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#this is long as fuck
malimangle · 1 year
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Pilgrim Aiden + Sentient Volatile Crane
AKA: I have a VERY long and convoluted explanation for how Kyle Crane could be a father-figure to Aiden that I shared with my two buddies, and I am now deeply entrenched in + committed to the bit. So I made father-son content, naturally. It’s mostly senseless gjfkdg
For this story, imagine that we open with Crane’s backstory. His perspective—this whole deal traces his life from Harran and upwards, his various fights and how terribly lonely he is as he travels through the slowly deteriorating world, searching half-heartedly for some half-baked cure for what he’s been reduced to. Like every other man on earth, buddy.
All the while, yes, he’s a Volatile that goes into a fit of what can only be described as insistent monkey brain at nighttime, but he’s still a man, dammit. He craves human connection, and as he always has, he wants to protect + help people. Unfortunately, he can only achieve the latter half. It’s a half-rate substitute for the foremost desire, but that doesn’t change that it’s better than nothing. 
As we go over his backstory, we view as he tries―and fails― to save a settlement. They didn’t listen to his warning about approaching Volatiles, and as a consequence, they get slaughtered, with many dying entirely and a solid third becoming infected. The lot of the survivors become Virals. He sorta leaves them alone after that, counseling the Virals as they, over time, begin to lose their human minds to the virus (there’s some INTERESTING world building where human facilities don’t fully shut down til at least a couple weeks into the virus, and Crane gets to talk people through the transition and watch them OFFICIALLY die.) 
Well. Some days later a kid comes LITERALLY falling into the settlement, provoking all 21 Virals, and Crane has to put them all down prematurely as they wail at him to just kill them so they don’t hurt this kid.
Aiden initially tries to run from Crane and actually gives him a run for his money, but Jesus, this kid can’t be older than 14, so when Aiden finally thinks he’s lost this ‘weird infected motherfucker’, that’s when Crane springs at him, lifts him by the scruff of his shirt, and--immediately uses his weird telepathy to essentially strip Aiden the fuck down for being completely fucking unattended in the wastes at ‘his age’ and demand that he goes back to his Settlement IMMEDIATELY.
(” Listen, kid--stop screaming, dammit, I get it, I know--LISTEN. Jesus Christ. I know I’m some monster to you but the real problem is the reason why your sorry ass is out here ALONE! What the hell are you doing, kid!?”
“...What the fuck are you????”)
Just imagine Aiden hanging there, mid-air, goggling at this fucking Volatile-adjacent man who is standing in broad daylight and chastising him after chasing him several hundred meters.
“I don’t know what fucking girl you were sweet on here, but I guarantee she’s dead now, and I guarantee that going to have a fucking booty call with her in this day and age is NOT worth your goddamn death. Go HOME.”
Eventually Aiden scrambles together some brain cells thru the shock and he ends up squawking, the picture of baffled indignance, “What the hell are you--I don’t fucking BELONG ANYWHERE, let GO of me, asshole!”
Yeah. Crane initially finds that very hard to believe, but eventually as their conversation continues, he’s forced to accept that, no, Aiden’s fucking serious. He sorta…bluescreens over it. What the hell, he thinks. This 13 year old kid only comes up to my fucking elbow, and he’s out here alone??? Trying to ‘find his sister??’ You must be joking. No way in hell am I leaving this little guy to his own devices.
So, obviously, Crane wants to take Aiden to a settlement to settle in and not be in the wastes anymore, because he knows trying to find anyone in this day and age is a Fool’s Errand, especially someone you haven’t seen in a solid decade. 
He feels a bit bad about it, but mostly has zero qualms about telling Aiden so, to which Aiden is like “fuck you no” but either way, Crane eventually “succeeds” in cajoling Aiden into talking to a Settlement. Problem is--Crane didn’t actually succeed. Aiden KNOWS this Settlement is Hostile to Pilgrims. Crane didn’t accept Aiden’s claim that they’d be mean to him because he’s not REALLY a pilgrim (yes he is—Crane doesn’t believe it! The fucking nerve!) and like…”wHoS gOiNg To Be CrUeL tO a KiD, AiDeN??”
Yeah, I’m sure we can guess Aiden’s plan, here. Crane, however, is blissfully unaware of the can of bullshit Aiden’s about to open. This is not going to be softened at all by the fact that, during the travel to the settlement, Aiden and Crane kinda become grudging pals (grudging in that Aiden is softening to Crane over time and VERY angry about it, and Crane is endlessly exasperated by Aiden’s teenagism but also unwillingly(!!) amused by it.)
Soon enough, we’ve got our day of Reckoning. They reach the bigger Settlement. As we and Aiden both expect, they are immediately hostile to Aiden when he reveals he’s a pilgrim—and our poor, previously unaware Crane, in turn, immediately realizes Aiden wasn’t being dramatic, actually, and tries very hard to get Aiden to get the hell out of there and come back over to him without revealing himself to the settlers, because showing himself would cause a panic. Guess who isn’t aware of that because he’s a dumb thirteen year old and the novelty of Crane wore off, like, a week ago? Ding ding ding. It’s Aiden. 
Yeah, so, with rising hysteria Crane is trying to get Aiden to bail. Alas, the teenager in Aiden is coming out HARD and, wanting to REALLY prove his point to Crane, who has NOT been listening to his judgment at ALL, Aiden is very showy about calling out to the settlement guards and basically begs for a crossbow bolt between the eyes while Crane literally screams at him mentally. 
Right, so. Consequences, here we come. Aiden is so busy being a jerkoff thirteen year old that he’s completely blindsided when one of the Settlers does, indeed ACTUALLY shoot Aiden, right in the front of the shoulder.
A stunned silence. The Settlers look amongst each other, wide-eyed and quiet, but then--as one--almost immediately they decide to commit to the bit. Ohhhh FUCK.
Crane doesn’t even hesitate once that group-decision becomes clear— with some unholy shriek, he leaps into action, and not only swipes the guards off the wall, but flings himself off the wall and seizes Aiden by the middle, loping both of them off into the distance while Aiden screams and shouts for multiple reasons, kicking his dumb little feet. 
They have an argument as Crane runs from the Infected he’s accidentally sent into a frenzy between his sudden energy and the smell of Aiden’s blood, and Crane doubles down—he’s like, kid, some people are just assholes, not everyone is like that and no one’ll turn away a KID--especially not one who’s bleeding profusely from the shoulder, now, Jesus Christ, we got to sit down and take care of that soon--and Aiden tells him once more, this time with incredulous insistence, that no, he hadn’t been kidding before and wasn’t kidding now, EVERY fucking settlement this way is hostile as hell to Pilgrims, and after the scene HE made, they were probably going to be on the lookout!
