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#this enemies to lovers arc makes so much sense with my fantasy
redinkscrawl · 3 months
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Redd Reviews: THE MASQUERADE by Seth Dickinson
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Genre: SciFi/Fantasy
Major Tropes: Hero corruption arc, slow burn, enemies to lovers, enemies to friends, morally gray characters, women's wrongs, righteous rebellion, bury your gays*, unreliable narrator
Representation Rating: A
(brown lesbian mc, mostly LGBT and nonwhite characters, written by a queer?** author. Some disability rep but could be better/have more imo.)
*On the subject of bury your gays, there's nothing I can say that @canmom hasn't said better. But rest assured, while gays are buried, other gays survive and may even thrive.
**The only reference I can find to Seth Dickinson being queer is in that same blogpost by canmom, which states that Dickinson was questioning his pronouns on Twitter at that point in time. I can't find his Twitter, found no note of queerness on his website, and have only seen him referred to as he/him. That said, this is a wonderfully queer book, and it sure seems like a queer author wrote it.
Young and brilliant Baru Cormorant's home has been slowly invaded, slowly and insidiously taken over by the Empire of the Mask. So she vows her revenge. But what extremes will she have to go to to take down the empire from the inside?
Full of political and economic intrigue, ship battles and sword fights, and twists and turns, these books are the book series I've always wanted to write.
My Thoughts
Overall
"This is the truth. You will know because it hurts."
These books are fucking fascinating. The worldbuilding is strong, beautifully done, and incredibly interesting to boot. The characters are AMAZING and extremely rich. The fictional cultures are complex and gorgeous. The plot becomes increasingly more unhinged, beginning with accounting and political intrigue and ending with cancer cults. And the plot is so smart. So are the rest of the books. (Keep a dictionary handy!) Beauty and brutality in equal measure, these books may make you cry or laugh or both, but they'll definitely keep you turning pages.
My verdict: READ THESE BOOKS.
Book 1: The Traitor Baru Cormorant
This book is one I'll never forget. The highs are high, and the lows are low. If Dickinson has one gift, it's making you care about the accounting and minutiae of this damn rebellion. This book has so much heart it can hardly contain it, and a deep reverence for the common people, despite being about a savant in a powerful position acting against other individuals in powerful positions.
Baru as a character is just... chef's kiss. You root for her when she does good, you root for her when she does evil. It's all but impossible to not want her to succeed.
Fascinatingly, The Traitor Baru Cormorant works as a standalone novel, which makes sense since it originated as a short story. But this is a rare quality amongst firsts in fantasy series, I've found. To me this just demonstrates Dickinson's skill at storytelling.
The names of characters and places are frequently very difficult. I love them. Most characters have distinctly ethnic names, though not necessarily from real ethnicities. Many are difficult for my English-addled brain to pronounce, but they are beautiful and distinct. The world is exceptionally immersive.
If you didn't like the political intrigue and minutiae of A Song of Ice and Fire, you won't like this book. If you did, this is 100% the book for you.
The twists are delicious and the ending is ultra emotional, and expertly executed. I was sobbing. I wanted to throw the book, but I had to keep reading.
Rating: 👛👛👛👛👛/5
Book 2: The Monster Baru Cormorant
This book falters, just slightly, for me. It's still a fascinating, somehow quick read, but it just didn't hit me the way the other two books did. Baru spends a lot of time seemingly achieving nothing, and while every plot point is vital to Baru's character later on... they don't always seem worthwhile at the time. I just can't give The Monster Baru Cormorant a perfect score.
I don't like the switch to first person for Xate Yawa's POV. I found it jarring and out-of-place in a novel that is otherwise third person, and where Yawa is not the main character. This bothered me less and less as the novel went on (and into the next,) but still. The choice doesn't make sense to me, since we already get character's thoughts through the third person limited POV. I'd like to pick the author's brain about this.
I do love how much we learn about the world of The Masquerade in this book. The world expands exponentially, as evidenced by the expanded map. I'm kind of obsessed with the concept of trim; the concept that all things are connected to all things, and one should live accordingly, to put it simply. The Oriati culture is fascinating and just so, so beautiful.
Rating: 🗡️🗡️🗡️🗡️.5/5
Book 3: The Tyrant Baru Cormorant
This book is INSANE. And gods, Seth Dickinson really keeps you reading! The tension is off the charts and the cliffhangers hit where it hurts. Some might call some of the cliffhangers cheap, but since the characters believe in the tension, I believe in the tension. That makes all the difference for me.
This book shines in the logistics. Clearly Dickinson did his research on, like, everything. Economics of course, but also ship parts and naval strategy and brain injury and every other detail I can't remember but that made the story feel so, so real.
The horrors released in this book shook me, and the hopes birthed in this book are delightfully optimistic in comparison. The end of this book is a relatively triumphant, happy ending...which is kind of crushing when you remember that there's going to at least be a fourth book.
I can't state enough that this book is crazy, but I can't tell you much more without spoilers. A definite page-turner. If you liked the first two books, you'll love this one.
Rating: 🗺️🗺️🗺️🗺️🗺️/5
Book 4: Upcoming
And I can't wait.
Rating: 🎭🎭🎭🎭🎭/5
Check out waffalet's elf girl maker here.
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mermaidsirennikita · 8 months
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ARC Review: The Hurricane Wars by Thea Guanzon
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4/5. Releases 10/3/2023.
Vibes: enemies to lovers who actually do battle, secret princess-ness, masks (hot), and fantasy meets sci-fi
When Prince Alaric, son of the Night Emperor, discovers that orphan rebel Talasyn wields magic to counter his own, he knows there's more to her than what meets the eye. Combined, their abilities reach untold degrees of strength. The question is--now that they know this, what are they going to do about it?
Thea Guanzon has taken her original source material, infused it with a Filipino influence, and created a really interesting enemies to lovers romance that is heavy on politics and plotting. It was a step towards world-heaviness for me, but it never lost my attention and set up a compelling love story.
Quick Takes:
--Yes, this is a classic "dark prince/light girl" story, which I know some people are going to rag on, but it does that setup very well. And it's a classic for a reason, you know? Alaric and Talasyn are legitimately enemies, which is kind of hard to find in EtL right now. You begin this novel with them in the heat of battle, and I don't think they're going to overcome their issues easily, however much they may be attracted to each other. It feels like an actual challenge.
I'll add that, to me, Alaric's motivations for standing where he does make much more sense than those of many characters we could compare him to. Frankly, for me, as soon as you make someone the "Prince of the Apparently Evil Empire", you've already done a lot of the work there. We may want to see these corruption arcs, but the reality is that if you were raised on the "good side" (is the good side really good--a question in this novel, for sure) you have to like... either be dumb or naive enough to get seduced into the dark, or legitimately agree with the dark side's points on some level. Alaric doesn't really have a lot of choice here--there is family and responsibility and also simply culture to consider. I found all of that interesting, and I will say that he is undeniably the more compelling of our two leads, but like. That's not a shocker, all things considered.
Also, Alaric has like, never held the hand of a woman, and him getting very literally distracted by Sexy Girl was highly entertaining and pleasing to me and my brand.
--I really liked his mask. I have nothing to say about this except "mask is hot", mask made a big impression on me, I was a fan, 10/10 mask usage.
--You do start right in the midst of the action, but in terms of the romance it's a slow burn. Like, a slower burn than what I usually read; a "this will take a few books to cover" slow burn. However, I didn't feel frustrated by that, because it seemed natural. They could not simply jump into their desires and feelings here. The situation was too complicated, and they would have looked a bit silly if they had acted any earlier than they did.
--I've seen other reviews that call this too romance-heavy, calling out the world-building and magic system... Whereas I as a romance reader am like "this could have used a bit more romance". I would definitely call this a romance--but like I said, there's gotta be some stretch over (I believe) three books. She has to take her time. In the end, and I kind of feel like... I don't know, Thea, you don't need to explain the world much more for me. I'm good, I get it, I don't need the minutiae of magic. So while I'm not saying that fantasy-first readers are wrong in that sense, I do tend to wonder if this book is meant for fantasy-first readers. To me, it's reading as more romance-first, but I DO want to see the romance kick up a notch in the next book, and I'm reading this with the assumption that it will.
For the sake of comparison--as someone who enjoyed Fourth Wing, I would call this heavier on the worldbuilding than Fourth Wing, but still somewhat comparable in a tonal sense. The Big War Plot and the Magic and Shit is secondary to the Feelings. As they should be, in my opinion. Again, I really think that in the next installment, it should be HEAVIER on the feelings. I do worry somewhat that romance-first readers might have an equal but opposite complaint to the fantasy-first readers.
--In that sense, I do think this book is a little denser than it needed to be, and we could've used a little bit of quickening in the general pace. Like, I was engaged, I was interested, I was about it, I just think it could have mored a little faster. That said, I am someone who in general prefers a brisk pace, and I know that this is not necessarily the norm for fantasy-heavy books.
The Sex:
As I said, this is a slow burn. It's not closed door by any means (what happens is explicit and clear) but we're taking incremental steps towards a full................ commitment.
Interesting and romantic and adventurous, The Hurricane Wars is a step outside of the norm if you're not used to fantasy or fantasy romance, but I found it pretty easy to understand and fun to read. Would recommend!
Thanks to Harper Voyager and Netgalley for providing me with a copy of this book in exchange for an honest review.
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teabookgremlin · 1 year
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alright here we fucking go. i took 4 pages of notes on 02x01 last night, so here is the typed up/hopefully more sensical/overview of my thoughts on yellowjackets 02x01
also before i get into it i just wanna say that i literally felt high in the last like 5 minutes leading up to midnight. like exact same feelings as the time i took to much of an edible so yellowjackets is a drug confirmed
spoilers below the cut!
- obviously tai and van tying their arms together so tai doesn’t sleepwalk really stood out to me, i’m glad tai was able to tell van about the problem and that they were able to find a bit of a solution. also its just cute i love my little lesbians
- lottie’s rituals to protect nat and travis, found the blood water interesting and hope for more blood rituals cause that’s fun
- “primal, elemental self — nothing more painful than hiding that self” this lottie quote just stood out a bit and i liked it
- THE START OF THE JACKIE GHOST/HALLUCINATIONS i’m so ready i loved them playing mash and it playing out to describe shauna’s future as basically what it becomes. then her telling jackie about how things with jeff started? this better lead to a love confession i swear. then the ear and into her pocket it goes
- feeling bad for adult tai but like also simone does need to get out of there with sammi like run girl
- nat and travis still going out looking for javi is SO SAD cause like he must be dead but ugh poor travis (and other sentences i did not expect to type)
- gotta take a moment and appreciate how insane it is that it took and affair, murder, and blackmail for jeff and shauna to start communicating/have a decent relationship. also the thing about her being turned on by him with someone else? okay girl we know who you’re talking about
- THE EAR FONDLING SHE’S SO INSANE
- misty and crystal’s loser girl friendship already means the world to me i’m so ready
- curious as to if javi is actually alive bc lottie believes he is, i feel like at this point her shit is fairly accurate but we’ll see
- i laughed out loud at jeff in the car listening to last resort this show is truly a comedy
- need the lottienat enemies to lovers arc asap
- okay TAIVAN TIME: “i’m never gonna be scared of you” <3, literally obsessed with the i love you scene that is peak romance, literally kicking my feet and giggling and i didn’t not fall asleep to fantasies of being tai in that scene
- curious about the animal mask ritual, leaning towards it being either initiation or sacriface
- and finally SHE ATE THE EAR! what the actual fuck. this is fully not how i thought the cannibalism would start but it makes soooooo much sense. cannibalism as a function of grief, jackie consumes shauna’s life so shauna physically consumes her, the clear like NEED to eat it from shauna, the secrecy of it all. lets hope next ghost jackie scene is a confrontation into love confession
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🦇 Book Review 🦇
Rating: ⭐⭐
❝ You don't understand what it's like to have your identity so tied to someone else you forget who you are. I still don't really know who I am. I'm working on it, but I'm not there yet. ❞
❓ #QOTD What's your favorite atypical dessert? ❓ 🦇 When Chloe Brown rolls into the small town of Fantasie in her big, purple food truck, she doesn't expect to make such a strong first impression on everyone so soon. Unfortunately, her in-need-of-repair truck sputters to a stop in Lucas Donovan's parking spot, who isn't keen on the eyesore or its sassy owner. Though they drive one another crazy, that passion quickly sizzles into sexual tension. Is Chloe ready for a relationship when she still has the taste of a bad relationship on her tongue?
