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bionic-penis · 3 years

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Here it is! Before we get into it I'd just like to say that I sent this all in discord and so i dont use the most academic language and i also had to cut out some bits where I was speaking/replying to friends :)

Okay so maybe Yang and Blake are just good friends, I can see that, but the storyline and all their major character events are so intertwined that it wouldnt make sense not to make them a couple

Spoilers for literally everything

But in my defense its been seven years

Anyway Yang and Blake's stories dont start getting seriously interconnected until around volume 3, but we do see them being closer to eachother than the rest of team rwby (save for Yang and Ruby but they're sisters so it doesnt count)

When Blake is stressed out over the White Fang in Volume 2, it takes Yang to snap her out of it

Also a lot of people have mentioned this but I'm gonna say it again for those who havent heard it but colours and weapons matter in rwby. They're a key element in the show

ahem

Colours play a big part in the design and storytelling aspect and rwby and its no coincidence that Yang eyes are purple and Blakes are yellow, which are eachothers like signature colours outside of Blakes black

But even more than that is weapons

As we learn from Ruby in the first Volume, a lot of students make their own weapons and, as it is constantly reiterated, weapons are an extension of the self in RWBY. They're not just a tool to be tossed around

In the show we see little instances of people interacting with and using other peoples weapons. There's that one scene where Ruby uses one of Penny's swords to defend Pyrrah, but that was out of necessity. however, over and over again we see Yang interacting with Blake's weapon, Gambol Shroud

As someones mentioned before, an entire moveset of theirs is dependent on it

So it's clear that these two characters are incredibly close

Moving on from that point, Id like to analyze the incidents thst occur in volume 3 and following events that further Yang and Blakes connection

In volume 3 after Yang "breaks" Mercurys leg due to Emeralds illusion, she sits in the dorm room surrounded by her teammates, yet the scene singles out Yang and Blake. When Yang asked if they (her team) believed her, Ruby and Weiss are ready to say yes, but Blake hesitates. Yang and Blake then share a moment where Blake explains that shes trusted people before who turned out to be cruel. She asks Yang to look her in the eyes and tell her that she (Yang) is telling the truth. Yang does so and Blake believes her this level of affirmation from one another is so unlike the rest of Team RWBY and even Team JNPR

Ofc in the dorm scene the person Blake is talking about is Adam, her abusive and possessive ex. Obviously your relationship with an abusive person effects any and all interactions/relationships, regardless of their extent, but I think it bears mentioning

Continuing on in the events of volume 3 when Beacon is being attacked and Blake is confronted by Adam, he has her pinned down and says something along the lines of "I am going to destroy everything that you love". Unfortunately this is when Yang happens to stumble into the scene. Horror is prominent on Blakes face. Yang sees Adam over Blake and yells at him before charging forward, which is when Adam cuts her arm off. It's a very emotional scene imo. Blake then uses her semblance to get her and Yang to safety

So let's analyze this

Adam specifically singled Yang out

Ofc yang was the only one there at the time but Adam didnt say "starting with your little teammates" he said "starting with her". Ofc this could just be me cherrypicking but I think that word choice has meaning

Regardless, this is an intense moment for Yang and Blake that really welds their stories together, romantic or not

In volume 4 Yang and Blake take a break from one another-- Jk but theyre separated. After the events at Beacon, and especially after what happened to Yang, Blake runs. And we get to see both women dealing with this and trying to come to terms with it. Yang is bitter. She's angry that Blake, specifically, left her. And Blake feels like she had to run away to keep everyone, specifically Yang, safe

In Volume 5 we dont get much interaction at all between Yang and Blake aside from the same feelings represented in Volume 4, but these are put on the back burner for Blakes White Fang arc

However these feelings take a forward play in Yangs mind and she even voices these feelings to Weiss and Ruby

I take a deep breath

Volume 6, Blake and Yang are together again but tensions are high. They have to learn how to be together again. When Blake and Yang finally have alone time in the shed, Blake expresses how she won't leave, which comforts Yang. However, Blake continues on to say how she will protect Yang to which Yang gets mad and the moment is ruined.

Despite this, Yang and Blake are still going strong and trying to make things work by being there and supporting each other

Yang and Blake's arc for Volume 6 reaches its peak in the fight against Adam. In this fight we see both women fighting the actual source of their trauma. One thing id like to note about this fight is that Blake starts it alone but is joined by Yang, who tells her to catch her breath. This fight is the first major fight Blake and Yang have fought together in a long time. And its amazing. During the fight, Adam screams at Yang in anger and jealousy, asking "WHAT DOES SHE SEE IN YOU?" And saying that she (Blake) cant protect Yang to which Blake replies "I'm not protecting her. And she's not protecting me." MIRRORING the conversation in the shed

the fight ends with Yang and Blake stabbing Adam through with Gambol Shroud, killing him

Now theres some little things id like to point out with this fight, aside from the amazing chemistry between Blake and Yang and the awesome choreography

