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#this adaptation has rights on so many levels
jytan2018 · 10 months
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I read the comic in one sitting less than an hour after finishing the movie, and wow I have many Thoughts™.
- It's very obvious the two versions were meant to cater to different audiences AND tell different messages. I don't get why people are going "But the comic was better! It had more nuance!" just because Nimona was easier to root for in the movie.
- The comic was written back when ND Stevenson was still trying to process a lot of stuff, so all the characters are morally grey/straight up evil and the climactic battle is between a Ballister who regrets turning against Nimona, even if it was to save others vs. a Nimona who's too hurt to care if her lashing out was going to hurt innocent people.
- By the time Nimona got a movie adaptation, ND was a lot more secure in his sexuality, so the climactic battle was Nimona vs. the Director, the symbol of religious oppression and bigotry. It's not just about your friends turning on you because you're "too much" for them anymore, it's also about a society that would rather bring itself to the brink of ruin than coexist with you.
- (I totally get why people were upset about Ballister's surname change, though. Like come on, the media dubbing him Blackheart just to be mean was RIGHT THERE).
- Nimona's metaphor for not shifting is such a neurodivergent thing. Even in the comic, Nimona's parents insisting she's a monster who replaced their daughter is reminiscent of the changeling myth, which is what many parents thought their neurodivergent kids were—changelings who replaced their "real" children.
- Ambrosius being trained to cut off HIS BOYFRIEND'S WHOLE FUCKING ARM instead of merely disarming him is a very cop thing to do. As much as cops claim they're trained to de-escalate situations, their training still teaches them to treat everyone as a potential threat, and that level of constant vigilance can turn anyone into a trigger-happy/arm-choppy bastard. Even the Director, who can use a sword but probably hasn't actually fought someone in ages, STILL can't see Ballister reaching for the squire's phone without assuming he has a weapon.
- And on that note, the Queen getting killed simply because she was trying to reform the Institution and allow commoners to become knights? That's the best "no such thing as a good cop" metaphor I've seen. Because even if there ARE good cops and they ARE in leadership positions, the system will crush them before they make any meaningful change. It's not a good institution that turned rotten, it's an institution that only exists to spread its rot and refuses to be good.
- That's why Ballister's characterisation is so different in the movie vs. the comic. Comic Ballister had 15 years to come to terms with his trauma and the Institution's evildoing, while Movie Ballister is still freshly traumatised and hasn't found a way to define himself beyond the role he was assigned by the Institution.
- Not to mention Comic Ambrosius was not very noble to begin with and genuinely believed Ballister was better suited to villainy than heroism, while Movie Ambrosius never wanted the glory that came with his lineage in the first place and only antagonised Ballister because of indoctrination he needed to unlearn (which he did, all by himself, after witnessing the lengths the Director will go to just to kill Nimona).
- It really shows how important it is to surround yourself with loved ones who are open to change. Comic Ambrosius can love Ballister all he wants, but he'll still blast his arm off because he thinks Ballister deserved it anyway. Movie Ambrosius will stop to question what "the right thing" even means, even if he didn't love Ballister enough to defend him unconditionally.
I have so many more thoughts bubbling beneath the surface, but I'll probably address them some other day. In conclusion:
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[ID: A pink-haired Nimona grinning evilly while holding up a knife.]
Watch Nimona. This is not a request.
Edit: Added more thoughts!
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luciddownloading · 29 days
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Fashion/Style Tips for the Rising Signs 👠
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These is a gender-neutral post, by the way. Anyone can be a fashionista: male, female or non-binary
The Rising sign is the key to maximizing and defining your personal style. While Venus shows the way you'll want to feel in your clothes or put them together, your Rising sign indicates the kind of styling you'll like best/look best in and the aesthetic that is fit for you
(All the famous fashion icons in these gifs have these respective Rising signs, btw)
ARIES RISING
Fashion tip: Be bold
Aries Risings look best when they're wearing things that most people would not have the confidence to wear. Daring pieces and ensembles fit you like a glove, whether you are showing some skin or just pushing the edge of accepted taste. Something that could possibly look like a tragedy on someone else but that actually looks good when you wear it. You find your fashion sense when you take risks, which may end up starting trends. But, please, don't follow any trends yourself. You are meant to set the trends, honey!
An athletic or athleisure look would also be perfect for you. Sweatpants or track-pants aren't bummy on you. Aries Risings shine when they look like they just left the gym or are just going to the gym. Y2K fashion is coming back so, ladies, you would really rock a Juicy tracksuit (If you're old enough, maybe you did back in the day!) Regardless of your gender, adding a masculine touch to your ensemble will really make it pop. Also, red is your power color! Red pieces, red shoes/bottoms, red hair. It's bound to be memorable.
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TAURUS RISING
Fashion tip: Keep it simple
Taurus Risings look their best when their ensembles aren't flashy or busy. Less is more for this very casual placement. But, we're talking "chic casual". Maybe some low-key jewelry added but that's it. You could make a simple jeans and t-shirt outfit look impressive. As long as you're comfortable, you're good. Yet, it is very important that your clothes fit you perfectly. If the proportions are off, your discomfort will be obvious and it just won't look right. So, try everything on before you buy it! Know your measurements and, if you can afford it, get some of your clothes tailored.
Surprisingly, Taurus Risings aren't huge on labels. As the pragmatist you are, you will often thrift before you buy designer. Quality is VERY important to you and you have a radar for cheap or low-quality fabric. You would prefer to avoid fast fashion brands. You never, ever want to look cheap, even if you only spent a few dollars on the 'fit. But, if you do want to spend a little, you would look amazing in anything silk, wool, cashmere, velvet or fur. Fabric that is sensual or luxurious or elegant was made for you. The same goes for anything floral.
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GEMINI RISING
Fashion tip: Don't be dull
Gemini is one of the Rising signs that can get away with a lot more because your style is best when it's interesting. And when observing your fashion choices, some may say "interesting" in a shade-throwing way. But, it's better than being boring! Gemini Risings look best in the clothes they choose on a whim. Don't nail yourself down to one aesthetic. You can dabble in SO many different looks and pull them off. You also can be very trendy, always in touch with what's currently happening. You wouldn't dare keep last season's shoes in your closet. You also just get bored easily with old clothes. So, you might have quite the shopping habit to satisfy your current tastes.
Gemini Rising has the most fun with fashion when developing a sort of character through it. Are you the wild bohemian or the serious professional today? You can take it to the level of a borderline Halloween costume. You know how to adapt and shape-shift, style wise, based on the situation. You've got range, okay? And you will embrace all the accessories and colors that come with it. You will also definitely be someone who has sped through so many different looks and hairstyles in their life, to the point where you look like different people. When looking back at photos of your old self, you may cringe especially hard or just laugh and say, "I was working those bangs, wasn't I?"
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CANCER RISING
Fashion tip: Stick to what you know
What a Cancer Rising's actual look is will vary significantly. It has to be a style or aesthetic that is very personal; something that means a lot to them or that they're very comfortable in. But, whatever it is, you shouldn't stray too far from it. This Rising sign can play it safe with style but that doesn't have to be a negative. You just know what works. It ain't broken and you're not trying to fix it. You might also go through distinct phases where you are rocking a particular look for a long time and then you decide it's time to change. Your clothes are a direct reflection of how you're feeling.
Due to your love of comfort, you might be especially fond of sweaters. The bigger and cozier the better. Wintertime may be your favorite time because you enjoy wearing multiple layers. Cancer Risings LOVE coats and jackets, particularly the ones that they've had for years and hold sentimental value. It's hard for you to toss out old clothes, in general. You also look great in anything retro or vintage. It's that attachment to the past. Fashion from decades prior cycle back around eventually but you're usually ahead of the curve, already wearing that old stuff. You might be especially attached to styles from your younger days or from a certain time period in your life
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LEO RISING
Fashion tip: Make a statement
Leo Risings are capable of using fashion as an ideal vehicle for self-expression. Ideally, when you walk into a room, you want your ensemble to get attention. Now, that doesn't mean choose pieces that are loud or flashy or gaudy, even though some Leo Risings go that route. More so, it's about making sure that your clothes pop, that they really stand out. You look your best when you are the definition of "fashion statement" and that takes a great deal of confidence. Your clothes definitely need to wear you, not the other way around. Whatever you wear will work if you make it distinctive.
There are so many style choices that could work for you. Bold statement tees, for instance, are right up your alley. (Think Regina George's "a little bit dramatic" shirt in Mean Girls) But, you could also glam yourself up. You were meant to dress up, to possibly overdress for certain occasions. Not necessarily formal; more so polished or glossy. You would be that person to show up in a fancy 'fit to a casual event and some might hate but they'd low-key admire it. Also, you don't feel your best without the right pieces of shiny jewelry. And you would shine in colors like yellow, gold or orange.
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VIRGO RISING
Fashion tip: It's all in the details
As a Virgo Rising, you maximize your style when you pay attention to the details. The way everything is matching, the color of your nail polish (if you wear it), the fabric of your shirt, the fit of your pants. You look best when you put a lot of thought into your style, including your hair. Often, especially your hair. Virgo Risings rock the hell out of the "messy hair" look because it is very strategically messy. Even when you look like you're not trying, fashion-wise, there is a lot of time and effort behind it. On the flip side, you might actually roll out of bed and throw something on. But, somehow, when you do, you do it perfectly.
This is another placement where it is crucial for you to get clothes that fit you like a glove. The more form-fitting, the better. But, of course, not too tight, either! Baggy clothes would only work for you if that's the exact aesthetic you're going for. Speaking of which, you can master an aesthetic, once you choose one. You commit fully. The "clean girl" or "hot nerd" vibes would fit you most obviously, along with neutral or earthy colors like white, brown and green. But, you're also a style chameleon! Many with this Rising can wear androgynous pieces and styles extremely well. You might really impress by taking a generally masculine ensemble and adding a feminine piece or vice versa.
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LIBRA RISING
Fashion tip: Just look pretty
Surprisingly, Libra Risings can be very hit or miss when it comes to style. They're either impeccably dressed or look like they got into a fight with their closet and lost. However, the face card never declines! So, if all else fails, you're still going to look cute. Your looks either elevate your outfit or save it. What might look ugly on someone else has a certain charm when you wear it. Yet, many Libra Risings will have a Cher Horowitz kind of vibe: very stylish and chic in a way that is aspirational. You could really, really love fashion. You absorb a lot of current trends yet you could also become a bit of a trendsetter as people will find your wardrobe so aesthetically pleasing.
You could really benefit from having the input of someone you trust when it comes to clothes, whether that's a stylist or a very fashionable bestie or partner. Your shopping ventures are most successful when they're undertaken with someone else. Also, whenever there is a dress code, whether it's for a social event or on the job, Libra Risings will fully understand the assignment. You thrive by adding a more feminine touch to what you're wearing. For women, that could mean Barbiecore, being very girly or glossy/glittery/sparkly. Tomboys can have this placement but they doll up VERY well. And the men can get super-polished, wear pieces with a more feminine flair or even, in select cases, certain clothing meant for women. Both genders look amazing in pink.
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SCORPIO RISING
Fashion tip: Get a reaction
Scorpio Rising people look best in clothes or looks that are going to have a strong impact. Whatever you're wearing, it works best when it makes an intense impression. Kind of like Leo Rising but they are more about glam, pizzazz, expression. With you, it's more about taking it to an extreme. Your style could be incredibly out there or provocative. It might also be more low-key but you impress most when your fashion gets a rise out of others. Whether it's by having a dramatic and severe style, going totally monochromatic or giving very sexy looks, you have the power to stop others in their tracks with your clothes.
