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#this is so late and i am so sorry
bonesbuckleup · 9 months
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hi! i love your fic like a hinge like a wing so much - i've reread it more times than i can count. sorry if youve gotten this question too much - i was wondering if you might be posting the first part of the sequel soon? eagerly awaiting the next installment of my fav batfam fic
Hello!!!! No sorry necessary. I will never be mad about people liking something I wrote! Also sorry, tumblr.com was up to shenanigans again and I missed the notification for this--I think it's been hanging out for a while!
I'm still picking at it! I'd say about 60% of it is completely written, but regrettably it is not 60% in chronological order since I tend to write like a scattershot. The sticking point is that the part I'm mostly struggling with happens in chapter 2, which means I'd stall out fast if I posted! I almost caved a few months ago tbh, but I honestly don't know when the next bit would be up (versus following a set posting schedule).
In the interest of full disclosure, though, my current brain rot project is an original book. Most of my fiction-writing oomph has been landing there the last few months as a result. Since my day job is also writing, I can only focus on so many projects at once...so the sequel's on hold for a bit until I make some more progress on the book.
ANYWAY! I'm so glad you like Like a Hinge, and I really do intend to one day post the sequel. Unfortunately I am completely unable to estimate when that one day may be.
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plantpirating · 11 months
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Type "I am" in the tags and whatever follows is your gender today...
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egophiliac · 6 months
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so excited for Kalim to save the day by swiper-no-swiping this dip. you can do it! I believe in you!
god I hope this reads properly
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actuallyitsstar · 1 month
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NINE PEOPLE I WOULD LIKE TO KNOW BETTER
OMG TYSM FOR TAGGING ME @liass-21 !!!!! i am so sorry i drafted this tag and i thought i queue'd it and i didnt so 😭😭😭 its only like a month late. its fine everythings fine. aaaaaa 😭
LAST SONG? - "photograph" by the midnight! it is on my writing-for-top-gun playlist bc it has huge maverick vibes lol.
FAVORITE COLOR? - pink!!!! also lighter purples and blues and most pastel shades <3 and black
CURRENTLY WATCHING? - a streamer i have never watched before playing the remaster of of tomb raider i-iii bc i am excited about the remaster!! and those games are my childhood <3 not to be a million years old or anything sakfhfjfhg
LAST MOVIE? - unfortunately it was 'oz the great and powerful' 😭 if any of y'all enjoyed that movie i respect it, but i had to see it on tv at a friend's house and we were having a great time laughing at the very unexpected writing and acting choices being made lol
SWEET/SPICY/SAVORY? - aaaaaaaa i guess savory ?????? but sweet has a special place in my heart ajdhfjfhfjg
RELATIONSHIP STATUS? - committed long term relationship to ~my person~ <3<3
CURRENT OBSESSIONS? - well this is gonna be obvious but top gun primarily !!!! additionally, dan and phil !! mission impossible !!! fall out boy!! and even if the current obsession level is not as high as other things, i am always at least partially obsessed with a hundred other things and people that i am probably posting about at the same time lol
LAST THING YOU GOOGLED? - “oz the great and powerful reviews” bc i wanted to make sure that im not crazy and that other ppl also felt that movie was an insane fever dream (apparently due to the 44% on metacritic i guess they did lol)😭
tagging: aaaaaa @brambleberrycottage @daffodilstark @tellhound @torchflies @melancholydandelion @goosefilms @driftershunt @downthegenderriver @callsignstingray
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luxaofhesperides · 3 months
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Can I please have meet cute/weird with mistaken villain! Danny (but really just a engineer and or chem student) and the one being put on investigation cause Danny is a day villain(not really)! Duke
Technically, Danny Fenton is innocent. Technically. 
Duke wants to give him the benefit of the doubt, especially since he’s having so much trouble finding solid evidence that Danny is stealing from a wide variety of people, but he’s been burned before by trying to see people as better than they were. It doesn’t change the fact that Oracle’s cameras keep spotting Danny right before a building on the street is broken into and something stolen. He’s always just walking down the sidewalk; no one has spotted him entering or exiting a building, but he’s around far too often to be unconnected to these burglaries. 
It doesn’t help that strange, petty crimes have been on the rise since Danny first arrived in Gotham. 
So.
Danny Fenton is technically innocent.
Duke is trying to prove that he’s not. 
Maybe I’m looking too closely, he thinks, going over Danny’s sparse file in the Hatch. Maybe Danny’s only one person in a bigger operation.
He could just be the lookout, the runner, the information gatherer who marks which buildings to hit. He may even be the scapegoat, the sacrificial lamb; Danny has no support in Gotham, no family, no job. There would be no one to help him if he got arrested or injured in a fight. He’s a freshman college student from Illinois who should be unprepared for life in Gotham but is somehow managing to survive like a native. 
There’s a lot about Danny that doesn’t add up. 
Duke has seen plenty of different people since he first went out as the Signal. He’s tried to be kind and give people the benefit of the doubt, but it leads to his loved ones being put in danger. Some people are truly evil, some working on a malicious agenda, some are misguided in their beliefs, and some are desperate people who see no other way to move forward.
He’s not sure yet which on Danny is, but he’s hoping Danny is just desperate and needs a little help to get out of a life of crime.
Which leads to the next problem: Duke has no idea what Danny is steal, or why. He hits both rich and poor folks, civilians and members of the mob, and once, notably, stole something right out of Cobblepot’s office. Allegedly, at least, since no one saw him enter or exit the office, not even the security cameras. 
