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#this is my holy grail
bumblingest-bee · 14 days
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holy fucking hell apparently a soundboard recording of julie andrews in my fair lady in 1956 exists but nobody on encora owns it. i know people say they'd sell their organs for something as a funny exaggeration but i genuinely truly would not hesitate to pawn a kidney on the black market to get my hands on that
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t0ky0ghoul · 10 months
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one day u will be mine
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baltharino · 3 months
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Monty Python and the Holy Grail (1975)
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lizrust · 1 year
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This has been reposted by people so many times (and without credit!) since I first put it on Twitter. but hi I painted this and I like it.
Print is here!
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leona-florianova · 8 days
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BOS squires NOT carrying two halves of coconuts and clip clopping while carrying those massive duffle bags seems wrong to me. They should be clip-clopping.
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kwistowee · 1 year
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EDDIE MUNSON | MONTY PYTHON AND THE HOLY GRAIL I was making this when @slumped-in-the-arms-of-fiction sent this post to me and yep, I agree.
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hurglewurm · 5 months
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this post by @cursedmerlinedits had me overjoyed but i also really wanted to see merlin as the enchanter... so here we are
[id: two illustrations of characters from bbc merlin as monty python and the holy grail. in the first illustration, arthur is monty python arthur, and merlin is patsy. they are wearing camelot red instead of gold, and they are both grimacing. in the second image, merlin is wearing the costume of tim the enchanter, with ram's horns and a big wooden staff, in front of a rocky backdrop. end id.]
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famousmyth · 5 months
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quest for the holy grail!
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stardustdiiving · 5 months
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The way some people talk about “misogynistic writing” with the female genshin archons—specifically Nahida & Furina— kills me a bit, because while i do feel there’s valid criticisms of genshin’s writing to be made (especially regarding Ei, who I do feel was done a massive disservice writing wise), often I see people seem to come from a place of not understanding the writing/characters well, and/or leaning into like…very reductive ideas of what makes a female character “good” that honestly says more about their biases than Genshin’s
For example, a common complaint I see against Nahida & Furina is about them being made to be “weak/unserious” and how this is bad writing because genshin is unwilling to take their characters seriously—but the way this is argued seems to suggest Furina & Nahida would be better characters if they were more physically powerful, mature, or “cooler” in some way. But I really dislike the notion of girlbossification being seen as the one standard of good writing for women. A girl being strong and independent and able to punch things really hard isn’t a marker of inherent good writing
Nahida and Furina not being physically powerful or completely sure of themselves is the point. Their lack of life-experience-based maturity and overpowering physical strength are intentional and points of strength for their character writing, not flaws or weaknesses:
Nahida is the God of Wisdom—her primary source of strength is her intelligence, which comes from her curiosity about the world that is intrinsically linked to her being very caring by nature. The reason Nahida is at a disadvantage in physical strength with the antagonists—Scaramouche and Dottore—and doesn’t have an epic moment where she brute force overpowers them, isn’t because Genshin is treating Nahida like an incompetent joke, it’s because her character highlights the overall theme in Sumeru’s AQ that power isn’t everything and strength/wisdom comes from many places.