Crane doesn’t want to believe it, but now that truth is starting to actually dawn on him, and he’s just not ready for it. Instead, they eventually lose the Chase and Crane props up Aiden on a car to help him clumsily patch up as best as he can with the materials he’s got on hand from previous finds in hospitals and clinics along the road.
Obviously, it’s a pretty hackneyed job―especially since Aiden botches the fuck out of pulling out the arrow and he can’t give himself stitches. Unnoticed, while Aiden thrashed in pain over the arrow removal, he scrapes the fuck out of his shoulders on the rusty ass car door and gets some minor abrasions—IMPORTANT LATER. 
Story marches on. Crane tries to prove Aiden wrong about people being jerks to teenage pilgrims, but it’s pretty obviously a doomed venture when they reach settlement after settlement, and one by one, all of them box Aiden out. Crane gets increasingly frustrated, which comes to a head when he comes raring out and YELLING at the guards who won’t take Aiden in despite his injuries after the twelfth turn-away, which results in a BIG conflict that ends with Crane breaking in, wrecking some shit, and carting Aiden away over his shoulder. 
Well, Crane’s meltdown is just the precursor to Aiden blowing up on him, because Crane has only JUST understood what Aiden’s been telling him the whole fucking time! Listen--Aiden’s not sure WHY Crane has been so obstinate about getting him into a settlement, but what he DOES know is that he’s in pain, he’s thirsty, his shoulder and head are killing him, he hasn’t eaten in days, and he’s VERY pissed at Crane. So. While Crane tries to find them a place to hole up for the night and check in on Aiden’s shoulder, they get INTO IT.
This is The Fight. Where Aiden hammers home his goals, and how Crane can’t change his mind. This is the broad strokes of how it goes—this is NOT the dialogue, but essentially what is said:
“It’s not my fault you think it’s stupid, and it’s not my fault you don’t have a Fucking goal.”
“You don't think I have a goal? What do you think I’ve been doing this whole time!? Fuck, kid—I’ve been traveling with you for over a month, you think I’ve just been doing that for the hell of it? I want you to be SAFE!” 
“and I’m TELLING you that I REFUSE to be safe until I see this through, and there’s JACK SHIT you can do about it! Either you’re with me, or against me, and there is zero fucking in between. So save yourself the trouble and just LEAVE already! I know you’ve been dying to get rid of me anyway! (stroke of abandonment issue—Crane trying to foist Aiden upon settlements has come across, to him, as an adult he grudgingly trusts trying to abandon him. He thinks Crane is eager to get rid of him)” 
“I’m not—what?! Aiden, I’m NOT fucking leaving you, you’re injured and I happen to give a shit about you! You think I want to up and fucking dump you somewhere, that I’d just leave you for dead like this?! Are you joking?! (Crane has misunderstood, a little, but he sounds so earnest here that it throws Aiden off)”
“Well—! If you really gave a shit the way I NEED you to, you’d know just how fucking important Mia is to me, and you wouldn’t tell me over and over again that my one goal in life, my one reason for LIVING, is STUPID. You’ve been nothing but an asshole about this the entire Fucking time and I’m sick of it!” 
“… (Crane, being the adult, realizes Aiden is right and accepts ownership of his relentless, though inadvertent assholery) …You’re right, kid. I HAVE been an asshole about this. But fuck, man, look around you. EVERYONE is dead. I have lost so many people, people that meant the world to me, and if that’s pain I can get you to avoid—especially when pursuing it might KILL YOU, I just…I wanted to try.” 
“And I want to know what happened.” 
“(Crane realizes getting Aiden to give up on this is going to take a lot more time than a single month, and uneasily settles into ‘agreeing’ to help him, because this is stupid but he cares enough about this punk ass kid to want to stick around.) Okay. Alright. Fine. Then I’ll help you find her. For real, this time.”
With that cleared, they finally chill the fuck out. Crane awkwardly leaves Aiden to mope it out while he goes and gets them dinner, because Aiden hasn’t eaten in awhile and he needs sustenance. He goes and manages to take down a couple rabbits, raids a nearby settlement for veggies bcus they pissed him off, and Crane goes back to Aiden to find the kid miserably dozing in the big master’s bed, smelling like he’s in pain. He clumsily makes a rabbit stew and brings it to Aiden, who says in a surly tone, “I’m not hungry.”
Initially Crane assumes Aiden’s doing that classic teenager thing and—since he’s still feeling like an asshole about earlier—he’s gentle with it. He’s like, “Aiden, listen, dude. I know you’re probably pissed off. I would be pissed, hell, I’d be fucking livid if I were you. But even if that’s true, in this day and age, it’s never a good idea to refuse hot food. You can glare daggers at me the whole time, but please just eat something.”
To which Aiden says, with appropriate shame and a much softer face, “Yeah, you got me, I’ve done that before, but I’m not being a hardass for funsies right now.” He sounds a little troubled as he admits, “I’m actually not hungry.”
“Aiden, you’ve barely eaten these last couple days. I want to believe you, kid, but you’re a teenager--there’s no way in hell you’re not hungry, unless somethings wrong.” The rising anxiousness in Crane’s tone prevents Aiden’s hackles from going up entirely, so he just snips, 
“Didn’t we just argue about you not fucking listening to me? I’m serious, I really don’t want to eat right now.” 
Crane’s heart hammers a bit, “…Do you think something might be wrong?”
“My head just hurts, and my stomach’s in knots, probably over the argument.” Crane feels a distinctly hard twinge of guilt. “I just don’t like fighting. This is  probably nothing special. I’m sure I’ll be fine in the morning.”
Crane eventually cajoles Aiden into eating—he pushes the stew around and manages to get down like half of it, which just worries Crane more. He puts it up in the miraculously still-working fridge and goes to settle for the night. Well. Some hours later—when it’s 2am and Crane’s still in stupid-mode (remember: that’s how he is as a Sentient Volatile—he doesn’t get bloodlust. Stupid Insistent Monkey Brain because I can’t handle violent Crane), he’s woken by the sound of his kid hurling over the side of the bed. 
