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#they're so fucking extra
meraki-sunset · 2 months
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🧡💚Higher💚🧡
I call this:
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Ya get it? time and place, space + time, just me? ok
This is what i imagine adult Crow and Jade on Earth-C would do every now and then when they are tired of rutine.
Cropped parts of the drawing because i love Jade's pose and face
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I found a cool pose reference, i blacked out and woke up to this.
Enjoy!
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littlelightfish · 16 days
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Mr. & Mrs. Folke
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rebouks · 2 months
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Obligatory Becca's cleaning out her screenshot folder like a good bean screenie dump.. 📷
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olberic · 4 months
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caspar celibacy dot png
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mishapen-dear · 8 months
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look at them having a completely normal non-manipulative friendship what good friends they all are. look at those happy smiles and ignore the red lines im sure the red has no symbolism at all hahaha
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job applications: this is entry level! anyone can apply!
job applications: ...as long as you've done at least six months of highly specific work, or have this exact degree, or if you kissed a chicken during the last moon of 2012-
#im back in the trenches bois its Not Looking Great#gonna apply to this stupid thing anyway but#it looks like stockin grocery store shelves is the way im gonna go#unless i get Very lucky or manage to bullshit my way into this job#college isn't necessary but Man a lot of places want you to attend. no <3#but noooo instead i have to like. work. till i die. and never make enough money to live comfortably. sigh#sometimes i think to myself 'i should make video essays on youtube and see if that goes anywhere'#and sometimes i think 'i should scribble up things that people would buy and make a shop'#and sometimes i think 'what if i killed someone with a stick. would that be fucked up or what'#absolutely unprompted#AGHHHHHHHH THE BOXES WE AS HUMANITY HAVE LOCKED OURSELVES INTO IM GONNA LOSE IT#i was born to be a handsome decoration / weird little artist for eccentric wealthy people#i was meant to drape myself across a beautiful philanthropist woman's lap and doodle lil animals for her#while she rambles and feeds me grapes#yk. if i did make a shop i could have an extra section for small crochet things#coasters. small hand warmers. tiny shapes. simple cat toys. that sorta thing. quick and easy stuff#i could make them w/ specific colors so that they're subtle fandom themed#i literally have a coaster in damian's robin colors... a black/red SB square...#hm. thinking#oh shit i gotta work on that new commission sheet#OH NO. I FORGOR SOMETHING I SHOULD NOT HAVE FORGOR. I HAVE MADE A LITTLE FUCKY WUCKY#excuse me everyone i have something to finish
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greenerteacups · 22 days
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Are there any other wizarding families that are underexplored in canon and pique your interest in a similar way to the Blacks?
This is a unique function of what food my brain worms like to eat, but no one's doing it like the Blacks. The drama? The intrigue? The Gothic horror? The prodigal sons and lost daughters and killers and sinners and martyrs and saints? The wizard Catholicism of it all? The story of the House of Black is the best book never written.
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genericpuff · 6 months
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on the closure of MochaJump, and why we're our own worst enemies in this industry.
"MochaJump? What was that?" is probably your first question, and I'm gonna simply respond with, "Exactly."
MochaJump was a small startup platform made by /u/nunojay2 and a second site engineer (whose name I am not informed of) on reddit. It wasn't anything extraordinary, just a startup site that aimed to offer a more viable alternative to Webtoons and Tapas, with a focus on offering equal visibility to creators, focused recommendation algorithms, loosened restrictions on NSFW content, and bigger cuts for creators on their generated revenue.
Of course, such promises are a tall order, but the creator did their best to host regular discussions with creators in art and webtoon communities to get feedback on what creators really wanted out of their platforms, and they researched what they would need to make in order to keep the site afloat (it came out pretty low at $2 per user per month). Hopes were high and the site launched with a small but eager userbase.
It stayed small. The site shut down in November 2022, just 6 months after launching in May 2022.