💜 Chloe's journey toward self-actualization and independence is what drives the book forward; not the ship. The strongest part of the writing is the backstory, which is the only bit of information we don't get immediately. Given Chloe's previous relationship, her motivations make sense. We get to watch her recognize what she wants in life, and eventually, who she wants it with. Even Lucas' backstory and familial responsibilities explain his demeanor. Their histories, while different, are exactly what makes these two so alike. The first page (and book synopsis you'll find online) is better written than any other page in the book, despite the food puns, though.
🦇 Unfortunately, this book was all spice without any real flavor. The entire relationship sizzles based on a physical spark. There's no tantalizing, sweet, slow tension when Lucas gets a hard-on every time he so much as looks at Chloe, or when Chloe's nipples peak at the thought of Lucas; it's just awkward. More awkward is the word choice; the dialogue seems unnatural and stilted, full of cliches and colloquialisms that feel randomly sprinkled into conversations. Every "baby," "undies," and "panties" thrown in makes it difficult to swallow the rest of the story. The main characters don't have a real, emotional conversation until after their first time; did they really know anything of value about one another before then? Chloe seems so headstrong in her convictions, only to change her mind pages later. Meanwhile Lucas seems analytical and responsible, only to melt like a puddle at Chloe's feet. It's not character development when nothing happens for the characters to earn those changes. The writing is also repetitive; not only does Chloe have a tendency to echo what people say to her, but we're TOLD so much information that there's no suspense, no surprise.
🦇 If you're looking for a quick read that's all sizzle without memorable flavor, this book is for you. It's a great, easy read between more intense novels. Unfortunately, it might leave a bad taste in your mouth if you're looking for impressive prose.
��� Enemies to lovers 🍫 Dual POV 🌻Grumpy vs sunshine (not really) ‎‍⚖️ Small town romance
🦇 Major thanks to the author and publisher for providing an ARC of this book via Netgalley. 🥰 This does not affect my opinion regarding the book.
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crimsoncrim · 1 year
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💗, 🔥, 💙, 🎀, 🖍 & 🌙 for Sol(eil)^^
thank you so much!! <3
putting these under the cut as well because i'm rambly ;;
💗 GROWING HEART - if they have a crush, is it noticeable? what changes when they're in love?
they do! but it’s the most slowburn of all slowburn and like a… acquaintances->friends->close friends->tries to forget about them and Meteor->enemies->i don’t know what’s happening but are we friends again?->yeah we’re definitely friends again->wait am I in love is that what's happening->lovers arc. there’s a lot happening. they’re bad at realizing their own feelings and a lot of their arc is learning to love themself before they can learn to love others– both them and Ace are really oblivious, yet they’re a bit more forward than Sol is. Sol flusters easily, and they tend to forget what they’re saying around people that they think are pretty or their (eventual) s/o– often mid-sentence. they’re a bit subtler when it comes to having a crush because they’re not as great as recognizing what those signs -are-. they’re the one that’s like. “there was only one bed and i offered to stay on the couch but they said that they didn’t want to kick me off of the bed what else am i supposed to do–” 
they’re a big sweetheart and sometimes don’t recognize that the things they’re doing are romantically-coded. they’re not stupid–they’re quite intelligent and clever, just a bit inexperienced with relationships– it’s a bit of a ??!??? moment for them when they finally realize that there are actual mutual feelings there.
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🔥 FIRE - do they have any self destructive tendencies? what habits do they have that hinder them from becoming their best self?
definitely their self-confidence– this tends to make them really doubt and second-guess themself. they’re extremely hard on themself and often– at their lowest points– think that they’re not worthy of forgiveness and are terrified that their friends will find out the scope of their involvement within Meteor and see them differently, even if they chose to leave. they have a lot of demons that haunt them from their past, but they just kind of gaslight themself into pretending that they don’t exist because if they dared to show any they’d be cast out and judged for it. i think loyalty is another fatal flaw of theirs– they’d do anything for the people that they care about, even if that means sacrificing themself, so they struggle to have that sense of self-worth and not exclusively value others above themself.
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💙 BLUE HEART - do they miss their s/o easily? how do they act when their s/o isn't around?
Sol’s relatively independent, but (following their extensively large slowburn of mixed feelings and confusion) they do miss Ace a lot when they’re not around. their story follows a slightly altered canon that’s more of a mix of routes where they don’t die and have a role in the rest of the plot, also. once they’ve realized those feelings there’s also like, several people out to kill both of them so they worry a lot about if they’re doing okay and if they’re going to wake up one day to hear that they’re dead. other than that though, I’d say relatively normal. neither of them are very codependent– they love each other a lot, and they don’t enjoy being apart, but they trust each other to make the best decisions for themself and to take care of themself, and sometimes that means that they have to do things on their own. 
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🎀 RIBBON - how would they fit into other words / aus? what aus would you like to try out? what fictional world would they fit / not fit into?
an AU I’m really fond of that intrigues me a lot (hi lu) is time loops and any general heckery with time. I have a lot of fondness for mundane AUs especially in the world of Reborn which is so full speed all the time, so cute stuff like coffee-shop, medieval/royal/fantasy-esque AUs are really fun as well. there’s a few AUs that some of my friends have developed, so I think seeing how they would fit into those universes is something that’s really interesting to me. 
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🖍 CRAYON - what advice would you give to them?
probably that your past mistakes don’t define you as a person and that you can always continue to learn and grow from your past– it’s okay to not be okay, and it’s okay to reach out when you need help. they have a bad habit of bottling issues, and one thing that they really start to learn is that it’s not weak to reach out to others– it's strong to acknowledge that you might need help and don't have to handle everything by yourself.
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🌙 MOON - what is your OC's greatest wish? how far are they willing to go for it?
this is a little more tricky, especially because they’re a bit earlier in development. but I think really the biggest thing they want is just to feel safe and to feel loved. they care so deeply about their loved ones and want to make sure that they’re safe, and with the constant threats looming over the region, it’s hard for them to catch a break. they’re incredibly loyal to a flaw– to where they’d end up sacrificing themself for it if it came to it, so they’d go as far as they need to to ensure that their loved ones are safe. 
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gayleafpool · 2 years
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PLEASE elaborate on what u said abt soc omg I’m so curious you’re making me rethink my entire experience
GLADLY ok so i think that leigh bardugo is a clever writer i think she really knows how to use words and language in a way that’s poetic to read everything sounds nice which is something u don’t even realize u enjoy while reading. i also think she’s great at writing character interactions which can distract you from that fact that at the end of the day the plot is boring and overdone and full of holes. and also that most of her characters aren’t actually fully fleshed out and they do things that don’t actually make sense for their arcs because she’s insistent on fitting in a bunch of ur classic YA tropes. people will argue up and down that kaz and inej are different from ur typical “good girl has to fix the scary bad boy who mistreats her” but like when u boil it down that is what they are. its weird that kaz is portrayed as a sort of savior that inej is indebted to and it’s especially weird when you remember that he’s a white boy and she’s a brown girl. and yes i know that the book tries to pull a “he’s not her savior and she’s not responsible for fixing him” but the issue is that it fails at this. it SAYS this shit but it doesn’t actually happen it doesn’t actually work it makes no sense for inej to be with kaz she deserves so much better. ive got major issues with kaz and inej’s relationship that could be its own post. matthias as a character is a whole other story i still think that was such a horrible choice whyyy are you trying to make us sympathize with a guy who supports and took an active role in genocide i understand that people can change even when they’ve done unspeakably bad things but frankly i’m not interested in hearing their sob stories and i think putting so much energy into redeeming a character like matthias is weird and was a bad move. and putting him with a girl who is A PART OF THE GROUP OF PEOPLE HE WANTS TO KILL? yeah that was not a good idea. like in no way was this a good idea nor was it salvageable you can do enemies to lovers without doing shit like that. frankly the only romantic relationship that was handled well was jesper and wylan but surprise surprise they have the fewest moments and least development. every time kaz and inej or matthias and niña would interact i was like ughhhh. literally every other relationship was more interesting. i also don’t think the grisha world is that unique it’s just another “made up fantasy world with made up countries where people have magical powers” this has been done a million times before. the characters are in a gang they go on a heist this is nothing new. the girls are responsible for fixing their shitty love interests this is also nothing new. frankly i’m not even that impressed with the way trauma was portrayed and i say this as someone with ptsd it was just okay. it wasn’t anything mind blowing. overall: soc is just… alright. it’s every other YA novel you’ve ever read only it’s written by an author who has a fun writing style and is better at writing character interactions than the average YA author. it’s got a lot of problems too. there are some questionable and outright ignorant writing choices. it’s overrated. it’s a shitty boring salad and you’re trying to save it with really good salad dressing. idk
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ajmichalka · 2 years
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LEIGHTON & ALICIA in The Sex Lives of College Girls S01E03, S01E04 + S01E05
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dark-noctis · 3 years
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Favorite tropes/AUs list to inspire writers
I personally find these posts very helpful when I'm experiencing writer's block, which I currently am, so I thought why not do something like this in the hopes of getting inspired myself along the way. If your writing has any of these tropes, tag me. I want to see them so badly
Romance:
- Angry love confession but make it a bit more angsty: Character X risks their life to save character Y and they barely make it out alive. Cut to X waking up only to be greeted with an absolutely furious Y. They ask something in the context of why are you so mad at me, dumbfounded, but Y just yells because I love you
- Hurt/comfort is top notch for friends to lovers slow burn, to be honest. BUT it's before the relationship is established, and they're touching each other way too much, the line between friendship and something more intimate utterly blurred. The hug extends longer than it should, the one who's comforting the other strokes the other's hair in a way that can't be platonic, that type of shit. The pining and inner panic. Bonus if it's queer.