He lopes into the room in a hurry like “!!! What ! The fuck ! hurt?!” and Aiden tries to wave him off like “I just don’t think the rabbit sat well with me.” But he’s trembling, sweating, listing a little bit, and pale as fuck. Crane immediately feels his face—he’s sodden with sweat, and boiling. Oh fuck, he’s feverish. He goes to manhandle Aiden out of the blankets and curls his hand carefully around Aiden’s injured shoulder, avoiding the front—but when he grabs the back of Aiden’s shoulder, the kid nearly Fucking convulses. 
Oh fuck.
Remember that scrape he got on his back from the rusty car door when he pulled the arrow out of the front of the shoulder? 
Yeah. Turns out one of the scrapes was a proper cut, and it got infected with bacteria. Aiden missed it because he doesn’t have eyes back there and, yknow, the front of his shoulder was in such overwhelming pain, and Crane missed it because he was so fixated on the front too. But now there’s visible pus in it and even though Crane is still in stupid-mode, he’s still got the faculties to think to himself a very emphatic, “Fuck.”
He’s like “we need! Pills! Medicine!” and Aiden’s like “so long as it’s not penicillin it’s fine” and Cranes like “?!?!? WHAT.” to which Aiden explains that, for some godforsaken reason, he’s allergic as hell to the one (1) antibiotic that is still around in abundance—penicillin. Cranes like “where! The fuck!! Am I gonna find an antibiotic that’s NOT ! Penicillin! Fuck!”
They start with the first Crane finds—Doxycycline hyclate. It was manufactured in 2022 — it’s 2032. Unfortunately, they don’t really do shit. They went over the expiry for them, and though SOME might still be effective, ultimately they just barely make a dent in the infection. Things are starting to look dire, and the area is starting to clog up with migrating infected and bandits, so they gotta move. 
Crane ends up rigging together, basically, a baby carrier for his back to keep Aiden hoisted securely on him using bungee cords and other materials he raids from a hiking store in a Volatile Hive mall. By this point, Aiden is so feverish he can barely speak, much less travel. So he gets Aiden secured, grabs their shit, and in a last ditch effort makes it to a Very large hospital-turned-hive, and basically sets Aiden up in a room, secures it, and fucking destroys all of the Infected in there while staying in tune with Aiden’s struggling heartbeats and deteriorating mind. 
Eventually the hospital is secure, Crane reboots the UV lights to keep the nasties out, and rifles through what remains. Blessedly, he finds not only proper I.V needles and fluid, but ALSO Ciprofloxacin, which can last 142 months after expiry before it really is dangerous. It was made in June 2024– it’s February 2032. Only 92 months, well within the limit. 
He sets Aiden up with the IV, and with the antibiotics―which he very carefully coaxes the boy into swallowing. By the time Aiden takes these, he’s dangerously close to death’s door, and not altogether there. So at some point he wakes in a hospital room, with shit shoved in his arm, very disoriented, woozy, and hot.
So. Very understandably he loses his absolute fucking shit. Which gives me the opportunity for some VERY heart-wrenching whumpy bullshit wherein Crane gets to cradle a very-nearly wailing Aiden and calm him down from, essentially, a post-traumatic meltdown. Just like I wish my parents woulda done with me, hahaha. 
Jesus Christ.
Well. Anyway. Between the IV keeping him hydrated, the antibiotics finally working to fight the infection and compounding on the mild effect the previous ones had, and the comfortable bed, Aiden’s condition does rapidly improve. By the time two days go by, the fever finally diminishes enough for Aiden to be fully coherent. He’s still absolutely miserable, but at least he’s back with it, right? Mmn. It would be nice if he didn’t have to contend with Crane’s deep and almost frantic doting concern, which was exponentially worsened by his flip-out over simply being in a hospital bed. 
Eventually: “So you, uh…I didn’t want to bring it up too fast, but I don’t know if you remember―you had a pretty strong reaction to being in a hospital bed, buddy. What uh. What’s going on there?”
Aiden puts down his comic book and squeezes his eyes shut. Fuuuck. 
So they’re having this conversation. Awesome. Well. Crane just saved his absolute dick and ass, and went above and beyond to care for him. And like…the guy’s alright. He’s clearly in this for the long haul, so Aiden guesses he sorta owes the dude the full explanation. So he gets into it. Talking about the experiments Waltz was running on the GRE’s dime for some fucking reason, and all the awful shit he was put through. 
Crane is.
AGHAST. 
 ...I’m not even going to comment on,, all of THAT, because there’s jack shit I can say to--well. Y’know. Just, holy fuck. Holy fuck. But uh. Make no mistake kid―not your fault, I don’t judge you for that―I mean, look at me, how am I gonna judge someone?--and--and those people fucking suck. I hope you know you’re getting babied forever now though. Fuck, dude.”
“...”
“ᴺᵃᶦˡᵉᵈ ᶦᵗ”
“Ur not my fucking dad, Crane.”
“Yeah, I’m glad! I got a bone to pick with that dude.”
“Jesus. Whatever, look―is babying me going to involve that weird baby carrier thing you were doing the other day?”
“...Holy shit, you remember that?”
It does, indeed, entail the baby carrier thing, though admittedly it’s more for the hell of it. They both come to realize that Crane can travel a helluva lot faster than Aiden can, and if they can trade off on who’s leading, they can travel way farther and waste less time. So they develop a routine―during the day, Crane helps Aiden scavenge―goes where Aiden cannot―while Aiden works on gathering info on his sister and Waltz, does errands, and basically does life maintenance. 
By the time sunset rolls around, Aiden and Crane pack up, strap Aiden to his back, pad him a lil bit, and essentially just let Stupid Brain Crane jettison through the night and get his zoomies out with Aiden secured to him. Aiden comes to sleep exceptionally well whilst having the Fuck shook out of him, and only really sleep good when Crane’s there. 
Aiden pretends to hate the baby carrier--he tries real hard. Crane figures out pretty quick that he's full of shit. He lets it alone tho lol
Wintering is kinda cute―they make, essentially, a gigantic soft nest to appeal to Crane, and they essentially hibernate together. Just like that, Crane acquires the human connection he craves and like, a weird quirked-up whiteboy of a son. And Aiden gets an adult who protects him and loves him like their own, giving him a parent. So cute. Wow. Love it. 
So obviously this gets a little fucked up once they get to Villedor almost nine years later. Aiden’s 21 now, going on 22. 
Crane has to make a very tough call―he’s not…going into the city with Aiden. At first, Aiden’s really betrayed―he came this far, just to leave him behind here? What the fuck? Crane quickly explains that he’d love to stay with Aiden, but this is a city full of people. There’s no way in hell Crane can fly under the radar here, and…Aiden has finally found where Mia is. But he won’t find her without acceptance from the locals. And the thought that Crane could fuck that up for him without even trying? Hell no. Crane couldn’t bear it.