Its during this fight that we learn about Adams semblance (magic power basically), which is that any hit he absorbs with his sword, he can return with greater force. This is a corruption of Yang's semblance, where any hit she takes herself she can return with greater force

Now why do I think this is significant? Because rwby is all about symbolism. I think Adam's semblance was specifically chosen to mirror Yangs. Adam doesnt have to deal with pain, he just deflects it, which is how his relationship with Blake plays out. She tries to let him off easy, she tells him to leave her alone, but he just can't take the hint, just like he can't take a hit. However, Yang does take the hits. Yang takes them all and it makes her stronger. She empathizes with Blake and works with her. Adam doesnt have to deal with the pain his actions cause because he doesnt care. This reflects Yangs extremely empathetic personality. Yang knows what consequences her actions can have. She can take the pain

Another thing id like to point out is Adam's behaviour during the fight. He lashes out as Yang for getting in between Blake and him, blaming her for his flaws. He targets her just like in Volume 3. I think this was done purposefully

Another thing is Yang runs Bumblebee off the cliff to help Blake! Her bike! I think this is important bc yang loved her bike. It was part of her brand for the longest time. Perhaps running it off the cliff in the fight vs Adam is a nod to growing by letting things go? Idk I just feel like its an important beat

In Volume 7 we see Yang and Blake working together more regularly again with even a few flustered glances (maybe). Marrow even mentions that they never pair up with anyone else to which they respond with a cool fight scene this feels like the extent of their interaction since Volume 7 focuses more on ruby

Volume 8 isnt finished but there is one line that I think is important which is when Yang asked Jaune if "she'll think bad of me if we fail?" To which Jaune responds "Ruby's your sister" and Yang says "yeah... Ruby..." LIKE EXCUSE ME?

[I take some time to riff with my friends and partner before continuing]

ANOTHER THING

Adam BREAKS Gambol Shroud during their fight, mirroring how Yang, once again, works with Blake and Gambol Shroud. This is yet another example of Adam being violent and abusive towards Blake where Yang is sympathetic and kind. Theyre set up to be narrative opposites

Even though both Adam and Yang are both hot heads, utilize a similar semblance, and both have a deep connection with Blake, they are not the same bc Yang trusts and appreciates Blake while Adam does not

Also Adam and Yang both share the same sentiment of "Blake left me" but whereas Adam lashes out at Blake, Yang is mostly frustrated. Unlike Yang, Adam never attempts to work it out with Blake, which is where the two differ greatly. Yang is willing to listen whilst Adam is not

TLDR: uh give me Bmblb content right now Roosterteeth or I will suck the marrow from ur bones

#rambles #rwby tag #rwby #bmblb #YES IM PUTTING IT IN THE MAIN TAGS I DESERVE IT #also i wrote this like a few episodes or so into v8 so 🤧

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cultho · 5 years

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Dororo Epilogue/Post-ending Standalone episode

*WARNING: SLIGHT SPOILERS AHEAD!!*

So I watched the ending and I had a lot of feelings about it, and I came up with a few ideas for a standalone post-episode to explore some concepts I would like to see from the show. Fyi, the pronouns I use for Dororo vary by situation, with a preference for he/him (my headcanon is Dororo is pretty genderfluid!).

About a year after Hyakkimaru went to find himself, aka end of the series (but before the timeskip where Dororo’s hair is long), the episode opens with opens with Hyakkimaru, feeling more at peace with himself, returning to the village Dororo was developing via dad's Harry Potter level of inheritance.

Dororo, who now basically rules this village despite being a literal 9 year old, hears word from his fellow villagers that a wandering stranger with a sword was spotted helping one of the rice farmers because their horse got caught in a ditch (or anything else of that nature). Of course, Dororo immediately comes running, and barrels straight into Hyakkimaru for the sibling reunion hug we deserve.

Then Dororo punches Hyakki on the arm and gives him a hard time for leaving for a whole year without even a ‘goodbye,’ asks 'So what made you decide to come back after a whole year, huh, punk?’

In response, Hyakki pulls out a small, worn, pouch and Dororo says 'woah - Mio’s rice seeds? I thought you would’ve planted them by now already.’

With a little smile, Hyakki goes 'I thought about doing that, but then I remembered you were close with her too, so you have as much of a right to these seeds… so I decided to wait until we could plant them together.’

The rest follows as one expects it to - Dororo teases him for becoming an even bigger softie, and they set off back to the village to grab some farm tools who Hyakki the place, as the camera pans up until the brilliant blue sky fills the frame. That chapter of their lives ends the same way it began, with Hyakkimaru and Dororo - the latter chatting up a storm while the former quietly appreciates - side by side, wandering where they must.

Then the camera pans back down, and where before there was bare paddy, the field is now golden and thriving (same as it was in the show's ending). After a half decade timeskip, Dororo is 15-16 to Hyakki’s 21-22, and the rest of the episode follows them dealing with a demon terrorizing their village, who turns out to be Daigo’s butthurt evil spirit. I don’t have a specific plot, but here are concepts that I’d love to see explored.