- Rivals/enemies to lovers and forced proximity. Either they're united under the same goal, locked away, or any other plot device you use to improve this. The slow burn and banter this trope serves is probably unmatched.
-Character X is bilingual. Before a particularly dangerous mission or the aftermath of a catastrophic event, Character X calls Character Y a word of endearment in their native tongue (could be love, darling or anything you wish really) and Y only understands what the word meant when they hear it with context days/weeks later. (Preferably enemies to lovers again)
- Okay this one is a personal favorite. Character X confesses their feelings for Character Y, truly believing that their love is unrequited. The dialogue goes something like Say that again / Don't mock me, please / You misunderstand. I am not mocking you, [name], I am asking the person I love to tell me they love me again.
- Characters X and Y had a really bad fight that ended in X saying they never want to see Y again. A few weeks/months/years later, Y goes to X, about to die, says that they wanted to see X one more time before dying then loses consciousness. Ultimately up to you if they die or not, but I love the angst either way.
-One MC being completely oblivious to the other one's jealousy. So fun to both write and read.
Character arcs & plot:
- Fantasy/sci-fi MC going BAMF. I don't care if there's romance for this or not, I just love it. Sheer show of power. Awestruck enemies. Aftermath that leaves the MC questioning their morality. God-tier.
- Already low-key morally grey protagonist slowly turning evil. Bonus points if it's in fantasy and their actions are grander than they could ever be in contemporary. Because let's face it, the sunshine friend becoming a cheater doesn't really do much, but a hero turning against the people who they would have sacrificed everything for mere months ago? Phenomenal.
- One MC being extremely hurt, bloody and bruised, knocking on the other MC's door, saying I didn't know where else to go and collapsing before the MC can even make sense of what's happening. Except that they're the most unlikely person —either a protagonist/antagonist, hero/villain or similar dynamic— they would ever go to, but MC has no other choice but to help. Not necessarily romantic, but that also works just as well. (Again, probably works best in fantasy. Apologies to my contemporary writers, I swear I'll do you good.)
- Usually emotionally distant character being really honest and vulnerable and loving when drunk. This isn't necessarily meant for romance, it can be a friendship, mentor/mentee bond, found family, or QPR. Anyway, the MC is vulnerable for the first time in front of the other(s) and they find it endearing, their bond naturally strengthening after whatever progresses.
- The private school friend group trope will never get old for me. Especially if they're overtly pretentious and elitist, and the whole book is just a mockery of that whilst still developing the plot & character arcs efficiently.
Some other things I love:
- Literary references. This usually appears in works with Dark Academia themes like The Secret History, but your work desn't necessarily have to be like that. Quotes in other languages, references to classics, quoting poetry.
- Mythology retellings. Bonus if it's something other than the Trojan War, there are rather a lot of books on it. (And I eat it up every time, what about it?) Doesn't have to be Greek Mythology, I love seeing more unique ones, especially Egyptian and Norse.
-Poetic language. This is more about the writer's style and the scene being written, but I love flowery language at times if it flows well and doesn't outshine the plot & characters.
AUs:
(This part is for my fanfiction writers. I adore you all. Anyway, getting to the point.)
- Modern Royalty AUs for historical dramas or period pieces. When I tell you that this AU is so good if you want to write forbidden romance and angst I mean it.
- It may be the biggest cliche ever, but I'm weak for coffee shop AUs. Sue me, but they're comforting. Amazing opportunity to write fluff, if you will.
-Can't go wrong with the aftermath of torture + hurt/comfort combination.
-Reincarnation AUs. Pretty self explanatory, I think. Bonus points if it's matched with a soulmate AU if you're writing romance and they fall in love in each life time.
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dangermousie · 3 years
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Mousie’s absolutely subjective, very biased Top 10 web novels list
Please note that this is hardly aiming to be objective, if one can even be properly objective about a work of fiction. It is 110% based on my preferences, which means this list is heavy on the angst and has nothing set in the modern day. It is also heavily danmei-centric, even though I read way more het romance than danmei, because for whatever reason, most of the danmei I’ve read has been insanely good.
10. Return of the Swallow - one of the two non-danmeis on this list. Smart and nuanced and with a large cast of characters. Our heroine is a long-lost daughter of the family that is brought back in and has to cope with familial struggles, crazy royals, court intrigue, invasion et al. It’s SO GOOD! There is romance with the sexy smart enemy general but honestly, it’s the heroine that is the main selling point for me.
9. Transmigrator Meets Reincarnator - the only other non-danmei novel on this list, this was my very first web novel and what drew me into this insanity. This is just a ton of fun, probably the lightest novel on this list, not an ounce of angst to be found. But it’s hilarious and features competent heroine and tsundere hero and I will always love it for opening a new world to me. Anyway, our heroine transmigrates into the novel as the female lead. Unlike the original lead though she doesn’t want to seek adventures and angst - she just wants to comfortably live with the wealthy, nice husband heroine has. Alas, said husband is no longer nice since he has previously lived this story where he was betrayed by FL and then transmigrated/reincarnated into the past. Oh well, the heroine opens up businesses and makes friends. And eventually, her husband realizes his wife is way different this time around. This actually doesn’t have much romance, not until close to the end, but this is so fun I don’t care.
8. Lord Seventh - I am only partway through this so far, but it’s already on the list because it’s smart and somehow intense AND laid-back (not sure how this works, but it does) and is honestly just a really really solid and smart period novel, with the OTP a cherry on top of a narrative sundae. Plus, I love the concept of MC deciding he is not going for his supposedly fated love - he’s tried for six lifetimes, always with disaster, and he’s just plain done and tired. When he opens his life in his seventh reincarnation and sees the person he would have given up the world for, he genuinely feels nothing at all. (Spoiler - his OTP is actually a barbarian shaman this time around, thank you Lord!)
7. Grandmaster of Demonic Cultivation (MDZS) - oh come on, how are you even on this tumblr if you don’t know MDZS/The Untamed? This was my very first danmei and it’s so much fun! I love everything about it - the unreliable narrator, the looping structure, the main OTP, Wei Wuxian’s laidback, traumatized insouciance, everything. Anyway, the plot in the event you somehow transported here from 2005 is that the Grandmaster of Demonic Cultivation, Wei Wuxian, was defeated by the righteous sects over a decade ago and fell of a cliff to his death. Only now that same Wei Wuxian opens his eyes in another body and everything that was supposed to stay in the past starts again.
6. Heaven Official’s Blessing (TGCF) - people either love its meandering narrative, picaresque structure and cast of thousands, or find it a detriment compared to much more compact MDZS. I love it even more than MDZS for those very qualities. It does have a rock-solid, darling OTP, but what really elevates it to me are the MXTX trademark combo of snarky/light tone hiding a ton of trauma underneath, the insanely intricate world-building, and what it has to say about the nature of grace and goodness. Xie Lian is one of my top 5 web novel characters and probably in top 10 from anywhere. Oh, and while MXTX’s stuff is not as angsty for me as Meatbun’s or even Priest’s, there are always exceptions, and there is one chapter in this novel that pretty much broke me and sometimes I still flashback to it and feel unwell.
Anyway, what is it about? There is a commotion in the heavenly realm - Xie Lian, the Crown Prince of a long-destroyed kingdom, has ascended to Godhood. That in itself is not so exciting. However for Xie Lian this is the third time (!!!!) as he’s ascended and lost his godhood twice prior. And now, the biggest joke of the divine realm is back, throwing the heavenly realm into chaos. And elsewhere, Hua Cheng, one of the four most powerful demons of that Universe, sits up and takes notice.
5. Golden Stage - my perfect comfort novel. Probably the least angsty of any danmei novel on this list (which still means plenty angsty :P) It also has a dedicated, smart OTP that is an OTP for the bulk of the book - I think you will notice that in most of the novels in this list, I go for “OTP against the world” trope - I can’t stand love triangles and the same. Anyway, Fu Shen, is a famous general whose fame is making the emperor antsy. When he gets injured and can’t walk any more, the emperor gladly recalls him and marries him off to his most faithful court lackey, the head of sort of secret police, Yan Xiaohan. The emperor intends it both as a check on the general and a general spite move since the two men always clash in court whenever they meet. But not all is at is seems. They used to be friends a long time ago, had a falling out, and one of the loveliest parts of the novel is them finding their way to each other, but there is also finding the middle path between their two very different philosophies and ways of being, not to mention solving a conspiracy or dozen, and putting a new dynasty on the throne, among other things. It always makes me think, a little, of “if Mei Changsu x Jingyan were canon.”
4. Sha Po Lang - if you like a lot of fantasy politics and world-building and steampunk with your novels, this one is for you. This one is VERY plot-heavy with smart, dedicated characters and a deconstruction of many traditional virtues - our protagonist Chang Geng, a long-lost son of the Emperor, is someone who wants to modernize the country but also take down the current emperor his brother for progress’ sake and the person he’s in love with is the general who saved him when he was a kid who is nominally his foster father. Anyway, the romance is mainly a garnish in this one, not even a big side dish, but the relationship between two smart, dedicated, deadly individuals with very different concepts of duty is fascinating long before it turns romantic. And if you like angst, while overall it’s not as angsty as e.g., Meatbun stuff, Chang Geng’s childhood is the stuff of nightmares and probably freaks me out more than anything else in any novel on this list, 2ha included.
3. To Rule In a Turbulent World (LSWW) - gay Minglan. No seriously. This is how I think of it. it’s a slice of life period novel with fascinating characters and setting that happens to have a gay OTP, not a romance in a period setting per se and I always prefer stories where the romance is not the only thing that is going on. It’s meticulously written and smart and deals with character development and somehow makes daily minutia fascinating. Our protagonist, You Miao, is the son of a fabulously wealthy merchant, sent to the capital to make connections and study. As the story starts, he sees his friend’s servants beating someone to death, feels bad, and buys him because, as we discover gradually and organically, You Miao may be wealthy and occasionally immature but he is a genuinely good person. The person he buys is a barbarian from beyond the wall, named Li Zhifeng. It’s touch and go if the man will survive but eventually he does and You Miao, who by then has to return home, gives him his papers and lets him go. However, LZF decides to stick with You Miao instead, both out of sense of debt for YM saving his life and because he genuinely likes him (and yet, there is no instalove on either of their parts, their bodies have fun a lot quicker than their souls.) Anyway, the two take up farming, get involved in the imperial exams and it’s the life of prosperity and peace, until an invasion happens and things go rapidly to hell. This is so nuanced, so smart (smart people in this actually ARE!) and has secondary characters who are just as complex as the mains (for example, I ended up adoring YM’s friend, the one who starts the plot by almost beating LZF to death for no reason) because the novel never forgets that few people are all villain. There is a lovely character arc or two - watching YM grow up and LZF thaw - there is the fact that You Miao is a unicorn in web novels being laid back and calm. This whole thing is a masterpiece.
