mr. gingerbresident! they hit the second candy cane!
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Ohiwe (lady) and Ohime (man) aka the fire deity after they get punished.
Originally just "Oh", the fire deity had a bit too much fun with punishing humans and so in a means to stop them, the elder gods split them into two. So now they have to be together in order to have their "full" power but as before the split, they get restless and like to wander. So while one stays in their city, the other gets to go out and travel and see the world and check on the other deities.
Also, as a whole/singular being Oh would use they/them. After the split however, it's definitely not the same and so Ohiwe likes using female pronouns and Ohime uses male pronouns. That way when discussed as one, it's back to they. That feels best for them.
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Um…hello! Your art is like a HUGE inspiration to me how you draw everyone is so unique, I love it! So I just wanted to ask what inspired you and your art to what it is today?
(hopefully I explained that correctly ;w;)
oh my gosh, thank you! :D :D :D I've been feeling pretty down about my art lately, so this was a super nice message to wake up to! one of the easiest traps to fall into is forgetting that other people are seeing your art without all the baggage and hangups that your brain has given it, and sometimes...they might actually like it? hmm. 🤔 (seriously though, that really is incredible to hear, thank you! 💕)
inspiration is really really hard to put into words. so I apologize if none of this makes sense! :') a lot of it comes from looking at things I like, trying to break down what it is that I like about them, and smooshing all those pieces together into some kind of amalgamated homunculus. I'll see something that uses a lot of straights vs curves, go "ooh", and then just start throwing those in there until it is fully absorbed into the gelatinous mess that is Developing An Artstyle. or I'll see some pretty soft-style shading, go "ooh", and then decide I'm not meshing with it and try something else. just, like, being open and trying different things and seeing what sticks, I guess!
overall, I would say I was mostly shaped by the Western media landscape of the early 2000s, when anime was becoming more mainstream and starting to show influence on Western cartoons; I think particular works that influenced me were Sailor Moon, Utena, the works of Takahashi Rumiko, Samurai Jack, Batman Beyond, and Bone. (there's also the French movie Princes et Princesses -- which is itself a homage to The Adventures of Prince Achmed -- which...yeah, you can basically take one look at it and see the effect it had on me.) and there are probably a lot of other things that I didn't consciously realize!
on a more philosophical level, one of my teachers once said to me that "the art that you like to look at isn't necessarily the art that you should be doing". which is something I try to hold onto! I had been trying really hard at the time to be, like, a more realistic traditional-style painter, and was getting really frustrated because that kind of art isn't fun for me to do. it wasn't until I gave myself permission to actually try out different things and not lock myself into what I thought was the kind of art I should be doing, that I realized I actually just like drawing little dudes making weird faces at each other! (I definitely still have some hangups about this, but I am getting better at it! ...I hope!)
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do you ever think about how marco is one of the last people who knows how close shanks and buggy once were? do you think he ever looks at shanks and instinctively searches for buggy? i bet you marco looks at shanks surrounded by his crew and still thinks that shanks looks lonely. because back then, you could never find one without the other. if you insulted shanks, you insulted buggy and vice versa. they were attached at the hip. if you got one of them alone, you better savor it because in the next five minutes, the other one would come find them. like in my heart i know every time marco sees shanks these days all he thinks is where's the rest of you?
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The thirsting over Logan Sargeant has me in a chokehold.
This man is literally your typical garden-variety frat boy, and it tickles me to no end that my European F1 besties are throwing heart eyes at him.
You are not immune to the US fratboy propaganda
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Honestly though saying (or implying) that vocaloid or vocal synths in general "devalues the human voice" is SUCH an incredibly shit take for SO many reasons.
Like yeah Saki Fujita getting so many other roles in voice acting because of her contribution to Hatsune Miku (the anime cameos and stuff are usually done with her original voice, them modified to be robotic) is a bit of an outlier when most other vocaloid and sythns don't have that influence.
You can even sort of wave off the dozens upon dozens of people who go for realistic tuning- like whenever a synth has any sort of clarity, there are like five people commenting about how real they sound. Clearly people do still care about human sounding vocals, because they go nuts over realistic vtuning.
There are many different aspects of vocaloid that use human voices, too- from Set It Off's duet "Why Do I?", human rap artists using Miku's vocals as background, and the entire CONCEPT of Project Sekai which releases AND COMMISSIONS songs for vocal synths and real people.
But the sheer number of vocaloid producers who use their own vocals as back up (MikitoP, PinoochioP, and I believe Kira off the top of my head), the number of producers who can sing and/or do self covers (again Kira, GIGA, Ayase, Teniwoha, syudou and so many more), and the amount of vocal producers who have gone forward with legit musical careers after working with vocaloid (Kenshi Yonezu, most notably, who did work for years under the alias Hachi)
I mean, hell. There are vocaloid producers who go on to become vocaloid vocals themselves- like nostraightanswer, the vocal provider for DEX, who has made both vocaloid and original songs. Some even duets.
That's not even including creators like JubyPhonic, Rachie, Will Stenson, Lollia, Octavia, Razzy and Co., and SO many other HUMAN cover artists who gained following or honed their skills on none other than vocaloid covers. (And that's just a handful of English Cover artists, not like Sati Akura a Russian cover artist or Ado who has commissioned songs from vocaloid artists)
It's also not including UTAUites who input their own voices to use for covers.
"Devalues the human voice" is such blatant bs. They ARE human voices. They are OUR voices. "You'd think by now that we would have learned, behind every piece if art is a human to be heard." (- CircusP, 'Better Off Worse')
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nothing like going to lowe’s for some extra potting soil on a fine friday morning in may and being the youngest shopper there by at least forty years
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