First, Grown up badass Dororo running her town, being like her own Alexander Hamilton, except not only does this Alexander Hamilton know finances, how to run a sovereign state, how to outsmart any opponent, rouse even the most downtrodden souls to action with just a few words, she also kicks major butt from training with her big bro. Shoutout to that one post that inspired the idea that her dad's Big Boy genes kicked in during puberty so she’s actually like... as tall as Hyakki. Maybe even an inch taller. She says to anyone who asks that her bro can 'die mad about it’ but they both know that he’s just happy she grew up big and strong.

She totally runs the town and everyone adores/massively respects her; her city takes in the refugees, the poor, the women and children, the diseased, etc, because, in her words, screw samurai and screw their wars. They absorbed Daigo’a old land after offering food, shelter, and jobs to the survivors, thus their town became a pretty respectably sized settlement.

Now, the key to all this - since they don't want to rely on samurai for their power - is the money, right? So Dororo’s power is her knowledge of the treasures secret location (and all the other badass things about her, but I digress). Imagine at some point a small gang of newer villaghers got the bright idea to try and stalk her during one of her mysterious night trips out (she calls them a way to satisfy her wanderlust, but they’re a cover for her sailing to the treasure's location to grab some cash), and they only get as far as spying her enter the docks before their plan goes to heck when they get accosted by Dororo's more loyal villagers who saw them sneaking. ‘Oh sh*t,’ they’re thinking, Dororo sauntering over to them, ‘Oh sh*t, shes got a big sword, oh man oh sh*t this is the end for me - '

But Dororo’s been there before, at the end of her rope and desperate for any edge to survive, she understands how these guys think, and if there’s one thing she’s stubborn to death about it’s that she does NOT run her town like the samurai. Instead, she talks them out of their misdoing and helps them find an honest living, Tales of Ba Sing Se Uncle Iroh style, (except with more volume and verbal threats).

Another concept with Dororo is when Dororo dresses to look like a guy when he and Hyakki take a couple horses and venture into a nearby city (for whatever plot reason), similar to how he did when he was a lot younger.

It’s not fully a secret, but only the older residents of her city know about Dororo’s 'crossdressing' habit, and are accepting of it.

Dororo mentions that while he’s in no way ashamed of presenting female, it often feels more freeing to present male, especially when they're out adventuring - less questions and stares from strangers, etc. Dororo also just likes presenting as male! This way, he identifies with both genders at different times. (It goes without saying Hyakki does his best to use the right pronouns, he never had a strict concept of gender - re: Jukai is the best mom, so it never struck him as odd.)

As for the actual villain of the episode, when she first hears of the Jerk Dad Demon attacking the farms on the outskirts of the village, she only thinks ‘it's just another demon, time to gather the crew and kill this thing-’

It doesn’t go so easily, as the demon’s exceptional strength proves to draw out the confrontation, and it even ends up escaping the first time.

The first to figure it out was Hyakki - he’s most familiar with Daigo’s wrath and the foul creature reeks of the old man. However, everything happened so fast and he sort of… neglected to inform Dororo. When she does find out, they have a short confrontation about it in classic Bickering Siblings Style. It’s understandable that she’s slightly miffed the demonic incarnation of his own awful dad, yes that one, is who they’re fighting and he didn’t bother letting her know.

Hyakki, who, even after a decade of having his voice back, isn't that great at communication/vocalizing his more complex thoughts and working through conflicts with words and thus often comes off as awkward or silently stoic: 'You were busy... and I thought you figured by yourself already?’

Things escalate when the other villagers overhear, and they almost start a riot; angry shouts accusing him of being the reason the demon attacks their settlement from the all the tired men and women, haggard from fending off attacks of not only the demon but also rival bandits and clans who want to take advantage of the city’s time of hardship. Of course, Dororo gets everyone back in lineright before the crowd got to deciding to sacrifice Hyakkimaru, reminding them to focus on the real enemy instead of turning on eachother - but the situation was incredibly bleak. With everyone on edge partially, it was easy to use Hyakki as a scapegoat due to his pacifist tendencies and his stoic nature coming across as almost cowardice.

He taught Dororo how to fight and that's pretty much all the fighting he's done since he came back to plant Mio’s rice, he’s reluctant to pick up the blade again. But the moment a demon shows up he runs off on his own, risking life and limb to confront it head on. Combined with his character’s less than stellar communication skills, it frustrates Dororo in the 'he leaves for a year and doesnt even text me when he's going’ kinda way’ - she's frustrated when he continually refuses to understand that they're family, and at the end of they day theyre kind of all the other has left. So he needs to get it together better and tell her when he’s about to go off and do reckless nonsense. His behavior also presents an interesting dichotomy as Hyakki also struggles with trying to be emotionally detached (lose worldly desires, etc.) and pacifist in the face of attacks from both demon and humans, so he needs to reconcile fighting with the others against attacking clans and risking a redescent into the demon like madness of his teenage years or standing by non violent means of supporting his comrades while facing expectations that he should do more. He wants to atone for his past sins badly and help those who are still living best he can - but how?