2. Stains of Filth (Yuwu) - want the emotional hit of 2ha but want to read something half its length? Well, the author of 2ha is here to eviscerate you in a shorter amount of time. This has the beautiful world-building, plot twists that all make sense and, at the center of it all, an intense and all-consuming and gloriously painful relationship between two generals - one aristocratic loner Mo Xi, and the other gregarious former slave general Gu Mang. Once they were best friends and lovers, but when the novel starts, Gu Mang has long turned traitor and went to serve the enemy kingdom and has now been returned and Mo Xi, who now commands the remnants of his slave army, has to cope with the fact that he has never been able to get over the man who stabbed him through the heart. Literally. This novel has a gorgeously looping structure, with flashbacks interwoven into present storyline. There is so much love and longing and sacrifice in this that I am tearing up a bit just thinking of it. If you don’t love Mo Xi and Gu Mang, separately and together, by the end of it, you have no soul.
1. The Dumb Husky and His White Cat Shizun (2ha/erha) - if you’ve been following my tumblr for more than a hot second, you know my obsession with this novel. Honestly, even if I were to make a list of my top 10 novels of any kind, not just webnovels, this would be on the list. It has everything I want - a complicated, intricate plot with an insane amount of plot twists, all of which are both unexpected and make total sense, a rich and large cast of characters, a truly epic OTP that makes me bawl, emotional intensity that sometimes maxes even me out and so much character nuance and growth. Also, Moran is my favorite web novel character ever, hands down.
Anyway, the plot (or at least the way it first appears) is that the evil emperor of the cultivation world, Taxian Jun, kills himself at 32 and wakes up in the body of his 16 year old self, birth name Moran. Excited to get a redo, Moran wants to save his supposed true love Shimei, whose death the last go-around pushed him towards evil. He also wants to avoid entanglement with Chu Wanning, his shizun and sworn enemy in past life. And that’s all you are best off knowing, trust me. The only hint I am going to give is oooh boy the mother of all unreliable narrators has arrived!
The novel starts light and funny on boil the frog principle - if someone told me I would be full bawling multiple times with this novel, I’d have thought they were insane, but i swear my eyes hurt by the end of it. I started out being amused and/or disliking the mains and by the end I would die for either of them.
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its-miichan · 3 years
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TGCF criticisms
Spoilers and unpopular/critical opinions ahead! Beware! I tried to like this, I really did, but this novel really makes me frustrated. It clearly has so much potential, but so much of that potential was wasted on pandering romance and shallow caricatures of main characters. Overall 1.5-2 stars because it gets worse the more you think about it. CHARACTERS: 1. The main character, Xie Lian was wildly bland and boring. He is presented as the kindest, purest, most selfless person in the world, but really he was just a bland white lotus. With Xie Lian, his personality can be described in just a sentence or so, while the author's other two MC's (Wei Wuxian and Shen Qingqiu) are both charming, funny, and deep with their own motivations. Xie Lian just walks around in the story with no purpose and he says that he wants to help the common people, but he really hasn't done that! He's barely helped anyone at all, and those times he did help people are quickly followed by flirting with the ML and forgetting all about the people he was supposed to help. Honestly, in the past, Xie Lian was also the biggest jerk ever. He gave up his own friends and family's well being for his own sense of justice and was stubborn to a fault and refused to listen. What's worse is that none of these flaws are actually addressed, and the story just lets him roll with it and never actually calls him out on it. If you want to see all the reasons why he's a poorly written character, check out this reddit post: https://www. reddit. com/r/MXTX/comments/j2l9ye/why_xl_is_a_poorly_written_character_in_my_opinion/
2. The ML, Hua Cheng, is equally as bad. He is extremely shallow and such a static character, with his development in the present times being nonexistent and his development from the past to the present being wholly nonsensical. His personality is very cliche and his motivations and thoughts are left entirely up to the reader's imagination, which significantly reduces character depth. He could've been such a great character, a ghost king who rules over hell and is morally grey, but instead he is dumbed down to a Xie Lian fanboy. Everything about him not related to Xie Lian is thrown at us in a few paragraphs if at all, and what little motivation and thoughts about him we do get always fall flat. [Like apparently this guy saved him once, and he fell in love with him and became devoted to him for 800 years? Like people get saved all the time and we don't see them going 800 years and 3 deaths for a guy they've barely talked to] Also, he is wildly unlikable. Of course, this is purely subjective, but he is irritatingly smug and lords over literally everyone he meets. It doesn't help that he's an insufferable Mary Sue with an endless array of powers, intelligent as hell and knows literally everything, really good at painting, sculpting, woodworking, and on top of that the richest, most powerful, most handsome, and most charismatic man in the book. His biggest flaw is supposed to be his insecurity and inferiority complex, but that barely ever comes up and 90% of the time he is arrogant and smug. More information on why he's badly written here: https://www. reddit. com/r/MXTX/comments/iskkp5/why_hc_is_a_bad_character_in_my_opinion/
3. The side characters in my opinion are written far better, but obviously quite underdeveloped. They are all three dimensional and have their own thoughts, emotions, and feelings as well as a believable backstory, but so many of them are quickly offed to make way for the main couple, some of them not only not becoming better, but actually getting quite a whole lot worse. Qi Rong, who was supposed to be super strong demon that is one of the 4 great evils becomes a comedic relief gremlin who just shows up for some comedy and then leaves. Feng Xin and Mu Qing, the MC's childhood caretakers disappear for like 100 chapters after we're given their backstories and then once they reappear, they don't do anything either. Shi Qingxuan, who in my opinion is by far the best character in the book, has his arc left open with no ending at all, only to be forgotten about for 80+ chapters only to reappear completely the same with no character growth at all. All of this is because the main couple take up so much of the book, and the rest of the side characters and their character growth is sabotaged for the author's ego so that the main couple can look better and get more screen time.
4. I lost interest in the story pretty quickly due to the bland characters and their out of place romance and how unlikable they were. A lot of this novel was very surface level, and it's pretty on paper, but when you think about the characters a bit longer, the more bland and shallow they become.
PLOT: 1. The plot was... There was no plot. It was just a collection of monster of the day arcs that aimlessly meander about and then everything returns to the status quo once they return to Xie Lian's temple/home. Obviously books 4 and 5 were a lot more to my taste because the writing was a lot more concise and the pacing was less slow and pointless, as well as actually incorporating fantasy elements and shaking up the status quo. However, the other 3 books, especially books 1 and 2 had way too much fan service, pointless romance, and plot lines that don't go anywhere and don't contribute to the story.
2. The past plot line, or the flashbacks were pretty interesting, except for how b*tchy the MC was. Book 2 has a lot of important information and some action, but a lot of it was boring fluff that didn't really contribute to the story other than introducing the villain and showing how XL and HC met. The rest, we're literally told already and there's no new information. Book 4 was supposed to be suffering heavy, and I agree that the character development was alright, but it was too brooding and oppressive. In the end, I just stopped feeling bad for Xie Lian because of how bad the story was trying to make you feel for him. I was not invested in him, and although he was significantly more deep in this book than in the other 4, the bad logic is still there. [you wanna kill people but then someone gives you a bamboo hat and you're all sunshine and rainbows again?] The suffering is excessive in my opinion, and although it's supposed to provide contrast to the romance, it just feels done in poor taste. seriously, 20 chapters straight of suffering is not necessary, and the pacing and tone suffers because of this. The flashbacks really don't contribute too much to XL or HC's character development, but is just there to be angsty and cryp*rn.
3. The final battle was the most unbelievable thing I've ever read. All the gods got together and the first part seemed pretty epic as we got to see all the side characters finally showcase their powers.... Until the MC and ML show up. The MC and ML show up, and instantly the background extras—excuse me I mean side characters, go back into hibernation as the main couple show off how cool and powerful they are. And then we get to the final confrontation, which has our MC, ML, and MC's two friends face off against literally the most powerful being in the freaking universe. I thought it would be a tense fight scene with lots of close calls, but I was so disappointed. Instead the ML is so OP that he breaks the spells binding MC's powers, and MC becomes so overpowered and slams the big boss into the wall with the power of love while his two friends just stand there doing nothing.
4. A lot of what happens in the flashback is directly Xie Lian's fault, but the book never seems to register it? I won't go into detail on this point since it's already covered in the first Reddit thread, but basically because of XL's s*upidity and refusal to listen to anyone else, the people around him suffer.
WRITING: 1. The writing wasn't great. It was very choppy and as I said previously, very monotonous and monster-of-the-day. Yes there were great scenes which got to me, but most of it was really boring and descriptions and dialogue dragged on and on with no end, and with the bland MC, it wasn't even interesting such as the dialogue in MDZS was. Side arcs were introduced with no warning and ended with no warning, leaving the reader wondering "Why was that even there in the first place if it was just going to be forgotten about?"
2. The water demon/wind god arc. The opening and most of the middle of this arc was extremely good, the logic and mystery was written well, and Shi Qingxuan's (the wind god) antics were funny. But after the big reveal and the tense climax, the story just... stops. Like it's literally forgotten about. [The MC gets dragged out by his all powerful lover, they romance some more, and forget all about Shi Qingxuan who is literally left in the hands of the second or third most powerful demon ever who is also his mortal enemy]
3. The incessant flirting really got on my nerves. The tension and tone of the entire story got completely ruined because of the MC and ML flirting and the MC blushing and giggling while the ML teases him and everyone else is literally fighting for their lives. This felt very fan-service like, and it felt like the author stopped trying and just fed us dog food after an emotionally taxing arc so that she wouldn't have to close out the arc properly, completely destroying the tone. Speaking of the tone, the tone whiplash was just... wow. You're fed fluff and romance during or after a high tensity and highly emotional scene with no connection at all, and you're just supposed to accept it instead of wondering what's happening to the characters you actually care about.
4. Romance and side arcs quite disconnected from the story. Quite frankly, most of this book is just romance with the plot and characters put in second place because "lOOk hOw CuTe the COuPLe iS!" You could literally take out all the side arcs and the story would literally be no different. The romance overtakes the entire plot and becomes the main point of the story. With her other two books, the romance is like the icing on the cake. With this book, the icing overtakes the cake and becomes the cake.
5. Perhaps one of the biggest reasons I was uninterested through most of the book was due to the lack of tension and suspense. The flashbacks were better in the sense that Xie Lian was helpless and couldn't figure anything out, which was why he was just as likely to get hurt as anyone, making the stakes significantly higher. But in the present, with the existence of Hua Cheng, that tension is completely gone. This is because HC knows basically all there is to know, and what he doesn't know he can figure out in seconds. Additionally, he is super powerful to the point that anything that can harm XL can be one shot K.O'ed by him. At this point the conflict becomes trivial to the point where I'm just asking "why are we solving this mystery anyways when HC can just blast it into oblivion?"
6. The fact that HC does the bare minimum in arcs frustrates me. If you're going to include a character with powers that will basically deem any threat against them null, then actually use them at least! HC's apathy does not feel like a coherent part of his character, but an excuse for MXTX to drag out plot lines and make things unnecessarily long and winded. Additionally, his apathy is contradictory. On one hand, he is super overprotective of XL and wants to make sure he won't get hurt a single bit, but on the other hand, he has this advanced ideology of the 21st century that he believes XL is capable so won't constrain him as much. If anything, they should start out with HC as this overprotective follower and have a dysfunctional relationship, and end up with XL teaching HC that he is able to do things and doesn't mind doing them, and that HC can live a life outside of him as well. That would've introduced some narrative stakes and romantic tension, but no, MXTX just had to make these characters perfect in every way.
