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#this is every plotline

clarkgriffon · 2 months

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the 100 is the funniest show in existence because in s3 it gave us the most lukewarm take about AI hive mind vs the human experience ever, where the AI is evil and wants to help humanity by eliminating pain, but to experience pain and the whole range of human emotions is to be human. like it was very boilerplate cookie cutter scifi, but it was coherent!

and then in s7 they bring in an alien hivemind that is essentially peddling the exact same function and they go "THIS IS NIRVANA THIS IS GOD THE HIVE MIND IS THE SAVIOR" with no remorse and not a single memory of the entire plotline of season 3

#bonus points for s3 being handily the most relevant plotline for the rest of the show in every other season #like the things established in s3 about grounder culture are easily the most referenced for the rest of forever #but they were like ALIE? we dont kn ow her #the 100

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grishaverse-chaos · 4 months

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hmmm something about dominik haunting the narrative in king of scars. everything nikolai does is at least a little bit for him. he learns about the life of average ravkan people by meeting dominik's family. he starts gaining influence in politics just so he can improve dominik's life. and then he promises dominik that he won't let ravka break him.

that promise fucking haunts him. it follows him wherever he goes. it's the driving force behind everything he does, every step he takes to heal the centuries-old wounds in ravka. it's what drives him to do better, be better.

dominik is always there, in the back of his mind: this country gets you in the end. always pushing him to do more, because he couldn't save dominik and so he has to save ravka (for dominik) (because he promised) (because he loved him)

#my spicy hot take is that nikolai's relationship with dominik actually affects the narrative of the duology more than -#- his relationship with zoya does #you could argue that *none* of the events of the duology would have happened without dominik's influence #and honestly zoyalai as a relationship doesn't really affect the narrative/plotline all that much #which is One of the problems i have with it being endgame #anyway yes i am writing an angsty nikolai backstory fic why do you ask?#it's mostly about how he reinvents himself at every minor inconvenience (but also how incredibly fucked up his childhood was)#and if i have the energy it might turn into a rewrite of the ending of rule of wolves #bc him giving up the throne just plays into that pattern of running away #so honestly i think it's not a great ending in terms of his arc and character development #this may just be a me thing idk but i just feel like he doesn't actually get that much development in the duology #bc there's this idea of him as being Perfect and Invulnerable and Not Affected By His Trauma #which. is not the case.#it's all very dear reader (taylor swift) imo #ANYWAY #mayhem.txt #mayhem grishaverse originals #nikolai lantsov #shadow and bone #king of scars #grishaverse

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snowe-zolynn-rogers · 1 month

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Ya know what would be really fun for books? If the reader had options within the book itself. Like a choice book where, at the end of the introduction in chapter 1, you get a multiple choice option at the end like 'character goes into the door, go to chapter 2', 'character doesn't go into the door, go to chapter 3', 'character calls into the room, go to chapter 4', and 'character books it in the opposite direction of the door, go to chapter 5'. And you get choices at the end of other chapters too.

Shit would be cool, I think.

#snoweytrashposts #snoweytalks #snoweyrambles #snoweyrants #books #writing #i swear one of my english teachers in elementary read one like this #never heard about it again #why don't we do this every so often #probably more effort but like why not #like if the writer can't decide on the plotline either #why not give the readers a discordant plotline they can have options with #tw cursing

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kedreeva · 6 months

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did u read the good omens book? if so, what are your thoughts on it compared to the tv series?

i followed u for the steddie posts but fell in love with ur meta too 💜

I did, but honestly they're separate entities unless I want to steal something specific for a fic. They're both good, for different reasons and in different ways. They are written by different men, literally and figuratively, about different subject matters, for different reasons. You can compare an apple to an apple blossom, but even though one became the other, and came from the same tree, doesn't mean they are the same thing anymore, nor does it mean one is better than the other.

That being said, I've only read the book once, and I've watched the show over a dozen times, most likely because I saw the show first and read the book second. I enjoyed the book, but I think it was probably a better read in its day, by people who were the target audience at the time, and who didn't just read about or know the context, but understood and lived it. I can't be that, I can't go back in time and read the book before the series, I can't go back and read it in a time where it would have meant what it was intended to mean to the world it was born into.

