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#they're not good screenshots
petricorah · 1 month
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scenes i loved from Real Enough to Get Me Through by @marriedzukka <333 [ids in alt]
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baskeigh-ball · 9 months
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i'm low on ideas so have some screenshot redraws + smug knife leo because i don't draw him nearly enough
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varus-messy-room · 6 months
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more kazuscara for you people alt version below because i couldn't pick lmao
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trashyygarlic · 1 month
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WLW and MLM solidarity:
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WLW and MLM hostility:
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staticrevelations · 8 months
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Imogen and Laudna at the Solstice / "Everything" by MUNA
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emomomortal · 5 days
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theyre watching a scary movie
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ghostshug · 3 months
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Dark Sun Gwyndolin
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buttertrait · 2 months
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lil goblin circle of spores druid i made for my "simblr adventuring guild" idea
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the-oaken-muse · 7 months
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I watched Good Omens for the first time last week, so I'm a bit late to the party, but I wanted to talk a little bit about the Metatron's offer to Aziraphale.
On my initial watch, I definitely got "Azula tricking Zuko to come back to the Fire Nation" vibes and after a few rewatches as well as a refresher on that episode of ATLA, the parallels are even stronger.
First we have the Metatron and Azula:
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They both show up suddenly with grand promises, telling Aziraphale and Zuko exactly what they want to hear. You can come Home. You can come back to Heaven, and so can Crowley. We need you. We want you.
They both emphasize that they are delivering good news, really hyping it up. They are so kind and understanding. Take all the time you need.
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But at the same time that they are warm to their target, they show open disdain to their closest ally when their backs are turned.
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Next, we have Aziraphale and Zuko:
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At this point, Zuko still believes in the vision of the Fire Nation, he believes that they are honorable and right in what they do, and Aziraphale believes that Heaven is the epitome of goodness, truth, and light. The word "indoctrination" comes to mind. They've both been burned by the people they look up to, but are blinded by their ideals.
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They're extremely loyal to their side, and there's more than a little denial at play. When Crowley and Iroh express distrust and a desire not to go, they get defensive, they lash out. You don't know, you don't understand.
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Finally, we have Crowley and Iroh:
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They truly care for Aziraphale and Zuko. They're always there for them and would do just about anything to protect them.
They are a bit more worldly than their companions and are suspicious of the Metatron and Azula's intentions. In our family, things aren't always what they seem. Heaven and Hell are both toxic.
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They both receive the same invitation to join the others, to go Home, to go to Heaven, even though the main focus is on Aziraphale and Zuko. The parallels diverge with these two, however: while Azula doesn't really care whether or not her uncle joins them, as long as she gets Zuko, Crowley was never meant to accept the offer. The Metatron draws Aziraphale away from Crowley to talk, they are separated as soon as possible, and a wedge driven between them.
At first, Iroh wasn't going to go, but changed his mind at the last minute. Crowley does not change his mind.
With how similar these two scenes are, I can't help but speculate on what this means for Good Omens. Is this just an elaborate way of kidnapping Aziraphale? Are the angels taking pointers from their last attempt and taking a more subtle, calculated approach this time?
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Do they actually want Aziraphale on their side or are they just trying to get him out of the way?
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screwpinecaprice · 2 months
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Early early Connie. 👀👀👀👀
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wherearetherobots · 3 months
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Night out Pose reference @adorkastock
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ex-textura · 2 months
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i love grymforge 😌
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coccineum-vocatorem · 3 months
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It's now or never, don't surrender We came too far to die So claim your weapons This ain't heaven We came here now to fight
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fizzytoo · 4 months
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using amaya to test out this functional pool table <33
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clitorrrific · 1 year
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That unlimited rizzle dazzle
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sealrock · 9 days
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the major arcana, shuffled: 5/??
THE TOWER; ⤉ disaster, destruction, upheaval, trauma ⤈ resisting change, avoiding tragedy, delaying the inevitable, avoiding loss
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