#this is not accurate disclaimer also u can disagree its fine

[breitzbachbea]

(p1) okei, what i think I can gather about you from your art/writing,(bare in mind i haven't read your long fics/most drabbles yet tho). Your 200+ OC's of different nationalities show you want to live in a thousand cultures, have a thousand lives and live in every part of history, but as you cannot, you have 200 OCs which is almost like containing 1000 souls (very relatable tho).... But 200+ OCs and your longest AU's are massive, show yeah 👀👀 And you enjoy ships that bicker... cos....

(pt2) cos the intimacy needed for that is HUGE. You love the 'i love you, i hate you, but i cannot escape from you' -> bonus points if it's history, language or culture that ties your ship together. Additionally: -completed devoted to the one they love (and would suffer for them) is a dynamic that interests you -u think the italian language is hot af -i get the feeling that michele is either how u want to be loved (idyllic love), or michele is how you love, cos that's your comfort ship (sic/ire)

1. That's pretty accurate! I have this fear that I'll never have enough time on this earth to do what I want (but I've been working on getting rid of that fear. There's enough time). I'm so fascinated by the world that we're living in, what used to be and how it relates to what is. The endless multiplicities of identity that a group can contain or even an individual.

So indeed, I make OCs based on what I learn about the world and in turn the OCs give me a good way to interact safely with the knowledge I find. It's a perpetuum mobile of creativity and knowledge.

And history is just the entirety of human experience on this planet, so trying to breathe some more life into it via Historical AUs is one of my favourite ways to engage with it. I love writing term papers as much as trying to apply the scientific findings to actual people. (I think one of my favourite things may be Sexuality in the res publica AUs, the do's & don't's that aren't the same as they are now. I freed Michele & Lovino from their catholic guilt, only to immediately constrain them with the class & gender expectations of the Roman Republic lmao).

2. I never thought about it like that, but yes! I enjoy bickering because it's an admission of closeness! You can't have friendly bickering if you're not close! (Which is why Hugo & Alois Are Like That. I enjoy them constantly mocking each other greatly, but it's never friendly and it always ends in a mess).

My family had and has its shares of problems, but I know that we love each other. Immensely. We're also that kind of family to constantly poke fun at each others, so I think that's why I instinctively resort to this kind of dynamic, with any kind of close relationships. It's not the ONLY one, because that would be boring, there are so many more ways to express love and it naturally doesn't suit every kind of character.

(I just remembered when we were at the lunch table and my dad spotted a magpie on the stable roof.

Mom: " ... why are my curtains pulled back again?"

Dad: "So that I can watch magpies.")

Here are some more non-romantic examples from my work/with my characters:

AA(The last one was a response to a tiktok that was basically "Asking your nice friends for fashion advice vs asking your mean/honest friends for advice")

3. I DO love the "i love you, i hate you, but i cannot escape from you". Maybe also for personal reasons, we're not getting that private on here. It's one of the inherent tragic aspects of Hetalia that has fascinated me for a long time: They're human and they feel like humans, but they lack part of their free will. They somehow have to survive entire lifetimes, loving and hating and remembeand worse, they have to bear decisions they themselves don't necessarily make. The relationships they form with the only other people like them, whether it'd be bonds of platonic, familiar or romantic love, the only solace and stability might have, may be snatched away from them. It can turn to hate or grow cold or another nation can disappear afterall and there is nothing they as individual people could have done about it. It's a double-edged sword - You tie yourself to someone who could be your raft as well as sink you to the bottom of the ocean.

I inevitably ended up keeping this kind of relationship in my "Like Father Like Son" Universe. Now, quick disclaimer - I am not saying they are solely the victim of their circumstances. They're all criminals in my AU and I have zero patience for making excuses for the Organized Crime. I worry greatly about the problematic aspects of my work and am well aware of them. The last thing I ever want to do is actively romanticize the Mafia. I want to add for the following part, too, that I draw as much on the real world as possible, but the structures of the organized crime in LFLS are a little more reminiscent of Monarchy or Aristocrazy.

With that out of the way however, the worldbuilding in LFLS mirrors their existence in Hetalia. Escaping their position would come with great dangers, even though their existence as is will never allow them true happiness. They're different from the people around them and there is a special connection between the Hetalia characters as bosses here - All of them inherited this position. They all basically suffer under the same yoke, they all are faced with the same difficulties. And, like in Hetalia, some of their decisions are out of their control. Business overrides their private life. They have to look out for their own people and families, for their own survival, so they may hurt the ones they love. And yet, and yet, they cling to one another. Try to make it as functional as possible. Take the pain for the relief. It's not pretty, but it's fascinating as an onlooker and fictional tragedies are also a great outlet for one's own emotions.

4. That also kind of ties in with "completed devoted to the one they love (and would suffer for them) is a dynamic that interests you". Hells yeah it does, because two people losing themselves is beautiful. Yes, it can be toxic, yes one should take care of oneself and have boundaries. But unconditional love is something I believe we all yearn for and I hope I one day get to devote myself to someone else again, as much as is healthy.

Again, it's also not just perfect for lovers, but for siblings and guardian figures. Paddy would lay his life down for Harry, Charlie & Soph. ("There's no pain that I won't go through/Even if I have to die for you" - Starset; "I love my children more than anything in this life! I will chose their happiness over mine, every time!" - Slightly changed version of Congratulations from the Hamilton Mixtape).

Gilbert who's so eager to be here for Ludwig and to protect him; to take anything off his brothers shoulder that he can.

And on the romantic side, is there anything better than two people simping head over heels for each other??? Or when a character wants to kiss/fuck another one so bad that it makes him look stupid??? I also love more quiet, more serene relationships, but to appreciate their calm, you have to make a storm to compare them to. All storm or all calm only gets you bored and exhausted.

5. Hell yeah do I think the Italian language is hot af, who'd disagree with me? It also unlocks emotions that were previously unavailable when I listen to Italian music. (German does the same. There is just something to each language that it can express certain feelings in a way like no other). YOU tell me that you listen to Shimmy Shimmy by Takagi & Ketra and aren't hypnotized by Giusy's voice. No other soundtrack for my Sicilians, Greeks and Turks fooling around on a beach and being highly erotic with each other.

6. Hm, this may be tying in with 2 again. I think I'm more of a Harry, personally, to be honest! (Nerdy, got aggression problems, cheeky, hothead, can't really cook). I think SicIre is my comfort ship because it's the type of love my parents had. It's what I am most accustomed to and there's also just a beauty in not caring what the rest of the world has to say and doing your own thing. And Harry isn't the prettiest bloke on the block and will probably never think of himself as beautiful, but that is fine because Michele looks at him like a sky full of stars. And the entire world can tell him Michele's a bastard, Harry won't listen to them. From a hetalia standpoint, these two are islands who had to suffer a lot from foreign occupation and being regarded as backwards & weird. Sicily tries to keep the autonomy it has and makes sure that others know they aren't like the mainland and Ireland fought hard for its independence from the British empire. From a LFLS standpoint, Harry embraces Michele with all of his past baggage and jagged pieces. Harry is the first person Michele never fell out of love with, the only one, and he's here to reassure Harry that he is worth caring for every step of the way.

#beareplies #amber #wow this was LONG lol #about me