(And also make friends other than literally just Dororo.)

Dororo's arc is about her struggles to do the right thing as a leader - it is a lot, to run a whole city. Recent events have caused more deaths amidst her city than ever before, and moral questions about what to do with captured enemy survivors feed doubt into her mind if one day she’ll turn out as bad as the samurai, and how to continue on after having led people in battles that resulted in their deaths.

P.s. I also entertained the idea of Hyakki’s journey to find himself taking much longer, and so the first time Dororo sees him again ever since he got his eyes back is when she's 20, there's rain pouring from the dark sky as her men are carrying lamps around, accounting for the dead and defeated in a latest skirmish with a small rival band that was trying to access her city the non-peaceful way.

At first her men bring her hyakkimaru, thinking he was with the enemy (he happened to be in the wrong place, wrong time. He simply heard of a group heading to a big place that sounded an awful lot like somewhere he would find Dororo - and followed them).

And from the business end of her sword he's on his knees looking up when she goes 'nah. I know him. This bastard's got hell to answer for, but he's not our enemy.’

Events are more or less the same from there, but filled with way more tension and drama here since Hyakki basically dropped off the face of the earth for 10 ish years and Do’s mad about that because, again, he didn't even say 'bye'. So much has changed, but what hasn't changed is Dororo’s anikki's inability to grasp that if one day he went off without telling her and then died, she would have literally no idea where/when/how that was, she would never know if he was alive or dead, and the idea of living in that limbo would terrify anyone. The story being about them learning to come together again, only at the end do they plant Mio’s rice field together.

I ended up trying to flesh the first idea out more because Do & Hyakki’s relationship is all about the things that don't need to be said; that these two will always be there for the other without needing to be asked. The backbone of their relationship was built up as one that didn’t need explicit affirmation because it was already so ingrained to their characters it would be a disservice to them and a waste of time to contrive an entire plot trying to create unnecessary drama between them.

But then again... drama = satisfying character growth, so perhaps it could go either way! Let me know what you think!

Thank you for reading all this way :) I also posted second part to this of other thoughts I had while pondering why I felt the need to write a standalone epilogue.

Bonus: these gems I had in the rough draft that unfortunately had to get cut:

“But it’s harder to kill bc jerk dad demon is a jerk”

“Dororo's like 'u mean to tell me ur punk bitch biological male progenitor's demonized soul is attacking our fields??? “

“they take down the big bad dad dude daigo”

“Dororo: - pshffyeahh, ur pissy pissfaced pissbaby dad”

#dororo #fandom #my thoughts #anime #hyakkimaru #tahomaru #daigo #dororo to hyakkimaru #essay #disability #my writing

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lettersandinkstains · 5 years

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Valenties Day Tag Game

Tagged by @jojoscoffeeandwriting, thank you! I intended to do this earlier, but I was at a workshop.

Tagging: @cawolters, @klywrites, @the-violet-writer, @pens-swords-stuff, @whatsanwritepocalae, and tagging anyone who wants to do this!

Using Sage and Nyx!

[1] How big a part does romance play in your novel?

Not much, actually! My goal is for it to be a subtle growth up until the very end where everything just clicks together. As I get it written (oh god when?), pay attention to their actions towards it other! Love doesn’t have to be out right stated!

But it’s not like the genre of the story.

[2] What is the nature of the romance in the story? Are there any tropes it follows? (Infatuation at first sight, enemies to lovers, best friends to lovers, etc?)

I’m not sure? I mean, they were fated to meet. However, not fated to fall in love.

Enemies(?) to friends to lovers, I suppose.

Also forbidden love because the assassin falls in love with the victim ;) I’m making that canon!

[3] Why did you decide to pair specifically these two characters? What makes their relationship compelling?

It honestly just happened. I was thinking about it one day, and it was like.

“I want these two to be a couple.” And in the Silas fashion, dramatically worried about it because I didn’t want it to take away the story.

[4] How do you handle your characters’ chemistry?

I’m not sure I understand this question too well, but here goes.

I handle it like I would any other couple--I show their positives and negatives. They do fight, especially in the very beginning, but they do also support each other. There’s no guilt tripping, no mind games and games at all. Both of them are grown women, after all, so they would rather try to talk it out (though Nyx does need some prompting--and that’s okay!)

Instead of outright having them fall in love, they work towards it because they’re strangers and Nyx was there to kill a beloved family member--so Sage isn’t going to immediately want to sleep with her. So I’m trying to show how they develop a strong bond and eventually do fall in love. I’m also one of those people who believes you don’t have to write characters kissing/having sex/out right saying they love each other to prove they’re in love.

After all, there is a love language.

I ranted. I’m sorry aha.

[5] At which point in your story do your characters realize that they’re in love?

Miiid way through? Nyx is lamenting over something Zephyr says, and it sort of dawns on her that she feels something so much more for Sage than she’d like to admit.

And she wants to find a workaround than what her original mission was. Because she honestly wants to spend the rest of her life with Sage, but she also wants to save her loved ones and the world.

