Look, I have no criticisms of A Wrinkle in Time (2018) except that it completely downgrades the villain of the story.
In the book, the villain is evil itself. It has spread across the universe in many ways, subatomic and cosmic. Camazotz is a tragic casualty of this evil, and here it is displayed in a way that the readers can understand.
My problem isn’t that in the book IT is a brain and in the movie IT’s. Like. A whole weird glowing dimension of darkness. I think they did IT brilliantly and in a way that fits the aesthetic of the movie. They took liberties, and they did it respectfully and captured the spirit of the story, except in one aspect.
My problem is that they represent IT as the origin, the source of this evil, and thus Camazotz as ITs home, making IT seem much less cosmic.
I can believe that IT is potentially an echthros with a strong hold on an entire planet. That makes sense. I can believe that said planet being a dark one could potentially be a very catastrophic force. That lines up with some of the themes of the (original?) Time trilogy. But them making Camazotz the epicenter of the evil that is the villain of this series just sorta diminishes it.
Aight rant over, back to your regularly scheduled bullshit <3
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arthur rackham's drawing of baucis and philemon as trees from hawthorne's a wonder book may be one of my favorite drawings ever. like...the people looking up at them in wonder. the way that even as trees they have those perfectly human wrinkles. the gentleness of their smiles and the way philemon has his branchy hand around baucis. i think this is what love looks like
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Me: hm, I want something to put on the TV as background noise... Huh. Looks like YouTube is recommending something called The Last Unicorn. That's perfect, it's probably some old shitty animation that has aged poorly! I can watch it ironically!
Me, 2 hours later as the credits roll: *crying, cheering, buying the book, composing the songs*
Me, 2 weeks later: So I have compiled all of the quotes from the book that I think could make good tattoos, and also, HOW HAVE I NEVER LEARNED ABOUT HOW THE LAST UNICORN FUCKING SLAPS??? This gay-ass little fairytale fed my soul! Watered my crops! Transed my gender! Can't believe I heard of this story from youtube recommendations, of all places!!
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because, dude. sally grew up essentially all by herself. she searched for companionship and found it with someone she could never be with. and was left to raise a kid on her own. then she married an abusive man to ensure her child's survival. and her child became her only source of companionship for years. and, dude. percy grew up thinking his father walked out on the family. and couldn't keep from getting expelled from every boarding school he attended. and was bullied for his entire childhood. and the only source of comfort he had was his mom. like. there is so much love there. but it had great potential to become something codependent.
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Oh my fucking god??? I *knew* there was something fishy with no writers/quest designers being credited. Also: outsourcing is not an excuse not to credit the gamedevs doing hard and deserving work.
This is genuinely contemptful towards everyone involved, gamedevs and players alike.
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JSTOR Wrapped: top ten JSTOR articles of 2023
Coo, Lyndsay. “A Tale of Two Sisters: Studies in Sophocles’ Tereus.” Transactions of the American Philological Association 143, no. 2 (2013): 349–84.
Finglass, P. J. “A New Fragment of Sophocles’ ‘Tereus.’” Zeitschrift Für Papyrologie Und Epigraphik 200 (2016): 61–85.
Foxhall, Lin. “Pandora Unbound: A Feminist Critique of Foucault’s History of Sexuality.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 167–82. Edinburgh University Press, 2003.
Garrison, Elise P. “Eurydice’s Final Exit to Suicide in the ‘Antigone.’” The Classical World 82, no. 6 (1989): 431–35.
Grethlein, Jonas. “Eine Anthropologie Des Essens: Der Essensstreit in Der ‘Ilias’ Und Die Erntemetapher in Il. 19, 221-224.” Hermes 133, no. 3 (2005): 257–79.
McClure, Laura. “Tokens of Identity: Gender and Recognition in Greek Tragedy.” Illinois Classical Studies 40, no. 2 (2015): 219–36.
Purves, Alex C. “Wind and Time in Homeric Epic.” Transactions of the American Philological Association 140, no. 2 (2010): 323–50.
Richlin, Amy. “Gender and Rhetoric: Producing Manhood in the Schools.” In Sex and Difference in Ancient Greece and Rome, edited by Mark Golden and Peter Toohey, 202–20. Edinburgh University Press, 2003.
Rood, Naomi. “Four Silences in Sophocles’ ‘Trachiniae.’” Arethusa 43, no. 3 (2010): 345–64.
Zeitlin, Froma I. “The Dynamics of Misogyny: Myth and Mythmaking in the Oresteia.” Arethusa 11, no. 1/2 (1978): 149–84.
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