There are so many directions you can go in. Every Scorpio Rising's look will wildly differ because every day is like Halloween for you. I said the same about Gemini Rising but it's more lighthearted and playful with them. You can truly use clothes as a disguise. It's sort of your armor, which is why dressing sexy or showing skin is such a power move for you. Stereotypically, there is the goth look or the witchy aesthetic. But, this Rising sign has range. You can also shine in any type of power suit, emulate the mystique of Old Hollywood or, honestly, sell virtually any aesthetic since you will commit 110 percent. Of course, black is your power color and you look damn good in lace, leather, mesh or any type of boots. So, find a way to work those things into your ensemble.
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SAGITTARIUS RISING
Fashion tip: Be like a rock star
Sagittarius Rising looks best when not feeling hemmed in by other people's fashion rules and regulations. A carefree approach works very well for you, fashion-wise. When in doubt, ask yourself what a rock star would wear. That may lead to some questionable or messy choices, in others' eyes. But, you really pull it off! And even if you land on someone's Worst Dressed list, it doesn't matter much to you. Many people with this Rising sign really don't care much about fashion to begin with. And the ones who do know that a true fashionista takes risks and that is not always going to be loved by everyone. Whatever! Better luck next time.
You might be able to find your style by using a particular rock star as inspiration. It's no surprise that a lot of Sagittarius Risings prefer or look better in casual wear. But, it's more so casual with an edge, not just a shirt and jeans. You can feel very inspired by edgy street style and go in that direction. You're very adventurous with clothes and willing to try a lot of things once. The 1970's hippie/bohemian aesthetic would look really good on you. Instead of a power color, you can make the biggest impression in any kind of animal print: snakeskin, zebra stripes, cheetah print. Even those tropical-type/Hawaiian prints could work. What would be tacky on someone else could look oddly appealing on you.
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CAPRICORN RISING
Fashion tip: The world is your catwalk
First of all, so much of Capricorn Rising style comes from having a commanding presence. Being able to walk into a room and shift it, make people sit up. This attitude will only make your clothes more impressive. You need to think of yourself as a fierce 90's supermodel, just in terms of elegance and presence. If you don't have that type of confidence, work on it! Put effort into how you carry yourself, into being graceful yet strong, having a powerful walk. As you evolve into this majestic being, it will elevate whatever you wear. You make the clothes but the clothes also make you.
Like an iconic supermodel, you're most impressive in clothes that convey status or class. If you've got the coins, you will want the luxury brands: Gucci, Louis Vuitton, Armani, so on. If you don't, you will have a store or brand that is your version of Gucci. You're practical but don't like cheap clothes. You want to feel sophisticated. Capricorn Rising style is about developing a particular "uniform". Although some may thrive in formal/professional attire or a business-casual vibe, others can go in less traditional directions. In any case, you have very strict fashion rules you abide by. You look best in black, grey or beige. It's a rather basic color palette to many but you just find it to be a classic look.
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AQUARIUS RISING
Fashion tip: Be experimental
As an Aquarius Rising, you develop a sense of style by treating fashion like an endless experiment. You can be very innovative and inventive when it comes to your looks, from your ensembles to your accessories to your hair. I would say "don't be afraid to be different" but you've already mastered that! Most of your looks will be applauded, not ridiculed, for their uniqueness or riskiness and may even be highly imitated. This is definitely another "style icon" placement. The thing that makes it work is your free spirit, your casual poise, and disinterest in impressing anyone with your style. You're not trying to be cool and that's what makes you one of the coolest people in the room.
I hesitate to recommend an aesthetic to you because you would find that kind of... inauthentic. No offense to anyone else but that just feels like trying too hard to you. You wear whatever you want and there may be no predictable pattern. Also, you absolutely HATE looking like anyone else (which is why it may be a little frustrating if/when others copy you). So, if you do adopt an aesthetic, it will be your own uniquely invented one. You are most striking in blue or silver but Aquarius Risings have also been known to impressively rock neons or other quirky colors. Some of them may just give a James Dean-like plain tee and jeans look, as if they are too cool to care about clothes. But, they look best when wearing pieces that really stand out, whether it be futuristic, couture or casual glam
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PISCES RISING
Fashion tip: Go with the flow
Pisces Risings maximize their fashion sense by embracing the current mood. And this doesn't necessarily mean your mood, although it can. You have the ability to be a sponge for current trends, reflecting whatever is happening at the moment. Therefore, if you're into fashion, you can make a big impression because you are like an embodiment of what's in season. As a result, you might do a lot of shopping in order to keep up. Or you could go the easier route and simply embrace the flow of your fashion taste. This could make you invariably casual, even when the situation is more formal, or give you a different fashion sense every time you step outside.
Yes, Pisces Rising people often need some help in the fashion department, sometimes desperately. This is why it may be easier for you to wear what you know is "in". However, many with this placement are capable of carving out their own look. Often times, the "flower child" or New Age aesthetic works well, complete with actual flowers or crystals as accessories. You can find a way to turn your ethereal charm into a fashion statement. When in doubt, style yourself like an angel, an elf or a fairy. But, you also have what it takes to shape-shift into any style you want. To you, clothes are meant to be disappeared into. Any shade of purple, the color of the third eye and crown chakras, would look amazing on you. Also, you look really good in sandals, flip-flops or any open-toed shoes, which you will love wearing to the point that you might have to remind yourself that there's a time and place
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BG3 Characters Safest Driver Headcanons
I've been thinking about that poll from months ago way too much, so I've pulled this from my drafts. In this essay, I will explain why Boo is the best driver. Astarion: Terrible. Absolutely terrible driver. He is doing his makeup with the visor down, looking at the mirror more than the road. Suspend your disbelief, he's driving in this universe. He can use mirrors. ♥ You have to grab the steering wheel, regularly. Without warning, the man twists around to find his purse in the back seat because he wants a different eyeliner than what he grabbed. You are on aux duty. He hates everything you've picked. 2/10, he lawyered his way into that license Gale: You would think he would be safe, but then you remember that Gale didn't pay attention in boring classes. And how hard could driving really be?? The man knows how to drive perfectly textbook. He also thinks he knows how to do it better than everyone else. He does not adapt well to poor drivers. The roads are full of poor drivers. He is yeling "Zipper!" at the merging traffic. You spend five minutes in the parking lot so he can find just the right song for the trip.
6/10, you will probably not die Halsin: The man drives slow, I'm sorry. He's fuel efficient as you can get with the windows down. He pulls over and stops traffic for ducks crossing the road, no matter what the current road conditions are. He stops to show you the new tree the neighbor got. He is a Yellowstone Park tourist. He wants to show you the world, one traffic-stopping mid-road parking job at a time. There is no music, we are listening to nature today. 4/10, you will be rear-ended with him and not the way most people want Jaheira: I stand by what I said last time: Jaheira reminds me of so many older women I know. She drives like she wants someone to start shit with her. She's so conditioned by having 5 kids fighting in the backseat at all times that every time she's behind the wheel she's having Vietnam-level flashbacks. Her blood is pumping in her ears. There is no road, there is only the red of her vision. She won't start the road rage incident directly, but by god, she will end it. (You tried to ask about music, but the look she gave you when asked killed the question.) 5/10, you make it to your destination intact. But at what cost? Your pants are a different color at the end of the trip than they were at the beginning. Karlach: Karlach is talking with her hands while she drives. She's fiddling with the radio constantly. You've blown four red lights. Three of them were the same red light because she took a wrong turn. She will not use GPS, she's got the vibe of where she's going. She was trying to show you something on her phone at the same time. It cannot wait. It was so good you have to see it right now. The tunes are so loud she hasn't heard the sirens behind her. 4/10, the tunes almost make up for it Lae'zel: You are helping her check her mirror distance before you get in the car. You are buckled in before the car even starts. You are not allowed to touch the light in the car if it is dark out. She was taught that it's illegal to have on at night and she takes that shit seriously. You are on blindspot-watching duty at all times. You're not allowed to have music on the in car, it is a distraction. 7/10, we are efficient, but we are miserable Minsc: Minsc cannot drive. Minsc was meant to drive today, but Minsc got into the wrong seat. We are all relieved. Jaheira trained him wrong on purpose and will kill you if you correct him. 0/10, don't even try. He will survive the accident, you will not. Minthara: Minthara, light of my life. She is gremlin cackling and riding bumpers the whole time. People are pulling off constantly to get away from her. You are white-knuckling in the passenger seat and are too afraid to let go of the bitch-bar. You pray her airbags are up to date because your life has not stopped flashing before your eyes since you got onto the road. We are exclusively listening to The Flight of the Valkyries. 7/10, it is shockingly efficient when no one else is on the road anymore
Shadowheart: I have been in many a 'Shadowhearts' car. The car is more of a problem than she is. She drives the type of car that makes people go, "You live like this?" She drives a manual. She was not trained to drive a manual. Almost every single dash light is on, the ones that aren't had their bulbs die out years ago. We don't know how old that trash is, but it lives here now. She has one of those cassette players that has to hook into your phone to come out the speakers. Good luck finding the right adaptor in the mess. 4/10, girl get your shit together Wyll: Wyll is the best driver, hands down...when he is alone. Like all things in his life, his greatest flaw is being too polite. He turns his whole fucking head to look at you when you talk because that is the polite thing to do. The road is secondary to how important your conversation and companionship are to him. And you can't not talk him! He's asking you genuine questions about your day because he's interested. You get to listen to whatever you want and he's totally down for it even if it's not normally his thing. He'll find something he likes about it. Alone: 100/10, he somehow makes everyone better drivers by just being on the road With you: 5/10, Wyll, please, look at the road. ;_;
Boo: My eyes are closed. It's better this way. We made it there in record time. I don't know how it happened. I don't need to know how it happened. ?/10, it's best if you don't think about it
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headspace-hotel · 10 months
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I have an essay brewing in my head constantly about lawns. Which, well, unsurprising, since I post about how I hate lawns all the time, but I think the "lawn" and "landscaping" centered way of thinking about Places Outside is a Bigger Thing that Connects to Other Things
(What isn't? Having ideas about concepts is always like this.)
I will introduce my ideas by a situation where they apply: Sometimes life-forms mimic other life forms. One form of mimicry is called Vavilovian mimicry, where weed species in crops grown by humans evolve over time to be more similar to the crops.
Vavilovian mimicry basically helps weeds survive because the weeds are adapted to the care-taking regimen of the crops, and because the human caretakers of the crop can have a hard time telling them apart, which means they might say "Ehh...I'll wait until it grows up so I can be sure I'm not pulling up my crop."
I think there's something similar at work among flower gardens and landscaping...but it's different.
Regular people don't know the name of every plant that might possibly grow in their flower beds, and they often pull up plants they don't know just because they don't know them. They sometimes say they pull up a plant that "looks weedy" or "looks like a weed."
I think to myself...what does "weedy" look like?
This question collided unexpectedly in my brain with an insight I had about invasive species that I could not explain.
I have to get rid of a lot of Callery pear, wintercreeper, honeysuckle, burningbush, privet, English ivy, and other plants that are invasive where I live. And strangely- many invasive plants look similar in ways they don't share with very many native species. They tend to have small, round or squat, glossy leaves, and they tend to have a very dense growth habit.
I can think of several possible explanations: Maybe these species thrive in North America today because of the loss of controlled burning, but their characteristics look so distinct next to native species because they relate to things that would make a species fire-intolerant? This doesn't seem quite right, since it doesn't predict level of fire-adaptedness in native species.
Another explanation is better: they were selected for these traits by humans for their usefulness in landscaping. Dense growth habit would be useful for creating hedges or ground covers. This is why many invasives were originally planted, right? And small leaves might feel or be perceived as less "messy" when they fall.
But I think this is a clue to something else going on. What does "weedy" look like?
Some plants go on one side of "weeds vs. flowers" and some on the other, and it's almost totally arbitrary...so how do gardeners make the call so decisively?