Yeah. Tragic.

#tag games

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bibbleboo · 3 years

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Could we get some headcanons/more background on Abbey and Doyle’s kids? 🥺👉👈 I love the premise of this AU

YEEEEE (im just gonna ramble a bunch about the backstory i have so far but ill put it in bullets so its easier to follow lol i apologize for it being long as fuck-)

OKAY SO,,, first of all,,, doyle and abbey timeline,,,, [i am looking respectfully]

in this au, they get back together and have a sort of ‘lovers pretending to be enemies’ chaotic on again/off again hookup thing off to the side just between the two of them thru like Most of the final season, they try to keep it a secret (especially doyle who doubts the saturdays would be hAPPY if he was seeing her again) but in the end, saturdays ofc find out, probably are unsure about it at first, but she gains enough of their trust to be there for the big finale battle in the weird world mansion.

when shit goes down and argost becomes the vessel for the two opposing kurs (regular kur, and the anti kur from zak monday) and they like. explode his matter or w/e, i imagine instead of kur just completely disappearing, the ‘anti kur’ gets shot back to its universe, while original kur gets forced into a new vessel in this universe... the closest of which happens to be the unborn child abbeys unknowingly carrying. basically, what if the two kurs just LOOKED like they evaporated but actually did what happens when you try to like tape two same sides of a magnets together and they YEETED-

So thats how we have Parker, their firstborn daughter! and this... also implies ‘Parker Monday’ exists which. 8^) i havent thought about yet so forgive me on that but hoo,

they dont know parker is kur, they got no idea and rly just assume kur is gone for good. but after they find out abbeys pregnant (which is a huge emotional trip for both of them in its own right) they do eventually sort of agree they dont want their kid exposed to that whole world of mystery. like, ik its a vital thing to the whole family, and ik these two people were probably voted least likely to ‘settle down’ in high school, but i cant imagine they didnt escape the kur/zak situation without a LOT of trauma, so while the saturdays stay in the cryptozoology field, doyle and abbey slowly pull away from the mystery and mercenary stuff, and also instead of going for big dollar lifestyle settle with ‘independently wealthy’ parenting.

also, neither of them really . grasp the concept that theyve even started a family, and are ‘together’, and that this is REAL, until around when she gets pregnant with their second daughter, Kendall. and then theyre like. oh nooo wait are we actually like boyfriend and girlfriend EWW-

when kendall is born parker is 3, and the next like 10+ years are pretty smooth sailing. as far as what the kids know/see, they probably know the cryptids when theyre little but. (tw animal death sORRY TO BE DARK I JUST??????) idk,, how long komodo dragons live/how old komodo already is and i definitely dont know Anything about giant prehistoric birds and am not even sure if science knows that lifespan, so. im not sure how long they could really be in each others lives??? i almost imagine parker would have memories of them that she assumes she remembers wrong, like “oh yeah they used to have a lizard and a bird... my imaginative little kid brain thought they were a komodo dragon and a dinosaur”, and as for fisk im still working on it but i . actually kind of imagine he might have a much longer lifespan (since lemurians are like ancient or w/e? and also if hes by dna like a gorilla cat or w/e gorillas at least live long af) and also feel like once he got older and settled down a bit he might live somewhere in the woods, maybe even his old tree? and the saturdays see him ALL the time obviously, but hey zaks gotta go to college eventually, a gorilla cats gotta eat bugs in forest, we all have to grow up and leave the nest sometime,

so idk the last time parker has actually seen fisk and she might assume he was an imaginary friend or smth but, 1. if i do write a fic they absolutely have to meet again, 2. overall the vibe is they know the saturdays are cryptozoologists, like, the same way josh gates does destination truth, seeking answers and studying, they dont really. know that theyre REAL. to them its like, a hypothetical science. (this is also part of why they dont realize parker is kur, she isnt around cryptids and therefore whenever her powers would actually show up they wouldnt be recognized) anyways parker isnt embarrassed or put off by it but just thinks its a little wacky, meanwhile kendall is obsessed with the world of mystery/paranormal/cryptic lol

speaking of the girls personalities;;;

parker is like. not really normie/preppy, even if she seems it at first glance, shes nice and has a good head on her shoulders but also is a teenage girl (inherently unhinged) and shes THEIR teenage girl (+5 feral) so despite her success and charm shes also very witty/crass when she wants to be, and deep down shes closer to the kind of person that would on pure inexplicable instinct put something random in your mouth when you’re yawning so you bite down on it afterwards. or like. that video of the girl singing in the bathroom while her friends curl their hair and she grabs the curler to use as a microphone before realizing its burning hot??? shes. the voice of reason, but the voice is usually shrieking in fear, making a cursed joke, or half the time whatever shes saying is actually smart. she kinda wants to go to college and travel, but struggles with indecisiveness and anxiety, so she has no idea where to go, what to major in, etc. and is again kinda just livin thru the typical teen life in that regard

kendall on the other hand is like. weird kid culture, the kind of kid that believes they are secretly a new supernatural creature each year (mermaid phase, werewolf phase, alien phase, etc), probably completely accidentally starts cults or witch covens at school (didnt realize teaching peers how to become ‘blood brothers’ and ‘make potions’ from puddles and stolen school supplies would be taken so seriously by parents) , very into emo/scene/punk/alt culture but not rly in an overtly dark/edgy way, more of a having fun and expressing self way. she wants answers for everything, really loves mysteries and being open minded, and definitely a rebel/adventurer at heart, even if she gets naive or in over her head sometimes.