Now, I'm not gonna sit here on some soapbox and blame anyone for the site closing down. I unfortunately didn't get much chance to use the site myself so there's surely more I could have done on my own part to help it gain traction. But this is a regular occurrence for start-ups like this, especially in an industry that's as notoriously unprofitable as webcomics. We've seen titans such as SmackJeeves and Inkblazers fall, and MochaJump was merely an infant by comparison.
But it makes me think of how we view and treat these startups as a whole. How we as readers and creators alike have become so trained to exclusively use corporate platforms like Webtoons and Tapas on the promise of "bigger gains". Unlike these bigger companies, platforms like MochaJump depend on building a strong userbase as quickly as possible, and need to find ways to generate revenue to keep things running, otherwise it's only a matter of time before they close down. They don't have a massive conglomerate like Naver or Kakao to pad their pockets through their failures. They don't have the money or reach to inject themselves into society through bus terminal ads and convention sponsorships. They don't have the investors to sink money into their platform until it becomes profitable in return.
So we don't use them. Readers don't use them because we don't see the point in using a platform that has no content... and thus creators don't use them because we don't see the point in publishing our content on a platform with no userbase. Creators seek a place that's "tight knit" and "easy to get seen", but will only post to places that come pre-loaded with massive audiences; because it's not enough anymore to have a couple hundred followers, we're in 2023 now, in the year of consumer bloat, where we expect to now pull in thousands if not millions to be considered a "success". And readers seek a place that offers high-quality high-amount content at the tip of their fingertips, but don't want to pay for the access to these works, and in the case of apps like WT, have given up in trying to support these creators through the platforms themselves because they know that those artists they want to support will likely never see a dime.
The fact of this problem is simple, yet many people seem to ignore it - we cannot expect to have a platform that is tight knit, profitable, and sustainable. These places do not exist, not so long as we continue to raise the bar on what makes a "successful" subscriber count, not so long as we continue to patronize platforms that exploit their artists and writers, and not so long as we keep chasing the dragon of "what these websites used to be". These platforms never used to 'be' anything, they merely existed in one point of time that is now long gone, when owning a smartphone was a luxury and not a need, when online video content wasn't being tethered together by ads, and when the Internet wasn't owned and entirely managed by the same three corporations, the likes of which we haven't seen since cable TV.
Platforms like Tapas and Webtoons are - besides unsustainable - unable to exist and profit in the way they do without undercutting someone along the way. Whether it's underpaying their creators, undercutting their communities, or underexposing the works that have been buried, someone will get the shit hand in the deal and that someone is usually ALWAYS someone who will rarely ever stand to gain anything in the long run from using these platforms despite their issues. The 1% got theirs, and the 10% are barely getting by, while the remaining 89% are pushing onwards, because they have faith in the systemic online enshittification that demands conformity to a single formula for "success".
We are our own worst enemies in this industry. Webcomics are one of the few online mediums that still truly belong to the people - anyone can make them, anyone can find joy in them, but we're letting platforms like Webtoons and Tapas and all the other massive corporate apps rob us of that joy and accessibility in the pursuit of "success" and profiting. Webtoons was never the sole way to profit off this medium and yet I still see people every day who underestimate the existence of legitimate publishing houses and self-publishing, who think that publishing on Webtoons and landing an Originals deal is the only way to find success in this industry. This is meant to be the era of creators, of self-starting and self-actualization, and yet we're still handing all of that control over to corporations that only seek to exploit our art, bodies, and labor, while convincing ourselves that this will somehow all be worth it. We stick with Webtoons, despite the numerous controversies it's been involved in and the lack of support it's given even its own hired creators. We stick with Tapas, despite the undercutting of its most core components such as its community and the outlier genres it used to be known for hosting. We find new ways to justify using platforms that are steadily going downhill - Patreon, Twitter/X, Youtube, Instagram, Facebook - because we've been convinced that these are the routes to success, so if we acknowledge their failures, then "success" can no longer exist.
Because we need to pay rent. Because we need to eat. Because we need to survive. Because it's a lot more complicated than just "stepping away". Because the startups just don't have any of the surface level potential for us to immediately identify and get on board with, so we don't give them a chance.