But added to the whispers going around about a new group in Gotham snatching people up from the streets, and some strange green substances found in warehouses often raided by police for the frequent drug labs that pop up in them… 
It doesn’t look good for Danny. Especially when a few of the items he stole were found where people either vanished or where that green substance has been found.
A week of analysis in the Batcave and they still don’t know what it is. 
Both Damian and Jason suspected Lazarus water, but the composition was completely different. By the look of the molecular structure, it shouldn’t have been in a liquid form at all. 
All these findings lead back to one person who may have answers: Danny Fenton.
According to Tim, who’s already broken into Danny’s dorm room and checked over all the labs he has classes in, Danny has some concerning items in his possession. Various inventions and little metal knick-knacks put together by a practiced hand. He was also the one to find all the information that went into Danny’s file when it was first being made: social media posts, school report cards, news articles about his parents… everything. 
And then he had an emergency mission to take with the Titans that swept him out of Gotham leaving Duke to tackle this investigation on his own. 
He doesn’t have Tim’s natural skill in stalking and invading privacy. He hates breaking into people’s spaces and following them around, but needs must and he has to force himself to work through the discomfort. 
It’s a good thing he did, too. Danny’s leaving his dorm after his last afternoon class, hood up to hide his face and something held in the front pocket of his hoodie. He ducks around people on the sidewalk easily, almost as if he’s gliding through the crowd instead of walking. 
Duke follows from above, bending the light around him to hide him from sight. 
He walks for some time, weaving through alleys and streets as if he’s been in Gotham his whole life, leaving behind the university campus to head towards Otisberg. There’s something strange about the way Danny walks, as if he’s moving around people who aren’t there, guided by something Duke can’t hear. Even using his meta abilities doesn’t do much beyond show him where Danny’s going to be in the next few seconds. 
He continues to follow Danny on the rooftops, walking along the edge to keep him in sight. 
Then Danny stops behind an apartment building and tilts his head back to look up at it. He tilts his head to the side, then nods and looks around the empty alley. Duke crouches down, keeping his eyes on Danny in the hopes of catching him in the act—
Danny disappears.
Duke curses under his breath and jumps down from the roof, putting more strength into his abilities as soon as his feet touch the ground. 
The space where Danny was has a faint outline, oddly enough. He’s never seen that before. From it is a semi-transparent trail, smoke-like and a pale green leading into the building. It goes straight into a wall, as if Danny walked through it.
He can’t go in and search the entire apartment, but he can grapple up and take a look into the hallways to see where Danny’s heading. If he was looking up, then that’s where he should be heading. 
It doesn’t take any effort to scale the building. There are ledges and windowsills and plenty of handholds for him to propel himself off of, and paired with his powers, Duke is able to find the correct floor in just under two minutes. 
The green smoke slowly dances through the air of the ninth floor, on the east side of the building. If he’s been counting the rooms correctly, then the target of tonight’s burglary has to be apartment 924. 
The curtains are drawn on the window he makes his way over to, and his abilities don’t show him anything helpful for the immediate future. He hates going in blind, especially to a civilian’s home, but capturing Danny takes priority. Duke picks the lock and slides the window up slowly, making sure it stays quiet, then slips into an empty bedroom. 
He makes his way out into the hallway on silent feet, keeping a wary eye on the thin smoke strands of green, curling along the walls. The rest of the apartment is empty as well, pale sunlight slanting across the floor through the blinds. 
Everything is still and silent. Danny’s nowhere to be found. 
Did he miss Danny leaving, somehow? Was this a misdirect to get him out of the way while Danny stole from another location? Did he know Duke was following him?
But no, his ears pick up on the faint sound of clothes rustling. 
Cautiously, Duke turns towards the front door, where the door to the coat closet is open. He focuses on what’s going to happen in the next twenty seconds and sees Danny panic, then disappear from sight again, but a transparent outline of his body is visible just enough to show him where he runs to. Best not to spook him; Duke pulls at the light around him and bends it to hide him from sight.
Then he moves along the wall, getting around the open door without bumping into anyone or anything. 
A figure in front of the coats, shoving them to the side roughly, flickers in and out of view, almost like a reflection in water, distorted by ripples on the surface. 
Danny pops back into visibility suddenly, scowling at the coats. “Are you sure it’s in here?” he asks the empty air. 
There is no answer, but Danny acts like there is. He rolls his eyes and says, “It’s a favor. That I’m doing for you. I can literally stop right now and you wouldn’t be able to stop me.” He shoves aside another heavy winter coat, then sighs. “Why don’t you look for it, and then tell me where it is.”
He steps back and bumps into Duke.
Danny whirls around, eyes wide, and blast of green light has Duke crashing back into the wall, trying to blink spots out of his eyes. 
“Wait!” he yells, grabbing for Danny before he can run off. “I just wanna talk!”
“Standing right behind me like a serial killer does not make you look like someone who wants to talk!” Danny yells back, slipping through his hands like mist. 
“I just have a few questions!”
“Well, I have a question: why?!”
“Will you hold still, we’re being too loud!”
Danny escapes to the other side of the apartment, next to a window looking fully prepared to fling himself out of it. But he does stop yelling, so Duke is counting it as a success.
“Why is the Signal coming after me?” Danny asks, glaring at him suspiciously.