And, well…Aiden can’t really argue with that. He wants to, desperately, because Crane’s been by his side for like, a third of his life! The thought of being apart from him after all this time feels weird, wrong, and anxiety-inducing. For BOTH of them. So Crane’s quick to assure― 
“Don’t worry, kid. I’m not going to up and lope off into the fucking sunset. You know this radio station we’re in, right now? I’ll just roost here. Make a nice nest and everything. And when you find her, and when you’re ready to either leave or stay, you can just come visit whenever. I’ll work on clearing the metro and putting in UV lights if you leave me any, just so your path out stays open, alright?”
“...And you’ll stay on the radio?” Aiden asks in this small voice. 
“Kid… you know I can’t actually talk, right? All I’ve got is this weird mind-link shit, and once you’re out of range, well…”
“But I can talk to YOU. And you―you can do clicks and stuff, yeah? I’ll just ask yes or no questions―two clicks for yes, one for no.”
And hey, that works. They get Crane set up, and while Aiden sets up the bed and gets ready to sleep for the night, Crane scopes out the metro at sunset and goes apeshit on the Volatiles in there. Sets up some UV lights and secures the area, if only so his boy doesn’t get his ass handed to him. Heads back. Now they usually share the bed―Crane’ll be a warm wall of flesh behind Aiden, cover his back and all. They usually reserve the Whole Ticket for winter when it's too damn cold.
For this last night, they indulge in the winter cuddle. Aiden curls up straight in Crane’s lap, head tucked into his neck, and basically sleeps sprawled across the guy’s chest.
As Aiden sleeps, Crane actually cries a little. Softly, with tear ducts that don’t work anyway. He’s really going to miss this kid, and the reality of not seeing him for awhile―possibly not ever again, if Aiden’s unlucky enough―is really starting to hit the dude. 
It’s hard to let him go the next day, but he knows this means the world to Aiden, so he doesn’t say a word to stop him. He watches Aiden head towards Villedor the next morning after one last hug. His slowly heaving heart fills with dread.
---
I'm not quite sure how I want to approach Villedor in this one: I DO want Aiden to go thru the story and all that, but I'm not sure how or when I want him to get Infected, nor how often I want Crane to come into play.
I DO want there to be a consistent subplot of Crane befriending a shitload of feral cats and becoming the ultimate catdad whilst he mopes about missing his kid. 
I do also really want Aiden to employ diplomacy and get the PK to retreat from Old Villedor without extensive bloodshed since being around Crane has given him the (in Dodger’s words, coconut-sized) balls to defy authority (especially because not being able to try diplomacy in the canon game makes me very sad--so many human lives wasted!)
And I DO want Crane to swoop in and save Aiden from Waltz at the electric car factory and basically scream something to the effect of, "GET THE FUCK OFF MY SON YOU FUCKING ANIMAL." @ Waltz before bailing and forcibly seizing Lawan in one arm, Aiden in the other, as Crane jettisons them to the Central Loop. 
(Lawan flips the fuck out over this random Infected, and it is utterly, comically side-burnered by Aiden reuniting with his 'dad', Crane, despite the objective insanity of the happenstance)
Aiden, sobbing: so much terrible shit has happened, a random man broke my heart, I fucking hate this city, I missed you so much, this sucks 
Crane, soothingly: If you want to bail for now, it's okay, you can come home with me and the cats for awhile and try again later. We have time. 
Aiden: Wait, cats? Cats, plural? 
Lawan:
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Last but not least I ALSO know that I want Crane to eventually give up on totally behaving himself and instead venture into Villedor regularly--initially 'just to find cat food' but eventually just to sweep the Infected off the streets, throw useful shit into strongholds, and save as many people as possible. 
An urban legend starts to thrum thru all of the city--there is a talking Volatile man who eats other Infected, throws antibiotics at people, and gives absolutely fuckall 0 shits about UV light. Apparently he is usually toting around cat products--toys, litter, kibble, nip, etc--and is very friendly. People are terrified out of their wits at first, but the more he talks about his alleged four cats and doesn't rip people into ribbons, the more the fear fades. 
Aiden hears about this and, with a very amused nose-exhale, thinks to himself, 'oh man, wonder who that could be. what a mystery. so intriguing. Ah, good on you, old man.'
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soncfseed · 2 years
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Okay, time to talk about the Peggies and what I think their religious, social and political beliefs would be like based on real examples from American history.
Some massive content warnings right up front -- I’m going to be discussing this in the context of real cults, namely the Bra/nch Da/vid/ians and the Pe/op/le’s Tem/ple. This is going to have triggering content in it. I’m kinda lazy so I’m not going to be citing things here but I can provide sources on request. A lot of this is easy to find if you do some cursory research into these groups.
Specific CWs for: suicide discussion, sexual abuse including sexual abuse of minors, murder including murder of children, religious abuse and discussions of religious apocalypse predictions.
Word count: ~2700
TLDR: I think the Peggies would be a fairly socially conservative Christian millennialist cult with ties to right wing secessionist movements & militia culture in the US. They may co-opt progressive language to make followers feel safe and specifically to attract vulnerable people who they can exploit. Joseph Seed likely abuses his followers not just physically, financially, and psychologically but sexually as well. Seeds bad. Eden’s Gate bad.
As much as the RPC may soften some elements of these characters or strive to give them deeper characterizations that aren’t solely good or evil, I think it’s pretty obvious that the Peggies are, well, bad. Or rather the cult leadership is bad, and their followers have been victimized and radicalized. I’m not making this to deny anyone else their headcanons or their way of engaging with the game, but I am trying to engage with the Peggies in the context of other US American cults and extreme religious movements.
A quick disclaimer before I start: it’s okay to be canon divergent, it’s okay to like villains, just be honest about where you’re diverting and why. Draw lines between fiction and reality. We as RPers should admit when we’re diverting from canon because it’s fun, or comforting, or just interesting, instead of getting defensive and trying to justify our headcanons all the time. It’s okay to have a headcanon, or to want to take your writing in a different direction, but some of the weird takes and apologism I’ve seen for the Seeds and Eden’s Gate is just kind of baffling to me.