I think about the commonest "landscaping" plants- Knock Out roses, hostas, petunias, begonias, boxwoods and so on- they share a lot of the characteristics mentioned above. Shiny or at least smooth, typically small and squat leaves, dense and compact growth habit.
Then I think about some of the commonest and most important "weedy" native wildflowers, such as goldenrods, asters, milkweeds, Joe-Pye weed, ironweed, sunflower. They all differ from the above in at least one striking way. Mostly, they have hairy leaves and stems, long and thin leaves, and a tendency to grow up tall before blooming. Milkweed has smooth leaves, but its leaves are long and very big. Hmm...
And I think I can guess where this is coming from.
Landscaping and garden designs often look like this
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See how the plants are drawn and arranged to cover a space in two dimensions, mostly not overlapping with each other? This is very easy to plan and design. And those common landscaping plants I mentioned—hostas, Knock Out roses, boxwoods, and so on—are very good at acting just like a two-dimensional representation of them does. Just look, you can see them:
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Now look at those important native wildflowers I mentioned:
Goldenrod
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Ironweed
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Milkweed
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These guys don't fill much space in a horizontal plane, they go straight up. They don't exclude other plants from very much space either. Plants could grow under them and among them. So they're not very good for "filling up" space, and their opener, lankier, less dense shape doesn't do a good job at blocking other plants from growing.
In a garden of North American prairie- or meadow-adapted plants, the plants wouldn't exclude each other and stay within their designated spots because they're evolved to intermix with a great variety of plants.
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"Separateness" is a big part of the typical "landscape" aesthetic. These plants are very neatly separate from each other. This is what looks "neat" and well-kept to us...the opposite of "weedy."
This could mean our garden and flower beds are affected by a selective pressure a lot like the Vavilovian mimicry situation. But instead of weeds being selected to look like intentionally grown plants, the intentionally grown plants are being selected to look different from weeds.
The subtle difference makes perfect sense. In a field, the rule is "leave the plant there if you're unsure" because that's your food. In a flower bed, the rule is "get rid of the plant if you're unsure" because having weeds is more aesthetically unacceptable than having blank space.
The point is: Ecology needs to be a big part of gardening and landscaping, because you are DOING ecology. Even if you don't know the evolutionary principles, you're acting them out.
Just like the ineffable preferences of female birds give the males weird elaborate display structures, ineffable aesthetic "senses" that govern our "built" world slowly turn it into something weird.
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ranilla-bean · 6 months
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culture tips for writing asian settings: calligraphy (pt ii)
in my last post i talked about calligraphy more generally, but here i want to talk about the calligraphy from atla. all of the calligraphy from the show is written by dr siu-leung lee and i'll be using the artbook as my reference.
if you're a writer or artist approaching written chinese, you can think about how script and handwriting might tell us something about a character. dr lee certainly did, and he even tailored writing styles to who he thought might've been writing that text: "If it were a highly cultured royal attendant, he would use a refined, elegant style, but if it were a low-level clerk, he would use a more pedestrian handwriting style."
first thing: modern standard chinese coming out of mainland china uses simplified chinese. this system was developed in the mid-20th century, so it's pretty anachronistic to use this for atla. instead, you should be using traditional chinese as dr lee does (which is still used in hong kong, taiwan, and many diasporic communities). i usually use google translate to switch between the systems.
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note the use of simplified 门 (door) instead of the traditional 門 from the aang's unfreezing day comic.
next i'm going to take aang's wanted poster as an example of three different chinese scripts we see in the show. the "title" is in clerical script, the body of the text is in regular script, and the seal is in seal script.
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regular script is the standard way you'd learn how to write chinese nowadays. you can see (as i mentioned in part i) how the text is meant to be read up -> down, then right -> left.
clerical script is characterised by fairly compact shapes and a kind of "roundness", and was developed in the late warring states period. this is the script used for the chinese title of the show! in the context of atla, it implies to me that the writer has more specialised calligraphic training than the average person (who, if they can write, would be using regular script). you can compare the difference in styles for the same words between clerical (L) and regular (R):
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seal script is the most archaic form of chinese on display; this one wouldn't have been written by the calligrapher, but carved into a seal by a craftsperson and then stamped onto the page.
what's also really interesting is dr lee implies a difference in script between the nations. some of the characters used to write water tribe-related concepts:
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this is an adapted form of oracle bone script, the one of the earliest forms of chinese writing. this fascinated me because this script was—as the name suggests—written on bone, and perhaps reflects something about the material of what the water tribes were using to write. (you can input modern characters into this website to see examples of their older forms.)
finally, some cool differences in handwriting! this is from the fire day festival poster:
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this uses regular script, but in contrast to the excerpt we saw before, the formation of the characters is more haphazard (excitable?). it's also written left -> right! this suggests to us the writer is a commoner, as opposed to a royal scribe.
these are some things you can keep in mind when you're writing or drawing in this universe—while you're probably writing in english, the characters would be steeped in the writing systems we've been talking about. if a character's sending a letter, what might the recipient notice about the handwriting? what does it tell them about their social status or education? could the shape of the letters signal something about where they come from, i.e. water tribe characters write a more curvy script?
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erose-this-name · 2 months
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humans are not the default race
In every scifi and fantasy setting with """races""", humans are the default.
If you're lucky, we're the short-lived, fast-reproducing pests that are all white Europeans for some mysterious reason, and also have disproportionate rates of being raised as undead because we can't be bothered to make zombie dwarf minis or animate a vampire gnome that has to jump up to bite a tall person's neck.
(We've got BOTH human AND elf skeleton warriors! Oh, hey, I just changed the scale, now it's a hobbit skeleton OR a giant skeleton! Such skeleton diversity! No, Khajiits can't be bone boys, a skeleton with a tail and a cat skull is just TOO SPOOKY)
I feel like a lot of people don't realize that we (Homo sapiens) have the longest running endurance of any land animal. Being able to run a marathon is not normal.
(It's because we evolved the very unusual hunting strategy of Slowly Chasing Gazelles Or Whatever While Throwing Sticks At Them Until The Gazelle Or Whatever Collapses From Exhaustion Then Casually Walking Up And Bashing Their Head In With A Rock™).
Even Neanderthals probably couldn't match our tenacity (they were considerably stronger and tougher though, but by no means dumber judging from the size of their brain cavities{which was bigger than ours actually})
(the evolutionary Neanderthal hunting strategy was probably something like Jumping Out And Stabbing An Ice Age Megafauna With A Stick Then Getting Punted 12 Feet Into a Tree Then Getting Up And Doing It Again Until It Dies Because You Have Superhuman Bone And Muscle Density And If You Do Break One Of Your Unbreakable Bones Your Homies Will Take Care Of You Until It Heals™ [Neanderthal skeletons are found with healed fractures surprisingly often despite said bones being much stronger and denser than ours, they just kept evolving denser bones until they couldn't even swim without sinking like a rock and they still got broken all the time])
So given that we, Homo sapiens, actually literally used to be the "species that specializes in sheer endurance, determination, and unbreakable fucking will", I want more fantasy and scifi settings where we are that way! I think the only setting where that's even remotely the case is Undertale. We're not just the "default" intelligent species!
The only reason we're good at everything is because we can make complex tools and can learn and aren't bound by instinct. Which, by definition, all fantasy races would also be able to do. Otherwise, they'd just be considered animals. Like trolls and Redditers.
The "default" species should just be really good at making tools and quickly adapting, but kinda suck in every other category. So I guess gnomes or goblins are the default d&d race.
And Humans are certainly not the Tolkien "that one race that lives short lives and reproduces faster than everyone else and is good at farming" because:
A) we actually do already live relatively long lives for mammals of our size and also GIVING BIRTH CAN KILL US, AND IF OUR PARENTS DON'T RAISE US JUST RIGHT THAT CAN ALSO KILL US, WE ARE SPECIFICALLY VERY BAD AT REPRODUCING
B) we are in no way adapted to farming, and most of our modern health and societal issues stem from the fact that we aren't meant to farm or be civilized, but do it anyways.
We only farm because it helped us survive the ecological collapse at the end of the ice age, now we're in too deep to go back.
When the ice age ended (quite abruptly) the ecosystem couldn't provide for hunters and gathers anymore, a bunch of stuff were getting heat stroke, sea levels rose, hibernation and bloom cycles and reptile gender ratios were out of wack, predators died out because herbivores died out because plants weren't doing well so weren't making as many fruits or seeds. Decomposers like vultures and worms had a field day. Until they didn't (rip condor population). It would take a while for a new equilibrium to emerge and for evolution to fix things.
But farming doesn't need any outside ecosystems except for soil and pollinators, mostly, so that still works. And farming makes more food meaning you can have more people.
But it also means you can't go back to foraging without all the extra people dying of starvation. So anarcho-primitivism would technically be the most deadly ideology if implemented and therefore is not based, unfortunately. Here's hoping for an apocalypse to do that for us! (I would not survive it)
Fun Fact: those isolated tribal societies like the Sentinelese that still do hunting and gathering only spend 15-20 hours a week doing that and another 20 doing camp chores, and the rest of their time forming meaningful relationships and not being depressed.
Notice how most of what they do as "work" (hunting, fighting, hiking, berry/mushroom/etc picking, cooking, camping, arts and crafts, oral history/story telling) are things that we need to do during our limited free time just so that our "work" doesn't drive us insane. If we were good at farming or industry or civilization, then things like math and repetitive manual labor wouldn't be work.
Sure, these foragers die young, but so did medieval peasant farmers who were even less healthy since they had much less diverse diets (a lot of carbs) and got plague more often thanks to cities and their close proximity to livestock. And our modern sedentary lifestyle is bad too.
Hobbits are suited to farming (also Entwives I guess). Hobbits are quite good at it, at the cost of not being as good at much else, they inherently enjoy it quite a bit and most* aren't haunted by the sense they should be anything else, like we are. *(The Took family got that call to adventure 'tism)
We only think that we're not special or can't be anything other than what we currently are because we no longer have anything else to compare ourselves to. The Neanderthals, Denisovans, and irl hobbits died out tens of thousands of years ago and the fucking aliens are somewhere, presumably
We are special, only we survived.
But at the cost of becoming the species equivalent of an abandoned child raised by wolves. We fantasize about these things because we all know that we shouldn't be alone. But our perceptions of ourselves are twisted by our trauma and lack of socialization.
Personally, the realization that having lost our family was probably our fault makes that hurt so much worse.
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webshooterrr9 · 1 month
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Stamina
Volleyball AU, in which Miguel is your teammate
pairing: outsidehitter!Miguel x setter!reader
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Word count: 1.8k
CW: explicit 18+ content, oral sex (f!receiving), fingering, dry humping, praise, arguing because they're both stubborn as hell
fic under the cut!!
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The year is 2099, national sports teams are now gender-integrated, making it harder to get a spot on the team, since you have twice the amount of competition. Not to mention that volleyball is a sport heavily influenced by height, and although you’re pretty tall for a female, you’re going up against men who are almost 7’0" or above.
Luckily you placed on the USA team, marking your place as an incredible setter. Now, you’re two years in and preparing for the next Olympics.
During your team practice today, you got into an argument with your outside hitter, Miguel O’hara. You and your teammates were in the middle of running a 6.2 lineup, when you messed up a set towards Miguel. It wasn’t a huge issue at first, people mess up all the time, even at Olympic levels, but the screw ups kept happening. After practice was over, and all the other teammates left the gym, he spoke.
“Are you stupid?” Miguel clenches his fists as you two argue, his uniform sticking tightly to his muscular torso.
You gaze at his tall frame, beads of sweat dripping down his face from an intense practice. You had admired his physique during practice many times before, but you didn’t have time to ogle over him now, not when you were arguing like this.
“Am I stupid? You’re stupid! All of your receives today sucked, you only made it to the ball in time when you had to hit!” your hands find their way to your hips as you shout.