“Dude,” Duke says, “You’ve been seen outside of every single building that’s had a burglary since you first arrived in Gotham. All the Bats are after you, they just sent me because I’m the only one active during the day.”
“All the Bats?” Danny repeats, losing what little color he had in his face.
He looks legitimately scared, pale enough to be concerning, and Duke drops his guard and tries to relax the tension in the apartment. “I’m not gonna turn you into the cops or anything. I just had questions and you seem like the most likely person to have answers. That’s it.”
Danny still looks wary, ready to run at a moment’s notice, but he doesn’t leave when Duke approached casually, leaning his weight against the couch. 
“So,” he begins, “What’s the deal with all the thievery? It’s rarely something super rare or expensive.”
There’s a long few minutes where Danny doesn’t answer, looking anywhere but at Duke. Then he twitches a bit and glares off to the side, and says, “I taking items that are contaminated with ectoplasm to help ghosts move through the veil and leave Gotham.”
That tells him nothing! That just gives Duke more questions! But at least it’s an answer, the first one any of them have got.
“I think you’re gonna have to explain a little more.”
“Ghosts are real, alright?”
“Yes.”
Danny stops. Squints at him. “What do you mean, ‘yes’?”
“Ghosts are real,” Duke repeats, “There are a few who help heroes or are heroes themselves, but that’s more on the magic side of things so I’m not super familiar with it.”
“Magic,” Danny says slowly. “Sure, alright. Um. Yes, ghosts are real. And there are a ton in Gotham who need help moving on, but they’re too weak to get past the veil. Something about Gotham has made the veil super strong, so they need a little boost to get through. Additional ectoplasm bonded helps with that.”
“And that’s why you’re stealing random things?”
“The ghosts I help can kind of sense ectoplasm-infused things, but they need me to grab them since they can’t hold anything without a physical body.”
Duke nods slowly. “Okay, that’s starting to answer some things. We have found those objects in the last places missing people were seen. Any idea what’s going on with that?”
“Yeah, those people were already dead.”
The way Danny says the most concerning answers as if they’re nothing is really throwing Duke off his game. He was expecting to be calm and serious to keep Danny from freaking out too much and look like a legitimate hero. But as soon as Danny started talking, all his nerves fell away and Duke is left grasping for composure. 
“They were…”
“They were ghosts, yeah. And they needed to get through the veil. But they were also able to possess their own bodies and didn’t realize they were dead until I had to break the news to them, which is why it looks like living people just up and disappeared.”
“Okay… What about the green stuff we’ve been finding?”
“Ectoplasm.” Danny holds up a hand and a neon green light surrounds it. Except it looks more solid than light, as if it can be touched, and it moves on its own like fire around Danny’s fingers. “It’s what ghosts are made of.”
Oh. If Danny has ectoplasm, does that mean…
“Are you dead?” Duke asks, heart dropping. 
Instead of looking upset about the question, or even disturbed by it, Danny just shrugs and waves his hand back and forth. “A little.”
“Okay, so let me get this straight,” Duke says, trying to resist the urge to rub his temples. It’s a habit he didn’t mean to pick up from Batman, and it would just look silly with his helmet in the way. “You’re just doing all this to help ghosts?”
“Yeah. Basically. They asked for help man, of course I was going to help them.”
Danny’s a good person. He’s just a good person to ghosts. But this is good news either way, and he can let the others know that Danny isn’t the next Catwoman and is entirely unconnected from any drug production. Everything that made him look like a criminal is just the fault of ghosts. 
“Speaking of,” Danny continues, “Looks like they found what they need, so I’m going to grab that real quick.” He pushes off of the wall and heads for the closet again, moving past Duke without any fear. Duke follows, keeping a few feet of distance between them so Danny doesn’t feel trapped, and watches as he shoves aside the coats again and pulls a shoebox out of the depths of the closet. From it, he takes a single intricate lace headband and holds it up.
It looks normal, if a little old, but when Danny sends ectoplasm through it, the lace lights up and holds the glow. 
He pulls some strange contraption out of his pocket and holds it up to the headband. It makes a few beeps, then Danny mutters, “7.4 millisieverts. That’s enough to get you through the veil.”
Another concern Duke can let go of: Danny’s not creating weapons like his parents have, he’s just measuring ectoplasm through his own inventions. 
Maybe he could talk to Bruce or Tim about getting Danny an internship at the R&D lab in Wayne Enterprises? That way they could keep a closer eye on him while seeing what he can create in some of the best laboratories in the country.
Well, it might take having them meet Danny before they trust him enough for that, but Duke is sure he can make it happen. 
“I better go see this through, then,” Danny says, shoving the contraption back into his hoodie pocket. He gives Duke a small awkward wave, then pops out of visibility. “I’ll see you around, I guess?” he disembodied voice hedges, and Duke smiles.
“I’m sure I’ll be able to find you again.”
“Cool. I gonna go now!” 
He doesn’t see any sign that Danny’s left, but he gets a feeling that he’s alone now, the apartment suddenly emptier than it was before. 
As strange and concerning as Danny and all his bizarre actions were, Duke is glad he was able to finally talk to him and get some answers. Knowing how Gotham pulls people him in, it’s only a matter of time before the other Bats are exposed to Danny’s kind of strange. He’s already looking forward to it. 
For now, though, he has a file to update in the Hatch; POTENTIAL THREAT will be removed and replaced with GHOST HELPER. 