ROMANCE: 1. The logic is so flawed here. The reason that HC started loving XL is literally because Xie Lian saved him once as a child and therefore he will devote his entire life to XL, not caring about literally anything else. The reason that XL started loving HC is even more so. The thing is someone like say Shi Qingxuan has done every bit as much for XL as HC has, but we don't see XL fall in love with SQX, do we? HC literally listens to him talk and XL falls in love with him, and although it does make sense due to XL being lonely for 800 years, how low the bar is set really bothers me.
2. The constant blue-balling was annoying. At some point, the ignorant MC became annoying and self indulgent instead of cute, and having it be drawn out over nearly 200 chapters makes it even worse. The MC is supposed to be super intelligent, but he literally misses all of the super obvious hints the ML drops at him, which is so weird.
3. It felt like MXTX (the author) went overboard on the romance here. Like she tried way too hard to the point where it was obvious she wanted to make this "the most romantic CP ever". The aesthetics went so overboard with butterflies and flowers as romantic themes, thousands of lanterns, the red string of fate (which didn't even do anything in the actual story), poetry, etc.
4. The romance could almost be described as kind of creepy. Like the ML obsesses over the MC for 800 years, isolating himself from the world and not taking any side of the story besides MC's is supposed to be romantic, but it really isn't. The ML carves thousands of statues of the MC, which is sweet in a way, but also really, really creepy. To quote someone from NovelUpdates who put it 100x better than I could: " They don't feel like equal lovers, HC obviously worships XL to an unbelievably amazing degree while XL only knew he existed from only a while ago (Is this obsession? Stalker-ish? I know his stalker-ish tendencies are usually played for laughs, but realistically?) HC very very very rarely calls XL by his given name but with GeGe or CrownPrince, dude has a name you know. I know you feel lower than XL, but seriously man, the guy's your life partner. HC would destroy the world if XL said to. He'd probably try to talk to XL first, confirm things, but if at the end XL really does want it, HC would do it. He lives for XL, he has no other reason to do something aside for XL. No reason to say NO for himself. They're not equals in which one wanna do something bad, the other would stop him because they have their own convictions. You can't tell me one only lives for one person's sake, will do anything for that guy, and has no attachments in the world aside from that guy, is a healthy person. It may seem romantic, but when you actually think about it, it becomes uncomfortable."
5. The romance was really cheesy. There were some powerful moments, but it was mostly flirting and "he fell on top of me" or "he needs mouth to mouth". Most of it was just the ML flirting with the MC, which you may like if you like this kind of stuff, but I really didn't enjoy it. Overall, I was desperate to love this novel, but I couldn't because of the shallow characters, unlikable main pair, and the constant abandonment of great plot lines in favor of the shallow romance. It felt like MXTX was constantly trying to one-up MDZS in angst, drama, and romance, but at the same time it felt like she didn't know what to do with the characters and world, and therefore fed us fan service and took the easy way out. This review is purely subjective, and if you want to read this go ahead, but I'll be seeing myself out.
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quasimodosdream · 3 years
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I need to rant about some TOH ship fandom problems and here we go:
Basically Lumity vs Lunter is a thing after Hunter and Luz meet and Hunter revealed himself, some people hate Lunter with their guts and some people thinks Lumity is a forced and Amity is not really redeemed person and hate Lumity in their guts.
I want to rant about Lunter antis first;
Lunter is not a bad ship, I don't need to excuse Luz's bisexuality to people and if people ship him with Hunter It's not an homophobic thing, some of Lunter shippers are arospec persons and I find their takes are totally understandable. M/f pairings doesn't have anything with homophobia and it doesn't do to the ship heteronormative automatically, if you like their dynamic go for it! Nobody can have right to tell you the you are the homophobic and ireedemable person to ship their dynamic.
Secondly: Hunter and Luz's dynamic not the exactly descriptor for sibling relationships, I know Hunter licks Luz's hand with the total bratty brother mode but... That thing is showed he is still a kid and compatible with Luz's personality, which is adorable dynamic to me.
Honestly I don't ship Lunter at all, I prefer Huntlow and Goldric but Lunter is totally have chemistry and adorable enemies to friends to lovers dynamic, so if you like it? Go for it.
And three, I want to talk about Lumity and Amity haters.
Their takes are okay too, but personally I don't agree with them.
"Amity change for impress to Luz, not doing the right thing' is reason to their hatred towards for Amity but personally I don't find this thing is a really bad.
Like people are sometimes changing for someone, this is not a necessarily bad thing, in my personal life I have low empathy to understand perspectives and sometimes being a dick about it, my bluntness getting in my way too much but my girlfriend or my family trying to warn me and I try to change my behaviour for them not the greater good and that is totally valid point to redemption arcs, we don't live in a bible fantasy and people have their selfish way to live and change, It's totally okay.
If you don't like Lumity, That's okay and it doesn't make you homophobic too, I love Lumity and ship them but I see their flaws too, I don't think they're forced or underdeveloped or bad execution but their relationship is not the have bestest writing too, they have great relationship and I sense their natural chemistry but some people don't sense it, and That's okay too.
So if your ship makes you enjoy, go for it. A piece of media doesn't make you ireedamable piece of shit or an bad person, some people just delusional about it. So have fun and ship Lunter, Lumity, Willuz, Goldric, Huntlow etc.. I hope you having a great day.
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upside-down-uni · 3 years
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Hey! Idk if this is too much t9 ask, but could you rec me 2, 19, 20, 45, 55, 63, 69, 71, 72, 75, 86, 104, 111, 116, 131? sorry if it’s a lot but thanks in advance if u can rec me some! :)
Hi, you're in luck! I have an essay to procrastinate on and this ask is just the right thing to distract me! Here you go, I hope you'll find something that you like:
2. a book with a blue cover
Radio Silence by Alice Oseman. When i read it for the first time I was just on the brink of going to uni, still figuring out what I even wanted to study and this book just wrapped me in a warm blanket and said "it's going to be okay". I love the main characters Frances and Aled, their arcs and especially the really nice and quiet queer rep in this book.
19. a book that put you in a reading slump
The Knife Of Never Letting Go by Patrick Ness. When I start a book I generally have the feeling that I can't put it away until I have finished it. With The Knife Of Never Letting Go my problem was that I did want to read it but it didn't fit my mood, so I couldn't bring myself to read it but also beat myself up about not reading it until I put it back onto my shelf. So, I basically pushed myself into a reading slump over this book.
21. a book with a red cover
Honey Girl by Morgan Rogers. I enjoyed this book so much but probably not for the reasons most people would think I enjoyed it? The wlw romance was definitely nice and I really liked them being dramatic but also kind of mundane? What really got me though was the strong theme of found family of young adults and queer friendships, that really yanked the yearning hours wide fucking open for me. (I also liked that in the end the book wasn't as much about romance as it was about finding yourself after surrendering yourself to academia for ages and working through your issues.)
45. a book featuring the friends to lovers trope
The Priory Of The Orange Tree by Samantha Shannon. I adore this book. It's so long and there's so much incredible world building and history in it that it made reading an untter delight! Coming in it was a bit hard to acclimate to the slow paste but after a while I just settled in and enjoyed the ride. It's a breathtaking story in a breathtaking universe and afaik there's a second part coming!
55. a book with a satisfying ending
Yolk by Mary H. K. Choi. Yolk doesn't really have an ending in the sense of a "happily ever after" but I really loved where the author chose to leave the characters and how she did it. The book is quite different from what I usually read, tonewise, but especially that ending made me leave the book with a warm feeling. (also the cover is yellow and really really gorgeous)
63. a book that actually made you laugh out loud
I would've reccd Red White and Royal Blue but judging by your url you've read that already...sooooo, it's Snapdragon by Kat Leyh! Super cute graphic novel, with a weird and adorable storyline and such lovable characters!
69. your favorite mythological retelling
I haven't read a mythological retelling in ages, so basic Percy Jackson by Rick Riordan will have to do.
71. your favorite LGBTQ+ fiction
now that's just rude how am I supposed to choose?? I'll say it's Every Heart A Doorway by Seanan McGuire and Gideon The Ninth by Tamsyn Muir and Loveless by Alice Oseman. I feel very strongly and very distinctly about all of them, if you can get your hands on them my only comment is READ. (and maybe make sure you're okay with gothic sci-fi horror for Gideon The Ninth)
72. a book with a gorgeous cover
Plain Bad Heroines by Emily M. Danforth. It's her adult gothic horror debut after The Miseducation of Cameron Post and not only is the hardcover just stunning in black and red, it also got illustrations inside!! (And all teh women are queer and it's deliciously fucked up!)
75 a book featuring the I'm not like other girls trope
I think the closest I can come to that is The Lady's Guide To Piracy and Petticoats by Mackenzi Lee. The main character has to unlearn a bunch of stuff really fast if she wants to get along with the only other people that will help her. We have road trips in the 16th century, kidnapping and asshole husbands to be, piracy of course and friendship!
86. a book with an insane plot twist
Sawkill Girls by Claire Legrand. Sawkill Girls was my first touch with horror and I have to say I have no idea whether there was heavy foreshadowing. I think I remember thinking that there was something else to come but when the shit hit the fan I just sat there with big questionmarks over my head because I had read the book in a frenzy in one evening and truly did NOT anticipate it. As someone who did not read horror or thriller before this I have to say I was already insanely confused and disgusted by a bunch of stuff that went down. But then...uh. the thing happened and I was just lost. (In a good way though.)
104. a fluffy sweet read
Let's Talk About Love by Claire Kann. It's been a while ever since I read it but it's essentially a cute summer story about Alice who's a disaster bisexual when she sees people she finds cute. Which is a little inconvenient because the new guy at her job is really, really, really extremely cute and she ceases to function around him. There's best friend drama, eating pizza iirc and figuring shit out!
111. a book writing a book
I assume it's either "a book about writing a book" or I am literally supposed to rec a book that is writing a book...I'm going to rec a book that is about books! (because I can.) It's The Girl Who Reads on the Métro by Christine Féret-Fleury and it follows a young woman called Juliette wo gets sucked into an old bookseller's world of life saving, life changing books. A really quiet, really cute book.
116. a book with multiple povs
the Reckless books by Cornelia Funke! Simply divine stroytelling, a vibrant world and amazing characters! I have to say that I only know the German original so I don't know what the English translation might be like.
131. recommend any book you like
um. so knife gang members and people who follow my main, you'll once again be subjected to me being a mess because of lesbian necromancers in space! I've mentioned it before, it lives in my head rent free, it is the one, the only Gideon The Ninth by Tamsyn Muir! It's an insane sci-fi horror fantasy blend where Gideon has to play cavalier to Reverend Daughter Harrowhark I-love-being- an-absolute-pain-in-the-ass-to-Gideon Nonagesimus to help her become an uber-necromancer (like Harrow needs motivation to become even more of a nerd and shockingly good at necromancy) for the Necrolord Prime/Undying Emperor. There's BEAUTIFUL WRITING sprinkled with MEMES when you least expect it. There is incredible toxic codependency and repression. There's MURDER. There's fancy necromancy theorems and DUELS. There's enemies to begrudging allies to ??? Staple your socks to your feet or this book will blow them clean off!