I’m going to use comparisons to two particular groups who I think really influence Joseph Seed as a fictional cult leader: the Br/an/ch Davi/di/ans (which I’ll call BD, the group at the centre of the Wa/co Si/eg/e led by Da/vid Ko/resh), and the Peo/ple’s Tem/ple (which I’ll call the PT, the group at the centre of Jon/es/town, led by J/im Jo/nes). In terms of historical events in the US, I’m also going to be referencing Ru/by Ri/dge (RR) and the standoff that took place there and might talk a little bit about the Raj/nee/shpu/ram (RNP). There’s MANY other cults or groups I could use but I think that these groups are probably the most relevant to this analysis.
Whether or not these events happened in the Far Cry universe diegetically is hard to know. But this is a game made by people who do live in the real world where Wa/co, the PT, RNP and RR were major events in US American history. Joseph straight up looks like Kor/esh, especially with the glasses, but just in general. The slicked back hair and tinted shades is also somewhat reminiscent of Ji/m Jo/nes, so visually Joseph calls upon these two particular US American cult leaders (at least in my opinion). I think they are the most relevant and well known examples for US Christian extremists connected to tragic loss of life that captured public attention in the US and would be influential on the development of FC5. I do think that for American culture to be the way it is in the game, and for the government to wait so long to do anything about the Seeds, indicates that these events probably have happened in-universe in FC5. It seems to me like the small team of police sent to deal with Joseph Seed, and the hesitancy of Sherriff Whitehorse and the general slow response of law enforcement, is part of the national memory of Wa/co. It’s likely that they wanted to avoid a similar situation, especially since these kinds of cults and secessionist groups were bolstered after Wa/co and Ru/by Rid/ge. These events contributed to the radicalization of militias and militia culture in the US in the 90′s and the shadow of these tragedies still affects American culture and law enforcement.
As for their political beliefs, I don’t think the Peggies are progressive. From what we see in game they don’t deny membership based on things like race or gender, but that doesn’t mean they’re progressive. The PT cloaked themselves in progressive language, but their actions behind the scenes belied some troubling beliefs. Jones advocated for desegregation, medical care for racial minorities and the elderly (especially elderly black women who were particularly vulnerable on multiple fronts), and gay rights but none of that changed the fact that he was leading a cult and exploiting the very same people he claimed he wanted to help. When it came to gay rights, while Jones publicly supported gay people he privately sexually abused his male followers while claiming he was the only true heterosexual man on earth. The communities that Jones and the PT claimed to want to help get thrown under the bus to further Jones’s self aggrandizing ideas, and to support his justifications for abuse and exploitation. As far as race goes, Jones outright stole ideas from the Black Panther Party (BPP) and misconstrued them for his own purposes, namely the concept of revolutionary suicide. For the BPP, revolutionary suicide was a way to describe the lethality of fighting against oppression; revolutionaries may be shot down (and they did mean literally) but another revolutionary will pick up the cause, the cycle is repeated until finally progress is made and freedom is achieved. This is a very brief description, but it had nothing to do with how Jones would appropriate the phrase. Jones used the concept of revolutionary suicide to describe ending your own life at his behest to protect the PT. At Jo/nes/to/wn he relied on the labour of the population (which was 70% black) to keep the compound functional. After he had exploited the labour of his followers, he murdered them - approximately 900 people died. Some may have “willingly” drank cyanide laced Flavor-Aid, but if they didn’t do so willingly they were forced at gunpoint; children were taken from their parents and forcibly made to ingest poison. Even those who did so without physically being forced were still under the manipulation of Jones, so to what extent someone can decide to end their life in that manner, in that environment, is questionable. What happened at Jones/town was a mass murder of the very same vulnerable people Jones claimed he was saving. Jones was the one who built his public image, his following, and his “career” on a veneer of progressive and socially radical views but his behaviour harmed and killed the same people he claimed he wanted to liberate.
In FC5, it’s clear that Joseph manipulates vulnerable people all the time under the guise of helping them. Faith (Rachel Jessop) is a good example. She was a drug addict, she was young, she was vulnerable and he exploited that vulnerability for his own ends. Even if she’s a liar, even if she’s manipulative, I straight up do not buy that she was the one with the power in that relationship. Joseph Seed was; he was older, more charismatic, and had a team of supporters and flock of followers to bolster him. Faith had none of those things. Then there’s the fact that, based on the dialogue in FC5, there have been multiple people that filled the role of Faith before Rachel Jessop ever did. It seems they were likely also young women who got swept up by Joseph and disposed of when they were no longer convenient or easy to manipulate. 
Based on the way Rachel talks about Joseph, I also would not be surprised if Joseph Seed was sexually abusing her, and given that he’s a cult leader and this kind of abuse from cult leaders to their followers is common. This is purely head canon and it is not made clear in FC5 the full extent of Joseph’s abuse of Faith, though it is implied that he is at minimum abusive in some capacity towards her. Kor/esh had child brides and sexually abused teenage girls, Jon/es sexually abused his followers, and there was also sexual abuse in Raj/neesh/puram. Faith talks about how Joseph threatened her and “plied” her with drugs to manipulate and scare her into following his orders starting at the age of 17. She says “you know what he’ll do to me”, which isn’t explicitly indicative of sexual abuse but in this context seems pretty dire and could be interpreted that way. We also know that Faith seems to be somehow both an adoptive sister and associated with Joseph’s deceased wife since he talks about she always had faith. Given what follows in FC:ND, where Ethan’s mother seems to be a follower of Joseph who had a sexual relationship with him, the idea that Joseph is abusing his power and his followers’ faith in him to coerce them into sexual relationships seems quite likely. Even if Joseph were to assume these relationships are consensual, the power dynamic between him as a prophet and figure of worship heading a cult and the people who follow him is so unbalanced that true consent would be very difficult to achieve.
What Joseph did with Rachel Jessop is pretty typical for cult leaders; he preyed on her when she was vulnerable and isolated, and the uneven power dynamic between a cult leader and a follower sets up the conditions for ongoing abuse, whether that abuse is physical, emotional, financial, or sexual. This is the crux of how cults work and how they’re able to keep members hooked. People who are curious, searching for answers and community, or who are in vulnerable positions in society and seeking refuge become targets that the cult indoctrinates and then isolates from the world, cutting them off from potential support systems outside of the cult to keep them from being able to leave. Their curiousness, their search for truth and belonging, their vulnerability is exploited to benefit the people (or often singular person) at the top. I think that if the cult seems progressive much of it is because they know that people in marginalized groups or other unstable positions in society who might be drawn to a group that claims to be accepting in a world that is so incredibly hostile to them are vulnerable to exploitation. I think given the areas they’ve operated in, Faith’s background, and the time this all takes places in they likely target people affected by opioid and other drugs addictions and their families. 