#probably not the answer you were looking for #and please believe i did enjoy both #the book tends to wander far more #it has a lot of tangents and addresses a lot of people #like the second set of horsemen #that had meaning but honestly not that much purpose to the main plotline #such that removing them entirely #didn't render the story any harder to understand #which i actually find fascinating from a writer perspective #since we're always told that every word and character and side story etc has to be essential #has to further the plot #has to be something that can't be removed and still have the story make sense #and then there's AO3 #where nothing has to be essential to anything other than what i want to read about in a given moment #and good omens the book kinda just put that stuff in the canon #so idk man it was a good book that had extras in it #good omens #asks #anon asks

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fernsnailz · 1 year

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please i have to know the turbo tails lore

bitcoin i can assure you there’s no fucking way you’re ready for what’s about to unfold in this lore post

i’m willing to talk about the turbo tails lore because it gives me the chance to explain my favorite panel from ALL of archie sonic:

below is over 2,000 words worth of turbo tails lore. don't say i didn't warn you lol

TL;DR: a convoluted prophecy, a cryptic grandpa, and a single lost backpack make turbo tails one of the strangest things to come out of archie sonic

THE TURBO TAILS LORE.

note: any time i say “it’s actually really simple!” in this explanation please know i’m saying it with the thickest tone of sarcasm and bitterness known to man

we gotta start wayyyy back in early archie sonic - specifically, at the tails miniseries. these issues follow tails as he travels alone to a place called “downunda” (aka the archie sonic equivalent of australia), where he helps the freedom fighters there defeat some badniks terrorizing their home.

tails’ journey is sparked by his own desire to become a hero and the frustration he feels when the rest of the freedom fighters treat him like a little kid. in the first part of the miniseries, we see a comic that tails makes about him becoming a superhero called “captain super foX-MAN” (the writers did a lot of comic references in early archie sonic).

when tails gets to downunda, however, he becomes injured and finds himself in the bottom of a crater. here, he meets an oldass echidna named athair. this dude is one of knuckles’ (many) relatives, and hopefully the only one i ever have to talk about

athair’s main character trait is that he’s cryptic as hell. nothing he says makes any fucking sense, but is treated as all-important because… he says it is. he’s gonna be relatively important through all of this, so we gotta keep peepaw around.

athair takes tails further into the comet and introduces him to some guys called the ancient walkers. you might think, “hey, are those just dinosaurs wearing masks?” and. yeah that’s exactly what they are

the ancient walkers are pagan dinosaurs that discovered the chaos emeralds and developed some sort of immortality and futuristic vision because of them. or. something like that

so what the hell does this have to do with tails? well, the ancient walkers speak of a prophecy: a chosen one who will realign the chaos emeralds for a “higher purpose,” and cause something called the great harmony.

we won’t be getting to THAT for a WHILE tho

after his adventure in downunda, the next important thing to cover is sonic, tails, and knuckles’ battle against a dude called mammoth mogul.

for simplicity’s sake, the main things you need to know about mogul is that:

he’s immortal and really old

he wants to take over the universe

he has a chaos emerald embedded in his chest

he’s ALSO going to be very important

i don't like him he’s really boring

at this point, mammoth mogul has stolen a bunch of power from another villain called enerjak (LONG story), and has used it to transform into his own sort of “super” form called master mogul.

mogul really wants to fight the sonic gang so he can use the three of them to take over the world, and this is what his vision of that looks like LMAO

sonic and knuckles go into their super and hyper forms respectively, but even the two of them can’t take down mogul. however, a mysterious caped hero shows up to help - TURBO TAILS.

turbo tails's design is in reference to the superhero tails was drawing at the beginning of his miniseries, captain fox-man. this is turbo tails' first official appearance, and he’s able to fight off mogul where BOTH super sonic and hyper knuckles couldn’t. kid’s strong.

once they defeat mogul, they trap his ass in the master emerald. however, note this all takes place before the comic’s adaptation of sonic adventure 1. and if you know SA1, you know that stuff inside the master emerald gets OUT of it eventually. and oh boy you’ll never guess who gets out of the emerald when eggman eventually destroys it

however, we’re not worrying about that right now. in the next bit we’re covering, tails is at SCHOOL! however, he’s lost his backpack and needs to find it. oh no!!!

but before he can find it -

athair teleports into the school, says tails is needed for something (but doesn’t say what), then teleports tails away.