I realize this post got very existential and depressing. I've been creating comics for well over a decade now, largely unnoticed, and I've fallen victim to these same limiting mindsets that we have to stick to one way, one "formula" for success - a formula that changes with the wind and only works for those who get in on the ground floor. It's been slowly killing me from the very beginning, robbing me of my joy to create, of my reason to even do this in the first place - to tell and share stories with others, to express myself creatively, to live my life surrounded by art and stories and creations made by and for others. It's made me tired and miserable, and I can tell it's done the same to those who have shared that boat with me.
But there's one silver lining I can always be sure of, and it's one I was reminded of after realizing I was still in the MochaJump Discord, with one announcement post that I hadn't yet read.
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Webcomics are one of the few online mediums that still truly belong to the people. Corporations are trying their hardest to take that power away. Let's not continue to let them.
If you want to help sustain, patronize, and contribute to the growth of sites that are still being operated by small teams (or even one man armies), please, consider checking out the following websites, some of which serve as platforms or publishers, others which operate as link directories for independent sites run by creators.
ComicFury GlobalComix TopWebcomics The Webcomic List The Webcomic Library Hiveworks SpiderForest SmackJeeves Archive Inkblot.art And whoever wants to use the GitHub source code used for MochaJump (RIP)
Let's do our part to decentralize webcomics again. We may not be able to leave the platforms that weakly sustain us, but we can still support those that strengthen and support us.
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you’re pitting those bad bitches(mom’s plushie) together and it pains me to see them fight😔
okay people say this every round for most match ups but it has never been more true than with mom's plushies
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venusiansilk · 9 days
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idk i feel it should be a crime for these companies to keep debuting idols under 18. debuting at 14-16 can't be good for their development not to mention the industry ꒰ esp k-pop ꒱ is inherently sexualized? like we have to stop putting kids on stages n screens to be gawked at.
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lord-squiggletits · 8 months
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The funny thing about Pharma and the Delphi situation is that that's where the concept of the DJD was first introduced (with the first scene with the DJD at work happening literally the issue afterwards, issue #6) and literally the more you learn about the DJD the more it vindicates Pharma in his paranoia and being convinced that he couldn't ask for help like
In the Delphi issues we learn that the DJD hunts down Decepticon turncoats/traitors/etc and that Ambulon, one of the Delphi staff, was a Decepticon traitor. We also learn that their leader is evidently terrifying in addition to being a t-cog addict, but that's it.
Except in the subsequent issue #6 and all issues with the DJD afterwards, we learn a variety of fun facts about the DJD such as
Several of the members either literally transform into torture equipment or have said torture equipment built into their bodies
Their leader, Tarn, the guy with the t-cog addiction that forced Pharma into blackmail, can kill people with just his VOICE
We later learn that the DJD have a fanatical devotion to the Decepticon cause/Megatron such that they literally worship an idol of Megatron
Even later on, we learn that Tarn's kill-you-with-his-voice powers work both over the phone and via recordings of his voice
Tarn is also very talkative during torture sessions and he seems to find pleasure in his stupid, smug-smart guy persona where he likes to describe to victims what's happening to them and why. And there's no reason he wouldn't apply this to Autobots just as much as he does to Decepticon traitors
The DJD have access to signal jamming technologies that make it so that even if their victim can get a help signal out, no one will receive it until weeks after the fact
Their entire system of hunting people down is based on pursuing them no matter what, isolating them from any help, driving them mad with psychological terror, etc
They're capable enough warriors to slaughter an entire ships' worth of people, apparently without sustaining any meaningful casualties
They're drug addicts that are prone to overdosing and/or losing control and slaughtering people while they're under the influence
So like???
If Pharma was only privy to HALF of the things that we as the audience know about the DJD, it's perfectly reasonable to assume that Pharma probably wanted to call for help at some point, but was convinced that doing so would lead to 1. the signal being jammed/blocked so no one would help anyways 2. him and everyone else at Delphi (including the TRAITOR WHO IS ONE OF THEIR EMPLOYEES) would be horribly tortured to death by fanatical Decepticon torturer freaks.