“And your sets have been trash! I could barely get a good hit in the whole time!” Miguel yelled as he stepped towards you. He looked almost intimidating, but you weren’t scared. This wasn’t the first time he had yelled at you before, and it wouldn’t be the last. Still, that didn’t mean that what he said didn’t piss you off.
“It’s a miracle you’re our main setter with how sloppy you were today.”
“Oh please, you’re lucky to even have your position. The only reason you’re a starter is because you’re a fucking tower.” That wasn’t true. He was an incredible player, but whatever.
You step closer to him, fists balled up just like his. There was a tension between you two, the anger rising. “At least I worked hard to get here, you just got your spot handed to you.” you spat.
Miguel was livid, his face was even more red now than it was from the workout. “Are you kidding me? I had to work for my spot just like everyone else. Your sets are the reason why I messed up today. I bet the coaches didn’t even choose you for your abilities, you probably just slept with them to get here.”
Oh hell no. “My sets are fucking incredible, you asshole!” you shove him. “I wouldn’t be on this team if they weren’t. I’m not a whore like you are.” you were all up in each other’s faces now, glaring at each other with the heat of a thousand suns. “You’re just a lousy snob who can’t adapt to your surroundings. Don’t project your high standards onto me.”
“I have every right to have high standards, we’re on the national team for God’s sake! I shouldn’t have to play cleanup for you all the time!” his muscular chest heaves with his anger, getting even more riled up than you were. So much for the strong, silent type.
“Play cleanup for me? I’m the one who has to play cleanup for you!”
Miguel just glares at you, fuming. You can see his gaze lingering down to your body, but you don’t know if it’s because he’s sizing you up or not. “Just admit it: you’re not good enough to be on this team.”
“I won’t admit to something that’s not true.” All the yelling almost made you out of breath, but you stood tall. The tension in the room could be cut with a knife. “You don’t have the stamina to keep up with me… or anyone on this team for that matter.” you breathe out, glaring at him.
“Oh?”
Miguel’s eyes narrowed, and he leaned down to be eye-level with you. The truth was, his heart was pounding, he had never seen you so worked up before. The sweat shining on your forehead, the panting of your breath, and the fierce look in your eyes was a combo he had never seen before - not up close at least.
“You think I don’t have stamina?” his voice dropped just above a whisper, the question laced with a certain venom. “Try me, chiquita. I’ll show you stamina.”
Jesus Christ.
Oh he definitely did that on purpose. There was no way he made your heart race and thoughts cloud like this on accident. He knew what he said.
“I’d like to see you try.”
Your teammate looked at you in a way you had never seen from him before. His large hands, perfect for a front row player, find purchase on your waist, pulling you closer to him. But you wouldn’t make this easy for him.
“Don’t tempt me, muñeca.” he breathes, dipping his head right next to your ear.
Shit. Nevermind. I guess this would be easy for him.
When he pressed his lips to yours, ever so softly despite the attitude you were giving him, you didn’t reject it. The kiss progressed slowly, tentatively, the two of you unsure of how to explore the situation. The past two years of on-and-off pining for your arrogant teammate was paying off, but you never thought you’d get this far. His mouth kissed yours curiously, trying to read your feelings for him.
The gentleness of the kiss was short-lived, though, as the tension from earlier quickly returned to the surface. You took his face in your hands, cupping his jaw and pulling him closer to you. The inquisitive caress of his lips on yours became a stronger, messier, more desperate call for action. His hands wandered across your back, occasionally dipping down to grip the ass that was shaped by years of playing a lower body sport.
Much to your dismay, he broke away, panting. The flush on his cheeks and the thrumming of his heart was evidence of an excitement he hadn’t felt in a while now.
“You…” his finger lifted to twist a strand of your hair. “You’re beautiful.”
“So are you.” you said back, completely captivated by the look in his eyes. He was staring at you like you were a goddess, like he was holding a piece of the sky in his hands.
“We can’t do this here,” he whispered. “Not on the court.”
“Let’s go back to your place, then,” you say, running your thumb over his cheeks. He absentmindedly leans into the touch. “You only live like ten minutes away, right?”
“I don’t know if I can wait that long,” he says.
“Well, you’ll just have to.”
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“You like that, sweet girl?”
“God, yes…” you whined. He began to suckle on your clit, the pressure alone enough to make you see stars. You arched your core against his mouth as his tongue flicked over you, his hands gripping your hips and pulling you closer to him. You carded your fingers through his hair, reveling in the way it curled around your hands.
He moved lower and pushed his tongue into your entrance. He slipped one of his long fingers inside you, massaging your velvety walls in just the way you liked. The two of you moaned in tandem as he made his movements more precise, while grinding his needy bulge onto the pillow below him. You’ve never been with a guy who’d settle for humping a pillow, but Miguel seemed to focus on feasting on your cunt and hearing your pretty sounds to care too much about his own pleasure.
“God, Mig…!” you groaned, letting your head fall back against his sheets. He looked up at you from where he was settled between your legs, still fully clothed but with a look of pure wanton need in his eyes.
“That’s it, mami, let go for me…”
You moaned and writhed as he attached his mouth to your clit once more, pumping his fingers in and out of your entrance with fervor. You couldn’t stop yourself from clenching around his fingers. It was getting increasingly difficult to stop yourself from full-on riding his face. You whimpered as your orgasm slowly crept up on you. “Miguel…”
“Come on, baby, it’s okay…” he hummed against your core, the vibrations of his voice on your cunt making you twitch in delight. He seemed almost as needy as you, rutting against the pillow under him and chasing his high just as you were. “Cum on my face, baby, please.” your wetness was coating his lips and chin as he lifted his face to speak, and he quickly dived back down to eat you out. There was something so carnal in the way he pleaded for you to give into the pleasure he was giving you, the desperation in his voice to have you come undone.
The insane amount of precum seeping through his underwear was soaking his pillow as he thrusted against it, syncing up the timing with his fingers that were knuckle-deep in your pussy. The obscenely lewd sounds of his mouth working against your sex was enough to drive you over the edge. Your hips lifted off the mattress as your wave of pleasure crashed over you, your vision blurring and voice breaking into a sob.
Your toned thighs clenched around his head, trapping his face deep into your core. “God, Miguel… you feel so fucking good…”
Your praise was enough to send him into the throes of his own pleasure, his release soaking the pillowcase beneath him, just as yours had soaked his beautiful face. He pulled back from you, crying out your name as he finished.
The two of you were utterly spent.
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After changing his cum-drenched boxers, and pillowcase, he came back to lie down next to you, slumping onto the soft sheets of his bed. You were still catching your breath from the passionate encounter, and so was he. Miguel pressed a soft kiss to your cheek and hugged your waist, pulling you close to him in a comfortable embrace.
“You’re so fuckin’ pretty, baby…” he murmurs into your neck, his warm breath tickling your skin. “I’m sorry I yelled at you earlier.”
“I’m sorry, too.” you reply, turning your head to face him. He looked more handsome than ever, a soft expression on his face that replaced his normally focused one. “You’re not a bad hitter. You’re our best, actually.”
“And you’re not a bad setter, chiquita. You’re wonderful.” Miguel smiles at you, planting another soft kiss on your skin.
“We should make this a regular thing,” he suggests, squeezing your waist.
“Don’t push it, guapo,” you laugh. “We’ll see how you behave next practice.”
“Deal.”
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dividers by @cafekitsune
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psychelis-new · 8 months
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pick a pile: "Loving words from your person"
take a breath and choose the photo or number that calls you the most to find a message meant to reach you at this time. The message may come from your future spouse/destined person/long time partner or even closest friend for some of you (you may still have to meet them).
don’t take the reading too seriously. only take what resonates with you and leave the rest. if you're not called by any pile, let this reading slid as it may not hold messages for you. if you're called by more than one pile, there may be messages in each of those piles. remember that is a general reading and some things may not resonate with you. energies can change and readings are based on present ones (as you read); you're always in charge of your life.
(photos found on unsplash)
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pile 1
Things are getting rocky at the moment, right? Yeah I know it. Try to not let this excessive amount of emotions sweep you away. Try to ground, try to stay present and in you. It's hard work indeed, ofc, I'm not saying it's easy but... please, even if it feels so difficult ans scary, do not give up. Do not let all this take the best of you. Stay in touch, stay in control... touch the ground and the grass, stay present, keep yourself rooted physically. A good news is coming in soon, maybe a new endeavour you know, just do not let this stress you even more than you are. Right now you need to find your inner focus, your center, and to meditate. Until we meet, until I will be able to help you, take good care of you. Or let someone else help you.
[romantic partner for many of you but not everyone; very big on physical affection/hugs in particular -gives very good safe hugs-; good big heart; you may be feeling lonely/feeling down/needing a bit more of love or affection these days or you will need: they'll offer you loads of that with a bright smile; sweet young kinda feminine/nurturing energy; the "excessive amount of emotion" mentioned in the reading may relate to something you're healing atm: I just heard "keep healing patiently"]
song: stay ready (what a life) | jhené aiko, kendrick lamar
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pile 2
HEllo hello my sweetheart! Things are changing as times and leaves, and so your emotions need to adapt to all this. We totally need to stop letting them block us and be more real, shouldn't we? It is indeed time to make a new start, to level up. So take it slow but leave this pain behind. Okay, okay, the choice is yours but you know... it's better to make mistakes and really live even for just one day than to just hide behind a wall and observe others having the time of their life and then feeling so unworthy of everything, right? Go out of the shell and try to feel as worthy as them. Try to be your real self (I know who you are inside, don't play with me, you cannot hide :)). Go slowly, go at your pace, but try. Little by little. One "hello" at time. I am waiting for you to try and say hi first. I am here waiting just for you, not going anywhere.
[romantic partner or friend, or both; funny positive accepting wise person: "it's okay to make mistakes, they're cute" when I wrote the first hello with the E and didn't want me to correct it "it's so me"; prolly clumsy but in a cute way; very pensive/thoughtful; may know many words/has a way with words or is a book lover/nerd; may wear glasses and touch them often; may sit weird; loves to write/journaling; thinks before speaking but writes on a whim and makes typos maybe also in messages to you -some are fun; you may laugh a lot together-; only for some: they may already "be in your life" as you may "see" them around often -eg. school, jobplace, subway, fav pub/place, park...- or they may be your crush/someone you find interesting, as in the song's mv]
song: you don't know my name | alicia keys
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pile 3
It's time to take a pause and wait. Things not always go as we plan them or as we'd like them to, but it's not always that bad. It's often a matter of realigning, of realizing that maybe something wasn't supposed for us, and it's better this way. It's maybe a matter of taking a break, grieving our desire in the way we planned it to be, and then go back on track and working for a new different way to get it. It's often a matter of having to wait a little longer, of having to be a little more experienced and prepared. Maybe it's the same for us, don't you think? Maybe we thought we had met but it wasn't us. Maybe we're just meant to work on ourself first a little more, on our feelings and how we see them and perceive them, on our strenghts and self confidence, before we can really shine and meet. Before we can really be able to be seen by the right people: me by you and you by me. And trust me, it's gonna happen. We'll make it happen.
[older or wiser romantic partner or friend; feels like has had many life's experiences; very grounded; masculine energy for the most; very concrete and has an intriguing mind; may have lot of air in their chart or be Mercury dominant, still has a lot of control on their thoughts and is very determined; may inspire you and guide you through a lot and help you grow or heal; will probably need you to help them let go a bit of control cause maybe sometimes -at least for some- they may tend to be a bit more serious and go deep within and get lost in their mind; may show a bright smile on the outside but may feel hurt inside, give them time or talk with them, help them feel safe in communicating their real thoughts if you can: they just don't want to cause pain to others but forget that generally people feels good when being of help to a lover/friend and not burdened; you may share some traits or have mirror energy]
song: island in the sun | weezer
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gooppoo · 1 year
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Okay okay so let’s say Neteyem has had an arranged mate since he was younger and they grew up together as best friends who just always knew they were going to get married, but we’re never really lovey dovy or acted like a true couple and l when the Sully’s have to move to the Metkayina clan, Aonung takes a little liking towards y/n and Neteyam is just getting very jealous from afar and one night after he gets a little too touchy, y/n and neteyam make soft love where she reassures him that she’s his and only his and then they mate for the first time and yeah just like jealous protective neteyam and fluff and smut pls
anon you basically wrote this for me! just gonna add some of my thoughts <3
All Yours Baby.