If anyone goes snooping into his files and gets confused, then that’s their problem. Duke’s explained enough. And Danny can take care of the rest, once they go through the effort of tracking him down. Duke's done his part, he's ready for the rest of them to step up to his level.
He can’t wait to see what other kind of trouble Danny can get it into.
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hxllo-hui · 10 months
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nmweek day 1: lies and secrets
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heybiji · 27 days
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isjasz · 10 months
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The sand may brush off (Do memories last forever?)
Happy DL anniversary i am NOT LATE LETSGO
Dtiys from @pikorulli on twt!! (from like sept 2022 LOL)
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wis-art · 10 months
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little comic i made based on this ask @scyrus42 sent me
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saradika · 2 months
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— beneath the mask
din djarin x f!reader
rated t - 1.3k
tags: medieval!au, light angst, anxiety, arranged marriage, soulmate au, reader has a mother & father
prompt: "I wanted it to be you, I wanted it to be you so badly” from the writing challenge hosted by the amazing and lovely @moonlight-prose 💖
when a mysterious stranger wins your hand at the tournament, you can't help but wonder about his intentions
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With each step down the aisle, your legs threaten to give out.
A clicking of your teeth as you tremble, before you're gritting your jaw, biting your anxiety back. You have a reputation to uphold, even if you're only the daughter of a lord from a lesser house.
You're still a lady.
And this marriage would ensure a home for you. Protection. More than, if this man is what he says he is.
But a part of you desperately wishes that it was someone else at the end of the aisle.
You'd searched for a long time. For the glimpses that flash in your dreams at night. Knowing that he was out there - the one you had begun to think of as yours.
Your soulmate.
Never managing to meet the same eyes that reflect back at you in the darkness, just before you wake. Not once in the hundreds, thousands of people you’ve looked at, throughout your years.
And when none were found, you slowly gave up. Knowing the world was too large and you were too small, too poor, to seek them out.
Eventually agreeing to the match that your mother and father arranged.
If you could not have him, then you did not want anyone.
And now - the figure that waits for you stands tall.
Encased in gleaming armor, showing none of the nerves that wrack you. Making you wonder if you should have protested. Taken the path of the unwed, even if there was hardship in your future.
The stranger had won your favor, in the tournament. That is how the story will be told, passed on by your father.
Looking back, you remember very little from it. Knowing deep down that the winner would be the one to have your hand, whether you liked it or not. So much of it had turned to haze, as you had sat frozen there.
All but too nervous to watch, as weapons clashed, shields splintering.
Men you had known and grown up with falling beneath the sword of the mysterious man, clad in silver armor.
A Mandalorian, it was rumored.
Something from stories, you didn't know they still existed. An ancient clan of knights and warriors, honoring weapons and myths over sworn deities. Never revealing their faces to outsiders, and sometimes even to their own.
He had never killed any of them, and there was some comfort in that.
But that didn't mean he did not wound.
That he wasn't vicious, ferocious on the battlefield. Driven by an unseen force. Unrelenting, even when blood was drawn - splattering a bright crimson against his armor.
Showing just how he came to earn his station. The leader of his tribe, from the whispers you heard. Traveling far - slipping into the last few open brackets in the tournament, just as the first morning was starting.
Ripping through them all, in the days that followed.
You were given as the prize, in the end.
Even before the day ends, you would belong to him - ferried off to a new life tomorrow.
And this is what also slows your feet.
Wondering why such a man would come for you.
At the end of the aisle, you halt. The clergymany is speaking, but it's all white noise. Your own eyes wide and face solemn as you stare at your betrothed - your features reflected back at you in the tinted glass of his visor.
Acutely aware that you haven't seen his face. Not knowing what your husband was to look like.
Was he younger than you? Or older... older than your father?
Was his face kind, or was it as sharp as his movements? Was it all snarling teeth, beneath?
Were his eyes blue, or green, or just maybe... brown? Like his?
You don't know. You think not. Leaving you to wonder how you will bear it - to spend each day staring into their eyes while dreaming of anothers.
It's only when a voice raises that you're snapped from your thoughts. Realizing that the ceremony is waiting for you.
Managing, with a stammer, to repeat the words. To pledge yourself - your life and love - to this stranger.
The words repeated after, a low voice layering with metal. The shaking of your hands is still visible when they reach out to meet his, the tips of yours resting against wide, steady palms.
Covered in gloves but solid, like the rest of him.
Only the peek of tanned skin visible when he peels the glove from his hand. A small comfort coming in the warmth of his hand, as you slip the ring on his finger, settling it just above a scarred knuckle.
The careful brush of his fingers - a calming stroke against your skin, when he slips a matching one on yours.
Gentle, after everything.
Not him.
But perhaps, not a monster.
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The celebrations swirl past you. There's music you don't remember. A meal that sits heavy in your stomach, from the meager amounts you managed to swallow.
A smile plastered on - assuring your excitement to family and friends - all while you worry about the hours to come.
Will he be as gentle as he was during the ceremony?
Or will it be more like the battlefield?
These thoughts linger, as the hours pass. Until the sun dips below the horizon, until the stars blanket the sky.
And then, you're alone.
Waiting in the finest room prepared for him in the guest wing. The pretty, ivory gown stripped from you, replaced with something thin and fine and silver - hand-sewn and intended to please him.
Pacing, until you hear the heavy steps approaching - as he returns from a meeting with your father, your dowry and your life handed over.
Leaving you frozen in place, as the door opens. Where he lingers, filling the space.
