligent, loyal, will do anything for those he loves( especially james and later Harry), thick as hell (my boy really survived in a depression prison for 12yrs, tht too after all the horror he'd seen before that), dark, very traumatized and broken

Remus Lupin: Gentle (yup u read that right), kind, mischievous (ppl really overlook this), very insecure, let james and Sirius bully Snape coz he was too thankful for their acceptance and affection to tell them off, considered himself undeserving of love, his self loathing prevents him from being a responsible adult/ parent for Harry, lowkey manipulative. Very compassionate and empathetic even after everything he's been thru tho

Peter Pettigrew: Considered slow and stupid, insecure, tags along with the others for protection, but obviously cunning and manipulative, a disgusting rat tho

Regulus Black: Teenage Reggie worshipped death eaters, he had newspaper clippings of them on his wall, completely believed in those racist ideologies until he realised what the reality of being a death eater was. He tried to bring voldy down but there's no evidence of him completely changing his beliefs about everything else like muggle borns, muggles, werewolves etc. Very cunning and intelligent tho, he discovered voldemort's secret before Dumbledore did. Liked kreacher but kreacher was also brainwashed with pureblood ideology, so I ll only give him half the credit. Bravely sacrificed his life in the end, but he still chose to protect his racist family.

Lily Evans: muggleborn, good at portions, described as popular and vivacious, pretty, the favourite sibling, isn't afraid of standing up to ppl (tht smirk in swm tho?), very brave, and most importantly (ppl really choose to forget this nowadays) a mother who stood in front of her baby boy in hopes of saving him from the darkest wizard alive even tho she herself was only 21 at the time, tht too right after losing her husband. Tho I'd still say that lily is a badly written character

It's fun to explore characters but not one of these core characteristics r even present. They're turned into one dimensional social justice warriors who r always right in everything they do

Now I get it, ppl want them to fit with current day ideals, but y not just create different/new characters then? What's the point of holding on to that nostalgia if most of their character isn't even there anymore? Where's all the toxicity coming from? And anyone who doesn't agree is homophobic and whatever other -phobic u choose to employ in the most irrelevant context ever. It's all so stupid smh🙄

#harry potter #james potter #sirius black #remus lupin #peter pettigrew #regulus black #lily evens #marauders era #mauraders #anti fanon #anti marauders #pro james potter #pro sirius black #pro remus lupin #pro lily evans #pro regulus black #pro sirius