BRO DIDN’T EVEN FIND HIS BACKPACK HE HAS GEOMETRY CLASS IN FIVE MINUTES

this specific teleportation will be really important later.

athair takes tails to angel island where he wants tails to… fight knuckles. i guess. currently, knuckles is stuck in a state called “chaos knuckles,” where he’s green, confused all the time, and really strong. homeboy’s going through it

before tails can really do a lot, he gets knocked out by some falling rubble, and ghost athair does nothing to help. have i mentioned that athair kinda sucks?

athair then takes tails to our favorite guy - tails’ uncle, merlin prower! merlin is a wizard and that’s all you need to know right now. athair wants merlin to wake up tails so he can go and fight knuckles, but merlin is FUCKING PISSED!! and reasonably so.

imagine. some oldass dude teleports into your house, hands your unconscious nephew to you, and then goes “hey can you fix him? i need him to fight the hulk.” like?? HE’S BUT A MERE LAD!

merlin is kinda right - tails has been dragged into echidna family drama for no reason other than athair seems to be out of ideas. and since tails' parents are gone, merlin's nephew is the only family he seems to have left.

unfortunately, merlin can’t find a way to argue with athair’s “we gotta do it for reasons i can’t explain” argument, and brings back our boy turbo tails.

however, turbo tails gets his ass kicked.

(side note: from here on out, turbo tails' cape is red. i don't know why that's just how it is)

when merlin goes back to his unconscious nephew (again), athair searches turbo tails’ mind to figure out why he got his ass kicked so bad. and the explanation is actually really simple!

this turbo tails is actually a duplicate of tails and the original tails is just. somewhere we don’t know.

so. yeah what the fuck

neither of them know how tails was duplicated or where this one came from. athair’s solution to this is just “let’s not tell anybody.” great job peepaw you really solved that one

after this, tails 2 just kinda keeps living his life without knowing he’s a duplicate of the original. however, he starts having nightmares about a weird, mysterious cave. when he and sonic eventually find this cave, they find the original turbo tails, trapped in a stasis.

and then, guess who shows up in the cave!! oh boy it’s everyone’s favorite character mammoth fucking mogul!!!!!

mogul explains the tails duplicate thing, and it’s actually really simple!

you know that one time athair teleported into tails’ school and kidnapped him while he was trying to find his backpack? yeah, so mogul basically kidnapped tails while he was being teleported, replaced him with a duplicate he created that was identical to the real tails, then placed the real turbo tails into stasis so he could harvest his power, thus regaining his original power before he was trapped in the master emerald.

do you see why i was dreading talking about turbo tails?

sonic fights mogul off, but tails 2 is kinda going through it. i don’t know how, but mogul made a duplicate that was near PERFECT, and tails 2 still has all of the original tails’ memories, emotions, and bonds. so when tails 2 disappears… it’s strangely tragic?

and then they just kinda move on lol

the original tails is released and returns to living his life, but unfortunately his life is kinda not so great at the moment. he just learned that his parents are alive on an alien planet (read THIS lore dump for more context), he’s part of this weird confusing prophecy he doesn’t understand, and he’s frustrated that he isn’t allowed to know about this great prophecy that directly affects HIS life.

and when tails confronts peepaw athair about this, athair does this.

good riddance

in the next issue, sonic and tails are visited by an alternate universe version of sonic called zonic, who serves as a sorta time cop that watches over the multiverse to make sure no one is messing with the space time continuum.

that’s obviously a bit to unpack, so here’s the main stuff you need to know:

the multiverse exists and is very important in archie sonic

all of the alternate universes and dimensions are called “zones”

the sonic and tails of the main story are called the “prime” versions, basically meaning they’re the true canon of the entire multiverse.

i don’t want to explain the existence of zonic rn. just know that he stands on things sideways

zonic is freaking out a little bit because someone’s in the process of destroying the entire multiverse, but he can’t figure out who. however, he heard about this weird “chosen one” prophecy thing, and he thinks that tails might be able to help.

while with zonic, tails and prime sonic realize that the person destroying the universe is our favorite guy mammoth fucking mogul, who collected enough power from the turbo tails he had in stasis and chaos knuckles (who he fought at a different time) to become all powerful enough to destroy the universe. plus, weird spacetime shenanigans are happening because knuckles died and was then resurrected (don’t ask), which kinda threw off the balance of the multiverse.

the prime bros and zonic are starting to run out of time, but zonic has a plan (sorta). see, he hoped that tails could help somehow, but he didn’t know WHICH tails across the multiverse would be the chosen one.

so he recruited ALL of them.

tails, knowing that he’s the chosen one and all that jazz, tries to fight the universe destroying god form mammoth mogul alone. this obviously does not work, so the rest of the tails and sonic come to his aid.

however, when sonic is injured in the fight, tails is convinced that he died. in his anger, he’s able to fulfill his destiny and converge with every single version of himself across the multiverse, becoming…

TITAN TAILS.