A different man than before, you think.
There had not been a slope to his shoulders, the way he moves as if afraid to frighten you.
His voice is different too - soft now, coaxing.
"I wish our meeting had been under more pleasant circumstances." Your husband tells you, as the door slowly shuts behind him.
Trapping you, now. The iron latch heavy, as it locks into place.
"But I could not bear to stand by." He continues, that hard edge creeping into his voice again, "You must understand."
"I don't." You manage - your brow pinched, shifting the smallest step backwards as he moves forward.
He goes still, at your retreat.
"Do you not, ner kar’ta?" His head tilts, "Do you not know why I have come?"
The shake of your head is small. Not understanding the name he calls you, his intentions.
He hesitates then, for a second. Before his hands are reaching - grasping the edge of his helmet. Slipping it from his head, as his head dips.
His hair is dark, beneath. Messy and curling, greying at the temples, down to the scruff that lines his jaw beneath plush lips and the curve of his nose.
And his eyes. That pretty shade of brown, the dark fan of his eyelashes.
You know them. Though you've never seen them, yourself.
For a moment, you can't breathe. Frozen for an entirely new reason - starting back at the eyes that you've seen so often.
"It's you," You manage. The words are no more than a soft gasp.
He lets you touch him, then. Fingertips tracing his jaw, those eyes slipping shut when your fingers brush the nape of his neck. Somehow knowing how the curls would feel against your fingers, already knowing each detail of his face.
Hidden deep down, revealed bit by bit in your sleep.
Only now, do you see all of him.
And only now, do you lean in. Your head tipping towards him, just as his forehead presses against yours. And it's now that you understand the warmth of his touch - the way it seems to soak into your skin. A lost piece of you, now becoming complete.
You hadn’t been able to find him - so he had found you, instead.
Unable to help the smile, as the dark pit in your stomach blooms into spring.
I wanted it to be you, you think - as your heart finally starts to beat again. I wanted it to be you so badly.
There's a hitch in his breath, with your touch. Fingers that stretch out and then curl, until you're taking them yourself, slipping yours between them.
"Now do you know?" Your husband murmurs, in the voice that you know as well as his eyes.
And you do - the answer coming easily, as you nod, "Because you're mine."
"Yes," He smiles.
"Yours."
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i cant stop writing soft!soulmate din 💖 thank you for reading!!
ner kar’ta - my heart
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mysteryposter · 1 month
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what if they were girlfriends
here's the whole sketch page, i sure do love clutter. and lesbians and also robots
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sad-leon · 4 months
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"So why am I so tiny, and why am I so mad?"
KoFi || Patreon
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seethingvortex · 8 months
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they cant even get 5 hours of sleep
this is very rough but the movie reminded me of why i love the family dynamics of the band lol
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asgardian--angels · 6 months
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Izzy Discourse Masterpost
Hey all, given the amount of awful splintering and wank happening in ofmd fandom rn regarding Izzy's death, including the flat-out immature and unacceptable harassment of David Jenkins and Co, I wanted to just make this one all-encompassing post to address the various grievances and complaints I've seen (almost entirely on Twitter). If I've missed anything, please feel free to add on. I'm putting most of this under a read-more for length.
Please be aware, I say all of this as an Izzy fan. I've loved his character since season 1, and while I was sad to see him go, I completely understand and support David & Co's reasons for concluding his arc, and I think it was done respectfully in a way fitting to his character. So let's break down some of the takes I've seen. I am not referencing specific posts or people here, I just want to address the general themes that I keep seeing about why some people are upset.
Izzy's death served no narrative purpose.
Look, this is one that I'm sure fans will debate for the rest of the hiatus. It's completely within your right to disagree with this writing choice, but Izzy's death did serve a narrative purpose in the story that David Jenkins is telling - and he has spoken to this end in several interviews already. I can only summarize here, and fans may find other perspectives in time as well. What we need to remember is that Our Flag Means Death is, at the end of the day, Ed and Stede's love story. That has been made abundantly, explicitly clear. The show has been fantastic at fleshing out the other supporting characters, but that's what they are - supporting characters. They often have their own subplots but ultimately the narrative seeks to move Ed and Stede's story forward and they are tools to spur Ed and Stede's growth or mirror their struggles. Izzy has been a wonderfully complex, multifaceted character but we must remember that all characters are vessels through which stories are told, lessons are imparted, and metaphors are established. He's not a real person who 'deserves' any particular fate. David said he's always intended for Izzy to die at the end of his arc.
Firstly, Izzy (now canonically, through his own dying words) represents part of Blackbeard. He enabled and encouraged Ed's darker side, they were mutually toxic forces to each other. Ed is attempting to cope with and move on from this phase of his life, and like Stede in season 1, set out a free man, unshackled by expectations and loose ends of those he's hurt and been hurt by (though we realize this is an ongoing process that takes time). This lovely gifset sums it up nicely, with Izzy being the Mary parallel, and making s2 mirror s1. Blackbeard is both Ed and Izzy; Ed cannot be free of Blackbeard while Izzy is in his life, and when Izzy is gone he will never truly be Blackbeard again. They are each other's rotting leg!! Yet, they love each other - and David has said that for Ed, this has developed into a mentor and father relationship, and where Ed has previously despised his father figures (his actual father, Hornigold) he does not want to lose Izzy. This time, Izzy brings out Ed, not Blackbeard - and that's where we get the callback to 'there he is', bringing their impact on each other full circle, freeing Ed, getting approval of sorts that he never had, to be soft, to be loved (and there are parallels to Zheng and Auntie here as well that others have made) from that force that drove him to stay in line all this time. David has said in multiple interviews now that he was going for the idea of the mentor/father figure dying and the hero living on and trying to do justice to them.