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firelxdykatara · 3 years
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kitty i can't wait for your thoughts of Shadow and Bone asdfasfaw
Ok well I just finished and I have so many fucking thoughts. Most good! Some, less so. Part of it may just be my bias because I’ve only read the Six of Crows duology and have little interest in actually reading the original trilogy, because I know how it ends and Leigh clearly hates me personally and doesn’t want me to be happy (/j), so I was already predisposed to be far more invested in the Crows and Darkling/Darklina segments (genuinely, the Mal/Malina scenes/storyline bored me to tears, and while I appreciate that the show went out of its way to change Mal’s character to make him much less of a toxic douchebag [I’ve read enough excerpts and explanations of his actions in the books to really loathe book!Malina], it isn’t enough to make me ship them when Darklina is right there), but I also don’t think it’s a stretch to say that the Crows absolutely stole the show.
It’s actually kind of funny, because I’d assumed they were only being so heavily marketed to hype the show up even more, since while there’s a lot of TGT/SoC fandom overlap they are also two fundamentally different genres and I’d wager there are a lot of people who are massive fans of one but not so enthused with the other, while remaining fairly insignificant to the overall plot. Turns out, they make up fully half of the show’s runtime (much to my delight). Which is part of what I think will help this series stand on its own, both as a book adaptation and simply as a fantasy TV series.
I’ll put more of my story-specific thoughts under a cut, so there’s lots of show spoilers to follow!
I know that a lot of early reviewers were saying that Alina’s motivations and storyline revolved too much around Mal, and that really held true for me. It made sense in the beginning--he was the only constant in her life, she was thrust into something new, terrifying, and completely unfamiliar, and they’d developed an unhealthy codependence as a coping mechanism for their childhoods and the traumas they faced, the lives they lead growing up in a war-torn country. But she started coming into her power, falling for the General--not just his power and charisma, but what she felt when she was with him. The way he helped her summon the sun, the way she felt free in a way she never had before.
Until it all went to shit--but the Darklina make-out scene in episode 5? Fucking iconic. Poetic fucking cinema. The way they were quite literally about to have sex on that wartable (and someone better write fic of that moment, what if they hadn’t gotten interrupted), and the General left, but then he ran back just to kiss her one more time... this is what OTPs are made of ok.
I think what really bothers me overall is that Alina ultimately lacked agency in her one storyline, pretty much the entire way through. She did make a few choices, but they were mostly incidental, and a lot of it was Alina desperately trying to get back to Mal rather than seizing her own power and destiny and running with it. The most prominent example is the end of episode 5--Alina is having happy make-outs and almost bones the General in his own war room, and then he leaves, and Baghra comes in and infodumps to her about how evil he is and how he’s only using her and she needs to escape.
I recognize that a lot of this is probably because that’s essentially what happened in the book and Leigh is an executive producer for the show so she has a lot of shot-calling power. However, I really think that even in the book this plotline would’ve been better-served by having Alina make these discoveries on her own.
For example, imagine that the letters which were used as framing devices for episodes 2 and 3 were vitally important to the plot, rather than being one-offs that are mentioned a few times but not really affecting much of anything. Alina begins to get suspicious when she doesn’t receive word from Mal, and she starts wondering if her letters are even reaching him--so she starts snooping. She finds ashes in the war room hearth, late at night,, and recognizes a fragment of Mal’s signature and larger piece of her own. She now knows that someone--possibly the General, but maybe that creepy priest guy, or someone else in the palace--is keeping her and Mal from contacting one another. So she starts snooping around even more. She asks the General leading questions, trying to figure out what the truth is of his intentions. She still feels this pull--this connection to him, and she hopes she’s wrong, but she’s not willing to just sit around and wait for the other shoe to drop.
The Winter Fete still happens, she still gets the hot make-out session with the General, and then when he’s called away, she snoops through his papers, looking for anything that can tell her the truth. She finds a hidden compartment filled with journals.
She reads about Aleksander’s past (and, incidentally, wasn’t that supposed to be a huge moment in the books, him revealing his true name to her in private? kinda wish it had been kept that way in the show but who knows where they’ll go with it in the future)--that leads to the flashbacks in episode 6. She feels for him, but she also reads further--she gets a firsthand look at his desire for power, something that began as a noble desire to save his people, but was twisted by a lust for vengeance (for his lost love and all the Grisha who were killed) and shot through with greed, the realization that if he found the Sun Summoner he could control the Fold, rather than just destroy it. He could create a new world where Grisha could live without fear--where Grisha could rule.
Alina is terrified. Whoever the General used to be--whatever humanity she saw flickering in his eyes, the way his heart fluttered when they kissed--she can’t trust that it’ll be enough to save her from plans centuries in the making. So she goes to Baghra, the woman who helped her discover her power, learn to channel it--the woman who always seemed to know much more than she ever let on. Baghra gives her side of the story--Alina got it from the General’s perspective first, now Baghra is telling her something framed much differently. She isn’t sure what or who to trust, but she knows that Baghra seems willing to help her escape--but rather than trusting her ‘loyal Grisha’, she makes the choice she made in the show, to choose the other path, and winds up with the Crows.
Idk how Mal and the Stag thing would fit into this (if it isn’t obvious by now, Mal just... doesn’t interest me), but Alina’s story and her character arc would be so much stronger for it. And she’s supposed to be the central character, so her story being weak and her agency so frequently being compromised ultimately hurts the show as a whole.
I know I’ve gone on and on about Alina and the Darkling (look, I’m a slut for enemies-to-lovers, and also lovers-to-enemies-and-back, so Darklina and Helnik are where so much of my investment is rooted--plus Kanej, but that almost goes without saying), but the true standouts of the series were the Crows. Inej, Kaz, and Jesper, and Nina and Matthias in their episodes, stole the show (along with the Darkling, Ben is far and away the best actor in the cast and I love that for him, but Freddy, Amita, and Kit are also amazing, and Danielle&Calahan were fucking phenomenal as Nina and Matthias--I do have to say, though, that the whole cast is really solid and has amazing chemistry).
They worked together so perfectly--Freddy and Amita communicated so much with their eyes alone, especially together, and a whole lot of their relationship dynamic is rooted in how they exist together, which really came through. The show altered the Crows timeline considerably (I’m pretty sure Kaz would’ve been 14 during the original trilogy lol), so Inej is still at the Menagerie, but things like Kaz putting up the Crow Club for Inej’s freedom, the way Kaz needed her but could never bring himself to say it (until the end of the season dklhfgdkjfgh i SCREAMED)--the way Jesper played off the both of them, and it’s so obvious they all love each other even though they’re criminals and thieves and murderers, and Kaz would never admit it (out loud--which actually feeds into my theory that his love language is acts of service; Kaz does things for the people he cares about, he never announces it and he will almost always try to downplay it, but the way you know he cares is if, for example, he puts his entire life, everything he built, up as collateral for your freedom), but they’re a family.
One thing that I was kind of iffy about was Inej’s refusal to kill--but I thought it might be something they were planning to work into her overall character arc, and they did. It was the one line she hadn’t crossed--in the books, I’d imagine that it took a while for Inej to wind up at that point, being willing to kill on top of everything else. So I actually like that they worked that into the Crows plotline, and Inej killing for the first time was to save Kaz’s life.
Just like Kaz’s first selfless act was to save her.
(He’d deny it, of course. He protects his investments. He needed her for the job. But the truth is, he did it for her. And he’d do it again. Even if he’d never admit it.)
Meanwhile, Nina and Matthias’ storyline was pretty much note-for-note according to their backstory as it was revealed in Six of Crows, and I loved every second of it. Their chemistry was perfect, their journey from enemies to begrudging allies to friends to maybe something more (Matthias’ stomach cockblocking them when they were about to kiss had me fucking SCREAMING AT THE TV, and then of course the whole ‘betraying him to save him’ thing happened and I sobbed), and then suddenly right back to enemies.
Because from Matthias’ perspective, he trusted a witch--believed in her, liked her, wanted her--and she turned on him. He has no idea that she wasn’t the one who knocked him out in the first place, and no reason to believe her, because as far as he knows, she just confirmed everything he’d ever been told about Grisha. That they are deceitful and treacherous, would turn on you as soon as look at you, that they are dangerous and not to be trusted. It wasn’t revealed in-show but I imagine Matthias’ backstory is largely the same, which means that his entire family was slaughtered by Grisha when he was a young boy, and then he was turned into a brainwashed child soldier by the witch hunters and never knew anything else.
They are perfectly primed for their SoC arc next season and I, for one, am so stoked to see the rest of their journey. And if I slip Netflix a couple twenties, maybe they’ll let Helnik have a happy ending please please please.
Anyway, yeah! I have a lot of thoughts but things are still percolating in my head so I’ll probably float around the tags for a bit and let things settle. This is just a preliminary overview of my thoughts in the immediate aftermath of bingeing the entire show in one night kldfjghdkjfhgkjgf
EDIT TO ADD: I CAN’T BELIEVE I FORGOT ABOUT THE TRUE STAR OF THE SHOW, M I L O
MILO BEST BOY. MILO THE MVP. MILO DESERVES ALL THAT IS GOOD IN THE WORLD AND I HOPE HE LIVES A HAPPY AND HEALTHY AND FULL LITTLE GOAT LIFE.
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st-just · 3 years
Text
Semi-coherent Thoughts on the Poppy War Series
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(Because I really need to start forcing myself to write semi-consistently again)
So I’ll say outright that I actually liked the series quite a bit, which does mean I actually got engaged and invested enough to start turning it over and picking it apart in my head after I finished it. So, like, this is probably going to come across as more negative overall than my actual opinions of the books.
Anyway, first off I really do adore Rin as a protagonist (I’d say ‘heroine’, but, well, no). Now partially this is because I always love even minimally sympathetic morally grey (..grey like coal soot, in this case) protagonists. But she’s just also such a complete garbage fire of a person, it’s kind of endearing. Well, that’s a bit callous – her entire personality is more or less a conflict between different kinds of unhealthy responses to powerlessness and trauma. Be she’s also just such a mess, and when she really starts leaning into delusions of grandeur you can’t help but root for her and hope things do actually turn out okay, regardless of how many fivers of blood she’s currently fantasizing about creating.
A big part of that is just how thoroughly awful the entire setting is, and how terrible everyone in it are, of course. Like, there are basically exactly three developed character in the entire trilogy who are unambiguously at least mostly good people (Chen, probably Venka, specifically the amnesiac and semi-delusional version of Jiang, but that’s being generous), and the fact that they stick around with Rin right to the end kind of puts that into doubt, honestly. Beyond that – almost every family has negligent or abusive parents, and literally every political figure is a bloody-handed tyrant ruling through violence and fear. The Hesperians are racist imperialists convinced they have a divine mandate to conquer the world, the Mugenese are every horror story from the IJA during WW2 translated to a pre-industrial fantasy setting, the ruling elite of Nikara are so many racist, scheming, power-hungry snakes with no concerns except their own position....