Requests Closed!!
mdni.
warnings: angst tehe, sorta a love triangle? all characters are of age obvi, p in v, love making babeyyyy, creampie
It's been set in stone that you and Neteyam were like destined to be, even before you were chosen to be mates
But like...y'all weren't all that into each other, just sort of aware of each other's existence
Then Jake had the bright idea of moving everyone, and it more or less threw a wrench in things
You meet the Metkayina and tried to incorporate their lifestyle into yours, because adaptability is imperative in this world
As you warm up to this new ecosystem and way of life, you of course meet new friends, while still trying to balance the old connections you cherished
Ao'nung.
Ao'nung was strong, charming, and sometimes a little too confident
He was more or less your teacher - Neteyam's too - but he would take the time out of his busy day to teach you more than the surface level of the Metkayina lifestyle
And Neteyam noticed this...
He also noticed how handsy you'd get with one another
He also didn't miss how Ao'nung kissed you in front of most of the clan one evening after heavily drinking
And as not to embarrass him, you sort of kissed back, then quickly pulled away and said a quick goodnight
Trying to be undetectable, you took to the water and swam far until you reached some rocks peaking from the surface, and perched upon them
You were out of breath from the kiss and from the intensity of your quick leave
Drinking was on the top of your list of regrets
You rested back again the rocks, studying the stars and hoping to find some calm in them
And guess who shows up not long after - scaring you a bit with his near silent arrival
Neteyam
And he's pissed, ugh he's such a bawl baby sometimes, but it's endearing
You yelp and scold him for scaring you
Shortly, he apologizes and makes room for himself on the small patch of land
He stares at you. Not in a weird, threatening way, but like he's searching for the right words through you
Let's be honest, Neteyam isn't the best with words
"I didn't know you and Ao'nung were..."
You felt your body stiffen up, heart skipping a beat painfully
Quickly, you sat up and pressed your brows together at him
"We're not." You said with the same amount of attitude as Tuk
That seemed to ease his expression
He cleared his throat and averted his eyes, "Good."
But he could still feel you watching over him, studying him like you had the stars
His electric yellow eyes would dart from his lap to yours bashfully, slightly embarrassed
To ease his discomfort, you slid a hand onto his knee, then scooped up his palm
Like you had done it a million times, your fingers interlaces and your palms met, feeling the heat building between your skin
You decided to scoot a few inches closer
...and so did he
Many inches closer in fact
Then there was a split second where your eyes met again, and they fluctuated until your pupils were as expansive as the night sky
It was like your minds had connected in that moment, because he pulled you into his lap as you had every intention to crawl onto it
Not too soon after came a kiss
The first one shared between you two may I add
So it was a little awkward, but still had butterflies exploding in your stomach
After finding a sweet melody between your lips, tongue, and faint sighs, more suggestive behavior was thrown into the mix
Like you grinding down on his lap...and eventually the tent under his loincloth
Neteyam cradled your back and laid you along the ground with him above you
You didn't dare pull away from your kiss, because you had quickly become addicted to the surge of electricity he had rushing to your heart
His mature hands mapped out your body, spending more time near your thighs and waist
Running his nails along your hypersensitive skin so you'd yelp into his mouth
When you started wriggling your hips toward his hand he knew he needed to escalate things
His fingers dipped below your loincloth and was painfully slow to caress your folds
But he knew to gently circle your clit, and run his tongue along your bottom lip, while his hand cupped your face and his swipe thumb along your cheekbone
There was a gentleness about him that Ao'nung had never once introduced to you, and it left you more hot than you expected
Neteyam could feel the heat you generated and spread it along your center until your sighs were moans
He knew what patterns to trace long enough for your back to rise to his chest, struggling to return his kiss
And while your mind was still swirling with the remnants of your orgasm, Neteyam prepared himself for you
"Is this okay? Are you okay?" He wondered, just as out of breath as you
If he had you cumming with just his fingers, you could only imagine what else he could do
"Yes, please." Your eyes were surveying him with adoration.
He talked you through every step, asking you to speak up when it was too much or uncomfortable, but you didn't need to
Neteyam was gentle and easy, and you were plenty prepped for the stretch he offered you
So much so, you wriggled the rest of his length in you, both of you moaning and laughing one he reached your hilt
He leaned back over you, propped up on his elbows and lips ready to dive back into yours
"Ready for me to move?"
You nodded, and rid the space between you
First he started slow to make sure things were still in order
Then he picked up his pace until neither one of you could continue swirling your tongues together and just breathed into the crook of each other's neck
Your hands felt along the muscles of Neteyam's back, noticing how they flexed and whining
"Neteyam..." you reeled, "Show me I'm all yours."
It was like a connection was made after you purred those words into his ear
He didn't hesitate to take those words to heart and preform accordingly
By accordingly, he tucked a hand under the small of your back and lifted your hips a few inches, and ran his pelvis along your clit with each thrust
Meanwhile, he peppered wet kisses along your neck and chest, even going as far as to nip a few purple marks into your skin
"Mmm gonna cum baby - show you I'm mine."
You didn't object in the slightest, finding yourself nearing that same fate
His rhythm stuttered as he reached his climax, and returned to a snail like pace as he released in you
You both shared a sloppy kiss, feeling each other finish in unison and hold each other impossibly close
"Always gonna be yours..." you murmured between it all, feeling him smile against your lips
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where-dreams-dwell · 2 months
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I haven’t read the book and only have vague recolections of the movie (though I remember sobbing violently at several points) but I hoped I’d love Netflix’s One Day adaption. And of course I did but one of the things I loved was so unexpected.
I love how they portrayed Sylvie.
Particularly how that relationship both ended and endured. How even at the start there were issues but the small kind you want to work on and work through. She knew her family were hard work but she was on Dex’s side and wanted him to be accepted: but still knew that her opinion was the one that mattered. Dex knew he didn’t fit it but he was trying so damn hard to, and hoped that if he kept trying it would be enough eventually. And she wasn’t this demon or harpy, even people who just met her liked her. She was a nice person.
So many times when the male lead is with another woman before they eventually get together with the female lead this ‘other woman’ is portrayed as toxic, unmanageable, cruel, snobbish, etc… or even just unpleasant to be around; someone we’re happy for the male lead to leave. Maybe it helps us to support the male leads pursuit of the female lead and not confront his poor behaviour as a romantic partner if that ‘other woman’ is unlikable and we’re happy to see her gone?
But here they made it clear: Sylvie is a kind nice woman who loves Dex, and didn’t handle the crumbling of their marriage well.
It was almost voyeuristic how we saw the breakdown of her and Dex’s marriage. It seemed so bloody real. New baby, no sleep, renovating the house, all of it building up until you’re being a bitch and you know you are, and you’re apologising after the fact for what you said but you don’t know how to talk around the fact that you still meant some of the things you said. And a partner who you know is struggling with direction and purpose, and you want them to do well, but *god* you’re the one fielding questions and having to go to bat for them every time someone asks, and as a result you never feel safe to take a break or question them yourself.
And (I don’t know how intentional this was) but Dex’s joking tone which is clearly meant to relax and reassure just came across as him not taking things seriously or being trustworthy. Sylvie lists a whole range of food options for Jasmine while she’s out for the night, clearly showing she has prepped *everything* ahead of time: she isn’t leaving Dex in charge of finding or cooking Jasmine dinner, she’s leading him by the hand to the ready made stuff and telling him now to reheat it. Kind of like he’s a child too. It really shows how capable she feels he is.
And then Dex jokes about giving Jasmine crisps. He’s clearly trying to break the tense atmosphere and joke around with his wife, but it just comes across as ‘I wasn’t listening to you, I don’t realise how much work you’ve done, you were right not to trust me to cook dinner because look what I immediately suggested, you can’t rely on me’.
In all their conversations the tone of their voices just show they’re not sure how to talk to one another anymore, that they know everything they say will be taken the wrong way and so they have no idea how to speak.
It felt like no one was particularly demonised or made into a caricature. Just two people who were different, put under stress until they broke and grew apart. And Sylvie had been responding to this state of her marriage by having an affair, so she is clearly in the wrong there and the one who causes the divorce etc, but… I don’t know; here it comes across more as a plea for help or freedom in the midst of her confusion and less a lack of care or thought for Dex and her daughter (like I remember it coming across in the movies).
Even when they have the brief mention of dramatics and anger around the divorce, afterwards she’s back in the picture as a level headed co-parent: joking around to relate to Emma, sharing co-parenting pains with HER too (‘Jasmin’s learning the violin?’ ‘Yes that’s why we’re fleeing the country’). And genuinely congratulating them in their relationship and marriage.
You don’t see many ex-wives in media who are so openly concerned about how their ex-husband is handling his second wife’s death. She’s present, caring and supportive. And keeps reaching out to him well after she could be forgiven for stepping back.
So yeah I loved all of One Day and yeah it made me cry AGAIN, but I also loved how real they made those significant relationships look. How adult and complicated and messy and ‘no one was a monster/you were both wrong in different ways/there is no right and wrong’ they played out as.
Just because she wasn’t the ‘love of his life’ doesn’t mean she was a footnote either.
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circeyoru · 1 month
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The Boy & The Witch _ Part 2
[Human!Alastor x Witch!Reader]
Part 1 — Part 2 (here)
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The boy, now named Alastor, came often to your little home in the forest. His attitude could be described as excited, eager, and twisted. You’d say that it was near your level and perhaps over as time goes by. You weren’t wrong
Alastor was more adapt in learning darker arts. While you can heal, Alastor shows no talent in such. Though as if to make up for it, he was extremely talented in shadows. A form of magic you have trouble with due to your abilities in the purer magic. Soon, his shadow came to life with glowing eyes and a crescent moon as its smile
You told him that he needs to control his shadow as it started doing it own thing when it came to life. It was harmless to you, but if anyone were to find out, there’d be hell to pay. It took a while but Alastor and his shadow got used to each other. When dealing with sentile beings, it takes time, you told him while he mediated, if he wants more control, he must be of sound mind and body first
Once, you were in town again, gathering on some supplies to stock up and saw Alastor. You were going to greet him, but you saw a women step into the frame. You figured it was his mother, but you were conflicted, his smile was genuine, familiar to how happy you saw him when he was learning and mastering the darker arts of voodoo magic
Thinking back, he never mentioned his mother to you, only his father that he loathed and seeked revenge on. The conclusion you came to was that he was doing it for his mother too, the mistreatment included her
You left, reminding yourself to talk with Alastor the next time he visited
“You know you can’t go to Heaven now that you meddle in voodoo magic, right?” You leaned against the door frame of your little experiment room, your arms crossed over your chest while you looked at the back of Alastor’s form. You noticed his shadow’s smile turned to a frown and shivered, but Alastor reminded focus on his task “What brought this along?” Alastor questioned as he grind down some animal bones accounting to one of your many books “The other day, I saw you with your mother I presume. She’s a nice lady that will go to Heaven and you’re damned for Hell.” You continued “You’ll be there with me, right?”  “Well, of course, I’m the one that brought you into this, so naturally. I think my family and relatives made some sort of clan down there. They living the life ther.” You chuckled, “And Hell is supposed to be a punishment too.” “If you’ll be in Hell as well, I can live without my mother there, she belongs in Heaven. I’ll treasure my time here now while I’m alive.” Alastor spoke softly Your eyes narrowed, a small frown on your face, you turned to leave but not before saying, “Then you shouldn’t be there with me. Go back home, boy.”