From Izzy's side, Izzy cannot be free while Edward remains either (Mary cannot find peace while Stede remains). The scar never truly healed, the leg will always be a reminder. At this point the argument becomes 'yes, but why did he have to die? Why not just sail off with the crew of the Revenge?' David has stated that he feels they've done everything they can with, and for, Izzy; he's come leagues from season 1, he's found community, he's found hope, he's found new parts of himself, and he's made good memories. He's found worth outside of what he can be to others. That's more than most pirates could hope for. Where would his character go from there, when the Golden Age of Piracy he belongs to has burned to the ground? Would he stay around and whittle on the Revenge? If he were a real person, yes, that would be lovely, and he'd deserve all the quiet peaceful happiness in the world. But as I explain several points below, he's not interested in being a captain. He's not up for the hard physical labor of regular crew, and he's extremely overqualified for that besides. He has served his narrative purpose, and symbolically, to enter a new age, everything must go. He's connected to the old age of piracy, to the Republic of Pirates, that is now demolished. To him, fighting for what he believes in, for the family he's found, bringing down an army of British twats in the process, is how he should go. It's a pirate's death, and as Izzy's said, he's a pirate - unlike Blackbeard who's succeeding in breaking away from piracy, Izzy never wanted to stop being a pirate, throughout his arc. To me, that's why Izzy remains trapped in the narrative, trapped in history, whereas Ed and Stede will escape history. They leave piracy, and canon, behind, while Izzy was content to remain a pirate and face a pirate's fate.
Burying him on land, right next to Ed and Stede's beach house, shows that his sacrifice was not in vain - they start this new life together, thanks to Izzy's mentorship, his role in their lives that sometimes for worse, sometimes for better, made their love what it was and made their breakaway possible. The new age is built on the foundations of the old age, and is stronger for it.
As we're well aware by now, David tweeted that there's no version of ofmd without Izzy. Whether that's literal or not, symbolically it's true. Izzy's arc of growth affected everyone on the Revenge. Jim fondly remembered fighting for a time when life meant something on that ship; the crew helped give Izzy new meaning in life, and he helped them in return. When he dies, they mourn and have a funeral; that wouldn't have happened under Blackbeard's watch in episode 2. His life meant something to them. He influenced Ed and Stede immensely, and they will take that with them. As David's said, they're all a family, and Izzy was a part of that family, and his loss unites them and brings them closer to continue to fight for that family they've built. It's a tragic, sudden death of someone they've all grown to care for, and that steels their reserve to keep the torch lit. They literally sail off into the sunset to hunt down Ricky to avenge Izzy; he will always be a part of this show. And, of course, with the brief appearance of seagull Buttons, the door is left open for anything.
If this was The Izzy Show, then sure, we'd be content to see him simply engaged in shenanigans every episode. But the plot, and therefore the characters, need to keep moving forward, and Izzy got his growth and development. He got what he needed for his character to have closure, and he served his symbolic narrative purpose in Ed's (and Stede's) story. You may have your own ideas and perspectives, and that's great - that's what fandom is for. But we cannot say his death was pointless when David Jenkins and the writers clearly had a well-defined motive for pushing the narrative in this direction. I actually think the narrative around Ed and Izzy is the most well-developed in the entire show. I for one am so happy we got such an interesting and complex character, and had the brilliant Con O'Neill to portray him.
Izzy's growth & healing arc was rendered pointless by his death.
As this post so eloquently puts it, it's pretty bleak to have the outlook that taking steps to heal and find meaning in life is worthless if it's later lost. Seeking happiness and self-actualization is worthwhile for its own sake; no one knows what's down the road, and we all die eventually. Find meaning in life now. Would you rather have had Izzy not miss with his bullet in ep2? He was given the chance to experience joy, freedom, and hope for the first time in potentially a long time, and when he died he did so with those happy memories. As mentioned, Izzy's death was decided long beforehand given the narrative, and the point of storytelling is to make you feel emotions. We were given impetus to connect and relate to Izzy's character through his process of healing, so when he did die, we felt it keenly. That's how stories work actually! We felt what Ed felt. It moved us. It's not a bad thing that Izzy's arc made him more likeable to fans before his death. It's not a bad thing to lose a beloved character - guess what, it happens constantly in stories - and it's not bad to grieve over it either, but to say that it made his journey pointless is just not true. People saying that Con must be upset that they snatched his character away from him after getting to develop him so much - again I say, would you rather him have died in ep 2 before he had the chance to grow? Or how about in s1, when the crew tried to mutiny? How'd you feel when Stede killed him in his dream, in the very first scene of the season? I think Con's probably glad for the opportunity to have explored this character so much in season 2. Ask him if he thinks it was pointless.