The Peggies are also very clearly inspired by right wing secessionist groups, self declared sovereign citizens, and militia culture in the US. They flout the rule of the US government on every level: county, state, and federal. They hoard weapons, they take over a county they can overpower the population to set up their own capital of sorts, and do this all without interference. They have John’s legal expertise and Jacob’s military tactics, and in my opinion benefit from being led by white American Christian men, including a military veteran, and having milquetoast “progressive” views that cloak a more conservative outlook. While they clearly oppose the government and flout the laws of the US, they likely rely heavily on the 1st and 2nd Amendments as well as the history of armed militia groups in the country. It’s ironic, but the founding documents of a government they oppose is what protects them from that same government’s legal systems in many instances. In the case of Joseph Seed, it’s violent crimes that get him on the radar of law enforcement: kidnapping with the intent to harm. It’s not the way they take over Hope County, or their arms stockpiles that leads to the warrant for Joseph’s arrest. What Joseph gets his followers riled up with, the idea that the government is going to come take their “guns” and “freedom” (his words) is so commonly associated with right wing libertarians, the NRA, and Repub/licans attempting to stoke fear in order to gain support signals to me that Eden’s Gate has right wing beliefs. The way gender seems to influence the structure of the heralds also seems to indicate a more conservative, patriarchal approach to social hierarchy. The leadership of the cult is mostly male, headed by the Father, and the only woman among the top leadership is not even granted her own name but instead renamed by Joseph. Faith is replaceable, and usually a follower, not an equal. As I outlined before I also suspect/HC that the current Faith is being sexually abused by Joseph, and my perspective on this is influenced by how replaceable Faith is, and the general right wing vibes I get that tend to go hand in hand with misogyny and sexual violence in these kinds of cults. Additionally, the cult seems to have views that are at the very least eugenicist friendly; Jacob’s obsession with “culling the herd” feels eerily similar to the kinds of rhetoric used by eugenics proponents when discussing people they see as inferior and weak. Although this is likely due to limitations with budget, time, and imagination, there don’t seem to be any visibly physically disabled members of Eden’s Gate. Between Jacob’s herd culling, judge wolf breeding, and the way they use their followers as free labour it seems likely to me that they’re probably ableist to some extent as well, or at least some of the rhetoric they use tied to ableist ideas. 
As for their religious beliefs, I think it’s safe to say that they’re Christian, even if the text doesn’t explicitly reference Jesus Christ. Joseph quotes the Christian Bible, they use cross imagery, they have churches and sermons, their ideology heavily focuses on the seven sins of in a Christian framework, Joseph calls himself the Father as some may refer to God or as a priest might be called father even if they don’t explicitly invoke Jesus Christ. The cover art is a recreation of Da Vinci’s famous fresco of The Last Supper. As far as I’m aware, early in development they wanted to do some more explicit religious commentary but had to tread ground cautiously because they didn’t want to offend potential audiences of Christians, especially American Christians, who make up a large portion of their potential audience in the US and around the world. 
It seems to me that they’re Christian millennialists, similar to the Bran/ch David/ians. Christian millennialists (broadly) believe that there will be a second coming of Christ, a period of tribulation, and a period of 1000 years where there will be a golden age before the final judgment and eventually heaven on earth/the world to come/kingdom of god. Even more specifically, I’d guess they’re post-tribulation pre-millennialists. It’s hard to know exactly where they fall on the spectrum of millennialism, since they don’t discuss Christ at all. Where they place the second coming and final judgement isn’t really explored in canon, but the way they discuss their need to prepare for the oncoming apocalypse leads me to believe they see the apocalypse as the period of tribulation before the second coming of Christ which will usher in 1000 years of peace and eventually the final judgment and kingdom of god on earth. If they see Joseph Seed as the second coming of Christ, however, then they are likely some variation of dispensational pre-millennialists (section 2 of the chart from Wikipedia) seeing Joseph Seed as Christ reincarnated preparing his followers for a period of tribulation before they usher in a millennium of peace followed by the final judgment. Since Joseph never claims to be god or claims to be the messiah version 2, I lean more towards the first option.
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Christian millennialism is based on the Book of Revelation, which is what Joseph seems to see as central to his religious beliefs. This, combined with their similarities to the BD and Joseph’s similarities to Kor/esh makes me think they would fall into this general category of apocalyptic Christian theology specifically as opposed to just being a generic doomsday cult. The Book of Revelation is where Joseph’s imagery of the Horsemen of the Apocalypse comes from, as well as the 7 Seals. He quotes it throughout FC5. Joseph quotes Revelation 6:1-2 during the game’s introduction when the player comes to arrest him, Revelation 6:9 when you face him in the last mission, and Revelation 8:1-2 when you defeat him in the last boss battle. 
So yeah, I doubt that Eden’s Gate is as accepting as they might claim to be, they’re probably a right wing secessionist Christian millennialist cult rife with all kinds of abuse, shaped heavily by American history and culture. It’s part of why they’re so compelling; they feel real. They’re rooted in real world cults, real world politics, and are very distinctly American in the way they think and the values they purport to hold.
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emptyportrait · 2 months
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i'm actually so fucking sick of zionists using phrases such as "Was it worth it, Hamas?" cause literally what the fuck are y'all yapping about??? Israel has been indiscriminately bombing gaza in front of our eyes since last October, Israel has murdered more than 30 thousands Palestinians within 5 months, Israel is forcefully starving gaza, Israel is the one committing war crimes everyday, Israel is continuing genocide and ethnic cleansing. Israel. is. illegally. occupying. Palestine.
we all know who are the perpetrators here. and zionists can't gaslight people into "hamas started it" bullshit anymore. everyone is actually sick of Israel's dumb colonialism propaganda where they just repeat same old tactics “how dare you palestinians resist us, after we have your stolen land, freedom, human rights and subjugated your people under fascist colonial regime.”
Israel carry out atrocities in broad daylight and then go ahead blame Palestinian resistance for the said act of savagery they've performed, "O their audacity!" indeed!
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hamletthedane · 2 months
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I was meeting a client at a famous museum’s lounge for lunch (fancy, I know) and had an hour to kill afterwards so I joined the first random docent tour I could find. The woman who took us around was a great-grandmother from the Bronx “back when that was nothing to brag about” and she was doing a talk on alternative mediums within art.
What I thought that meant: telling us about unique sculpture materials and paint mixtures.