the girls get along well! parker is not dismissive of kendall she just. isnt really into the same stuff/is more freaked out by it most of the time, but she would tag along on certain adventures, especially if it was to keep her safe. and kendall definitely directs gentle mockery towards parker a lot but does see her as a good role model and guiding figure, their bond is really strong!

other details !

doyle and abbey prob decide to say fuck it and get married after kendall is born, they probably have a few rough patches but nothing is more important to them than the kids now and in the end they understand each other better than anyone else so . canon tension idk her! family ftw! power couple! they intimidate the teacher during parent teacher conferences together hand in shady little hand !

their parenting style is exactly what one would imagine, 70% fun and sass and controlled chaos where theyre the bigger children than their children, 15% ‘this is how you hack the government and dual wield swords-- i was not supposed to teach you that im sorry’, and 15% actual guidance / emotional depth / etc. flaws might be overcoming their own immaturity for the first few years, and then being lowkey overly protective (while claiming they arent, but just bc you semi jokingly tell parker she should join the football team doesnt mean you dont actually hide 60% of ur life from her and check that her bedroom windows are locked every night and have 24 people listed in her school emergency contacts and used to cut up her food till she was 7 and-)

so abouT THE BABY BOY (Phoenix), 1. his middle name is leonidas bc im gay and i love emotional turmoil babes , 2. fully unironically the idea behind such a late pregnancy is abbey would be mid fourties when hes born right. so like. [has two kids] ‘ok birth control time’ [when theyre teens many years later] ‘ok im old enough to stop taking this’ [the hyperfertility curse that plagues many women rears its ugly head with one last hoo-rah]

and finALLY a very quick elevator pitch of what id write an actual fic to focus on;;; kendall sneaks into the attic to look for old shit bc they BOTH know their parents have been hiding stuff over the years, she finds things like a cryptopedia (now offline), the claw, maybe even a piece of the kur stone, and ropes parker into the long haul of figuring out what all this stuff is. and ofc the second they ever find the naga relic and parker comes face to face with it, [rest in rip] time for mom and dad to find out and all this kur shit to start ALL over again-

#long post/ //#tw animal death ment//#GOD THIS IS SO LONG IM SRY--#idk what to call thsi au forreal yet so ill just tag it as #dabbey baby au #TY FOR ASKING THO HEART HANDS

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pldubrahs · 7 years

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anyway, this has been a While coming and now im back in new orleans so LOTS OF GUSHING ABOUT THE LIGHTNING THIEF MUSICAL, UNDER THE CUT

the ambiance of the theater, dim and filled with soft storm sounds

this show does really beautiful things with overlapping singing and w harmonys and its So low budget but still so good and the cast is small but amazing and literally everyone but chris is cast into several roles and its just amazing

if u dont wanna read this whole thing, just scroll down to the end for a Special Surprise

ACT 1

the Bitter, Angry, Sad music, ltm is truly the Emo Rock Musical we deserve

i seriously almost fell out of my chair when chris mccarrell came out. he honest to god was SUCH a good percy, so fidgety and all his expressions were ON POINT

“CHROOONOOOOOOOS”

ms dodds in General she was hilarious for the literal 3 minutes she was onstage

the pen to sword transformation is literally just: chris hides the pen and grabs the sword from somewhere else onstage. during my show, in the ms dodds fight scene, the sword was on the back of chirons wheelchair and it got stuck so he had to trip after the chair as chiron wheeled off and TUG it off to fight

DID I MENTION HOW MUCH I LOVED CHRIS MCCARRELL AND HOW AMAZING HIS VOICE WAS? BECAUSE I DO AND IT W A S

sally is a BLACK WOMAN

just in general, this show was Amazing at raceblind casting

sally sprayed febreeze after smelly gabe, like he leaned to look in the fridge and she stood behind him spraying febreeze directly at him for like 30 seconds

“he was handsome and strong and before too long- you came!” percy was roasting marshmallows and looking out towards the audience and sally was rubbing up and down the sides of her body during this before “you came!” and it was v funny

Strong in general was Great bc WOW IM LOVE THE “NORMALCY IS A SOCIALLY CONSTRUCTED MYTH” MESSAGE

grover and percy meeting outside camp

“oh look a goat” “percy!”