Killing off Izzy was bad for queer rep/burying your gays/"Izzy was the queer heart of the show"
I'm putting 'bury your gays' on the top shelf so people can't use it when it doesn't actually apply. Most of the main cast of characters in this show are queer, and it's a show about pirates with a good amount of violence. Ergo, chances are a queer character will die in the course of Things Happening In Stories. Izzy didn't die because he was queer, and he wasn't the token queer rep. Please turn your attention to the boatloads (literally) of queer characters that are happy and thriving (how about the LuPete wedding immediately afterwards??). As for Izzy being the "queer heart of the show," this is literally the Ed and Stede show. You know, the two queer leads whose queer love the show revolves around, per David Jenkins himself. I'm glad folks connected with and derived joy from Izzy's growth and especially his performance in Calypso's birthday, but he is not the main character of the show. The queer heart of the show is in fact, the entire show, all of their characters and the community & found family they create aboard the Revenge. Not to mention the fan community as well. Izzy was never carrying the show's representation on his back, and frankly that's an absurdly wild take to have (esp when he spent most of s1 actively working against the main queer relationships in the show, attempting to maintain the oppressive status quo of pirate society).
It was bad and irresponsible to have a suicidal character die
Are we forgetting the entire first half of the season where Ed, who was suicidal, kept trying to passively kill himself because he felt he was an unlovable monster, only to be shown that he is in fact loved unconditionally and it gives him the strength to fight for life and triumph against his own self-doubt? The show has spent quite a lot of effort telling viewers that despite feeling damaged or broken you are worthy of love and that you are loved even if it may be hard to see it when you're in a bad place. That you don't need to be fully healed to deserve love and care, and that love and support will help you along your journey. It's incredibly wild to disregard this major plot point and fundamental message of s2 to try and spin this the opposite way for Izzy's character.
Secondly, where are people getting 'Izzy is suicidal' from? Are we going back all the way to episode 2, when he's at his lowest point and fails at his suicide attempt, only to be figuratively reborn after removing the metaphorical rotten leg? By the time of the finale he's shown to be in a good place, thanks to the arc of healing and growth he's gotten, through the support of the Revenge crew and his 'breakup' with Blackbeard allowing him to find his own way in life, realizing he doesn't need a purpose to have value and enjoying his time on the Revenge and the bonds he's made with Stede and the crew. He is, in the words of Ivan, "the most open and available I've ever seen him" by the finale. To take episode 2 as evidence he's suicidal is to erase his whole season of growth, which is an ironic thing to do in the context of these arguments. There's no canon evidence Izzy Hands was suicidal post-'Fun and Games'.
As for 'irresponsible,' once again I say, David Jenkins is not your therapist, he's not 'Dad,' and has no responsibility to tell his story any other way than he intended to tell it. Please find media that gives you what you want or need, and if the death of a fictional character causes you this much distress please seek help. I mean this kindly but seriously.
Killing off Izzy was ableist/bad for disability rep.
I point once again to the rest of the characters, several of which are disabled in varied ways. There are literally multiple other amputee characters specifically. It's not good storytelling to wholly avoid killing off any character that is disabled/queer/poc/female or [insert marginalized group here], especially when a) it makes sense narratively, and b) there's plenty of representation of these groups in the media in question. The answer isn't making such characters invincible and immortal, it's increasing the number of these characters in shows so it's not devastating when some do die in the course of natural storytelling.
OFMD was my comfort show/safe space show, now it's ruined for me
I am not trying to be insensitive here when I say that's a problem that is yours and nobody else's. David Jenkins created this show with a three-season vision and a story in mind, and he is telling that story to the best of his ability the way he wants to. It's already been said that he and the crew did not anticipate the fandom becoming as large and passionate as it has. The plot of the show was never intended to be 'fan service,' and it's ironic that there were people complaining this season that there's been too many fanservice tropes, up until David and the rest of the writers room made a narrative decision they did not like, then the complaints changed to not coddling the fans enough.
We as viewers can derive joy from this show, it can be a comfort to us, it can be important to us. But it was not designed specifically for that purpose, therefore it cannot fail in that respect. We do not have the right to harass writers for not steering the ship in the direction we want - it's their work of art, and we can choose to either come along for the ride or not. It's rare to see creators actually given the chance to tell their story the way they intend (budget cuts aside), so let him do that. He should not cater to fans, or cave and change the story to appease us. Respect his right to create his art, and remember you have the right to create your own. That's what fanfiction is for - write fix-its to your heart's content, but keep these realms separate. David Jenkins and Co hold zero, and I mean zero, responsibility to you. He could not please everyone no matter what he did, it would be fruitless to try, and it would certainly compromise the quality of the story he set out to tell.
You are absolutely allowed to dislike choices made in any show. Curate your media experience. If this show no longer brings you joy, stop watching. But it was never David's purpose nor responsibility to juggle the mental health of millions of fans. Trying to put that on him will only make him less enthusiastic about interacting with fans or continuing to make this show. This isn't rocket science. You're responsible for yourself, not this guy you call 'Dad' that you've developed a parasocial-therapist relationship with.
Izzy should have become captain of the Revenge.
Really?? Firstly, we did actually get that already in s1. He was tyrannical and the crew mutinied. But even if you think 'well after his character arc he'd be better suited to it,' it goes against the point of this arc. He's found value in not having a distinct role or purpose on the ship, decoupling his worth from the job he's expected to perform. He's found his place amongst the crew, not commanding it. There's no narrative reason to put him in charge when he's expressed no further interest in slotting himself back into a role full of pressure and expectations.
Con O'Neill was only told halfway through filming, it's cruel to just kill off the character he loves so much.