Like I get that in the text Pharma only says that he did the Red Rust stuff so that he wouldn't be caught/blamed for the t-cog deal and is prideful about how he stopped the DJD from murdering Delphi, but like...... there's no fucking way that Pharma going "oh I didn't want to get in trouble and also I'm better than everyone" was his PRIMARY reason for everything on Delphi. Pharma didn't go from perfectly normal/sane Autobot doctor to raving egotistical maniac because he was always an asshole and he decided to solve the DJD issue in an asshole way. It's bc according to all canon evidence we have of the DJD and the way they react to traitors/Autobots, Pharma had every reason to fear for his life and believe that no aid would come to him.
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icouldhyperfixatehim · 7 months
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love having to provide non-misogynist caveat like "ah some of my best friends are women" but god cheum sucks lmao. i can't feel anything but bored and annoyed when she shouts at the rest of them. it's like having someone from the audience analysing the problematics of the show - but IN the show. jojo babe why have you done this to me? why have you made the only girl a permanently high horsed whinge who is sexlessly girlfriended on your MESSY SEX MESSIER PEOPLE SHOW
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jula483 · 8 months
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TICKLE PARTY
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rebouks · 8 months
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Courtney had a shitty day at work and developed a new fear, which apparently calls for scary movies in the buff once the kids are in bed... 📺👻
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holocene-sims · 1 month
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List 5 facts about a favorite sim of yours, and send this to simblrs whose sims you adore ✨️
thank you so much for sending this to me!! ✨️💜 i really appreciate it!! and i'm so sorry for letting this sit in my inbox a long time 😭
i may talk about him a lot, but it's never enough, so here are five new facts about the king of my blog aka grant 👑
when grant wants to feel something, he'll watch videos of the curiosity rover on mars singing happy birthday to itself 🎂 it's so incredibly sad but cute to him, so it immediately turns on the waterworks lolol 🥲
objectively, grant is NOT a car guy; he's 110% an airplane guy. however, he owns a car that makes him look like a car guy and gets him approached ALL THE TIME by people who want to talk cars. it's a 1960 ford galaxie and it looks like this, except i think it would be a nice shade of light, almost minty green or maybe blue (no, i haven't decided, and probably won't because there's no cc version of this car for the sims 4, so we'll never see it lol) 💚💙
why is that his car? 🚗 well, it was his grandparents' car, which he bought off them when they wanted to replace it; they have never had a garage or a carport in their entire life, so the car was exposed to the elements for fifty years, and it was, thus, fucked up. they were also tired of fixing it. however, it's a sentimental car because aoife and joseph met working on the same production line at a ford auto factory, and this car was the first one they bought as a couple in their marriage (even though aoife ironically does not know how to drive lmao). they wanted it gone but also didn't, you know, so grant bought it because he also didn't want to see it gone; he'd spent his whole life sandwiching into that backseat with 8 billion of his cousins. oh, aaandddd he bought it even though the necessary repairs were extensive, which he did all by himself with help from his grandparents and uncle (aka people who know shit about cars)
a shorter fun fact: he smokes luckies 🫢
grant has been on TV before! it was very brief, for like five seconds, but he was interviewed by his hometown news station after his high school hockey team won the state championship game one year and he was granted the MVP title. he was very nervous, and his friends ended up nicknaming him "mr. team effort" because his entire interview was him just saying things like, "oh, um, well, it was a team effort, and we worked really hard...together...as a team..."
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ugghhh EBU refusing to let Zelenskyi speak at the Ukrainian Eurovision finale because "it would be against the rules because Eurovision is apolitical uwu" like. EBU. Girl. You do understand that refusing to let him speak there is a political act in and of itfself right???? Do you think you kicked Russia out for the lols??? The 1st semifinal's show with all the text messages on the screen was just a fancy visual??? The pride flags in the audience not a political statement in support of LGBTQ+ rights??? lmao please. apolitical my ass
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