And, part and parcel with how terrible the setting is, Kuang does an incredible job of making all the worst things Rin does (until the final act, anyway) incredibly cathartic and badass and fun-in-a-fucked-up-way to read. There’s a terrible sort of awe while she turns the main islands of not!Japan into a pyroclastic hellscape. And whenever she gets a chance to enact any of her numerous revenges on some of the many people who abused and betrayed her it’s always poetic, in a Count-of-Monte-Cristo sort of way, and so kind of sickly compelling, even beyond it being some of the only times Rin’s really hopeful and happy. (Also, there are fun villainous monologues and quippy post-murder one-liners!)
Also, all forms of love are a terrible idea 100% of the time and is only going to end in at least one of the parties dead, abused, or (more or less literally) killing themselves in order to keep up with the other/earn their approval/try to keep them together. (I mean, Rin mostly had horrible taste in men, but Chen wasn’t able to stay mad at her for longer than a few months even after the whole ‘genocide’ thing, which he’s just about the only person to react to with any horror whatsoever. And look at how that ended up working out for him, so-)
I’m sure comparing grimdark fantasy to A Song of Ice And Fire is thoroughly out of fashion by now, but the overall perspective really did strike me as incredibly similar to Martin’s, a lot of the time. ‘Legitimate’ power and ‘lawful’ authority are ultimately nothing but polite fictions maintained by violence, terror and brutal oppression. War is a hell suffered most keenly by civilians with the misfortune to live and die in the middle of it, and least of all by the people with the power who actually start and end them. A flawed and unequal peace is very often preferable to dragging everything to hell with you as you die for the sake of freedom. And so on.
Now, to start the nitpicking – this is entirely personal and aesthetic, but it was kind of annoying how each of the first two books ended in moments of megalomaniac grandeur and terrifying empowerment, and then the next book started with a timeskip of things having gone to shit and her back under someone else’s thumb, and then a solid majority of the text is spent getting manipulated, betrayed, and finally crawling and clawing her way back out to the same point (both emotionally and in terms of independence/vision) that she had been at the previous book’s climax.
This isn’t anything even close to unique to TPW, of course – everything going to shit between the end of one story and the start of the sequel is kind of endemic to a lot of genres, really. And it is frankly incredibly in character for Rin to go through cycles flipping between resentment at being manipulated and used, and desperately craving authority figures to tell her what she should do and give her validation as valuable or useful. Still a bit annoying to read, though.
I’m sure it’s more me than the books – not like they didn’t put in the effort – but I could just never get really invested in the whole enemies-to-almost-lovers-to-enemies-again-to-? Thing with Nezha. Like, he’s interesting in that you can do a 180 perspective flip and he’d clearly be just as suitable a protagonist as Rin is, and his life’s very sad and everything. But, like, we get a front row seat to Rin’s internal monologue, and she gets thirsty for plenty of terrible men (and one awful woman), the only thing that makes Nezha special is that he’s not at least twice her age. So I never really got nearly as emotionally invested in them as the books seemed to expect me to. Which does kind of hurt the whole final act of book three.
Speaking of – okay, the ending isn’t awful or anything, but it is kind of disappointing in being exactly what you would expect it to be, as far as Rin’s character arc goes? Which might be just because I was already primed to compare this to ASOIF and she just literally pulls a Daenerys (fire-aligned vengeance/justice character with revolutionary impulses and an autocratic sensibility is willing to burn down the world in the process of freeing it, goes mad with power and paranoia, needs to be put down for the good of the country), but still. Her reading Venka throwing her to the ground to avoid an assassination attempt as a betrayal and burning her to death before she realized what was happening was just really heavy handed, you know? Same with turning on Kitay, who at this point is her actual literal soulmate. (Also sad in a broader sense, because those two are like literally two of the only characters in the entire series I’d actually peg as worthy of/capable of being trusted with political power.)
The specifics aside, I’m a miserable enough person to appreciate how unsatisfying the actual resolution at the end of the book is – imperialism wins! Literally no choice but to sign those unequal treaties and hope you’re eventually able to grow strong enough to force them out! Everything is the same as before this forty-year cycle of wars except much, much worse! - but yeah, I really just don’t actually care about Nezha enough as a character for it to really land. Also Kitay and Venka deserved better, even if literally no one else did.
Anyway, yeah, good series. Would recommend if you like the genre and can stomach all the, well, everything.
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robininthelabyrinth · 3 years
Text
Fandom 5k letter:
MDZS (novel)
I would like NMJ centric fic - something where he's the center of attention and the focus of someone's affection, rather than a secondary character in someone else's story. I want him to be the hurt-and-then-comforted, I want him to someone's crazy obsession, I want him being put first over other people, etc. Stories in which another character has an emotional arc in which they realize how much NMJ means to them are also good.
In terms of genre, I really like darkfic, h/c, or plotty action/adventure (and more worldbuilding re: the Nie sect is always great!). Smut is OK if there's character development during, but no PWP. For romance, I prefer getting together, not established relationships, and enemies-to-lovers (or, well, enemies&lovers) over friend-eventually-becomes-a-lover.
Ships are flexible, but some optional specific prompts below:
NMJ/JGY (silver-tongued manipulator JGY, not sad misunderstood JGY please!)
yandere!JGY obsessing over NMJ because he gave him respect when he was nothing or because he’s just so damn moral and it fascinates amoral!JGY; scheming to get him back (whether via manipulation, an arranged marriage, kidnapping, whatever) or to trap him as his own (mind control could be fun!)
JGY finding out about a traumatic non-con or dub-con incident in NMJ's past (SLN post-qi deviation? WRH before/during the Nightless City captivity? JGS?) and/or seeing it happen, then going feral in his defense and/or providing him with comfort over it
if you want to do a modern AU, serial killer/assassin!JGY becoming fixated on righteous man NMJ
NMJ/WRH (generally prefer this to be noncon/dubcon and then a rescue h/c by someone else; if you want to write them romantically, please avoid completely whitewashing WRH - murderous bastard but not outright fascist tyrant is OK, but please no versions where he’s not a murderous bastard in some fashion)
WRH becoming creepily fixated on NMJ, whether pre-Sunshot (discussion conferences?) or during the campaign, and the fallout from that (wanting to make him his empress? wanting him to bear him children? etc.) – prefer this to be in the NC/DC/rescued by someone else vein
WRH sets up an arranged marriage to NMJ to get him out of the way but finds he likes him more than expected (or possibly one where WRH time travels?)
if you want to do a modern AU, mob boss!WRH obsessed with righteous man NMJ (genre shift AUs with this dynamic are also OK) – this one is OK to do as romantic between them if you want
NMJ/LXC: Would love alternate meeting, canon divergence, or genre-shift AU here; not so interested in friends from childhood with puppy crushes on each other that eventually get together. I want to see LXC doing some pining!
NMJ & Baxia: positive relationship only, please! NMJ loves his sentient or semi-sentient saber and she loves him. Other than that, go crazy – do they team up to fight his death by qi deviation? Does she cultivate to humanity? Are they weirdly co-dependent? All the worldbuilding!
NMJ/any male: go crazy! NMJ/WWX? NMJ/JC? NMJ/Wen Ning? NMJ/XXC? All good! In all cases, prefer NMJ as the pursued, not the pursuer :) no modern AUs unless they specifically fit into the type described above (i.e. if you want someone else as the mob boss/serial killer/etc. that's fine)
Wants/DNWs:
dark, creepy, dub con and non con are obvious yes, including temporary mind-alteration (hypnosis, mind control, common sense adjustment, age regression, aphrodisiacs, somnophilia, training to respond to stimuli, etc.), but no outright mind-break or permanent personality alteration (no leaving someone as a doll, no implications of long-term drug addiction, no bimboification, no permanent amnesia, etc.)
I'm very fond of AFAB!trans!NMJ but if you go this route please have him present as male and not angst over his gender assignment - being upset over forced feminization is OK, forced impreg/breeding kink is great, but no focus on gender dysphoria under normal non-extreme circumstances
ABO is fine as long as it's omega!NMJ, but no bitching/NMJ-was-once-an-alpha-but-changes-due-to-trauma
for fics involving outright non-con, please end with NMJ being rescued and getting comfort from someone else; dub-con fics can have bad end/ambiguous end (i.e. NMJ as WRH's empress, JGY's hypnotized pet, etc.)
DNW: no top!NMJ, no character death for NMJ including no implications he suffers his canon fate, no permanent physical alteration (amputation, piercings, tattoos, etc.), no voluntary infidelity, no watersports/scat/vomit/lactation/focus on body hair, no replacement pining (i.e. I want person X but I can't have them so I'll settle for you), no LXC/JGY or any ships with Wen Qing, no Christianity
no modern AUs other than those explicitly specified
no pure PWP
MDZS DONGHUA
The MDZS donghua is my absolute favorite form of MDZS (though I haven't seen the audio drama yet). I love the way that it's so much more high-fantasy and EXTRA - WWX controlling flocks of crows, using resentful energy to fly, summoning green ghost fire, ripping out Wen Zhliu's core with his bare hands..! The beautiful arrays, the magical tools (giant bells!), techniques (gravity-bending by Wen Ruohan!), literally everything Jiang Cheng does with Zidian...plus I love the small but significant canon divergences (like how NMJ is not captured by WRH but confronts him in open battle with LXC at his side).
I would like NMJ centric fic - something where he's the center of attention and the focus of someone's affection, rather than a secondary character in someone else's story. I want him to be the hurt-and-then-comforted, I want him to someone's crazy obsession, I want him being put first over other people, etc. Stories in which another character has an emotional arc in which they realize how much NMJ means to them are also good.
In terms of genre, I really like darkfic, h/c, or plotty action/adventure (and more worldbuilding re: the Nie sect is always great! ESPECIALLY with the donghua: I want to see NMJ get some of the special high-fantasy powers like we see for LWJ or WWX). Smut is OK if there's character development during, but no PWP. For romance, I prefer getting together, not established relationships, and enemies-to-lovers (or, well, enemies&lovers) over friend-eventually-becomes-a-lover.