She outsmarts both Scaramouche and Dottore through her ability to strategize—if you’re trying to sell Nahida as a character who embodies wisdom, it’s far stronger writing wise to have her use her wisdom and mind to overcome narrative conflict than have her be all powerful. If you don’t think Nahida revealing she’s trapped Scaramouche in a dream loop after he tries to rip her gnosis from her, or her standing her ground against Dottore and forcing him to bargain with her when he attempts to intimidate her into giving him what he wants doesn’t make her “cool” or interesting….idk ! Maybe it’s not the writing and just your personal preference for character appeal
Furina —without getting too deep into 4.2 spoilers—has an arc revolving around the loneliness & conflict of needing to mold yourself into a performance for a greater purpose, and grappling with personal identity and autonomy in the aftermath of performance and repression shaping your life. I really don’t understand how people watch how she’s handled and come away with the conclusion her character gets bent around Nuevillette’s man pain/the fact he’s just so ~much more competent than her unless you’re just really not interested in trying to engage Furina’s writing or taking it in confusingly bad faith
Her struggling with lacking the physical power/competence a god “should” have is, again, the point of her character and they are very clear where that lack of ability comes from within the writing. Her narrative actions follow an arc that revolves around this internal conflict she has—she feels very established to be her own person and they certainty don’t shy away from expanding on Furina’s emotions without it only being done as footing for other (male) characters
I think Nahida & Furina were just not what people were expecting the Dendro & Hydro Archon to be like, I also see a lot of complaints that neither of them “act like gods” or “seem very godlike” but see, in my opinion, one of the central themes to genshin overall is to examine the relationship between humanity and the divine. Part of this also includes calling into question what a god should be, especially in relation to humans/having a sense of humanity
The center conflict within Nahida & Furina’s characters is that their sense of humanity is at odds with being held to what being a god “should” be. Nahida is imprisoned by the Sages who treat her with disdain for being a child and not being inhumanly perfect enough to be useful to them as a deity. We see Furina try to engage with her people earnestly in a more human way before realizing she needs to put up the performance that proceeds to shape her life & state of deep loneliness for the next 500 years to be taken seriously and fulfill her duties. You aren’t supposed to look at Nahida or Furina and think they’re all powerful otherworldly divine beings. You’re supposed to view the, as people—people who are young and inexperienced regarding their position in life. Venti and Zhongli act like people in the same way—the only difference is they have more experience and have had the time to accomplish more feats as original members as the Seven
Again, it’s not that I don’t think there’s criticisms to be made. Genshin to me sets up Ei to be a character who requires a lot of self reflection/growth and thought with handling her moral dubiousness, and then out of desperately worrying she won’t be likable enough, seems to bend over with trying to insist on Ei being palpably appealing while not following through on a lot of what her character really needs to feel well handled. (I feel they barely even address Ei needing to rebuild trust with her people and it’s only more clear when you now see Furina spend a lot of time handling something similar despite doing less um, government oppression thsn Ei did for instance HDJNDJDJ. But I guess me pinning where my personal dissatisfaction with her writing comes from is another post in of its own and more based in general issues with Inazuma vs viewing it as misogynistic writing alone) The trend of not letting a female character grapple with her morality and try to push her being livable at the expense of addressing her complexity does honestly feel it falls into a misogynistic writing trends. I am really bummed out with Ei’s execution when genshin has proven through other characters along with Nahida and Furina they are capable of handling a character like her writing wise imo
But I really think, again, if someone thinks none of genshin’s women are engaging or interesting, or that Nahida and Furina aren’t taken seriously enough narratively while seeming to not really understand the intent of the characters’ writing, or want to take them seriously unless they’re cool/girlboss-y enough, I feel it may say more about their ideas of handling women in fiction than it does about genshin. I get personal preferences and not being really into a character, but people so frequently frame it as a possibly misogyny pattern with how genshin writes the female archons and I can’t help but disagree. I think sometimes people don’t consider what the story is trying to say with the characters vs what they think is cool or want (and of course what we all think is cool or may want/expect narratively is always informed by our own biases). There’s a level of subjectivity in how you can interpret writing and narratives of course but they’re just not interpretations I feel fit into what’s presented in the text !
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mold-lover · 1 year
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Monty Python and the Elden Ring
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spectralish · 8 months
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a (holy) quest
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askzephyrbreeze · 1 month
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@ask-gadzooks ———————————————
ASK ZEPHYR BREEZE
Start at the Beginning || Ask A Question
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coldshrugs · 2 months
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that list of gshade/reshade presets for "bipoc" (can we just say dark skin when we mean dark skin?) characters floating around really proves that taste is subjective 🧍‍♂️
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punkmystery · 9 months
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Hi foblr I don’t go here much but here’s a pavlove video from the pit tonight! 8/6/23, Camden, NJ (live debut)
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moccason · 1 year
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Behind the scenes of
Monty Python and the Holy Grail: A Collection
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morguegause · 8 months
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They fell by the hundred / before Bedwyr of the Perfect-Sinew. On the shores of Tryfrwyd / fighting with Garwlwyd/ furious was his nature / with sword and shield
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