“he met a furie” “youre all furry! what happened to your legs”

the v cute friendship bickering, overlapping voices thing that percy and grover v often did. this was the grover and percy friendship that we always needed

during the weird dream when he sees annabeth and hes like “gee whiz shes the most beautiful girl ive ever seen”

and then when he officially meets her after hes not out of it, he says “youre my dream girl!” and then backpedals and its great

ANOTHER TERRIBLE DAY. DEFFS ONE OF THE TOP FIVE SONGS. MR D IN GENERAL WAS JUST AMAZING, GEORGE SALAZAR ROCKED IT

he kicked the chair over so much and then there was a part after his camp halfblood intern thing left so his chair didnt get reset behind him and so he kicked into the air, got frustrated, and put the chair up himself

“of course, who am i to give relationship advice, im literally the god of alcohol”

“you can hate it here, but i HATED IT FIRST”

so so so many Soft sex jokes and bc im a Child i loved them

chiron is just a guy galloping with a horse tail its the cutest thing and everyone laughed bc like imagine a kid galloping w their legs high and w/e, but on an adult and slow motion

“you’ll get used to mr d. he can be a bit... well, he hates children”

luke was Very attractive and ALSO he had a lot of chemistry w percy and w annabeth and i, who remembered shipping percy and luke back in my Youth, was Living

annabeth deffs had a crush on luke dont @ me

also luke was Softly bitter. like he sounded like a modern kid, bitter and upset but saying it in a joking way; totally makes sense that no one suspects that he’d do anything w chronos bc all the kids are upset and he doesnt get dark until the very end of the show

“are you ever going to wear pants again?” “Nope!”

luke: “havent you ever played capture the flag?” percy, excitedly: “not with swords!” *makes swooshy lightsaber noises* annabeth, suffering, full of regret: “It’s not a lightsaber.”

“sexist much?” “no, i love girls” [muffled luke and grover cackling in the background]

CLARISSE, LOVE OF MY LIFE! her song was so so good

im sure everyone has mentioned this but the LEAF BLOWERS BLOWING TOILET PAPER TO REPRESENT WATER LITERALLY CHANGED MY LIFE

the campfire song

percys Soft concern for annabeths story about running away “wait is that true”

grover starting to cry during his part

“my father is chronos.... remember my lecture, he ate his children””....... chiron wins”

APHRODITE'S DAUGHTER’S STORY “godess of love, my moms aphrodite... i bring home a boy and shes there in her nightie! oh nooooo” “she steals my mascara and all of my dates!” wonderful

percy sings nicely about his mother and everyones like “hes doing it wrong”

“we dont care where our parents may be, as long as you are here with me!” FRIENDSHIP MAKES ME EMO

“havent you noticed that there arent any other little sea godlings running around? any sons of hades or daughters of zeus? the big three gods arent supposed to have kids!” i loved this tiny easter egg i love my big three kids

“look at the boy, hes clearly not a thief!” “oh, yeah no yeah yeah yeah no no yeah yeah no yeah no, youre right! you cant fake being that stupid unless youre a brilliant actor, but im also the god of drama, so i can tell you HES NOT”

“his lightning?” “yeah, we're not talking some crummy tin foil zig zag from some off broadway play!”

GOOD KID IS EVEN BETTER LIVE THAN IT WAS ON THE RECORDING IT RUINED MY LIFE

Killer Quest! is an amazing end of act song and v upbeat and cute

“so where is the underworld actually” “look for doa records” “its a record company? actually, im not surprised”

ACT 2

WE’RE LOST IN THE WOODS SOMEWHERE IN NEW JERSEY AND WE’RE NEVER GONNA MAKE IT TO LA

“half bloods to monsters smell like mickey ds, like tacos or take out vietnamese”

“dude are you talking to the squirrel?” “satyr powers, be nice. this squirrel knows every corner of the woods, maybe he can help us” “really? because i think that seems kind of nuts” [silence] “you hurt his feelings. tell the squirrel youre sorry.”

medusa in general, what a Good scene

ensemble members shaking maracas to make snake noises for her

medusa cant say “nemesis”

“ive done everything to prove to the gods that im the best and you- i mean, you dont even know how to hold a sword” “yes i do!, yes... i do...” “no, hands here *adjusts percys grip*” “i didnt ask for any of this: gods, monsters, quests- oh, wow, that is a lot easier”

my grand plan is the most annabeth chase song ever and i love it its such a good look into her character and i love her so much

“when boys mess up they always get another chance”

“cause most girl never win if theyre polite”

THE COMMENTARY ON HOW WOMEN HAVE TO BE IN TODAYS SOCIETY IN ORDER TO BE TAKE SERIOUSLY HELL YEAH

“the gods will think we’re impertinent” “we are impertinent”

the squirrel gave them three amtrak tickets

DRIVE IS A COUNTRY SONG AND I FUCKING LOVE IT IM HONESTLY SHOOK

i hate country except for this One Song

ITS ONE FOOT FORWARD AT A TIME; DUST OFF ALL THAT GRIT AND GRIME; WE STILL GOT A LOT LEFT TO DOOOO, CAUSE PEOPLE ARE COUNTIN ON US AND IM COUNTIN ON YOU! DRIIIIIIIIVE JUST DRIIIIiiiiiiiiIIIIIIVE STAY AHEAD STAY AHEAD STAY ALIIIIIIIVE

“is that chihuahua?” “its a chimera!”