"YOU WILL NOT" is one of my favorite reaction images

titan tails might be one of the most powerful characters in all of sonic canon, as he’s able to defeat a universe-destroying mammoth mogul in a matter of seconds.

me when my energies are pulled away lol

with mammoth mogul defeated (again), titan tails uses his power to return the world back to the status quo and imprison mogul in yet another emerald.

so that’s the end of the prophecy, right? that’s all the chosen one jazz, and titan tails was a result of the great harmony?

well, no.

if you look back at that prophecy from the original tails miniseries, it never mentions anything about the multiverse. instead, it only mentions the chaos emeralds realigning for a higher purpose, brought about by the chosen one. so what’s all that about?

this brings us back to tommy turtle.

after the events of titan tails, an eggman AI named A.D.A.M. learns of the chosen one prophecy and the great harmony of chaos emeralds. A.D.A.M. has been working behind the scenes of a LOT of various plots as a figure named Anonymous, where he was working on a greater master plan to become an all powerful being. and man, that chosen one prophecy that speaks of realigning EVERY chaos emerald in the universe? that sounds promising.

i talked about A.D.A.M.’s plan a little more in my tommy turtle lore dump, but the basics of it is that he kidnaps both shadow and tails in order to use their super forms to cause the great harmony mentioned in the prophecy. through using super shadow’s chaos control, he can open up doorways through spacetime to summon them all. however, the emeralds won’t arrive unless he has the chosen one - turbo tails.

using both of them, A.D.A.M. summons every emerald in the universe, of which there are a LOT. in archie sonic, the chaos emerald lore is that each planet has a bunch of chaos emeralds, but only of one color. for example, the emeralds on mobius (sonic’s world) are all green, while the rest of the colors all originate from different alien planets.

so, with every emerald summoned, thus begins the great harmony and the end of the prophecy from the classic tails miniseries.

once super shadow and turbo tails are freed, they work together to finally complete the prophecy: realigning all of the chaos emeralds by placing them in the zone of silence, which is kinda like the distortion world of sonic lore. basically, they’re putting them in storage and out of reach because the writers didn't want to deal with a bajillion chaos emeralds anymore.

after the great harmony, the archie sonic chaos emeralds return to a form that are similar to that of the games - there are only seven, one of each color. thus ends the prophecy, the chosen one’s purpose, and the turbo tails lore.

and that's it! turbo tails never shows up in archie sonic again, and will likely never appear in any piece of sonic canon ever again. and really, there’s only one question i have after revisiting all of this again.

where the FUCK is tails’ backpack??????

#i hit the image limit on this one so some things don't have a visual aid lol #god. i cant believe i actually talked about turbo tails #every time i revisit the old archie comics i'm so amazed as to how ian flynn managed to connect some of the wildest and dumbest plotlines #into stuff that actually made sense #thanks king you made archie sonic bearable #sonic loreposting #archie sonic #long post #sth

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kuruk · 2 months

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oh my god I know like it sounds weird to say this when it's just avatar but the original show has aang go back to the southern air temple to show katara and sokka his home only to find evidence of the genocide of his people and the loss of his loved ones and it's quiet until you see his grief and his rage but you just see the aftermath a hundred years later and the netflix adaptation makes it feel like they wanted it to be a cool action movie with an epic scene showing the fighting and running of the airbenders like that side by side with aang running away and it's like ??? okay it's "darker" congratulations I can see that's what the goal is based on the differences in firebending and early on screen deaths go and focus on every bit of violence for the audience's lazy sadistic pleasure instead of any of the characters personal narratives especially the women that can all be taken right out + the discovery of different places all over the world in the earth kingdom and outside of it. put everything in omashu so they don't get to meet people and see the diversity of the world and each town and SEE what life is like for them under war and have these experiences with all these people build up to something bigger at the end

#changing the order of when the audience discovers new information in favor of a more linear storytelling was a bad idea #it came off as so bizarre like adding in these types of scenes so that it's just cooler and more intense #when the original show had 20 min long episodes 20 episodes per book not much time was needed. but so much was missed in the live action?#because they had to add and drag out things like this that just feel wrong #and it's not very good every event in the live action felt very smushed together like no scene stood out no contrast just the same level #of flatness all around you dont even get a chance to really feel anything about what happens on screen #when everything happens so surface level and without much real emotion it just happens so something can happen after that and so it can end #it felt like watching a bad movie everything that gave the cartoon any meaning was taken away #adding in that weird airbenders genocide scene towards the beginning but leaving out katara's inspiration of haru and those earthbenders #was it not cool enough did it take too much away from sokka's romance plotlines #one of the most important book 1 katara episodes #it felt like the natla script was written by people who are writing from memory based on what they watched 10 years ago