What that actually meant: an 84yo woman gingerly holding a beautifully beaded and embroidered dress (apparently from Ukraine and at least 200 years old) and, with tears in her eyes, showing how each individual thread was spun by hand and weaved into place on a cottage floor loom, with bright blue silk embroidery thread and hand-blown beads intricately piercing the work of other labor for days upon days, as the labor of a dozen talented people came together to make something so beautiful for a village girl’s wedding day.
What it also meant: in 1948, a young girl lived in a cramped tenement-like third floor apartment in Manhattan, with a father who had just joined them after not having been allowed to escape through Poland with his pregnant wife nine years earlier. She sits in her father’s lap and watches with wide, quiet eyes as her mother’s deft hands fly across fabric with bright blue silk thread (echoing hands from over a century years earlier). Thread that her mother had salvaged from white embroidery scraps at the tailor’s shop where she worked and spent the last few days carefully dying in the kitchen sink and drying on the roof.
The dress is in the traditional Hungarian fashion and is folded across her mother’s lap: her mother doesn’t had a pattern, but she doesn’t need one to make her daughter’s dress for the fifth grade dance. The dress would end up differing significantly from the pure white, petticoated first communion dresses worn by her daughter’s majority-Catholic classmates, but the young girl would love it all the more for its uniqueness and bright blue thread.
And now, that same young girl (and maybe also the villager from 19th century Ukraine) stands in front of us, trying not to clutch the old fabric too hard as her voice shakes with the emotion of all the love and humanity that is poured into the labor of art. The village girl and the girl in the Bronx were very different people: different centuries, different religions, different ages, and different continents. But the love in the stitches and beads on their dresses was the same. And she tells us that when we look at the labor of art, we don’t just see the work to create that piece - we see the labor of our own creations and the creations of others for us, and the value in something so seemingly frivolous.
But, maybe more importantly, she says that we only admire this piece in a museum because it happened to survive the love of the wearer and those who owned it afterwards, but there have been quite literally billions of small, quiet works of art in billions of small, quiet homes all over the world, for millennia. That your grandmother’s quilt is used as a picnic blanket just as Van Gogh’s works hung in his poor friends’ hallways. That your father’s hand-painted model plane sets are displayed in your parents’ livingroom as Grecian vases are displayed in museums. That your older sister’s engineering drawings in a steady, fine-lined hand are akin to Da Vinci’s scribbles of flying machines.
I don’t think there’s any dramatic conclusions to be drawn from these thoughts - they’ve been echoed by thousands of other people across the centuries. However, if you ever feel bad for spending all of your time sewing, knitting, drawing, building lego sets, or whatever else - especially if you feel like you have to somehow monetize or show off your work online to justify your labor - please know that there’s an 84yo museum docent in the Bronx who would cry simply at the thought of you spending so much effort to quietly create something that’s beautiful to you.
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ardri-na-bpiteog · 2 months
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Also increasingly aware that a LOT of people "manage" getting through the 40+ hour work week by sleeping less than is healthy and relying on stimulants like coffee and energy drinks to keep them going.
For people who are unwilling or unable to do this...work really does just dominate your life. Like we really should not have to rely on unhealthy practices just to have a social life or keep on top of housework or whatever.
I know I post about this a lot but I'm so TIRED all the time and it's just so depressing that this is how we're expected to spend the one life we have.
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endusviolence · 1 month
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Rowling isn't denying holocaust. She just pointed out that burning of transgender health books is a lie as that form of cosmetic surgery didn't exist. But of course you knew that already, didn't you?
I was thinking I'd probably see one of you! You're wrong :) Let's review the history a bit, shall we?
In this case, what we're talking about is the Institut für Sexualwissenschaft, or in English, The Institute of Sexology. This Institute was founded and headed by a gay Jewish sexologist named Magnus Hirschfeld. It was founded in July of 1919 as the first sexology research clinic in the world, and was run as a private, non-profit clinic. Hirschfeld and the researchers who worked there would give out consultations, medical advice, and even treatments for free to their poorer clientele, as well as give thousands of lectures and build a unique library full of books on gender, sexuality, and eroticism. Of course, being a gay man, Hirschfeld focused a lot on the gay community and proving that homosexuality was natural and could not be "cured".
Hirschfeld was unique in his time because he believed that nobody's gender was either one or the other. Rather, he contended that everyone is a mixture of both male and female, with every individual having their own unique mix of traits.
This leads into the Institute's work with transgender patients. Hirschfeld was actually the one to coin the term "transsexual" in 1923, though this word didn't become popular phrasing until 30 years later when Harry Benjamin began expanding his research (I'll just be shortening it to trans for this brief overview.) For the Institute, their revolutionary work with gay men eventually began to attract other members of the LGBTA+, including of course trans people.
Contrary to what Anon says, sex reassignment surgery was first tested in 1912. It'd already being used on humans throughout Europe during the 1920's by the time a doctor at the Institute named Ludwig Levy-Lenz began performing it on patients in 1931. Hirschfeld was at first opposed, but he came around quickly because it lowered the rate of suicide among their trans patients. Not only was reassignment performed at the Institute, but both facial feminization and facial masculization surgery were also done.
The Institute employed some of these patients, gave them therapy to help with other issues, even gave some of the mentioned surgeries for free to this who could not afford it! They spoke out on their behalf to the public, even getting Berlin police to help them create "transvestite passes" to allow people to dress however they wanted without the threat of being arrested. They worked together to fight the law, including trying to strike down Paragraph 175, which made it illegal to be homosexual. The picture below is from their holiday party, Magnus Hirschfeld being the gentleman on the right with the fabulous mustache. Many of the other people in this photo are transgender.
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[Image ID: A black and white photo of a group of people. Some are smiling at the camera, others have serious expressions. Either way, they all seem to be happy. On the right side, an older gentleman in glasses- Magnus Hirschfeld- is sitting. He has short hair and a bushy mustache. He is resting one hand on the shoulder of the person in front of him. His other hand is being held by a person to his left. Another person to his right is holding his shoulder.]
There was always push back against the Institute, especially from conservatives who saw all of this as a bad thing. But conservatism can't stop progress without destroying it. They weren't willing to go that far for a good while. It all ended in March of 1933, when a new Chancellor was elected. The Nazis did not like homosexuals for several reasons. Chief among them, we break the boundaries of "normal" society. Shortly after the election, on May 6th, the book burnings began. The Jewish, gay, and obviously liberal Magnus Hirschfeld and his library of boundary-breaking literature was one of the very first targets. Thankfully, Hirschfeld was spared by virtue of being in Paris at the time (he would die in 1935, before the Nazis were able to invade France). His library wasn't so lucky.