Guys, he's an actor. More than that, an actor with a theater background. I think he's used to characters dying. You don't need to look out for him. Con and David spoke one on one about it at length so they were on the same page, and David even said that Con took it well. I'm sure Con had input, just as other members of the cast have influenced their characters' stories, costumes, backstories, etc. Do you really think David Jenkins hurt Con's feelings or something? The writers (remember, it's not just David, it's a whole team of hard-working people coming up with these ideas) gave Con such a chance to shine this season, really developing Izzy beyond what he was given in s1 and letting Con show off his full acting range. Why are you only focusing on the destination rather than the journey? Sure, Con's probably sad to see Izzy go, but please do not project your distress onto him or try and accuse David & Co of being 'cruel' to their cast. That's really ridiculous. It's constantly evident how close they all are.
More importantly, do you actually, seriously think that Con O'Neill would want fans to harass each other or the writers over his character? The man who preaches being kind above all? There is no better way to make an actor uncomfortable about a show and its fanbase than to start treating fictional characters like they're more important than real people. He would not want you to bully people over Izzy Hands, and it's mind-boggling that some of you have convinced yourself otherwise.
Lastly, I just want to talk about the fact that some people are holding OFMD to absurdly high expectations.
Our Flag Means Death has been a pioneer series for its diverse representation, earnest storytelling, and themes of hope, community, and love. It's fine to discuss aspects of the show with a critical eye, but so much of the discourse has truly felt like folks are trying to find fault in a show that is leagues ahead of the average tv series that we still enjoy. How many fan favorites are killed off all the time? How many plotlines are scrapped, or drawn out without closure, or contradicted the very next season? How many shows are indifferent or actively hostile towards their fanbase? How many have any queer characters, or actually do bury them? The bar's so low, and OFMD has risen above to give us so much. Some are holding the show to astronomical expectations, waiting for it to fall from the pedestal it's been placed on. If something you don't like happens in the show, it's not suddenly ruined or demoted to being ~just as bad as those other shows~. Give them some breathing room, have some perspective on how progressive the show is, and that perfection is impossible, especially meeting every single viewer's idea of it. This is basically a repeat of the recent Good Omens drama, with an absurd number of people harassing Neil Gaiman for breaking up Aziraphale and Crowley and leaving the second of three acts on a very predictable cliffhanger. Let stories be told, let them unfold as they may, and you are free to leave anytime. It's so wonderful that more queer love stories are becoming popular and even mainstream, but let's not shoot ourselves in the foot by tearing them down when they don't go exactly the way you want it, which often seems to mean no drama, no character deaths, and therefore no conflict or even plot!
Just, please be civil human beings, and while this seems to be a difficult thing for so many fandoms to do, just keep your fan opinions in the fan space. Never bring your grievances to the writers, never bully them and persecute them for telling a story that you opted into viewing. That's something that goes entirely against everything this show, and this cast and crew, have imparted onto us - the importance of kindness, support, community, and love. I'll say it again because it bears repeating: the fate of a fictional character is never more important than how you treat real people. Just be kind in real life, which includes the internet. Thanks.
Now please, let's work together to ensure we get a season 3. There's so much more story to be told, and if you want to see Izzy back, whether that's as flashbacks, as a ghost haunting the inn, or in the gravy basket, we'll need more episodes! #RenewAsACrew
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cherrirui-official · 3 months
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Awe yeah Hitman JD art (+ semi-unrelated doodle bc I wanted to put something over the cut)
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!! Blood warning for the art under the cut !!
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@lemony-and-zesty HI I stumbled upon your Hitman John Dory au while looking at trolls fanart and I'm SO NORMAL abt him!!!! I just had to draw him I hope that's okay
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marshmallowgoop · 18 days
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no thoughts just Heiji Hattori (HD)
#detective conan#case closed#amv#my amvs#eye strain#heiji hattori#harley hartwell#conan edogawa#shinichi kudo#funimation english dub script#video#happy two-year anniversary to 'no thoughts just heiji hattori'!#while it's not my first amv (it's maybe my... fifth?)#it was the first one i made with davinci resolve and the amv that really got me into editing amvs for real#it's the amv that made me believe i could make amvs 🥺#and in remastering it i deeply understood how ambitious it was! i thought i did a lot of audio mixing for 'messed up'#but that's not even close to all the audio mixing i did here--cannot believe that i did all this for my first big amv project#it took about 20 hours *just* to remaster!#which is something i've been meaning to do for a while now so i'm very happy to finally share the results!#to make this a 'remaster' and not a 'redo' the only changes i tried to make were to the source footage and audio#video now uses almost entirely hd remastered footage from my blu-rays or netflix rather than my dvds#but oh gosh was it *hard* not to touch anything else! i'd do so many things differently now#but this video will always be really special to me (and i can't believe i did it at all tbh!)#i hope seeing it in hd is fun too! i'm so blown away by all the love this vid's gotten#and that it helped increase interest in funi's old english dub is amazing and 100% what i was trying to do with it!#thank you everyone for all the support <333 i wouldn't be the video editor i am today without this vid or your encouragement for it <3333#like the original the sources used are mostly from what funi dubbed (but mixed in hd by me!): eps 48-49 57-58 77-78 117 and 118 and movie 3#but i also used episodes 141-142 174 189 239 263 277 291 293 345 479 491 517 and 522#and ova 3 and tv special 6 (episode one) and movies 10 and 13 and ops 27 31 and 33 and the funi 5.2 dvd blooper for the one line lol#i'm sorry i've been so absent lately! i hope to be more active now... and there are 2 completely done amvs that i'm just waiting to post...
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