hi everyone please dont scroll past this if you have some time because i have an urgent question… im writing about/researching native/mother languages and what that means to people and their (cultural) identity/sense of self. so, if you grew up in a (multicultural) household with a language other than the language spoken in the country you are/were living in: what does your (native/mother) language mean to you?
and if youre having trouble answering that, here are a couple of supporting questions that might help you out: what does that language bring you (think: connection, community, history, culture, sense of self/identity, different perspectives, etc.), are you or are you not fluent in that language, and how does that make you feel? which emotions do or would you feel if you heard that language outside of your home/country it’s native to?
feel free to reply to this post or message me directly and thank you so much in advance 🥺
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God I can't believe how dearly I love my plushies. It's no joke no exaggeration. I'm so thankful to have those things. I'm so grateful I can form bonds with literal objects and they make me so happy. Thank you objects.
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Guyssss I messed up...! Miscommunicated with my tapestry printer about bleed lines and it led to some misprints going out (tapestries with white borders on one or more sides). I'm pretty sure I've emailed everybody that it might've affected but if I missed you somehow, message me so I can get you a replacement!
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I want. Four to get appreciation. Because
Four gave a ton of unnoticed help when Twilight was injured
The fight with Wild was difficult, and I know we're all concerned about his negative view of the shadow crystal
But Four did something that no one else really thought of to help- He took care of Twi's stuff
From the beginning he told Twilight to not worry about them
So Four took care of pretty much everything but the others (that Sky and Wars handled)
He took care of Epona
Which is so very important- he took care of Twilight's horse. After her arrival at the stable Four followed up on her
And for Epona, a horse so attached to her human, having some company can help so much for reassurance
He took care of Twilight's stuff
He got Twi's shield- his bags and equipment, and organized it into one place
And he was worried. He obviously found the shadow crystal while handling Twi's stuff, but his negative reactions to it were out of concern.
Also- because of his placement in this scene
I'm fairly convinced Four was ready to start cooking before Wild showed up (since he's beside the counter with food supplies). At the very least he had the basket of fruit out for everyone -but he was literally standing with food behind him- he thought of everything
And he did housekeeping!
Wars payed for the inn, so Four took care of the inn
Realistically these boys were probably not too concerned with tidyness. Four got all of Twi's things on one table, and took care of the room they stayed in
Organizing tables and Twi's things, having food supplies ready, and opening the curtains- overall he was the one tidying up the inn
Four helped in a huge way! He took care of Twi's horse (Epona is so important), his equipment and shield and bag, as well as the other rooms in the inn
Four filled in all the little tasks that others didn't think of. He helped in ways that were needed, but not obvious
There's a lot of problems with the shadow crystal and with Wild, and I don't know what's gonna happen in the future
But don't forget this- don't forget that Four was one who stepped up in an almost unnoticeable way
Don't forget that when everyone was barely holding it together, Four visited Twilight's horse and took care of his things
No matter what develops in the future- this amount of care shown is important ya know?
.
Art and comic from Jojo @linkeduniverse au :)))
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idk if i'm way off the mark on this, but the way some people are responding to that Guillermo del Toro interview about the decline of studio animation is a bit frustrating to me. specifically the bit where he talks about "emoji animation" and how everything is over-animated and pushed too far and things are rarely allowed to not be ultra-cartoony (y'know, because animation always needs to be marketable to children who are never trusted to have attention spans, right?). like, i think he's generally correct about it! but some folks are taking the wrong message away from that.
i've seen people going off about how "soulless" and "corporate" various recent examples are, and talking about these pieces of media as though they're the result of some kind of personal failing or lack of skill/range on the part of the animators, and it's just like. do people realize that's the only animation you're usually allowed to DO in the industry, unless you get incredibly lucky and land yourself on a project/studio that's unusually cool?
when i was in college for animation it was literally drilled into us nonstop that everything had to be pushed more, that exaggeration was not a guideline or a sometimes-treat but a hard rule that always had to be applied regardless of what was going on, because the viewer couldn't be trusted to pick up on subtlety and we sure as hell couldn't be trusted to convey it. you ever wonder why there's such a specific vibe to a lot of self-directed student films, particularly ones that are focused on character acting/interaction or deep emotions and introspection (especially when there's minimal/no dialogue)? it's because for a lot of young animators, they haven't had the freedom to experiment with realism and subtlety up to that point and they're likely not going to have it again for a while (or at all, unless their career path leads to higher positions where they might have more creative direction over the things they work on. which also becomes a lot less likely if they're anything other than a cishet white dude, for what it's worth).
i would LOVE to see more nuanced, realistic, understated motion and acting in animation. i WANT more characters to be able to express what they're feeling through natural body language and facial cues and for scenes to allow me to breathe instead of spelling everything out in giant bold flashing text all the time. what del Toro wants to see changed in the animation industry sounds great, and i hope others join him in seeking to revamp what modern animation is allowed to be.
but as things currently stand, and as they've stood for a long while now, most artists doing the grunt work on the shows and movies you see are completely at the mercy of corporations and networks who have a vested interest in producing a very specific kind of marketable and cost-efficient media all the time. (and by extension that style is ALSO what's taught in most animation schools, because their job more than anything is to grind you down into a perfect little sweatshop worker who will bend over backwards to meet quotas and get your work approved and not question the higher-ups, even if you have little to no personal investment in the projects you're working on, so that the studios who employ you can maintain their good reputations or whatever)
anyways idk what my point was here, this really just sorta became a rant and my views have undoubtedly been coloured by my own personal experiences (this kinda shit is largely why i dropped out before my last year of animation school, for the record).
i guess just be kind to folks in the animation industry? they've had it fucking rough nonstop for well over a century (the majority of them are still not unionized and there's HUGE pushback against doing so in many places). i assure you they are doing their best to infuse the latest uninspired illumination flick or weird spinoff kids' show with literally any amount of soul they can. you don't have to like the stuff that gets produced by any means! be a hater! i'm certainly not gonna stop you. just remember where these creative decisions come from and why these conditions exist, and consider that when YOU watched something and thought "hmm that could've been done better", you can bet your ass someone actually working on it probably thought the same thing but couldn't do anything about it. these things WILL change as the industry itself improves, but in the meantime folks have to pay their rent, and that usually means doing what they're told and working in a way that will minimize revisions and meet quotas so they can keep their jobs. it sucks, but it is what it is.
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