Like Alastor was listening to you, he didn’t come back the next day, or the day after. For a while, your home was void of the apprentice you took in and given the name of Alastor to. You’ll admit that you felt lonely and thought if you were being too cruel to him
You waited for a week longer to see if there was any change in Alastor’s visit to the forest. Oddly enough, there was no sighting of him. Why you say that because when he was younger, he’d play disappearance for a few days to catch your attention. You found him hiding within the tree branches when you went to look for him
But now it was a teenager, nearly adult. Some can say you two grow up together, you’re not shy to admit that he has grown to be quite the lady’s killer. He has gonna popular in school and town. Getting a nice internship at the radio station to prepare him for his future career
You knew that under his perfect front, how painful and cruel his life behind closed doors was. Not to mention his cruelty and heinous thoughts he habour to those that do him wrong. So you left your home when the sun was about to set to where Alastor’s home was. You peeked inside from one of the uncovered windows. It was all quiet. Too quiet
Securing your cloak and the deep hood over head, you went to the back door. Using your own shorted staff, you tapped the lock and unlocked the door as it opened on its own and closed when you entered into the house
You wandered around, coming to a stop when you passed the living room with a body laid on the carpet and another on the couch. You cautiously stepped forward, checking the mother to see if she was breathing, when she was, despite the blood from her head. You turned to the man, father of Alastor’s due to the resemblance, and checked his breathing. He was sleeping
Kneeling down, you hovered your hand over the mother’s injured head and healed her a bit. Then you turned your attention to the staircase and slowly made your way up. When you made it up, you scanned the doors that were all opened, except one. You stood before it, trying the handle first, locked. You did the same thing to the back door and unlocked it with ease
The door creeked with a whine, you eyes pierced into the room, bathed in the light from the setting sun. You noticed the motionless body on the bed and made your way over. You sat on the edge of the head, facing away from Alastor. “You know, your mother’s in a dying state. But I healed her enough to get through the night.”
Alastor merely flinched, enough of a sign to show you he was awake and listening
“I wonder though, still you let this father, this man, to rule over your life any longer. You’re not the only one suffering.” You spoke
You sat there playing with your shortened staff when you left Alastor get up and left the room. You waited for a while before you followed suit and went down. You weren’t surprised to see Alastor standing over the now dead body of his father and the blood staff in his hands
With a snap of your fingers, the living room was in a worst wreck. You walked over to Alastor, pausing to let him lean over you. “Don’t worry, this would be like your family was attacked by armed robbers. You’re going to sleep for a while and your neighbours will find out then alert the police. I honoured your revenge, now let me handle the aftermath.”
As if your words were what he needed, his eyes closed shut and his full weight crashed into yours. You carefully kneeled down to set him on the floor. Making sure he was just sleeping. You eyed his shadow and pushed the staff to it so that it was hidden when the neighbours and officers come
You stood on the branch of a nearby tree, its leaves hiding you while you watched concerned and nosy individuals crowd around Alastor’s house. The police set up the perimeter and medical officers brought Alastor and his mother’s unconscious bodies to the hospital
“Glad it wasn’t the young boy or the mother that’s killed.” “Yeah, would have been unjust.” “Now they can live peacefully.” “That’s good.”
So the father wasn’t well-liked already. You thought to yourself, your staff elongated to its original form. You tapped the end of it to the tree branch. All the better. You stared down as the deceased body was brought out. Makes for an easier target. I have to ask my family to catch his soul.
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Note: Long overdue part 2. Since things have slowed down, I'm working on the requests meant for longer writing. The ones where I can rant or is just a short answers will be posted quicker~
Circe Y.
Other Works: MASTERLIST
Taglist:
@aconfusedwonderland
@crowleysthings
@donustellaron@mistpurpl3
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tyttamarzh · 4 months
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Midnight Ramblings about Missa (Or "character analysis focused on his seeking approval and how this influences his self-perception and in his performance") (Or "My boy just needs confidence and time to show how chingón he is.")
I have a thought… okay, okay, yes, Missa is a wet cat and he can't escape of that… but I think everyone underrate the ability of him for learn and improve…
When all came to the island, no one have nothing and everyone seems at the same level in general. For Missa was hard, but he adapted to life, he build a house, had an armor, went to mines and dungeons with his friends and even when others helped him, he always tried to make it on his own and search his own purpose. Everyday he gain more expierence and confidence and lost the fear to go out alone, he could fight for himself, he could survive. Then, when everyone was paired up to take care of the eggs and he met Phil, he tried his best for being useful, for help him.
He always does that, but this time he had just met him and he wanted to do his best to make a good impression on this new person in his life.
He had already done it before, that has a context, when he met the "Team Vacio Legal" (and was adopted), at first he was not considered part of the team, they treated him like an assistant, they called him his pet and they even told him that they would use him as bait, but Missa was so grateful to be with them, that he accepted all their orders willingly and strove to do the best for them (They were not just any team, it was the one that was considered the strongest and favorite to win, in fact, the winner was a member of this team). I remember that they ordered him to build a temporary house if he wanted to stay and at that moment he began to build non-stop, and he was doing it very fast, he was very concentrated on it, then Rubius, to annoy him, stand right where he was going to put a block and Missa stood paralyzed, neither of them said anything for a few seconds, until Missa, quite anxious, said: " Please, please, I'm just trying to do a good job…" and at that Rubius gave up the idea of joking with him and simply looked at him and said "You're doing very well" and moved, to which Missa He laughed and continued working until he finished. His dedication made everyone quickly become attached to him and at some point the line between being everyone's servant and being everyone's protected faded (even the 4 of them risked their lives to go save Missa's dog from acid rain), he went from not being considered part of the team to being the most loved by all of them, so much so that his death devastated them and they continued using his name as a banner until the end (ohh I really loved Extremo, sorry xD).
Even if Missa knows that he is not good at many things, he gives everything, he strives, learns and grows, to continue giving everything for those he loves, that is how he died in Extremo, helping Quackity (although Quackity did not even realize until later).
The point is, being with Phil, he helped in any way he could, he fought against the phantoms so that Phil could continue working and in fact he must have felt very good when the mission was "sing a song to the baby" because finally one of his abilities It would be necessary and useful.
Phil never had a problem with Missa in Chayanne's care. Missa was constantly striving to be competent and they didn't really spend enough time together for Phil to realize what Missa's level really was. The problem began when he was gone for so long, because everyone's level increased at the same time as the difficulty of the world, which made Missa's lack of experience very evident. And it wasn't just because he was poor and didn't have the resources to defend himself, as Phil thought at first, Missa missed out on a lot of growth and learning about Minecraft that he could have had if he had stayed on the server. Though he tries now, he doesn't He manages to cope with the current world, which made him tremendously insecure about his abilities, which is why on many occasions he no longer try and just lets himself die. Making it very obvious to everyone, even Phil, that he can't survive alone, since he's just a little wet cat.
There is something that I miss a lot about the dynamic he had with Spreen, you see, I know that many who watch QSMP did not know what their relationship was like and do not know why he is so important to Missa, but it is because Spreen never doubted Missa's abilities, even when no one, not even Missa, trusted his abilities, Spreen always trusted, he once bet on a fight that Missa had, even when Missa said she had no idea about PVP, he bet on him and to everyone's amazement, won and was like "I knew you could." Missa always tried hard to do things and get praise from Spreen, he saw him as a father he wanted to make proud and he jumped with happiness like a child when he achieved it and that's how he grew up a lot (Having the player who is considered one of the best treat you that way and praise you must be an incredible feeling).
Losing his brother not only affected him emotionally, it affected him in the sense that he lost that and that's why his self-confidence went down the drain, because when he fails he no longer hears the "calm down, you'll make it next time, champion" now he listens "Be careful, it's dangerous" "Stay away" and he is simply saved and protected by others.
I'm not saying that Phil is wrong to help him, but that made him somewhat dependent and added to his frustration at not being able to face the world alone, it made him feel like a burden to everyone (the fact that he doesn't log on doesn't help him). Somehow that made him have a kind of regression and he went back to being the fearful boy who needs to be taken care of, it's not even like in the early days of QSMP, it's like in the early days of Extremo, considering himself completely useless and stupid, struggling to try to do things right and receive some approval, but getting frustrated at not achieving it (which is why what Tina did in purgatory helped him a lot "Tina, better therapist than Melissa" xD).
Now… let's go to the present, because I saw something very different in Missa the last time. What happened in purgatory perhaps gave him more growth than we thought, not only on an emotional level by helping him decide to stay with Phil despite not feeling enough, but on a personal level. He said to Chayanne he had been working to be a better person (better player) and wanted to show what he had learned (now seeking Chayanne's approval), somehow he found that motivation again to grow and not just lamenting his situation (that implies that CC Missa he was really practicing. My friends, he didn't even do that for the squid games, he finished installing Minecraft and jumped into the water), that gives me hope that this time he is serious about stay and if he has enough time and if this time he really delivers with his promise to log on more we could see him grow and bring out his full potential (in Extremo 2 he was doing a great job until he died suddenly and became fearful again, in purgatory he was doing things well until he realized he had the wrong missions and felt sad and useless… he can do great, his ruin it is that he sabotages himself by his lack of confidence).
Possibly he will never stop being a wet cat, that is tattooed in his character, but I think that is precisely why everyone tends to underestimate him. I am sure that one day my boy is going to give everyone a big surprise… I believe!
I think my little late night thought turned into an analysis and then a Tesis, sorry about that… I hope someone finds my ramblings entertaining…
Thank you for reading!
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blakeswritingimagines · 4 months
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Aemond Being With An Inexperienced Partner
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With an inexperienced partner, like most things in life, it is a question of patience and a desire to please. It should be a mutual experience, where you are allowed to learn how best to please, while he provides guidance and reassurance. Patience is key, and understanding that everyone can take their time to find their way in the situation.
An inexperienced partner is one with no knowledge or experience in the act of lovemaking. Many people may think to take advantage of such a partner by demanding certain acts or positions. However, the best approach is to be patient and loving, allowing you to explore and discover what you like without pressuring you. It's important to be open and talkative so he can ensure that you are comfortable and enjoying the experience. He is also sure to ask you if there is anything specific you would like to try and to be open to different positions and techniques.
He would likely try to be patient and understanding. He would guide them with gentle guidance and positive reinforcement. He would also listen to any certain desires and needs and adapt to them as necessary. He would focus on creating a safe and comfortable environment for you to gain experience. Ultimately, he would want you to be comfortable and have a positive first time.
Granted, he's not the most patient with those who are inexperienced. He enjoys watching people grow and develop their skills, but sometimes, his own expectations or knowledge can get in the way of that. He's a quick learner himself, so he can get frustrated when you don't match his pace. As for being open and honest about what he wants, even if it's a bit awkward at times, it can lead to a much more comfortable and satisfying experience. He enjoys trying new things, but sometimes the most important thing is to feel comfortable and confident in each other.
He does appreciate it when you take some initiative and don't leave all decision making to him. He also likes being able to try what he likes without feeling like he's being judged or criticized. At the same time, he wants to make sure you are comfortable and confident in what you are doing. Communication is key, but being able to read your body language is key, too.
It's important to prioritize communication and understanding. Taking things slowly is a good practice as well. Letting you explore in your own way, without judgment, can be a great way to build trust. It's also helpful to be supportive and encouraging rather than critical or demanding. Lastly, it's important to remember that everyone has their own style when it comes to sex, and there's no right or wrong way to approach it. Instead, it's about finding what works for him and you and having fun exploring together.