“maybe if you hadnt brought all those dam snacks” “uh it was the hoover dam and i was hungry!”

ares drives them to las vegas and when they get there he says “this is where i... get off” and its HILARIOUS i love lowkey sex jokes

gentle easter egg to bianca and nico re: may 1st 1939

“the oracle can can it ill save my mom and savE THE PLANET!” im love percy so much

tREE ON THE HILL IS ABOUT THALIA AND IT MADE ME CRY GOD WHAT A GOOD SONG and grover feels like a failure and annabeth is like “no u saved my life ur a good friend and a good guardian <3 friendship”

THE FERRYMAN TO THE UNDERWORLD FLIRTS WITH GROVER

“you wanna hear my demo?” “uh-” [loud music plays] “im sorry i couldnt hear you over this SWEET ASS RIFF”

YOURE IN THE D.O.A. AND YOURE HERE TO STAY YEAH YOURE STUCK FOREVER NEVER GET AWAY NO HOPE FOR SURVIVAL YOURE DEAD ON ARRIVAL

“oh! do you have any josh groban?” “we will.” I CACKLED

DJ CEBERUS W A COOL 3-HEADED DEADMAU5 ESQUE MASK

the ferryman also attacks them all like “youre not gonna save the planet, you wont protect your friends, you wont be remembered”

everyone says this but “i think this pit is tartarus” “LIKE THE FISH SAUCE?”

“why would chronus want my shoes?” “they were really cool shoes”

bitter, sad hades who just wants people to stop thinking that hes the bad guy and for his brothers to come visit him

“one does not simply walk out of the underworld”

W H A T B E L O N G S T O T H E S E A C A N A L W A Y S R E T U R N

small reprise of good kid as he considers hades offer and then the melody cHANGES and percy realizes that the seashell, a gift from a god, can SAVE THEM and its beautiful because SON OF POSEIDON IS A GOOD SONG

“maybe my dad was a screwup too, his best laid plans always falling through... maybe he never knew how to care but hey, thats life, and life aint fair... but i think my dad mayve thrown me a line, and better late than never, ill finally get a sign!”

its a good song kids

the kids get to the oceans and they FIGHT ARES and ares and percy are both singing, percy singing The Son Of Poseidon chorus and ares singing Put You In Your Place and its b e a u t i f u l

THE TOILET PAPER THROW- basically they bring in like 6 leafblowers w toilet paper rolls attached and the first five rows get covered in toilet paper. as someone who was in the fifth row, it was amazing

poseidon comes in, they have a Heart To Heart, he brings sally back to life, he flirts with sally, its hilarious and awkward

“the gods are unfair but we’re not total dicks”

percys like “you dont have to stay w gabe anymore” and sallys like “smh boy u cant solve all my problems. you saved my life, now i have to figure out how to live it”

he gives her medusas head

“what is this” “its a... do it yourself scupture kit” “oh! *begins to open it*” “no no no its, um, medusas head”

“well, as my official protector, you can officially escort us back to camp” “and youre conscience this time!”

chiron is also cast as poseidon so like he runs into the camp scene after a quick change and says “i hoofed it here as quick as i could!”

last day of summer happens and w/e its cute but whAT REALLY MATTERS IS LUKES BETRAYAL: okay so the music slows and goes into the minor key and percys like “we still dont know whos working w chronos :/” lukes like “yeah it sucks” and he starts singing about how he doesnt trust the gods and how the gods hate them and how they need to take over the world and put the gods in their place--he and percy do their handshake fist-to-the-chest thing and luke is serious and percy does it but hes v confused and it Hurts. this is the first time in the show that luke sounds just Bitter and Angry instead of jokingly deprecating and its quite the effect

THE DARK GOOD KID REPRISE

“ill do anything, i dont care if i hurt anyone, it doesnt pay to be a good kid, a good kid, a good son" GOD IT HURTS luke has so much pain and i feel so bad for him like yeah hes evil but,,, hes had a hard life

annabeth comes in and DISARMS LUKE but PSYCH luke has a small switchblade and STABS PERCY IN THE BACK (bc they cant use scorpions onstage)

percybeth moment interrupted by clarisse’s loud coughing and grover

percys like “we cant just sit here and wait for our parents to fix things.”

“the gods will say we’re impertinent” “we are impertinent” goddamn that symmetry

“are we ever gonna once have it easy?” my poor poor kids

percy- “feeling ready” annabeth- “feeling stoked” grover- “feeling queasy”

THE SEA DOESNT LIKE TO BE RESTRAINED

bring on the monsters is just a Good song

also hey if you got to the end of this, congrats! i have a ltm audio and either in a message or in an off-anon ask and ill hook u up

#lightning thief musical #the lightning thief #percy jackson and the olympians #percy jackson musical #lydia talks about stuff

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