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iirulancorrino · 9 months

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Movies that attempt something different, that recognize that less can indeed be more, are thus easily taken to task. “It’s so subjective!” and “It omits a crucial P.O.V.!” are assumed to be substantive criticisms rather than essentially value-neutral statements. We are sometimes told, in matters of art and storytelling, that depiction is not endorsement; we are not reminded nearly as often that omission is not erasure. But because viewers of course cannot be trusted to know any history or muster any empathy on their own — and if anything unites those who criticize “Oppenheimer” on representational grounds, it’s their reflexive assumption of the audience’s stupidity — anything that isn’t explicitly shown onscreen is denigrated as a dodge or an oversight, rather than a carefully considered decision. A film like “Oppenheimer” offers a welcome challenge to these assumptions. Like nearly all Nolan’s movies, from “Memento” to “Dunkirk,” it’s a crafty exercise in radical subjectivity and narrative misdirection, in which the most significant subjects — lost memories, lost time, lost loves — often are invisible and all the more powerful for it. We can certainly imagine a version of “Oppenheimer” that tossed in a few startling but desultory minutes of Japanese destruction footage. Such a version might have flirted with kitsch, but it might well have satisfied the representational completists in the audience. It also would have reduced Hiroshima and Nagasaki to a piddling afterthought; Nolan treats them instead as a profound absence, an indictment by silence. That’s true even in one of the movie’s most powerful and contested sequences. Not long after news of Hiroshima’s destruction arrives, Oppenheimer gives a would-be-triumphant speech to a euphoric Los Alamos crowd, only for his words to turn to dust in his mouth. For a moment, Nolan abandons realism altogether — but not, crucially, Oppenheimer’s perspective — to embrace a hallucinatory horror-movie expressionism. A piercing scream erupts in the crowd; a woman’s face crumples and flutters, like a paper mask about to disintegrate. The crowd is there and then suddenly, with much sonic rumbling, image blurring and an obliterating flash of white light, it is not. For “Oppenheimer’s” detractors, this sequence constitutes its most grievous act of erasure: Even in the movie’s one evocation of nuclear disaster, the true victims have been obscured and whitewashed. The absence of Japanese faces and bodies in these visions is indeed striking. It’s also consistent with Nolan’s strict representational parameters, and it produces a tension, even a contradiction, that the movie wants us to recognize and wrestle with. Is Oppenheimer trying (and failing) to imagine the hundreds of thousands of Japanese civilians murdered by the weapon he devised? Or is he envisioning some hypothetical doomsday scenario still to come? I think the answer is a blur of both, and also something more: In this moment, one of the movie’s most abstract, Nolan advances a longer view of his protagonist’s history and his future. Oppenheimer’s blindness to Japanese victims and survivors foreshadows his own stubborn inability to confront the consequences of his actions in years to come. He will speak out against nuclear weaponry, but he will never apologize for the atomic bombings of Japan — not even when he visits Tokyo and Osaka in 1960 and is questioned by a reporter about his perspective now. “I do not think coming to Japan changed my sense of anguish about my part in this whole piece of history,” he will respond. “Nor has it fully made me regret my responsibility for the technical success of the enterprise.” Talk about compartmentalization. That episode, by the way, doesn’t find its way into “Oppenheimer,” which knows better than to offer itself up as the last word on anything. To the end, Nolan trusts us to seek out and think about history for ourselves. If we elect not to, that’s on us.

#what I'm reading #oppenheimer #nuclear power #inject this entire essay into my veins #part of what makes oppenheimer such a powerful movie is how closely it hews to its subject matter #except for the hearing plotline we see what he sees. we feel what he feels #the people who were building the bombs never saw its effects. they lived in a tiny town deliberately cut off from the rest of the world #and when their labors bore fruit they heard about it on the radio like everyone else in the country #oppenheimer included. inventing something doesn't give you special power into what it actually looks like when it's used. that's the danger #the idea that oppenheimer would have been better or more respectful if there had been some random cut to people in japan or the new mexico #desert being bombed frankly strikes me as incredibly gauche #and the idea that this movie needs to encompass every aspect of the bombings because it would be unrealistic or unfair to expect people #to seek out any additional knowledge that can't be found in a blockbuster movie is just so insulting to our collective intelligence

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