Ships are flexible, but some optional specific prompts below:
NMJ/JGY
AU for the donghua! NMJ was never captured in the Nightless City, there's no indication he ever worked for NMJ, as far as we see he just appears when he kills WRH and then became sworn brothers with NMJ and LXC; there's not even any indication (yet) that he killed NMJ. Different meeting point? Different interactions? Wonderful opportunity to go completely off canon
I'm extremely fond of yandere!JGY or JGY going feral in NMJ's defense for some reason
if you want to do a modern AU, serial killer/assassin!JGY becoming fixated on righteous man NMJ
NMJ/WRH (generally prefer this to be noncon/dubcon and then a rescue h/c by someone else; if you want to write them romantically, please avoid completely whitewashing WRH - murderous bastard but not outright fascist tyrant is OK, but please no versions where he’s not a murderous bastard in some fashion)
WRH becoming creepily fixated on NMJ, whether pre-Sunshot (discussion conferences?) or during the campaign, and the fallout from that (wanting to make him his empress? wanting him to bear him children? etc.) – prefer this to be in the NC/DC/rescued by someone else vein
WRH sets up an arranged marriage to NMJ to get him out of the way but finds he likes him more than expected (or possibly one where WRH time travels?)
if you want to do a modern AU, mob boss!WRH obsessed with righteous man NMJ (genre shift AUs with this dynamic are also OK) – this one is OK to do as romantic between them if you want
NMJ/LQR (based on the interaction in the archery contest in the donghua, where LQR is the only one NMJ listens to)
something playing on inherent weirdness of someone a generation younger than you being your equal, plus seeing them having to stand up against the whole world more or less on their own
one of the other sect leaders tries to scheme against NMJ, LQR tries to intervene to stop them, stuff goes out of hand
NMJ/any male: go crazy! NMJ/LXC? NMJ/WWX/LWJ? NMJ/JC? NMJ/Wen Ning? NMJ/XXC? All good! In all cases, prefer NMJ as the pursued, not the pursuer :) no modern AUs unless they specifically fit into the type described above (i.e. if you want someone else as the mob boss/serial killer/etc. that's fine)
Wants/DNWs:
dark, creepy, dub con and non con are obvious yes, including temporary mind-alteration (hypnosis, mind control, common sense adjustment, age regression, aphrodisiacs, somnophilia, training to respond to stimuli, etc.), but no outright mind-break or permanent personality alteration (no leaving someone as a doll, no implications of long-term drug addiction, no bimboification, no permanent amnesia, etc.)
I'm very fond of AFAB!trans!NMJ but if you go this route please have him present as male and not angst over his gender assignment - being upset over forced feminization is OK, forced impreg/breeding kink is great, but no focus on gender dysphoria under normal non-extreme circumstances
ABO is fine as long as it's omega!NMJ, but no bitching/NMJ-was-once-an-alpha-but-changes-due-to-trauma
for fics involving outright non-con, please end with NMJ being rescued and getting comfort from someone else; dub-con fics can have bad end/ambiguous end (i.e. NMJ as WRH's empress, JGY's hypnotized pet, etc.)
DNW: no top!NMJ, no character death for NMJ including no implications he suffers his canon fate, no permanent physical alteration (amputation, piercings, tattoos, etc.), no voluntary infidelity, no watersports/scat/vomit/lactation/focus on body hair, no replacement pining (i.e. I want person X but I can't have them so I'll settle for you), no LXC/JGY or any ships with Wen Qing, no Christianity
no modern AUs other than those explicitly specified
no pure PWP
UNTAMED
Oh, the Untamed, my favorite AU fanfic that they filmed into an 50 episode series. I consider this canon completely distinct from the novel or donghua canons, so feel free to lean in to the canon divergences. Yin Metal? Ghost puppets? Completely different age gaps and/or chronologies? Baxia’s – uh – DISTINCTIVE appearance? All good!
I would like NMJ centric fic - something where he's the center of attention and the focus of someone's affection, rather than a secondary character in someone else's story. I want him to be the hurt-and-then-comforted, I want him to someone's crazy obsession, I want him being put first over other people, etc. Stories in which another character has an emotional arc in which they realize how much NMJ means to them are also good.
For the Untamed, I’m less interested in darkfic (thought it’s still OK!) and more interested in hurt/comfort.  For romance, I prefer getting together, not established relationships, and enemies-to-lovers (or, well, enemies&lovers) over friend-eventually-becomes-a-lover. Smut is OK but not preferred.
NMJ/JGY:
yandere!JGY obsessing over NMJ because he gave him respect when he was nothing or because he’s just so damn moral and it fascinates amoral!JGY; scheming to get him back (whether via manipulation, an arranged marriage, kidnapping, whatever)
JGY finding out about a traumatic non-con or dub-con incident in NMJ's past (SLN post-qi deviation? WRH before/during the Nightless City captivity? JGS?) and/or seeing it happen, then going feral in his defense and/or providing him with comfort over it
if you want to do a modern AU, serial killer/assassin!JGY becoming fixated on righteous man NMJ
NMJ/LXC: Would love alternate meeting, canon divergence, or genre-shift AU here; not so interested in friends from childhood with puppy crushes on each other that eventually get together. I want to see LXC doing some pining!
NMJ/any male: go crazy! NMJ/LXC? NMJ/WWX/LWJ? NMJ/JC? NMJ/Wen Ning? NMJ/XXC? All good! In all cases, prefer NMJ as the pursued, not the pursuer :) no modern AUs unless they specifically fit into the type described above (i.e. if you want someone else as the mob boss/serial killer/etc. that's fine)
Wants/DNWs:
dark, creepy, dub con and non con are obvious yes, including temporary mind-alteration (hypnosis, mind control, common sense adjustment, age regression, aphrodisiacs, somnophilia, training to respond to stimuli, etc.), but no outright mind-break or permanent personality alteration (no leaving someone as a doll, no implications of long-term drug addiction, no bimboification, no permanent amnesia, etc.)
I'm very fond of AFAB!trans!NMJ but if you go this route please have him present as male and not angst over his gender assignment - being upset over forced feminization is OK, forced impreg/breeding kink is great, but no focus on gender dysphoria under normal non-extreme circumstances
ABO is fine as long as it's omega!NMJ, but no bitching/NMJ-was-once-an-alpha-but-changes-due-to-trauma
for fics involving outright non-con, please end with NMJ being rescued and getting comfort from someone else; dub-con fics can have bad end/ambiguous end (i.e. NMJ JGY's hypnotized pet or puppet, etc.)
DNW: no top!NMJ, no character death for NMJ including no implications he suffers his canon fate, no permanent physical alteration (amputation, piercings, tattoos, etc.), no voluntary infidelity, no watersports/scat/vomit/lactation/focus on body hair, no replacement pining (i.e. I want person X but I can't have them so I'll settle for you), no LXC/JGY or any ships with Wen Qing, no Christianity
no modern AUs other than those explicitly specified
no pure PWP
BLACK BOOK
This movie is a delight - as long as Fouché's on screen, anyway, out-acting literally everyone else by miles (especially the terrible main leads). As someone who did their history major on the French Revolution, I'm deeply, deeply aware of how inaccurate this movie is - as someone who enjoys over-the-top villains and endless snark, I love it anyway.
Fouché (solo): The snark! The inability to take anything seriously even once! The blatant amorality! The ambiguous relationship and chemistry he has with literally anyone who is on screen with him! The willingness to side with anyone at least once, and then turn on them shortly thereafter! The surprising competence he has at everything he does - politics? investigations? flirting? lock-picking? He's your man. For now.
Requests: I'd love some canon-style shenanigans (investigating something? arresting people? having to team up with someone unusual? politics! ALL THE POLITICS!) or something plot-focused. Maybe even the glimpse of the future we get with Fouché establishing a relationship with Napoleon, or possibly an AU where Max really does become dictator (but keeps Fouché around)?  
Feel free to draw from Fouché's actual history (son of a (suspected) privateer! former math or physics teacher! may or may not have flirted with Robespierre's sister pre-Revolution while hanging out with Robespierre in a pie shop! may or may not have literally stolen a wife out of a convent and stayed very happily and monogamously married until she died decades later, much to the confusion of everyone around him!), but please maintain his key features from the movie (super competent, shameless, more amoral than outright evil). Complete genre shift AUs are also fine - I'd love to see a world where they're all mages or, like, steampunk, or IN SPACE! - but I'd prefer the vibe stay like the movie, aka completely ahistorical villains win/mad demagoguery/intrigue. Lean into the (light-hearted) dystopia!
Fouché/"Max" or Fouché & "Max": The inherent fun in a relationship where both parties know that it'll end with one of them killing the other and both of them are trying their damn hardest to achieve it, but also being absolutely essential to one another right now so. you know. let's just not talk about that.
Also just the way that Fouché calls Robespierre Max despite how much he hates it, speaking to a History between them, and the sheer glorious villainy of Robespierre in this movie - I love that he has basically a silver tongue, an almost hypnotizing ability to convince people (mostly the mob) of what he wants no matter what the situation, no matter what they know...I'd love to see that played with, including as a total AU/fantasy (magic-user AU? literal hypnosis powers? is Max planning on becoming a god?)
Would love to see plot-focused or "forced to work together" stuff, with a lot of mockery (and a great deal of competence) on Fouché's part and being ridiculously badass on Max's. Would prefer that they genuinely like each other, even if it's not going to stop them from murdering each other. Even if Max really, really wishes he didn't. Also would love to see an AU where Max really does become dictator but keeps Fouché around.
DNW: narrative endorsed anti-Revolution views (royalist or even "good idea but they went too far in 93"), no unasked-for crossovers with the Scarlet Pimpernel or something (using characters from actual history are just fine!), no major character death, no retrospective angsting (i.e. no "alas if only I hadn't killed him"), no focus on torture, no infidelity (except as approved and endorsed by spouses), no permanent amnesia, no permanent disfiguration/amputation (yes including Max losing his tongue), no "I want other person but you'll do" substitution, nothing that mind breaks either of the characters' personalities
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hellishhin · 3 years
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Underwing Challenge: Question 2
WIP Highlight!
Sadie. Beautiful voice, fiery passion, an attitude that barely fits in her 3 foot body, the woman who starts a war. She started off as a bard in the small frontier town of Stawold. Her adventures take her right into the heart of a dragon's lair, to planes and worlds beyond what she could have imagined, through the beginnings and ends of friendships, and so many other milestones I can't wait to share.
She is my D&D character of six years. In this blog I started telling her story from the beginning because I just needed to get this out to someone besides me and my DM so here you go hehe!
Themes: uhhh... so many? I feel like there's romance, found family, fantasy religious tension, potential apocalypse that has to be stopped, discovery, and the biggest thing that I explore with Sadie is a character arc that takes her to her lowest low and she has to climb back up. So much of her story follows the line "the road to hell is paved with good intentions". She tries so hard to save people, making decisions that others condemn her for but she has to do them for their own good. I think that's my favorite part about Sadie. She realized what she did was wrong to a point but she saved people. From there she has to redeem herself while also trying to save her Kingdom from the religious Prendacian Empire. Oh that reminds of an enemies to platonic friends thing that happens. Also enemies to lovers then enemies then lovers her relationship is not the greatest but it irons out in the end. Another thing! She absolutely believes that not everything labelled as evil is evil. She believes that devils and demons can be redeemed if they wish to be and she never judges a creature based on it's "alignment" because she had people do that to her and she hated it.
Oh gosh that was a ramble I hope that made sense but it was the best way I could get her story across. I would like to outline a few things I feel like I'm struggling with on my blog and would love feedback on at some point!
The other characters in the story were made by other people so I'm really having a hard time letting their personalities shine. I need to take inspiration from the other player's characters and make them my own so I'm working on that but everyone feels a little flat to me right now :/
I also would love to hear what people think of the post lengths. I've been doing daily short posts but I'm kind of thinking maybe that's going to get overwhelming even with the queue feature... anyway, let me know what you think I'll answer any questions and take any feedback! And if you want to start from the beginning you can find the first post here or you can search my blog for the tag #sadieblaze I use that to mark all my story posts.
(side note I want to respond to everyone but social meter depletes I shall interact as much as possible but if I don't, know I am reading your posts beautiful ones!)
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