He tries to take things slow with a new partner, learning about your body and what you might enjoy. It's a good idea to start with some basic foreplay like kissing, cuddling, and touching to ease into things and letting you get comfortable with him. He enjoys giving and receiving oral pleasure, and he finds that it's a great way to connect with you on a deeper level. He also enjoys trying out different positions, including on top, in missionary, from behind, and with you on top.
If you ever felt bad for not having experience or felt abnormal because of it, he would remind you that everyone has to start somewhere. No one is born knowing everything about sex and sexuality, so there's nothing wrong with not having prior experience. It's important to remember that sex and sexuality are not something to be ashamed of and to approach it with a positive attitude. He would also provide you with resources and reassurance that you can explore and experience things together.
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I would really like to know how and why some of my fellow Brits have absorbed the whole "if none of us were any different (language/culture/identity) we would all understand each other better and it would be great" like my bro has said before that he thinks it would be better if only one language exists (I don't think he cares which one) I'm just ?????????? But we can try to understand each other without being the same?????
It's a dominant culture thing. A well-meaning, left-leaning one, but a dominant culture thing. This is a view held by people who don't feel any particular connection to their own culture or language, because it's dominant - it's 'default' and therefore universal and unremarkable.
This means they can't relate to the idea of belonging to your own cultural unit/sub-group. BUT:
It also goes hand in hand with being well-meaning, and left-leaning. They come from a dominant culture - meaning, one that gets imposed on others a lot, which they don't like. So they reject the notion of borders and nationhood and that, because to them, that's a negative, right wing, oppressive concept. It's in the name of nationalism that all the oppression happens; so nations are bad, right? Drawing divisions is bad, right? Dividing ourselves rather than all getting along is bad, right?
(Most famous example of this, by the way, is the song "Imagine". John Lennon was, for all his many and varied flaws, a well-intentioned man, who fell in love with an Asian woman and got subsequently FLOODED with racist abuse for it (as did Yoko Ono). He wrote "Imagine" partly as a response to that. No religion, no borders, no nations... no divisions to hate each other over. Just harmony and love.)
Seems nice, doesn't it?
But it ignores what everyone in a non-dominant culture knows and understands - that there's a difference between division and diversity, and that a single centralised authority ruling over all is Bad, Actually. People's needs go unnoticed. If you belong to a marginalised outgroup of some form, nationalism can have a great many positive benefits, because it's defending your culture and right to exist and giving you a voice that is otherwise lost. Why should we have a single homogenous culture? It'll never happen, regardless - that's not how humans work. Culture is literally the shared set of norms and values in a group. That will always adapt and change wherever there's a mass of people. And that is a good thing, because different perspectives are a good thing.
In fact, with regards to language, I always think a three-tier structure is what we need. I'm actually not against the concept of a lingua Franca, be it Esperanto or anything else. It would indeed be highly useful to have a global language for communication. But specifically for global communication - within a nation/cultural group/etc, you have the one(s) that's native to you and helps define you as a people, and then at a local level you have your dialect that unites you as neighbours. To me, for a healthy society, you need all three of those. (I have similar thoughts about currencies and economies but that is irrelevant here.)
Anyway, those are my personal thoughts, obvs
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heycarrots · 1 month
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There’s been a lot of discourse about the nature of James and Miranda’s relationship. There’s even been a lot of discussion on my podcast about it. One thing I want to make clear is that my podcast is a platform for discussion on all points of view. I’m not going to agree, 100%, with everything that’s said, but it makes the views of my guests no less valid. There’s no right or wrong, here, because this is art and therefore, it is subject to interpretation.
My intent, however, is to attempt to get as close to the original intent of the actors as possible because we look at a show or a film or a play as going through several layers of distillation. Each level purifies the intended narrative leaving its truest essence.
When we make a reduction sauce using an alcohol of some kind, let’s say a red wine, the heat applied to it burns off things we don’t need for flavor. You’re never going to get drunk off of red wine reduction because there’s almost no alcohol left in it. That all gets burned off, leaving only the flavor components, which is what we wanted all along, anyway. We want that extra element that enriches the flavor of the steak, by adding nuance.
So let’s take apart that meal.
We start with the birth of the idea. The story kicks around in an author’s head, trying to get out, growing bigger and more persistent until it outgrows the confines of the mental box inspiration is stored in and has to be let out. That idea, that’s the cow.
The author raises that idea, feeds it, watches it grow, and then, ultimately slaughters it. That sounds awful, but once you have that idea pulsing, growing, evolving and then finally commit the final draft on paper, it is a kind of death. The life of the story comes to an end and it becomes memorialized in a mausoleum. Readers will come to visit, spend time with it, lay down flowers, cherish it, and mourn its passing.
The next level is adaptation. That’s the steak. There are many ways you can slice the story, large roasts encompassing the whole story or a smaller, hyper-focused character study fillet mignon.
A writers room gets hold of the cow and carves it up. They choose what gets cooked and what gets tossed. A GREAT group of writers saves the bones. They take in the entire supporting structure of the piece and while the whole story may not make it onto the screen, they will have slow roasted the bones for a stock. When you watch a show like Black Sails, where themes are introduced that won’t fully be explained or explored until several seasons later, that’s what that is. It is the stock being used to flavor the whole dish. You’ve distilled the entire cow to its purest essence and so every scene, every line of dialogue, every acting choice, encompasses the entirety of the story. A line from episode one is defined by knowledge of the finale and in regard to dialogue, defined by an actors’ knowledge of a character’s backstory. There are many writers rooms who are creating the bones of the story as they go, which means they aren’t starting with a rich stock. You can’t trace back character motivations or choices to begin with because those motivations changed throughout production.
Black Sails, again, isn’t one of those shows. Steinberg and Levine came into the writers room with their stock pot full and sloshing, spilling story everywhere. The richness of the details they were laying can make season one a bit hard to consume unless you are ready for a story on that level. Viewers need to come to the table with some bread to sop up all those character details because we WILL need them later.
Over the course of finalizing scripts and blocking out episodes, the steak is cooked. Like any great steak, this story is medium rare. More juice comes out with every bite. It’s what makes the show infinitely rewatchable. It continues to cook on the plate, but because it wasn’t overdone, it never dries out.
When the actors get ahold of it, that’s the reduction sauce we were talking about. That sauce provides nuance and flavor. That’s the emotion. A line of dialogue on a page is just ink. It’s nothing until it’s spoken aloud. And like any bit of language in this world, it’s subject to interpretation. In this case, it’s the actor who does the interpreting.
I spoke on the podcast about the art of subtext and how huge a role it plays in Black Sails. One example we used is Jane Eyre. It’s one of the most frequently adapted novels in the English language and with each adaptation, we get a new version of our characters. The most volatile and subject to change is Rochester. There are MANY versions of Rochester that I find appalling (including the original beast in the book), but each actor has formed him into something else, based on their performance. Toby Stephens takes Rochester and turns him into a silly tragic romantic, broken many times over by a society he never really fits into, despite the status of his birth. He connects with Ruth Wilson’s Jane because she fully and happily inhabits that space on the fringes that Rochester thinks he needs to climb out of. Jane takes his hand on the outside of the wall, turns him away from the guarded palace and shows him the wild world that was at his back this whole time.
This is what Toby Stephens, Luke Arnold, Louise Barnes, Zethu Dlomo, and really all the actors for whom their subtextual choices make them reflect like prisms, have done with their performances.
In the final distillation, character motivations and emotions are finalized by the actor. Writers can pontificate, the source material lies dead in its lovely tomb, but stories live and breathe by their storytellers.
What we’re left with is Toby’s face telling the world how deeply Flint loves Silver. Every single choice tells this story.
We’re left with Luke showing us how much Silver is repressing in his feelings for Flint. Luke’s face shows us an incredible depth of feeling and a door slamming shut.
We’re left with the incredible intimacy between James and Miranda, which speaks of a decade of shared physical intimacy. There’s an openness, a freeness to it until the moment in episode 3 when Miranda learns that James has found the Urca and is leaving soon to pursue it. She gives some of it away when she says “I thought I’d have you all to myself”. She is mourning the loss of intimacy that she only gets in short windows of time. They aren’t strained because James isn’t attracted to her, but because he’s rarely there. She has him for a few days at a time before he’s off on another hunt. The coldness starts from the moment he tells her he’s leaving in a few days because I believe she thinks he won’t be coming back, that this is the hunt he won’t survive and she’ll finally have lost both James and Thomas. From the moment Richard Guthrie darkens her door, she’s looking for a way to weaponize him and get them out. For her, it’s a race against the clock and she’s willing to sacrifice a bit of her relationship with James in the present to secure happiness for them in the future.
This is also why James still has sex with her before leaving, even though he’s furious for her reading Meditations to Richard. This is how they connect. They connected through physical intimacy in the flashbacks, as well. Him stroking her thumb in the carriage before the kiss. Tactile contact to seal their understanding of each other. Miranda bracing her hands on his chest during important moments in the Hamilton’s home, something she also does to Thomas, to show physical connection, physical intimacy. Miranda thrives on physical touch.
To think that, for 10 years, James is lying there like an object for Miranda to use, is, to me, short sighted. To think that James doesn’t love Miranda outside of a group, is also ignoring the fact that, 10 years on, James will not leave on a hunt (angry as they both are) without physically connecting with her, trying so hard to reach beyond his anger and the wound freshly opened from sight of that book he’s chosen not to look at for probably the better part of those 10 years. The way his hands hover over her back after she comes and he desperately wants to be with her in that moment, like the best of their moments, but he just can’t, speaks to the depth of his love for her.
So many fans of the show point to this sad sex scene as one of the most important character moments for James and Miranda, but I consistently come to the opposite conclusions about WHY it’s important and what we learn from it, because I’m taking my cues from the actor’s choices, not the director or the writers. On the page, in plain ink, he hates having sex with her. Toby and Louise show us, however, that they are trying to recapture a thing that is fleeting, reaching out to each other to patch up an old wound from which the scab has been picked off, leaving it seeping and raw.
From Toby’s performance, regardless of the words he uses years later to describe it, we see not a character who “loves men” or a character who “loves women”, but a character who LOVES. I don’t see Flint defining that love in terms of boxes and parameters. He’s a character who must be coaxed out, but then loves without reason, without a safety net, as he proves with his love of Silver. As was also referenced by a guest on the podcast, he places a sword in Silver’s hand and says “do it”.
Anyway, this post got away from me and took several turns, but the love between James and Miranda being dismissed by so many in the fandom has been bugging me for a while and I just needed to emotionally vomit on tumblr.
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madelynraemunson · 28 days
Text
mini series
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GO BACK | NEXT LEVEL 🔒 | theme song: new divide - linkin park
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player zero: level one
ᴡʜᴇɴ ᴍᴇᴛᴀQᴜᴇꜱᴛ ᴄʜᴏᴏꜱᴇꜱ ʏᴏᴜ — ᴀ ꜱᴛʀᴀɴɢᴇʀ ᴛʜɪɴɢꜱ ꜱᴜᴘᴇʀ ꜰᴀɴ — ᴛᴏ ᴛᴇꜱᴛ ᴏᴜᴛ ᴛʜᴇ ᴠɪʀᴛᴜᴀʟ ʀᴇᴀʟɪᴛʏ (ᴠʀ) ɢᴀᴍᴇ ᴀᴛ ᴛʜᴇ ʟᴀꜱ ᴠᴇɢᴀꜱ ꜱᴘʜᴇʀᴇ, ʏᴏᴜ ꜱᴏᴍᴇʜᴏᴡ ꜰɪɴᴅ ʏᴏᴜʀꜱᴇʟꜰ ɪɴ ᴛʜᴇ ᴀᴄᴛᴜᴀʟ ꜱʜᴏᴡ.