This famous picture of the book burnings was taken after the Institute of Sexology had been raided. That's their books. Literature on so much about sexuality, eroticism, and gender, yes including their new work on trans people. This is the trans community's Alexandria. We're incredibly lucky that enough of it survived for Harry Benjamin and everyone who came after him was able to build on the Institute's work.
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[Image ID: A black and white photo of the May Nazi book burning of the Institute of Sexology's library. A soldier, back facing the camera, is throwing a stack of books into the fire. In the background of the right side, a crowd is watching.]
As the Holocaust went on, the homosexuals of Germany became a targeted group. This did include transgender people, no matter what you say. To deny this reality is Holocaust denial. JK Rowling and everyone else who tries to pretend like this isn't reality is participating in that evil. You're agreeing with the Nazis.
But of course, you knew that already, didn't you?
Edit: Added image IDs. I apologize to those using screen readers for forgetting them. Please reblog this version instead.
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egophiliac · 22 days
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bring back zooterkins, the best 17th-century swear word
I don't normally do Just Characters Swearing, but. ...this kind of wrote itself and then wouldn't leave my head. it comes from both a piece of character-writing advice that has always stuck with me, and also my conviction that Leona is 1000% funnier as a character if his dialogue has to stay G-rated. let Kalim say fuck, but don't let Leona say bastard.
(I'm sorry)
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inkskinned · 7 months
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what is with men being mad any time a woman raises her voice where did that even come from. someone posted a video of a small electrical explosion, and the top comment was of course the woman screams. the second comment is women try not to scream challenge, level impossible. i had to go back and watch the video again. there is, somewhat fainty, a little gasp emitted off-camera, more of a yelp than a scream. it is mostly lost in the crack of the explosion. afterwards, you hear her voice, shaken, say, are you okay?
i am helping one of my friends train her voice pitch lower, because she wants to be taken seriously at work. she and i do each other's nails and talk about gender roles; and how - due to our appearance - neither of us have ever been able to be "hysterical" in public. we both appear young and sweet and feminine. she is cisgender, and cannot use her natural voice in her profession because people keep saying she appears to be "vapid". we both try to figure out if our purposeful voice lowering is technically sexist. is it promoting something when you are a victim to it?
a storm almost sends a pole through a car window. in the dashcam, you can hear the woman passenger say her partner's name twice, crying out in alarm. she sounds terrified. in the comments, she is lambasted for her lack of calm. how is that even fucking helping?
in high school, i taught myself to have a lower voice. i had been recorded when i was genuinely (and righteously) upset; and i hated how my voice sounded on the phone speakers when it was played back. i was defending my mom, and my voice cracked with emotion. it meant i was no longer winning the argument: i was just shrieking about it.
girls meet each other after a long summer and let out a little joyful scream. this usually stops around 12-14, because people will not tolerate this display of affection (as it has the effect of being passingly annoying). something about the fact that little girls can't ever even be annoying. we are trained to examine each part of our lives (even joy) for anything that could make us upsetting and disgusting. they act like teenage girls are breaking into houses and shrieking you awake at 3 in the morning. speaking as a public school educator: trust me, it's not that bad, you can just roll your eyes and move on. it does not compare to the ways boys end up being annoying: slurs in graffiti, purposefully mocking your body, following you after you said no. you know, just boy things.
there's another video of a man who is not allowed to yell in the house, so he snaps his fingers when he's excited about soccer. the comments are full of angry men, talking about how their brother is unfairly caged. let him express himself and this is terrible to do to someone. eventually the couple has to address it in a second video: they are married with a newborn baby. he was trying not to wake the infant up. there is no comment on the fact women are not allowed to yell indoors. or the fact that it could have been really alarming or triggering for his wife. sometimes i wonder if straight men even like women, if they even enjoy being in relationships with them.
for the longest time, i hated roller coasters because it always felt inappropriate and uncomfortable for me to scream. one of my friends called me on it, said it was unusual i'm so unwilling. i had to go to my therapist about it. i don't like to scream because i was not raised in a safe situation, and raising my voice would have brought unsafe attention towards me. even when i am supposed to scream, it feels shameful, guilty. i was not treated kindly, so i lack a basic form of self-protection. this is not a natural response. it is not good that in a situation of high adrenaline - i shut up about it.
something very bad is happening, i think. in between all the beauty standards and the stuff i've already discussed - this one feels new and cruel in a way i can't quite express. yes, it's scary and silencing. but there's something about how direct it is - that so many men agree with the sentiment that women should never yell, even in an emergency - it feels different.
is the word shriek gendered automatically? how about shrill or screech? in self defense class, one of the first things they tell you is to yell, as loud and as shrilly as you can. they say it will feel rude. most women will not do this. you need to practice overcoming the social pressure and just scream.
most women do not cry out, even when it's bad. we do not report it. we walk faster. we do not make a scene. what would be the point of doing anything else? no matter what we do, we don't get taken seriously. it is a joke to them. an instagram caption punchline. we have to present ourselves as silent, beautiful, captivating - "valuable."
a woman is outside watching her kids when someone throws a firecracker at them. she screams and runs towards her children. in the comments, grown men flock together in the thousands: god. women are so annoying.
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callisteios · 1 year
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Would you like to find out what you would be the god of? Take my new uqiz to find out
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rotzaprachim · 5 months
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too many conspiracy theories about oil in gaza and not enough practical understanding of the fact that bibi netanyahu and his cronies have extreme personal reason to keep this war going as long as possible and at any level of civilian cost because the moment it's over he'll no longer be a wartime prime minister and will have to face the repercussions for being a massive reason why the october 7 attacks ended up with a body count as high was it was
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ash-and-starlight · 5 months
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humble contribution
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fanficmemes · 1 year
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Love when writers do an insane amount of unnecessary research for their fics. I follow an author that did like 8 months of intense research into 14th century Scotland so they could write smut about it, and guess what. It was some fucking incredible porn AND I learned about old Scottish politics
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keepinventory · 1 year
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kaydub80 · 4 months
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When those in power constantly lied about the little things, it isn't hard to see why people have tuned out--and even questioned whether masks were even effective against the virus.
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memesandmylife · 5 months
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it really is insane to me how in the mid 2010s netflix had a reputation of making cool, inclusive series as well as saving tv shows after their networks cancelled them, and now here we are today with every halfway decent netflix original show getting cancelled after 1-2 seasons and a bajillion episodes of bigmouth
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kcrossvine-art · 5 months
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BING BONG FUCK YA LIFE!!!!!!!!!!!
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