I remember black skies, the lightning all around me.
disclaimers: 18+, psychological thriller, blood, violence, sexual themes, swearing, reader interacts with the st characters, eddie falls for reader who goes by “zero/000, player zero”, reader’s gender identity isn’t specified but does have a vagina, unintentional plot divergence, upside down exists, vecna/001/henry exists, everything is basically canon until reader shows up… 😳, joseph quinn cameo at the end | pairing: eddie munson x reader x joseph quinn
a/n: enjoy everyone! i’m sorry this took so long to come out but i am committed to only releasing my best work to you guys 🩶 i hope you all enjoy level 001!!
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[WC: 2.0k words]
“Player Zero…do you copy?”
🎮
By the grace of your headset, you begin to scan the dark, almost void-like, aperture that’s hijacked your surroundings.
“Copy,” you report back to James.
“Excellent.”
Everything around you is black, a noisy puddle sits at your feet. The room is crisp from the AC, and the props smell like rubber tires. And soon, with a push of a button, you will come face to face with the Mind Flayer, saving everyone from this ill-fated town once and for all.
You can’t believe this. What thousands will pay to do, you get to experience for free, having been one of the few selected to try out the new Stranger Things: Virtual Reality Game at the Las Vegas Sphere. (Not to mention, you're the biggest Stranger Things fan in your hometown and quite possibly the biggest Joseph Quinn fan in the state of Nevada).
Eddie's death left you completely shattered. He just fit in so well with the older members of the party that you were almost certain the Duffers would keep him around. But to your despair, alongside many others, they did what they do best and killed off another fan favorite.
But there was something beautiful that came out of Eddie's death. Because of Stranger Things 4, Joseph Quinn has been getting booked for acting gigs left and right, getting asked to come to fan conventions, and you were able to find a community on Tumblr who shared the same love for him and Eddie Munson, and with that notion alone, means the silly metalhead lives on through you guys.
Your dream is to meet Joe one day. You’ve been frantically saving up for the day you get to hug him and thank him for everything he’s done for you and others. Whenever that may be. Until then, all you could do is support his work and contribute to all of his supporting franchises. Much like this one.
“I can’t wait to tell all my mutuals all about this game,” you think to yourself.
James permits you to walk around in order to adapt to your environment. You’re already planning what to tell your friends based on your observations so far. But since pictures aren't allowed, your phone remains in your back pocket for the time being.
“Alright Player Zero,” your guide further instructs you. “You’re going to walk through the gate. And from there the game will begin.”
“And what if I need to pee?”
The comment earns you a chuckle from James. “That’s fine. You’ll just have to take your headset off and call out to me.”
James asks you if you have any other questions. You couldn’t help yourself.
“Will I interact with any characters? Like Eddie?”
“No Eddie unfortunately, it’s primarily the Mind Flayer,” James answers honestly. “Goal of the game is to fight the monster.”
“Understood,” you pout in disappointment.
“Hey but I’ll be surprised if you run into anyone though,” James laughs. “Tell ‘em I say hi if you do.”
Just then, a neon orange projection appears from the corner of your eyes, followed by some squelching noises that gnaw uncomfortably at your ears. And as you get closer to it, you can hear the shrieks of some very familiar, unearthly creatures.
“Walk through the gate now, Zero,” James instructs you.
You take a deep breath, a little scared at how vivid the graphics are but reassuring yourself that all of this is just a game.
“Walking,” you report.
Hobbling into the gate, the synthetic warmth massages your ankle as you squeeze your way on in. You land on the bottom tier, a floor below the floor you started on... one that you weren't aware existed until you continued to walk around.
“This isn’t so bad,” you mutter to yourself.
Just then, the noise around you cuts off and your headset broadcasts to black.
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Tssssss.
Unsure whether or not this was part of the game, you continue to tread around the nothingness that is around you. Holding your arms out to keep your balance doesn’t seem to help, because the more you graze onto nothing, the more panicked you become.
This is odd. Where’s the Mind Flayer?
“James?!” you call out, your heart nearly beating out of your chest now.
Nothing.
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Suddenly, obnoxious TV static overpowers your headspace. It’s accompanied by lightheadedness, the brightness of it all mercilessly stinging your eyes, and the high-pitched feedback noise that soon fills your ears is probably enough to make you go deaf for the day. Great, now you know why this is a trial run.
“James!” you hiss again quietly. “Anyone?!”
No response. You were never warned about this part. Was this even supposed to happen?
Absolutely frustrated now, you reach for your headset to get out of the game yourself. But to your surprise, you’re stunned to have gotten two palms full of your hair, and part of your face. There was no headset on your head. You’re walking in a void of nothingness, with no one around to help you.
“I need to pee…” is your final attempt to connect with somebody.
The ear-piercing, scratching sounds start up once again. This time grainier, louder. It continues for a while as you run around in a panic before halting to complete radio. silence.
“Wh-” you pant. “What’s happeni-”
JOLT!
“OH SHIT!”
You’re then met with an abrupt, devastating PUSH that sends you flying across the room and down — what you could only describe as — an endless black hole. Your hand clutches at your chest as an attempt to soothe yourself. You’re almost sure your heart stopped for a minute due to absolute shock.
SMACK!
In a millisecond, your body lands on a prickly patch that you soon make up to be loose straws of hay. Blending into the scenery now is that of a remote grass field, with the smell of fresh trees and newly cut blades of grass dancing around your nose.
You can’t think of any place in Las Vegas that would have a barren field like this. Nor can you think of a town nearby with this much of a Midwestern flare, this much empty — and grassy — land, and this much Kodak green undertone to its atmosphere. Unless…
It can’t possibly be. Are you in Hawkins?
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You're standing around like an idiot trying to figure out how this could've possibly happened.
You knew this experience was 'all-immersive', but judging by the description, you were supposed to be taken to the Upside Down... and the backwoods by Reefer Rick's hideout was a long commute from. Was this Mind Fight going to be after-the-fact?
Trudging towards Reefer Rick’s now, you begin to think of other ways to get James' attention. But when you hear the faint voice of someone else coming from inside the abandoned lake house, suddenly getting out of the game becomes less of a priority.
“Eddie…” the familiar voice softly commands.
Eddie?
The voice you register belongs to no one other than Gaten Matarazzo, or Dustin Henderson in this sense. But that’s impossible, you think to yourself. James said that there were no characters in the game.
“We are on... your side...”
Oh, it’s this scene. Peaking through the door that was open a mere three inches, you're stunned to see the four dimensional manifestations of the characters you've grown to love right in front of your very eyes.
IMPOSSIBLE.
It's them. You almost stumble backwards when you see Sadie Sink and Maya Hawke alongside Gaten; and despite having their backs towards you, you know it is for sure them, and not some workers hired to play the part.
Your eyes travel to the corner of the room. Very much to your surprise, evident by the butterflies in your stomach, you're met with Joe Keery as Steve Harrington, and Joseph Quinn... the love of your life... in the flesh... your Eddie. Both characters are too focused on each other to even register your presence. If they are even able to see you at all.
You continue to be the fly on the wall while taking a few collected deep breaths. There's no way that they're in front of you right now. There's no way a whole SCENE from the show is panning out in front of you right now. Almost as if it's real time.
“I swear on my mother!” Gaten Dustin continues, trying to reason with Eddie so he can drop the knife and let go of Steve. He turns to the others for help.
“Right?! Guys?!”
“Yes, yes we swear,” the party clamors together in attempts to calm Eddie down.
“On Dustin’s mother,” Maya Robin attempts.
“Yeah, Dustin’s…Dustin’s mother…”
Keery’s voice is strained as he gulps in fear. Reasonably so, because there’s a knife pointed at his throat in this scene.
You clear yours at the doorway, causing everyone to deadpan to you in shock. So they can see you. And sure enough when this happens, that’s when your gaze lands on him. And his gaze lands on you.
It’s insane. It’s like you are looking Joseph Quinn in the eyes, but at the same time, it’s not him. It is literally — Eddie Munson. He's even more beautiful than you imagined.
“On Dustin’s mother?” you speak.
“Jesus, where did YOU spawn from?!” Gaten Dustin exclaims.
“Who’s that?” Sadie Max wonders.
“I…don’t know,” Maya Robin answers.
Immediately, Dustin runs to shield Eddie from your sight. But it’s already too late. And plus, Eddie’s eyes have already met yours. Studied yours.
“I’m…” you speak. “I’m here to help.”
You figured while James figures out what the actual fuck is wrong, that you’d interact with the characters. They’re right in front of you after all, and actually responding.
"I'm Zero..." you explain to them. "I'm not... I'm not from here, but I know a hell of a lot about this place. A lot more than you guys think."
“You know about what’s going on around here?” Robin inquires.
You nod. “And I know part of who is behind it all, and what we can do to stop him.”
"H...him?"
Eddie's timid stare pierces straight into you. It's enough for your knees to buckle, but you know you have to keep yourself collected otherwise the projections of these characters would probably freak out at you.
You hear a tiny thud sound against the wooden floor. Eddie has dropped the knife. Breathing a sigh of relief now, Steve sinks to the ground to gather himself. Meanwhile, a small circle gathers around you.
“There are… greater forces at bay,” you explain. “And it goes way beyond what you know about the demogorgons, the shadow monster, the Mind Flayer… There’s this... really powerful warlock…and a shadow that looms over him to do some really horrible things. And it’s not who you’d expect.”
“You know about those too?” Steve asks.
You nod. Eddie only seems more confused.
"A lot more than you know..." you warn him. "Trust."
"What else do you know about?" Dustin questions.
"I know about Eleven, and Will," you answer. "And how they're safer in California than here, but that doesn't necessarily exempt them from danger."
They all exchange looks with one another.
You can't help but look over at Eddie again.
"I know what happened to Chrissy," you say to him. He looks back up at you. "She's that nice girl from the middle school talent show, right?"
"I left her there," is all he says. He knows you understand what he meant by it. "I'm just a coward."
"You're not a coward, Eddie. Nothing you could've done could've prevented what happened at the trailer."
“Zero…” Dustin whispers to himself. Then he looks up at you with suspicion. Pointing an accusatory finger at you, he says, "How do we know you weren't sent by Hawkins Lab to spy on us?! You're a number after all."
"I'm not a number from the lab, trust me," you roll your eyes, slightly annoyed at Curly and his superstition. But it makes sense. "I don't even know Eleven, okay? Just think of me as... a guardian. From another universe. I think I was sent here to help you guys. I know how this shit ends, after all."
“How does it end?” Eddie asks you. “F-for us? For me?”
You turn to him in anguish.
“Not well, I’m afraid,” you respond honestly. “But if you guys are open to my help, I can get us out of this mess unscathed. Build up some leeway.”
You turn to Max who only seems to be backing further away from you. It's definitely in her character to do so, Maxine has always struggled to ask for help. But you know, deep down in those fearful blue eyes, she wants your help as much as she wants to run away from it.
"And we're gonna break you out of that curse," you say to her.
You're no expert on the laws of space-time, but it doesn't take a scientist to realize that you're in a different Hawkins reality. And knowing there are countless outcomes and experiences for existence, you can make this reality your own.
Which means, if you choose to stay in this 'game', and play the cards correctly, the Eddie standing directly in front of you has a second chance at life.
Now’s your chance to fix it. And experience an altered timeline. You don't know how this is possible, but it is. And after all, the Rule of Probability states, "the probability of an impossible event is Zero."
“If you guys want to save everyone in Hawkins, including Eddie and Max, you guys have to do EXACTLY what I say do you understand?”
taglist: @winchester-angel, @arthurcerverogf, @damon-loves-pie, @breezybeesposts, @swiss-mrs,@leelei1980, @skulliecadaver-blog, @katethetank, @mexicanfolklore, @ali-r3n, @nailbatanddungeon, @hugdealer, @wtflindsay, @yourdailymemedelivery, @kellsck, @kthomps914, @daydream-believer19
cyberpunk dividers from: @k1ssyoursister @sillycircus-decoarchive
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